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This English Thames is holier far than Rome,
Those harebells like a sudden flush of sea
Breaking across the woodland, with the foam
Of meadow-sweet and white anemone
To fleck their blue waves,—God is likelier there
Than hidden in that crystal-hearted star the pale monks bear!

Those violet-gleaming butterflies that take
Yon creamy lily for their pavilion
Are monsignores, and where the rushes shake
A lazy pike lies basking in the sun,
His eyes half shut,—he is some mitred old
Bishop in partibus! look at those gaudy scales all green and gold.

The wind the restless prisoner of the trees
Does well for Palaestrina, one would say
The mighty master’s hands were on the keys
Of the Maria *****, which they play
When early on some sapphire Easter morn
In a high litter red as blood or sin the Pope is borne

From his dark House out to the Balcony
Above the bronze gates and the crowded square,
Whose very fountains seem for ecstasy
To toss their silver lances in the air,
And stretching out weak hands to East and West
In vain sends peace to peaceless lands, to restless nations rest.

Is not yon lingering orange after-glow
That stays to vex the moon more fair than all
Rome’s lordliest pageants! strange, a year ago
I knelt before some crimson Cardinal
Who bare the Host across the Esquiline,
And now—those common poppies in the wheat seem twice as fine.

The blue-green beanfields yonder, tremulous
With the last shower, sweeter perfume bring
Through this cool evening than the odorous
Flame-jewelled censers the young deacons swing,
When the grey priest unlocks the curtained shrine,
And makes God’s body from the common fruit of corn and vine.

Poor Fra Giovanni bawling at the mass
Were out of tune now, for a small brown bird
Sings overhead, and through the long cool grass
I see that throbbing throat which once I heard
On starlit hills of flower-starred Arcady,
Once where the white and crescent sand of Salamis meets sea.

Sweet is the swallow twittering on the eaves
At daybreak, when the mower whets his scythe,
And stock-doves murmur, and the milkmaid leaves
Her little lonely bed, and carols blithe
To see the heavy-lowing cattle wait
Stretching their huge and dripping mouths across the farmyard gate.

And sweet the hops upon the Kentish leas,
And sweet the wind that lifts the new-mown hay,
And sweet the fretful swarms of grumbling bees
That round and round the linden blossoms play;
And sweet the heifer breathing in the stall,
And the green bursting figs that hang upon the red-brick wall,

And sweet to hear the cuckoo mock the spring
While the last violet loiters by the well,
And sweet to hear the shepherd Daphnis sing
The song of Linus through a sunny dell
Of warm Arcadia where the corn is gold
And the slight lithe-limbed reapers dance about the wattled fold.

And sweet with young Lycoris to recline
In some Illyrian valley far away,
Where canopied on herbs amaracine
We too might waste the summer-tranced day
Matching our reeds in sportive rivalry,
While far beneath us frets the troubled purple of the sea.

But sweeter far if silver-sandalled foot
Of some long-hidden God should ever tread
The Nuneham meadows, if with reeded flute
Pressed to his lips some Faun might raise his head
By the green water-flags, ah! sweet indeed
To see the heavenly herdsman call his white-fleeced flock to feed.

Then sing to me thou tuneful chorister,
Though what thou sing’st be thine own requiem!
Tell me thy tale thou hapless chronicler
Of thine own tragedies! do not contemn
These unfamiliar haunts, this English field,
For many a lovely coronal our northern isle can yield

Which Grecian meadows know not, many a rose
Which all day long in vales AEolian
A lad might seek in vain for over-grows
Our hedges like a wanton courtesan
Unthrifty of its beauty; lilies too
Ilissos never mirrored star our streams, and cockles blue

Dot the green wheat which, though they are the signs
For swallows going south, would never spread
Their azure tents between the Attic vines;
Even that little **** of ragged red,
Which bids the robin pipe, in Arcady
Would be a trespasser, and many an unsung elegy

Sleeps in the reeds that fringe our winding Thames
Which to awake were sweeter ravishment
Than ever Syrinx wept for; diadems
Of brown bee-studded orchids which were meant
For Cytheraea’s brows are hidden here
Unknown to Cytheraea, and by yonder pasturing steer

There is a tiny yellow daffodil,
The butterfly can see it from afar,
Although one summer evening’s dew could fill
Its little cup twice over ere the star
Had called the lazy shepherd to his fold
And be no prodigal; each leaf is flecked with spotted gold

As if Jove’s gorgeous leman Danae
Hot from his gilded arms had stooped to kiss
The trembling petals, or young Mercury
Low-flying to the dusky ford of Dis
Had with one feather of his pinions
Just brushed them! the slight stem which bears the burden of its suns

Is hardly thicker than the gossamer,
Or poor Arachne’s silver tapestry,—
Men say it bloomed upon the sepulchre
Of One I sometime worshipped, but to me
It seems to bring diviner memories
Of faun-loved Heliconian glades and blue nymph-haunted seas,

Of an untrodden vale at Tempe where
On the clear river’s marge Narcissus lies,
The tangle of the forest in his hair,
The silence of the woodland in his eyes,
Wooing that drifting imagery which is
No sooner kissed than broken; memories of Salmacis

Who is not boy nor girl and yet is both,
Fed by two fires and unsatisfied
Through their excess, each passion being loth
For love’s own sake to leave the other’s side
Yet killing love by staying; memories
Of Oreads peeping through the leaves of silent moonlit trees,

Of lonely Ariadne on the wharf
At Naxos, when she saw the treacherous crew
Far out at sea, and waved her crimson scarf
And called false Theseus back again nor knew
That Dionysos on an amber pard
Was close behind her; memories of what Maeonia’s bard

With sightless eyes beheld, the wall of Troy,
Queen Helen lying in the ivory room,
And at her side an amorous red-lipped boy
Trimming with dainty hand his helmet’s plume,
And far away the moil, the shout, the groan,
As Hector shielded off the spear and Ajax hurled the stone;

Of winged Perseus with his flawless sword
Cleaving the snaky tresses of the witch,
And all those tales imperishably stored
In little Grecian urns, freightage more rich
Than any gaudy galleon of Spain
Bare from the Indies ever! these at least bring back again,

For well I know they are not dead at all,
The ancient Gods of Grecian poesy:
They are asleep, and when they hear thee call
Will wake and think ‘t is very Thessaly,
This Thames the Daulian waters, this cool glade
The yellow-irised mead where once young Itys laughed and played.

If it was thou dear jasmine-cradled bird
Who from the leafy stillness of thy throne
Sang to the wondrous boy, until he heard
The horn of Atalanta faintly blown
Across the Cumnor hills, and wandering
Through Bagley wood at evening found the Attic poets’ spring,—

Ah! tiny sober-suited advocate
That pleadest for the moon against the day!
If thou didst make the shepherd seek his mate
On that sweet questing, when Proserpina
Forgot it was not Sicily and leant
Across the mossy Sandford stile in ravished wonderment,—

Light-winged and bright-eyed miracle of the wood!
If ever thou didst soothe with melody
One of that little clan, that brotherhood
Which loved the morning-star of Tuscany
More than the perfect sun of Raphael
And is immortal, sing to me! for I too love thee well.

Sing on! sing on! let the dull world grow young,
Let elemental things take form again,
And the old shapes of Beauty walk among
The simple garths and open crofts, as when
The son of Leto bare the willow rod,
And the soft sheep and shaggy goats followed the boyish God.

Sing on! sing on! and Bacchus will be here
Astride upon his gorgeous Indian throne,
And over whimpering tigers shake the spear
With yellow ivy crowned and gummy cone,
While at his side the wanton Bassarid
Will throw the lion by the mane and catch the mountain kid!

Sing on! and I will wear the leopard skin,
And steal the mooned wings of Ashtaroth,
Upon whose icy chariot we could win
Cithaeron in an hour ere the froth
Has over-brimmed the wine-vat or the Faun
Ceased from the treading! ay, before the flickering lamp of dawn

Has scared the hooting owlet to its nest,
And warned the bat to close its filmy vans,
Some Maenad girl with vine-leaves on her breast
Will filch their beech-nuts from the sleeping Pans
So softly that the little nested thrush
Will never wake, and then with shrilly laugh and leap will rush

Down the green valley where the fallen dew
Lies thick beneath the elm and count her store,
Till the brown Satyrs in a jolly crew
Trample the loosestrife down along the shore,
And where their horned master sits in state
Bring strawberries and bloomy plums upon a wicker crate!

