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Emily Sliver Nov 2014
The wooden swing underneath me,
It creaks as it slowly rocks to and fro to the tempo of the blowing wind,
My feet refuse to touch the grass,
For they want to disturb neither the surreal silence that courses through me,
Nor the perfection of the dewy grass under my being.
Another gust of air caresses my hair,
It lingers before it escapes and leaves me almost in despair.
The weather yearns to reach true summer,
But it never quite does.
A rusty bike leans on the late wooden fence,
A single white undergarment lies draped over a bright blue string,
A filthy watering can positions itself,
Next to a meager patch of small purple flowers.
These small flowers are so trifling,
They’re so insignificant.


When I enter the house,
I know I’ll take in the sweet aroma of berries,
Heaps upon heaps.
Up my nose, the scent will creep.
Oh the smell of the freshest most delectable summer fruits.
The kind that make sure they leave their mark,
No matter how careful you are.
The kind that leave juices dripping down your wrists.
The kind that make my tongue a canvas splattered with red dyes.
I’ll look into my Mummi’s bright blue eyes,
I’ll stare at the lines on her face.
There will be something so young about her,
But underneath the creases, stretch marks, and wrinkles,
I won’t be able to tell what it is.


I’ll imagine her meeting my grandfather,
Way back when he was a handsome young man,
At least from the photographs.
Her blue eyes would admire him.
They’d watch him light a cigarette,
Turn the page of a fresh novel.
She knew she was in love.
At the time she didn’t know,
One day she’d bear his seven children.
Her spouse and her firstborn son would have left before she had the chance to.
She’d live in this house alone,
It’d be the only thing she’d known,
A time capsule stuck in the nineteen seventies,
It’d be littered with old cassettes,
Sepia photographs,
Refrigerator magnets.
She’d sit on her rocking chair,
Until her mistakes could no longer be repaired.
Letting the days languidly slip away.
She’d listen to the chair’s unchanging creaks,
And the murky sounds escaping the radio,
The one with the fork planted into one of its antennas.
She’d watch those old sepia photos
Begin to add only the reddest reds and bluest blues,
Until finally she’d witness wedding pictures,
Communion snapshots,
In the most vibrant colors.
The television would add channels,
Whilst the old library truck would forget her address.
It didn’t matter,
She’d read every book anyway.



Life would have left without her.
She’d have neither traveled much nor loved enough.
She’d watch her oldest daughter leave,
Trying to grasp and hold onto those cravings her mother never could achieve.
She’d say,
“Mummi’s little girl will fly high as the sky and run quick as the August wind.”
But I know that when I enter that same, humble home,
And smell those same aromas I know,
She’ll say oh so simply,
“Emmi, muru, would you like some more strawberries?”
Inspired by my Summers spent in rural Finland.
To expel the outlines piled in my mind on paper,
With a light pencil in one hand,
And slice of rubber in the other,
I parent an impression of hope.

Therein lies the potential and the excitement;
A basic figure given the foundation of grandeur,
Amplifying in complexity before me,
With every scratch of graphite.

As it evolves, a heaviness sets in.
And I pause,
And I stop...

I've given something beautiful a half life, again,
As if it was birthed human,
With no flesh to cover its nerves,
And no breath to cry out its agony.

It remains still in my lap,
Eyes blank as ever staring, maybe, at me .
Out of humility, I tack it up on the wall,
A space shared by its many siblings.

I retreat shamefully with the promise to complete them,
Fumbling with the reality of what I do;
Playing God, I shape the husk of a soul,
And drop it when it's still brittle.
Meagan Marie Nov 2014
You look in the mirror and see every flaw
     on you face,
Then hold your head down for every little
     blemish, for all of your minute imperfections,
And that is all that you see, all you can
     think about when you watch people's eyes on you.

But we are our own worst critic,
     and how pessimistic it is
That we can only look at ourselves
     and see our worst.

If you haven't noticed, though, you've
     never truly looked at yourself.
You've only ever seen your reflection,
     a mere image staring back at you.

The truth of the matter is that you'll
     never be able to see yourself, only your reflection,
Something that can never fully capture you
     because a picture is only worth a thousand words.
You are worth at least a million.

So maybe you should stop looking
     at yourself in the mirror
And start seeing yourself through my eyes,
     then you will see that
You are beautiful.
Daniel Mashburn Oct 2014
If there is one thing of which I am sure, of which I know,
Is that if love suffers at all then it suffers alone.
Daniel Mashburn Oct 2014
Standing on bridges,
Feeling something I don't know how to explain.
Seeing headlights,
And taillights disappearing around curves.

Hearing how the overpass sings to me
Of hope and forgiveness, quiet contemplation.

These conversations aren't working.
Rod E Kok Oct 2014
I write my words
to paint a picture,
one of hope,
of love.

I’d awaken passion,
if only I could.
We could walk on beaches,
listen to ocean’s roar,
dedicating that moment
to the rest of our lives.

I’d dry your tears,
write your pain,
your suffering
into the depths
of the sea.

My pen draws pictures
of swirling lines,
surrounding us,
holding us close
in each other’s arms.

I pray my inkwell
never runs dry,
my quill flying across
pages of love.

I pray my words
comfort you,
warm you
and fill you
with pictures of us.
Together always.
For today's prompt, we were given a bunch of quotes from different writers / poets / famous people. I chose a line from Leonardo da Vinci. There is so much more I could have written in this piece, but I chose to keep it simple. Please enjoy.

Rod E. Kok
October 14, 2014

“Painting is poetry that is seen rather than felt, and poetry is painting that is felt rather than seen.”
― Leonardo da Vinci
Silence Screamz Oct 2014
I drew a picture,
so simple and clean.

I drew on it canvas,
so ugly and mean.

I drew with it crayon
with red and black.

I drew it with anger
with a knife in my back.

I drew from my mind
and things that you hid.

I drew from inside
and hole that you dig.

I drew a picture,
thought it was cute.

I drew it on canvas,
thought I killed you.
Daniel Mashburn Oct 2014
How long might this last before
The future now becomes my past?

When old men's thoughts are wasted
Because the love they never tasted

Makes all of our lives splinter
Like a tree in the mid winter

And the cold frost comes to cover
My heart that some how loves her

I wish that I could tell you
Of all my love that has befell you
Daniel Mashburn Oct 2014
Once again I feel like exploding
Tear it up before it lets me down
Inside out and I never feel like trying
I hate it more than you will ever need to know

Borderline and thoughts written in margins
It's not enough to get me through today
Always thinking I haven't got enough time
Hard to believe it's only a lifetime away
This is a poem I wrote in my first copy of The Catcher in the Rye, which I no longer have in my possession. Dug this up in an old conversation.
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