She sent it to me as a text message, that is an image of a quote in situ, a piece of interpretation in a gallery. Saturday morning and I was driving home from a week in a remote cottage on a mountain. I had stopped to take one last look at the sea, where I usually take one last look, and the phone bleeped. A text message, but no text.  Just a photo of some words. It made me smile, the impossibility of it. Epic poems and tapestry weaving. Of course there are connections, in that for centuries the epic subject has so often been the stuff of the tapestry weaver’s art. I say this glibly, but cannot name a particular tapestry where this might be so. Those vast Arthurian pieces by William Morris to pictures by Burne-Jones have an epic quality both in scale and in subject, but, to my shame, I can’t put a name to one.

These days the tapestry can be epic once more - in size and intention - thanks to the successful, moneyed contemporary artist and those communities of weavers at West Dean and at Edinburgh’s Dovecot. Think of Grayson Perry’s The Walthamstowe Tapestry, a vast 3 x 15 metres executed by Ghentian weavers, a veritable apocalyptic vision where ‘Everyman, spat out at birth in a pool of blood, is doomed and predestined to spend his life navigating a chaotic yet banal landscape of brands and consumerism’.  Gosh! Doesn’t that sound epic!

I was at the Dovecot a little while ago, but the public gallery was closed. The weavers were too busy finishing Victoria Crowe’s Large Tree Group to cope with visitors. You see, I do know a little about this world even though my tapestry weaving is the sum total of three weekends tuition, even though I have a very large loom once owned by Marta Rogoyska. It languishes next door in the room that was going to be where I was to weave, where I was going to become someone other than I am. This is what I feel - just sometimes - when I’m at my floor loom, if only for those brief spells when life languishes sufficiently for me be slow and calm enough to pick up the shuttles and find the right coloured yarns. But I digress. In fact putting together tapestry and epic poetry is a digression from the intention of the quote on the image from that text - (it was from a letter to Janey written in Iceland). Her husband, William Morris, reckoned one could (indeed should) be able to compose an epic poem and weave a tapestry.  

This notion, this idea that such a thing as being actively poetic and throwing a pick or two should go hand in hand, and, in Morris’ words, be a required skill (or ‘he’d better shut up’), seemed (and still does a day later) an absurdity. Would such a man (must be a man I suppose) ‘never do any good at all’ because he can’t weave and compose epic poetry simultaneously?  Clearly so.  But then Morris wove his tapestries very early in the morning - often on a loom in his bedroom. Janey, I imagine, as with ladies of her day - she wasn’t one, being a stableman’s daughter, but she became one reading fluently in French and Italian and playing Beethoven on the piano- she had her own bedroom.

Do you know there are nights when I wish for my own room, even when sleeping with the one I love, as so often I wake in the night, and I lie there afraid (because I love her dearly and care for her precious rest) to disturb her sleep with reading or making notes, both of which I do when I’m alone.
Yet how very seductive is the idea of joining my loved one in her own space, amongst her fallen clothes, her books and treasures, her archives and precious things, those many letters folded into her bedside bookcase, and the little black books full of tender poems and attempts at sketches her admirer has bequeathed her when distant and apart. Equally seductive is the possibility of the knock on the bedroom / workroom door, and there she’ll be there like the woman in Michael Donaghy’s poem, a poem I find every time I search for it in his Collected Works one of the most arousing and ravishing pieces of verse I know: it makes me smile and imagine.  . .  Her personal vanishing point, she said, came when she leant against his study door all warm and wet and whispered 'Paolo’. Only she’ll say something in a barely audible voice like ‘Can I disturb you?’ and with her sparkling smile come in, and bring with her two cats and the hint of a naked breast nestling in the gap of the fold of her yellow Chinese gown she holds close to herself - so when she kneels on my single bed this gown opens and her beauty falls before her, and I am wholly, utterly lost that such loveliness is and can be so . . .

