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dead poet 10h
i shudder to heed
the animal i’ve become:
once a wolf untamed;
now a lost puppy,
squealing for his mum.

a saintly pelican, i thought meself -
back in the day,
with a bill so big as
my heart would weigh;  
now, but a vulture -
feeding on the remains
of unfortunate cows:
with a crooked bill, i prey.

a scorpion’s sting
could go in vain
on skin - like a crocodile’s -
that’s proof of pain.  
a chicken on the run? -
or the bloodhound
that caught her?  
nah -
more like a pig for slaughter.

a rattlesnake in hiding
with its venom depleted,
i long to emerge a phoenix:
find my mission, then complete it.
purge meself of the worm:
eat it - like a songbird, mistreated;
anyway -
i should get off my high horse;
the parasite’s more...
deep-seated.
Frank Cavalo Nov 24
~Shatter me, Humpty! Into Faberge~
Paint — the cracks, laden:
Urushi, gold leaf, lame.

~Drape me, King! In novel robes~
Hide thine – from naked eye
Of unsightly misanthropes.

~Devour me, Men! Unbecoming~
Break thy yolk and stir it, runny –
Scramble over my gutting!
~ tilde is used to indicate italics as I do not comprehend yet how to edit them in
Carlo C Gomez Sep 26
An arranged marriage
A love that never was

So many secrets
And untouched lands

The burdens she carries
In pursuit of happiness

From God's forest
Of dusk line hills

The plainstones palace
Is the necklace she wears
To commence the descent

A soft jubilant rain
Promises borealis
And offers of peace

She prays silently for each
As they lower the crown
In a flourish of confetti

It's all about pageantry
It's all about possession

And the way she sits
On her throne
Like she sits
On the King's face
Sam Lampyris Sep 25
Date written: July 19, 2024
yisselakh@myyahoo.com


Glowworm

By: Yisselakh

Verse 1:

Oh what more is there to say
About the beetle with new clothes
About the beetle with a new name
This as close as a speck of dust
Can get to catch a star

Bridge:

I know it won't be far
I can see the sparks
And you know
I'll never stray from the path
And you know
I'll never stray from the path

Chorus:

So
Light the way
Light the way
Light the way

So
Light the way
Light the way
Light the way

Verse 2:

I must have been waiting
Since the dawn of days
As you hid within the tall grass blades
When the weary eyes of dusk sway
Blink between time and that eternal place
I'll see you ascend above this maze

Chorus:

And
Light the way
Light the way
Light the way

And
Light the way
Light the way
Light the way

Bridge 2:

Back to innocence, back to the ancient dream
And this time,
I'll stay
You'll stay
We'll stay
And see

CODA:

The wasteland of sorrow
We left behind
Ebbs away, fades away
In the light, with the night
In the light, with the night
Oh love of mine
Love of mine
Love of mine
Isn't this just divine
You and I
And all we love
For all of life
The Secret Lives of Sam Lampyris 4
Loosely Inspired By:
FABRE’S
BOOK OF INSECTS
RETOLD FROM ALEXANDER TEIXEIRA DE MATTOS’
TRANSLATION of FABRE’S “SOUVENIRS ENTOMOLOGIQUES”
BY MRS. RODOLPH STAWELL


-------


Disclaimer:

Sam Lampyris is peeking through time from eternity. Sam Lampyris has all the time in the world. Sam Lampyris wants to know everything, Sam Lampyris wants to do everything, Sam Lampyris wants to write about everything. Sam Lampyris draws, Sam Lampyris paints, writes, learns, sings, thinks.
Sam Lampyris has many facets and many names, many interests and hobbies.
Sam Lampyris is PinkCircleLyrics,
He is Yisselakh.
He is Meynoher.
And more.
He is impulsive, and follows the ebbs and flow of his stream of consciousness faithfully.

All conscious directly inspired pastiche, homage, references, adaptation, and other derivative content will be noted, and any other similarities beyond this I can only attribute to subconscious influence, collective consciousness or unconscious, or pure coincidence.

Unlike previous works by Sam Lampyris under various pseudonyms, these works are less reactive and more proactive. This is to say that the previous poems and lyrics often sprung directly from my immediate reaction to things I have heard, listened to, read, seen or watched, and are usually much more authentic to my personal philosophy, be it intuitive or learned.

These, however, are more proactive in the sense that I voluntarily seek prompts and inspirations from books and other mediums I look to learn from and write with them in mind. I do this in order to fortify my understanding of them in my own preferred way.

