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SY Burris Oct 2012
To whom it may concern,

     I am alone.  Although it may never quite seem that way, both night and day I am confined to solitude.  These past six years hitherto have been filled with nothing more than the fictional characters in my texts and the short pleasantries granted in passing by dismal men, women, and even children that occupy my days.  Each morning, as the dawn breaks, I wake up disgusted with myself in that same manner which sundry men and women have.  It is not the loneliness, however, that disgusts me.  No, I do believe I have grown quite fond of the residual silence.  Instead, I believe it to be the dull monotony of my routine that has left me truly disturbed.  The days have begun to fade in with each other, along with the nights---especially the nights.  I cannot say, for instance, whether or not it was last evening or that of a day three months afore that I was seated at my desk, much like I am now, finishing the latest draft of a poem in my journal.  Nor could I tell you the present date, although the heat of the day, still trapped in the rafters, is so persistent that I am obliged to say it must be one of those blue summer nights when children run, squealing, through the streets, like plump pigs to the trough.  I have become somewhat of a hermit, secluded in my small, run-down apartment above my bodega.  My mind has grown as wild as the violet petunias, bridging the gap over the narrow, brick walk which separates my garden--- as the myriad of dandelions that have invaded the surrounding lawn.
     Throughout the day I work the till in my shop, observing the assorted physiognomies that populate the three small isles.  As they walk up and down, deciding what they most desire, I, too, contemplate to myself, deciding the few whom I might admire should I get the chance.  I often attempt to strike up conversations with my customers, much to their dismay.  I comment on the weather, the soccer scores from a recent game, or perhaps a story from the local section of the Post & Courier, only to receive terse responses and short payments.  However, I never let these failed attempts at congenial conversation discourage me.  Day after day, I persist.
     The nights are easier.  Although I do not attend the boisterous bars spread out amongst the small restaurants and boutiques that line the narrow city streets as I once did, I often drink.  Seated alone, armed with a liter of Ri, two glasses, one with small cubes of ice and one without, and a pen; I waste my nights scribbling down nearly every thought that leaps into my inebriated mind.  My prose has yet to show any real promise, but my thirst to transcend from this pathetic, pseudo-intellectual literature student struggling with his thesis into something more drives me to ignore those basic desires, defined by Maslow as needs; venturing out and exploring the community that I inhabit or talking to another person as a friend.  So I sit, night after night, at the foot of this large bay window, looking out onto the tired faces of the busy street below.  I sit, night after night, tracing the streaks of red light from the tails of passing cars, imprinted in the backs of my eyelids like sand-spurs stuck in a heel.
     I can recall a time when my flat was not the dank, dimly lit hole in the wall that it has become today.  A time, not too distant, when the rich chestnut floorboards glistened beneath the fluorescent pendant lights, when champagne dripped like rain from the white coffers in the blue ceiling, and music shook the walls and rattled the windows.  Men and women alike would wander through the rooms, inoculated by my counterfeit Monet's and their glasses of box wine.  When not entertaining, I wrote.  At long length I sat beneath my window, proliferating prose or critiquing a classmate's from workshop, but those days have passed.  The floors no longer shine; instead they lay suffocating under piles of fetid clothes.  The halls no longer echo with the rhythmic chorus of an acoustic guitar or the symphonies of men and women's laughter;  the lights are burnt out, the paint is peeling off the walls, and the homages are concealed beneath vast fields of mildew and mold.  Puddles of whiskey sit unattended on the granite countertops around the bottoms of corks for weeks, allowing the strong scent to foster and waft freely through the air ducts into the store below.  The dilapidation that ensued after I stopped receiving visitors was not just of the home, however. Worse yet was the steady rot of my own mind.  Although I have often been referred to as "a bit eccentric," and often times folks would inquire if I had, "a ***** loose in [my] noggin," I have only recently begun to find myself walking about the neighborhood garden in the small hours of the morning more than occasionally.  Further still, it is only recently that I cannot remember how, or when, I came to be where I am. Whenever I do happen to roam the night, it appears as if I do it unbeknownst to myself, throughout the throes of my sleep.  Similarly, I have only just begun to notice that, often times while I attempt to write, I sit, talking feverishly---yelling at an empty bottle, until I find another to quench my thirst.  Luckily, there is always another bottle.
     Needless to say, these past few years have left me very tired, and, after much consideration, I have decided that it would be best if I were to "shuffle off this mortal coil."  However, much like Hamlet himself, I could never bring myself to act upon the feeling.  Though I often wonder about what awaits me after my last breath warms the winter of this world, the coward that I have become is in no hurry to find out.  Alors, I am left with one option: leave.  Though I am not yet brave enough to slip into that, the deepest of sleeps, I have gathered courage enough to walk throughout the day.
           Charon Solus
judy smith Jun 2015
The enthusiasm of ***** Gobé and Maria Paloma Fuentes is palpable. Riding high on the initial success of their summer collection of children’s clothes, the two French business graduates are planning their next sales moves, both online and through multi-brand boutiques.

The chic edge-to-edge jackets, Bermuda shorts and berets would probably look at home on the rails of Printemps or Galeries Lafayette. Yet their start-up company, Mini Bobi, is not based in Paris. It is in Suzhou, a couple of hours’ drive from Shanghai.

The two Skema alumnae are among the growing number of French graduates who are looking for their first job in China. One catalyst has been the rush of European business schools to establish campuses in China, run joint degree programmes with Chinese universities and set up internship programmes in Beijing and Shanghai.

What is more, the growth in the Chinese economy, together with the low cost of entry in cities such as Shanghai, has resonated with graduates worldwide who want to be entrepreneurs.

The real advantage of China, though, is simply the scale, says Ms Fuentes. “The opportunities are much more attractive here than in France. If you come up with a new idea it will be really big.”

The Mini Bobi clothing range, which combines Parisian style with the stretchy materials and copious waistbands needed by the increasing number of obese children in China’s cities, was the brainchild of Ms Gobé.

After studying fashion and business in Lille and Shanghai, Ms Gobé completed a gap year in the US and decided to write her thesis on the plus-size market.

“In this thesis I made a comparison between the market in the US and China. [Previously] I wasn’t aware of this market,” she says, adding that in China there are 120m obese children under the age of 18.

In the city of Shanghai more than 18 per cent of children at primary school are overweight — the same percentage as in the US, she says. “I was surprised when I realised [this was the case],” she says.

Enthusiasm for all things Chinese spreads well beyond entrepreneurs, says Nick Sanders, director of the Masters in International Business at Grenoble Graduate School of Business. Of the section of the MIB class that spent a year in Beijing, many are enthusiastic about working there.

“Ninety per cent of them actually want to stay in China,” says Mr Sanders, although practically, only between a quarter and a third will get their first job on graduation in the country. A further 50 per cent will be employed working with China in some capacity, adds Mr Sanders.

“They tend to be employed where there needs to be an understanding between China and another country.”

Entrepreneur Matthieu David-Experton, an Essec graduate, who also studied for a second degree at the Guanghua school at Peking University, is now on his second business venture in China — he sold the first, a packaged gift business, after 18 months.

His three-year-old market research company, Daxue Consulting, has offices in Beijing and Shanghai, with a third office planned in Hong Kong. It has 15 employees but by the end of the year he plans to have a staff of 20 and revenues of Rmb7m ($1.1m).

“What I have always done in China is take a model that works well in Europe, then adapt it.” Most of his clients to date have been international companies looking for information on the China market — western nursing home groups, eager to take advantage of the changing Chinese demographics, have been strong clients. That is changing. “Chinese companies are now looking for better information on their

competitors.”

For Mr David-Experton there are clear advantages to working in China, particularly the flexibility and speed to market. Products can be designed and developed in just a few days, he says. “I had the feeling you couldn’t get these things done in this timescale in Europe.” It means entrepreneurs can get a product to market without having to raise too much money, he adds.

But he warns that the Chinese business environment is not plain sailing. “They [prospective entrepreneurs] need to come here and see what is happening. A lot of people come here with ideas that don’t fit with the market.”

It is a message echoed by Manmeet Singh, senior affiliate lecturer at EMLyon Business School, who has worked in China for the past 13 years. “This market has a learning curve, it has a learning curve for everybody. Even the 50-year-old chief executives of multinationals have a learning curve. They can come here and get their **** kicked.”

European entrepreneurs are taking a double risk he says: starting a business and setting up in an alien environment.

He also warns that much of the “low-hanging fruit” available to French entrepreneurs a few years ago no longer exists. He cites the example of those who want to set up a wine importing business in China: now the tables are turned and Chinese companies are buying vineyards around the world.

But there are some positive elements about China for European entrepreneurs, he says.

“There’s a lot of money available in the market for the right product. They [the Chinese] are agnostic on the origins of their entrepreneurs.”

And the enthusiasm for start-up careers in China are still strong among French business students, he says. “A good 10 per cent of the class [in China] approach me with ideas.”

Mr Singh is heavily involved in Shanghai’s Chinaccelerator, which gives support to both Chinese and international entrepreneurs. Though popular in the US and Europe, incubators are more novel in China.

It was following Skema Business School’s tie-up with a local Suzhou incubator in 2013 that the founders of Mini Bobi decided to locate their company there. Now they are distributing their range of 30 China-manufactured clothing items in Hangzhou and Suzhou as well as Shanghai.

With a monthly income so far of around Rmb3,000, the founders are looking to wider distribution to increase sales and are now selling online through Taobao, China’s answer to Amazon or eBay, founded by the Alibaba Group. They are also talking to schools about designing more generous-sized school uniforms.Read more here:www.marieaustralia.com/formal-dresses-brisbane | www.marieaustralia.com/formal-dresses-sydney
Dan Filcek Apr 2015
My sister was born here
yet I know she does not recall the:
streets and sidewalks.
vagrants and beggars
full of history
full of bohemian young people
looking  for stylish bars.
Plenty of music
  and art galleries.
African music and South American shops.
expensive boutiques with impossible prices
Alternatively, you can take the pink,
Tropical garden with a pond full of small turtles
A memorial to the victims  
The roads within are difficult to navigate
junctions underground provide relief from the sun on hot days.
night owls cover the city
a green libre sign in the windshield
far too many cars and not enough space
narrow streets in the old town,
  is the heart of the city
The clock tower marks the Twelve Grapes  
a bear climbing a tree,
ornate iron posts.
the vacant Palace
lavishly decorated
Baroque-style gardens surround a large monument
Dozens of statues
a sculpture of Don Quixote
A massive roundabout
a chariot pulled by two lions.
A tall obelisk sits in the center
a pedestrian walkway full of fountains and trees
The vertical garden can be seen from the street outside,
features fine furniture and porcelain
impressive art collections with paintings, sculptures, and prints.
young hippies play bongos and dance.  
And I have never been there
This year for Poetry Month, I decided to post a "found poem" every day. If writing a poem is like painting, a "found poem" is like sculpting. - source https://wikitravel.org/en/Madrid
judy smith Apr 2017
It’s the tail end of fashion week in Paris, the busiest week of the year for fashion buyers.