When I see a beautiful house, as I did last Thursday, far in the distance by an estuary-side, sheltering beneath wooded hills, and moor and rock-coloured mountains, with its long veranda, painted white, I imagine. I imagine our imaginary home where, when our many children are not staying in the summer months and work is impossible, we will live our ‘together yet apart’ lives. And there will be the joy of work. I will be like Ben Nicholson in that Italian villa his father-in-law bought, and have my workroom / bedroom facing a stark hillside with nothing but a carpenter’s table to lay out my scores. Whilst she, like Winifred, will work at a tidy table in her bedroom, a vase of spring flowers against the window with the estuary and the mountains beyond. Yes, her bedroom, not his, though their bed, their wonderful wooden 19C Swiss bed of oak, occupies this room and yes, in his room there is just a single affair, but robust, that he would sleep on when lunch had been late and friends had called, or they had been out calling and he wanted to give her the premise of having to go back to work – to be alone - when in fact he was going to sleep and dream, but she? She would work into the warm afternoons with the barest breeze tickling her bare feet, her body moving with the remembrance of his caresses as she woke him that morning from his deep, dark slumber. ‘Your brown eyes’, he would whisper, ‘your dear brown eyes the colour of an autumn leaf damp with dew’. And she would surround him with kisses and touch of her firm, long body and (before she cut her plaits) let her course long hair flow back and forward across his chest. And she did this because she knew he would later need the loneliness of his own space, need to put her aside, whereas she loved the scent of him in the room in which she worked, with his discarded clothes, the neck-tie on the door hanger he only reluctantly wore.

Back to epic poetry and its possibility. Even on its own, as a single, focused activity it seems to me, unadventurous poet that I am, an impossibility. But then, had I lived in the 1860s, it would probably not have seemed so difficult. There was no Radio 4 blathering on, no bleeb of arriving texts on the mobile. There were servants to see to supper, a nanny to keep the children at bay. At Kelmscott there was glorious Gloucestershire silence - only the roll and squeak of the wagon in the road and the rooks roosting. So, in the early mornings Morris could kneel at his vertical loom and, with a Burne-Jones cartoon to follow set behind the warp. With his yarns ready to hand, it would be like a modern child’s painting by numbers, his mind would be free to explore the fairy domain, the Icelandic sagas, the Welsh Mabinogion, the Kalevara from Finland, and write (in his head) an epic poem. These were often elaborations and retellings in his epic verse style of Norse and Icelandic sagas with titles like Sigurd the Volsung. Paul Thompson once said of Morris  ‘his method was to think out a poem in his head while he was busy at some other work.  He would sit at an easel, charcoal or brush in hand, working away at a design while he muttered to himself, 'bumble-beeing' as his family called it; then, when he thought he had got the lines, he would get up from the easel, prowl round the room still muttering, returning occasionally to add a touch to the design; then suddenly he would dash to the table and write out twenty or so lines.  As his pen slowed down, he would be looking around, and in a moment would be at work on another design.  Later, Morris would look at what he had written, and if he did not like it he would put it aside and try again.  But this way of working meant that he never submitted a draft to the painful evaluation which poetry requires’.

Let’s try a little of Sigurd

There was a dwelling of Kings ere the world was waxen old;
Dukes were the door-wards there, and the roofs were thatched with gold;
Earls were the wrights that wrought it, and silver nailed its doors;
Earls' wives were the weaving-women, queens' daughters strewed its floors,

And the masters of its song-craft were the mightiest men that cast
The sails of the storm of battle down the bickering blast.
There dwelt men merry-hearted, and in hope exceeding great
Met the good days and the evil as they went the way of fate:
There the Gods were unforgotten, yea whiles they walked with men,

Though e'en in that world's beginning rose a murmur now and again
Of the midward time and the fading and the last of the latter days,
And the entering in of the terror, and the death of the People's Praise.

Oh dear. And to think he sustained such poetry for another 340 lines, and that’s just book 1 of 4. So what dear reader, dear sender of that text image encouraging me to weave and write, just what would epic poetry be now? Where must one go for inspiration? Somewhere in the realms of sci-fi, something after Star-Wars or Ninja Warriors. It could be post-apocalyptic, a tale of mutants and a world damaged by chemicals or economic melt-down. Maybe a rich adventure of travel on a distant planet (with Sigourney Weaver of course), featuring brave deeds and the selfless heroism of saving companions from deadly encounters with amazing animals, monsters even. Or is ‘epic’ something else, something altogether beyond the Pixar Studios or James Cameron’s imagination? Is the  ‘epic’ now the province of AI boldly generating the computer game in 4D?  

