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so much squawk and squall    too many people echo the walls
abrasive  and i've no block but to ingest it
wrappered and trapped in this room-without-imagination
this is fusion   a batter of coms and intel i cannot separate and
rooms instrument clamps me   pressioned still          
                         and inflates me like a berry
my vision is expelled                      
my teeth pop out    my ears whine and whistle
my pores fire out tiny dirt pellets                    
                    and my friends duck for cover

all the bombast and sonic din that entered
and all the gases combust from within                          
         I go from ‘surprising’ and ‘absurd’
                                to full on percussion and detonation

what did they do   to deserve a friend like me ?
it’ll be some time    before they enjoy a good meal in company
one without p.t.s.d.   revulsion
and  (without a choice)  in memory of me
Le Toad 4d
Words like wasps clamor across
empty, luminant screens
Voices cast in Unicode
Feelings in Unicode screams
I close my eyes between the words
just so I can breathe
As the words start to sting
and my brain begins to swell
and the words echo
and the stings linger——
Happens ever time
Behind every letter there is a pulse
Of a stranger I will never see or know
I remind myself of the human heart
that beats behind the glow
Bonnie Mar 18
I scrolled through the world on a glowing screen,  
Where faces smile but none are seen.  
A thousand "friends" with a flick of my thumb,  
but my heart is still lonely, heavy, and numb.

I sent a "LOL" to a blinking face,  
But the laughter? It lingered in no known place.  
The hugs were emojis, the laughs acronyms  
A hollow façade, cheap digital whims.

So I asked my phone, "What’s wrong with me?"  
It buzzed and it hummed and said, "Let’s see…"  
"You’ve got followers, likes, a profile so bright,  
But maybe you’re missing what’s out of sight?"

I wondered aloud, "What do you mean?  
I’ve got all the gadgets and a touchscreen."  
The phone just blinked, and offered no aid,  
The battery dimmed and hope was decayed

So I stepped outside with hesitant feet,  
The air was real, the sun kissed my cheek.  
But what if a stranger my presence espied
Better not risk it, I’m going inside.

I rang up a mate, just to hear them say,
“Wow” it’s been so long! Let’s meet up today."  
No filters, no captions, no polished display,  
Just stories and laughter to fill up the grey.

By the lake where the willows gracefully bend,  
We spoke about nothing, but it still seemed to mend.  
My fears took flight, like birds set free,  
And the world felt vast, yet still kind to me.

But even so, when the sun slipped away,  
And I found myself alone at the end of the day,  
It seemed to me, that we all blindly dance  
Fleeting connections left up to chance."

It’s the paradox, the great in-between,  
Of a world that’s both digital and unseen.
Counting likes to a meaningless prize  
I yearn just to matter in somebody’s eyes .

So I’ll take the tech, but I’ll tread with care,  
And seek the moments that make life rare.  
A screen can’t hold you, nor replace the touch,  
But balance is everything—it matters so much.

So here I stand, a creature of two,  
Caught in the old, the new, the true.  
I’ll scroll a bit, then I’ll put it away,  
and live, and love, in a human way.
This verse explores the paradox of living in a hyper-connected yet isolating digital world.
Zywa Mar 17
We communicate

in the language of the earth:


rivers, roads and clouds.
Poem "in welke taal zal ik je woorden geven" ("in what language shall I give you words" - "Boekenweekgedicht 2025" ["Book Week Poem 2025"], Sholeh Rezazadeh)

Collection "Home sea"
Zywa Mar 16
Authorities are

smart, they don't say anything --


they just ask questions.
Novella "Sainte Anne" (1799, "Saint Anne", 2012, Isabelle de Charrière / Belle van Zuylen under the pseudonym L'Abbé de la tour), chapter 3

Authorities: persons and institutions

Collection "Specialities"
“What is treading on eggshells”
(I’m trying to define it)

Maybe it’s:
When a question is perceived as a judgement?