Sing on! and soon with passion-wearied face
Through the cool leaves Apollo’s lad will come,
The Tyrian prince his bristled boar will chase
Adown the chestnut-copses all a-bloom,
And ivory-limbed, grey-eyed, with look of pride,
After yon velvet-coated deer the ****** maid will ride.

Sing on! and I the dying boy will see
Stain with his purple blood the waxen bell
That overweighs the jacinth, and to me
The wretched Cyprian her woe will tell,
And I will kiss her mouth and streaming eyes,
And lead her to the myrtle-hidden grove where Adon lies!

Cry out aloud on Itys! memory
That foster-brother of remorse and pain
Drops poison in mine ear,—O to be free,
To burn one’s old ships! and to launch again
Into the white-plumed battle of the waves
And fight old Proteus for the spoil of coral-flowered caves!

O for Medea with her poppied spell!
O for the secret of the Colchian shrine!
O for one leaf of that pale asphodel
Which binds the tired brows of Proserpine,
And sheds such wondrous dews at eve that she
Dreams of the fields of Enna, by the far Sicilian sea,

Where oft the golden-girdled bee she chased
From lily to lily on the level mead,
Ere yet her sombre Lord had bid her taste
The deadly fruit of that pomegranate seed,
Ere the black steeds had harried her away
Down to the faint and flowerless land, the sick and sunless day.

O for one midnight and as paramour
The Venus of the little Melian farm!
O that some antique statue for one hour
Might wake to passion, and that I could charm
The Dawn at Florence from its dumb despair,
Mix with those mighty limbs and make that giant breast my lair!

Sing on! sing on!  I would be drunk with life,
Drunk with the trampled vintage of my youth,
I would forget the wearying wasted strife,
The riven veil, the Gorgon eyes of Truth,
The prayerless vigil and the cry for prayer,
The barren gifts, the lifted arms, the dull insensate air!

Sing on! sing on!  O feathered Niobe,
Thou canst make sorrow beautiful, and steal
From joy its sweetest music, not as we
Who by dead voiceless silence strive to heal
Our too untented wounds, and do but keep
Pain barricadoed in our hearts, and ****** pillowed sleep.

Sing louder yet, why must I still behold
The wan white face of that deserted Christ,
Whose bleeding hands my hands did once enfold,
Whose smitten lips my lips so oft have kissed,
And now in mute and marble misery
Sits in his lone dishonoured House and weeps, perchance for me?

O Memory cast down thy wreathed shell!
Break thy hoarse lute O sad Melpomene!
O Sorrow, Sorrow keep thy cloistered cell
Nor dim with tears this limpid Castaly!
Cease, Philomel, thou dost the forest wrong
To vex its sylvan quiet with such wild impassioned song!

Cease, cease, or if ‘t is anguish to be dumb
Take from the pastoral thrush her simpler air,
Whose jocund carelessness doth more become
This English woodland than thy keen despair,
Ah! cease and let the north wind bear thy lay
Back to the rocky hills of Thrace, the stormy Daulian bay.

A moment more, the startled leaves had stirred,
Endymion would have passed across the mead
Moonstruck with love, and this still Thames had heard
Pan plash and paddle groping for some reed
To lure from her blue cave that Naiad maid
Who for such piping listens half in joy and half afraid.

A moment more, the waking dove had cooed,
The silver daughter of the silver sea
With the fond gyves of clinging hands had wooed
Her wanton from the chase, and Dryope
Had ****** aside the branches of her oak
To see the ***** gold-haired lad rein in his snorting yoke.

A moment more, the trees had stooped to kiss
Pale Daphne just awakening from the swoon
Of tremulous laurels, lonely Salmacis
Had bared his barren beauty to the moon,
And through the vale with sad voluptuous smile
Antinous had wandered, the red lotus of the Nile

Down leaning from his black and clustering hair,
To shade those slumberous eyelids’ caverned bliss,
Or else on yonder grassy ***** with bare
High-tuniced limbs unravished Artemis
Had bade her hounds give tongue, and roused the deer
From his green ambuscade with shrill halloo and pricking spear.

Lie still, lie still, O passionate heart, lie still!
O Melancholy, fold thy raven wing!
O sobbing Dryad, from thy hollow hill
Come not with such despondent answering!
No more thou winged Marsyas complain,
Apollo loveth not to hear such troubled songs of pain!

It was a dream, the glade is tenantless,
No soft Ionian laughter moves the air,
The Thames creeps on in sluggish leadenness,
And from the copse left desolate and bare
Fled is young Bacchus with his revelry,
Yet still from Nuneham wood there comes that thrilling melody

So sad, that one might think a human heart
Brake in each separate note, a quality
Which music sometimes has, being the Art
Which is most nigh to tears and memory;
Poor mourning Philomel, what dost thou fear?
Thy sister doth not haunt these fields, Pandion is not here,

Here is no cruel Lord with murderous blade,
No woven web of ****** heraldries,
But mossy dells for roving comrades made,
Warm valleys where the tired student lies
With half-shut book, and many a winding walk
Where rustic lovers stray at eve in happy simple talk.

The harmless rabbit gambols with its young
Across the trampled towing-path, where late
A troop of laughing boys in jostling throng
Cheered with their noisy cries the racing eight;
The gossamer, with ravelled silver threads,
Works at its little loom, and from the dusky red-eaved sheds

Of the lone Farm a flickering light shines out
Where the swinked shepherd drives his bleating flock
Back to their wattled sheep-cotes, a faint shout
Comes from some Oxford boat at Sandford lock,
And starts the moor-hen from the sedgy rill,
And the dim lengthening shadows flit like swallows up the hill.

The heron passes homeward to the mere,
The blue mist creeps among the shivering trees,
Gold world by world the silent stars appear,
And like a blossom blown before the breeze
A white moon drifts across the shimmering sky,
Mute arbitress of all thy sad, thy rapturous threnody.

She does not heed thee, wherefore should she heed,
She knows Endymion is not far away;
’Tis I, ’tis I, whose soul is as the reed
Which has no message of its own to play,
So pipes another’s bidding, it is I,
Drifting with every wind on the wide sea of misery.

Ah! the brown bird has ceased:  one exquisite trill
About the sombre woodland seems to cling
Dying in music, else the air is still,
So still that one might hear the bat’s small wing
Wander and wheel above the pines, or tell
Each tiny dew-drop dripping from the bluebell’s brimming cell.