When I meet Clodagh Shorten, owner of Samui, the game-changing boutique that put Cork on the fashion map, she’s already been here four days and is on her tenth buying appointment — there’ll be at least another five before she leaves in a couple of days time.

These appointments, private bookings with designers, allow her to get up close and personal with the clothes that have just been showcased on catwalks.

She’s deciding which pieces will best suit her customers.

Today, we meet at Schumacher, the stunning German label known for its easy chic look.

A beautiful white space, with lush cream velvet sofas, bare walls and white rails (nothing here to distract from the main event — the clothes), this room, prime space in Paris, is rented by the designer year-round just so they have the right venue to sell at Fashion Week.

It gives some indication of the power Fashion Week wields.

Clodagh is here with her right-hand woman, Samui manager Mary-Claire O’Sullivan.

There are two rails — the keepers and the ‘ones that got away’.

They’ve already seen this collection in London.

Today they are here to fine-tune.

This is unusual, Mary-Claire explains — at most appointments, they are seeing the clothes for the very first time.

“This is a big spend,” they tell me, and they’ll stay as long as they need “to get it right”.

Piecing together a collection is something akin to a jigsaw puzzle.

All the items are photographed — later they will be analysed back in the apartment they rent during Fashion Week.

The mix has to be right.

So the coats, a sleeveless waistcoat, are moved to the rail on the right.

They won’t make it to Cork.

Coats were already picked up this morning at another appointment.

Like I said, a jigsaw puzzle.

Two models are on hand to try on clothes when requested — I hear ‘can I just see this on one more time’ a lot.

There’s no haggling over prices in these sales negotiations — it’s all too civilised.

The price is set, as is the instore mark-up. These lauded designs must cost the same the world over.

Clodagh and Mary-Claire share a language and a wavelength. They can finish each other’s sentences and, while I don’t so much as sniff a hint of tension, they tell me they can disagree on buys.

“Clodagh doesn’t want a yes woman,” Mary-Claire says simply.

From Schumacher, Clodagh leads the way through the Parisian cobbled streets, phone held aloft, Google Maps to direct her.

Her wheelie bag is constantly behind her — inside there’s the laptop for orders and a camera for instant access to photographs of collections.

Her calculator is another permanent fixture in the showroom.

Today, Clodagh is dressed in an Australian label coming soon to Samui, Ellery. The lush black fabric sways and moves with her body; an outfit like that makes you really appreciate her eye for fashion. It’s sensational.

For this 5.30pm appointment we are heading to see another new label for Samui — Paskal (Clodagh will wear a piece from this line tomorrow).

The Ukrainian designer is looked after by an agency so in this showroom there are pieces by a handful of brands.

Again, the setup is the same — private appointments, models on hand.

Clodagh and Mary-Claire have to be more careful here — this is a new label and it’s more fashion forward so black is prioritised.

Not every client at Samui will wear this line. Every purchase, I realise, is a gamble.

“We’ve made mistakes, of course we have,” says Mary-Claire though you get the feeling that could be a rare event.

Pieces bought by these two women rarely end up in Samui’s sales rack.

They know their customer, plain and simple.

There is so much trust there, some clients are simply sent collections each season, allowing Clodagh to make the call for them.

So much of their day is spent discussing various clients (never by name in my presence) — what they might like, the best size.

It is effectively the ultimate personal shopping experience.

The number of items and sizes are limited, so customers know they are truly getting one-off pieces.

As we leave, kisses over, the agency head tells them, “you’re our favourites” and you just know it’s not empty fashion talk.

People genuinely love Clodagh and Mary-Claire. And they respect what they do.

Samui is open 16 years now. Clodagh mastered her trade at Monica John before stepping out on her own. Mary-Claire joined her eight years ago.

It has been one of the few boutiques in Cork to not just survive the downturn but to positively thrive.

As the economy spluttered around her, Clodagh very masterfully decided to go high end.

First came Moncler — the top people here had to come and view Samui to see if it was the right match for their esteemed label.

It was — and, increasingly, doors began to open.

Carven, Marni, Rick Owens — people really began to sit up and take notice of Samui.

Now labels are often vying for space on the shop floor. Still though, it takes work to secure the big new names.

Clodagh spends a lot of time on planes, networking, meeting the key players. And it’s not as simple as a visit to Fashion Week twice a year either.

These days pre-collections are key too: these pieces will be on the shop floor for longer.

So Clodagh and Mary-Claire travel in January to Paris for pre- collections, Milan in February for Moncler, Paris in March. The same cycle begins again in June for A/W pre-collections, with S/S Fashion Week in September.

Clodagh is always pushing, always striving for new.

She was devastated to say farewell to Transit, the brand with her from the very beginning. It was simply time for a change she tells me.

They love seeking out new labels, nurturing them, sharing them with their customers.

The next morning we meet at 9am for Dries van Noten.

Clodagh stocks around 50 different labels, most exclusive to Cork. This Belgian designer is one of them.

Here again is a very fashion forward line.

There’s a minimum €20,000 spend here, and that’s the amount Clodagh and Mary-Claire can play with.

This is a much busier showroom, a slick operation. Buyers are everywhere, the models weaving between them.

They are assigned a seller and a table, laptop at the ready to secure the sale.

Sophie, today’s seller, walks them through the long rails and talks to them about the collection, the fabrics, the colour, the catwalk, the vision.

Clodagh and Mary-Claire repeat the process a second time alone, a third time again with Sophie.

There are little standing breaks for coffee — refreshments and lunch are provided by the designer.

Clodagh and Mary-Claire know to carry snacks everywhere. The buying process can be a long one; Dries could be an all-day event.

The price point is much higher here so, again, each piece has to be carefully thought out. Checked and checked again.

These A/W deliveries will land in store in July.

Watching them make their Samui edit on that March morning, I just know the Dries selection will be a show-stopper this Autumn.

I leave them to sign on the dotted line, wishing them success for the rest of their gruelling schedule as I head for Charles de Gaulle.

“People don’t realise what goes into this,” says Clodagh. And she’s right.

None of us can possibly grasp what it must have taken for one woman to put Cork on the fashion radar.Read more at:http://www.marieaustralia.com/short-formal-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Aug 2016
Andrew Gn

Probably the most prolific Singaporean designer, Gn graduated from the renowned Saint Martins School of Art and Design in London and the Domus Academy in Milan before joining Emanuel Ungaro in 1992. He launched his namesake label in 1996, establishing a fan base among the Parisian high society and A-list celebrities such as Jessica de Rothschild and Sarah Jessica Parker for his luxurious fabrics and exquisite embellishments. Gn was awarded the President’s Design Award in 2007 and is stocked in all the major continents, with his atelier based in the Le Marais district in Paris.

Ashley Isham

The other Singaporean high fashion designer to hit big time in the international circuit, Isham established his namesake label in London in 2000, and is a show fixture at London Fashion Week. The label is known for its sharp, contemporary tailoring and high-octane glamour, and is a hit among film, TV and music stars as well as British royalty.

Aijek

Self-taught designer Danelle Woo creates easy-breezy, ultra-feminine pieces in sustainable fabrics. Aijek is stocked at multi-label boutiques in China, Hong Kong, Malaysia, Indonesia, Latin America, the Middle East and the United States.

Depression

The neo-Gothic ready-to-wear label’s stark, minimalist designs are stocked in Hong Kong, Belgium, Japan and the U.S., and counts celebrities like Adam Lambert and The Black-Eyed Peas as fans.

Sabrina Goh

The feted Singaporean designer stocks her easy-to-wear pieces from her namesake label at multi-label boutiques in the United States, the Fred Segal store in Japan and a London-based online store Not Just A Label.

Max Tan

The avant-garde label features experimental silhouettes and a contemporary artistic flair, and is stocked in Europe, the Middle East, San Francisco and Taiwan.

Benjamin Barker

This stylish menswear brand founded by designer Nelson Yap in 2009 now has two stores in Melbourne and offers custom tailoring as well. It also offers shipping to Australia and New Zealand via its website BenjaminBarker.co. .

In Good Company

The well-loved minimalist label with unusual silhouettes fronted by designers Sven Tan and Kane Tan is stocked in Hong Kong at Kapok, at various departmental stores in Jakarta, Indonesia, including Sogo, Seibu and Galleries Lafayette Jakarta and in New York’s Saks Fifth Avenue.Read more at:http://www.marieaustralia.com/formal-dresses-sydney | www.marieaustralia.com/formal-dresses-brisbane
Violet Lundy Sep 2010
Our generation constantly seeks,
To find the meaning of unique,
We spend our time browsing boutiques,
Or turning our self into a freak.

We all end up looking the same,
Don’t you think that is a little lame?

Perhaps we should delve a little deeper,
Let us take a peek at what’s on the inside,
Intrigue others with what isn’t cheaper,
In fact, let’s take this nationwide!

Just like that good ol’ celery stick,
What colour you turn is up to you to pick!

What we put inside is what comes out,
Do you want to reflect what is around you,
Or whip together your very own image without,
Soaking up someone else’s goo?
David Barr Feb 2014
There is a certain mystique about Essex County where Wiccan boutiques smite the eyes with linguistic confusion.
Salaam reminds me of cold meat and Shalom reminds me of Welsh breakfasts even though the 1700s knew nothing of peace.
So, now that we almost reach the threshold of Spring Aequus Nox, I commend Julius Caesar for his respect towards atmospheric refraction.
We need to talk.
Come on, and let us delve into classical and mythological philosophies where games of death are an aphrodisiac with a sprinkling of risqué.
Reflections of Paris this morning , for all the inhabitants of the world , especially those inspired by beautiful works of art and architecture  ! Those fortunate enough to have dined in world class eateries on cuisine prepared by Master Chefs , marveled over the downtown skyline high atop prominent monuments ! Impassioned lovers perusing her avenues , window shopping store fronts , boutiques along famous boulevards ! Senior couples recalling their yesteryears with great joy , frolicking , happy children playing in parklands , feeding songbirds with euphoria and curiosity , strolling walkways along the riverbank at Dusk with great wonderment and personal reflection  
The poet and poetess , musician and thespian , ballet dancer and street performer .. To lovers young and old , the continued hope of gaiety and splendor at every turn !
She is lovely indeed , the Queen of all that is beautiful on this Earth* ..
Copyright November 8 , 2015 by Randolph L Wilson * All Rights Reserved
Nicole Bataclan Mar 2012
They say it's not safe to walk around here
You'll see women standing on street corners
Few drunk mortals and usual dealers
Still, it has a unique flair that's sincere.