This is the point in a relationship where, you first sense, that you’re views or actions are not entirely welcome;
The moment where mutual trust evaporates, and you realise that acting in someone’s best interests, has become an intrusion; not necessarily because you overstepped the mark; but because you were perceived to do so, and that this is the moment where joyful innocence, morphs into trepidation and uncertainty.

From this point on, you’ll probably be spending a lot of time, being hyper vigilant of your own words and actions; so not to be perceived as intrusive or offensive.

In conclusion, what you’ve lost!…is your freedom!
and what they’ve lost!…is your honesty and innocence.
Marc Morais Feb 24
We built
a tower
with hands
that did not know
how to touch.

It rose,
stone by stone.
Each word, a brick.
Each silence,
the mortar.
Promises—
vanishing into air.

We stood
at the bottom,
blaming the height
for our aches—
but the tower
was never
what broke us.
The light, a fractured prism, paints a wall,
But what hues dance there, is not for all.
My eyes, a filter, stained by memory's trace,
See crimson where another finds a gentle space.
The scent of rain, to me, a promise kept,
To you, a ghost of tears, a sorrow wept.

The mountain's peak, a triumph, sharp and bold,
To those below, a story yet untold.
The river's flow, a journey, smooth and grand,
To those it floods, a vengeful, grasping hand.
A whispered word, a lover's softest plea,
To jealous ears, a sharp conspiracy.

The canvas vast, of moments spun and frayed,
Each stroke of sense, a different truth displayed.
The taste of wine, a vintage, rich and deep,
To bitter tongues, a poison they will keep.
The touch of skin, a comfort, warm and true,
To those betrayed, a wound they can't undo.

The rustling leaves, a symphony of sound,
To anxious hearts, a threat on hallowed ground.
The city's hum, a vibrant, pulsing beat,
To weary souls, a suffocating heat.
The silent stare, a gaze of pure intent,
To guilty minds, a judgment heaven-sent.

The world unfolds, a tapestry of sight,
Each thread a truth, held in a different light.
Beliefs and values, woven, tight and deep,
Shape how we see, the secrets we will keep.
A half-full glass, a beacon, shining bright,
A half-empty void, consumed by endless night.

The bridge we build, between our separate shores,
Demands a language, that forever explores.
No single map, can chart the human heart,
Each landscape shifts, and tears the world apart.
And so we ask, and listen, and explain,
To find the common ground, to ease the pain.

The silent spaces, where our visions clash,
Require the gentle touch, of understanding's flash.
To share the stories, that our senses weave,
To bridge the gaps, that time can never leave.
To build a world, where empathy can thrive,
Where different eyes, can learn to keep alive.

And in the quiet moments, when we’re alone,
We ponder the foundations, we’ve always known.
We seek the answers, in each other’s gaze,
To navigate the labyrinth, of life’s complex maze.
Though we look at things from a glass half full or half empty – perhaps the question should be - is there a glass?
Author's note:
I remember a conversation years ago, where I had acquaintances - uber-nerds that all attended undergrad studies.  They started a discussion to egg the high school-educated Marine into a debate - whether to belittle me or embarrass me.  And the quantum state postulate of Schrödinger's cat was the subject.  Though it is a physics question, it rang of a psychology question I had once concerning Perception versus Perspective - and I remember being asked to leave by my professor after disrupting the class with my answer in the form of the question in the poem.
I posed the same question to the uber-nerds, and it shut them up.
Is there a box, Is there a cat?  Is there a glass???  prove it.....  Perception vs. Perspective
Zywa Feb 17
Phone call: pieces of

sentences alternately --


pasted together.
Composition "Telephone" (2014, Kate Moore), for two trumpets, composed for the 75th birthday of Louis Andriessen, performed by Tom Sanderman (saxophone) and Annette Schenk (clarinet) of the Herz Ensemble in the Organpark on February 14th, 2025

Collection "org anp ARK" #96
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