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"dismisses" poems
sound of waves crashing against shore she says it’s the tone in your voice sound of waves crashing against shore he asks what tone are you referring to what are you hearing sound of waves crashing against shore she says i’m an artist too you don’t have to tell me sound of waves crashing against shore he explains i was simply affirming my vocation in order to elucidate why i perceive another way sound of waves crashing against shore she says you don’t need to pose or differentiate for me you are so ******* self-absorbed sound of waves crashing against shore he answers self-conscious possibly not self-absorbed i think it is intelligent to question everything to suspect all we see think we know maybe a greater mystery than any of us realize exists beyond all our beliefs sound of waves crashing against shore she says i think it’s time for us to stop talking sound of waves crashing against shore he says why can’t you make it easy why must everything be a fight sound of waves crashing against shore her ****** becomes a deep dark narrowing tunnel he is trapped in thinning air smells like ocean sound of waves crashing against shore her voice detached distant disaffected says fine sound of waves crashing against shore he questions fine? find? line? sign? can you hear me? anyone hear me? sound of waves crashing against shore she purposely ignores his panting gasping shrieking sound of waves crashing against shore later she tells the surgeon who performs the extraction then the police detectives who conduct the investigation she had no idea he was lost in there sound of waves crashing against shore unanimous jury finds her guilty she screams out at courtroom he was a self-absorbed dreamer this is all wrong sound of waves crashing against shore the judge declares mistrial dismisses case based on prosecution’s inability to refute so-called artist’s willingness to enter of his own volition sound of waves crashing against shore late at night she feels his voice whisper circulating through her body haunting her sound of waves crashing against shore
0
Oct 17, 2010
Oct 17, 2010 at 8:47 AM UTC
sound of waves crashing against shore
sound of waves crashing against shore she says it’s the tone in your voice sound of waves crashing against shore he asks what tone are you referring to what are you hearing sound of waves crashing against shore she says i’m an artist too you don’t have to tell me sound of waves crashing against shore he explains i was simply affirming my vocation in order to elucidate why i perceive another way sound of waves crashing against shore she says you don’t need to pose or differentiate for me you are so ******* self-absorbed sound of waves crashing against shore he answers self-conscious possibly not self-absorbed i think it is intelligent to question everything to suspect all we see think we know maybe a greater mystery than any of us realize exists beyond all our beliefs sound of waves crashing against shore she says i think it’s time for us to stop talking sound of waves crashing against shore he says why can’t you make it easy why must everything be a fight sound of waves crashing against shore her ****** becomes a deep dark narrowing tunnel he is trapped in thinning air smells like ocean sound of waves crashing against shore her voice detached distant disaffected says fine sound of waves crashing against shore he questions fine? find? line? sign? can you hear me? anyone hear me? sound of waves crashing against shore she purposely ignores his panting gasping shrieking sound of waves crashing against shore later she tells the surgeon who performs the extraction then the police detectives who conduct the investigation she had no idea he was lost in there sound of waves crashing against shore unanimous jury finds her guilty she screams out at courtroom he was a self-absorbed dreamer this is all wrong sound of waves crashing against shore the judge declares mistrial dismisses case based on prosecution’s inability to refute so-called artist’s willingness to enter of his own volition sound of waves crashing against shore late at night she feels his voice whisper circulating through her body haunting her sound of waves crashing against shore
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33
Man. In a cleft that's christened Alt Under broken stone I halt At the bottom of a pit That broad noon has never lit, And shout a secret to the stone. All that I have said and done, Now that I am old and ill, Turns into a question till I lie awake night after night And never get the answers right. Did that play of mine send out Certain men the English shot? Did words of mine put too great strain On that woman's reeling brain? Could my spoken words have checked That whereby a house lay wrecked? And all seems evil until I Sleepless would lie down and die. Echo. Lie down and die. Man. That were to shirk The spiritual intellect's great work, And shirk it in vain. There is no release In a bodkin or disease, Nor can there be work so great As that which cleans man's ***** slate. While man can still his body keep Wine or love drug him to sleep, Waking he thanks the Lord that he Has body and its stupidity, But body gone he sleeps no more, And till his intellect grows sure That all's arranged in one clear view, pursues the thoughts that I pursue, Then stands in judgment on his soul, And, all work done, dismisses all Out of intellect and sight And sinks at last into the night. Echo. Into the night. Man. O Rocky Voice, Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme, Its joy or night-seem but a dream; Up there some hawk or owl has struck, Dropping out of sky or rock, A stricken rabbit is crying out, And its cry distracts my thought.
