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O, for that warning voice, which he, who saw
The Apocalypse, heard cry in Heaven aloud,
Then when the Dragon, put to second rout,
Came furious down to be revenged on men,
Woe to the inhabitants on earth! that now,
While time was, our first parents had been warned
The coming of their secret foe, and ’scaped,
Haply so ’scaped his mortal snare:  For now
Satan, now first inflamed with rage, came down,
The tempter ere the accuser of mankind,
To wreak on innocent frail Man his loss
Of that first battle, and his flight to Hell:
Yet, not rejoicing in his speed, though bold
Far off and fearless, nor with cause to boast,
Begins his dire attempt; which nigh the birth
Now rolling boils in his tumultuous breast,
And like a devilish engine back recoils
Upon himself; horrour and doubt distract
His troubled thoughts, and from the bottom stir
The Hell within him; for within him Hell
He brings, and round about him, nor from Hell
One step, no more than from himself, can fly
By change of place:  Now conscience wakes despair,
That slumbered; wakes the bitter memory
Of what he was, what is, and what must be
Worse; of worse deeds worse sufferings must ensue.
Sometimes towards Eden, which now in his view
Lay pleasant, his grieved look he fixes sad;
Sometimes towards Heaven, and the full-blazing sun,
Which now sat high in his meridian tower:
Then, much revolving, thus in sighs began.
O thou, that, with surpassing glory crowned,
Lookest from thy sole dominion like the God
Of this new world; at whose sight all the stars
Hide their diminished heads; to thee I call,
But with no friendly voice, and add thy name,
Of Sun! to tell thee how I hate thy beams,
That bring to my remembrance from what state
I fell, how glorious once above thy sphere;
Till pride and worse ambition threw me down
Warring in Heaven against Heaven’s matchless King:
Ah, wherefore! he deserved no such return
From me, whom he created what I was
In that bright eminence, and with his good
Upbraided none; nor was his service hard.
What could be less than to afford him praise,
The easiest recompence, and pay him thanks,
How due! yet all his good proved ill in me,
And wrought but malice; lifted up so high
I sdeined subjection, and thought one step higher
Would set me highest, and in a moment quit
The debt immense of endless gratitude,
So burdensome still paying, still to owe,
Forgetful what from him I still received,
And understood not that a grateful mind
By owing owes not, but still pays, at once
Indebted and discharged; what burden then
O, had his powerful destiny ordained
Me some inferiour Angel, I had stood
Then happy; no unbounded hope had raised
Ambition!  Yet why not some other Power
As great might have aspired, and me, though mean,
Drawn to his part; but other Powers as great
Fell not, but stand unshaken, from within
Or from without, to all temptations armed.
Hadst thou the same free will and power to stand?
Thou hadst: whom hast thou then or what to accuse,
But Heaven’s free love dealt equally to all?
Be then his love accursed, since love or hate,
To me alike, it deals eternal woe.
Nay, cursed be thou; since against his thy will
Chose freely what it now so justly rues.
Me miserable! which way shall I fly
Infinite wrath, and infinite despair?
Which way I fly is Hell; myself am Hell;
And, in the lowest deep, a lower deep
Still threatening to devour me opens wide,
To which the Hell I suffer seems a Heaven.
O, then, at last relent:  Is there no place
Left for repentance, none for pardon left?
None left but by submission; and that word
Disdain forbids me, and my dread of shame
Among the Spirits beneath, whom I seduced
With other promises and other vaunts
Than to submit, boasting I could subdue
The Omnipotent.  Ay me! they little know
How dearly I abide that boast so vain,
Under what torments inwardly I groan,
While they adore me on the throne of Hell.
With diadem and scepter high advanced,
The lower still I fall, only supreme
In misery:  Such joy ambition finds.
But say I could repent, and could obtain,
By act of grace, my former state; how soon
Would highth recall high thoughts, how soon unsay
What feigned submission swore?  Ease would recant
Vows made in pain, as violent and void.
For never can true reconcilement grow,
Where wounds of deadly hate have pierced so deep:
Which would but lead me to a worse relapse
And heavier fall:  so should I purchase dear
Short intermission bought with double smart.
This knows my Punisher; therefore as far
From granting he, as I from begging, peace;
All hope excluded thus, behold, in stead
Mankind created, and for him this world.
So farewell, hope; and with hope farewell, fear;
Farewell, remorse! all good to me is lost;
Evil, be thou my good; by thee at least
Divided empire with Heaven’s King I hold,
By thee, and more than half perhaps will reign;
As Man ere long, and this new world, shall know.
Thus while he spake, each passion dimmed his face
Thrice changed with pale, ire, envy, and despair;
Which marred his borrowed visage, and betrayed
Him counterfeit, if any eye beheld.
For heavenly minds from such distempers foul
Are ever clear.  Whereof he soon aware,
Each perturbation smoothed with outward calm,
Artificer of fraud; and was the first
That practised falsehood under saintly show,
Deep malice to conceal, couched with revenge:
Yet not enough had practised to deceive
Uriel once warned; whose eye pursued him down
The way he went, and on the Assyrian mount
Saw him disfigured, more than could befall
Spirit of happy sort; his gestures fierce
He marked and mad demeanour, then alone,
As he supposed, all unobserved, unseen.
So on he fares, and to the border comes
Of Eden, where delicious Paradise,
Now nearer, crowns with her enclosure green,
As with a rural mound, the champaign head
Of a steep wilderness, whose hairy sides
Access denied; and overhead upgrew
Insuperable height of loftiest shade,
Cedar, and pine, and fir, and branching palm,
A sylvan scene, and, as the ranks ascend,
Shade above shade, a woody theatre
Of stateliest view. Yet higher than their tops
The verdurous wall of Paradise upsprung;                        

