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mark john junor Jan 2017
the polished hand of admirers heralding a new poem
they have come so often to rub their eyes on your ink-stained page
leaving behind papercuts of emotion with which they grieve
for the words you spread on their sweaty palms
the polished hand of admirers...
wet with anticipation of the latest beachside laughing clown
he is a walking breathing cataclysm written for her comforts
written in adoration's delight and true loves of her tender hand
she lay in amongst your pages on the bedspread
like a spilled wine **** to the tongue of sensibility
like a spilled wine that intoxicates and leaves
watch her swaying hips fade away into darkness
she will bounce and glide on another man's stripper pole
if you fail to call her back...
the polished hand of admirers heralding your waking thought
muted cheers as your pen makes wicked strokes on empty page
like a dancing blade carving your wooden words
till they sing like beauties breath on cold still air
till she is your warmth wrapped so delicately in your twisted bedsheets
she mutters a cough as she puts flame to cigarette
and smiles at your attentions
she is a living poem
that you write ink and page
the polished hand of admirers will never see
how pure simple ***** girl is so intoxicating
how lush and enticing her gyrating beneath you really is
the polished hand of admirers like you go to bed and sleep
while your dreams are of her dancing swift and sweet
theirs are the dreams of pens cutting on page
like a dancing blade carving wooden words

© 2016 mark john junor all rights reserved
False Poets Oct 2019
your admirers are unlimited by geography or name,
but only by imagination

~for Albert’s wife~
~~~

the tattoos on my body, a complete list
of the seven names^ shared with a heavenly human,
who pretends he has no
skin in the game

but that is a poem for another time...

you thank me for being a “follower”

unnecessary for your admirers are unlimited
by geography or name,
(and all the sliced and diced human pieces deem greater than the
whole)
we are limited only by imagination

whatever name you/I choose,
what we/me love about your poems,
flora, fauna, the human cuppa,
is that you write what your eyes feel,
yet, it is I doing the seeing

for that
I’ll follow you kicking and screaming,
I’ll be your babe in arms



~~~
^https://en.m.wikipedia.org/wiki/NamesofGodinJudaism
false poets
Rosie Wisniewski Nov 2011
I admire from afar
Your charm and your grace
Only from afar, I will admire
For we have not shared but two words
I do not know you and you do not know I
Though I feel like I know you in some indescribable way
A way in which is unspoken
A way in only admirers may know
It will go no further than admiring
But, sometimes I like to dream
Dream that one day, we should meet
Dream that one day, I may admire
Not from afar but up close
Not only admire the beauty I see
But the faults I know you have
I want to admire all of you
But that is only a dream
So, for now
I will admire from afar
I will see what I see
And dream what I dream
Mark Upright Apr 2019
your admirers are unlimited by geography or name,
but only by unlimited limits of imagination*

~~~
~for Albert’s wife~
~~~

the tattoos on my body, a complete list
of my 7 names^ stolen/shared with a heavenly human,
the ******* pretending he/it got no skin in the game

but that is a poem for another time...

you thank me for being a “follower”

unnecessary for your admirers are unlimited
by geography or name,
only by imagination,
a yet to b found,
unfound Cern particle

whatever name you/I choose,
what we/me love about your poems,
flora, fauna, the human cuppa,
the patient touching,
is that you write what your eyes feel,
yet, it is I doing the seeing

for that
follow you kicking and screaming,
happil
your /us
babe in arms



~~~
wed-nes-day Avril 2019

^https://en.m.wikipedia.org/wiki/Names_of_God_in_Judaism
Kerri  Nov 2015
Wildflower
Kerri Nov 2015
I know I'm
just a flower
in your garden
of admirers.

But I hope
you see
the difference
     between
a Wildflower and a Rose.
Although there are  more wildflowers than there are roses, everyone wants the beautiful, elegant rose. Whereas different types of wildflowers have their own unique characteristics...and most importantly GROW FREELY.
