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. (or: the slow mercy of being forgotten) .

I keep the lights dim now—
not out of mood,
but because shadows are gentler
when you no longer belong to the future.

The watch still doesn’t tick.
I wear it anyway.
Not to remember time,
but to remind myself I once commanded it.

His coat is still here,
draped over the back of the chair
like an exhale that forgot to finish.

Some nights I sleep beside it.
It doesn’t smell like him anymore.

I replay our first conversation like a hymn
missing half its words.
I remember what I said.
I don’t remember if I meant it.

The bed is quieter than it should be.
Not empty—just echoing
with choices I let make themselves.

I heard he’s moved on.
Young lover, new city,
same crooked smile
twisting someone else’s orbit.

And good.
Let him become legend
in someone else's story.
I already built a temple
he burned into blueprint.

I tried to write him a letter once.
It became a list.
Then a poem.
Then silence.

I left it unfinished.
Some things are meant to haunt,
not conclude.

There’s a thunderstorm tonight.
I sit by the window with a glass of nothing
and watch the sky argue with itself.

For a second,
the lightning looks like him.

And for the briefest flicker—
just long enough to ache—

I believe I was loved.

{fin}
The fifth and final part in the myth of Chronogamy is the ash after the fire—the silence that settles once the thunder has left the sky. The relationship is over, but its echo lingers in objects, habits, and memory’s unreliable architecture. This final movement is not about heartbreak; it’s about displacement—a god dethroned from his own myth, left to wander the ruins of what used to be himself.

The intent in this final part is to show that grief doesn’t always roar—it hums. The poem becomes a haunted room where affection remains only in posture, in ghosts that look like him only when lightning hits right. The speaker does not seek closure. He preserves the ache because it’s the last proof he was ever touched at all.

The myth ends not with vengeance, but with recognition:

"To be consumed is divine. To be remembered is accidental."

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
. (or: the night I vanished while still in the room) .

He stopped coming home late—
not out of guilt, but because
there was nothing left to hide.

I watched him re-enter
like a man returning to a house he built
on land that was only technically¹ mine.

My scent had faded from the sheets.
His cologne now lingered longer than my voice.

He called me darling
in the same tone I used to use
when I meant goodbye.

I touched his back one night,
the way I used to trace stars across it,
and he flinched
not like it hurt,
but like it meant nothing.

The watch on my wrist had stopped ticking.
I hadn’t noticed in days.

Over dinner,
he quoted my own stories back to me,
trimmed for elegance,
rearranged for effect.

“I don’t remember it like that,” I said.
“You weren’t meant to,” he replied,
not cruelly—just… correctly.

The eclipse doesn’t apologize for the sun.

In the mirror,
I saw only one of us
reflected clearly.

And it wasn’t me.

I asked him what he wanted.
He said,
“Everything you’ve ever had.”

And smiled like he already did.

I laughed.
He didn’t laugh back.

I told him I loved him.

He said,
“I know.
That’s why this had to happen.”

And somewhere in that moment,
between my mouth opening
and his walking away,
I became myth
the kind they misremember
on purpose.
Part IV in the myth of Chronogamy is the moment of quiet disappearance—the tragic stillness where the older lover realizes he’s already been replaced, not in a single act, but in hundreds of unnoticed moments. The transformation is complete, but the wound is slow, elegant, and brutal.

Here, the poem drapes itself in emotional chiaroscuro—an interplay of presence and absence, where love still lingers, but only as a formality. What was once mythic passion is now procedural. Even language, once intimate, now serves the younger man’s autonomy.

The artistic aim is to portray the erasure of self through love, where being seen turns into being studied, and then being overwritten. This is not betrayal in the dramatic sense—this is entropy. The light didn’t leave. It was simply replaced.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/

¹The worst kind of right
. (or: when I heard my voice come from his mouth) .

At first, it was flattery
the way he wore his collar the same way I do,
the way he started lighting my brand of cigarettes,
the way his laugh hit the same register
I used to throw like a knife across rooms.

I caught him reading my journal once—
not with guilt, but reverence.
“I like the way your thoughts bleed,”
he said, closing the leather cover like scripture.

He stopped asking me questions.
He already knew the answers.

My shirts disappeared one by one.
Then my habits.
Then my silences.

I watched him pour bourbon
with the same three-count I perfected in 1994.
Watched him cross his legs just so,
quote my warnings back to me
as if they were lessons he taught himself.