Which to our general sire gave prospect large
Into his nether empire neighbouring round.
And higher than that wall a circling row
Of goodliest trees, loaden with fairest fruit,
Blossoms and fruits at once of golden hue,
Appeared, with gay enamelled colours mixed:
On which the sun more glad impressed his beams
Than in fair evening cloud, or humid bow,
When God hath showered the earth; so lovely seemed
That landskip:  And of pure now purer air
Meets his approach, and to the heart inspires
Vernal delight and joy, able to drive
All sadness but despair:  Now gentle gales,
Fanning their odoriferous wings, dispense
Native perfumes, and whisper whence they stole
Those balmy spoils.  As when to them who fail
Beyond the Cape of Hope, and now are past
Mozambick, off at sea north-east winds blow
Sabean odours from the spicy shore
Of Araby the blest; with such delay
Well pleased they slack their course, and many a league
Cheered with the grateful smell old Ocean smiles:
So entertained those odorous sweets the Fiend,
Who came their bane; though with them better pleased
Than Asmodeus with the fishy fume
That drove him, though enamoured, from the spouse
Of Tobit’s son, and with a vengeance sent
From Media post to Egypt, there fast bound.
Now to the ascent of that steep savage hill
Satan had journeyed on, pensive and slow;
But further way found none, so thick entwined,
As one continued brake, the undergrowth
Of shrubs and tangling bushes had perplexed
All path of man or beast that passed that way.
One gate there only was, and that looked east
On the other side: which when the arch-felon saw,
Due entrance he disdained; and, in contempt,
At one flight bound high over-leaped all bound
Of hill or highest wall, and sheer within
Lights on his feet.  As when a prowling wolf,
Whom hunger drives to seek new haunt for prey,
Watching where shepherds pen their flocks at eve
In hurdled cotes amid the field secure,
Leaps o’er the fence with ease into the fold:
Or as a thief, bent to unhoard the cash
Of some rich burgher, whose substantial doors,
Cross-barred and bolted fast, fear no assault,
In at the window climbs, or o’er the tiles:
So clomb this first grand thief into God’s fold;
So since into his church lewd hirelings climb.
Thence up he flew, and on the tree of life,
The middle tree and highest there that grew,
Sat like a cormorant; yet not true life
Thereby regained, but sat devising death
To them who lived; nor on the virtue thought
Of that life-giving plant, but only used
For prospect, what well used had been the pledge
Of immortality.  So little knows
Any, but God alone, to value right
The good before him, but perverts best things
To worst abuse, or to their meanest use.
Beneath him with new wonder now he views,
To all delight of human sense exposed,
In narrow room, Nature’s whole wealth, yea more,
A Heaven on Earth:  For blissful Paradise
Of God the garden was, by him in the east
Of Eden planted; Eden stretched her line
From Auran eastward to the royal towers
Of great Seleucia, built by Grecian kings,
Of where the sons of Eden long before
Dwelt in Telassar:  In this pleasant soil
His far more pleasant garden God ordained;
Out of the fertile ground he caused to grow
All trees of noblest kind for sight, smell, taste;
And all amid them stood the tree of life,
High eminent, blooming ambrosial fruit
Of vegetable gold; and next to life,
Our death, the tree of knowledge, grew fast by,
Knowledge of good bought dear by knowing ill.
Southward through Eden went a river large,
Nor changed his course, but through the shaggy hill
Passed underneath ingulfed; for God had thrown
That mountain as his garden-mould high raised
Upon the rapid current, which, through veins
Of porous earth with kindly thirst up-drawn,
Rose a fresh fountain, and with many a rill
Watered the garden; thence united fell
Down the steep glade, and met the nether flood,
Which from his darksome passage now appears,
And now, divided into four main streams,
Runs diverse, wandering many a famous realm
And country, whereof here needs no account;
But rather to tell how, if Art could tell,
How from that sapphire fount the crisped brooks,
Rolling on orient pearl and sands of gold,
With mazy errour under pendant shades
Ran nectar, visiting each plant, and fed
Flowers worthy of Paradise, which not nice Art
In beds and curious knots, but Nature boon
Poured forth profuse on hill, and dale, and plain,
Both where the morning sun first warmly smote
The open field, and where the unpierced shade
Imbrowned the noontide bowers:  Thus was this place
A happy rural seat of various view;
Groves whose rich trees wept odorous gums and balm,
Others whose fruit, burnished with golden rind,
Hung amiable, Hesperian fables true,
If true, here only, and of delicious taste:
Betwixt them lawns, or level downs, and flocks
Grazing the tender herb, were interposed,
Or palmy hillock; or the flowery lap
Of some irriguous valley spread her store,
Flowers of all hue, and without thorn the rose:
Another side, umbrageous grots and caves
Of cool recess, o’er which the mantling vine
Lays forth her purple grape, and gently creeps
Luxuriant; mean while murmuring waters fall
Down the ***** hills, dispersed, or in a lake,
That to the fringed bank with myrtle crowned
Her crystal mirrour holds, unite their streams.
The birds their quire apply; airs, vernal airs,
Breathing the smell of field and grove, attune
The trembling leaves, while universal Pan,
Knit with the Graces and the Hours in dance,
Led on the eternal Spring.  Not that fair field
Of Enna, where Proserpine gathering flowers,
Herself a fairer flower by gloomy Dis
Was gathered, which cost Ceres all that pain
To seek her through the world; nor that sweet grove
Of Daphne by Orontes, and the inspired
Castalian spring, might with this Paradise
Of Eden strive; nor that Nyseian isle
Girt with the river Triton, where old Cham,
Whom Gentiles Ammon call and Libyan Jove,
Hid Amalthea, and her florid son
Young Bacchus, from his stepdame Rhea’s eye;
Nor where Abassin kings their issue guard,
Mount Amara, though this by some supposed
True Paradise under the Ethiop line
By Nilus’ head, enclosed with shining rock,
A whole day’s journey high, but wide remote
From this Assyrian garden, where the Fiend
Saw, undelighted, all delight, all kind
Of living creatures, new to sight, and strange
Two of far nobler shape, ***** and tall,
Godlike *****, with native honour clad
In naked majesty seemed lords of all:
And worthy seemed; for in their looks divine
The image of their glorious Maker shone,
Truth, wisdom, sanctitude severe and pure,
(Severe, but in true filial freedom placed,)
Whence true authority in men; though both
Not equal, as their *** not equal seemed;
For contemplation he and valour formed;
For softness she and sweet attractive grace;
He for God only, she for God in him:
His fair large front and eye sublime declared
Absolute rule; and hyacinthine locks
Round from his parted forelock manly hung
Clustering, but not beneath his shoulders broad:
She, as a veil, down to the slender waist
Her unadorned golden tresses wore
Dishevelled, but in wanton ringlets waved
As the vine curls her tendrils, which implied
Subjection, but required with gentle sway,
And by her yielded, by him best received,
Yielded with coy submission, modest pride,
And sweet, reluctant, amorous delay.
Nor those mysterious parts were then concealed;
Then was not guilty shame, dishonest shame
Of nature’s works, honour dishonourable,
Sin-bred, how have ye troubled all mankind
With shows instead, mere shows of seeming pure,
And banished from man’s life his happiest life,
Simplicity and spotless innocence!
So passed they naked on, nor shunned the sight
Of God or Angel; for they thought no ill:
So hand in hand they passed, the loveliest pair,
That ever since in love’s embraces met;
Adam the goodliest man of men since born
His sons, the fairest of her daughters Eve.
Under a tuft of shade that on a green
Stood whispering soft, by a fresh fountain side
They sat them down; and, after no more toil
Of their sweet gardening labour than sufficed
To recommend cool Zephyr, and made ease
More easy, wholesome thirst and appetite
More grateful, to their supper-fruits they fell,
Nectarine fruits which the compliant boughs
Yielded them, side-long as they sat recline
On the soft downy bank damasked with flowers:
The savoury pulp they chew, and in the rind,
Still as they thirsted, scoop the brimming stream;
Nor gentle purpose, nor endearing smiles
Wanted, nor youthful dalliance, as beseems
Fair couple, linked in happy nuptial league,
Alone as they.  About them frisking played
All beasts of the earth, since wild, and of all chase
In wood or wilderness, forest or den;
Sporting the lion ramped, and in his paw
Dandled the kid; bears, tigers, ounces, pards,
Gambolled before them; the unwieldy elephant,
To make them mirth, used all his might, and wreathed
His?kithetmroboscis; close the serpent sly,
Insinuating, wove with Gordian twine
His braided train, and of his fatal guile
Gave proof unheeded; others on the grass
Couched, and now filled with pasture gazing sat,
Or bedward ruminating; for the sun,
Declined, was hasting now with prone career
To the ocean isles, and in the ascending scale
Of Heaven the stars that usher evening rose:
When Satan still in gaze, as first he stood,
Scarce thus at length failed speech recovered sad.
O Hell! what do mine eyes with grief behold!
Into our room of bliss thus high advanced
Creatures of other mould, earth-born perhaps,
Not Spirits, yet to heavenly Spirits bright
Little inferiour; whom my thoughts pursue
Ken Pepiton Oct 2018
Honest,

