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Mike Fashé  Oct 2013
Moon 2.0
Mike Fashé Oct 2013
Sunset of Apollo
Rises upon the goddess of the moon
Graceful
Love of all
Drifting by the lake
The soul,
Once a fulfillment
Of delicate
Symmetrical
Structures that held
A deity together
The spiritual duality  
The love,
Flourishing through
The celestial azure
Between veils
Of Embers
Spreading like haze
Upon tranquil blaze
Soothing by the arctic breeze
Textural glaciers
Like indigo crystals
Seas of endless art
To pass on
To what feels like a dream
The life,
That felt incredible
Amity between
Forces that were inseparable
The hand
Upon the soil
Of the crimson stone
To feel rhythm of the velvet heart
An ocean that spreads
Scarlet sheets
Nourishing the seeds
Becoming the verdant children
With halos of blissful pigments
Into a mixture of tears
Blessed by mother Gaia
Blossoming for all to see…

Every layer that covers the sky
Beneath the end of every lullaby
Holds a gift
That lies and says goodbye
Driven & deprived to be nocturnal
Sleepless nights Cursed in vain
Any man to have you…
Thorns of pain that feels eternal
Magnificently a breath taker by divine  
Hallucination of the fibbed eye
To tell such lies
You were created by Aphrodite
Crafted by serenades
Beauty carved by the finest blade
Hazel diamond shades
It’s often said, weakness for elegant grace
Drives the loveliest man insane
Reminiscing in the hollow mind
Echoes from the cryptic name
I close my eyes
To hear the melody of the rain
Indulging in each drop that makes a note
Forming an orchestral perception of a dream
Recollection of memories…
Gentle flowing through the entrance of the stream
Anything for one more glimpse…
Lamenting the past
Voices
As I wake
Wrapped upon the cloak of the sea
Glancing at the beautiful moon
Spiraling my soul around her celestial body
As if I Projected
From the stars to the ocean
Reflection of my Luná
I hear the symphony
She sings
Calmly and peacefully
As I daze away
Float away
Losing grip of the moon
I pray
Just to stay…

Lonesome heart
That walks the fields of heaven
Arise upon accession
Through the meadows
With no aggression
Pleasant aura
Sphere that shines down before me
The stream
From the vessel
Aqua that is the key
That carries life
The dust & bones
Becoming false love that turns into stone
My failure for another
Misunderstood compassion
Misconception for love is lost
Despite of my action
Empty like deep space
Searching from dream & reality
For the sweetest taste
Asking questions from the wise Oracle
Will my heart ever find a mate?

Eden
My home
My soul
I don’t feel whole…
Harps of the angel
Tones played
Ever so gentle
Like a gust of euphoric fragrances
Scenting the air
As if the wind could
Recite poems
As marvelous as
Jade stones
Upon golden thrones
Visions of sunset mountains
Portraits of ocean blue fountains
Parallel between the Elysium fields & Sorrow acres
Blocked by shields of prayers
  Empyrean
The land
Of ecstasy & enlightenment
As I grasp a breath of air
I close my eyes
A vineyard of pleasures
And grassy lands that seek adventures
With bouquets of red wine roses, but with
Thorns that end sentiments
And decomposes
Gazing one poses
Forbidden until time fades…
Grab both your hands
Maybe the next lifetime
Where daylight shows its beautiful anthem

Never in all the life times had I lived
For this aesthetic moment
It’s a beauty of torment
A commitment of energy
Time and century
From one past to present
The future flourishes
From the tiniest grain
That grows life
To where our souls might cross one day
In the sphere
Of Gaia
Green plants from the beautiful ground
Blue skies
Surrounded by the beautiful white angel
Look after her soul
Protect her from who they once stole
Care for her
For she brings heart & soul
As the story goes,  
  The weak & the needy
Dream for no blackheart
Shot by the arrow that purges
Life
Love each other
Never fall apart

As Apollo sun sets
Silhouettes of the appealing moon
Dream I’ll soon
To what becomes
A forest of past memories
Sketches of my truly dearest
Along the midnight blue river
An ensemble of creatures
That roams and creates pieces
Played to unburden the soul
As I lay beside the oldest tree
To watch the night sky
Fireflies’ prance
The beautiful moon
Amusement to the eyes  
To stare upon this
Enchanted aspect
Of green nightly shine among the forest
Amber glowing
Shaded night
To see it
Would be a lie…
Privileged to have created a night
A sea of enjoyment
From the one dream
Failure to grasp beauty
Until now
As if kismet intended to be…
Love each day
As if it’s your last
For one day
Maybe we could lie in the grass
Consume life
For all it’s glory
One day will write a story
If not now
Then a lifetime is worth waiting
FYI: If you don't understand my poem then just take a guess at it. My writing revolves around symbolism and I like to keep the meaning to myself because guessing is more fun :) Interpret your own meaning!  

