it seems that the only antidote to the poison of existence is to write. to write, like our forefathers did - purposeful seclusion, months of trance-like writing, like a murderer maddened by the idea of salvation - writing, with ink-stained fingers, aching joints on the same old, trusty typewriter; writing, while wallowing in the deepest pits of despair, stuck inside a shabby room, dishevelled with books unread and re-read countless timesā¦
to witness the act of writing - be it a staged enaction, wherein an artist just slips his malleable soul into the garb of the prophet - to witness the act itself is a travesty, an ache on the roof of oneās mouth: out of reach, foreign, uneasiness swirling. nothing soothes, or quite imparts the strength to digest reality like the simulated sound of a virtual typewriter - the old, familiar clang that sustained generations of kindred souls, the tolling of the bell that eclipsed the knell of death, of betrayal, of a life cut short by cruelty, of unrequited love, of angst, of abuse - that of others and the self.
our modern machines that make life so easy, appear as a hindrance, an obstacle to the realization of my true self. or is it just incompetence, meandering as un-bloomed fantasies, that have been thwarted by none but my own futile sense of pride, which, in the very end, is nothing, but a pile of dust, that glints in the sunlight, and appears like the first pearls of dew-like snow?
beauty seems to be the only parameter for any semblance of human emotion we are willing to spare for another - beauty, or rather the bastardization of beauty, has rendered us barren, so dreadfully ugly. beauty consumes those who fawn upon it, destroys worlds, invades peaceful colonies, robs the poets of sleep, and urges the beguiled to sin.
my disfigured mind, once a slave to beauty, has broken its shackles from its dastardly regime. in the process, I've had to encounter my own ugliness - both without and within - bloated egos of the world that match my bloated skin - but it is dissatisfaction that Iām bursting with. dissatisfaction at the absence of prodigious blood in my veins, the kind that can foretell worldly events, conjure multiverses, concoct reservoirs of colors undreamt of, and feel the fabric of the world, the way one obtusely feels their own skin shielding their inner darknesses. ennui mingles with narcissism, flowers bloom at the edge of deserted lakes - the forest nymphs weep and wail under the blood-red moon, and the lovers die, without loving one another - alone, forlorn, their death a meaningless crease in the fold of the universe.
staring down at the unimpressive rising and falling of the telltale buttons - the very mechanism that allows me to stay afloat - I choke with tears that do not quite justify the source of my misfortune (perceived?). the faint, dull wail of the automation keeps me warm, but the sudden silence fills the home, no, just an apartment, with thunderous, ominous vulnerability. my bones ache along with the foundations of the house - the parakeets have made a nest among the polluted shrubberies, unlike their usual design to avoid large, empty cities. they screech , in imitation of my acute helplessness, mocking my hapless complaints, rendering me completely alone, while being surrounded by blood of the most coagulated, and thickest kind.
the neighborhood cats feast upon leftovers, as I look into the window of a world unexplored , ridden with darkness visible, and demons that admire your flesh while you are half asleep. the walls twist and boil over, while i savour, in disgust, the heaviness of my existence, the meaningless lull of my name, called out by someone who brought about an acutely unwanted genesis. the cries of the parakeets fade away, and the automation starts crawling around my skin again, enveloping me in a almost-comfortable embraceā¦the spell is broken, by the vision of my forefathers, on their animal parchments, and blood-like inked etchings, their truly broken hearts and the deceit of my own.