that meaningless word left dangling before children,

a damoclean sword held fast in a gordian knot tied with scarlet thread,

finer than the spider's that once tied men's souls to an angry American God,

birthed in Transylvania,

over the woods, and through the dale, no lie

There is a tale of lies told in Nobel houses, never reachin' ground,

Down here, we situations manifested to, vain, again, stem the tide,

We flounder, fish out of water, why are we sent if

wait



he hears, he listens, haps he knows, and

how such as we came

to be here,

Welcome and see, dare ye ask me in? Might I ply you with lies

and you, believe 'em?

I could make a mindless robot out of your parts, but

that would take forever and

that's not how

Wisdom's child would tend to be, for first,

You must believe a lie and I, amusing as can be,

can't tell lies.

Discernment, fine points, per-spicacity per se, the only way.

Good luck (Luc, said luck in many tongues, is said Lose- as in Luc-ifer.

It means light, as in light, regular old granted light.)

Lightifier, good, take some, good light, for the travail, in the night.



You see, not so long ago, for me, five years before I'as born,

my momma moved to town.



What was that like, I axed my old uncle, while back,

movin' t'town, in 1943?

Well, he says,

We had electricity.



USA, 1943, some folks still was poor, and all the good men

was gone to war.

Cities, it was different,

if the movies got it right, Bowry Boys, n'em.



In the desert we did, okeh, in town, though,



we had electricity.



He was ten back then. He'd been huntin' rabbit's,

to buy Christmas presents from Sears and Roebucks,



since he was five.

C'mon, I say. No lie, he say,

BLM or some gover'ment

whatsajigger, was payin' 2 cents a pair fer jack rabbit ears.



