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Ira Desmond Sep 2020
We know that to look now would set us ablaze,
the projectionist has loaded up the next reel,
but still we can’t seem to avert our gaze.

The clumsiest cinema still often sways.
The sound may be garbled, the edits piecemeal,
but we know that to look would still set us ablaze.

We question ourselves as the velvet drapes raise—
the playhouse itself thus begets our ordeal—
but still we can’t seem to avert our gaze.

The schoolmarms all warned us against such forays,
having seen how the real sinks into the surreal.
Yes, we know that to look now will set us ablaze.

Now the actors all shout patriotic clichés,
and we balk at the film’s jingo-populist zeal,
Even still, we can’t seem to avert our gaze.

Transfixed by tricolor and beset with malaise,
but what truths did Lot’s wife’s noncompliance reveal?
For we know that to look now will set us ablaze,
but still we can’t seem to avert our gaze.
xavier thomas Sep 2020
She need me on set to direct
I need her on the scene to organize
She love it when I take lead
I love it when she feels satisfied

She make me feel sane as we get to touching
I make her feel sane as the camera start rolling
She prefers waiting here patiently
While I take my time because I aim to please

let's get to it
Lights✨- Camera📷- Action📽
Dante Rocío Sep 2020
Smithereens
we,
with, on, a truck’s van
speeding scrapping,
alas, vagabond voyage ceiling

Well, astral jumping from a car /cinnamonned sun/
isn’t hard then I see, creek

We,
the cloak, the moment and me the contracting,
a book of flights spread open, we
a discarding,
as its wing from gold smothered in
most blue sky and a red sign towards
embarking to a new life/face encrusting

Joy, lazy, lounged,
like a banjo in its autumn on a porch jiggly slouch,
strings light freeze at wind, clasp, then step up and
as the hitchhiker dance.

Amèlie, I caught your sound!
your theme, lastly away,
the accordion’s as of now met,
adopted in a knee’s set,
one leg around the other a mess.
Hanging springs of it, at edge.

Maroon,
eyes currently in wood carved,
steampunk clogs, clads there
fine.

Mellow,
whole body a cello,
from boots with folly drunk
through wood prolonging curved
to the “f”s at the end of ideas and
caramel hair known as falling leaves’
place.

This
will
be
a
great
something.

Laid open!
Further!
Hitter!
Onward higher!

Off,
so off
we
go
Driven through cloudy bright like summer
Road onward and in my third eye sown,
Thanks to the vicissitudes of
Amèlie Poulain‘s old accordion searching,
The Tarnation soft story in radio swaying.
I just saw my image on others’ cars limits,
Riding more hitchhiking than wind,
Than Fiddle on the Roof,
That could swerve on and on
With those old music clogs
Without things to be due hold
Pockets Aug 2020
You
You *******
You are everything
I still think about that summer
We use to get high on Adderall and play Life is Strange
Go to flea malls and never buy a thing
Watch ****** movies, walk around the lake
You were my best friend
No one could take your place
I remember cuddling in the mornings
Not getting out of bed till the afternoon
The light dripping through the windows
Bouncing around the room
You are so beautiful
We were so young
I’ll never forget those moments
Though, those days are long gone
Mrs Timetable Aug 2020
I was conceived
At a drive-in movie

Maybe that’s why
I get motion picture sick
Both are actually true...I forgot to ask what the movie was
dichotomous Aug 2020
the movie was saturation
dialogue like poetry
people like greek goddesses
when the dog died my
eyes filled up like wells
but the movie wasn't real
just a mask the world wears
to laugh at itself in the echo chamber
it only became real when I let it
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