And the epic poem? People once bought and read such published romances as they now buy and engage with on-line games. This is where the epic now belongs. On the tablet, PlayStation3, the X-Box. But, but . . . Poetry is so alive and well as a performance phenomenon, and with that oh so vigorous and relentless beat. Hell, look who won the T.S.Eliot prize this year! Story-telling lives and there are tales to be told, even if they are set in housing estates and not the ice caves of the frozen planet Golp. Just think of children’s literature, so rich and often so wild. This is word invention that revisits unashamedly those myths and sagas Morris loved, but in a different guise, with different names, in worlds that still bring together the incredible geographies of mountains and deserts and wilderness places, with fortresses and walled cities, and the startling, still unknown, yet to be discovered ocean depths.

                                    And so let my tale begin . . . My epic poem.

                                                 THE SEAGASP OF ENNLI.
       A TALE IN VERSE OF EARTHQUAKE, ISLAND FASTNESS, MALEVOLENT SPIRITS,
                                                AND REDEMPTIVE LOVE.

to the hometown i hate,
i miss seeing the october sunrise while taking the train to school every morning
to the hometown i hate,
i miss being able to wear uggs, hats and scarves already at the end of september,
to the hometown i hate,
i miss being able to buy 90 cent face masks and my favorite protein bars at the drugstore 10 minutes away from me
to the hometown i hate,
i miss seeing the porsches and mercedes c-classes parked on the curbes of our sidewalks
to the hometown i hate,
i miss the quietness of my area
to the hometown i hate,
i miss being able to speak a language i know fluently, not worrying about the anxiety i get if i get into a complicated situation
to the hometown i hate,
i miss running in the quiet, clean, green forest next to us
to the hometown i hate,
i miss sleeping in my own bed, in the room i did not like
to the hometown i hate,
i miss being able to go to my fully-equipped kitchen and bake whenever i want to, which i complained was too small until i moved into my dorm
to the hometown i hate,
i miss you