Jai Rho Aug 2013
I never saw a peacock fly
before I saw one on my roof
and though I haven't seen
that many, I thought I
had seen enough

To speak with some authority
about the way that peacocks
travel, which as far as I knew,
always was on sand and gravel

Their regal nature and the beauty
of their plumes make them one of
nature's wonders, and whenever
I see one, I always stop and wonder

I guess that's why I thought
that peacocks just don't fly

They don't need to hurry,
and never seem to worry,
so they parade along
and let their admirers
marvel at all their splendor

So I was surprised to see
a peacock on my roof,
it surely didn't climb
and there was
no rope or ladder,
but then I heard wings
flapping just above my head
it was another peacock
who went to join his friend

I guess they liked the view
and I learned something new

That even though I would
surely fly, instead of walk,
stretching my legs to
strut my stuff
might be better
if I were a peacock
Lady, your room is lousy with flowers.
When you kick me out, that's what I'll remember,
Me, sitting here bored as a loepard
In your jungle of wine-bottle lamps,
Velvet pillows the color of blood pudding
And the white china flying fish from Italy.
I forget you, hearing the cut flowers
Sipping their liquids from assorted pots,
Pitchers and Coronation goblets
Like Monday drunkards. The milky berries
Bow down, a local constellation,
Toward their admirers in the tabletop:
Mobs of eyeballs looking up.
Are those petals of leaves you've paried with them ---
Those green-striped ovals of silver tissue?
The red geraniums I know.
Friends, friends. They stink of armpits
And the invovled maladies of autumn,
Musky as a lovebed the morning after.
My nostrils prickle with nostalgia.
Henna hags:cloth of your cloth.
They tow old water thick as fog.

The roses in the Toby jug
Gave up the ghost last night. High time.
Their yellow corsets were ready to split.
You snored, and I heard the petals unlatch,
Tapping and ticking like nervous fingers.
You should have junked them before they died.
Daybreak discovered the bureau lid
Littered with Chinese hands. Now I'm stared at
By chrysanthemums the size
Of Holofernes' head, dipped in the same
Magenta as this fubsy sofa.
In the mirror their doubles back them up.
Listen: your tenant mice
Are rattling the ******* packets. Fine flour
Muffles their bird feet: they whistle for joy.
And you doze on, nose to the wall.
This mizzle fits me like a sad jacket.
How did we make it up to your attic?
You handed me gin in a glass bud vase.
We slept like stones. Lady, what am I doing
With a lung full of dust and a tongue of wood,
Knee-deep in the cold swamped by flowers?
A true story by  Thula Bopela**

I have no idea whether the white man I am writing about is still alive or not. He gave me an understanding of what actually happened to us Africans, and how sinister it was, when we were colonized. His name was Ronald Stanley Peters, Homicide Chief, Matabeleland, in what was at the time Rhodesia. He was the man in charge of the case they had against us, ******. I was one of a group of ANC/ZAPU guerillas that had infiltrated into the Wankie Game Reserve in 1967, and had been in action against elements of the Rhodesian African rifles (RAR), and the Rhodesian Light Infantry (RLI). We were now in the custody of the British South Africa Police (BSAP), the Rhodesian Police. I was the last to be captured in the group that was going to appear at the Salisbury (Harare) High Court on a charge of ******, 4 counts.
‘I have completed my investigation of this case, Mr. Bopela, and I will be sending the case to the Attorney-General’s Office, Mr. Bosman, who will the take up the prosecution of your case on a date to be decided,’ Ron Peters told me. ‘I will hang all of you, but I must tell you that you are good fighters but you cannot win.’
‘Tell me, Inspector,’ I shot back, ‘are you not contradicting yourself when you say we are good fighters but will not win? Good fighters always win.’
‘Mr. Bopela, even the best fighters on the ground, cannot win if information is sent to their enemy by high-ranking officials of their organizations, even before the fighters begin their operations. Even though we had information that you were on your way, we were not prepared for the fight that you put up,’ the Englishman said quietly. ‘We give due where it is to be given after having met you in battle. That is why I am saying you are good fighters, but will not win.’