Interesting folks spotted at cafes
Nights and on weekends, the scene is alive
Best galleries in town, boutiques survive
A form of art, nothing close to cliches.

The kind of place that gives someone a fright
A misconception for some who can't stand
The riveting darker side of their mind;
It's here geniuses like Baudelaire saw light.  

There is something alluring about them
Those society scorn, the marginalized.
Judgmental souls persist; not so surprised
When below the surface waits a poem.

The people here have no care in the world.
Whether it's where they work or their hangout
Here, free spirits do not need to stand out
They think lightly and none shall be bothered.

They say it's not safe to walk around here
It's the truth, one must be a bit careful
But this area, genuinely soulful;
Rather here, red light district I revere.
judy smith Jun 2016
The retail and fashion industries offer a lot opportunities but there are challenges and stiff competition. To stay ahead, retail and fashion stores need to offer the latest and best quality products at competitive prices. The job can be get done through professionals called merchandizing managers or merchandizers who play a vital link between the vendors and the customers.

Merchandizing managers are professionals who select the products to be sold keeping in mind the requirements of targeted customers. These managers are usually employed by boutiques, departmental stores, malls and retail outlets.

Merchandizers work closely with buyers to identify any upcoming trends. The main focus of a merchandizer is to ensure that the departments or stores for which they work meets its sales targets and earns a healthy profit. If margins are below expectations, they need to analyse the reasons and alert management about the problems.

Though the field of merchandizing does not require any specific degree but a bachelor's degree in business, merchandizing or similar field is preferred. A student can further pursue master's or a doctoral degree for better prospects. Also, merchandizing manager must possess good knowledge of the company and customer needs, industry awareness, presentation and negotiation skills, a confident personality and innovative ideas. Merchandizing is a challenging field, hence the merchandizing manager should be able to provide effective solutions for various problems.

"The scope of merchandizing is huge. Unfortunately, there are hardly any merchandizing companies in Nagpur. You don't need a specific background to enter this field. Any person with good communication skills and the ability to learn can excel in the field," said Prashant Siriah, director of city-based Global Merchandize and Logistics.

"The biggest challenge of this field is to meet customer's demands. The market is huge. I feel there is dire need to boost merchandizing industry in the city. Being a garment merchandizer, I would suggest students to be stay updated with the latest trends and traits of retail markets," said Pooja Bembi, garment merchandizer, owner B Different boutique.

"Merchandizing has a huge market outside Nagpur. We began from Nagpur but are business is now set in Bengaluru. We have seen the industry grow. As an experienced professional, I can only say that merchandizing has a lot to offer. Students should be open to explore. Out of the box thinking and excellent management skills are qualities a merchandizing managers need to have," said Nikhil Pandey, co- founder of Thinkstrokes, Bengaluru.

"People who want to join this industry need to have complete interest in it. I am passionate about my work. It's important because once you come into this industry you have to create your own path. I feel as merchandizers we need to come up with innovative ideas to cater to the interest of today's generation who are so much aware of fashion and apparels," said Anmol Huda, garment merchandizer, SWAG Store, Nagpur.

Merchandizing offers a decent pay scale. It offers steady growth to people having the right skills and attitude but one needs to be patient.

(Reporting by Shrushti Wanare)

STUDENT QUOTES

I think fashion is something you create. You work on it. It's more than theory. It challenges your creativity. It's not when I read books but it's when I sit with the outfits I understand its details. Merchandizing interests me. It has multiple layers to experiment with. I am particularly more inclined towards garment merchandizing.

Gundeep Kalra | fashion and merchandizing, Indian national institute of fashion designing,

I am pursuing fashion designing. I wish to study fashion further and I think merchandizing as an industry offers good opportunities as well as bright financial prospects as a career. It tests your imagination skills. It is a very indulgent course. A student needs a mix of creative potential and aptitude to excel in this field.

Ayshna Verma | UG student fashion designing, pearl academy, delhi

Colleges offering merchandizing courses

Parsons School of Design, Talent Edge, Nagpur

Courses offered: Online

Program: Diploma in Executive Programme Of fashion and Merchandizing

Duration: 5 months

Fees: Rs65,000

School of Fashion and Technology, Pune

Courses offered: On Campus

Program: Post Graduation in Fashion and Merchandizing

Duration: 2 years

Pearl Academy, Delhi/ NCR

Courses offered: On Campus

Program: Post Graduation in Fashion and Merchandizing

Duration: 2 years.Read more at:http://www.marieaustralia.com | www.marieaustralia.com/red-carpet-celebrity-dresses
mark john junor Feb 2014
the unattainable girl in cotton dress with her untouched hands
her perfections body and soul are store purchased at trending boutiques
she illustrates the room into vivid colour with her casual presence
she becomes the motion in the still life drawing you live
she is the utterance of everything to be attained by dreaming
by hope
for you
the unattainable

she leads you through the broken gate
a backyard overgrown and
past the rusting skeleton of a child's swing set
night has rendered it life
and it looms large in the minds eye with terrible
wrath for its cheated years
inside the bare room
streetlight filtered by the boarded up window
sound is muffled in here
her voice strangely stagnant and heavy
as she clumsily removes her shirt
laughing a small embarrassed laugh
so unlike her cool and convincing hardcase appearance
the two of you rest a few hours cupped in eachothers arms
till daylight leeches your sleepyheads of dreams

but the tattered cover of your romance novel
is by no means a feat of strung out fairy's on a mission to condemn
they only want recompense for the time they spent wrapped in the
soiled leather sheets entertaining some middle aged naked man
and his sole desire to be pretty
she sees all this
she sits in the dry corner
eyes wide but unseeing
a song of terrors paused on her lips
the reality's of reality has not yet sunk in
but its soft spoken voice is whispering to her now
it sets its christmas card well wishes on her mantle
it lays its warm gifts on her bed
careworn toys of her bitter embraces
sit in the grey snow abandoned like her lovers
now that she found her nirvana

she will spend her days
in hard red leather and fishnet
plying the flesh pots and the mystery's exposed of naughty naughty
the unattainable girl is just a photograph now
one dimensional image of a four dimensional demon girl
judy smith Jan 2017
BCBG Max Azria, with its 570 brick-and-mortar boutiques, is the latest American retail firm to fall prey to digital competition.

On Thursday, Bloomberg reported that the fashion label, one of three under the BCBG Max Azria Group umbrella, which also includes Herve Leger and BCBGeneration, is closing several stores and shifting its focus to e-commerce, wholesaling through other retailers and licensing.

Said Seth Lubove, a spokesman for BCBG at Sitrick & Co., "Like so many other great brands, BCBG has been negatively impacted by the growth in online sales and shifts in customer shopping patterns and, as a result, has too large a physical retail footprint."

The company founded by Max Azria in 1989 (which stands for the French phrase "bon chic, bon genre") peaked in the mid-2000s, finding favor on the red carpets with tween darlings Lauren Conrad, Camilla Belle and Miley Cyrus, the latter of whom collaborated with Azria on a short-lived Walmart collection in 2009.

One of the most powerful figures to emerge from the L.A. fashion scene in the last 25 years, Azria, an immigrant from Tunisia, was early to the idea of democratizing fashion, selling gowns in the $500 range and showing them on the runway in New York to lend a high-fashion patina. He built an international empire that once boasted $1 billion in retail sales.

He is married to Lubov Azria, chief creative officer of the BCBG Max Azria Group. The West Coast couple made headlines in 2015 for selling their Beverly Hills estate for $85 million.

BCBG Max Azria has struggled over the past few years, hampered by overly aggressive brand extensions and retail expansion plans, and increased competition from fast fashion giants Zara and H&M.; Last year, 123 employees were laid off from its Vernon, Calif.-based offices. The company has hired Alix Partners LP to restructure its debt load, although, according toBloomberg's sources, the company isn't in risk of bankruptcy.

Just last week, fellow L.A.-based retailer American Apparel announced the closure of all 110 of its retail stores. Other mall fixtures, including Macy's and Sears, also announced store closures scheduled for early 2017, and all of The Limited stores closed this month.Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
it was the
summer
of 13

when a city
consumed in a
Cronut crazed
heat wave

amped
the tenderloin

slicing the underbelly
of Hell's Kitchen

packing meat for
Russian oligarchs
pouring fistfuls
of petrol rubles
down the
thirsty gullets
of glutinous
developers

their distended
bellies welling
with aching
avarice
from an
extended
stay at an
All You Can Eat
zero interest
smorgasbord
courtesy of
Uncle Sam’s Diner
somewhere off the
West End

getting fat
on the land
reclaimed
and rebuilt
on the dust
and detritus
of an expired
Great Society

Bloomie's metropolis
rising on the rubble
of razed neighborhoods....

the vertical leaps
shooting ever upward
the heady windows
framing portraits
of endless replication
offering the amenities
of the vain comfort
found in ghettos of
soulless high rises
and the billowing
gray perspective
of blanched out
street cafes
brewing $9 lattes
and big box
boutiques busy
busking the
latest rage
of sweat repelling
yoga mats and
wearable apps

America’s Mayor
Giuliani paved the way
he arrested all
the squeegee men
confiscated their Windex
dumped it down
the sewers and filled all
vacancies at Rikers

a year after Sandy
rolled up the Hudson
breaching the banks
of West Street
licking the streets
clean of urban
flotsam the
surging boom
bloomed

Bloomie bankrolled
a red carpet
for his global
fraternity of
plutocrats
unleashing a
tsunami of
shekels

washing away
the fading
memories of
Captain Sully’s
cool headed
lunch pail
heroism proving
that 727’s can
walk on water
was now passe

Lou Reed
left town
the wild side
monetized by
the belching
banality of
Urban Hipsters

millennial
babes in toy land
embarked on an endless
shopping spree
where credit limits
never expire and
giddy narcissism
greased with entitlement
orders up room service
as the next course
in this endless
movable feast

Music Selection
Philip Glass
The Hours



9/8/13
NYC
jbm
walking the High Line in NYC.....
fragment of extended poem
posted today in response to NY Times article
on the anonymous purchase of NYC high rises
by global oligarchs
http://www.thetakeaway.org/story/new-investigation-reveals-corrupt-foreign-money-flowing-us-real-estate/
SUNDARAM SARMA Dec 2022
A tropical paradise island is Hawaii that conjures a feeling of sheer joy,
It’s very mention evokes thoughts of vacationing one can really enjoy,
Location-wise one can state that it is “ far from the madding crowd”,
It is like heaven on earth, meant for visitors to be wowed

Waikiki in Honolulu is the hub for most hotels with proximity to the beach,
It’s just a 16-minute cab ride from the airport and thus quick to reach,
That the closest State to Hawaii is California - a 2500-mile sector,
Just shows how travel time from elsewhere, involves jet lag to factor

Located in the Pacific Ocean, Hawaii is quintessential if one may say so,
It is the only U.S. state outside North America that is an archipelago,
As the only state geographically located in the tropics,
It is a tourist haven, with always an abundance of optics

The word "Aloha" is commonplace in signages and on everyone's lips,
As a form of greeting it implies hello and welcome - a very useful tip,
The locals are very effusive when they greet visitors with Aloha,
One cannot but express delight by silently exclaiming, Aha!