It's been forever since I posted a poem here. School is drag lol I hope to post more writing here when I'm not busy. Did a version 2.0 of my favorite poem (recycled some old stuff in it) I'll add more stuff later, but for now enjoy what I have!
Breeze bellows,
leaves echo in
quivering psithurism,
dithering like
unbroken smoke,
this approaching omen goads.

Dozing crows
slumbering in rows,
droves of locusts'
silenced drone,
almost comatose in repose;
nighttime overtones
choir of toads'
raspy croaks
answered by alto
of crickets' orchestral strokes.

Gust encroaches;
robed boughs
cloven open,
bring into
scope and focus
me juxtaposed,
suspended apropos.

Although motionless
and petrified in stone,
provoked by zephyr
coaxing to and fro;
swaying pendulous
and no longer frozen,
locus gently thrown.

Death rattle moan
evoked from throat,
reflex can't say no
to rigor rigidly posed,
final sigh in silence,
awoken vocal,
expelled and disposed.

Smote by
morose emotion,
gun loaded then exploded
by neurosis,
now bloated
necrosis decomposes
into gross ochre.

This trophy
and this ode
both an opus to
my inability to cope;
romanced i proposed,
eloped and betrothed to
my own
inappropriate composure.

Pocket full of posies
plucked when luck bestowed
and tears in a cup, a toast;
crying copiously,
tempest runneth overflowed,
eyes swollen and soaked.

Dipped my toes
in the coast
of this ocean's
amorphous folds,
gripped by undertow
holding control of my soul;
swiftly shipwrecked in
shallow shoal,
an old atoll.

On sandy floor,
water burrows roads;
digging, carving, roams
through unmarrowed
silica and sandstone
eroding into a cove.

A host for
opal geode trove,
enclosing a
technicolor rose,
from the depths
a glowing mosaic shone

Unopened lotus floats
on foam
of lapping waves,
a boat;
prone to no
grandiose notion
or motive,
adrift as wind stokes.

I suppose
this only shows
the total corrosion
into which I dove,
the only foes to oppose
are those of burdens, so
only weightless can I atone-
I must let go.
Not sure how i feel about this one, just because I'm not sure if it effectively communicates what I was trying to express... tried to revisit it several times over the last few years since i wrote it (hoping to maybe revise it a bit) but every time I've come up a little short on ideas how i might do that (to the point where ive been considering just scrapping it entirely and rewriting a Part 2 from scratch lol)... still not sure though, since it *is* a fairly coherent continuation of Part 1 (and I wanted to retain that continuity) so any criticism or feedback is especially appreciated for sure!

Also just some things for context while reading:

Psithurism is the sound wind makes through the trees.

Opal is made by water running through silica and sandstone then evaporating.

Lotus has a double meaning in lotus flowers (floating on lilypads) and also its use in Greek mythology as a plant which bears a fruit that when eaten causes dreamy forgetfulness and an unwillingness to depart.
Tawanda Mulalu  Feb 2016
Ratios.
Tawanda Mulalu Feb 2016
Perfect: I used that word once to talk about you
as if you were a doll with limbs made of plastic:
stiff and whimsical and subject to the niggardly
commands of the conscious- yet you, who thinks
as aggressively as any doll-house builder do not
construct your own set-pieces; instead you
pirouette into one carefully constructed day to the
next as you delicately
stride
from bed to shower to wardrobe to mirror to desktop to
window to mirror to mirror to
mirror mirror on the wall, who’s the fairest of them
all-
and the staid look on your face when the mirror gives no
answer
because it can’t. Checkered skirt, sharp eyelashes, wary
jumper, almost heels. Perfect, you might think
for a moment before your eyes roll gently from self
to mirror
to self
to mirror
to mirror
the self. What was
it that you were looking for if all it does is lead
you back to your skin? Meanwhile, the snow
stutters softly from above as if God had dandruff-
perfect- and it all gently glazes the spongy surface of the world like
flawless coconut icing on some sorry party cake- perfect- and the morning
bell rings impossibly on time like the last
breath you thought was your last- perfect- and somewhere in
America I use words to remind you of the little
unreachables
of perfection that both start and end with your perfectly
snow-pale skin, where somewhere in
America and somewhere on
your thighs perfect ridges of red have formed themselves like
plastic scratches on a Barbie which we both think
are little but we both know
are big
because you are not plastic.