And far away across the lengthening wold,
Across the willowy flats and thickets brown,
Magdalen’s tall tower tipped with tremulous gold
Marks the long High Street of the little town,
And warns me to return; I must not wait,
Hark! ’Tis the curfew booming from the bell at Christ Church gate.
Han Jin Feb 2021
Why waste any second
when I could stare in your eyes
and watch it all unfold again
Slowly as time slips by
like a Chronicler.
Mateuš Conrad Jan 2017
islam is really buying into an ideological
warfare
       of creating a historiogical narrative
for former crusader nations...
           the history? it's way gone, past,
in the dust... but islam is probing
        this need to settle old qualms in a modern
narrative...
    i can't actually add to a history
           these days, but i can take up a banner
of historiology, or so i am told...
   and yes, certain words aren't exactly
the standard bearers of who easily you can
rap them...
            you really need to pause and catch
the nuance... or the naiveness in which they're use...
   when i use the word historiological
i think of the past as having necessarily happened,
and in need to happen again, on the basis
of someone else telling me: you have to
inherit this.
            it's no wonder that islam attacks former
crusader nations... france esp.,
          what with adhemar, bishop of le puy,
urban ii grand speech lauching the ***** into
a tight spot... tancred de hauteville...
                 bohemond...
        radulph of caen merely annotated the deeds done
and the words said...
      robert, duke of normandy, and his daughter
adela, quick to **** at Urban's tongue... the truth...
   Islam is really reassigning us with
a historiology, not a history we might be prone
to forget, or be ashamed by...
   it's not doing what the word histiorology is defined by,
not this unearthing of graves, and their deseceration...
you really want to wake up the Nazgûl?!
seriously?
   sure, i can be your necromancer... we can have
total obliteration... just speak enough ****** constriction
to germans, and then point them at the target,
and you'll get a crossbow shock of the event...
     Islam really is warming us up for something,
they're nibbling at us, they're trying to
  really give us the "spark", it's not a case whether i'm
correct in thinking this... it's only that i feel it...
i can taste it... i can stomach it...
     such lovely names, those old crusaders...
Tancred...
                     mind you: peter the hermit's child
crusade...
                       if they came from north of Persia
they'd be drafted as Mameluks...
       le throng! if only there were always
the french incission to state that...
   le throng! you just can't leave youth culture
settle into the urban environment,
you really seem to want that... get pockets
of culture coming from the youth...
     it can't ever be grime from east or south london...
    me? i'm trapped in a library, i actually
built of myself... apparent;y 1 in 10 people don't
own a single book in england...
         the brothers Godfrey, Eustace & Baldwin...
   oh lookie lookie... you're tickling the beast
so just, any minute now and it will awake once more...
    and be cited as having said:
   walking up to me knee in blood and
slaughtered corpse... Harod looks pale the minute
past...
               Tancred... dubbed te Panzer sulphur snout...
are there more gentlemen of my stature on
their way?
        that's me: don't know who's the possessor
of a ***** and who of a juiced up ****...
   but i can bet the niqab does wonders...
   so much anonymity, you don't even need
  internet pseudonym names, no jackx666
or rogerxtra... you just don the ninja and, ooh!
ooh! everything's so flimsy! so airy! flutters
of a butterfly!
               that ***** king in the kingdom of heaven
movie did have a name: baldwin iv...
   and he was a *****...
         you'd accidently sneeze into his face
and his nose would fall off...
   true story, or i'm drunk...
           but my: this wine i made, this homemade
wine? it does the trick!
                 baldwin iv died aged twenty four...
lucky sod, kurt cobain of the medieval ages...
    oi oi... wait wait... ZENGI!
  zengi the heavy drinker! buddy!
fully name? imad ed-din zengi. ah, zengi zengi,
zengi... what tales i have for you...
      i'd tell them, and you'd turn out to be in full
disclosure trying to fake sober...
                        ibn al-athir also wrote something,
does it deserve more a toast or mere chronicler?
the latter will know.
fatimids and sunni caliphs...
              Balak, the dream-inspiration for
Fulcher of Chartres...
Antioch, Tyre, Edessa...
  and that old feverish fox known as the lesser
Barbarossa: Reynald de Châtillon...
         don't know...
   as an ethnic bias, i am of the people that remained
bound to a home near the Baltic sea...
  we also fought crusaders...
the knights templar, die ritter von deutsche haus
beispiel sankte mariam in yerusalem...
       which makes my history a bit different
to the current history...
i have other myths... with
Jagiello... and grand-komtur Brzęczyszczykiewicz...
but you know... hmm... let's go crazy
and pop a pill or two... blues for the upper
and reds for the downer...
what a unique occasion! are you sure
we're not sailing on a gondola in the water-alleys
of Venice singing some obscure folk-song, hmm?!
by now i look like the stańczyk (grand court
jester) in one of jan matejko's paintings,
laughing my *** off as to denote: that i am,
quiet righly: the most amused. ha ha.
Sioux! sioux! pruss! pruss!
     and the crucifix really is a profanity of
the tetragrammaton, that came back,
morphed, as if touching a philosophers stone,
and turned out to be an acronym n.e.w.s.:
north, east, west... south...
   the minute the tetragrammaton touched
the ✝ it came back as n.e.w.s.
      and that really is the most dignifying
Balaam equal compliment i can give...
      but you know, just seeing how Islam is really
inviting former crusader nations to have a fight...
   and i'm spotting this, coming from a region
that also had crusades riddle it...
    but it's true... the crusades around the Baltic coast
never get any coverage these days...
  i guess you can't really make momentum
from a reigion where it's natural resource hidden
in the ground is salt... rather than oil...
    then again, lying about,
reading the book crusades by terry jones
& alan ereira... didn't really make me think much...
   when it comes to the two splinters off
res in: res cogitans,
  i can only think of re-       i.e. reflex
   and re-    i.e. reflection...
     and the tongue these days is so ******* saggy....
i'd take more pleasure eating a bagpipe of haggis
than listen to current rhetoric...
    it's a sickness though, this demand Islam
is making, that once Israel has been established
we forget our cosmopolitan cocktails and engage in
a holy war...
                  but it is the narrative, we're almost expected
to feed into a crusader culture...
      but once again, i'm using a tongue that once
did wield crusading pomp, and i have an
underlining perspective of being on the receiving end
of crusades of the baltic states...
     i really should be jumping for joy right now...
   but given the schooling system in england,
or i suppose the whole of western europe,
i'm part of the schattenvolk...
                how the Lithuanians were so and so...
how the Poles were so and so...
    how i could almost try to seek out the same
linguistic pride of modern Silesians in ancient yore
of Pruß, but come against nothing but the Kashubian
denote...
**** me! so it really was worthwhile keeping
my native tongue, and exploring my ethnicity
and history like a ****-pants 16 year old girl
on a trip in the guise of tourism?!
  oh applause! this is better than milking old ladies
like Liberache might for a fur coat
or a gold-plated toilet!
     ooh... you rascal you...
                 can i please not sound gay now?
i hate how the concept of personnae can creep into
your psyche and give you, the most obliterating
narrative techniques imaginable...
                        but if you ask me...
Islam will not wage war against nationas that did not
succumb to the rhetoric of pope Urban Deux...
        i mean... can you really imagine a terrorist
attack in Poland?
             given that Poland experienced it's own taste
of crusades?
                 well... if it does happen... that really will
wake up something... it certainly won't be multiculturalism....
perhaps this really is merely a **** into the wind...
         my, all this can come out sleep-walking by
simply lying in bed and reading a history book?
             it's a good thing i assimilated on the basis
of merely using the tongue, rather than tapping into
past history of the people, past grievances, past prides,
past symbolism... i just use the language...
    i don't expect to really revolve around being an
adamant west ham supporter...
i just know that i'm Polish in the english language...
   and Islam doesn't really attack
      those who've have the better share of grievances...
whether in the 20th century context,
of going way back, when Israel was about...
             and reading a history book...
   wriggling toward a status of fame is absurd...
     i like the idea of: gently passing by like foam on
top of a cup of cappuccino...
                      someone said froth:
i'm exfoliating with this that and the other guess work
of vocab...
               well... that's that...
        worth noting the many more easily impressionable
young men out there...
                that would rather chop a head
of a person of their assimilated culture, and subsequently
not retain their native tongue,
   and then not play: smack the ******!
    layering over what their ethnicity clearly speaks,
although with a borrowed tongue...
       which is why a slang variation of language
has to emerge...
                it's not a case of slang representing
prior footing, and current footing, but cleansing
prior footing, as current footing, with only
a melting *** to be sure of...
         on the objective basis that's the right thing
to do... you really want to eat a good curry
at the end of the day...
  but sometimes you need someone to say:
me a shallot prior a carrot in that melting *** of spice...
        the feeling is not mutual...
    would i ever eat sand to sharpen my teeth
for a cannibalistic grin?
                         i'm quiet content with merely
dabbling in poached lamb... but if another mein teil
scenario arises... it'll probably come west of the Odra
river.
KUSTA BEN LUKA is my name, I write
To Abd Al-Rabban; fellow-roysterer once,
Now the good Caliph's learned Treasurer,
And for no ear but his.
Carry this letter
Through the great gallery of the Treasure House
Where banners of the Caliphs hang, night-coloured
But brilliant as the night's embroidery,
And wait war's music; pass the little gallery;
Pass books of learning from Byzantium
Written in gold upon a purple stain,
And pause at last, I was about to say,
At the great book of Sappho's song; but no,
For should you leave my letter there, a boy's
Love-lorn, indifferent hands might come upon it
And let it fall unnoticed to the floor.
pause at the Treatise of parmenides
And hide it there, for Caiphs to world's end
Must keep that perfect, as they keep her song,
So great its fame.
When fitting time has passed
The parchment will disclose to some learned man
A mystery that else had found no chronicler
But the wild Bedouin.  Though I approve
Those wanderers that welcomed in their tents
What great Harun Al-Rashid, occupied
With Persian embassy or Grecian war,
Must needs neglect, I cannot hide the truth
That wandering in a desert, featureless
As air under a wing, can give birds' wit.
In after time they will speak much of me
And speak but fantasy.  Recall the year
When our beloved Caliph put to death
His Vizir Jaffer for an unknown reason:
"If but the shirt upon my body knew it
I'd tear it off and throw it in the fire.'
That speech was all that the town knew, but he
Seemed for a while to have grown young again;
Seemed so on purpose, muttered Jaffer's friends,
That none might know that he was conscience-struck --
But that s a traitor's thought.  Enough for me
That in the early summer of the year
The mightiest of the princes of the world
Came to the least considered of his courtiers;
Sat down upon the fountain's marble edge,
One hand amid the goldfish in the pool;
And thereupon a colloquy took place
That I commend to all the chroniclers
To show how violent great hearts can lose
Their bitterness and find the honeycomb.
"I have brought a slender bride into the house;
You know the saying, ""Change the bride with spring.''
And she and I, being sunk in happiness,
Cannot endure to think you tread these paths,
When evening stirs the jasmine bough, and yet
Are brideless.'
"I am falling into years.'
"But such as you and I do not seem old
Like men who live by habit.  Every day
I ride with falcon to the river's edge
Or carry the ringed mail upon my back,
Or court a woman; neither enemy,
Game-bird, nor woman does the same thing twice;
And so a hunter carries in the eye
A mimic of youth.  Can poet's thought
That springs from body and in body falls
Like this pure jet, now lost amid blue sky,
Now bathing lily leaf and fish's scale,
Be mimicry?'
"What matter if our souls
Are nearer to the surface of the body
Than souls that start no game and turn no rhyme!
The soul's own youth and not the body's youth
Shows through our lineaments.  My candle's bright,
My lantern is too loyal not to show
That it was made in your great father's reign,
And yet the jasmine season warms our blood.'
"Great prince, forgive the freedom of my speech:
You think that love has seasons, and you think
That if the spring bear off what the spring gave
The heart need suffer no defeat; but I
Who have accepted the Byzantine faith,
That seems unnatural to Arabian minds,
Think when I choose a bride I choose for ever;
And if her eye should not grow bright for mine
Or brighten only for some younger eye,
My heart could never turn from daily ruin,
Nor find a remedy.'
"But what if I
Have lit upon a woman who so shares
Your thirst for those old crabbed mysteries,
So strains to look beyond Our life, an eye
That never knew that strain would scarce seem bright,
And yet herself can seem youth's very fountain,
Being all brimmed with life?'
"Were it but true
I would have found the best that life can give,
Companionship in those mysterious things
That make a man's soul or a woman's soul
Itself and not some other soul.'
"That love
Must needs be in this life and in what follows
Unchanging and at peace, and it is right
Every philosopher should praise that love.
But I being none can praise its opposite.
It makes my passion stronger but to think
Like passion stirs the peacock and his mate,
The wild stag and the doe; that mouth to mouth
Is a man's mockery of the changeless soul.'
And thereupon his bounty gave what now
Can shake more blossom from autumnal chill
Than all my bursting springtime knew.  A girl
Perched in some window of her mother's housc
Had watched my daily passage to and fro;
Had heard impossible history of my past;
Imagined some impossible history
Lived at my side; thought time's disfiguring touch
Gave but more reason for a woman's care.
Yet was it love of me, or was it love
Of the stark mystery that has dazed my sight,
perplexed her fantasy and planned her care?
Or did the torchlight of that mystery
Pick out my features in such light and shade
Two contemplating passions chose one theme
Through sheer bewilderment? She had not paced
The garden paths, nor counted up the rooms,
Before she had spread a book upon her knees
And asked about the pictures or the text;
And often those first days I saw her stare
On old dry writing in a learned tongue,
On old dry ******* that could never please
The extravagance of spring; or move a hand
As if that writing or the figured page
Were some dear cheek.
Upon a moonless night
I sat where I could watch her sleeping form,
And wrote by candle-light; but her form moved.
And fearing that my light disturbed her sleep
I rose that I might screen it with a cloth.
I heard her voice, "Turn that I may expound
What's bowed your shoulder and made pale your cheek
And saw her sitting upright on the bed;
Or was it she that spoke or some great Djinn?
I say that a Djinn spoke.  A livelong hour
She seemed the learned man and I the child;
Truths without father came, truths that no book
Of all the uncounted books that I have read,
Nor thought out of her mind or mine begot,
Self-born, high-born, and solitary truths,
Those terrible implacable straight lines
Drawn through the wandering vegetative dream,
Even those truths that when my bones are dust
Must drive the Arabian host.
The voice grew still,
And she lay down upon her bed and slept,
But woke at the first gleam of day, rose up
And swept the house and sang about her work
In childish ignorance of all that passed.
A dozen nights of natural sleep, and then
When the full moon swam to its greatest height
She rose, and with her eyes shut fast in sleep
Walked through the house.  Unnoticed and unfelt
I wrapped her in a hooded cloak, and she,
Half running, dropped at the first ridge of the desert
And there marked out those emblems on the sand
That day by day I study and marvel at,
With her white finger.  I led her home asleep
And once again she rose and swept the house
In childish ignorance of all that passed.
Even to-day, after some seven years
When maybe thrice in every moon her mouth
Murmured the wisdom of the desert Djinns,
She keeps that ignorance, nor has she now
That first unnatural interest in my books.
It seems enough that I am there; and yet,
Old fellow-student, whose most patient ear
Heard all the anxiety of my passionate youth,
It seems I must buy knowledge with my peace.
What if she lose her ignorance and so
Dream that I love her only for the voice,
That every gift and every word of praise
Is but a payment for that midnight voice
That is to age what milk is to a child?
Were she to lose her love, because she had lost
Her confidence in mine, or even lose
Its first simplicity, love, voice and all,
All my fine feathers would be plucked away
And I left shivering.  The voice has drawn
A quality of wisdom from her love's
Particular quality.  The signs and shapes;
All those abstractions that you fancied were
From the great Treatise of parmenides;
All, all those gyres and cubes and midnight things
Are but a new expression of her body
Drunk with the bitter sweetness of her youth.
And now my utmost mystery is out.
A woman's beauty is a storm-tossed banner;
Under it wisdom stands, and I alone --
Of all Arabia's lovers I alone --
Nor dazzled by the embroidery, nor lost
In the confusion of its night-dark folds,
Can hear the armed man speak.
Nat Lipstadt Aug 2013
Welcome Back To This, Your Isle