However, during the writing process, my mind always, in some strange way, becomes locked in a track and I, again, seem to be always directed to follow my intuition. Thus, most of the works are non rhyming or rhyming free verses, as instead of writing with strict and consistent meters, it feels like my own being is forced to follow rhythm patterns that "feels right."

Thus, though I can't promise these thoughts are anything under the sun, in fact I can promise the exact opposite:

Ecclesiastes1:10 King James Version

"Is there any thing whereof it may be said, See, this is new? it hath been already of old time, which was before us."

I can promise these works are absolutely authentic to the entire being of Sam Lampyris, no matter what his name is at the time.
Chris Saitta Jul 14
The towering candles of the monk’s studious hours
Now guttered to an old head on the pillowing smoke.

The Pied Piper of Hamelin bloated on the lawn
And the rat tails from his eye sockets engorged.

War is the end of all lore,
The bare abdomen of the ****** Mary gutted for her son,
War is a *******’s mouldering arms,
The infidel to love, the mutilator of colors,
War is the broken feast of the heart,
Bones picked clean.
The American dream
had a tough childhood
and is developing symptoms
of a sinkhole personality

I take back everything
I said about the Panama Canal
there's nothing wrong
about being artificial
so long as it brings others together

If we bring it down to eye level
Mr. Paranoia feels outnumbered
the fruits of his labor
are all store bought

There are no more
drive-in movies within
walking distance
'cause Cinderella's dead
says the cult leader
Alex Aug 2023
There was once a weak little sparrow. She has yet to learn to fly, so she fell out of the nest. Little did she know it would keep her alive. In a small stream she drifted on by as the other creatures burned alive, a fire engulfed the forest she once called home. It nipped the edges of the stream burning her wings, as time went by the fire died leaving the entire forest in ash. A lone witch searched the forest with tears in her eyes for any signs of life.
Only to find a lone little bird, barely clinging to life, desperate to survive. So the little witch took the little sparrow home, trying to save its life. Her wings were badly burned, and she would never be able to fly. The witch did what she could and kept the bird alive, but as time went by the sparrow grew sad. Knowing everything was gone, and she was alone as she looked at the burned forest.
Then the little witch had an idea, to try and turn the sparrow human, so they wouldn't feel so alone anymore. She didn't see the agony that would cause the sparrow, and never expected the burn scars would stay. So the little sparrow was turned human, well mostly. The witch has to teach her how to be human, which took many years. Eventually they lived comfortably, enjoying each other's company, but good things never last.
Someone from the nearby village saw the little witch and her small hut. They were suspicious of her, hating anything different from them. They looked disgusted by the other one, the sparrow didn't look like them. Not only that, but they hated the witch and chained the sparrow, forcing her to watch as they burned the witch. They studied the odd girl, wanting to know what she was, why she was different. The torture seemed to never stop, till she finally broke, harnessing the witches power and the life of the ancient forest that was burned. The ancient forest where she was born was burned by the villagers and the magic went into the little sparrow, hoping she would survive.
She went into a fury, slaughtering the village, leaving nothing left of the ones who tortured her, burned her only family alive and destroyed her home. She when she finally calmed, she was on the mountain overlooking the dead forest and decimated village, realizing she was truly alone.
A cute little short story I did for a character backstory
My Dear Poet Jun 2023
“Why is your flute so tiny
and all?”,
said the Willow to the little boy
“Maybe cos my song
is low and light
and my fingers
are so small”

“Why’s your arms
so stretched up high”
asked the boy looking up
“Maybe to send your tune,
past clouds and sky,
that resonates from my stump”

So together it dawned
the day they joined
spreading  the sweetest sound
The one who sits small,
with one standing tall
Together, reached heaven
from the ground
Sometimes all you need is just some simple support
Michael R Burch May 2023
These are poems I call my Fables...



Will There Be Starlight
by Michael R. Burch

for Beth

Will there be starlight
tonight
while she gathers
damask
and lilac
and sweet-scented heathers?

And will she find flowers,
or will she find thorns
guarding the petals
of roses unborn?

Will there be moonlight
tonight
while she gathers
seashells
and mussels
and albatross feathers?

And will she find treasure
or will she find pain
at the end of this rainbow
of moonlight on rain?

Published by TALESetc, Starlight Archives, The Word (UK), Poezii (Romanian translation by Petru Dimofte), The Chained Muse, Famous Poets & Poems, Grassroots Poetry, Inspirational Stories, Jenion, Regalia, Poetry Webring and Writ in Water; also set to music by the award-winning New Zealand composer David Hamilton.


