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Nat Lipstadt Mar 2014
a fair question, deserving of thought,
goodly soft care and hard consideration,
strangely, instantly and undeniable,
one worldly, word achieves *******

whether first or foremost,
après ma raison d'être,
cannot list, nor rank or certain state,
yet my heart repeats, nation, nation,
my understanding, instant and complete

worthy journey to self-fulfillment,
contentedly unhappy to be permanently,
one poem short on the one continuum,
the-road-trip to salvation,
my end, my finality / our self-acualization

aking pagtatapos, ang aking katotohanan
my einde, my realiteit
fen m 'yo, reyalite mwen
akhir saya, realiti saya
ma fin, ma réalité
M
write of the ifs of a man's life,
and come aboutface to conclusions,
instant and long in the making,
there are willing ears on this globe,
welcoming me open armed, opened lipped,
knowing firstly this open-eyed greeting,
welcome poet, tell us

for we are one nation, everywhere invisible,
indivisible with liberty and justice inherent,
creation our common good, in fact it is our
lifelong wares and goods, letter by letter composing,
we sell for the price of free

This then single common currency,
our ouro, derivation of
languages multi and mellifluous here spoke,
this my/our nation where birthright and
citizenship ego-and-geo boundless,
my loves, continentally arrayed,
to whom I pledge until last breath
utter all, guttural devotion

when one of us creates,
good manifests, I care not
in what tongue,
for our tongues
intertwine and intertaste
this one flavor,
communitas,
meine gemeinschaft, meine gesellschaft
where spoken
goodness all the days of life,
it has goodly gotten me to you...
inspired by an overheard conversation on Facebook between two poets, and this article about Robert Frost asking, can bad people write poetry.

This poem is dedicated to the so, so many good friends, in my life now attained, on continents near and so far away, of you I thought first, first, when this question, self-imposed interrogatory,  demanded answers.

http://online.wsj.com/news/articles/SB10001424052702303650204579376813629376986?KEYWORDS=Robert+frost&mg;=reno64-wsj

if you cannot open the article, I will send if one asks..

Filipino, Afrikaans, Haitian Creole, Malay, French
2.5k · Aug 2013
Spanish Guitars
Nat Lipstadt Aug 2013
Spanish Guitars

A few years ago, in 2011, I went to a concert of young classical guitarists.  Just before or after, I don't recall, I saw an exhibition of Picasso's guitars at the Museum of Modern Art in NYC (http://www.moma.org/visit/calendar/exhibitions/1101).
This poem ensued.  This is one of the lost poems I mentioned, recently rediscovered on an archaeological dig.


Spanish Guitars

two weeks pass.

I have seen
two guitars
one of wood,
one of sheet metal.

both were alive,
both were inanimate
both birthed for display,
useful for granting pleasure and
heating up le jus d'creation

products of a tradesman's craft,
animated to pierce my brain and
pleasure me with the realization
that when you see
what I see
When you,
you hear,
What I see
we all perforce speak but one language,
an alphabet of music, art and love

A young,
oh so most beautiful
Croat guitarist girl,
Ana, coaxes an urgency
from her love, the blonde wood,
she takes Piazzola's notes,
as if they were Picasso's thoughts
and set them within so
days later, the resonance plucks
at my temples

Picasso, like a little boy,
collects collaged bits and pieces of
life's stuff most ordinary,
postage stamps, playing cards,
wallpaper, pieces of cardboard,
cutouts from Le Journal,

and with fingers delicate
sticks and glues discrete notes,
individually nothing
but pieces of this and that,
bits and bobs
superimposed on faux woodwork,
presenting an instrument tooled to

conjures up a milonga^,
the sounds of angels dying,
a fandango of trembling tones
a sonnet of sounds,
celebrating human touch
upon animal, strings taut,

feasts both, a banquet,
a  triomphe of sounds
that tutors my senses
to hear sheet metal guitars
imprisoned in museum glass
gush sounds of parallel lines
and delicate contrasts,
A duet of animate, inanimate
Virtuosity

All is clarified.
One language.
Many dialects.
Both, Spanish guitars.