                                               At nighttime our feet
skip on the icy brick pathways that lead from
the dorm-rooms to the library and we shiver
as the snowflakes bob in and out of our bodies
like thoughts
that seem funny but aren’t quite- they melt away
as soon as they stumble upon our skin. From our mouths
cloudy puffs of being flutter out- little butterflies affirming
out listless snowflake-filled minds, sperming out ice-clouds
from our mouths, our mouths, our mouths; birthing friendship.
Breath, visible, is laughter. I trip and swear and momentarily
skate
across a sudden ice-surface as you speak another ice-breath. We
arrive
at the library but dart towards the empty right-side, the science
classrooms. We hope
to examine the thought-skirmishes on your right thigh, to turn  
and change this hopeless world-spinning into centrifuge
separation-
make apparent the light from the dark
                        the firmament from the void
                        the flesh from the plastic, the-
here we are as you talk
about your family and I
try my best to look you
in the eye so I
can become
your eyes
even when
normally
I
am
so
vehemently
against

staring

at the soul-gates of another being-
here we are as you talk;
God is still missing from the centrifuge
of the endlessly turning world- your
axis
is your skin yet
you trust it
not. The salads without dressing,
        the weighing scales,
        the taste of bile at the back of your
throat-
all for skin that
       you
do
not
      trust.
All for flesh that you think is plastic
so
     you
     cut.
      
             Enough
talk because the bell cuts through the flesh
of our conversation. Enough
talk because the world insists on
turning still
and forcing us to revolve
with it. Enough
breathing, enough
snow, enough
life. I remember you saying
that the ratios of your face are wrong;
that certain equilibriums do not exist between
your cheeks your lips your eyes your life…I remember the science
classrooms where parts of you were as mathematical as the architecture... I remember how
you keep thinking your flesh is plastic… You forget how
inglorious the nature of these words is. The problem
with human thought, with the ratios of your face, with the
geometric structures that cut across your thighs, with the
statistical neatness with which your family decomposes;
the problem with our conception of perfect is how
awkwardly it both exists and does not exist for us to
see.
The ratios of your face which you think are broken are
the same miracles I wonder about as you laugh. The incorrect distance
from your cheek to your eye which you think is wrong is the same
lightyear which separates the stars from the planets. The curvature
of your stomach is the bending of a spacetime to accommodate
the way the air must move to let your body occupy the space and time in which it
exists.
The ratios you speak of spring from your own limitlessness, your own
perfect imperfections , imperfect perfections-
strange oddities and unfathomable beauties and yes. Yes,
even the ridges across your right thigh are minute, red,
gasping
grand-canyons of
flesh,
of human, of breathing clay
flesh-
           never
plastic;
            always
worthy.
            
              Recently the voices in my head have been getting louder,
telling me all sorts of things about how the snow ought to bury me
in its mercilessness. They mention also that my words bear no meaning,
my thoughts even less so. Assumedly, the ridges across your thigh
carry such spectres as well but, I messaged you before you went to bed
about coming out and having an adventure because tick-tock-tick-tock…tick…tock…tick-
the last bell of the day is going to ring soon and the voices and ridges
will assert themselves again with the bedtime silence, but check your Facebook
messages and come outside and let’s go skipping with your friends across
the century-old polished prep-school brick pathways that smell archaic because it’s

snowing outside and it’s lovely.
For a friend.

Update, 4/23/2018, the poem found a home here: https://postscriptpublication.wordpress.com/2018/04/22/ratios/   thanks to a friend.
Arthur Vaso Sep 2018
Eat Venison
strike fear into his bones
appeal to his intellectual bankruptcy
make it run
make it hide
under his own verbal garbage disposal
conquer him
little man
squash egos into fertilizer
for your plants
turn his nothing
into another form
negative
to positive
as he decomposes
inside his tinfoil crap
For the first time ever I had someone troll me, of course being King Arthur, I forced him to remove his negative comments, thus why I thought of this humorous poem. So remember people, they are little ones, ignore all those petty people, and focus on all the great actually very talented poets here!
Daniel Samuelson  Nov 2014
Autumn
Daniel Samuelson Nov 2014
The paratrooper
clad in chlorophyllic green
stoic in resolve he leaps
jettisoned from lofty perch
spiraling in space
tumbling through time.
Airborne
born into the air
delivered to the dirt
he dies, decomposes
a casualty of consequence
body brown and rotting in the rain.