Thirteen years later, in 1980, I went to Police Headquarters in Harare and asked where I could find Detective-Inspector Ronald Stanley Peters, retired maybe. President Robert Mugabe had become Prime Minster and had released all of us….common criminal and freedom-fighter. I was told by the white officer behind the counter that Inspector Peters had retired and now lived in Bulawayo. I asked to speak to him on the telephone. The officer dialed his number and explained why he was calling. I was given the phone, and spoke to the Superintendent, the rank he had retired on. We agreed to meet in two days time at his house at Matshe-amhlophe, a very up-market suburb in Bulawayo. I travelled to Bulawayo by train, and took a taxi from town to his home.
I had last seen him at the Salisbury High Court after we had been sentenced to death by Justice L Lewis in 1967. His hair had greyed but he was still the tall policeman I had last seen in 1967. He smiled quietly at me and introduced me to his family, two grown up chaps and a daughter. Lastly came his wife, Doreen, a regal-looking Englishwoman. ‘He is one of the chaps I bagged during my time in the Service. We sent him to the gallows but he is back and wants to see me, Doreen.’ He smiled again and ushered me into his study.
He offered me a drink, a scotch whisky I had not asked for, but enjoyed very much I must say. We spent some time on the small talk about the weather and the current news.
‘So,’ Ron began, ‘they did not hang you are after all, old chap! Congratulations, and may you live many more!’ We toasted and I sat across him in a comfortable sofa. ‘A man does not die before his time, Ron’ I replied rather gloomily, ‘never mind the power the judge has or what the executioner intends to do to one.’
‘I am happy you got a reprieve Thula,’, Ron said, ‘but what was it based on? I am just curious about what might have prompted His Excellency Clifford Du Pont, to grant you a pardon. You were a bunch of unrepentant terrorists.’
‘I do not know Superintendent,’ I replied truthfully. ‘Like I have said, a man does not die before his time.’ He poured me another drink and I became less tense.
‘So, Mr. Bopela, what brings such a lucky fellow all the way from happy Harare to a dull place like our Bulawayo down here?’
‘Superintendent, you said to me after you had finished your investigations that you were going to hang all of us. You were wrong; we did not all hang. You said also that though we were good fighters we would not win. You were wrong again Superintendent; we have won! We are in power now. I told you that good fighters do win.’
The Superintendent put his drink on the side table and stood up. He walked slowly to the window that overlooked his well-manicured garden and stood there facing me.
‘So you think you have won Thula? What have you won, tell me. I need to know.’
‘We have won everything Superintendent, in case you have not noticed. Every thing! We will have a black president, prime minister, black cabinet, black members of Parliament, judges, Chiefs of Police and the Army. Every thing Superintendent. I came all the way to come and ask you to apologize to me for telling me that good fighters do not win. You were wrong Superintendent, were you not?’
He went back to his seat and picked up his glass, and emptied it. He poured himself another shot and put it on the side table and was quiet for a while.
‘So, you think you have won everything Mr. Bopela, huh? I am sorry to spoil your happiness sir, but you have not won anything. You have political power, yes, but that is all. We control the economy of this country, on whose stability depends everybody’s livelihood, including the lives of those who boast that they have political power, you and your victorious friends. Maybe I should tell you something about us white people Mr. Bopela. I think you deserve it too, seeing how you kept this nonsense warm in your head for thirteen hard years in prison. ‘When I get out I am going to find Ron Peters and tell him to apologize for saying we wouldn’t win,’ you promised yourself. Now listen to me carefully my friend, I am going to help you understand us white people a bit better, and the kind of problem you and your friends have to deal with.’
‘When we planted our flag in the place where we built the city of Salisbury, in 1877, we planned for this time. We planned for the time when the African would rise up against us, and perhaps defeat us by sheer numbers and insurrection. When that time came, we decided, the African should not be in a position to rule his newly-found country without taking his cue from us. We should continue to rule, even after political power has been snatched from us, Mr. Bopela.’