"Mahalo" is another word that visitors get used to hearing frequently,
It means "thank you" - a gracious acceptance of the locals' hospitality,
The infectious warm welcome to visitors has an air of spontaneity,
Syncing with the embracing pervasive Hawaiian culture in it's entirety

The inevitable fresh flower "lei" welcome awaits visitors checking into hotels,
Lei is a symbol of hospitality, love, respect and aloha in which Hawaii excels,
A lei made from sea shells is an alternative option that one can have by choice,
Irrespective of the form of lei offered, wearing it is surely a matter to rejoice

Honolulu is the capital of Hawaii on the island of Oahu's south shore,
It is the largest city and gateway to the U.S. island chain and much more,
As one of the main eight islands in Hawaii, Oahu is the most populous,
It is also the business hub of the Aloha State and hence very famous

Also known as "The Gathering Place", Oahu aptly lives up to it's name,
As home to the majority of Hawaii's diverse population, it has a lot to gain,
There's the fusion of East and West cultures resulting in a delicate balance,
Rooted in the value and cultures of Native Hawaiian people, with no imbalance

The popular bustling and vibrant Waikiki neighborhood within Honolulu city is unique,
It is the epicenter for eclectic restaurants, nightlife and designer fashion boutiques,
Waikiki is also reputed for its white sandy beach that is a whole 2-mile stretch,
Where visitors throng throughout the day, as if there's little else the mind can fetch

Waikiki in Hawaiin means "spouting waters" and is replete with a gamut of water activities,
Surfing, snorkeling, swimming, canoe paddling and boogie boarding are typical beach proclivities,
With matching stunning views of the landscape, visitors can be seen lazing in total relaxation,
It is little wonder that the beach is always crowded and a famed getaway vacation destination

Friday night fireworks by Hilton Hawaiian Village along Waikiki Beach is a must-watch attraction,
The colorful display evoking delightful oohs and aahs from onlookers though, is of short duration,
The razzle-dazzle of the show skillfully transmits joy & happiness through the art of pyrotechniqes,
A feeling of bliss envelops one and all, on witnessing the sound-and-light show marvel mystique

Dole Whip is a popular non-dairy pineapple ice cream and, in Hawaii, is a cult-status confection,
A key ingredient is unsweetened coconut milk that adds creaminess and flavor to the selection,
Fresh lime bumps up the flavor and adds extra zing to the taste of the final Dole Soft Serve swirl,
Savoring the heavenly refreshing unique taste allows the hedonist's squeal of delight to unfurl

A visit to Oahu or any other Hawaii island is never complete without attending a traditional luau,
Luau represents a gathering meal of food, music and dance and is integral with Polynesian milieu,
It is a party like no other with continuous foot-tapping live music accompanied by Hawaiin dancing acts,
While the compere regales guests with anecdotes of Polynesian traditions laced with interesting facts

Hawaii is also famous for it's sensuous mimetic hula dance - traditionally, a form of communication,
Ancient hula, or "kahiko" with undulating gestures to instruments and chant was an original creation,
Transformed under Western influence to "auana", it now involves sinuous movement of limbs and hips,
The accompanying peppy music involves storytelling or place description well in tune with the scripts

The fitting finale to Hawaii luauas is generally the famed Samoan fire knife ceremonial dance,
A knife, partially exposed & wrapped in oil-soaked cloth is set alight for the performer's stance,
Incredible acrobatic stunts involve twirling, tossing and catching the knife to the fast beat of music,
The appreciative response of the audience builds up the momentum, reaching a crescendo almost seismic

Sauntering in the beach, one can watch people meandering about with gay abandon,
The inescapable feeling of blissful relaxation is typical of a destination-Hawaii vacation,
The days fly by, making you wish at the end that the stay could have been a tad longer,
While treasuring joyful memories in the interim, your thoughts go to similar places yonder
judy smith Feb 2017
In a few days, modernistas will flock to Palm Springs to ogle its healthy roster of mid-century gems.

There will be home tours, double-decker bus tours, fundraisers, art receptions and cocktail parties. At every turn, is an opportunity to embrace your inner modish self and dress the part.

Don’t worry, you won’t be alone. All the parties are rife with guests in fun retro apparel. Everything from caftans and A-line shift dresses to graphic prints and knee high boots.

“It's nostalgia for a bygone era and we dress up because it feels great when you are surrounded by stunning midcentury modern architecture and vintage cars. It makes me want to put on gloves and a pillbox hat and sip martinis - plus it makes for great photos,” said Lisa Vossler Smith, executive director of Modernism Week, who likes to dress the part as well. Modernism Week runs Feb. 16-26.

The mod-style which originated in London in the 1960s is all about sleek and simple silhouettes.

“Clean-tailored lines and lots of black and white define mod fashion for me,” Vossler Smith said.

Pegged ankle-length pants, colorful tights, Mary Jane heels and sweater twin sets also come to mind.

For inspiration, Vossler Smith turns to the likes of Twiggy, Edie Sedgwick and fashion designer Mary Quant, because of their iconic and forward-thinking mod style.

“But I also look to old movies and TV for inspiration. "James Bond," “Batman,” “Get Smart,” “Gidget,” and my favorite, “Breakfast at Tiffany's,” are great for inspiring new vintage looks from my daily wardrobe. Sometimes I even throwback to a little Rosalind Russell "Auntie Mame" or Grace Kelly influence - on a good hair day,” she said.

Her favorite vintage item is her 1960s leopard print, pointy-toe boots. “I wear them all the time,” she added.

Much like the classic, simple and timeless architecture of the homes and buildings that signify mid-century modern - mod fashion has had a lasting effect on popular culture and current design.

There are new, vintage inspired lines, such as the ones created by New York based Lisa Perry who led a discussion at last year’s Modernism Week on the mod looks that make up her collections.

Palm Springs’ own Trina Turk, who is known for her bold prints and vintage inspired designs , will present a “Trina Turk + Mr. Turk Fashion Show” poolside at the Modernism Week Show House on Feb. 21.

Palm Springs and the rest of the Coachella Valley is full of thrift shops and specialty boutiques teeming with outfits perfect for a mod party. You can go new – Turk’s flagship store is in Palm Springs – but it’s a lot of fun and rewarding to dig through thrift shop racks for that signature outfit.

“We really have great stores throughout the desert,” Vossler Smith said.Read more at:http://www.marieaustralia.com/formal-dresses | www.marieaustralia.com/****-formal-dresses
Andrew Monroe Sep 2013
Let me tell you what I want….

I want to read Somerset Maugham and Aldous Huxley and Leonard Cohen and Mary Oliver
I want to hike bits of the Appalachian Trail and take long walks in the hills around Snowdonia
I want to ride about in the DC Metro and the London Underground
I want to explore small towns and big cities
I want to eat lunch in quaint little bistros and have dinner at the table in my yard
I want to browse through antique stores and fancy boutiques
I want to play with dogs and rub their bellies
I want to take long drives without a destination in mind
I want to waste an entire Sunday at home talking about everything and doing nothing
I want to build a fire and watch a movie
I want to sit on the couch and sip tea

Most of all, I want to do these things with you

Don't let your addiction take this away
With all the bits of my heart….
marriegegirl Jun 2014
Thèmes

Choix d'un thème pour un album ou une carte vous aidera à affiner votre choix de materials.Who est le public visé? Est la carte ou un album lié à une fête ou un événement important? S'il n'y a pas une personne en particulier ou un événement associé au projet, l'adoption d'une couleur ou un motif régime prévoit unité et balance.Examples de thèmes populaires incluent: vacances, bébé premier, anniversaires, obtention du diplôme, animaux, années scolaires, les anniversaires, les mariages, roman, prix, favoris (cadeaux, livres, films, émissions de télévision, des jouets ou des modes), le



jardinage, les vacances, les partis, les sports, souvenirs et mementos.After choisissant une conception unifiée, trouver des documents qui illustrent votre message. Matériaux
Les matériaux les plus indispensables sont cartonné, papier, colle, outils, stylos, et des embellissements de coupe ou photos.Cardstock robe soirè peuvent être achetés individuellement ou en packs de valeur; packs de valeur sont utiles si vous créez plusieurs albums et cards.Cardstock et du papier ordinaire est disponible dans des couleurs unies ou du papier patterns.Patterned peut être utilisé comme arrière-plans, des bordures, ou du papier de coupe embellishments.When, sauver les restes pour des projets ultérieurs, vous pouvez embellir d'autres projets ou utiliser de plus grandes chutes en photo mounts.For une aspect texturé, papier de déformation;. carton est plus facile de se froisser si vous appliquez quelques gouttes d'eau adhésif, des outils et des stylos coupe sont très variées. Les types de base comprennent liquide et le bâton de colle, du ruban, des ciseaux, tondeuses, des marqueurs et des albums de pens.For de pigments, toujours utiliser des matériaux sans acide qui ne traverse pas le pages.To créer bords bordée sur les pages de scrapbook ou des cartes, utiliser des ciseaux spéciaux, comme puncheurs. ondulées et de la vallée de pointe, ou en forme embellissements

améliorent le thème choisi albums et cards.Cutouts, des autocollants, des rubans, papyrus, vélin, les timbres et les citations sont des choix populaires, citations peuvent être employées par achetées quote-livres, manuscrites ou tenue mere de la mariee imprimées à partir d'un ordinateur Photos personnaliser n'importe quel projet de robe soirè métier;. ils peuvent être imprimés à la maison, ou développés par des boutiques et drugstores.Photos d'impression en ligne sont généralement organisés par ordre chronologique, en collages ou categorically.Categories incluent, mais ne sont pas limités à: des événements, des activités, des familles, des couleurs, des particuliers ou actions.Although ce sont des techniques de mise en forme les plus populaires, vous devriez Étalez vos photos seront cependant mieux s'adapter au thème de l'album ou carte.

http://www.modedomicile.com/robe-de-soir%C3%A9e-c-5
Alan McClure May 2013
Money wants to be spent.
It sits in your pocket and bellows at you,
it tugs you into shops and boutiques
and weighs so heavy on your mind
that you gasp with relief
to be rid of it.