Wars are waged and seasons change
and the world spins on in spite of all.
So it's more like winter now, at least here at school. The first snow happened on Sunday, and another comes tonight. I wrote this a little over a month ago as the leaves began to fall and decided I ought to post it to make it seem like I'm not completely in a dry season for writing (Spoiler Alert: I am). But here. =)
MACaroons  Sep 2015
SILENCED
MACaroons Sep 2015
Seeking for the answer
in the fullness of the moon.
Letting my mind linger
encompassing every tune.

Never did I figure
classic are your lies.
Every dream of mine now
decomposes before my eyes.
Anna Jackson Sep 15
How easy it is to throw a ******* smile,
Say some normal words while your brain runs a mile,
How your feet keep walking and your hands keep moving,
Yet everything inside you decomposes into ruin.
To laugh a happy laugh and make a funny joke,
While your stomach twists and turns and feels it’s going up in smoke.

Last week was fine - what has happened to my mind?
I was enjoying life and sunshine - why now can’t I stop crying?
It consumed me less before so why so much today,
Why’s my heart now breaking why’s it ruining my day?

There’s no rhyme or reason to this crazy thing called grief,
It calms down for a moment then picks up like a stray leaf,
It takes it time to come and then it hits you all at once,
So please excuse me for a minute if I’m failing this front.
ANH Jul 2013
The incandescent Sun
is eating itself alive

They said it's too slow to matter
too slow to matter

The helium will compact
to a carbon red giant's core

They said it's too slow to matter
too slow to matter

The Earth's heat is depleted
by geothermal extraction

They said it's too slow to matter
too slow to matter

The geysers are drying up
and the pressure sinks in subsidence

They said it's too slow to matter
too slow to matter

The permafrost decomposes
and prehistoric methane effervesces

They said it's too slow to matter
too slow to matter

The Yellowstone caldera hisses
plumes of taunting toxic gases

They said it's too slow to matter
too slow to matter

The sea-floor volcanoes
purge their way to the surface

They said it's too slow to matter
too slow to matter

The aurora lights the sky
as solar wind ravages the magnetosphere

They said it's too small to matter
too small to matter
Nat Lipstadt Sep 2013
Saw Kafka's "THE METAMORPHOSIS" last night.
In dance, words realized and a man sticky
As he decomposes,
Composes his family.

But without the usual inspiration,
Afraid to tackle what can not be made more
Beautiful.

So instead I scribble an equation
And put my head underneath the
Bathtub water,
And calculate my foolishness,
Dabbling in the mathematics of
Love and poetry.
See "Prahu opines re the mathematics of love"