‘How did you plan to do that my dear Superintendent,’ I mocked.
‘Very simple, Mr. Bopela, very simple,’ Peters told me.
‘We started by changing the country we took from you to a country that you will find, many centuries later, when you gain political power. It would be totally unlike the country your ancestors lived in; it would be a new country. Let us start with agriculture. We introduced methods of farming that were not known I Africa, where people dug a hole in the ground, covered it up with soil and went to sleep under a tree in the shade. We made agriculture a science. To farm our way, an African needed to understand soil types, the fertilizers that type of soil required, and which crops to plant on what type of soil. We kept this knowledge from the African, how to farm scientifically and on a scale big enough to contribute strongly to the national economy. We did this so that when the African demands and gets his land back, he should not be able to farm it like we do. He would then be obliged to beg us to teach him how. Is that not power, Mr. Bopela?’
‘We industrialized the country, factories, mines, together with agricultural output, became the mainstay of the new economy, but controlled and understood only by us. We kept the knowledge of all this from you people, the skills required to run such a country successfully. It is not because Africans are stupid because they do not know what to do with an industrialized country. We just excluded the African from this knowledge and kept him in the dark. This exercise can be compared to that of a man whose house was taken away from him by a stronger person. The stronger person would then change all the locks so that when the real owner returned, he would not know how to enter his own house.’
We then introduced a financial system – money (currency), banks, the stock market and linked it with other stock markets in the world. We are aware that your country may have valuable minerals, which you may be able to extract….but where would you sell them? We would push their value to next-to-nothing in our stock markets. You may have diamonds or oil in your country Mr. Bopela, but we are in possession of the formulas how they may be refined and made into a product ready for sale on the stock markets, which we control. You cannot eat diamonds and drink oil even if you have these valuable commodities. You have to bring them to our stock markets.’
‘We control technology and communications. You fellows cannot even fly an aeroplane, let alone make one. This is the knowledge we kept from you, deliberately. Now that you have won, as you claim Mr. Bopela, how do you plan to run all these things you were prevented from learning? You will be His Excellency this, and the Honorable this and wear gold chains on your necks as mayors, but you will have no power. Parliament after all is just a talking house; it does not run the economy; we do. We do not need to be in parliament to rule your Zimbabwe. We have the power of knowledge and vital skills, needed to run the economy and create jobs. Without us, your Zimbabwe will collapse. You see now what I mean when I say you have won nothing? I know what I am talking about. We could even sabotage your economy and you would not know what had happened.’
We were both silent for some time, I trying not to show how devastating this information was to me; Ron Peters maybe gloating. It was so true, yet so painful. In South Africa they had not only kept this information from us, they had also destroyed our education, so that when we won, we would still not have the skills we needed because we had been forbidden to become scientists and engineers. I did not feel any anger towards the man sitting opposite me, sipping a whisky. He was right.
‘Even the Africans who had the skills we tried to prevent you from having would be too few to have an impact on our plan. The few who would perhaps have acquired the vital skills would earn very high salaries, and become a black elite grouping, a class apart from fellow suffering Africans,’ Ron Peters persisted. ‘If you understand this Thula, you will probably succeed in making your fellow blacks understand the difference between ‘being in office’ and ‘being in power’. Your leaders will be in office, but not in power. This means that your parliamentary majority will not enable you to run the country….without us, that is.’