He ****** me like a rehearsal.
And I let him—God help me
because some part of me believed
that to be repeated is to be remembered.

But memory is a shallow grave.

One night,
he answered the phone with my cadence.

“This is he,” he said—
voice dry as an autumn branch.
And for a second,
even I believed him.

I didn’t confront him.
I just started talking less.

He filled the air like a flood.
My presence became parentheses.

In bed,
he started calling me old man
not as a kink,
but as a countdown.

I smiled.
But it tasted like rust.

The boy I devoured
was digesting me back.

And prophecy, that silent ******,
licked its lips
and kept watching.
Part III in the myth of Chronogamy is where the myth fractures beneath the surface—where affection curdles into imitation, and love begins to echo like a warning. The younger lover no longer learns; he absorbs. He doesn’t become like the older man—he becomes him, piece by piece, until the original feels like a fading draft.

The artistic intent here is to explore the horror of being mirrored, not by admiration, but by erasure. This is identity theft as seduction—a coup not of empire, but of essence. The power dynamic shifts so gradually it masquerades as romance, even as it hollows out the narrator’s core.

It’s no longer a relationship—it’s a rehearsal. And the older man is beginning to forget his lines.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
. (or: how I taught him to ruin me properly) .

His mouth was a chalice filled with thunder—
I drank from it like a man who’s forgotten
how to refuse ceremony.

He said my name like it was a title he meant to inherit.
Not whispered. Not begged.
Claimed.

I took him the way ruins take ivy—
slowly, wholly, letting him crawl through my cracks
and make green what should have stayed dead.

He undressed like it was a coup:
first the belt, then the silence,
then the smirk that knew it had already won.

I touched him like I’d memorized him in a past life
and forgot I was the one meant to teach.

My hands shook.
He steadied them with his teeth.

Skin against skin,
I forgot which of us was ancient.
His body: a question I answered with every bruise.
Mine: a confession disguised as architecture.

I marked him with softness.
He returned it with hunger.

“Slower,” I breathed.
“Why?” he replied.
And there was no answer
that didn't sound like surrender.

We moved like two wolves trying not to pray.
Every gasp a liturgy.
Every ****** a reformation.

I let him trace my scars like roads on a forgotten map.
He said, “You’ve been here before.”
I said, “And I never left.”

Later, he wore my shirt.
Not out of affection—
but to study the shape of power
from the inside.
In Part II, in the myth of Chronogamy tilts into its first collapse—intimacy as transformation, touch as both worship and conquest. What begins as desire becomes ceremony. This is the consummation not of love alone, but of power—the moment when the older lover, believing himself the initiator, unknowingly opens the gates to his own undoing.

Artistically, this section leans into the body as symbol, where every movement echoes cosmic tension: Saturn taking Jupiter, not as dominator, but as vessel. The sensuality is deliberate, dangerous, and layered with premonition.

This isn’t romance. It’s ritual dressed in skin, where hunger wears the face of devotion—and the inheritance of identity begins, not with mimicry, but with moaning.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
. (or: the god who called me “sir”) .

He entered like a prophecy mispronounced
storm-soaked, sky-buttoned,
his coat dragging dusk across the floorboards,
eyes lit like stolen copper.

My drink was a cathedral of neglect—
neat bourbon, no ice,
echoing the taste of promises embalmed in dust.
I drank the same way I pray:
sparingly, and to a god I no longer trust.

He didn’t sit; he disrupted.
Barstools shifted like tectonics,
shadows coiled around his boots,
and the jukebox skipped a beat to watch him move.

“You look like someone who’s been patient too long,”
he said, voice lacquered in soft thunder,
vowels curling like smoke from a burnt vow.

I gave him my laugh
a cracked heirloom I no longer polish.
He wore it like cologne
and leaned in as if to inhale the ruin.

His hands were myths retold badly
trembling between gentleness and guillotine.
He touched the rim of my glass
like it was my mouth,
and drank it wrong—
reckless, like he’d never been told no
and didn’t believe in scarcity.

The night flexed around us.
My watch stopped ticking.
Time, the faithful beast I’d trained
to lie at my feet,
lifted its head and whimpered.
Part I of Chronogamy introduces the mythic lovers—an older man caught in the gravity of time, and a younger force of disruption dressed in charm and danger. The meeting is quiet but seismic: a study in tension, recognition, and the invisible transfer of power that begins the moment desire is named.

