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Dakota Jun 2017
i’m not welcome here
anymore. the ground is
calling calling calling
my name in your voice.
i grab yellow roses-
did you know Van Gogh
ate yellow paint once?
people said it was because
he thought  it would make
him happy, but he was
trying to **** himself.
i pin the flowers to my dress
because i want something
beautiful to die with me.
god knows i’m not.
i’m coming down to get
you, darling. i hope the concrete
hurts. you’re worth it.
Sophia May 2017
Stars in paint, crackled glaze
walk the cobbled street with me.
ochre, blue and wizened haze,
A swirling canvas galaxy.

Light my broken dawn, my love
darkened hours, quiet night
bring me all the skies above
and drape the dim and pale moonlight.

Sadness, silence, watered cheeks
sunflowers waving in the dirt
charcoal clouded, ever bleek,
dark storms brew like bruises hurt.

Dewy glass and fired ale
absinthe daydream, starry night
touch my arm, porcelain frail
pale skin and paler light.
Saint Audrey Apr 2017
Leaden feet
Soul heavy
Constriction wracks my chest
Eyesight fading out at best

Every step
Burdens me
Drowing out my screams
They don't know what i mean

Cold are we
Faceless sea
The crowd is sundered
With a sound of thunder

Chemical feeling
Rising faster
Black metal plating
Hidden by color

Nausea knowlage
Turning over
Sterile and voiceless
Overpowered

The second freezes and the door explodes
One or two to every home
The crowd plays on
A silver show
And all of mine
are on their own

Masqurade
The masks are on
Every sillable
of every song
The Loss of feeling
I have no doubt
And they are carried off

A few rounds pop off
The music stops
For a split second order holds everyone still as stone
Then my life is taken before my naked eyes
And I wake up here, alone, surrounded by the flock


My heart has been torn from my chest
God give me strength
Eh
Kevin Feb 2017
She, Rachel, was mentioned in passing,
In a letter addressed to his brother, Theo.
She was just a girl that he had maybe loved.
Maybe more than loved. he didn't really know her,
But we would later learn how far he would go.
What's more than loved? felt possessive towards?
Felt protective of? idolized? worshipped?
These all sound unbalanced.
Some people enjoy that passion.
The yellow house crumbled underneath of it.
That unbalance must be balanced.
Somehow, someway.
It can balance the world.
It can scare you to death.
It can push people away.
In time, it did all of these things.

He lived where tulips grow as rows of rainbows
And beards in winter kept his face warm and orange.
Where the water rests high above his head.
Where windmills turn to mill the fields of wheat.
Influenced by spirituality found in potatoes
Being consumed under dim light.
Influenced by the subtly curved right angles of elderly woman
Hunched over, farming the famished fields.
Repeatedly painting vases of turning souls, tournesol.
Influenced by color as we don't tend to notice,
Influenced by starlight behind a cypress night,
Influenced by the ideals of an eastern world and
Almond blossoms against a blue sky.
He was mad. a genius.
A man outside his time.
He gave her his ear; the whole thing,
Except for a partial earlobe.
He put it in a box for her
And delivered it personally.
Hoping she would listen.

At least thats what i like to think.
'Cause why the **** else would you cut
Your **** ear off and give it to someone
You only know from a distance?
Maybe it was just to hear he voice.
We don't know what he was thinking when he cut off his ear but thats what i like too think. as far off as that maybe. he did it at a time when his "reality" seemed to be slipping out of his control. He was troubled and incredible. And her name wasn't Rachel, it was Gabrielle Berlatier.
Eleanor Rigby Nov 2016
And maybe we're all unknown little Van Goghs
Self mutilating our hearts
In the name of love.


--Watercolour
Taylor Marion Oct 2016
I woke up today in a house, a house I knew was my own but looked much different than I remember. The kind of house one sees in dreams, unfamiliar yet definable. In some way or another. I was tangled in a bed of sheets that had clearly been slept on for months without cleanse. Painted with ****** secretions, ranging from love-making to menstruating. Ash, from pipes to papers. Make-up, from nudes to noirs. You, a stranger, walk in with a giant bowl of cereal and two spoons. You knew it was my favorite, but I didn’t know you. But I knew you, you know? In some way or another. I wanted to call you a name, but it didn’t seem fitting. Maybe it belonged to a memory, what was that memory again? Oh, I don’t know. But you looked at me like we had shared so many memories that we became a new name. You spoon-fed me Wheaties and folded your feet between my legs. You kissed me and whispered a Van Morrison tune, “I never knew the art of making love ‘til my heart yearned with love for you.” And that’s when I knew.

