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Nicole May 2020
Touch,
They call it 'lust'
I call it "intimacy"
preston May 2020

From the sodden, trundled forest floor the trees reached higher
than he ever imagined possible-- pine needles from the conif,
blending in  perfectly with those, broadleaf.. a strange, almost
absurd-feeling; symmetry- in a world, nothing more than
cluttered and confused--
           in the eyes of a small-one, now subject..

And now as a grown man,
I return to the disenchanted forest..
       in order to bring enchantment.
At the edge of the rustic, one-room
cabin, I pause..
choosing to peer in, rather than enter--
my world-hardened hands,  now pressed against
cracked window glass--

opaque, but still..

           I can see..

Inside the small room is as if a cosmo to itself-- there is a large
ring of dark water, surrounding what
seems to me to be a small island,
     yet still, I can feel her..  
           sense her glow..
And magnificent   within
her solitude and silence..
she is strong,
and firm-- her war-torn heart, gathered and secure..
all boundaries, seemingly intact--
        but there is a teeming..
        a never-ending movement
        of some form of life-

..in what I had once thought a ring of dark water,
but can now see as if some kind of a fear-hewn moat..
and the movement within, none other than that
           of those trying to reach her.

She is the prize,
pulled away from the threat of harm
       by her intricately created world.

And there is this black movement above her..    what is that?  
Moving in rhythmic synchronization..
             like a flock of starlings maybe..
The wings that give them flight, are bat-like and sharp..
and only varying sections at a time  of the flock's movement
alight on to her..
as other ones take flight and rejoin the ever-moving,
          ever-shifting flock's shape..

..and as each changing of the guard takes place,
the inhabitants of the moat change color--  

the light, now reflecting through the small window
and bringing a matching glow to my arm..

And though I remain unaffected by the color of light,
I see the whole nature of the moat, conform to each color's change..

And it is then that I realize
that the birds  are the pieces of her fragmented heart,
and the changing colors,  her perceived reality..
based on whatever portions of her heart are inside of her
at any given time.

The moat provides the distance,
yet one without its inhabitants even knowing
they are in it--

changing color in order to fit in to
              her ever-changing reality.


I will never enter into the moat..
and the color change is hers, not mine.
I am more distant to her now
than even those, of the moat..
and my refusal to change color
will always be a point of contention--
but for her, I am the only one who sees,
I am the only one who knows

about the island, the starlings.. the moat.

She loves me so much,
she hates me.

My prayer for her is that one day,
that whole flock of starlings will alight on to her..
      and never, ever leave.

Maybe on that day also, her moat filled with
Mona Lisas and Madhatters,  will finally, dry up..

and that her color perception  
will become  the colors that truly are,
            rather than those, of her ever-changing, shift


A disenchanted forest--  enchanted, once again.


as she quietly whispers into my ear..


"Until you've seen this trash can dream come true
you stand at the edge while people run you through,
..and I thank the lord, there's people out there like you"
https://youtu.be/OthHVnG9EKg
xox
Michael R Burch May 2020
Perhaps
by Momin Khan Momin
loose translation by Michael R. Burch

The cohesiveness between us, you may remember, or perhaps not.
Our solemn oaths of faithfulness, you may remember, or perhaps forgot.
If something happened that was not to your liking,
the shrinking away that produces silence, you may remember, or perhaps not.
Listen, the sagas of so many years, the promises you made amid time's onslaught,
which you now fail to mention, you may remember, or perhaps not.
These new resentments, those old rehashed complaints,
these lighthearted and displeasing stories, you may remember, or perhaps forgot.
Some seasons ago we shared love and desire, we shared joy ...
That we once were dear friends, you may have, perhaps, forgot.
Now if we come together, by fate or by chance, to express old loyalties ...
Our every shared breath, all our sighs and regrets, you may remember, or perhaps not.



Being
by Momin Khan Momin
loose translation by Michael R. Burch

You are so close to me
that no one else ever can be.