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5.3k
Man And The Echo
Man. In a cleft that's christened Alt Under broken stone I halt At the bottom of a pit That broad noon has never lit, And shout a secret to the stone. All that I have said and done, Now that I am old and ill, Turns into a question till I lie awake night after night And never get the answers right. Did that play of mine send out Certain men the English shot? Did words of mine put too great strain On that woman's reeling brain? Could my spoken words have checked That whereby a house lay wrecked? And all seems evil until I Sleepless would lie down and die. Echo. Lie down and die. Man. That were to shirk The spiritual intellect's great work, And shirk it in vain. There is no release In a bodkin or disease, Nor can there be work so great As that which cleans man's ***** slate. While man can still his body keep Wine or love drug him to sleep, Waking he thanks the Lord that he Has body and its stupidity, But body gone he sleeps no more, And till his intellect grows sure That all's arranged in one clear view, pursues the thoughts that I pursue, Then stands in judgment on his soul, And, all work done, dismisses all Out of intellect and sight And sinks at last into the night. Echo. Into the night. Man. O Rocky Voice, Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme, Its joy or night-seem but a dream; Up there some hawk or owl has struck, Dropping out of sky or rock, A stricken rabbit is crying out, And its cry distracts my thought.
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48
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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Mar 2, 2017
Mar 2, 2017 at 5:47 PM UTC
ICHABOD CRANE
WASHINGTON IRVING WROTE A NOVEL ABOUT ICHABOD CRANE LITTLE SLEEPY HOLLOW WILL NEVER BE THE SAME LITTLE SLEEPY HOLLOW WAS CURSED BY A HORSEMAN MOST DREAD HE WAS RIDING IN SLEEPY HOLLOW IN SEARCH OF HIS HEAD THE HEADLESS HORSEMAN WAS IN THE REVOLUTIONARY WAR SO FOR HIM SEARCHING FOR HIS HEAD WAS NEVER A CHORE ICHABOD CRANE WAS A TEACHER MOST STRICT WEATHER THE GHOST STORIES WERE TRUE WHO COULD EVER PREDICT ICHABOD TEACHES THE CHILDREN OF FARMERS IN THE VILLAGE BUT ITS THE YOUNG GIRLS OF FARMERS HE SECRETLY WANTS TOO PILLAGE KATRINA VAN TASSEL A BEAUTIFUL YOUNG STUDENT ICHABOD FALLS IN LOVE WITH HER BUT WAS IT VERY PRUDENT HE WAS INVITED TO THE TASSELS FOR A PARTY MOST RARE KATRINA AT THE PARTY DISMISSES HIS WITHOUT CARE ICHABOD LEAVES THAT NIGHT ON HIS HORSE HE RIDES ITS AN EERILY DARK PATH HIS HORSE DOSE STRIDE ICHABOD IS SCARED AND SEES A LARGE DARK MAN HE YELLS TO THE STRANGER AS LOUD AS HE CAN SO ICHABOD RIDES SCARED AND FAST BUT ALONG SIDE COMES THE MAN NOT WILLING TOO PASS ICHABOD NOTICES THE RIDER REALLY HAS NO HEAD THIS JUST FILLS ICHABOD WITH THE MOST SINFUL DREAD ICHABOD AND THE STRANGER RACE TO THE TOWN CHURCH FOR THIS IS WHERE THE GHOST STORIES FIRST CAME TO BIRTH ICHABOD RACES TO THE BRIDGE AND NERVOUSLY LOOKS BACK THE STRANGER HAS DISAPPEARED OFF THE GHOSTLY TRACK BUT HE NOTICES THE STRANGER HIS HEAD HE DOSE HURL ICHABOD FALLS OF THE HORSE HIS WORLD IS IN A WHIRL THE NEXT DAY ICHABOD'S HORSE FINALLY RETURNS HOME WHERE IS ICHABOD WHERE DID HE ROAM THEY LOOK FOR ICHABOD AND FIND HOOF PRINTS AND ICHABOD'S HAT SO NOW THE FOLKLORE IS BORN IN SLEEPY HOLLOW THAT'S THAT " WISDOM IS LIKE MANURE IT'S NO GOOD UNLESS IT'S SPREAD AROUND ENCOURAGING OTHERS TO GROW"
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65
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
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Apr 29, 2018
Apr 29, 2018 at 4:28 PM UTC
About Writing
It’s possible to speak too much to remember what your words mean. And so is the two-fold danger faced by writers. Danger is to pace a hole in the floor. Danger is to stand until you can’t move anymore like when shallow waves **** your feet into the sand. 
So I try not to stand when I write. 