a quote of Bernard-Henri Lévy

~~~

the divers’ recovery, diverse,
shipwrecked salvage from different locations,
auctioned to the highest bidder,
tho the excised excerpts are exceptional,
none come to do the bidding,
for the provenance of words
belongs to all, and to none

~~
“so oft we trifle words,
expel them from the country of our body,
without passport and earnestness,
as if they were the cheapest of footnote filler,
day tourists, to be treated as leavings,
refuse for daily discardation,
barely noting their fast comings and faster disappearance,
but leaving not, a mark of distinction”

“the addicted pleasure words granted to we privileged few,
like every enslaved soul to the mind, which I am, I am,
evening dreams, midnight thinkings, sunrise seeings,
how can I infect and thus protect the young to the liberty
to love the crafted content of our human essence to better
comprehend that a moment caught on tape of our shared
words is a holiday, a celebration for the ages...and every molecule,
becomes a human tuning fork in concert, in pitch identical, in blood tainted with the simplicity of we are all the same, only words, this will transmit”

“murmur me, with soft downy charms,
these words discovered
recoursed and intended well to
pointedly offset and contradict
their very own tumultuous discovery uncovering,
tear tongue me
with calming, lapping word  wages,
hymns harmonious and fine homilies,
a call, a request,
a bequest
to sedate my shrill life

“some cells, microscopic, preserved digitally,
aged to imperfection, thrash my eyes,
making me speak in tongues I do not recognize,
but fluently possess, no wonder there,
the memory place fairly empty,
room aplenty for passerby's and the imagery
                                                         ­­ of the vaguest of dearly departed

skin is not the only mot shed,
                                                sloughing of woeful words”

“speak them slow and distinct,
for they arrive slow to you,
a trickling of refugees for your sheltering,
harbor them as full companions,
protected by natural law,
provision them well,
prepared and ever ready for a quick departure,
moor these words at the embarcadero,
for the next restless leg of endlessness,
which they themselves will inform you
will last longer than eternity,
long after there are no humans to speak them”

they never tell you about the seagulls and the pigeons, do they?
sure sure, they have the bees and the birds covered,
your #mama and your #papa - you overheard them doing the
piston orchestra and said: the sort of onomatopoeia that
sounds just like you, that silences the sort of: just like you.
but why not listen with covert  benignant anticipation -
i did think English was a rotten
tongue, but i think French is worse...
                                                        ­  endear you? sure:
                 they put these additions
to the encoding, but never, ever explain how it works...
if dialectical is gone then diacritical
remains...
                                          ­                               and it's there,
a pink ostrich doing the go-g'ah dance
imbecile pigeon: neck a strut and half
by half nearly hanging off a desecrated body that's in limbo
on the scaffold where Charles I met his first cousin ******
thanks to Ollie Cromwell.... none of the Versailles
i have you know....
                            there should be a Greek
                   Kn                  symbol....
             not K as in potassium... something more.
and i'd never hear ****** jesus' i'm
the mountain                            on the radio,
thank you advertisement.
               but that thing about Jihadist French?
well... it's here,
                               i thought the English
were bad with not using diacritical marks,
second in command? diacritics,
first in command? dialectics?
abandon the first, the second is hyenas' razor
sharp: bite and smile at the same time.
           no, i'm not joking...
i'm choking you.
                             this is what the Jihadist in France
saw...
                            main example? how diacritical marks
**** around the syllable laws...
             bypass them straight... past them...
             main example? they never teach this...
i was never taught this, i was taught this in
an anti-alphabet ruling - it's not atomic
(but it really is), hence it's compounded -
but it's really atomic,
               where are the ancient atomic scientists now?
nowhere.
                         all of this came from
a footnote from maldoror, by isidore ducasse -
i too thought about putting Uruguay on the map -
                    in the notes, the use of "accent",
yes, a revelation from on high -
                      look at the French, how they speak it:
aplatissement
                             apply diacritic revision
and cut off the excess: aplatissemą -
                             (humiliation) -
          if only the French, then only the French know
how to create dyslexia... excess spelling
where distinct phonetic units should exist -
they never teach you how diacritical marks change
the syllable cutting up, the butcher's or forensic's inquiry -
                 they never teach you the use of diacritical
marks like they might teach you punctuation markings -
                  they never do the science of liberated pause -
liberated i.e. understood -
                                    you're just given the fudge
and told... CHEW! CHEW! CHEW!
                                    they never tell you how to
cut-up words as they should be cut up..
                                   never did they say
colon = umlaut over u and means prolonged
   i.e. uu          or omega
                                        because never was the
current aesthetic questioned...