NOTE: There is a legend that the great Urdu poet Mirza Ghalib offered all his diwan (poetry collections) in exchange for this one sher (couplet) by Momin Khan Momin. Does the couplet mean "be as close" or "be, at all"? Does it mean "You are with me in a way that no one else can ever be?" Or does it mean that no one else can ever exist as truly as one's true love? Or does this sher contain an infinite number of elusive meanings, like love itself?



Being (II)
by Momin Khan Momin
loose translation by Michael R. Burch

You alone are with me when I am alone.
You are beside me when I am beside myself.
You are as close to me as everyone else is afar.
You are so close to me that no one else ever can be.

Keywords/Tags: Translation, Urdu, Momin Khan Momin, love, close, closeness, unity, farness, afar, memory, remembrance, forgetfulness, remember, forget, forgot, time, silence, mrburdu
Thomas W Case Apr 2020
I need to be touched and held.
As a human, I need that like
I need oxygen, food and poetry.
It's not ******; it has nothing to
do with a relationship, it just has
to be someone I've known for
a long time and we care about
each other.
I don't want to be accosted or
held by a stranger.
I boxed for a few years, and it
wouldn't bode well for that individual.
This world is brutal, we are dealing
with a pandemic.
Life can be cruel beyond belief.
I need to be touched and held.
I need to feel a heartbeat next to mine.
This life is so fleeting, one minute I'm
five years old burying my goldfish in
the backyard, crying because I don't
understand death and the next
minute 48 years have passed by.
I've buried my Mom, Dad, two
brothers, and over 20 of my
close friends.

When I'm holding someone,
and someone is holding me,
I feel alive and I'm pretty
sure they do too.
As a poet, my senses are
on high alert:
touch, taste, smell etc...
I need to taste the salt from
a gentle kiss on her forehead.
I need to feel the smoothness of
her cheek on my shoulder as we
watch a movie or talk about
distant memories.
I need to feel her smooth feet when
I rub them after she's had a
tumultuous day at work.
This ******* Coronavirus has
got everyone so afraid of
contact and I get it.
But if I die as a direct result of
touching or being touched by
someone that I love...
I can think of much worse
ways to go.
eleanor prince Mar 2020
sweet corral
in savage fields
you were to me
salvaged visions
hushed syllables
relayed in gasps
now stilled

and I sang to  
this favoured space
place all ages stretch
dance to meadow’s song
but havens don’t last
for spent shepherds
seek sleep too

I face myself
as dark clouds
I saw fomenting
omens of looming
deepening chill told
of friendship's succor
earmarked to go

confronted by
naked and scarred
discarded outcasts
dirges of limbs
parts broken
by storms'
scythes

you stood
beside me
sturdy strong
then winds ceased
and bland tones
transmitted
often

no sunny sky friend
you are but in storms
you see the beaten
traveler's plea
as rains
strip
breath
Sometimes we happen to come by someone we grow to deeply love as a precious friend, however they may well not see things quite that way, as they could be the perennial helper of those battling the stormy night, and when too much of the everyday mundane increases and swamps the scene, they can unexpectedly withdraw, needing space to chill and just be, and you feel such regret, remorse, shame even, that you didn't realize you were becoming a bad smell, a suffocating presence and you need to draw back or lose the contact, connection forever.
Paper Heart Poet Mar 2020
How close can I get without being hurt
Should I be open-hearted or cautious
Giving myself to others or hiding behind my mask
Never knowing my limits, but I don’t know yours either

Pain or safe, oh which to choose
Will you hold my hand, even when I’m wrong
Or push me away

Don’t wanna feel shame next to you
I hate myself already
Looking for love in other hearts
Maybe there’s some left for me

Unconditional and forgiving
Here I am naked and honest
Not living or denying anymore

Your choice is upon you
I’m not gonna beg or pretend
Tired of being someone else
Time to look for myself
Time to find my consciousness
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