I don't like this, but I get it:
I accept the hypnosis
and resist when I can,
and perhaps it oils the system
which keeps me comfortable.

But I am fearful that our feel for time
is going the same way.
Hours are things to dispose of:
days, once spent, are lost and gone:
all our energies ****** us on
to the next thing, and the next.

There is no sense
of accumulation,
no glorying in the growth
of knowledge, experience, wisdom.
No respect for things which have been
and thus we shuttle, rudderless and dumb,
Barren, and infinitely poor.
Charlie Prince Jul 2012
There are times
Much like tonight
When I want the city.
Nights when I want the gritty hustle buzzing in my ear canals
With liquid longing burning in the bowels of my being.
And through the lingering ring of restless machines
I would wander aimlessly.
Up and down streets past boutiques and café seats where people meet.
I would let the LED silhouettes of men and women in motion guide my feet until the beating of my heart and the grinding of trains and cars is absolutely indistinguishable.
Beneath a sky without stars, I can forget that I exist.
But only with a sentimental twist can that existence bring bliss.
Looking back now on the neon and grime, I have the time to take it all in.
Those subway rides when I would ride the snake,
Sharing the belly of the beast with those whose voices cease in the company of strangers.
Though eyes may align for a blink at best,
My mind would never rest on another
Especially
When she would breeze by
Hands outstretched
Mumbling humble rhymes with the hope that a few welcome nickels and dimes might fall from the pocket of a wall street man pretending to check texts on his black berry.
Or maybe those midday walks in central park when I’d skip my acting class to pack a bowl while I sat and listened to the street musicians who bled their instruments dry as if it were the only way to exorcise the city from their souls.
A taxi ride to Harlem
When we ****** in the backseat.
And though those free birthday drinks made me think I loved the way your tongue tasted
I knew in the back of my mind I was wasted.
Then
When we arrived to your private hideaway and your picturesque descriptions of a love
Once sung stitched my lips, it was all I could take.
And though our hips did risk the heartbreak, my unfettered balloon of misdirected affection flew out the window with hopes to impregnate the moon.
Cuz when the sun scrapes through the skyline,
Into your heart broken,
Hung-over,
Blood-blistered,
Hunger-driven,
Crystallized eyes, you feel so much less than empty.
Which brings me back to now.
As for how I now stand before you, flinging listless anecdotes from my chalky smoke coated throat…
Two words: Love.
Love.
So while I sometimes indulge my past perdition with immaculate midnight metropolitan musings steeped in sweat and cheap beer,
I am thankful that my intuition thought it better to put me in the company of those who I hold dear.
judy smith Oct 2016
The glitz and glamour of the fashion world descended on the city once again as Oxford Fashion week returned for its 10th season.

Models strutted their stuff on the catwalk at the Town Hall on Friday evening as the crowd saw shows from 12 designers.

Champagne flowed at the after party, where a raffle and silent auction were held in support of Oxfordshire Youth – the county's charity for young people.

The show was intimate, with just three rows of seating surrounding the catwalk.

Carl Anglim, the director of Oxford Fashion Studio, said: "Oxford has its own character and charm and we try to bring that to every show we do."

Anya Conlon, the face of this year's fashion week, modelled a dress at the after party which was donated by famous designer Omar Mansoor.

Many of the models attending the party wore their looks from the runway for guests to more closely see the intricate designs.

The 6pm show featured independent collections and ready to wear designs from high street boutiques and retailers.

Highlights included shows from two masters graduates sponsored by Jericho fashion shop Olivia May – Constance Blackaller and Katie McGuigan.

The 8pm show was titled Concept + Couture and displayed eccentric collections from prominent local designers.

Dumpster Design created a dress made entirely of discarded materials from Oxfordshire Youth while Caterina *******debuted her colourful Homage to Camouflage collection for her Kraken Counter Couture studio.

Ms *******incorporated her 'K sizing system' in to her designs, which is uniquely tailored to transgender individuals.

She said: "To me it didn't seem new. I felt like somebody should be doing it.

"Its something that I'm very proud to do – I have many friends and family in the LGBT community."

Gender fluidity was a theme throughout the night as the Crease show sent several male models down the runway in women's coats and dresses.

Model Luka Nikolic said: "I think 2016 is the year for gender fluidity.

"If you're a man wearing women's clothing or a woman wearing men's clothing you can't say that's wrong."

A surprise attendance was made by designers Dylan & Izzy, who are featured on the BBC show All Over the Workplace.

The show, hosted by Alex Riley, shows children the inner workings of different workplaces and this week the children tried their hand at fashion design.

The Town Hall extravaganza marked the end of fashion season, with fashion weeks in New York, London and Milan starting again in early 2017.

Mr Anglim said: "Many of our designers will go to London, New York and Paris, but our favourite thing to do is come home to Oxford."Read more at:http://www.marieaustralia.com/bridesmaid-dresses | www.marieaustralia.com/red-carpet-celebrity-dresses
judy smith Oct 2015
They've dressed first ladies, Academy Award-winning actresses and supermodels.

Now they're designing casual luxury that they believe appeals to women all over the world.

Marie and Kelly Gray, the mother-daughter duo and former head designer and chief executive officer, respectively, behind luxury house St. John, opened a new chapter with the debut of their apparel company Grayse two years ago.

Grayse, a ready-to-wear line retailing from $195 to $1,250, hit racks at select Bloomingdale's — including the Fashion Island location — Saks Fifth Avenues and boutiques in Palm Desert and Canoga Park.

The most recent expansion was introduced this month — a pop-up shop, also at Fashion Island. It will be there through February 2016.

"We're very excited," Kelly said as she sat in the newly designed boutique, next to Traditional Jewelers, near Bloomingdale's. "My mom's taste for luxury is the benchmark for the brand."

That penchant for design came together in 1962, when Marie and her husband, Robert, founded the St. John clothing line, which is headquartered in Irvine.

The couture with a core of signature knits remains the same today with its decorative touches like beads, crystals and buttons that are gilded with 24-karat and hand-sewn during the finishing process.

But after 43 years of designing and crafting the simple yet elegant knit dress, the Grays left St. John in 2005 when the company was purchased by a private equity firm. Eight years later, in 2013, the two women were back in business together with their new Grayse label.

"My mom was playing golf and she hurt her knee, and during that time, she came into my office and had ideas for a new line," Kelly said. "We decided to put a little collection together and started with 15 pieces, and now it's ballooned into this."

The new label of casual, versatile separates and dresses is a modern collection of Italian silk-printed tunics, leather jackets and embellished tops and dresses.

Most of the collection is produced at the company's headquarters in Irvine.

Kelly and Marie, who do the designing for Grayse, said they have an appreciation for working together.

"It's so much easier as adults," Kelly said with a laugh. "It's amazing and it's a privilege. We're both excited about our foray back into retail. I can be more conservative, and mom tends to push the boundaries."

The designers have recognized the difference in style between the Palm Desert and Orange County shopper.

Women in the desert getaway prefer a polished look and tend to dress up more, while the Orange County woman's style is edgy and relaxed and she is always looking for new and contemporary shapes.

Fashions have evolved, Kelly said, noting that after 2008, as the country was reeling from the Great Recession, consumers reevaluated how much they spent on clothing.

"Today, people have an appreciation for a relaxed style and easier price point," she said. "Grayse is more whimsical. It's a brand you're purchasing for Thursday, not weeks in advance. It's buy now, wear now."

Reconstructing the interior of the building housing the pop-up was challenging, Kelly noted, adding that friend Tom Penna, president of ITX Construction, helped get the boutique set up months before the holidays.

On opening night at the Fashion Island pop-up shop, the boutique's newly installed chandelier glistened and mannequins were clad in holiday gowns tailored with shimmery pave embellishments.

"This dress is so comfortable and doesn't wrinkle," Kelly said as she showcased a black and gold pave-encrusted floor-length dress. "It's exciting to make every woman of every shape feel beautiful."

read more:www.marieaustralia.com/long-formal-dresses

www.marieaustralia.com/formal-dresses-sydney
Mia Santiago Mar 2016
Here in America, in every single state, they have a set of standards for every subject
A collection of lessons that the teacher's required to teach by the end of the term
But the greatest lessons you'll ever teach us will not come from your syllabus
The greatest lessons you will ever teach us, you will not even remember

You never told us what we weren't allowed to say
We just learned how to hold our tongues
Now somewhere in America, there is a child holding a copy of "Catcher in the Rye" and there is a child holding a gun
But only one of these things have been banned by their state government
And it's not the one that can rip through flesh
It's the one that says "*******" on more pages than one

Because we must control what the people say, and how they think
And if they want to become the overseer of their own selves, then we'll show them a real one
And somewhere in America, there's a child sitting at his mother's computer, reading the homepage of the KKK's website, and that's open to the public
But that child will never have read "To **** a Mockingbird" because the school has banned it for it's use of the "N" word

Maya Angelou is prohibited because we're not allowed to talk about **** in school
We were taught that 'just because something happens, doesn't mean you are to talk about it'
They built us brand new shopping malls so that we'll forget where we're really standing
On the bones of the Hispanics, on the bones of the slaves, on the bones of the Native Americans, on the bones of those who fought just to speak!