I keep a narrow tack without too many big words which pedants use to dig great holes in the ground –moats to keep others out– or make you think they think big. But anyone who reads knows about Icarus and anyone with aims must beware: to shoot directly upwards is to strike your own head when like fate the arrow returns to source. You’re only as good as your mind, your characters only as strong as you are. —at least, this is true in so far as you know. True in so far as they speak. For to test them you must torque them and twist at their cores, and make opposing forces meet– but only as hard as you can. This makes writing a hill slick with oil. Insecure. Potential energy. Potential failure seated in all of that grime that cakes your toes like grease that coats the teeth of great industrial gears. So I try not to stand when I write. But whether the better take comes when you plunge and you slide and dissolve like so much ice, I must say I don’t know, the thought seems nice. But the same It seems like those who let go Are the ones with the least to say. I can't decide either which way. All I know about writing is most sentences are punctuated wrongly. The period is certain, but writing is undecided. It is the figuring-out, a quest-bound troop that moves with all its own fanfare. Question marks curl up— invisible smoke on a summer coal fire: heat twisting the air like irons in stoke giving sign of the transformations there withheld. For fire mediates matter, so writing stands ever-between. But I’ve spoken too much and I don’t know what these words mean. And so I fold like there’s danger in writing, while danger is imagined like borders on a continent. Danger is thinking I'm dangerous enough to keep silent. Like shallow waves, given way to sand. So avoid letting voids form where the mind dismisses confrontation to more capable smiths. Writing is –at best– an attempt. Even with shallow structures in rhythmic din, the silent breaks by force of pen, and all because of the simple fact that quiet refuses to bend. All I can hope is my writing upholds these unknowns while I try not to stand. But you ask about writing?
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74
Everyone dismisses me as insane, But I am a prophet, Profiting, On the inane. When I get lost in stargazing My cup of cardamom chai Configuring constellations of cream, I pocket piping hot horoscopes Right out of the tea kettle. Remember -- I drink in the universe, Sanctimoniously symbiotic. So the next time I offer, To read your tea leaves, Left dried at the bottom of the cup, Don't scoff me off, Because what I do, Is translate the universe's art.
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Aug 8, 2013
Aug 8, 2013 at 10:22 PM UTC
The Frustrated Fortune Teller
It was my best friend who asked me what I'd choose to be in my next incarnation. Honestly, she caught me completely off guard, intellectually dumbfounded by a prospect I'd never considered, nor felt I deserved. That night I wracked my brain searching for a suitable chakra from which to derive an answer. I know she believes everything is renewed, so, deferring to her convictions, I chose a jaguar, as suitable for my solitary way. She's always had a knack for surprising my existence, deflecting the metaphysical, steering for spiritual shores. I recognize this power she exudes, though she dismisses me. The jaguar I'm evolving divinely subsumes her virtues, is cognizant of the heroine from Mumbai ashrams. I'd like to tell you I hear rumblings in the sky, that there's a certain path beneath my feet, but my destiny eludes all outward signs, striving for that inner love that has no name.
0
Oct 28, 2012
Oct 28, 2012 at 11:44 PM UTC
Ontology for a Nameless Tao
I've drank the finest of wine Down to the bottom of the bottle Only to witness an ocean alone Barely surviving my own hands A fire burned through my viens That was blew out by the wind Breezing through the leaves A calmness that sits with me Before calmness dismisses me I walked across the tallest blue sky Where wide winged birds soar high Til promises of white clouds turn grey And so there I fell with the rain Dripping through the lowest gutter Many times I was buried, lying in dirt Like a grave, needing no help Finding the dark inside of myself But I always rise with the blades Of the greenest fresh spring grass No matter what feeling I catch None of them seem to everlast
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Feb 18, 2020
Feb 18, 2020 at 9:47 AM UTC
Comes and goes
You wander down the hallway Feeling something shiver inside of you You wonder what this feeling might be And suddenly an image of his face Pierce your corneas A second later He is there And when you pass in the hallway He looks at you sideways Widens his eyes. You furrow your brow Lift the corners of your lips Tilt your head You mention how you always see him in this hallway He considers you. Then. He says it is God’s will You get the wind knocked out of you You know that it shows on your face He dismisses you But not before you say that you agree That it is God’s will You take your casual leave Calling him by his nickname Stepping into the elevator You remember he calls himself a liberal You hug yourself You wonder if he sees his God in you You remember he was born on Palm Sunday You chuckle to yourself You walk past your roommates You feel their eyes on your back You sit down and eat your dinner You stand at the window You watch the buildings bleed onto the streets Manhattan swirls underneath you There are points of light on little moving objects The cars and the people The colors and the lights The smoke and the sky The city pulsates, the city snarls Eager for you to take the streets You gaze out your window And so, you decide, it is It is God’s will and just exactly who Are you To deny it?
0
Mar 20, 2013
Mar 20, 2013 at 1:34 AM UTC
Montage
Man IN a cleft that's christened Alt Under broken stone I halt At the bottom of a pit That broad noon has never lit, And shout a secret to the stone. All that I have said and done, Now that I am old and ill, Turns into a question till I lie awake night after night And never get the answers right. Did that play of mine send out Certain men the English shot? Did words of mine put too great strain On that woman's reeling brain? Could my spoken words have checked That whereby a house lay wrecked? And all seems evil until I Sleepless would lie down and die. Echo Lie down and die. Man That were to shirk The spiritual intellect's great work, And shirk it in vain. There is no release In a bodkin or disease, Nor can there be work so great As that which cleans man's ***** slate. While man can still his body keep Wine or love drug him to sleep, Waking he thanks the Lord that he Has body and its stupidity, But body gone he sleeps no more, And till his intellect grows sure That all's arranged in one clear view, pursues the thoughts that I pursue, Then stands in judgment on his soul, And, all work done, dismisses all Out of intellect and sight And sinks at last into the night. Echo Into the night. Man O Rocky Voice, Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme, Its joy or night-seem but a dream; Up there some hawk or owl has struck, Dropping out of sky or rock, A stricken rabbit is crying out, And its cry distracts my thought.