                             Dictator Blue, adherent of
the dictionary bible said: already said, rex, rex, ego rex.
                    but there's this thing going on
from above - on high -
                           and all they want is to understand...
                  even i would hate to be left out...
still from the notes from the book maldoror -
                s'arrêter à             (to dwell on /
                                     stress) -
ê (circumflex) is like the grave approach -
                 the circumflex is binding -
            i.e. the -er is optional, but a necessary
aesthetic for the form to be written, but not said -
meaning the sound units disappear -
                  hands on the joints, a book is closed -
ê represents this: s'arrêt
                                                         ­  (-er) -
                   saret -
                                            ugly, isn't it?
well, if you wrote             saret
                rather than      s'arrêter               you wouldn't
be looking at the Louvre -                again, even without
diacritical marks you don't say     Louvré -
                                          but Loùvre -
               so the ê
                                     binds the r and t
   and makes                  the   -er obsolete -
which is why French is worse than English:
it utilises diacritical marks
                                       for odd syllable intakes
and other surgeon oddities -
    to learn the proper use of diacritics (using French
as a canvas) is to learn syllables again, and again...
all over again... one might say:
at least the English do not use diacritical markings
and subconsciously are so thoroughly
accommodating to alien cultures...
                       and that's justifiable, they are the fathers
of globalisation... they use phonetic encoding
without diacritical markings to enshrine
a Bangladeshi English, as much as a German English...
   they are the propagators of accents -
even the Scots are speaking proudly about the
matter of fact...
                            so indeed, diacritical marks
are not only concerns for aesthetic reasons,
but is pronunciation markings within words,
                          not between words:
intra                     v.                inter                  (wording);
they never teach you how to extend a sentence
with a semi-colon (;), because they only managed
to tell you that means wink: ;) -
                          in the same way that they didn't tell
you that a colon is (a) making a list, but also
       (b) an emphasis - the alternative to italics.
they didn't! i know they didn't because they didn't
teach me this!             i had to learn it myself!
              which is why i find diacritics so fascinating
that dialectics and its abandonment can rot in hell...
at least i don't have to deal with nuanced opinions
or the discussion or the non-discussion of
                 opinions...
                                       i can look at something
and see the blatant pronunciation dynamics at work...
            not between words, but inside words...
French is the best to investigate...
                        maybe that's why the Jihadists are
attacking France, from sheer frustration at not being
given access to the cordiality of speech when
settling into their envisioned Caliphate misnomer -
                    but diacritical marks are precisely that:
and when amateurs teach they never bother explaining
the atoms, they just say: turkey! gobble up that frying pan!
and you do! you are never given the most basic units,
you're never told what the time-span between a
full dot (.) and a semi-colon (;) is...
                                        ****: you can run a mile or
100 metres in under 10 seconds, but when it comes
to an aesthetic pause you're told to start
the hyperventilation sequence or blame it on asthma
rather than
                                 what's actually the archaeology of
rhetoric - these are rhetorical symbols...
                                   and that's the foremost question
that needs a debate: how to make rhetorical puncture
symbols into aesthetic symbols -
                   how to steal from rhetoric and do a Robin
Hood for aesthetic? primarily because there are
punctuation signs above letters, or below letters -
                   < (more than)
                                 > (less than)
      and the circumflex and caron -
                                         tilde
  or approx. 5                              i.e. ~5...
            and the millionth additive to make decimals
shake...
                                you never get told this...
if i was told the basics of diacritical markings enabling
a smoother syllable dissection i'd probably speak German
fluently...
                       when i should have been given crumb-like
understanding of a language, i was given a whole
loaf of bread, for ***** sake; that ain't cool -
          teach me language from the basics,
on the promise of teaching me a language like i might
be taught penguin talk: on the promise of
an onomatopoeia deciphering: it sounds like this...
                   : + u = oo             onomatopoeia e.g.:
                       pool                    /                  pull -
yes, the quiet literal representation -
  but English can be ***** by this appropriation -
not utilising diacritical marks makes certain words
sound alike but be spelled differently,
            via the same methodology extending into
certain letters being pronounced as entire words;
e.g.                   why                                  &             y.
reason? missing diacritical marks.
             oh, and the most blatant form of Judaism