I shoot up from the bed, leaving a concave within the foam mattress, and eye the carpet as if my feet were going to fall through.

“Hardwood. This is supposed to be hardwood.”
“What?” your eyes follow me in confusion.
“Be quiet.”

I grab a loose end of carpet near a corner and start tearing it up from its bonds. Low-and-behold, blonde hardwood sat quietly beneath it, as if it’s been waiting for me to unearth it. Unearth you.

You.
I buried You.
Everything started rushing back to me.

I get up unsteadily and tear down the wallpaper to find a screen playing back every memory. The faire. The zoo. The restaurant. The concert. The park. The bed. Our path. A doorway. A starry night under a deck. Loose cigarettes and empty bottles. A volume so loud I can’t hear myself assess. A voice echoing off every wall; “I love you’s” in infinite delay. “I hate you’s” in infinite succession.
I’m running through this half foreign house now trying to find You. Who, what, and where are You? You’re nowhere to be found. I’m searching behind every door, rustling through every nook and cranny, tearing down every trinket of décor. I’m falling to my knees and crying in my palms. Where are You?

I cry every last drop from the ocean of despair within me, open my eyes, and let the reality sink in:
This house is empty and You’re nowhere to be found.
"Where is my Monet?", I say
As I look through the blurred vision of an impressionist day.
A double paned view of reality
Swaying beauty through eyes once knew.

Where is my Monet  or be it Van Gough?
All beauty's vision framed newly printed Picasso.
Shadow me done, and once never knew
What others should have seen as they counted me too.

So now, I say no
Not of Van Gough nor Monet,
I see beauty no Rembrandt nor Picasso to sway.
I see a simple little girl with all she will need
To see the world lovely and in the midst of all, succeed.
April 16, 2004
Julie Grenness Apr 2016
Why am I chasing an ice cream van?
I asked, as after the van I ran....
Is this futility? I held out my hand-
Shall I ever be chased by this man?
Why does anyone chase an ice cream van?
No one is pursued by the ice cream man,
Running after a van in this heat is dippy,
Why sell our souls for Mr. Whippy?
With the crowds I did compete,
I bought soft serves, to survive the heat,
As that callous van drove down the street,
But, with ice cream, my soul is replete!
A bit of light hearted fun. Feedback welcome.
Nigel Finn Mar 2016
Auden wrote "weep for the lives your wishes never led."
But I think it's better to be happy instead.
Why need I shed tears and feel such regret?
I've the rest of my life to achieve better yet.

I might not be sportsman, I might not be a star,
I may not be rich or drive a flash car,
I may not be known in my own local bar,
But who is to say that I won't travel far?

"Wheat is wheat" Van Gogh once said,
"Even if, at first, like grass it seems."
I've amazing things inside my head,
And I can paint my dreams

And oh, my friends! The things I dream
Would make you laugh and cry
As they focus on the age-old theme;
The persistant question- Why?
Sometimes I'm the cat who's got the cream,
Others; a web entangled fly.

It matters not much what I do,
Much more so what I think,
So to quote the great W.C.Fields;
"I believe I'll have a drink."
“If I am worth anything later, I am worth something now. For wheat is wheat, even if people think it is a grass in the beginning.”― Vincent van Gogh

When Van Gogh was a young man in his early twenties, he was in London studying to be a clergyman. He had no thought of being an artist at all. he sat in his cheap little room writing a letter to his younger brother in Holland, whom he loved very much. He looked out his window at a watery twilight, a thin lampost, a star, and he said in his letter something like this: "it is so beautiful I must show you how it looks." And then on his cheap ruled note paper, he made the most beautiful, tender, little drawing of it.

When I read this letter of Van Gogh's it comforted me very much and seemed to throw a clear light on the whole road of Art. Before, I thought that to produce a work of painting or literature, you scowled and thought long and ponderously and weighed everything solemnly and learned everything that all artists had ever done aforetime, and what their influences and schools were, and you were extremely careful about *design* and *balance* and getting *interesting planes* into your painting, and avoided, with the most astringent severity, showing the faintest *acedemical* tendency, and were strictly modern. And so on and so on.

But the moment I read Van Gogh's letter I knew what art was, and the creative impulse. It is a feeling of love and enthusiasm for something, and in a direct, simple, passionate and true way, you try to show this beauty in things to others, by drawing it.

And Van Gogh's little drawing on the cheap note paper was a work of art because he loved the sky and the frail lamppost against it so seriously that he made the drawing with the most exquisite conscientiousness and care.
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