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2.4k
The Man And The Echo
Man IN a cleft that's christened Alt Under broken stone I halt At the bottom of a pit That broad noon has never lit, And shout a secret to the stone. All that I have said and done, Now that I am old and ill, Turns into a question till I lie awake night after night And never get the answers right. Did that play of mine send out Certain men the English shot? Did words of mine put too great strain On that woman's reeling brain? Could my spoken words have checked That whereby a house lay wrecked? And all seems evil until I Sleepless would lie down and die. Echo Lie down and die. Man That were to shirk The spiritual intellect's great work, And shirk it in vain. There is no release In a bodkin or disease, Nor can there be work so great As that which cleans man's ***** slate. While man can still his body keep Wine or love drug him to sleep, Waking he thanks the Lord that he Has body and its stupidity, But body gone he sleeps no more, And till his intellect grows sure That all's arranged in one clear view, pursues the thoughts that I pursue, Then stands in judgment on his soul, And, all work done, dismisses all Out of intellect and sight And sinks at last into the night. Echo Into the night. Man O Rocky Voice, Shall we in that great night rejoice? What do we know but that we face One another in this place? But hush, for I have lost the theme, Its joy or night-seem but a dream; Up there some hawk or owl has struck, Dropping out of sky or rock, A stricken rabbit is crying out, And its cry distracts my thought.
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53
In the morning she eats garlic, A bowl of them, boiled in a mixture. Then medicine, then some kind of a Breakfast. She stares into the blank Of a day. Everything the same. She does her usual things: clean, Sweep, exercise, sometimes she reads. I do not know what she does in the day, Only the setting sun tells me of the lights She doesn’t leave on, because “electrical bills”. He says she spoiled the fridge, the kettle, Even the tv doesn’t make a sound anymore. She’s like a child. She whines, laughs, Tells me off. She observes, dismisses. She is the dying tip of an autumn leaf. My silence is the autumn wind. Cold, but not cold enough. I do not know of the things she does in the day. What does she do when the food is cooking in the pan? Or when it rains and she rushes to save the laundry. Only the chattering and muttering From her creased mouth, (the neighbours, groceries, the tv) Tells me that she speaks only to herself. She switches the tv on before she leaves the house. She sleeps before 9 pm. She leaves in June, and I don’t know what she does in the day.
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May 22, 2014
May 22, 2014 at 7:55 AM UTC
In the morning she eats garlic.
A mournful air beyond the fog, Death can meet among the poisonous rubes, Beyond the trees and past the deformed log. The Knight in Shining Armor comes to save the day. Bearing healing potions from afar in pewter tubes, But he is much too late; the Fool has already faded away. His tears are many, for the loss of a brother, They are heavy and murky against the dreamscape. Now for his revenge, he seeks a strange other. On his new, and strangely enlightened quest, He feels transparent ghouls kissing his nape Little does he know it is the sign of a Witches test. Maneuvering among the empty placed grave, He keeps his hopes on a looming tower. He approaches his becoming of an honest knave. He must be quick and tighten his saddle, Because a pursuing evil is a deadly power, And this Knight in Armor must be ready for battle. The danger of our Knight is not known to man. To survive, the he must unlearn his past. This evil he faces is formulating a plan. The towers close in as he passes their gates. A spicy chill, creeps up the Knights spine, And he finally grasps the terror of what awaits. Inside his mind, he questions going back. But dismisses the though as a man on wine. He secretly knows this creature is on his track. As he pushes himself onward, He reminisces on his brother, and his life. The only defining thought for him is froward. He takes his final turn around the final corridor, Quick on his feet and ready with his knife. At first sight, he though his vision must have been poor. A woman whose beauty surpassed any he had ever seen, Stood with her naked eyes set firmly on him. This was the witch who had killed all he had been. Unable to take the life of any woman, The soldier took a last and final look And plunged the knife into his abdomen. The beautiful witch had won yet another soul, She knew why it was his life she took. Never mind the Fool, the Knight had been her goal.