The rabbits beneath the deck,
Even the pesky deer who eat the shrubbery,
Sea creatures, living and spirits of the dead,
Lying on the paths and in the creeks of Silver Beach,
All inquire:

Was it better wherever you went?

Were the:

Bears, hiding in the forests outside Berlin,
Eagles, double headed, of Russia
Herring, fried, creamed, wined,
From the vendors on the docks of
Helsinki, Riga, Visby and Tallinn,
Salmon, smoked and cured in Stockholm,
More impressive,
Tastier than our striped bass,
Island cohorts of yours, who waited patiently
For their chronicler to return?

Did the Little Mermaid and her Dolphin
Guardians of the Port of Copenhagen
Welcome you more warmly than your friends,
The ospreys, lizards, turtles and owls
Who overwatch your steps and safety
When hiking in Mashomack Preserve?

Are the interlacing tidal creeks,
Woodlands, fields, salt marshes and the ragged,
Irregular but charmed coastline of this cherished island
Any lesser than those of Scandinavia?

Are the sea-going ferries that transverse the
Baltic Sea and the Gulf of Finland,
More poetic than the Menantic or the Lt. Joe,
Who carry you swiftly home to us?

The National Geographic people say that in
Tivoli Gardens, The Amerikaner (ha!) waffle ice cream cone
Is one of the ten best in the world.
Guessing they have not made it yet to the
Tuck Shop for some Moose Tracks!

Were you unaware that our isle settled before
Peter the Great ever envisioned creating the grand
Boulevards of his capitol, St. Petersburg,
Route 114 was a traveled forest path,
By settlers and Indians, not serfs.