  given              y               h                    w               h
                   without Abraham, without Moses,
without circumcision         without Jesus...
                                                               choice is yours.

every spec of salt in the sea
is equivalent to every spec of you in me
I hallucinate from the amount of you in my bloodstream

every spec in the night sky
is every memory I have of you and I
and the amount of visuals will forever distort my eyes
I'll see good in people
when I should see evil
and the movement of my heart
will be controlled by their fingers

....but I am not afraid, love is a two way street
there is more of me in you, than there is of you in me
you are just a random leaf on a tree in a forest of many
a lonely molecule in the air that I breathe
even a bird with a broken wing can still sing
a song as sweet as a bushel of strawberries
I wrap up my arm and put my heart in a sling
then remind myself of what means most to me
my ability to speak love fluently

Not a phrase you will ever know
A phrase from a language too unknown to show

I speak many languages
From Chinese to French
Not one fluently but more than the last

I could tell you in many languages
From Chinese to Hungarian
Not one fluently would help more than the last

I could answer in many languges
From Chinese to Spanish
Not one could help answer your question more that the last

I could lie in many languages
From Chinese to Filipino Tagalog
Not one should mean anything more than the last

Not a phrase you will ever know
A phrase from a language too unknown to show

Chapter 1- The Saga of the Dragon-Power and Federation Battlefare
Stanza 1-Lady of the Night
You’re such a parcel, but not much of a marvel, you lack a price
But that is good because now we have the Oathed Sacrifice!
Such was the words when Dragon-Man stood before his main foe.
He dare not think what types of devices Drent had for pain though.
Dragon-man was taken off the Lynxian Road and it was a horror soon.
I was watching with my cousins one of the last of the Saturday morning cartoons.
My cousins watched for more, I had already seen it all twenty years before.
I was just shocked that they would show Dragon-Man to Generation Y
Dragon-Man looked to me now like one of those ventilation guys.
I could see Dragon-Man smiling, and I knew exactly what that smile meant.
Because he needed the Composi crossbow, and he could only get it from vile Drent.
The arrows were like missiles that sought out and broke down the body.
It was the type of weapon so strong, it was almost ungodly.

The Abyss-Sword, tell me what does it feel like to be killed by your own weapon.
Dragon-Man replied with a smirk, I don’t know you tell me, and got to steppin.
He reached for the Composi crossbow, but it was snatched away by a Brackti Guard.
**** him with the full arsenal we have, and make sure his death is especially hard.
It is amazing that Dragon-Man could withstand such an onslaught.
He cannot stand up against it for long, with such brawn brought.
Some of the firepower gets close, Dragon-Man might not survive for long.
What manner of man can withstand such a powerful throng?
Suddenly, there is a noise, and all of the Brackti Guard fall dead.
Drent you might have to sacrifice yourself, said a voice that they all dread.
Beside all of them were gleaming bullets, which had a hole in them but were filled with lead.
It was the Lady of the Night, who came in with the Nike sling.
This weaponry was fierce and devoured enemies and their everything.
It also  made a hellish noise when it fired Byzantine bullets, nothing could stand in its path.
Drent suddenly disappeared because with the both of them, his death would be the aftermath.
You forgot your cross-bow, she said as she gave it to him with a smile.
What took you so long, Dragon-Man asked, I was waiting all this while.
You forget it takes long to reach you when you put yourself in trouble.
At least be happy I turned the Brackti Guard into pebbles of rubble.
Dragon-Man looked at the Composti cross-bow and this was good weaponry.
If he saw Drent it would be the last time Drent ever stepped to he.
Let’s go, I got the Paroah chariot, there is no time to waste here.
Drent probably went back to regroup inside of his lair.
Dragon-Man climbed inside the chariot and said “I will drive.
The Lady of the Night replied, I got it, because I want to survive.
They drove the chariot away, and Dragon-Man got back to his place
Little did he know that waiting for him was a criminal court case.

Stanza 2-Dragon-Man’s Advocate
Dragon-Man went back to his home, he did not have a chance
To take back from Shark-Devil the Winged- Fire-Lance.
The next day, he got dressed and went to the building.
They say work is supposed to be the epitome of fulfillment.
See, Dragon-Man’s alter-ego was Jonathan Maine, Esquire.
This is what he would do if he ever had to retire.
But when he got to his desk, there were police all around.
Who told him to get down on the floor and put hands on the ground.
Jonathan never thought this would happen, a lawyer needs an advocate.
He was mad as **** but knew that he had to sit because he was bad at it.
Jonathan was brought to the precinct and placed in a prison cell.
When someone asked what he did Jonathan said I’ll never tell.
Well, well, said a voice and Jonathan instantly knew who it was for dinner.
It was Shark-Devil, also known as Joseph Grant, Police Commissioner.

I’ll let you out if you will work for me, Joseph Grant said with a’
smirk.                                                                                              
Jonathan sneered, Two wrongs don’t make a right so that would not work.
Well then, I guess your days of being Dragon-Man are over and done.