This opening movement establishes the tone of myth as noir, where gods wear leather and wounds speak in metaphor. The poem explores the moment just before surrender—the seductive chaos of meeting someone who doesn't just challenge your structure, but studies it.

Here, Saturn first sees Jupiter—not as a rival, but as possibility. And that, as the speaker begins to sense, is always where undoing begins.

The Chronogamy Collection:
https://hellopoetry.com/collection/136301/chronogamy/
Sojou-
rning, sco-
rnfully, to J-
upiter's red s-
***. The circu-
lar, scarlet rage,
it, roundly, and, r-
ubily, rotates, into
whirlwinds, of ste-
aming, magma, hot.
The firef-lies, lay, t-
heir eggs, in; truth,
and, hope, that, d-
eceptions, hatch.
The batches, fl-
y, never, brou-
ght to, light.
Oppressi-
vely, the-
y, stay.

© poormansdreams
Have you ever been so angry that you feel the incandescent rage propelling you with a magnitude of force to write a poem about it?
Zelda Dec 2024
Hush, Love

I think I loved you in every universe,
Every timeline,
Every fragment of creativity,
In every self-proclaimed artist's mind.
I think this love exists outside of time.

It's tragic—
Hurricanes on Jupiter,
Tripping us up, ripping us apart.
If we get too close,
We'll get it right eventually.
Until then,
Close your eyes.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

I had that dream again—
Mesopotamia, 722 BCE.
Between the politics and the bathhouse.

Your kindness, my cold, cold heart.
I broke all your chains.
I know the cost is my beheading.
We'll escape in the middle of the night.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos.

The world
Views it as black and white
You're turning red, blue... translucent,
Between the politics and the internet.

Your kindness, my cold, cold heart.
I broke all your codes.
I know the cost is my cancellation.
We'll stay up until the dawn breaks.

Hush, Love.

You and I
Were never states at war,
Only states of chaos—
CHAOS,
chaos

I know we could lose everything
If we get too close
In every universe, every timeline
But I won't lose you
And you won't lose me

It's tragic—
Hurricanes on Jupiter.
So close your eyes,
Gliding on fragments of...
Stardust

Hush, Love.

We will never be states of war
Our love exists outside of time.
It's—
Beautiful.
Golden.
Chaos.

Ok, dear
Dec 18, 2024
Fiona Sep 2024
He was a soul
crafted by Jupiter:
limitless,
wild,
and always  
searching.

I am a soul
crafted by Mars:
driven,
unforgiving,
and unyielding.

When you shunned him
for discovering
our existence
our meaning
our joys
our sorrows,
I watched
for years
and years,
a fire inside
my blazing chest.

Now, I hold the scythe
in my hand,
untouched by the flames.
I hold your fate in my hands
and watch the flames
consume you
as you await your retribution.
Carlo C Gomez Mar 2024
~
In the days of Jupiter
during the age of
lovely intimate things

the abundant rain giving life
to a lactating mother

bloodletting
cloudburst

her magic ocean
and incipient seabright moon
together at the center of creation

~
Raven Feels Nov 2021
DEAR PENPAL PEOPLE, a lost poem<3


my pathetic desperacy
all epic with a naturalistic misery
angels hailed my numbers
now my calculations fumble
the rest
the equation unsettled on an aimless quest
everything has changed
but the undeserved trust is an ultimate unattained
my state in dooms
orbiting faces behind moons
a wreckage when asleep
like the neptunes called me
she said hit the lights
but the blinds blinded my sights
wonderful
a little optimism whisks me hopeful
forget forever the features
that lulled me once to my breather
now something broken
don't worry nothing stolen
for me to stick for me to piece neat
queen the rusted diamonds under my seat
follow the heart's revolution
undercover not a solution
alone even if disappointing
even when betraying
let my allusions surf the six temples
shadows bathing my past resembles
to come clean
find the place beyond the cold mean
like the twirl of the system
no one else wanted to resist him
took me there
to the middle of no where
my dilemma is that frightened half
no good to steal no good to laugh
but with a wake up to them dreams such a slap
a wisdom's muse would eventually snap
stars dance
her sky tortures her glance
crimson red and she realizes
that the once for all so be it would summarize this
would the potion grant a pain?
the poison of them affairs regard my chained name
let go
just say yes to saying no
stay awake
don't sleep take a break
                                                                                           ------ravenfeels
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