I asked Ron to call a taxi for me; I needed to leave. The taxi arrived, not quickly enough for me, who was aching to depart with my sorrow. Ron then delivered the coup de grace:
‘What we are waiting to watch happening, after your attainment of political power, is to see you fighting over it. Africans fight over power, which is why you have seen so many coups d’etat and civil wars in post-independent Africa. We whites consolidate power, which means we share it, to stay strong. We may have different political ideologies and parties, but we do not **** each other over political differences, not since ****** was defeated in 1945. Joshua Nkomo and Robert Mugabe will not stay friends for long. In your free South Africa, you will do the same. There will be so many African political parties opposing the ANC, parties that are too afraid to come into existence during apartheid, that we whites will not need to join in the fray. Inside whichever ruling party will come power, be it ZANU or the ANC, there will be power struggles even inside the parties themselves. You see Mr. Bopela, after the struggle against the white man, a new struggle will arise among yourselves, the struggle for power. Those who hold power in Africa come within grabbing distance of wealth. That is what the new struggle will be about….the struggle for power. Go well Mr. Bopela; I trust our meeting was a fruitful one, as they say in politics.’
I shook hands with the Superintendent and boarded my taxi. I spent that night in Bulawayo at the YMCA, 9th Avenue. I slept deeply; I was mentally exhausted and spiritually devastated. I only had one consolation, a hope, however remote. I hoped that when the ANC came into power in South Africa, we would not do the things Ron Peters had said we would do. We would learn from the experiences of other African countries, maybe Ghana and Nigeria, and avoid coups d’etat and civil wars.
In 2007 at Polokwane, we had full-blown power struggle between those who supported Thabo Mbeki and Zuma’s supporters. Mbeki lost the fight and his admirers broke away to form Cope. The politics of individuals had started in the ANC. The ANC will be going to Maungaung in December to choose new leaders. Again, it is not about which government policy will be best for South Africa; foreign policy, economic, educational, or social policy. It is about Jacob Zuma, Kgalema Motlhante; it is about Fikile Mbalula or Gwede Mantashe. Secret meetings are reported to be happening, to plot the downfall of this politician and the rise of the other one.
Why is it not about which leaders will best implement the Freedom Charter, the pivotal document? Is the contest over who will implement the Charter better? If it was about that, the struggle then would be over who can sort out the poverty, landlessness, unemployment, crime and education for the impoverished black masses. How then do we choose who the best leader would be if we do not even know who will implement which policies, and which policies are better than others? We go to Mangaung to wage a power struggle, period. President Zuma himself has admitted that ‘in the broad church the ANC is,’ there are those who now seek only power, wealth and success as individuals, not the nation. In Zimbabwe the fight between President Robert Mugabe and Morgan Tsvangirai has paralysed the country. The people of Zimbabwe, a highly-educated nation, are starving and work as garden and kitchen help in South Africa.
What the white man told me in Bulawayo in 1980 is happening right in front of my eyes. We have political power and are fighting over it, instead of consolidating it. We have an economy that is owned and controlled by them, and we are fighting over the crumbs falling from the white man’s ‘dining table’. The power struggle that raged among ANC leaders in the Western Cape cost the ANC that province, and the opposition is winning other municipalities where the ANC is squabbling instead of delivering. Is it too much to understand that the more we fight among ourselves the weaker we become, and the stronger the opposition becomes?
Thula Bopela writes in his personal capacity, and the story he has told is true; he experienced alone and thus is ultimately responsible for it.
Steele Nov 2014
She doesn't own a mirror.

Confirmation of her beauty comes from those around her at all times.
Fawning fools adore,
jealous sisters abhor,
but all notice the shine of her hair, the tilt of her lips.

She does not dance.

Her steps lead, and dancers follow with no reasons nor rhymes. They cry:
"Lead me not into temptation",
but in her ministrations,
they ache and beg for her glance, their hearts in her grips.

She does not care for suitors.

Her heart was long ago dulled by the fencing blades of admirers. And yet I
if honest, must admit
that it is a careless abandon, devoid of wit
that begs me join her jousters in mock combat for the privilege of her kiss.

What a porcelain fool, she, to inspire such a heartfelt, bloodtaxed roust.
What sorrier the fool, me, to join in such a sure dealt, unasked joust.
I find it funny (in my black humor) that so many chase one who only wishes to be left in peace, myself included. Beauty is often a curse.