When I am through with you, only in your dreams will you see the sun.
Don’t’ I get a phone call, I know my rights and I know you know them as well.
Shark-Devil tossed him a cell phone and said, Tell them you are going to hell!
Jonathan picked up the phone and said, Now we have Shark-Devil where we want him.
The only problem is the court case, and to get the Winged Fire Lance from Shark-Devil
They accused me of assault, false pretenses and 4 counts of conspiracy and embezzlement.
In came Shark-Devil, holding the Winged Fire-Lance with evil in his eye
So isn’t it ironic that the Fire-Lance you so desperately wanted will make you die.
No need to go before a judge to say that you will not testify, I’m not that kind of guy.
Drent was an idiot, his powers were almost abysmal and worthless.
I needed something  good who would serve my every purpose.
Jonathan looked at the Fire-Lance, it was so hot and the blade was double-edged.
He knew I had to do something quick, or else he was in trouble drenched.

That’s not irony it’s a paradox, Jonathan shouted as I fumbled with my watch.
Jonathan pressed a button and the Abyss Sword came into his hand to launch.
So now we will battle in jail, Shark-Devil sneered as he changed into his form.
That is no big deal to Dragon-Man because that was where he was born.
The Fire-Lance was a marvelous weapon, good for melee or to throw.
But it was not as good as the Abyss-Sword at the brute hacking blow.
Suddenly Dragon-Man gave Shark-Devil a mighty swing, and he fell down.
This is not the last thing you have seen me, Shark-Devil said as he left town.

Dragon-Man pressed his watch, and now he was Jonathan Maine, scarred.
But now he would have to answer to the disciplinary board to not get disbarred.
He picked up the Winged Fire Lance, and that now made his weapons and arsenal.
The Fire-Lance belongs to those who can use it, and use it then well.
Now the lawyer needs a lawyer, Jonathan said with a sigh.
One of the prisoners said to him, I think I know a guy.
Jonathan picked up the phone, the one call did not now apply
The voice on the other end said, Don’t worry, I’ll get the charges dropped.
Now Jonathan just has to sit until he can make bail and get this trial stopped.

Stanza 3-We Are the Dragon-Power.
The dinosaurs did not die out, the survivors became the Dragon Power.
They left for higher ground in the Arurian Tower.
They worked on the Abyss Sword, Winged Fire Lance, Nike Sling and Composti Bow on their grind.
Because they thought that the power that killed the dinosaurs would come a second time.
To succeed where the first time, they had failed.
But they could not leave the tower, they were jailed.
I, Jonathan Maine, stumbled on the Tower, but the weapons were not there.
That someone malevolent would take them was the worst of my fear.

Suddenly I heard a voice who said, We are the Dragon Power and you are chosen.
To become Dragon-Man, and fight against our enemy called the Drozen.
This adversary is also yours, but our weapons were stolen by various evil.
Now you must go on a journey to get this arsenal back, and save your people.
I asked them why they could not fight, and they said, We do not have a presence.
When the Drozen fired asteroids at Earth, he disembodied our essence.
We could make the weapons, but we could not use these instruments.
But we will give you the power of disembodiment as our influence.
And here is what your people called a watch, it will tap into the power of Dragon.
But do not talk about us, no posts on social media or bragging.
I was astounding, but I was glad to have such nice bling.
Now it was the time to save all of Earth and everything.

The Dragon Power warned, Drozen wants to destroy everything, even the darkness
You will have to fight the evil on Earth, but keep your eyes on the ultimate test.
I took the watch, and pressed it, and instantly I saw the Diablo-Robots
The Dragon said, the power of the sky-animals on Earth was transformed to throw shots.
Because the asteroids contained a powerful source called Warbeuite.
We took some of it and used it to make the weapons to fight for good and right.
I just had one more question, how do you speak English so fluently?
People would walk by our tower and have conversations beside the tower’s sea.
I took the watch and pressed another button, and suddenly I was at home.
Out in the day, unbeknownst to me, a powerful being was getting off his throne.

Set a course toward Earth, he said, because this earthling will ruin my plan.
I am going to finish now what I should have done in the beginning.
Master Drozen, we are on our way, the Diablo-Robot said with glee.
Little did I know the strongest force in the universe was coming to fight me.

Stanza 4- The Council of the Faceless Tongues.
Drozen stood before the Council of the Faceless Tongues, kneeled before them.
He was the Commander of the Numberless Clans, and knew his superiors.
The Prefector murmured, you said with great confidence Earth was dealt with.
The Dragon Power and Dragon-man proves that your speech was myth.
Drozen replied, My liege, I was conquering other worlds to isolate the Earth rock.
Because to allege that I cannot subdue little Earth would be the worst talk.
The Prefector sneered, Maybe we need the Legate to acquire this oceaned planet.
And send you to a realm that is more manageable as a colonized hamlet.
Drozen urged, Not at all my Lord, I will make sure that the deed is done.
And by the end of my warmonger, there will be no doubt who has won.
I don’t want any interference, just let me leave and give me clearance
You are the Council of the Faceless Tongues, and I bow to you tyrants.
The Prefector motioned, Very well prepare your Diablo-Robots and go vanquish.
But be warned that if you cannot conquer this Earth rock, you will be banished.