Transcontinental Railroad to Japanese Internment Camps
There are things missing from our history books
But we were taught that it is better to be silent, than to make them uncomfortable
Somewhere in America, private school girls search for hours through boutiques, trying to find the prom dress of their dreams
While kids on the south side spending hours searching through the 'lost and found' 'cause winter's coming soon and that's the only jacket they have

Kids are late to class for working the midnight shift
They give awards for best attendance, but not for keeping your family off the streets
These kids will call your music ghetto, they will tell you you don’t talk right
Then they’ll get in the backseat of a car with all their friends singing ‘ bout how “They’re ‘bout that life” and “we can’t stop”
Somewhere in America, schools are promoting self confidence
While they whip out their scales and shout out your body fat percentage in class

While heftier girls are hiding away, and the slim fit beauties can’t help but giggle with pride
The preppy kids go thrift shopping ‘cause they think it sounds real fun
But we don’t ‘cause that’s all we got money for
‘Cause momma works for the city, momma only gets paid once a month
Somewhere in America, a girl is getting felt up by a grown man on the subway
She’s still in her school uniform and that’s part of the appeal
It’s hard to run in knee socks and Mary Jane’s, and all her male teachers know it too
Coaches cover up the star players ****** freshmen after the dance
Women are killed for rejecting dates, but God forbid I bring my girlfriend to prom
Girls black out drunk at the after party, take a picture before her wounds wake her
How many pimples your sanity worth? What’s a 4.0 to a cold jury?
What’d you learn in class today?
Don’t walk fast, don’t speak loud, keep your hands to yourself, keep your head down
Keep your eyes on your own paper, if you don’t know the answer, fill in “C”
Always wear earbuds when you ride the bus alone
If you feel like someone’s following you, pretend you’re on the phone

A teacher never fails, only you do

Every state in America, the greatest lessons, are the ones you don’t remember learning
Comment and tell me what you think
Tiffany Palacios Feb 2015
Ripe, bitter, sour and oh so sweet.
Dangling off of a Californian tree.
Living within peels so stringent and
containing cascading juices so pungent.
He leaves you wanting, aching to know more.
He lures you in with the irresistible sweetest of enchanting
songs and ballads.
But what you didn't know was, that the ending
melody left you in a note that made you feel as though
you were drowning in a sea of rotten,
forgotten, and lost once loved dreams.
You became addicted to his freshness,
to the zest of his scent.
You became seduced, captivated even.
You let yourself become vulnerable
and susceptible to his touch.
You slowly opened up your wounds.
You let your friable bandages flow free.
You even let him lead the grand dance.
You let him twirl and spin you to the point
of reaching a state of trance or reverie.
He took you on romantic evening picnics,
he brought you to the oldest of antique boutiques,
and he even painted you angelic
mosaics in oil.
Ones comparable to those grandiose and imposing
works' of the masters.
At last he casted you under his spell
and he enticed you once again.
He had the charm of a thousand
and he was spontaneous in all his ways.
He never failed to surprise you.
They say he had an oriental descent
and this would explain much.
But when you least expected it,
he touched your wounds.
You felt an unbearable pain,
and a strange surge flow through you.
It burned, to say the least.
You almost felt your incisions
blister under the effect of his acid.
His yellow and aureolin tint
seemed only to be a facade.
An illusion, a charade to the naked eye.
But in that moment you could see through it.
You looked at him with pain-struck eyes,
full of confusion and disappointment.
You couldn't really identify the look in his.
You realized that he really had nothing to do
with his cadmium yellowish golden tint.
You felt as though you were fainting.
You were sinking and all the sweet
memories you two shared, flooded your
sight.
But then he said, "look at your wounds"
and you did as he ordered.
You looked down and shook off the stupor
and came back to.
You looked at your wounds and
became staggered and managed a mere "thank you".
For your wounds were no longer swollen and irritated.
He had healed you.
So when life hands you lemons,
don't make lemonade.
No, instead care for those
misunderstood beings,
and tend to their needs.
Because the lemons in our lives
are all too prevalent and far too
misread.
a poem- or spoken word written about lemons for my creative thinking class.
judy smith May 2016
WHILE many little girls grow up fantasising about their weddings, Amber Tan Sze Min was always dreaming about designing bridal gowns. Many also grow up letting go of their childhood ambitions, but Tan was strongwilled, although it meant momentarily giving in to her parents' wishes.

She dropped out halfway through her pre-university course, and ended up studying graphic design. It was only after graduating that she could pursue a two-year diploma in fashion design at Kuala Lumpur's Raffles College of Higher Education, and thereafter flew to the UK to major in womenswear at the University of the Arts London.

"I wanted to prove to my family how much I wanted to design. It's not something that you'd get just because you say you want it. So I stood firm throughout the years, and showed my passion for it," recalled Tan.

Last February, the pint-sized lass introduced her bridal wear label AMBERSZE to the public for the first time at The Wedding 2016, a bridal fashion event by model and event management company Andrewsmodels.

It was never in her plan to debut as a bridal designer though – it lingered but only in the back of her mind as an eventual project – but her innate interest inevitably unveiled itself. "I have loved bridal gowns for a long time so I was making them before AMBERSZE even existed, and posting behind-the-scenes photos on social media. And that led people to identify me as a bridal designer.

"I wasn't planning to do it this soon but the opportunities knocked on my door, so one year ago, I decided to bring alive all my ideas and sketches," shared the 29-year-old.

Thankfully and finally, Tan's family recognised her resolution and embraced her penchant for designing. The Klang local considered herself lucky that she was able to kick off her start-up with her family's financial support.

"They always say fashion is a rich man's world. I couldn't understand this until I started the business, and saw a lot of truth in that statement. Everything involves money," said Tan.

She added that much of the capital was channeled towards building the brand and getting it out via media coverage and advertisements.

Another chunk of the money went into producing the dresses – all hand-made, by the way.

"Whether they sell or not, that's another story," she noted.

DRESS DNA

For the next eight months, Tan set off on a lonely journey of blood, sweat and tears. With only an assistant to help sew and embroider the garments by hand, Tan was dabbling in everything from designing, material sourcing, running the business, to doing public relations and accounting work.

Now that she has a team – including three assistant designers – behind her, Tan can take a step back and take the helm as a creative director, still designing but more focused on furnish-ing concepts and ideas – that never stray far from the company's philosophy of self-representation.

"I believe everyone likes Vera ****. I admire that she has her own thought behind everything. Likewise, my collections have to have their own thoughts and research to back them up.

As a designer, you have to stay true to yourself and not copy from existing designer pieces," opined Tan, who's also an avid reader.

AMBERSZE marries the essence of haute couture with new trends, by which Tan simplifies and demonstrates the former using translucent fabrics, for instance.

"So you can see the skeleton of the corset," she highlighted.

The play of sheer fabrics and coordinates (crop tops and skirts) may sit on the less traditional, or even risqué side of the spectrum, but Tan is confident that the personal tastes and styles of today's brides are shifting towards modern pieces that epitomise their true selves – as compared to the popular princess gown offered by most bridal boutiques.

"Nowadays, people want something new that show off their taste, fashion sense or status. Something to represent themselves, I would say.

That's where AMBERSZE comes in to serve," said the eldest of three siblings.

BEYOND BRIDAL

Of course, customising one of the most important dresses of a woman's lifetime can come with the occasional odd requests and a mountain of pressure.

Especially with a clientele that varies from pregnant to offbeat brides, as well as celebrities.

AMBERSZE's track record is a week for designing, and two to three weeks for production, but Tan recommends that brides make an appointment at least three months before D-Day.

"I usually get to know the bride's interests and taste, whether they prefer urban or classic designs. Whether the wedding's going to be indoors or outdoors; at the garden, beach or zoo!

Some brides may want certain fabrics which require a bit of sourcing too.

"To me, design is not just something pretty. You have to solve problems for your customers," said Tan, who also designs bridal veils, headbands and waistbands.

Besides tailoring her clients' dream wedding dresses, Tan has plenty to juggle in the meantime.

AMBERSZE boutique-***-studio is in the midst of moving to Sunway city, and alongside an evening wear collection due to launch in September, the label is also rolling out a ready-to-wear (RTW) line at the same time.

"The RTW line is going to be resortstyle to complement our hot climate, carrying 20 to 30 womenswear pieces. They're simple and modern, yet will not lack of nice detailing," she hinted with a smile.Read more at:www.marieaustralia.com/formal-dresses-perth | www.marieaustralia.com/plus-size-formal-dresses
lionheartlion Nov 2016
It was a neutral, fair weathered, mid October Friday night in downtown Raleigh, the sky painted with stars, but barely visible as lights are strewn out everywhere, glittering as they are draped across buildings to create a corner hidden from the rest of the world. There are also lights from the many expensive cars lining the already tight streets; Chrysler, Infinity, Volvo, BMW, but also there’s an array of Hondas and the Chevy I am currently riding in to get there myself.  The lights continue to follow my evening as the holidays are approaching, accompanied by Christmas lights hanging from local breweries. The skyline is made up of buildings mimicking an array of Christmas trees on a Christmas tree farm in December; one my favorite times of year.

The spirit of the air is carefree as people gather to unwind from the week before and have a good time with whomever they are with or alone. The variety of people is similar to that of Candy in a candy store; all there for the same purpose, but different in minor ways. Groups of friends occupying the sidewalks outside of restaurants, breweries, dessert bars, coffee bars, boutiques, and galleries. Hipsters walking proudly and dancing in the streets owning who they are in their hometown or possibly visiting to experience the uniqueness the beautiful city has to offer. Most people dressed their best to welcome the night before them and enjoy the company of their friends, walking around to whatever comes their way.

The atmosphere is quiet, peaceful, and chill but the night is nothing short of alive just like the people I experience. Young couples and individuals line the streets exuberating their young lively spirits into the air as they exhale smoke from their cigarettes. The streets are also lined with a couple individuals that seem a little sketchy, but that’s just because they keep to themselves and walk alone, not effecting the safe atmosphere Raleigh exuberates. Everyone seems to be focused on only who they came with, concentrating on what they will do that evening. My plans included dinner at The Pit, one of the greatest BBQ places I have ever been in my life.

The first place I went to this evening was a Chocolate Shop called Videri Chocolate Factory with the most intriguing vibe I have possibly received upon coming into a store. There are lights strung from the ceiling and a glass case containing expensive, gourmet chocolates made in house. As I continue to walk around the store there is a whimsical feeling I get when I notice the coffee bar and more Christmas lights hanging around and intricate glass cups behind the counter. Continuing down the corridor there is a large glass window displaying where the chocolate is made, making the experience even more real. As I continue to look around the store I notice most of the people are middle aged to older; the people with money. The chocolate in the store is not cheap, but I think most of the people who come to downtown Raleigh are also paying for the experience.