She Gathered Lilacs
by Michael R. Burch

for Beth

She gathered lilacs
and arrayed them in her hair;
tonight, she taught the wind to be free.

She kept her secrets
in a silver locket;
her companions were starlight and mystery.

She danced all night
to the beat of her heart;
with her tears she imbued the sea.

She hid her despair
in a crystal jar,
and never revealed it to me.

She kept her distance
as though it were armor;
gauntlet thorns guard her heart like the rose.

Love!—awaken, awaken
to see what you’ve taken
is still less than the due my heart owes!

Published by The Neovictorian/Cochlea, Borderless Journal, The Eclectic Muse (Canada), Shabestaneh (Iran), Anthology of Contemporary American Poetry, Famous Poets and Poems, The Chained Muse, Inspirational Stories, Lilac Blossom Collection, English Poetry, Love Poems and Poets, Not Just a Label and Captivating Poetry (Anthology)



Step Into Starlight
by Michael R. Burch

Step into starlight,
lovely and wild,
lonely and longing,
a woman, a child . . .

Throw back drawn curtains,
enter the night,
dream of his kiss
as a comet ignites . . .

Then fall to your knees
in a wind-fumbled cloud
and shudder to hear
oak hocks groaning aloud.

Flee down the dark path
to where the snaking vine bends
and withers and writhes
as winter descends . . .

And learn that each season
ends one vanished day,
that each pregnant moon holds
no spent tides in her sway . . .

For, as suns seek horizons,
boys fall, men decline.
As the grape sags with its burden,
remember—the wine!

Published by The Lyric, The Chained Muse, New Lyre, Poetry Life & Times, The Hypertexts and OperaNews



The Folly of Wisdom
by Michael R. Burch

She is wise in the way that children are wise,
looking at me with such knowing, grave eyes
I must bend down to her to understand.
But she only smiles, and takes my hand.

We are walking somewhere that her feet know to go,
so I smile, and I follow ...

And the years are dark creatures concealed in bright leaves
that flutter above us, and what she believes—
I can almost remember—goes something like this:
the prince is a horned toad, awaiting her kiss.

She wiggles and giggles, and all will be well
if only we find him! The woodpecker’s knell
as he hammers the coffin of some dying tree
that once was a fortress to someone like me

rings wildly above us. Some things that we know
we are meant to forget. Life is a bloodletting, maple-syrup-slow.

Published by Romantics Quarterly, Boston Poetry Magazine, Famous Poets and Poems, Vajhu (India), Litera (UK), Art in Society (Germany), Inspirational Stories, Poetry Life & Times and Freshet



Violets
by Michael R. Burch

Once, only once,
when the wind flicked your skirt
to an indiscreet height

and you laughed,
abruptly demure,
outblushing shocked violets:

suddenly,
I knew:
everything had changed.

Later, as you braided your hair
into long bluish plaits
the shadows empurpled

—the dragonflies’
last darting feints
dissolving mid-air—

we watched the sun’s long glide
into evening,
knowing and unknowing ...

O, how the illusions of love
await us in the commonplace
and rare

then haunt our small remainder of hours.

Published by Romantics Quarterly, Muse Apprentice Guild, Victorian Violet Press, Boston Poetry Magazine and Poetry on Demand



The Endeavors of Lips
by Michael R. Burch

How sweet the endeavors of lips—to speak
of the heights of those pleasures which left us weak
in love’s strangely lit beds, where the cold springs creak:
for there is no illusion like love ...

Grown childlike, we wish for those storied days,
for those bright sprays of flowers, those primrosed ways
that curled to the towers of Yesterdays
where She braided illusions of love ...

“O, let down your hair!”—we might call and call,
to the dark-slatted window, the moonlit wall ...
but our love is a shadow; we watch it crawl
like a spidery illusion. For love ...

was never as real as that first kiss seemed
when we read by the flashlight and dreamed.

Published by Romantics Quarterly and The Eclectic Muse (Canada)



Desdemona
by Michael R. Burch

Though you possessed the moon and stars,
you are bound to fate and wed to chance.
Your lips deny they crave a kiss;
your feet deny they ache to dance.
Your heart imagines wild romance.

Though you cupped fire in your hands
and molded incandescent forms,
you are barren now, and—spent of flame—
the ashes that remain are borne
toward the sun upon a storm.

You, who demanded more, have less,
your heart within its cells of sighs
held fast by chains of misery,
confined till death for peddling lies—
imprisonment your sense denies.

You, who collected hearts like leaves
and pressed each once within your book,
forgot. None—winsome, bright or rare—
not one was worth a second look.
My heart, as others, you forsook.