Nigel Morgan May 2014
She opened the door of the gallery and there it was, there it lay, before her, nearly perfect: her exhibition. The opening was an hour or so away and there were, naturally, a few adjustments to make, but in essence it was right, and as she walked to the middle of the rectangular space (to survey the full effect ) she felt held by the quiet wonder of it all; that she had made all this and with ‘the quality control of nature’s accidents’. He’d written those words some years previous when a solo show was but a dream she would enter between sleep and wakefulness, when she would think of the west coast of Scotland and the poetry of its seashore, the infinite variety in the seashore strand between sand and sea. It was such natural accidents of form and transformation by nature’s hand that had guided her imagination into rightness and towards this exhibition.

At breakfast that morning she had come to the table dressed to greet her audience, and for the first time as a featured artist in a festival of some repute. She had felt the quiet joy of choosing the right combination of clothes to be the public person she had now become. He had loved the new dress she had bought to clothe her gallery persona. She had been conscious of his eyes following the lines this frock so generously drew around her body’s shape and form, the way the material fell across her *******, lay smoothly on her thighs.  It was a very grownup frock and with the jacket and scarf made her look purposeful, confident. His looking made such confidence possible, his admiration and what she could tell was that coming together of love and passion that, her being dressed in this formal way, so often evoked.

In the gallery she had worried over the lighting, climbed up the metal ladder with the fluffy green glove thoughtfully provided to enable those small adjustments of direction to be made on a hot spotlight. There were four large pieces flanking a corner that had embossed lines running across their surfaces, lines that needed oblique light to reveal the shadowing of this effect of swirls and marks of a retreating tide on sand.  Two smaller pieces needed rearranging; she’d placed them, late the evening before, in the wrong sequence. Poster boards were to be filled with her poster and put outside on the pavement by the gallery entrance. She opened the main door, a very green door with its top and bottom bolts and black-painted handle ring. The street outside was a welcoming mix of 18th and 19th C buildings, hardly one the same, the sort of three storey buildings that had simple plaques prominently placed into the brickwork from a distant past when proud builders would describe a structure’s use or ownership with a title and date. By ten o'clock this one-way street was lined with parked cars, but now there was little traffic. It was a quiet sunny morning in a market town.

‘Don’t mind the dog, ‘ he said. ‘He’s used to coming in here.’ It was a long-haired verging on the side of scruffy sort of dog, used to keeping its own counsel, probably used to being taken to exhibitions. ‘Just popping in,’ he said, this man who, and she couldn’t help noticing this, seemed to hold much in common with his dog; the long, but retreating on the forehead, hair, slightly scruffy from the want of a comb or a good brush (like his dog), he had dressed without much thought (because who dressed thoughtfully to walk a dog?), and that’s what he was doing, walking the dog and, seeing the Gallery open, thought he ought to look in.

Giving him her brightest smile, she embarked on performing the artist’s music of conversation, that score holding gentle melodies and welcoming harmonies. Although she had become quite practised in talking to her audience there was always the challenging inquiry that would catch her off guard.

‘Well, are you finished with the seashore now?’ said the man with the look-alike dog. For a moment a half dozen possible answers seemed possible. ‘Could one ever finish with something so extraordinary and various as that hinterland between land and sea?’ No, that was seemed a mite critical and clever. ‘Oh, I’ve hardly started’ was tempting, but rather smug and too confident by half. ‘I just love the seaside’ would probably do, as no one else was listening. ‘Merleau-Ponty says the complexity of the seashore is a metaphor in the search for self-identity’. She did wonder what he’d make of that, but finally decided on ‘It’s such a rich source of ideas and images I’m sure there’s a lot more I want to do with the subject.’

”It’s all the same colour”. She’d had that one a few times. ‘When I’m on the beach I’m fascinated as much by the texture and shape of what I see  and feel than the colour. I like the subtlety of the colours in the sand. I think my pieces – and she waved her hand towards what she had titled her Sand Marks pieces – show so many of the different shades of colours you find on the seashore.’