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May 24, 2010
May 24, 2010 at 3:20 PM UTC
Knight in Shining Armor
A mournful air beyond the fog, Death can meet among the poisonous rubes, Beyond the trees and past the deformed log. The Knight in Shining Armor comes to save the day. Bearing healing potions from afar in pewter tubes, But he is much too late; the Fool has already faded away. His tears are many, for the loss of a brother, They are heavy and murky against the dreamscape. Now for his revenge, he seeks a strange other. On his new, and strangely enlightened quest, He feels transparent ghouls kissing his nape Little does he know it is the sign of a Witches test. Maneuvering among the empty placed grave, He keeps his hopes on a looming tower. He approaches his becoming of an honest knave. He must be quick and tighten his saddle, Because a pursuing evil is a deadly power, And this Knight in Armor must be ready for battle. The danger of our Knight is not known to man. To survive, the he must unlearn his past. This evil he faces is formulating a plan. The towers close in as he passes their gates. A spicy chill, creeps up the Knights spine, And he finally grasps the terror of what awaits. Inside his mind, he questions going back. But dismisses the though as a man on wine. He secretly knows this creature is on his track. As he pushes himself onward, He reminisces on his brother, and his life. The only defining thought for him is froward. He takes his final turn around the final corridor, Quick on his feet and ready with his knife. At first sight, he though his vision must have been poor. A woman whose beauty surpassed any he had ever seen, Stood with her naked eyes set firmly on him. This was the witch who had killed all he had been. Unable to take the life of any woman, The soldier took a last and final look And plunged the knife into his abdomen. The beautiful witch had won yet another soul, She knew why it was his life she took. Never mind the Fool, the Knight had been her goal.
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42
You know it's over. Your shoes have walked away. Your phone dives into the pit of despair. Cigarettes have become healthy. Your knees don't knock, but clap. The chipmunks have fallen silent. All the chameleons are gray. The cat dismisses you and leaves. Bullets pass through you like prunes. Love is a forgotten memory. Everything transforms into other. You are a stranger growing stranger by the day. Over and out good buddy. You know it's over.
0
Mar 21, 2017
Mar 21, 2017 at 6:07 AM UTC
Overs
3 reggae doobies sat on a wall. One of them was seven feet tall. The second was short, and fat. De **** was tough, n' carried a gat. All of a sudden, a doobette walks by. De tree doobies wanna giv'er a try. De bluntz lean in a little closer. Each givea whistle lik a poser. De female spliff dismisses deir plees. De doobies cut 'er off n' get on deir kneees. Dey beg, and dey beg, and dey cry. But she turns away and says, "nice try". De doobies jump back, onto deir wall. Didn't get how she resisted their call. A new baety walks by, to test their luck. Hopefully dis spliff will be down to **** The tall one walks around front. She waves her hand, shooin' dat blunt. The fat one takes a shot, talks derty. Clearly she ain't in da mood to be flirty. Da gangster ****** roll takes a shot. Literally, he fuckin' shot 'er bumba clot. De doobies flee, as the doobette falls. Dere goes 3 reggae doobies who sat on a wall. Respect women. You never know when they might save ya life.
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Dec 4, 2014
Dec 4, 2014 at 7:56 PM UTC
3 Doobies
Soporific nightmare, While I wander, Beckons for me to follow. Inviting cliff, Of shattered scribe, Dismisses my plain apparel. Where is the escape, If now is neither here nor there. If then is just a dream, Faltering in the dark. My Nyctophobia, Claims to be an excuse. Residing in a subsiding sky, In a silent ocean, In the wings of the chrysalis, Of my fallen butterfly.
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Jun 25, 2014
Jun 25, 2014 at 6:53 AM UTC
Cothurnus
It's an Affliction A dangerously terminal attraction How the Angel's cries are watched by spies but only heard by the Devil himself. Dangerous, Unique, Beautiful The Angel cries just for him She suffers for him to hear She is good and she is pure But she is sick and needs a cure He breathes quercetine, is ruthless and mean, His gender it would seem, a mystery. ...Influence-Love-and Turmoil ***** is nothing but desire Of his/hers soul she cannot tire Revolting in his mannerisms Unsightly in appearance yet dripping with ****** appeal and all must have him. The Angel is no better, The world is white and black with sheep crammed together in a stack. He dismisses their devotion is malevolent and confident. He changes form but is consistent. Cringe to look at him, but unable to stop. He draws you in and beats you down until he takes the win and you're on the ground Like fine wine he gets better, older and older the legend grows. Stealing more hearts and sanity. A disgusting man with turbulent ways yet somehow there is nothing the Angel desires more. Revolting in his mannerisms, Disgusting in appearance... yet I find it so horribley attractive. Such a sick need to have it. An Affliction of Attraction... My My... It would seem that I am the beast and he is the beauty... that sick, anorexic, drug beaten beauty.
0
May 29, 2013
May 29, 2013 at 11:33 PM UTC
A Different Kind Of Monster.