'Said he bought Christmas presents for his mom and dad,

and my mom, with his first rabbit money, at five.



Shootin' with a single-shot 22, 12 cents a box,

Jack Rabbits, 2 cents a head.



Three Christmas presents, plus postage, $2.56.

Do the math, I think, and go -



Five years old, at ten, he moves to town, 1943,

we had electricity. That's all.
An older man than me gave a thought to ponder. Thought I'd try to share the bounty. This is read, by me at http://anchor.fm/ken-pepiton
zebra  Jan 2019
Cunt Spill
zebra Jan 2019
a future promise
a ******* like bundled gym socks
in stuffed blue jeans

a future threat
a shriveled phallus wrinkled obsolete

she remembered fondly
being beaten drum chatter
and seized like slow roasted
fall off the bone pulled pork
****** raggedy Ann
catapulted beyond Euboean heavens
ravaging scrotums Gordian ******
with her wild fiendish mouth
drinking a river of
haloed golden showers
spit and ****
in a runaway hot house of glistening pink
buttery spires
engorging her macerated orifices

half eaten radish
chocking on hordes
of big do do *****
a ****** face; cross eyed
Babylon abalone
bashed Ashly mashed
begging for
a face full of swinging *****
like caped chandeliers
trotting faint giggles
in a constellation
of ruptured arteries
and thick sparked ****

on her knees
milk glitter faced
scared with happiness
she counted one smiling bruise at a time

her badge of calamities
black and blue silhouettes
grinning invitations like party favors
without a crease of shame

her skin rapturous
spackled patchworks
bled like torrential fountains summer tide
while every body had  fizzy red ice phlebotomies
and steamed through her drooling tumble pie

lust ***** totem
house of winding labyrinths
honey pumped transfusion
flush on blush
opera of tangled limbs
red pulse wedding flowers
slick ***** palace
blood tongued orchard
caressing knotted mooned
**** spill
Anais Vionet Aug 2023
Memories can become blurry, over time,
like underdeveloped photographs,
or incomplete, like sunlight through blinds.

Our lives move ever forward,
like the inflexible patterns of stars.

Once fevered and immediate events
recede, with frightening, doppler effect,
as remembered yesterdays,
become forgotten yesterdays.

New Haven was abuzz. The hotels were booked and moving trucks had taken every free parking space for miles. Last Sunday was freshmen move-in day and 1,554 freshmen moved into their Yale residences. It’s one of our favorite days of the year. The hubbub of freshmen moving, lunching, shopping and later, seeing off their departing parents, created a delicious emotional chaos that we watched unfold, like a Greek chorus.

The movie ‘Love Actually’ begins and ends with montages of people greeting friends, family and loved ones at Heathrow airport - it’s emotional and heartwarming. Move-in days are a lot like that - with their gordian knots of beginnings and endings. My parents were nervous and emotional on my freshman move-in day - as was I - but we all tried, desperately, not to show it.

Welcome to New Haven freshmen, everything’s beautiful, but you’ll get too busy to enjoy it much.

We upperclassmen move in tomorrow.
Chapter IV
Gordian knot

Greek legend according to which the inhabitants of Phrygia, Anatolian region, in the current one needed to choose a king, so they consulted the oracle. The latter replied that the new sovereign would be the one who entered through the Eastern Gate, accompanied by a crow perched on his chariot. The one who fulfilled the conditions was Gordias, a farmer who had his cart and oxen for all his wealth. When he was elected monarch, he founded the city of Gordio and, in gratitude, offered the temple of Zeus his chariot, tying the spear and yoke with a knot whose ends were hidden inside, so complicated that no one could untie it. According to what was said then, whoever succeeded would conquer the East.
Alexander the Great, supported by Vernarth and a hand impregnated with globules from Eritrea, was on his way to conquer the Persian Empire, already united with both Bi steeds, Fire Hoof and Ox Head, in 333 BC. C. After crossing the Hellespont he transgressed the Sudpichi Stream like a weightless cloak of a Machi Begging to the Cosmos for Negechen for the rickety Rehue, prophesying to him on his hands dismembered of bravery, great assistance of 300 years of Nge -Nge Mapus souls in his furious nose that propelled him with anger; and which untied the Champollion knot with some sphinx uncovering Pandora's allegories from the Valleys of the Kings. Then he conquered Phrygia, where they faced the challenge of untying the diocesan knot. He solved the problem by cutting it with his sword, cutting his head between the eyes, one for each side ..., the South one was from Vernarth with his beautiful eyes saying "I always see light when I wake up and dawn at night to rub the back of my Alikanto always riding with Him in Lid Universal Patriotics”.  According to Curcio Rufo's narration:   "It is the same to cut it as to untie it." That night there was a storm of unburied lightning that symbolized, according to Alejandro, that Zeus and Joshua´s stone were with him Espanta cuculí, genuflecting his knee towards such a Period in his analogy, that he would go through the shadowy time zone of Time and his eroded geo intelligence Both exhorting the oracles appeared before the stormy voices saying: "We agree on the agreements with the solution and its knot avoiding more knots by the hands of empires without a solution."

It alludes to this knot, made of mane's manes killed in battle and sleeping maiden's hair for the hope of widowhood beyond Eden: "both meditates cutting and loosing." That is, it does not matter how it is done, the important thing is that it is achieved. Millions of arrows actually fall from their badly vibrated bows, before this motto that appeared on the arrows, with a single rope cut around it.