Upon leaving the shop I notice the outside of the store and this is one prime example I think of when I think that people physically impact the place in which they live. The picture shown above of the chocolate shop mimics so much of the personality of Raleigh that I have noticed. The store is made of bricks on the outside that you can tell have been there for a really long time, but displays a modern, exciting font and the final touch of bright white lights adds a perfect finish to the display of the store. The people of Raleigh (or the ones I have noticed the three years out of living here myself) tend to migrate towards vintage, old things and appreciate the beauty of unique sights that make you feel special and unique yourself upon going there.

Another key factor in the imagery of this shop that reminds me of the people of Raleigh is the artsy aesthetic that the door holds with the lights. There are so many art students who consistently go to downtown Raleigh and they are a part of what makes the atmosphere so bright and exciting. While the people who visit downtown Raleigh are looking for those vintage vibes and artsy aesthetics they are also incredibly modern much like the font the door holds. They are caught up on what is currently in style and trend setters themselves, but interpret it in a way that fits them personally. This to me is the only thing that people of downtown Raleigh have in common; they are old fashioned, vintage, modern, and unique all at the same time, perfectly mirroring the city in which they live.
An excerpt from a paper I'm working on
À Maurice Raynal.


S'étendant sur les côtes du cimetière
La maison des morts l'encadrait comme un cloître
À l'intérieur de ses vitrines
Pareilles à celles des boutiques de modes
Au lieu de sourire debout
Les mannequins grimaçaient pour l'éternité

Arrivé à Munich depuis quinze ou vingt jours
J'étais entré pour la première fois et par hasard
Dans ce cimetière presque désert
Et je claquais des dents
Devant toute cette bourgeoisie
Exposée et vêtue le mieux possible
En attendant la sépulture

Soudain
Rapide comme ma mémoire
Les yeux se rallumèrent
De cellule vitrée en cellule vitrée
Le ciel se peupla d'une apocalypse
Vivace
Et la terre plate à l'infini
Comme avant Galilée
Se couvrit de mille mythologies immobiles
Un ange en diamant brisa toutes les vitrines
Et les morts m'accostèrent
Avec des mines de l'autre monde

Mais leur visage et leurs attitudes
Devinrent bientôt moins funèbres
Le ciel et la terre perdirent
Leur aspect fantasmagorique

Les morts se réjouissaient
De voir leurs corps trépassés entre eux et la lumière
Ils riaient de leur ombre et l'observaient
Comme si véritablement
C'eût été leur vie passée

Alors je les dénombrai
Ils étaient quarante-neuf hommes
Femmes et enfants
Qui embellissaient à vue d'œil
Et me regardaient maintenant
Avec tant de cordialité
Tant de tendresse même
Que les prenant en amitié
Tout à coup
Je les invitai à une promenade
**** des arcades de leur maison

Et tous bras dessus bras dessous
Fredonnant des airs militaires
Oui tous vos péchés sont absous
Nous quittâmes le cimetière

Nous traversâmes la ville
Et rencontrions souvent
Des parents des amis qui se joignaient
À la petite troupe des morts récents
Tous étaient si gais
Si charmants si bien portants
Que bien malin qui aurait pu
Distinguer les morts des vivants

Puis dans la campagne
On s'éparpilla
Deux chevau-légers nous joignirent
On leur fit fête
Ils coupèrent du bois de viorne
Et de sureau
Dont ils firent des sifflets
Qu'ils distribuèrent aux enfants

Plus **** dans un bal champêtre
Les couples mains sur les épaules
Dansèrent au son aigre des cithares

Ils n'avaient pas oublié la danse
Ces morts et ces mortes
On buvait aussi
Et de temps à autre une cloche
Annonçait qu'un nouveau tonneau
Allait être mis en perce

Une morte assise sur un banc
Près d'un buisson d'épine-vinette
Laissait un étudiant
Agenouillé à ses pieds
Lui parler de fiançailles

Je vous attendrai
Dix ans ans vingt ans s'il le faut
Votre volonté sera la mienne

Je vous attendrai
Toute votre vie
Répondait la morte

Des enfants
De ce monde ou bien de l'autre
Chantaient de ces rondes
Aux paroles absurdes et lyriques
Qui sans doute sont les restes
Des plus anciens monuments poétiques
De l'humanité

L'étudiant passa une bague
À l'annulaire de la jeune morte
Voici le gage de mon amour
De nos fiançailles
Ni le temps ni l'absence
Ne nous feront oublier nos promesses
Et un jour nous aurons une belle noce
Des touffes de myrte
À nos vêtements et dans vos cheveux
Un beau sermon à l'église
De longs discours après le banquet
Et de la musique

De la musique
Nos enfants
Dit la fiancée
Seront plus beaux plus beaux encore
Hélas ! la bague était brisée
Que s'ils étaient d'argent ou d'or
D'émeraude ou de diamant
Seront plus clairs plus clairs encore
Que les astres du firmament
Que la lumière de l'aurore
Que vos regards mon fiancé
Auront meilleure odeur encore
Hélas ! la bague était brisée
Que le lilas qui vient d'éclore
Que le thym la rose ou qu'un brin
De lavande ou de romarin

Les musiciens s'en étant allés
Nous continuâmes la promenade

Au bord d'un lac
On s'amusa à faire des ricochets
Avec des cailloux plats
Sur l'eau qui dansait à peine

Des barques étaient amarrées
Dans un havre
On les détacha
Après que toute la troupe se fut embarquée
Et quelques morts ramaient
Avec autant de vigueur que les vivants

À l'avant du bateau que je gouvernais
Un mort parlait avec une jeune femme
Vêtue d'une robe jaune
D'un corsage noir
Avec des rubans bleus et d'un chapeau gris
Orné d'une seule petite plume défrisée

Je vous aime
Disait-il
Comme le pigeon aime la colombe
Comme l'insecte nocturne
Aime la lumière

Trop ****
Répondait la vivante
Repoussez repoussez cet amour défendu
Je suis mariée
Voyez l'anneau qui brille
Mes mains tremblent
Je pleure et je voudrais mourir

Les barques étaient arrivées
À un endroit où les chevau-légers
Savaient qu'un écho répondait de la rive
On ne se lassait point de l'interroger
Il y eut des questions si extravagantes
Et des réponses tellement pleines d'à-propos
Que c'était à mourir de rire
Et le mort disait à la vivante

Nous serions si heureux ensemble
Sur nous l'eau se refermera
Mais vous pleurez et vos mains tremblent
Aucun de nous ne reviendra
On reprit terre et ce fut le retour
Les amoureux s'entr'aimaient
Et par couples aux belles bouches
Marchaient à distances inégales
Les morts avaient choisi les vivantes
Et les vivants
Des mortes
Un genévrier parfois
Faisait l'effet d'un fantôme

Les enfants déchiraient l'air
En soufflant les joues creuses
Dans leurs sifflets de viorne
Ou de sureau
Tandis que les militaires
Chantaient des tyroliennes
En se répondant comme on le fait
Dans la montagne

Dans la ville
Notre troupe diminua peu à peu
On se disait
Au revoir
À demain
À bientôt
Beaucoup entraient dans les brasseries
Quelques-uns nous quittèrent
Devant une boucherie canine
Pour y acheter leur repas du soir

Bientôt je restai seul avec ces morts
Qui s'en allaient tout droit
Au cimetière

Sous les Arcades
Je les reconnus
Couchés
Immobiles
Et bien vêtus
Attendant la sépulture derrière les vitrines

Ils ne se doutaient pas
De ce qui s'était passé
Mais les vivants en gardaient le souvenir
C'était un bonheur inespéré
Et si certain
Qu'ils ne craignaient point de le perdre

Ils vivaient si noblement
Que ceux qui la veille encore
Les regardaient comme leurs égaux
Ou même quelque chose de moins
Admiraient maintenant
Leur puissance leur richesse et leur génie
Car y a-t-il rien qui vous élève
Comme d'avoir aimé un mort ou une morte
On devient si pur qu'on en arrive
Dans les glaciers de la mémoire
À se confondre avec le souvenir
On est fortifié pour la vie
Et l'on n'a plus besoin de personne.
Kyle Kulseth Jun 2016
They should still be singing stories, babe
about the fun we had.
Yeah, from the top of The Leg'--
throw an arm around your Golden Boy
dance them feet across the copper.
If those songs could take us back, I swear that I
               would live out my days
               inside of those strains
               I'd keep my word this time.
                              and I
would arc across that place with you--
off The Leg' through Osborne Village,
through boutiques and record stores and maybe they
  would hear us laughing at The Toad in the Hole.
Or we'd speed north, past Kildonan Park
'til they could hear us out in Lockport.
Hear us shout at Dubuc & Des Meurons
               while they're waiting on their bus
     to cut the frosty dusk with condensed exhaust
               we could laugh right in their face.
                      I'd live inside those strains.

If they were singing about us from the top of The Leg'
we'd stream across St. Boniface Cathedral
and some young someones
running through hip deep snow in the cold
would pause and hear us.
We'd stir their soupy breath in the night,
sifting through our history.

If they forgot the words, it wouldn't matter.
Our verses: soft breathing, our choruses: laughter.
the sound of us moving through Exchange District taverns.

I want for them to start singing us songs
and I want a pint with you at The Yellow Dog.
No more 4 years of regrets and no more sad talk.
Just you and just me and maybe a walk through the city.
Metanoia Nov 2014
Body twisted on the sidewalk at mid-day
some pass by without noticing
A woman stops in stride and looks down at him, phone in hand
Her sundress swaying with the
LA breeze
"Is he sleeping?"
An ambulance came to haul him off
Rushed paramedics left one of his shoes on the sidewalk
In use hours ago
now a morbid sneaker monument
to what once was
There is human suffering in America
on landmark roads
next to high-end boutiques
sadly a true story from LA a few months ago. be well all
David Johnson Nov 2013
It's more about spiritual wealth.
The high boutiques,
And endless summers of theatre.
The musette grooves in the street, under moonlight.

In the structures,
Was Helen's unbreakable spell, to the trojans.
The winters were evidently chill,
& Van Gogh was entertainment,
Over wine, piano's & paraodies.