Of the Treasures, the Gold Room of the Hermitage,
The Amber Room of Catherine's Palace,
Wrote not a single word, we observe.
Your attentions, they did not deserve?

The answers all, self evident.

Here, surrounded by the gentle breezes of
Long Island Sound and Gardiners Bay,
Sweet and salty flavors of the Peconic atmosphere,
Words unlocked, from your eyes to the page fall,
Smudged by joyous tears, for the muses of the island
Have embraced you yet again and rebirthed
Inspiration, within their comforting, sheltering grasp.


Silver Beach

July 22, 2012
Nat Lipstadt Oct 2013
Dedicated with great pleasure to
Stephen E Yocum and Ilion Gray,
Don fans both.*
---------------------------------------------

Created: Mar 26, 2011 10:56 AM

Written the day after a Don McLean
concert at Town Hall, New York City*
-----------------------------------------------

We stood shoulder to shoulder,
for our voice was soon to arrive,
we were friends of Vincent's friend,
a starry night decorator,
chronicler of our youthful days,
who tonight, returned to us,
harmonizor of memories
of long ago,
one more 'last' time

our bodies we pledged to him,
our allegiance we displayed
via our uniforms,
most of us decorated with badges
of our mutuality,
medals of weary grey,
lives worn, patient sat to hear our
youthful anthems and
dormant dreams,
re-populated in our hearts, live,
alive,  resurrected, babes once more

Chevys and levees and then
by God,
we were dancing in the aisles
Like we used to,
one more time,
grassy odors enhanced our
recharged our voices,
we swore fealty to our memories,
said goodbye one last time, again,
to our youth and American Pie

I swear it's true that
this anthem of tribute and attribute
to who we were, makes
tears stream down my cheeks,
a taste mixed, salty
but also, bel canto sweet,
always simultaneously

forty years blink disappear
and I am ****** on
a summer nite in Sixty Nine,
sitting on my porch,
high up in Cleveland Heights,
and "future," was not yet
a ***** word

My red 65 Mustang makes me
a big shot,
I fall in and out love
and/or so many woman's beds,
pillow talk of how we won't be
like our parents cause
we are gonna make over this lousy world
they bequeathed us,  
how we're gonna let the Cuyahoga River
burn off fifty years of industrial waste,
the future will be born anew,
the urban orbs,
we will plan and rebirth,
they will be human beautiful

Earned my summer wages in
a Republic steel warehouse
where this college kid
who then was car-less in Cleveland,
a sin, hippie bicycled to work where
he was mocked & crowned
on his hard hat,
"The Macaroni Kid" -
he had foolishly revealed
to his ha ha,
Fellow American Co-Workers
his student budget dietary staple

but when in he was deep in the belly
of the railroad cars
where they lowered him
to chain together
the custom shaped steel rods,
on their way to be
the skeleton bones for the concrete blocks
to build the Jane Jacob's
neighborhood-killing bland apartment buildings,
that we both so despised,
building blocks of the
USA's cities of anomie

In the railroad cars, this kid
sang Don's songs softly
to himself and was happy

Lamenting the loss of our
carriers of hope to the
trajectory of assassin's bullets,
I cut my hair, shaved my beard,
for the music had indeed died.

Returned to the NYC in '72,
lived on Bleecker Street,
scrounged the streets
of the Village by nite,
a seeker of urban truths,
loose women, and junk "wood"
to burn in the fireplace of
my third floor walkup

working daytime office jobs,
at night, we drank new drinks of
tunes of english imports
and unbelievably, later on, disco

but we never forgot a single word
of our Bye Bye song,
ode to our wonder years

So on a March chill night, 2011,
the now all grown ups
were petitioned to come,
meet at Town Hall,
on the agenda,
a motion of recall
to bid one last
fare thee well
to the glory days before
we crossed the line from
rebels to voting citizens,
from spirited rock n rollers
to grumbling taxpayers,
from kids to parents

So I weep and smile and
do so for all of us
for I will go out
booming, singing, way too loud,
no decorum for this adult,
bid adieu to our best days,
one more good old boy,
now just a good old man
drinking whiskey and rye
smiling, crying, all mixed up,
sad, happy, touched inside
one last time, by the lyrics,
you know 'em well from
from so long ago,
so long, Bye Bye,
My American Pie
Malcolm Eaves Apr 2016
An ancient tree stands gnarled and withered,
Below it is its age-old roots;
A story great it has delivered
Of newfound power, stomping boots.
If it could speak, this tree would tell
A tale of old, the aeon's race;
In depths of earth, as deep as hell
Sits a long-forgotten grandiose place.
But close behind this tree that speaks
There lurks a psychometric's dream;
A second gnarled and hunchbacked tree
That still remembers human's scheme.
The tales of old are not yet lost,
For here we see this ancient tome
Who, whether it knows it or not,
Remembers what's beneath the loam.
Nolan Willett Aug 2023
A dreamer finds her way,
Well-her and her companions
She met a previous day-
They speak a strange tongue,
But that is quite okay;
They march through pastel
Landscapes
From place to place
From quest to quest
Another dragon?
Another princess?
(That seems a bit cliche)
But she is quite content
And I am no character
In this event
Just its chronicler
They slay the dragon
And take its scales to market
The princess, with a good degree of flair
Takes a ride with her companion
(Did I mention he’s a bear?)
The dreamer is offered lodging
By a grateful King
She steals his bed at night
(They kind of have a fling)

And the sun crests the horizon
And our hero goes to work
Her friends will wait for her tonight
Did I mention she’s a clerk?
Mateuš Conrad Aug 2016
better than an autobiographer, a chronicler... when you die you'll find me among Bulgarian prostitutes sneezing good luck when your try to reinvented the airs surrounding the English monarch taking a **** into her crown... i know there's this thing concerned with tattoos and peacocks, but established peacocking, passed from generation to generation is just silly; animal plateaus with what man calls democracy - survives as long as the majority is kept asexual and the few engage in the acts of fleshy gymnasiums.

i like nights like these, no poems, no scaffold, nothing
to get to grips with... the last day of the Olympics turns out
to be boring... father talking about Irish Nazis
with that ironic motto of *Abreit Macht Frei