1. Whoso hears a chiming for Christmas at the nighest, Hears a sound like Angels chanting in their glee, Hears a sound like palm-boughs waving in the highest, Hears a sound like ripple of a crystal sea. Sweeter than a prayer-bell for a saint in dying, Sweeter than a death-bell for a saint at rest, Music struck in Heaven with earth's faint replying, "Life is good, and death is good, for Christ is Best." 2. A holy, heavenly chime Rings fulness in of time, And on His Mother's breast Our Lord God ever-Blest Is laid a Babe at rest. Stoop, Spirits unused to stoop, Swoop, Angels, flying swoop, Adoring as you gaze, Uplifting hymns of praise,-- "Grace to the Full of Grace!" The cave is cold and strait To hold the angelic state. More strait it is, more cold, To foster and infold Its Maker one hour old. Thrilled through with awestruck love, Meek Angels poised above, To see their God look down. "What, is there never a Crown For Him in swaddled gown? "How comes He soft and weak With such a tender cheek, With such a soft, small hand?-- The very Hand which spann'd Heaven when its girth was plann'd. "How comes He with a voice Which is but baby-noise?-- That Voice which spake with might: 'Let there be light!' and light Sprang out before our sight. "What need hath He of flesh Made flawless now afresh? What need of human heart?-- Heart that must bleed and smart, Choosing the better part. "But see: His gracious smile Dismisses us a while To serve Him in His kin. Haste we, make haste, begin To fetch His brethren in." Like stars they flash and shoot, The Shepherds they salute. "Glory to God" they sing; "Good news of peace we bring, For Christ is born a King." 3. Lo! newborn Jesus, Soft and weak and small, Wrapped in baby's bands By His Mother's hands, Lord God of all. Lord God of Mary, Whom His Lips caress While He rocks to rest On her milky breast In helplessness. Lord God of shepherds Flocking through the cold, Flocking through the dark To the only Ark, The only Fold. Lord God of all things, Be they near or far, Be they high or low; Lord of storm and snow, Angel and star. Lord God of all men,-- My Lord and my God! Thou who lovest me, Keep me close to Thee By staff and rod. Lo! newborn Jesus, Loving great and small, Love's free Sacrifice, Opening Arms and Eyes To one and all.
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1.5k
Christmas Carols
1. Whoso hears a chiming for Christmas at the nighest, Hears a sound like Angels chanting in their glee, Hears a sound like palm-boughs waving in the highest, Hears a sound like ripple of a crystal sea. Sweeter than a prayer-bell for a saint in dying, Sweeter than a death-bell for a saint at rest, Music struck in Heaven with earth's faint replying, "Life is good, and death is good, for Christ is Best." 2. A holy, heavenly chime Rings fulness in of time, And on His Mother's breast Our Lord God ever-Blest Is laid a Babe at rest. Stoop, Spirits unused to stoop, Swoop, Angels, flying swoop, Adoring as you gaze, Uplifting hymns of praise,-- "Grace to the Full of Grace!" The cave is cold and strait To hold the angelic state. More strait it is, more cold, To foster and infold Its Maker one hour old. Thrilled through with awestruck love, Meek Angels poised above, To see their God look down. "What, is there never a Crown For Him in swaddled gown? "How comes He soft and weak With such a tender cheek, With such a soft, small hand?-- The very Hand which spann'd Heaven when its girth was plann'd. "How comes He with a voice Which is but baby-noise?-- That Voice which spake with might: 'Let there be light!' and light Sprang out before our sight. "What need hath He of flesh Made flawless now afresh? What need of human heart?-- Heart that must bleed and smart, Choosing the better part. "But see: His gracious smile Dismisses us a while To serve Him in His kin. Haste we, make haste, begin To fetch His brethren in." Like stars they flash and shoot, The Shepherds they salute. "Glory to God" they sing; "Good news of peace we bring, For Christ is born a King." 3. Lo! newborn Jesus, Soft and weak and small, Wrapped in baby's bands By His Mother's hands, Lord God of all. Lord God of Mary, Whom His Lips caress While He rocks to rest On her milky breast In helplessness. Lord God of shepherds Flocking through the cold, Flocking through the dark To the only Ark, The only Fold. Lord God of all things, Be they near or far, Be they high or low; Lord of storm and snow, Angel and star. Lord God of all men,-- My Lord and my God! Thou who lovest me, Keep me close to Thee By staff and rod. Lo! newborn Jesus, Loving great and small, Love's free Sacrifice, Opening Arms and Eyes To one and all.