Currently the expression Gordian knot refers to a difficulty that cannot be solved, an obstacle that is difficult to overcome or a difficult solution or outcome, especially when this situation only supports creative or own solutions of lateral thinking. "To cut the Gordian knot" means to solve a problem sharply and unceremoniously; that is to say, that discovering the essence of the problem, we will be able to reveal all its implications.

Top Ten Oases:
Just half a day after arriving in Gaugamela, Etrestles from Kalavrita, who came from Messolonghi, joined them; He came with his Kanti Black Steed "Rain of Perennial Fog". They came from Crete where the ultra cosmic powers were transmuted through their noses. That is why Kanti, as he approached the pair Vernarth and Alexander the Great flew leaping and shooting blue fire down his foamy muzzle. His ears sparkled like a Laziko dance of the Mediterranean Dodecanese of the proto Sirtakis of the north wing of whispered compasses. Holy kisses and hugs are halted and uttered, and the Macedonian Saints bowed to Lord Etretles.

Etrestles says:
I come from Messolonghi; of the eighth cemetery and of the eighth day. I get stuck the Dionysian aroma of his intentions when untying the Gordian knot. I was welcomed by the Charioteer in his armored car, after sleeping a thousand years I was reborn next to my face of the current of the greater solar star. The search for that shouting made me celebrate the search for that shouting of you. The similiar hairy body that fell contracted on my wonderful fingers, delighting my humble tributes to the beetles that accompanied me to direct my sight to the sepulchral vaults near their bodie Incorrupt.
Which of all the columns erected is capable of opening all the columns built in the pavilion of these moles without shapes or caves of colors ..., only the vitalizing Aeolian pulmonary diaphragm of my reverie, is who I think would ... To all of us who are trapped in holy Hellenic soils, I bring you good news: Auriga supports me with her Blacksmiths from the twelve rivers of the Dodecanese, to loosen the barriers of You, Beloved Brother Vernarth, and of you, my Lord Alexander the Great. .  Our father Staktos and our mother Vitabión that her lineage and beautiful face have not been corrupted in a thousand years.   Since our ninth baptism in Ayia Lavra, where she saw me be buried for the ninth time. Whose archpriest with his holy oils made him slide down our partition, pretending to be a dance of blessed water for this task in Gaugamela. To all of you. Blood of my blood, I feel your sacred vertebral need speak from within!

Auriga says: Orion's *****; everlasting fuel, will give strength to their steeds, to rise above the great contest, to brandish my undulating Xiph swords, to unsolder the bars of their oppressed souls before spilling the blessed blood of a Hellenic Soldier as sweet syrup for the dying delirium of those who will see the boom of the fireflies decay, baptisms about past lives, deaths about future lives.

Etrestles says: My ****** Vernarth, by the underground caste conglomerate you will wake up! To you. Like me, one day I lay as I was to my crude death in my last life at the hands of a Spartan Soldier. You blood of my blood released my bars to determine my Hellenic situation!

As this happened, I put in an odalisque and blew a similiar flow of ***** into my ear from the numb Vernarth. The waves and waves of paradise caused amazement at the coming duel. Before the enemy more than 250 thousand infantry and cavalry, faked tanks, archers, Greek hoplites, Peltasts, elephants and sophisticated weapons of war. Beyond mercenaries of death sowing the last words of ardor in their hands of faith of triumph, before the Macedonian militants too inferior  to the hordes of Darius in account only of 47 thousand militiamen of Alexander the Great.

under edition, to be continued
VERNARTH IV  LIGHT WARRIOR
Andrei  Jul 2010
Sunset Samurai
Andrei Jul 2010
Neptune's core collapses
Splintered diamonds descend in stabbing fashion

Sleepy knives pass silently through the night
Casting shadows in the caliginous moon light

Stitched spiderwebs glisten across autumn's equinox
Discordant thought raptures in a Gordian knot

The symmetry of entropy plots its course
The universe resets its clock
K Balachandran Feb 2016
Prelude
"Let's go" his soft whisper
the mantra, in his voice she hears

the esoteric voyage through
the cryptic high seas of self,
fathomless, unmapped,
uncharted and reachable
only by the most fearless
ready to unbind and make
the self free for it's adventure,
begins thus for the peaceful pair
complementing the absolute
for a life time, til they reach there
and find themselves one with
                      pure consciousness.

"Let's let's, but only together"
she chants in unison,with him.

1.
Bidding good bye to ego, clad in red and black
a beast, not easy to bring to it's  knees, submit,
the high horse proud,raring to go,having  sharp horns
sticking out, fierce, that goes berserk,on seeing white.
Altogether a curious construct, that dictates terms-
they set about, invoking the blessing of the flame of light.
2
They stood together,  eyes widely shut, bringing
both palms together,in front of their  chests
creating a lotus bud, symbolizing hearts,bowing
each other in "Namaste",-bows the divinity in thyself-
chanting the mantras of peace, thrice, each time, repeatedly.
3
"Lets go back to the begining of every begining.."
the primordial hum, transcending quagmires of time
in the path of our ancestors,who did see the" unseeable",
without eyes, knew the "unknowable",diving in to the
ocean depth of self,going inwards chanting"Neti, Neti"
Not this, Not this, inquiring each till the essence did reveal.
4
They did this, focusing the eye of the mind, on the eye
beyond all, that watches every small thing in universe.
Mind, sharpened like the blade of a sword,efficient to cut
the Gordian knots,of paradox, duality and illusion,
encountering the silence that thickens at last, speaks
the words of wisdom,patient they are, to know the ultimate,
right there at the source of light that is the true essence of all,
5
Celebrate the pure consciousness, that pervades in every thing,
the thought that begets all thoughts,that  moves on to be karma,
that becomes purer, through the cycles of lives, one after another.
"Let's be humble, utmost, sans the ornamental clothes of pride.
May the thought reigning cosmos, the spirit of peace,chanted aloud,
take us to it's sanctum sanctorum and melt us in to it's divine embrace.
Only one there is, all are it's integrals,the divine cosmic hum 'Aum'
that enliven the universe within each cell, remember , is eternal"
                                                #@@#
Know thy self as an inner  universe, integrated to the outer,seamlessly,
which is, eternal, non-dual, peace in essence, effulgence and happiness
enshrined in the core.All the explorations in to the core by ancient Indian seers, record these findings in the "Veda"s (The "told" chronicles)
Maggie Emmett Jul 2014
This carpet - a Turkish Smyrna -
is made with Gordian knots,
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.