like a singalong - working Sundays,
the Irish **** thinks he has Romanians
under his belt he can goose-strut
toward a failed project... you rarely hear
of construction industry's blunt racism...
but it's there, and they dare call it
the enlightening Europe...
no wonder Islam is attacking former colonial
nations, makes the argument speedy
and solidified... it does **** me off..
you watch these anti-Chinese poets
labour words: but at the same time say
things like: depeche mode's 'words are
unnecessary, words like violence,
words are unnecessary, they can only do harm',
not the poets, those who practice poetry
and try to keep the status quo...
i hope the Irish sinking in the frozen
waters of Titanic met their hamster angels,
i really do... not man enough as a featherweight
to box against a Klitschko, fair enough...
but mind you: words are everything,
this stance to avoid the meaning of words
is not s much anti-biblical (in the beginning was
word, and with god was destined to reside) -
later man came along, and recognising that
certain pieces of information were implanted
in words he decided the stuffing was too much...
better do a Christina Aguilera -
words can't hurt, can't infringe -
so we're basically backing up to the utility of
sign language, or punches...
back in the monkey haven... so much for the theory
of evolution... are you saying we shouldn't be using
words? that's basically what you're saying...
keep it simple... keep it ~friendly....
ensure the idea persists, but that language doesn't...
we were never going to agree,
neither was William the Conqueror with Saxon swine...
i know a schwab when i sehen one...
a stick has two ends... edition of being struck over
the head... edition of being hit in the ******* another...
but i just like days, when there's nothing meaningful in my head...
it's all helium giggles at that point...
going to the supermarket to buy whiskey
two white ****** and a dozen black hyenas march in
with me... **** small? not really... well, the ultimate
freedoms, i'm scuffling speedy Gonzales (next thing
on the censor's list of forbidding acquisition of control),
it's just fun to watch and fun to watch
looking at the stereotype skinheads...
words like violence, break the silence -
words... mm, in general i call that perfected coordination,
Moses and Prometheus, in ideogram of Egyptian
stole the meaning, later translated into skeleton Hebrew...
no prince talks the language of slaves...
no point kissing rosy Christ's backside right now...
i just want them to attempt their **** with success,
i just hate living out a life as an ensured ******* for
their safeties... it gets boring when they fail...
so you get my bearing... Nazis in England on
construction site... mainly Irish Nazis...
taboo or as some would call it: no ***** to attack
their former colonial masters... so attack the
colonisers... **** first... the head comes second...
oh the moaning and groaning of women...
**** ahoy! the men are expendable.
2 white ****** and a dozen hyenas running into
the supermarket after an **** to buy red bull
energy drinks... prancing around the city centre with
wild pride... an alcoholic rat scuttles past with
the words: what the **** are these clowns on about?
you think these girls will be able to raise a family
for their shortcut attempt at impersonal ******?
they're charity shop material... i'm not imposing
a Hijab... just saying...
what a lovely feeling, what gratification after
visiting a *******... moments like these are
just there, i'm hardly fighting for the English rose...
more like fighting over a Scottish thistle...
prostitutes are great tools when looking at society...
you get baptised in their waters lubricated without
any social cohesive reaction... that's the greatness
of prostitutes... you feel nothing when such examples
propose themselves to be viewed...
prostitutes are the greatest anaesthetic providers...
you can or don't have to believe me...
i'd rather be in their company, the fullest spectacle
of transparency... because it's not really the freedom
women and men encounter, i'm in full of support of that...
**** as much and as many as you want...
the problem is bound to Satan... the original fruit
constantly evolves with the evolution of the godhead...
i thought it was about *******... but given this
spectacle... it's actually more about LIES...
lies create spies and governments, they also create
false moral physiques... they're so ******* horrid
that you end up wanting to watch your girlfriend
**** a hundred ***** than to hear her say
that she's a nun... scout's honour... lies are worse
than the acts... everyone wants to be free, un-caged,
and that's the respect derivative...
but being lied to is out of the question...
lying should be in the old testament decalogue -
more important than ****... that's why the power
resides with prostitutes for man's encompassing
some sort of sanity... there are no lies...
there's just obvious promiscuity... those little
Christian boys can gag in their confession booths in
Churches... when you stop lying and feel no guilt
and no need for being redeemed from sins (extended into
crimes, denotative as merely lies) becomes obsolete,
even in Brazilian slums... you see those little
gnomes feeding trivial experiences of threesomes
and ****** the exotica that is simply a bunch of lies;
their exotica is bound to a family meal...
a shared meal... watch them lining up in their
cars at the McDonald drive-through...
or eating alone to a solitary confession...
once you spot them, you're like: what the **** are priests for?
i've just spotted a confession! they're sitting
slouched in some cheesy fast-food conveyor belt
trying to re-enact their tales of the Amazonian rain-forest
escapades for that much more of "exotica".
Poetemkin Sep 2019
I.

Tнʏ functions are etherial,
As if within thee dwelt a glancing Mind,
***** of Vision! And a Spirit aerial
Informs the cell of hearing, dark and blind;
Intricate labyrinth, more dread for thought
To enter than oracular cave;
Strict passage, through which sighs are brought,
And whispers for the heart, their slave;
And shrieks, that revel in abuse
Of shivering flesh; and warbled air,
Whose piercing sweetness can unloose
The chains of frenzy, or entice a smile
Into the ambush of despair;
Hosannas pealing down the long-drawn aisle,
And requiems answered by the pulse that beats
Devoutly, in life's last retreats!

II.

The headlong Streams and Fountains
Serve Thee, Invisible Spirit, with untired powers;
Cheering the wakeful Tent on Syrian mountains,
They lull perchance ten thousand thousand Flowers.
That roar, the prowling Lion's Here I am,
How fearful to the desert wide!
That bleat, how tender! of the Dam
Calling a straggler to her side.
Shout, Cuckoo! let the vernal soul
Go with thee to the frozen zone;
Toll from thy loftiest perch, lone Bell-bird, toll!
At the still hour to Mercy dear,
Mercy from her twilight throne
Listening to Nun's faint sob of holy fear,
To Sailor's prayer breathed from a darkening sea,
Or Widow's cottage lullaby.

III.

Ye Voices, and ye Shadows
And Images of voice—to hound and horn
From rocky steep and rock-bestudded meadows
Flung back, and, in the sky's blue caves, reborn
On with your pastime! till the church-tower bells
A greeting give of measured glee;
And milder echoes from their cells
Repeat the bridal symphony.
Then, or far earlier, let us rove
Where mists are breaking up or gone,
And from aloft look down into a cove
Besprinkled with a careless quire,
Happy Milk-maids, one by one
Scattering a ditty each to her desire,
A liquid concert matchless by nice Art,
A stream as if from one full heart.

IV.

Blest be the song that brightens
The blind Man's gloom, exalts the Veteran's mirth.
Unscorned the Peasant's whistling breath, that lightens
His duteous toil of furrowing the green earth.
For the tired Slave, Song lifts the languid oar,
And bids it aptly fall, with chime
That beautifies the fairest shore,
And mitigates the harshest clime.
Yon Pilgrims see—in lagging file
They move; but soon the appointed way
A choral Ave Marie shall beguile,
And to their hope the distant shrine
Glisten with a livelier ray:
Nor friendless He, the Prisoner of the Mine,
Who from the well-spring of his own clear breast
Can draw, and sing his griefs to rest.

V.

When civic renovation
Dawns on a kingdom, and for needful haste
Best eloquence avails not, Inspiration
Mounts with a tune, that travels like a blast
Piping through cave and battlemented tower;
Then starts the Sluggard, pleased to meet
That voice of Freedom, in its power
Of promises, shrill, wild, and sweet!
Who, from a martial pageant, spreads
Incitements of a battle-day,
Thrilling the unweaponed crowd with plumeless heads,
Even She whose Lydian airs inspire
Peaceful striving, gentle play
Of timid hope and innocent desire
Shot from the dancing Graces, as they move
Fanned by the plausive wings of Love.

VI.

How oft along thy mazes,
Regent of Sound, have dangerous Passions trod!
O Thou, through whom the Temple rings with praises,
And blackening clouds in thunder speak of God,
Betray not by the cozenage of sense
Thy Votaries, wooingly resigned
To a voluptuous influence
That taints the purer, better mind;
But lead sick Fancy to a harp
That hath in noble tasks been tried;
And, if the virtuous feel a pang too sharp,
Soothe it into patience,—stay
The uplifted arm of Suicide;
And let some mood of thine in firm array
Knit every thought the impending issue needs,
Ere Martyr burns, or Patriot bleeds!

VII.

As Conscience, to the centre
Of Being, smites with irresistible pain,
So shall a solemn cadence, if it enter
The mouldy vaults of the dull Idiot's brain,
Transmute him to a wretch from quiet hurled—
Convulsed as by a jarring din;
And then aghast, as at the world
Of reason partially let in
By concords winding with a sway
Terrible for sense and soul!
Or, awed he weeps, struggling to quell dismay.
Point not these mysteries to an Art
Lodged above the starry pole;
Pure modulations flowing from the heart
Of divine Love, where Wisdom, Beauty, Truth
With Order dwell, in endless youth?

VIII.

Oblivion may not cover
All treasures hoarded by the miser, Time.
Orphean Insight! truth's undaunted Lover,
To the first leagues of tutored passion climb,
When Music deigned within this grosser sphere
Her subtle essence to enfold,
And Voice and Shell drew forth a tear
Softer than Nature's self could mould.
Yet strenuous was the infant Age:
Art, daring because souls could feel,
Stirred nowhere but an urgent equipage
Of rapt imagination sped her march
Through the realms of woe and weal:
Hell to the lyre bowed low; the upper arch
Rejoiced that clamorous spell and magic verse
Her wan disasters could disperse.

IX.

The Gɪꜰт to king Amphion
That walled a city with its melody
Was for belief no dream; thy skill, Arion!
Could humanise the creatures of the sea,
Where men were monsters. A last grace he craves,
Leave for one chant;—the dulcet sound
Steals from the deck o'er willing waves,
And listening Dolphins gather round.
Self-cast, as with a desperate course,
'Mid that strange audience, he bestrides
A proud One docile as a managed horse;
And singing, while the accordant hand
Sweeps his harp, the Master rides;
So shall he touch at length a friendly strand,
And he, with his Preserver, shine star-bright
In memory, through silent night.