The Drozen left muttering, I must destroy this Dragon Power and Dragon Man.
As the Drozen teleported to the Alieno-Mechanism, he called on the Numberless Clans.
Dragon-Man on Earth felt uneasy, he knew someone was coming in defiance.
But he could not face this threat alone, Dragon-Man knew he would need an alliance.
The Dragon Power told Dragon-Man, we must start to  form the Federation.
Drozen is on his way, and is coming to destroy by annihilation.
Stanza-The Gloryless Cause
As Dragon-Man he knew he had to find the Lady of the Night
Because she would vital for the Federation’s ultimate fight.
The only problem was that Dragon-Man did not know where to locate her.
He went to his house and thought, The search can continue later.
Suddenly the light turned on, and the Lady of the Night was there frowning.
So you would be in this fight without me after I rescued you, she said hounding.
Dragon-Man looked closer and saw that she was only clowning.
You know that I could not fight without you, Dragon-Man said with a grin.
And the best part is, you already are armed with your own weapon.
Lady of the Night observed, But there are two other weapons, and you have one hand.
Dragon-Man replied, I will recruit others for this Gloryless Cause but I will be in command.
Because this Gloryless cause needs the Oathed Sacrifice to fight.

I'll take on this burden to save, Drozen wants to put out the light.
Lady of the Night said, We can use the Paroah chariot as our battlecraft ride.
Dragon-Man wondered how the Paroah chariot would work with a fighting team inside.
Suddenly they were in the Dragon Tower, and the Dragon Power said we have to say.
That your collective powers together form the Nova Knighthood Way.
The Federation is made up of various Knighthoods to fight against this dire day.
The powers you have now are not enough to fight Drozen in his quest.
So we decided to fashion together a team that would have power to contest.      

Dragon-Man, you will be the Alpha Knight, and pilot the Isotrain Mechanism.
Lady of the Night, your power is the Beta Knight, you will be in charge of the Gem Prism.
But what about the rest of us, Dragon-Man asked the Dragon-Power with surprise.
You must search for them, and remember, you cannot rely on just your eyes.
Dragon-Man woke up in his room, and sighed because he had a hearing.
It was at the end of the day, so when he went to work he knew Joe  would be jeering.
As Dragon-Man drove to work, he thought that he had forgot something.
Little did he know that an entity was not there, but it was coming.

Stanza 5-I will bring the War to Drozen
Dragon-Man took the letter from the mailbox and opened it.
When he saw who wrote it, he gasped and had a fit.
It was Drozen, who said I will bring to you The War
On a level your Earthlings have never known before.
You might have the Isotrain Mechanism but I have a machine
No use trying to wake up, because this is not a dream.
Dragon-Man crumpled the letter up and threw it away.
He knew that he had to be ready to fight right now today.
He contacted Lady of the Night on his Galvalar watch.
And told her to get here as soon as possible to this spot.
She came and Dragon-Man prepared to get the Isotrain Mechanism.
Lady of the Night protested, The rest of the team isn’t here or risen.
I hope you would get reinforcements and rethink your decision.
Dragon-Man said, With the Isotrain Mechanism, I will take the war to he
Search for Drozen across the worlds and bring battle to make us free.
The Iso-train Mechanism came, Dragon-Man put the Abyss Sword in the Damocles Stone.
It roared to life, and Dragon-Man proclaimed, Drozen would wish he left us alone!
Lady of the Night parked her Paroah Chariot in it, and now they were ready.
With the Isotrain Mechanism and the Nova Knighthood, the Federation is deadly.
Lady of the Night took the Elysian Scabbard, this would help to ward off injury.
They searched the skies with the Spacecraft scope, looking for their enemy.
Suddenly Lady of the Night screamed, Look at that light headed right towards us.
Dragon-Man turned on the Isotrain Mechanism and said, Engage Supernova rockets full ******!
Drozen and Dragon-Man are on a collision course, the universe will bear this battle’s brunt.
Little did Dragon-Man know, one of the Dragon Power was working for the Faceless Tongues.

Stanza 6- When our Paths Cross Again, Drozen will meet the Hades-Grasp.
The Isotrain Mechanism was getting ready to go take flight.
When a voice cried out, Don’t leave yet you need me for this fight.
Who are you, Lady of the Night cried, and how do I know I can trust?
What about me, Dragon-Man protested, and Lady of the Night said it’s not you it’s us.
I am the Breastplate-Bearer and it is my life’s fulfillment to be the Delta Knight too.
Because Drozen is coming after all of us and what we love, it is not just you.
I carry the Breastplates for all the Knights of the Federation to carry.
So we must be going on our way soon, we cannot stop or tarry.
Because The War will be the event that will define our generation.
And it for this reason that we are all warrior-soldiers in this Federation.

Dragon-Man said, You speak like one who knows war and does skirmish
Bring the Breastplates to the Isotrain Mechanism so it can be furnished.
Breastplate-Bearer also said, I have a Space-craft Vehicle ready to conquer.
Dragon Man replied, We fight to win, but we carry the battle with honor.
You can handle the Lifeforce-Seeking Missiles as your job on the team.
Suddenly Lady of the Night let out a primal, unladylike hell-scream.

A woman was lying on the ground, and she looked so close to becoming a vegetable.
We need to rebuild her, said Breastplate-Bearer, because she looks so dead and still.
There is no time for chivalry, warned Dragon-Man, and she is too delicate to dismantle.
Lady of th