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86
She is my second favorite poet on this list But she doesn't need to be reminded of this She doesn't give a **** Cause she is here for her Not for my approval As she hits the high note Of the last bars that she wrote With a little sneer she disappears Holding that disdain in her veins From years of abuse I compliment her but My blandishments fall on angry ears She fakes gratitude Not understanding the sincerity Of my compliments Assuming I am sexualizing her That I am just another perv I understand I thank her and walk away Never letting even an inkling show Through my face But I am disappointed She could have been my ally Not my lover or fling but friend Dismisses me so offhandedly and angrily But I let it slide There is always other nights There are always other venues Under softer lights Where writers delight In what others write And they are not so angry But she is still my second favorite
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Mar 8, 2015
Mar 8, 2015 at 1:23 PM UTC
The Angry Poetess
Benedict stands in the porter's lodge, circa 1969, waiting for Dom Tyler the monk, to bring the large key to open the church for Matins. Dawn, cold air, smell of age and incense and baking of bread. He remembers Sonia, the domestic at the home, who pushed him to the bed of old Mr Gillam and said in her soft Italian, Potrei fare sesso con te qui, then in her broken English said, I could have *** with you here. Another joined Benedict in the porter’s lodge, some holy-Joe type, breviary under arm, starved gaze. The silence, the smell, the chill. Dom Tyler opens the door from the cloister and rattles the key, smiles, but does not break the Grand Silence. He takes them out into the morning air, opens up the church. Lights are on, monks are assembling, bell rings, Benedict takes a seat on the side pew, the other sits more in front. The old monk who last time talked to Benedict of monastic life, slides by, his body aged, his habit like a shroud. How he escaped Sonia, how he managed to get away unmolested, he finds it hard to fathom, except the promise of the cinema, the seats at the back, the kisses and touching, all in the dark, the flashing images of the film going on. Potrei fare sesso con te qui, he utters under-breath. The Latin of early morning Matins begins, he dismisses her image and her words. The holy-Joe opens his breviary in the semi dark, his finger turning pages, muttering, his head nodding to an invisible prayer. Benedict imagines Sonia creeping into the pew, muttering Italian, sitting there.
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Jun 2, 2013
Jun 2, 2013 at 11:00 AM UTC
BENEDICT AT MATINS.
Benedict stands in the porter's lodge, circa 1969, waiting for Dom Tyler the monk, to bring the large key to open the church for Matins. Dawn, cold air, smell of age and incense and baking of bread. He remembers Sonia, the domestic at the home, who pushed him to the bed of old Mr Gillam and said in her soft Italian, Potrei fare sesso con te qui, then in her broken English said, I could have *** with you here. Another joined Benedict in the porter’s lodge, some holy-Joe type, breviary under arm, starved gaze. The silence, the smell, the chill. Dom Tyler opens the door from the cloister and rattles the key, smiles, but does not break the Grand Silence. He takes them out into the morning air, opens up the church. Lights are on, monks are assembling, bell rings, Benedict takes a seat on the side pew, the other sits more in front. The old monk who last time talked to Benedict of monastic life, slides by, his body aged, his habit like a shroud. How he escaped Sonia, how he managed to get away unmolested, he finds it hard to fathom, except the promise of the cinema, the seats at the back, the kisses and touching, all in the dark, the flashing images of the film going on. Potrei fare sesso con te qui, he utters under-breath. The Latin of early morning Matins begins, he dismisses her image and her words. The holy-Joe opens his breviary in the semi dark, his finger turning pages, muttering, his head nodding to an invisible prayer. Benedict imagines Sonia creeping into the pew, muttering Italian, sitting there.
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68
Is our ancestors' past echoed When a hipster With round ear plugs A round peace sign A round cigarette Glares at me And dismisses my drab appearance My functional front shirt pocket With a plastic protector And work badge As what else…
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Sep 30, 2012
Sep 30, 2012 at 9:21 AM UTC
Round versus Square
Lonely is a girl someone once loved too much. Lonely lays in bed and thinks of why it was too perfect. Lonely stays up till 4 and wakes at 6 only to be alone. Lonely cries and blames herself. But Lonely forgets… Lonely ignores the memories of pain. Lonely doesn’t acknowledge the fights. Lonely dismisses the abuse as her fault. But Lonely still lays in bed and thinks of why it was too perfect. Lonely cries and blames herself…
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Mar 22, 2010
Mar 22, 2010 at 10:21 PM UTC
Lonely
the mange of our fuzzy logic is squandered on the imbecile. and genius is the gene splice of twelve comedies. a rogue moon in a hooligan. it jumps the fence and can't jump back. lacking the tool that undoes the beauty of the obvious. that quaintly dismisses the Oh ! My ! God ! we cringe in the ether of our ignorance, spooning the villain.   the Mind is the Common Sense Killer.... it dives and triumphs in the acetone conundrum of our proximity to dissipation. the bold features of our doldrums are the perfect ugly perfection of our flaws. our love is the rigid agenda of a massacre. we the people, are the juvenile, sprained wrist of a boggart ! a Fae dreary. we have our business in the withers of dead horses. we are well versed in the tundra tongue of our flat humor. we assume the rumors are true. and the tyranny that freed you is the misery you love with and your beautiful doom kissing a mirror... a Thing.