X.

The pipe of Pan, to Shepherds
Couched in the shadow of Maenalian Pines,
Was passing sweet; the eyeballs of the leopards,
That in high triumph drew the Lord of vines,
How did they sparkle to the cymbal's clang!
While Fauns and Satyrs beat the ground
In cadence,—and Silenus swang
This way and that, with wild-flowers crowned.
To life, to life give back thine ear:
Ye who are longing to be rid
Of Fable, though to truth subservient, hear
The little sprinkling of cold earth that fell
Echoed from the coffin-lid;
The Convict's summons in the steeple's knell;
"The vain distress-gun," from a leeward shore,
Repeated—heard, and heard no more!

XI.

For terror, joy, or pity,
Vast is the compass and the swell of notes:
From the Babe's first cry to voice of regal City,
Rolling a solemn sea-like bass, that floats
Far as the woodlands—with the trill to blend
Of that shy Songstress, whose love-tale
Might tempt an Angel to descend,
While hovering o'er the moonlight vale.
O for some soul-affecting scheme
Of moral music, to unite
Wanderers whose portion is the faintest dream
Of memory!—O that they might stoop to bear
Chains, such precious chains of sight
As laboured minstrelsies through ages wear!
O for a balance fit the truth to tell
Of the Unsubstantial, pondered well!

XII.

By one pervading Spirit
Of tones and numbers all things are controlled,
As Sages taught, where faith was found to merit
Initiation in that mystery old
The Heavens, whose aspect makes our minds as still
As they themselves appear to be,
Innumerable voices fill
With everlasting harmony;
The towering Headlands, crowned with mist,
Their feet among the billows, know
That Ocean is a mighty harmonist;
Thy pinions, universal Air,
Ever waving to and fro,
Are delegates of harmony, and bear
Strains that support the Seasons in their round;
Stern Winter loves a dirge-like sound.

XIII.

Break forth into thanksgiving,
Ye banded Instruments of wind and chords
Unite, to magnify the Ever-living,
Your inarticulate notes with the voice of words!
Nor hushed be service from the lowing mead,
Nor mute the forest hum of noon;
Thou too be heard, lone Eagle! freed
From snowy peak and cloud, attune
Thy hungry barkings to the hymn
Of joy, that from her utmost walls
The six-days' Work, by flaming Seraphim,
Transmits to Heaven! As Deep to Deep
Shouting through one valley calls,
All worlds, all natures, mood and measure keep
For praise and ceaseless gratulation, poured
Into the ear of God, their Lord!

XIV.

A Voice to Light gave Being;
To Time, and Man, his earth-born Chronicler;
A Voice shall finish doubt and dim foreseeing,
And sweep away life's visionary stir;
The Trumpet (we, intoxicate with pride,
Arm at its blast for deadly wars)
To archangelic lips applied,
The grave shall open, quench the stars.
O Silence! are Man's noisy years
No more than moments of thy life?
Is Harmony, blest Queen of smiles and tears,
With her smooth tones and discords just,
Tempered into rapturous strife,
Thy destined Bond-slave? No! though Earth be dust
And vanish, though the Heavens dissolve, her stay
Is in the Wоʀᴅ, that shall not pass away.
Transcription presented without claim to accuracy. Original text, page 213: https://books.google.com/books?id=lpncWYjJneYC
Skylar Mar 2015
The Vault stands resolute
Against acidic Time.
It must have much to say.
There is much it must have seen.

It's steady, stony gaze
Is all that now remains
To stand guard over nothing;
Duty-bound to stay.

What resides within?
It is aching to become known.
What resides within?

We rush the beckoning gate,
We push and pry and pull.
Today is a first for the Vault:
For the first time it loses a fight.

The darkness confronts us,
Accusing and severe.
Apprehension crawls up our spines:
What has been hidden here?

What resides within?
It is aching to be known.
What resides within?

We set foot inside,
Our steps unnervingly loud.
The cold sun nips our heels.
The darkness caresses our brow.

What's that ahead?
I believe it is light.
The faintest of glimmers:
Thin golden thread.

What resides within?
It is aching to be known.
What resides within?

With the greatest of caution
We open this new door.
Beyond is a strange old creature,
Back to the wall, sitting on the floor.

His flesh is pale and creased,
But his eyes are anything but idle.
"What is this place?", we ask.
His answer comes with a smile:

"This is Man's Vault.
It is a reservoir of what we were
Long before the missiles or the disease
Or by both we all were burned".

"Who are you?"

"I am the Curator, the Chronicler.
This place is of my own work.
I've spent day and night here,
Building it with record, picture and book."

"What may we do with it?"

"That is for you alone to decide.
The collection must pass to new hands.
My purpose here has been served.
In this present realm I will not much longer bide."

On concluding his final, heavy quatrain,
He breathed his long life out.
And the liveliness from out his eyes did drain

For several minutes, we stood in silence.
As a weight pulled down on our hearts.
A race had died before our eyes,
And left to us its inheritance.
Brett Apr 2021
I often ponder the thought of living forever
Immortal
The weary heart chronicler
                    Of one last cold December

Death does nary escape my mind
Yet who is the keeper
What specter
                     keeps its watchful eye on time

Stuck in a daydream
Yet I see life written
So clearly across the sky
             What fate awaits eternal eyes

Whose lips
             Shall be my last kiss goodbye

Would I be stricken lonely
To witness life’s flourishes
As they slowly
             Recede below me
MS Lim Dec 2015
SOMEWHERE RIVER

Somewhere River
winding through time’s corridor
silent chronicler
of the heart of man and its sacred inner core

sentinel of history
record-keeper
of life's mystery
it forgets never

night and day
its waters meander
through every remote bend near or far away
further and yet further

can you hear its song so tender
when the night is hushed asleep
when the tired moon longs for slumber
when the stars in deepest silence  weep?

We are all like Somewhere River
we exist somewhere –each a traveller
through time,  a lonely unknown wanderer
this is our life-story—what else should we remember?
nil
Civet Wright Mar 2017
Your heart is living in my pulse
Like the chronicler beneath
The thousands of whirligig

Rocky pony necks me
As how the God of time piece
Treasured a tear of grass
https://youtu.be/6azPGz4LGQM
Suresh Gupta Feb 2019
FORCES OF CREATION
Structure

.....continued...4


Time, a false perception,
has become the ultimate chronicler of existence,
unidimensional, unidirectional and constant.
The very birth of each individual Perceiver and Observed,
initiates its own filament of Time,
and once initiated, that pendulum remains in perpetual motion, forever existent and recallable for eternity.


Gravity, electromagnetism, nuclear - forces of interaction

to be continued.....
From the pre-introductory page of Forces of Creation
Donall Dempsey Feb 2022
OUTSIDE THE LINES

crayon drawn on crayon
a car crash of colour
“I’m colouring the colour! ”

colours hide in corner
rest of page a blank
“The colours are having a rest! ”

center page
an explosion of red & blue
“The colours are having a fight! ”

aBlobOfOrangeGreenHairPurpleEyes
her scrawl
“This is my bestest Dad! ”

one eye
balanced on my hair
other eye escaped from my face

Daddy
a multi-coloured
blob of slime

child drawings
on fridge door
chronicler of our lives

Mummy at least
has a figure
slim as a matchstick
Mateuš Conrad Apr 2019
how long as it been?
perhaps too long,
or perhaps just the right
time in its coming,

not exactly heroism,
modern day heroism:
paying the bills,
"hunting" for food
in a supermarket...
      getting the window
seat on a plane...
my my,
          we're just so
heroic of all,
      but these days...

svá ek ríst ok í rúnum fák,
at sá gengr dauðr gumi
   ok mælir við mik

     ᛋᚹᚨ     ᛖᚴ
                ᚱᛁᛋᛏ       ᛟᚴ      ᛁ
ᚱᚢᚾᚢᛗ         ᚠᚨᚴ
       ᚨᛏ         ᛋᚨ
         ᚷᛖᚾᚷᚱ
                     ᛞᚨᚢᚦᚱ         ᚷᚢᛗᛁ
ᛟᚴ
    ­          ᛗᛇᛚᛁᚱ
         ᚹᛁᚦ                        ᛗᛁᚴ

i can so carve and
           colour the runes,
that the dead man walks
and talks with me
...