But I, though I loved you from afar
through silent dawns, and gathered rue
from gardens where your footsteps left
cold paths among the asters, knew—
each moonless night the nettles grew

and strangled hope, where love dies too.

Published by Penny Dreadful, Carnelian, Romantics Quarterly, Grassroots Poetry and Poetry Life & Times



Pan
by Michael R. Burch

... Among the shadows of the groaning elms,
amid the darkening oaks, we fled ourselves ...

... Once there were paths that led to coracles
that clung to piers like loosening barnacles ...

... where we cannot return, because we lost
the pebbles and the playthings, and the moss ...

... hangs weeping gently downward, maidens’ hair
who never were enchanted, and the stairs ...

... that led up to the Fortress in the trees
will not support our weight, but on our knees ...

... we still might fit inside those splendid hours
of damsels in distress, of rustic towers ...

... of voices heard in wolves’ tormented howls
that died, and live in dreams’ soft, windy vowels ...

Published by The Chariton Review, Romantics Quarterly, The Chained Muse, New Lyre, Poetry Porch/Sonnet Scroll, Muse Apprentice Guild, The Eclectic Muse (Canada), Famous Poets & Poems, Inspirational Stories, The Neovictorian/Cochlea, Poetry Life & Times and Sonetto Poesia (Canada)



Moments
by Michael R. Burch

for Beth

There were moments
full of promise,
like the petal-scented rainfall
of early spring,
when to hold you in my arms
and to kiss your willing lips
seemed everything.

There are moments
strangely empty
full of pale unearthly twilight
—how the cold stars stare!—
when to be without you
is a dark enchantment
the night and I share.

Published by Tucumcari Literary Review, Romantics Quarterly, Poezii (Romanian translation by Petru Dimofte), Borderless Journal (Singapore), Grassroots Poetry, The Chained Muse, in a Soundcloud reading by Vex Darkly, and in a YouTube reading by Jasper Sole



The Aery Faery Princess
by Michael R. Burch

for Keira

There once was a princess lighter than fluff
made of such gossamer stuff—
the down of a thistle, butterflies’ wings,
the faintest high note the hummingbird sings,
moonbeams on garlands, strands of bright hair ...
I think she’s just you when you’re floating on air.

Published in Whimsy/Poems for Big Kids and A Bouquet of Poems for children of all ages



Fairest Diana
by Michael R. Burch

Fairest Diana, princess of dreams,
born to be loved and yet distant and lone,
why did you linger—so solemn, so lovely—
an orchid ablaze in a crevice of stone?

Was not your heart meant for tenderest passions?
Surely your lips—for wild kisses, not vows!
Why then did you languish, though lustrous, becoming
a pearl of enchantment cast before sows?

Fairest Diana, fragile as lilac,
as willful as rainfall, as true as the rose;
how did a stanza of silver-bright verse
come to be bound in a book of dull prose?

Published by Tucumcari Literary Journal and Night Roses

I believe this poem was written in the late 1970s or very early 1980s, around the time it became apparent that the lovely Diana Spencer was going to marry into the British royal family.



Because She Craved the Very Best
by Michael R. Burch

Because she craved the very best,
he took her East, he took her West;
he took her where there were no wars
and brought her bright bouquets of stars ...

The blush and fragrances of roses,
the hush an evening sky imposes,
moonbeams pale and garlands rare,
and golden combs to match her hair ...

A nightingale to sing all night,
white wings, to let her soul take flight ...
She stabbed him with a poisoned sting
and as he lay there dying,
she screamed, "I wanted everything!"
and started crying.

Originally published by Lone Stars



Happily Never After (the Second Curse of the ***** Toad)
by Michael R. Burch

He did not think of love of Her at all
frog-plangent nights, as moons engoldened roads
through crumbling stonewalled provinces, where toads
(nee princes) ruled in chinks and grew so small
at last to be invisible. He smiled
(the fables erred so curiously), and thought
bemusedly of being reconciled
to human flesh, because his heart was not
incapable of love, but, being cursed
a second time, could only love a toad’s . . .
and listened as inflated frogs rehearsed
cheekbulging tales of anguish from green moats . . .
and thought of her soft croak, her skin fine-warted,
his anemic flesh, and how true love was thwarted.

Originally published by Romantics Quarterly

Keywords/Tags: fable, fables, poetic fable, poem, poems, poetry, verse, romance, romantic, love, fairy tale, myth, lullaby, nursery rhyme, child, children, bedtime story
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