Every centimetre - a hundred knots
This carpet - two and a half million knots
all Gordian  
tied tightly
by the fine fingers of a child.

Each thread is dyed
with plants
picked by nomad hands
from shifting lands
Henna oranges and Madder reds
Saffron yellows and Indigo blues
Colours bloom and fade
with the change of seasons.

Patterns are centuries old,
never drawn or sketched,
only sung to the young
by the old blind weavers,
who walk the workshops
and the aisles of looms.

In this shadow world
of soured and fetid air
dreamless children
live threadbare under a black sun.

Wide borders holding everything in place
no figures or stories, just a labyrinth
of abstract shape and colour
drawing you in to the treasure
at the centre of the rug.

And the knowledge of the knots
the Gordion knots
tied by the fine fingers of a child
tied to a loom
by a thin, pale leg.
This poem tries to capture the rythmn of the old men singing the patterns. It tries to capture their rich colours an beauty but present the misery of the child labourers.
harlon rivers Aug 2017
He knew the ache could not be recompensed
they knew it too the moment echoes fell silent
There was already not enough love
in a world grown dark as darkest past

It wasn't the color of his skin nor dialect
or the  journey of a  thousand  miles
Not the place that he'd come from
       back when ―  left behind

             nor a heart of gold,  
      that never became a home

The colour of  unwritten silence
had  eclipsed  the waning  light
On the run from who he'd become;
     ashamed for all he was,  
couldn't erase a lifetime that felt a waste ―
               trying to untie a Gordian knot

He saw his body as an entombing barbwire cage
    imprisoning  a  wellspring  of  love writhing deep therein

Immured at arms length from the outside world
    where  the soul of a teardrop  abides  within
                         its insignificance

Shielding the  inherent  maelstrom
                          from the innocent passersby
Buried thoughtfully for the greater good of all ―
for the unsatiated dream boundless love betides

Written  artifacts  exhumed  like  ***** secrets
a lifetime of stigma's stain swept under the rug;
just whispered words written from an unfinished life
few ever really looked deeply between the twisted lines
arising from the soul of just another passing stranger

The long road begets a suffocating silence
choking out,           extinguished love inhumed
Ashes  of what once had been life aglow of light
               forevermore shrouded
          like the dark side of the moon



rivers
August 20, 2017
Glen Brunson Sep 2014
I have been told since I
learned to read
that holding someone close
says I love you with my
heart inside my body inside my head.

she said "fall in love with someone
who's comfortable with your silence."
and still,
          I only find you in the dark
           crushing my toe on your frame
           the scratched black nail in the morning
           shines like the love I gave was too
                     loud and bright, so blinding

that you sank behind the sun
as I played "She loves me,
She loves me Gordian not"
with the sword rays.
splayed across my tongue.

the razor-blade foreplay
was violent enough to carnage
your room to a crime scene wrapped
yellow tape package CAUTION
you yelled with the nothing CAUTION
do not cross do not cross do not cross
                 you fake messiah
                 you save yourself savior complex
                 of a narcissist, drowned in his own pool
                              of backlogged traffic jam verbage
living with a rearview mirror in every room
especially our bed.

           I find myself
with arms wrapped too tight
around a precious thing,
screaming until the spit sling blade
found every secret place inside your ear
and carved it to echo the only word
                 I have ever really known

ME
ME
ME
ME
ME
ME
MYSELF AND EVERYTHING INSIDE ME

living with a rearview mirror in every room
especially the ones you're in.
especially when you are too quiet
to be anything but a noisemaker
in my cavern of a head
filled with my own claps
singing my own song
playing by my own rules
until everything I knew of you was
dust and shivers in the mist.
Old one. Relevant.
Marieta Maglas Dec 2014
Searching for their love ideal
To plant there a dawn so real,
God gave them hope to go ahead
And palm flowers for their dream bed.

In their naked room without windows,
Not touched with the innuendos,
With written words for music wed
And palm flowers for their dream bed,

The cradle of their nascent thought
Could cut their main Gordian knot-
Baptism of freedom in the head
And palm flowers for their dream bed.

Searching for their love ideal
And palm flowers for their dream bed.
References : ’ A Winter in Mallorca’ by George Sand



A Kyrielle Sonnet consists of 14 lines (three rhyming quatrain stanzas and a non-rhyming couplet). Just like the traditional Kyrielle poem, the Kyrielle Sonnet also has a repeating line or phrase as a refrain (usually appearing as the last line of each stanza). Each line within the Kyrielle Sonnet consists of only eight syllables. French poetry forms have a tendency to link back to the beginning of the poem, so common practice is to use the first and last line of the first quatrain as the ending couplet. This would also re-enforce the refrain within the poem. Therefore, a good rhyming scheme for a Kyrielle Sonnet would be:

AabB, ccbB, ddbB, AB -or- AbaB, cbcB, dbdB, AB.