Those Sand Marks, a collection of variously dyed and marked two metre plus linen-lengths, dominated one wall of the gallery. They floated a few centimetres from the white wall, and when people moved past them the slight shadows cast by the linen lengths seemed to ripple in the human-made breeze. She could never look at them without thinking how their very accidental making – binding a linen cloth with inner placed objects and using the natural dye of tea – could create such absorbing results. She would follow with her gaze one of the linen-lengths from bottom to top (or top to bottom) and find herself walking on the wet sand of a Scottish beach, overwhelmed by the clear light and space with only the sea sound surrounding. He would tell her, had told her often, how moved, how affected he had been when he first saw them hung. To him, these ‘marks’ carried an essence of this aesthetic she now owned and for which had become recognised.

Even on this, her first day, she had been visited by a small number of admirers and supporters, some travelling distances to see her work with the aura of the original, a truer view than that possible on the back-lit screen of their computer monitors. Ladies who loved textiles, the containment and privacy to sew and stitch secured in their busy lives. These friendly and smiley women (the comfortable side of sixty) understood something of what she was doing here, and perhaps imagined themselves as thirty-somethings walking Scottish beaches free from children and the relentless list-making of house and home and occupation, able to create imaginary worlds of marks and folds, pleats and textures. Full of enthusiasm for the medium, what they perhaps didn’t have was the skill of seeing, a skill she had grown up with, had always owned to some degree: found, fostered, honed, developed into a second-nature activity of always looking.

There would be the occasional brief lull when the gallery was empty or close to empty, as though needing the space to come up for breath after being occupied by people and their movement. She would then walk slowly around the long well-lit room viewing her pieces and her arrangements of pieces from different angles. She would look at his poems placed antiphonally between her work, commissioned for her catalogue, her book of images of the sea shore paired with, incorporating even, her made pieces. She’d chosen a favoured few she’d felt caught the essence of being in the sea’s company, in the sand and shore’s domain. Like everything he did it had been undertaken with the utmost intensity of purpose. She saw him now in her mind’s eye with his notebook sitting against rocks, paddling in the great shallow pools, walking head down along the tide line, those bright days on a Scottish island and before, before on that ellipse of beach by the fishing station.

He would tease out an idea formed from a little motif of words, perhaps like the very music that was his private territory: here, alone, apart we are marked by the tide’s turn. Yes, we are marked by being solitary in such unconfining space, the marks at our feet become the lines, the mounts, the fingers, those interruptions, breaks and blockages found in the tridents, chains and crosses of the art of palmistry. We read the seashore as a psychic oracle reads the hand, hoping, as Kathleen Jamie so rightly says, for the marvellous. And marvellous it so often is.

Standing in this gallery was like being gathered about by the seashore. It was a short jump in the imagination’s miracle to hear the soft breathing of the sea, the wind caressing the face, the warmth of the afternoon sun on the freckled cheek.

See how those we love are transformed
when the sea is their only boundary

a figure stands before a sand bar
in a crescent of water left by the tide
an affecting geometry of solitude
. . .


These words had always stopped her in her perambulating tracks. She thought of her son, far distant on the beach, at rest for once, still, motionless within the confluence of the elements of the beach, at the epicentre of her gaze, all things flowing to and from his tiny, far-away figure.
Kalliope  Jan 2019
My Flamingo
Kalliope Jan 2019
I hope your new life is free
Cool breezes
No stress
I hope you stretch your legs
With no worries
Your pond full of shrimp
Your heart full
I bet your feathers
Are positively pink
And always fluffed
Admiring your admirers
And I hope you know
While you hangout with your flamingo flock
Forgotten, you are not
I miss you
Vanessa Grace Mar 2016
Sometimes I feel like that broken china doll
you found lying in a garage sale last summer.
Blackened eyes, busted lip,
and threatening to shatter at the slightest touch.
I oftentimes struggle to remind myself,
it's not my fault I ended up this way—
—for even the most avid of admirers
will occasionally drop their toys.
v.g

— The End —