See http://www.joyce.org/performance/the-metamorphosis-a-royal-ballet-production-2/#.UjrYLMu9KSM
Mateuš Conrad Jun 2016
now i see the frenzies of Dionysian composition,
quiet clearly, the uninhibited use of language,
a whirlpool through which words become unshackled,
and each screaming its own solipsism as,
walking through this forest, touching each tree
to make a sentence seems more like a crazed running
around; but never mind that -
if only the former tongue was not embedded in me,
if only this tongue were the sole occupant,
the lingua rex, the sole victor over both body
and mind, so that no stirring-up of the soul could
ever take place - but it was not to be so -
in favour of the acquired tongue i have proofs of
volumes in expression - of the organic tongue embedded
in early development i have proofs of tenacity -
and a certain straitjacket in terms of speed of composition;
yet there is no lingua rex that might shove
one or the other under the carpet, lock it in the basement,
for if even one is used, the other is working beneath
it, or at least the mentality of it - immediately translated -
if only i came earlier and as early as to allow a quick
cutting of the root from the trunk:
old trees are not to be replanted, some say,
youthful trees, some say, can take root many times
in many places:
                the tenant farmer noble stands equal
                                             to the noble army commander;
or what would have been a second education had it
not been interrupted - as if t build up a national identity?
trivial the years between 1795 and 1918, don't you think?
if one set of national identifiers are lost, a second list
of integration identifiers seem like a farce twice-over -
thank god the anthem is easy to sing:
        god save our gracious queen...
        send her victorious, happy and glorious...
em... what's the rest of it? i'm sure embracing no identity,
no history, no stigmata for myself or my neighbour,
just apart, drifting, problem is, where to put the tongue?
the tongue is already tattooed with what it is that came
before, and what comes after - we're not taught
historical erasure - has my mouth suddenly become a
cave for a sewer serpent? it would appear so -
some say enticing - some say revolting - in the end
a banker would just put it like this: what a load
of crock-****, he sees a south korean deliver him a package,
asks him whether he speaks the language, the south
korean replies yes, the banker replies: good to know -
a ****** sense of utility! but someone has to do
the writing akin to chocolate left in the sun -
the goo of things where otherwise it would be a shaking
of hands in Warsaw and yet more revenue and yet more
investments - genesis of selling London by the pound:
reflection of the surroundings? the Cockneys are moving
into Essex, that's the end of the line -
and i swing between 22 years here weighing less than
8 years where the uprisings from 1795 through to 1918
took place - well, poetry is not exactly banking,
the sentimental attachment? that too... but would a name
like wink tak lumu make more sense to have,
but speak only a word or two of the native? like the ones
who went over to syria to only scratch the surface of
arabic? they say adab (etiquette), salat (prayer),
adl (justice), da'wah (calling), ummah... but they do so
with east London accents, jihadi john's oi oi,
me and my gansta posse gonna shoot the kurf to hell -
is this what happens to the tongue stretched between
two horizons? Napoleon said that a man who knows
two languages is worth two men, man knowing three
is equivalent of three men - which is why you never
seem to take root in the specific locality of the tongue,
cosmopolitan in suburbia, nearing farmers' market
and proper pub grub on Sundays... i guess easier in
name only, but i sometimes wish i had enough time to
have an identity than a chameleon's perspective on
things - 4 accents in the ratio to 2 tongues -
13 years of synthesis, 9 years of analysis - it was never
going to be a smooth ride with constant synthesis,
at some point questions would pop up like mushrooms
after the rains in autumn - but i'm sure few people
can share the memory of picking honey fungus deep
in the forest, this one memory sticks out for me:
deep in the forest, a city of armillaria, literally a city
of this fungus, collected and then pickled, in autumn,
just after the rain - and where vegetation decomposes
fungi sprout. i can still see the earliest human near there,
a flint quarry, an entire town built from wood,
it's there - rezerwat przyrody krzemionki opatowskie,
which is no big deal with the study of turtles on
the Galapagos - that's the cut-off point for me, i can't
imagine humanoids, it's sensible like that -
but that's exactly my point, the early development,
it can be overpowering for later development, given
later development was largely constricted by an
education system, linear stand-in-line conformity -
from early development: the freedoms and the myths;
how even the ugliest communist buildings looked
prettier than what social housing provided in england,
largely because it was the norm, crucially because it was;
and so much free wild space around, not this neat
pristine cutting up of rural area where grids set
a definite path for you - crucially, the english suburban
solitude: got to go into the city and play with the kids
they'd say - later of course computers and even more
instanced of being cooked up - easier said than done
but easily done solo - think of the weirdos of China's
one state policy - me too akin - solo.
coming back to the years mentioned, after the partition
of the commonwealth - i imagine the romantic futility
of it now, but how strong the urge to not sprechen
or говорить - but the futility being, no honey
after 1918, a bit of honey trickle after 1945 when
comrade Marx paid a visit, some say the years up
to 1990 were good, some just remember the years when
Marshall Law was put in place, the hyenas at supermarket
checkout, only vinegar on the shelves, and queues,
queues as far as the eye could see, pensioners did their
bit, waited in line and chatter, Solidarity pamphleteers
made it to the U.S.A. on political asylum - could
the Soviet empire have collapsed and been partitioned
as bloodily as the Ottoman empire we're currently seeing?
want to flip a coin on that one? aspiring Ukraine of
2012 was edging in, co-host and all, now? not so much
an aspiring Ukraine, some easterners shouted for their
mummy - mummy came rushing in at Crimea - daydream
over - back to square one.
truly, a user of the tongue, and obviously nothing more,
no part of me here, no part of me there -
or in summary as worked from Heidegger's dasein,
in translation da = both here and there... hence
danichtsein, i identify with using the tongue,
and as true as is true of this antonym, it's an apathy,
there's no concern - it's a blatant way of saying:
i'm not even going to open the ****** newspaper and
invite the world in, ich bin ein inselbewohnerin.
a 'good' poem crumbles in your mouth. it doesn't
tell you, chiding, "this is how i should taste" -
instead decomposes into the loam of ages.
no single flavour is the same
to every person.

a 'good' poem forces open the jaw,
climbing in. it begs no hospitality -
it needs none. and as it clambers on your tongue
(trying to avoid incisors), only taste
keeps you chewing, rolling gobs of words over molars,
wondering when before you've felt them
without knowing.

sustaining life sustains a string of
otherwise insubstantial little letters no better
than ideograms, clicks and chirps
all ones and zeros, really.
we embroider and tack up that
which our minds give meaning to.

— The End —