Whatever George Sand Wants . . .
By Angeline Goreau
Published: April 20, 2003

‚’ Discreet nearly to a fault, shy of public performance, delicate and sickly, Frédéric Chopin was perhaps the last man in Europe likely to keep company with the Continent's most notorious woman. ''Something about her repels me,'' he wrote to his family after first meeting George Sand. Her reputation as a cigar-toting ****** outlaw was hardly calculated to appeal to a man of his tastes.

How they came together in the end remains in part a mystery, though there is ample evidence -- in a stunningly energetic 40-page letter to a mutual friend -- of Sand's campaign to win Chopin over. One guesses Chopin surrendered to the inevitable.

Most contemporaries saw their love affair as the latest of Sand's annexations. Chopin's friend the Marquis de Custine lamented, ''The poor creature does not see that this woman has the love of a vampire.'' The reality was considerably more complex, and in ''Chopin's Funeral,'' Benita Eisler challenges the certainties of earlier biographies and disentangles the story.

Beginning her book with Chopin's death, Eisler underlines the determining role Chopin's illness had on his life. He and his younger sister Emilia both showed signs of early tubercular infection. When he was 16 and she 14, they were sent to a health spa; Emilia died and Chopin recovered. His mother wore mourning for the rest of her life. He never lost the feeling that death shadowed him everywhere.

Eisler astutely speculates that the ''reserve and distance'' Chopin maintained ''between himself and the world was no romantic posture; with his limited energy, he saw preserving and protecting himself as crucial for his art, above all.'' A connection with the passionate, restless Sand represented an enormous risk; the dangers became immediately apparent when the composer nearly died after a winter holed up in a chilly monastery in Majorca with no mod cons. It had been Sand's idea that a trip south would cure Chopin of his chestiness. Instead, he coughed ''basins of blood.'' He never reproached her, but praised the ''angel'' for heroic self-sacrifice and devoted care. Sand herself had a new respect for her lover's fragile grasp on life, noting that ''his sensibility is too finely wrought, too exquisite, too perfect to survive for long.''

The disaster in Majorca shaped their future together: she nursed him back to health at Nohant, her idyllic country retreat, and created ideal circumstances for her household genius to flourish in. Chopin had an apartment off her bedroom, cheerfully hung with red-and-blue Chinese wallpaper. Here Sand catered to him like someone on a divine mission. Predictably, Eisler says, ''the slow drip of dependence'' wore away the relationship. Sand was the ''nurturing parent,'' Chopin the child. Sand had two actual children, Maurice and Solange, in residence, complicating matters. In the end, jealousies that grew out of the little dysfunctional family they formed split Sand and Chopin apart. Because Sand threw all her energy into spinning the breakup for their friends, while Chopin remained discreet, the story behind their alienation seems inscrutable. Eisler comes closer to explaining the whole spectacular mess than any other biographer I've read. Where others more or less follow Sand's self-mythologizing autobiography, Eisler deciphers signs of trouble in the family's construction from the very beginning.

Sand's version gave out that Solange was the spoiler of this familial bliss. But Eisler argues convincingly that Sand set up the nasty scene, relentlessly harping on her daughter's flaws from earliest childhood. Solange was left to the care of servants, who beat her while Sand escaped to Venice on her famous ''honeymoon'' with the poet Alfred de Musset. Returning home, she found ''the saucy, high-spirited 5-year-old had become cringing and submissive.'' Sand's response was to send Solange to boarding school, the first of many. Maurice, the favored son, came home to stay with Mama.

In the end, Chopin was disinvited from the family party when he refused, on principle, to collaborate in Sand's unspeakable treatment of Solange. It was Sand, Eisler points out, who encouraged Chopin's closeness to her children: after the shared ordeal in Majorca, she wrote ecstatically: ''We became a family, our bonds tighter because it was us against the world. Now, we cling to one another with deeper, more intimate feelings of happiness.'' So when Sand decreed that her lover never speak to Solange again or mention her name in Sand's presence, Chopin refused to reject the girl he had come to think of as his daughter. And he saw the ultimatum as a pretext -- the ''angel'' had tired of her script.

This was already apparent the summer before, at Nohant, when Sand read aloud the new novel she had just finished, ''Lucrezia Floriani,'' to Chopin and their friend Eugène Delacroix. The book, a roman à clef, left little doubt as to the identity of its originals. Sand took the opportunity to paint herself as a martyred heroine, thwarted by an unlucky habit of falling in love with unworthy men. Her only sin is generosity -- ''loving too much'' -- but Prince Karol (a stand-in for Chopin) is sulkily jealous and obtuse -- a pill of the first water.
Delacroix was ''in agony'' for Chopin. But the reactions of the novel's principals were peculiar: the painter was ''equally mystified by victim and executioner. . . . Madame Sand was perfectly at ease and Chopin could hardly stop making admiring comments.'' Later, alone with Chopin, Delacroix assumed he would learn Chopin had been putting on an act, yet the composer had nothing but praise for the novel.

History has generally accepted Delacroix's conclusion that ''he hadn't understood a single word.'' Eisler, however, corrects this misunderstanding: a note he left at the end of his life proves that the much-maligned composer chose to protect himself in the only way he could from becoming public like a frog.