vikings season 1,
episodes 7 & 8...

      it just had me thinking...
the blatant disregards
for poets
              by the anglo-saxons
by the brother of
the king...
   (episode 7)...

   and then...
the complete reverse of
   the norse king and his
high regards for poetry...
poet: chronicler...
    
                even now...
day to day outer suburban
day to day...
        i have found
that it might have began
with plato's criticism
of poets...
            
        but then the same
trend continues with
                   monotheism,
notably Islam...
           and yet...
these pagan barbarians...
held ars poetica
in high esteem...

              probably because
while the anglo-saxons
paid their court poets
for lies,
   bribery and a vanity
project...

   the norse kept their poets,
gave them everything:
except money...

                that's the only answer...
if someone gave me food,
shelter, drink...
    why would i need money?
Universe Poems Jul 2021
History
Annalist
Chronicler,
period of mystery
Originally,
Poetic styling
Storytellers,
acted as historians,
in the priming
Memorising,
their stories,
more easily,
dating back,
to around 1000 B.C.
The earliest was Shaman
and, Cavemen picture stories
Rock Cavers,
used picture - stories,
to provide writing glories


© 2021 Carol Natasha Diviney
Joseph S Pete Oct 2018
Tony Hoagland later revealed himself as problematic
On issues of race and empathy
But what a wit
What a talent
What a social observer
What an analyzer of narcissism
What a chronicler
Of Bible studies, jet fuel imbibing and America itself
What a piercer of the illusions
Of blue-haired college students with tongue studs
And aversions to comfortable homogeneity
The spiked collar of strip malls and spoon-fed mass entertainment

How do you
Separate
The art from the artist
Do you
Should you
Can you

Where does the conversation stop
Where does it end
Where does it loop back
Where does it germinate
And begin
Dr Peter Lim Dec 2017
Sentient is
the voice
of the poet
not sententious

his heart
is heavy-laden
with
the pain
of the world

his words
are tears-filled

life's sufferings
can't be thwarted
neither by prayer
or deed

poetry stands apart
as the lone chronicler
of the heart of man
an equal weeper

when someone
anywhere
is in pain
that mysteriously
filters through
the blood-stream
of a sentient poem.
Dr Peter Lim May 2018
I recognise this place
I’m still here
my memory fails me never
it’s impeccable—sure--
past faces and images
in my mind are embedded
present ones I survey
whatever and wherever
I thrive, I endure

none is aware
I’m near
I’m invisible
secrets long-buried
and forgotten
I remember
the delirious joy
  of someone
  the tragic pain
  of another--
  from every life
  I’m inseparable
  (no matter
   none knows
   where I was
    nor why I’m here)
  
    this place
   I recognise
   as I was
   so here I’m still
   I’ve not aged
   I’ve not grown old
   human life is a billion tales
   to be told and retold
  
I’m  software
and hardware too
the record-keeper
the invisible chronicler
the appointed
  but impartial narrator
   ‘tis my destiny
    my duty, my call
    and I never falter


    now I see all
    in this place
    that I knew
    long ago
    though no face
    nor scene
    is as before

    the now
    the present
     is how
     all human life
      is lived-
      the longing
      the anguish-
      the ecstasy
      of loving
       the pain
       of love lost-
       of dreams vanishing
       of hopes perishing
       all the striving
       the waiting
       all the wanting
        but not having
         and desires unfulfilled

       you in the room
       each a mystery
       you talk—in glee
       but something inside
       you are hiding
       (we all have secrets
         which we wish to forget)
         soon enough
        the wine and beer
         has been drunk
          the conversation
           is becoming
          inane and discomforting
          the initial zeal is fading
          (**** those around
            who are smoking and puffing)
        
         the day turns
         into evening
         the bar must be closing
         the musician
         must no longer
          be singing
          ( half-hearted hand-shaking
             the pretending
             the inner murmuring
             ‘  all this big and loud nothing-
                 banal, boring, silly
                 is this living?’)

                All this I had seen
                and heard before….

                 but none of you know
                 I was then there
                 and now am here

I’m not a spy
I’m not a ghost
I’m not a ******
no magician either

I’m the
the sentinel
the watcher
the story-teller

the one immortal

who am I?

my name is Time.
Dr Peter Lim Dec 2017
In a late night train I travelled
the windows bore vague marks
of silent rain. I was the only passenger-
where was everyone?
Was all this orchestrated
that I would be left alone
to converse with my sorrow?

Tired looked the moon- sickly
would best describe
its strange paleness
was it sharing this moment with me?
no--it had no heart and couldn't feel-
yet my imagination ran wild as the wind
drifted in the night air as though with a voice
that seemed to say: I am in pain
but humans don't care nor understand'--

(there's always mystery in the night
only to walk in the absence of light
when no human is near or in sight
the chronicler of every human plight)--

squeezed into the immediacy
of time in hours beyond midnight
the drone of engine I likened
to an ailing old man's
incessant monotonous cough
and groan--with no respite--

(why do people dislike
and fear the night
looking at the ticking clock
hoping for early morning light?)

I wouldn't mind
if the train had no stops
with no destination
for me to alight

the silent drama
would thicken
between
the three--
the moving train
the night
and me.
allanbrunmier Nov 2021
Time falls with the indifference of rain
Pelting my consciousness with scattered memories
Dampening enthusiasm for tomorrow

Without permission, it links my past to the present
Making me an unwilling chronicler
Providing transient purpose and meaning to an uncaring universe
Donall Dempsey Apr 2022
OUTSIDE THE LINES

crayon drawn on crayon
a car crash of colour
“I’m colouring the colour! ”

colours hide in corner
rest of page a blank
“The colours are having a rest! ”

center page
an explosion of red & blue
“The colours are having a fight! ”

aBlobOfOrangeGreenHairPurpleEyes
her scrawl
“This is my bestest Dad! ”

one eye
balanced on my hair
other eye escaped from my face

Daddy
a multi-coloured
blob of slime

child drawings
on fridge door
chronicler of our lives

Mummy at least
has a figure
slim as a matchstick
Dr Peter Lim Oct 2020
The sea
the silent chronicler
of human destiny

the sea
the ready receptacle
of each heart's misery

the sea
the eternal reminder
of our mortality

the sea
when I'm gone
it sings still of me
Norbert Tasev May 2020
The Spoken Reality

You should learn, you finally understand: The unattainable idyllic life for laurels rarely brings you! - The sizzling music of handsome, flirtatious lips clicked on your face like good-natured slaps, and you could only hope and hope - in the end you could only watch in annihilated way: Seductive lovers, Lady-Jews could be exploited, used - finally you were a disposable toy! You have not yet grown a laurel in burning beautifully curved kisses - you could only be one of many:

Youth, foolishness with its pregnant responsibilities bears itself! How many times have you tried to study the wandering map of unknown blood labyrinths in heartbeats that have been deciphered? But in vain! "You can't understand the secret of words, your struggle with hurricanes of complicated desires, inexperienced son-in-law!"

The emotion may have remained an immortal and unattainable torso: Though broken, but you tried to love with full conscience - see if they would reciprocate: You were the only Don Quixote who could be pushed to the ground among liar *******, dizzying skirts! "With a battered-worn briefcase, like a sad, melancholy chronicler of tiring thoughts, you carried a load of paper-smelling milestones of cultures laden — if you still have some money left!"

You have long guessed the Truth, to confess you are still helpless and molasses, and a coward for yourself: Only one who can be happy with himself is able to believe the all-embracing Prometheus hope that embraces everything. Who is meaningless and useless in spite of voices

he struggles and does his things more and more, and with his ancestral, contagious selfishness he settles down forever, in the manner of murderers, and he absolutely believes in his own Truths - keeping possible, changeable versions of individual opinion!
It should finally be said: Do not lie, but it is imperative that, if necessary, the seeing Eye proclaims relentless Truths, and be incapable of cherished, sometimes relieving lies, even when the spoken Reality causes wounded pain!

— The End —