The evening symphonies created,
A loving bind between heart's, ears & eyes.
Charismatic wonders were explored,
Nature became answered prayers.

The festivals released blessings to all.
& the gardens received the most.
Giving willpower more color and effect,
In the life,
Of paris.

The centuries of war and poverty,
Held a revelation,
Of Napoleon's wisdom.
Agreeing to seek light through art.

The Paris Plague,
Transformed the innocence,
Of the Seine River,
Into a revolutionary paradise,
For a month.

I can't wait to see Paris some july.
anthony Brady Feb 2019
Have you found a rhyming Genius,
is there nothing he can't do?
Like in his library penning poems
a plenty - maybe a tome or two.

Have you found a rhyming Genius
a man of truly high esteem,
whose wealth of writing styles
ensures a daily cash-flow stream?

Yes: you found yourself a Genius:
now in a penthouse we both abide,
sunning on  a bloom-filled balcony,
here pouting pigeons perch and glide.

Indeed, you found yourself a Genius
endowed with a mind so fine:
an escort to boutiques and bistros
ordering up for you the finest wine.

Yes: You found yourself a Genius
owning poetry mines - all off-shore:
who even flies by private plane
to quarry, assay, versify their ore.

Yes: you found yourself a Genius
there is nothing he can't do,
when it comes to make you happy
it’s all in rhymes and more for you.

TOBIAS
This owes its genesis entirely to the poem - Genius -- Oct 2018 by Christopher Victor Russon.
blythe Feb 2013
Traveled the whole wide world
Awaiting for a beauty to behold;
Searched for stories untold
Looking for a secret to be unfold;
Been to New York, Paris, Tokyo and Sydney
Climbed a mountain and walked through a valley;
To a lot of people I talked,
Those cute boy bands I stalked;
Went to famous boutiques and malls
Tried new clothes like those fashion dolls
And walked with trendy stilettos
Made different poses and took some photos;
I've searched high and low
In every place I go.
All of these I did
Just to be happy indeed,
But in the end I realize
All those worldly things will not suffice
My thirst for a blissful life.
What I wanted is far beyond those that money can buy
Those that are invisible to the naked eye;
Something that could make me smile
Without the need to travel even a single mile.
I don't want to have just a good time
It's peace of mind that I wanted to be mine;
I wanted to lay on a comfortable bed
But what I needed is a good night's sleep with nothing lingering in my head;
I wanna have something that could give me some enjoyment
But what I desired to have is genuine happiness;
I wanna try a lot of things
Wanna go fly and spread my wings,
But to feel loved, I think, is what I need
So that from all my woes I'll be freed;
And this is the kind of feeling
Ever since I have been longing.
Ariel Baptista Jun 2014
It is the twisted teal torrents of water
That gush through its heart.
It is the paint on the walls
And the Ancient museums full of art.
It’s the beauty of the city center
The shops and the boutiques.
It’s the bells of the green trams,
Winding down the cobblestone streets.
It’s the wind on my back
And the sun on my face
It’s the way when I go out,
Hours are lost without a trace
It’s the people floating down the river
In the heat of the year.
It’s my feeling of security,
Because here there’s nothing to fear.
It’s all the unique traditions,
Passed down from generations.
It’s the faces of the people,
One from every nation.
It’s the feeling I get
When I just walk around.
When I take in what’s around me
The sights and the sounds.
It’s the knowledge that
In this city I have grown.
It’s all the things I’ve learned,
That I may never have known.
It’s when I sit still in my room,
And know that there’s so much left to explore.
It’s the opportunities I have
To do things I’ve never done before.
It’s the archaic beige bridge
That stands down town.
It’s that path we like to walk,
Or that cute cafe we found.
It’s those beautiful books I bought,
The ones I know I’ll never read.
It’s the happiness that comes
With the quiet life I lead.
It’s how much more there is to discover,
So much beauty I’ve yet to see.
It’s that feeling of contentment
When you know you’re where you’re meant to be
The more I learn about this city,
The more my heart desires to stay
And know I may be wrong,
But I think this could be home someday.
Ashley Centers Aug 2010
Where midnight is bright as day and time never does slow down
I find myself alone for the first time ever, walking along where
nobody knows who I am and they wouldn’t really care if they did.
Because they’ve got their own stories to fabricate and skeletons
to bury beneath onionskin layers. Two in the morning with my head
stretched to the sky and I find myself falling in love with a stranger.

Central Park is a castle with horse-drawn carriages and suddenly
I’m a scarlet-cheeked princess waiting for my naked cowboy to rescue
Me so we can run away and live in a quaint Brooklyn townhouse where
the children play ghetto games. I don’t want to live the lifestyle of the rich
and famous. Leave me to myself so I can wander the splendid city streets.

The man with wrinkles covering his ebony face and his ragged, dusty clothes
too big for his slender body sneaks a glance and sly grin at me before he picks
up his golden saxophone and serenades the subway passengers, bringing
sunshine and sultry smiles to their dark faces. He’s had a painful, wretched life
and the pain of losing a son, his first baby, to a grenade in a Middle Eastern desert
where the sun burns the soldiers’ skin as they spend hour after hour, looking for weapons they’ll never find.
The look in his eyes is clear. Making others smile, in the middle of the city subway is his heart’s content.
I drop a bill into his beaten up case and move along,
but that sweet sound overwhelming the hot, ***** air I’ll never forget.

I swear I can almost touch Pluto from where I sit, at the Top of the Rock, and the stars
are an arm’s stretch away. I can see past the Manhattan skyline and into Jersey.
I’ve seen the whole world tonight. How I wish I may, how I wish I might stay. Give me the crowded
streets and boutiques for keepsakes. I’ll pack them tightly into tissue paper and each
night when I’m ready to fly away from the small town girl living in a lonely world sort
of life I’ll make a wish and fall in love all over again in a city where nobody knows my name.
Copyright 2010 Ashley Centers
Simpleton May 2014
Just once
Smile
Like a fresh traveller
In amazement at the
Wonders of this world
With new found independence
As your gaze wonders
Taking in this beauty
Of the sights around you
Smile as you turn
And willingly get lured
When life knocks on your door
Into the depths
Go and don't look back
Leave a trail
Weave your stories
Let yourself be known
Take part and celebrate
Traditions in cultures
Unknown
Collect good luck charms
And dream catchers
Pass through
An organic farm
And teach the village kids
Who've never seen
Foreign skin
Let them chase and cheer
The camel as you ride out
To catch the boat
Overseas
To visit the rhinoceros
Who's becoming extinct
Then off to the boutiques
To find little treasures
Special beaded bracelets
With gemstones
Rare as the experience
You've been through
Delicious delicacies
Waiting to be tasted
And spicy smells
Waft across the market
Enticing your senses
Then for dessert
Stroll through the narrow streets
To meet the best of friends
Who meet at the waterfall
For a coffee every evening
Be in on the secret
In the screen shot
You've always seen on t.v
Smile
As you realise
Everything new
Will never become old
As you continue to unravel
A mere drop
In the ocean
And if you ever feel like
You've seen it all
There's nowhere left to go
Travel backward
Not to rewind
Or undo
But to see how the
Places you've been to
Changed and became new
SUNDARAM SARMA Aug 2022
When you think of touristy locales, Italy is at the top of the list,
Picking a specific place at random would be wise to desist,
The options are so many that one is spoilt for choice,
But at the end of it all, it is a matter to rejoice

Overlooking the sunny Amalfi Coast, Positano boasts of a picturesque landscape,
Colorful, cliffside villas beckon visitors wanting to experience the "great escape",
The sophisticated resort town is the jewel of southern Italy's iconic Amalfi Coast,
The spectacular setting of this vertical town is so enchanting that it deserves a toast

Positano is just a forty minute ferry ride from neighboring town Sorrento,
The sound of waves crashing against the pebbled shores is sheer gusto,
Not surprising that Positano translated means a "place to stop",
The visual dramatic vertical panorama of colors serves the perfect backdrop

Seen from the sea, Positano projects a stunning color combo that is visually transcendent,
The unmissable green of the Monti Lattari mountain range appears so gloriously resplendent,
The white, pink and yellow of the cascading Mediterranean houses have a vertiginous effect,
The blue of the sea and the silvery grey of the pebble beaches provide the surreal connect

The imposing, colorful majolica-tiled dome of the Church of Santa Maria Assunta is iconic,
A testament to Positano's beauty and history, seeing it's revered architectural work is euphoric,
A Byzantine-inspired icon of the ****** Mary can be seen in the church's interior,
It is popular for exchanging wedding vows, with an impressive belltower on the exterior

Positano's waterfront is the Spiaggia Grande pristine beach whose grandoise is no empty boast,
Spanning in excess of three hundred meters, it is one of the largest in the Amalfi Coast,
Reputed for it's ever crowded sandy shores and a postcard-worthy view that is breathtakingly intense,
As visitors chill out in umbrella-shaded lounge chairs, savoring an unforgettable experience

Access to downtown involves climbing steps, steep winding walkways and narrow streets,
Trendy fashion brands on display in numerous cute clothing boutiques are a visual treat,
Art galleries, souvenir shops and ceramicware shops abound every step of the way,
One cannot but pause and admire the various artisans' intricate works that hold sway

Handmade leather sandals, customized and readily crafted to perfection is an authentic Positano experience,
Rows and rows of designer clothing shops convey local artisans' innovative ways of wielding purchasing influence,
Limoncello liquer made with Amalfi Coast lemons is a Positano specialty that absolutely must be tasted,
That it is the second most popular liquer in Italy (after Campari) and made from neutral alcohol cannot be understated

Amalfi lemons are very sweet, prized for their low acidity and delicate flavor,
Used for making jams, sorbettos, preserves and various desserts to savor,
Campania cuisine have a generous dose of flavoring with Amalfi lemon juice or zest,
Visitors thronging local restaurants are treated to delicacies that are some of the best

Positano's countless romantic restaurants serve a plethora of seafood offerings and local specialties,
Barilotto is an unique cheese that is subtly sweet with creamy and mild flavors, sans any trivialities,
The cheese aromas are delicate, fresh and buttery with a hard, smooth and firm texture offering,
Made from water buffalo's milk by heating the whey & aged for at least forty days, before becoming a serving

The memories of this picturesque town linger long after the visit is done,
As you tick off another scenic Italian locale that has hearts to be won,
Images of the colorful setting (s) remain hard to erase from the mind,
As you set about planning the next adventure, leaving this one behind

— The End —