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Apr 5, 2013
Apr 5, 2013 at 11:45 PM UTC
The Mind Is The Common Sense Killer
When I go out, my cat sprawls on the carpet and dismisses me with a half-opened eye. When I return, I find him in the same disdainful posture. But I imagine that when I am gone he calls his cat buddies, they come over, drink beer and whiskey, smoke cigars, play poker and watch kitty **** Small wonder the poor beast needs so much sleep.   ~mce
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Oct 28, 2015
Oct 28, 2015 at 7:53 AM UTC
The Secret Life Of Cats
The finger oil glistens in wide smears across convex glass and the tired man in ***** Carhartts asks the price for a rack of beef ribs. The deli woman answers, his vision quavers from the gristle and grease as he dismisses the possibility of a feast,   it just looked so good he comments,  almost pained or embarrassed. She offers to cut it in half as Dave the BBQ cook calls to me across the fray and I wonder if he wants my company, for we talk long about recent literary conquests and our love of atypical diction. The middle aged man in the old ***** Carhartts who walks with the upright pain of enduring parenthood through poverty refuses the meat with wry hurt and wanders out of my life. I drive one handed, twelve ribs covered in tin foil clutched dripping as I peel back a metal edge and gnaw flesh from bone.
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May 4, 2011
May 4, 2011 at 1:56 PM UTC
Into Great Silence.
A mournful air beyond the fog, Death can meet among the poisonous rubes, Beyond the trees and past the deformed log. The Knight in Shining Armor comes to save the day. Bearing healing potions from afar in pewter tubes, But he is much too late; the Fool has already faded away. His tears are many, for the loss of a brother, They are heavy and murky against the dreamscape. Now for his revenge, he seeks a strange other. On his new, and strangely enlightened quest, He feels transparent ghouls kissing his nape Little does he know it is the sign of a Witches test. Maneuvering among the empty placed grave, He keeps his hopes on a looming tower. He approaches his becoming of an honest knave. He must be quick and tighten his saddle, Because a pursuing evil is a deadly power, And this Knight in Armor must be ready for battle. The danger of our Knight is not known to man. To survive, the he must unlearn his past. This evil he faces is formulating a plan. The towers close in as he passes their gates. A spicy chill, creeps up the Knights spine, And he finally grasps the terror of what awaits. Inside his mind, he questions going back. But dismisses the though as a man on wine. He secretly knows this creature is on his track. As he pushes himself onward, He reminisces on his brother, and his life. The only defining thought for him is froward. He takes his final turn around the final corridor, Quick on his feet and ready with his knife. At first sight, he though his vision must have been poor. A woman whose beauty surpassed any he had ever seen, Stood with her naked eyes set firmly on him. This was the witch who had killed all he had been. Unable to take the life of any woman, The soldier took a last and final look And plunged the knife into his abdomen. The beautiful witch had won yet another soul, She knew why it was his life she took. Never mind the Fool, the Knight had been her goal.
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May 24, 2010
May 24, 2010 at 5:26 PM UTC
Knight in Shining Armor
A mournful air beyond the fog, Death can meet among the poisonous rubes, Beyond the trees and past the deformed log. The Knight in Shining Armor comes to save the day. Bearing healing potions from afar in pewter tubes, But he is much too late; the Fool has already faded away. His tears are many, for the loss of a brother, They are heavy and murky against the dreamscape. Now for his revenge, he seeks a strange other. On his new, and strangely enlightened quest, He feels transparent ghouls kissing his nape Little does he know it is the sign of a Witches test. Maneuvering among the empty placed grave, He keeps his hopes on a looming tower. He approaches his becoming of an honest knave. He must be quick and tighten his saddle, Because a pursuing evil is a deadly power, And this Knight in Armor must be ready for battle. The danger of our Knight is not known to man. To survive, the he must unlearn his past. This evil he faces is formulating a plan. The towers close in as he passes their gates. A spicy chill, creeps up the Knights spine, And he finally grasps the terror of what awaits. Inside his mind, he questions going back. But dismisses the though as a man on wine. He secretly knows this creature is on his track. As he pushes himself onward, He reminisces on his brother, and his life. The only defining thought for him is froward. He takes his final turn around the final corridor, Quick on his feet and ready with his knife. At first sight, he though his vision must have been poor. A woman whose beauty surpassed any he had ever seen, Stood with her naked eyes set firmly on him. This was the witch who had killed all he had been. Unable to take the life of any woman, The soldier took a last and final look And plunged the knife into his abdomen. The beautiful witch had won yet another soul, She knew why it was his life she took. Never mind the Fool, the Knight had been her goal.
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42
Seduction is the name of her game A maneater with her claws out ready for the hunt Sweet as honey but cold as ice With an agenda on her mind she dresses for the night out to hunt for her prey She zero's in on her conquest, strategize, then proceed with her unstoppable plan She checks her appearance then goes in for the **** Her plan is to take him home, drain him and to never see him again Exchange no names, no numbers just a friendly encounter Thats how she likes it After she's through with him she dismisses him and goes on to the next hunt In her eyes men are only there for one thing After that they are of no use to her After an encounter with her they are left confused and dazed Wanting to know more about this seductress that whirlwind into their lives She devours them and leave nothing to chance on a second meeting QNA
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Jul 11, 2011
Jul 11, 2011 at 7:58 AM UTC
The Lady is a *****