George Sand complained that Chopin was petulant, childish, irritable and sulky. Eisler does not dispute these accusations, but she might have pointed out that Chopin's sins were pitifully small compared to the large license people of the period allowed geniuses. Beethoven threw a plate of stew at a waiter, struck a prince with a chair, stood composing trouserless at a window and called his sister-in-law Fatlump. Victor Hugo claimed that he had slept with more than 2,000 women. Byron's quirks included ******. Among the Bad Boys of Romanticism, Chopin was a paragon of virtue, an ideal ''husband.''

Of course, the degree to which Chopin can be safely placed among Romantics is a matter of contention. Following Jeremy Siepmann's lead in ''Chopin: The Reluctant Romantic,'' Eisler develops the theme: ''While the generation that had come of age just before his own in France . . . had defined Romanticism as a holy war of the 'moderns' (themselves) against the 'ancients' (their literary elders) . . . Chopin clung to the past. His musical touchstones were Haydn, Mozart -- but especially Bach.'' He felt little affinity for the Romantics who were his contemporaries: Schumann, Berlioz, Liszt. Even in painting, he preferred neoclassical Ingres to the ''radical inventions in color and form'' of Delacroix.’’
Hail native Language, that by sinews weak
Didst move my first endeavouring tongue to speak,
And mad’st imperfect words with childish tripps,
Half unpronounc’t, slide through my infant-lipps,
Driving dum silence from the portal dore,
Where he had mutely sate two years before:
Here I salute thee and thy pardon ask,
That now I use thee in my latter task:
Small loss it is that thence can come unto thee,
I know my tongue but little Grace can do thee:                      
Thou needst not be ambitious to be first,
Believe me I have thither packt the worst:
And, if it happen as I did forecast,
The daintest dishes shall be serv’d up last.
I pray thee then deny me not thy aide
For this same small neglect that I have made:
But haste thee strait to do me once a Pleasure,
And from thy wardrope bring thy chiefest treasure;
Not those new fangled toys, and triming slight
Which takes our late fantasticks with delight,                      
But cull those richest Robes, and gay’st attire
Which deepest Spirits, and choicest Wits desire:
I have some naked thoughts that rove about
And loudly knock to have their passage out;
And wearie of their place do only stay
Till thou hast deck’t them in thy best aray;
That so they may without suspect or fears
Fly swiftly to this fair Assembly’s ears;
Yet I had rather if I were to chuse,
Thy service in some graver subject use,                              
Such as may make thee search thy coffers round
Before thou cloath my fancy in fit sound:
Such where the deep transported mind may scare
Above the wheeling poles, and at Heav’ns dore
Look in, and see each blissful Deitie
How he before the thunderous throne doth lie,
Listening to what unshorn Apollo sings
To th’touch of golden wires, while **** brings
Immortal Nectar to her Kingly Sire:
Then passing through the Spherse of watchful fire,                  
And mistie Regions of wide air next under,
And hills of Snow and lofts of piled Thunder,
May tell at length how green-ey’d Neptune raves,
In Heav’ns defiance mustering all his waves;
Then sing of secret things that came to pass
When Beldam Nature in her cradle was;
And last of Kings and Queens and Hero’s old,
Such as the wise Demodocus once told
In solemn Songs at King Alcinous feast,
While sad Ulisses soul and all the rest                              
Are held with his melodious harmonie
In willing chains and sweet captivitie.
But fie my wandring Muse how thou dost stray!
Expectance calls thee now another way,
Thou know’st it must he now thy only bent
To keep in compass of thy Predicament:
Then quick about thy purpos’d business come,
That to the next I may resign my Roome

Then Ens is represented as Father of the Predicaments his ten
Sons, whereof the Eldest stood for Substance with his Canons,
which Ens thus speaking, explains.

Good luck befriend thee Son; for at thy birth
The Faiery Ladies daunc’t upon the hearth;                          
Thy drowsie Nurse hath sworn she did them spie
Come tripping to the Room where thou didst lie;
And sweetly singing round about thy Bed
Strew all their blessings on thy sleeping Head.
She heard them give thee this, that thou should’st still
From eyes of mortals walk invisible,
Yet there is something that doth force my fear,
For once it was my dismal hap to hear
A Sybil old, bow-bent with crooked age,
That far events full wisely could presage,
And in Times long and dark Prospective Glass
Fore-saw what future dayes should bring to pass,
Your Son, said she, (nor can you it prevent)
Shall subject be to many an Accident.
O’re all his Brethren he shall Reign as King,
Yet every one shall make him underling,
And those that cannot live from him asunder
Ungratefully shall strive to keep him under,
In worth and excellence he shall out-go them,
Yet being above them, he shall be below them;                        
From others he shall stand in need of nothing,
Yet on his Brothers shall depend for Cloathing.
To find a Foe it shall not be his hap,
And peace shall lull him in her flowry lap;
Yet shall he live in strife, and at his dore
Devouring war shall never cease to roare;
Yea it shall be his natural property
To harbour those that are at enmity.
What power, what force, what mighty spell, if not
Your learned hands, can loose this Gordian knot?                    

The next Quantity and Quality, spake in Prose, then Relation
was call’d by his Name.

Rivers arise; whether thou be the Son,
Of utmost Tweed, or Oose, or gulphie Dun,
Or Trent, who like some earth-born Giant spreads
His thirty Armes along the indented Meads,
Or sullen Mole that runneth underneath,
Or Severn swift, guilty of Maidens death,
Or Rockie Avon, or of Sedgie Lee,
Or Coaly Tine, or antient hallowed Dee,
Or Humber loud that keeps the Scythians Name,
Or Medway smooth, or Royal Towred Thame.

— The End —