^ a milonga has many meanings, but here, refers to a Argentine tango dance party
Nat Lipstadt Apr 2016
a quote from the movie "The Big Short"

~

*a screen provocation,
you laugh out loud,
mime hating yourself
that you are joiining in
tacitly acknowledges the truth
of abbreviated wisdom

you,
disguised minority of
modest disagreers,
c'mon, admission submission,
more truth in it
than deserving of argumentation

a one liner throwaway,
neatly designed,
leaves you disturbingly
probed,
thoughtfully tormented and
aroused

poetry just a vehicle,
your vice for revelation,
the critical door to open is this:

do people hate the truth?

inescapable reality
ironical probability,
truth well disguised,
in plastic shell of lying
from the Hollywood's would be poets,
an escapade from the escapists

let us not pretend
that you and I
uncaring, for by virtue of
your reading this, you are
poetry aficionado,
required to deny the lie,
and yet,
accept
the
granular view
that we are rising writing thru the wronged end of
a telescoping microscope

so I scare scar a tissue sample from my tongue
and the cells spell
this rejoinder:

all your lies are poems,
incomplete truths,
and that's why people hate poetry
fallow lain since
Jan . 2,
2016
until today
2.5k · Oct 2013
Those words, they say
Nat Lipstadt Oct 2013
They say
Words can leap off the page.
They say
Words can cut like a knife.

Come home from watching Lubovitch's dancers
Doing crazy eights upon the Joyce stage,
Rat-a-tat and seconds to bed tablet two-handed,
Some of thy words to keep, relish and visualize.
Tongue-taste delights, imagery dreamed, conceive'd!

Read four or five and I am
Crucified.

Anguish
Unrelenting - knocks planet Earth
Off its axis.
Star watching observatories call
NASA
"What's going on?"
But hey, they don't take the
Call
I don't make
Explaining soular word flares.

Anguish
Black and bold apropos.
Its asexual attendants,
Greet me, as I lay me down to sleep,
Souls inferno'd true confessions slap
Reality TV down to a pathetic joke.
Words, thorns without roses,
Bodies ready for extreme unction,
Punks puncturing peace with no punctuation,
Respite, none,
Spite, aplenty.

Google "sayings about words," thousands exist, pithy.
Amusing, insightful, but can't uncover any that relieve
Anguish,
the way needed now, for this crisis state.

Anguish.
Say it slow with your hands clasping your head,
The electric **** stabs connect your ears, but
Like water seeking release, head southbound to test the
Cavities of the heart's boundaries, probe for the
Satisfying silent ******* screaming weak spots.

Anguish.
Say it     r  e  a  l     slow,
feel the sounds of a summary of
Many other words, subsets of misery etc. etc.

The Aingsound,
Reminder of the dinging ringing stinking stingers,
Happy in their ***** work,
Here a hurt, there a hurt,
Everywhere a hurt hurt.

The shhh sound,
Is the bitter taste residue down sinister,
Ends in it,
No wash of the body or the mouth
Removes the endless shhh sound that is the exact
Opposite of a silencing hush.

I say,
I have words too.

Though I am not now,
Next to you,
You will hear my voice,
Out loud, out now, speaking
My words, recite or
Stop.

My words:

Feel just like those squeezing hugs parents
Give their kids when they are six seven and eight.
Hugs so tight the breath stops, but no minded,
For the message well received,
You are mine, my always, unencumbered,
Safely will this hugging touch see you through the night.

Foolish parents thinking those hugs unnecessary,
When children are "old," you know, like
Sixteen, seventeen, eighteen, when
Anguish
Needs defeating then, needs them hugs,
Now more than ever.

My words:

Are the arm unexpected slung fastball of simple affection,
Over and around a shoulder sent and spent,
A best friend's gesture that says, I know, I care.
A costless measure that measures in caring
What no precious metal could dare contend.

My words:

Are hands, a corps, a division of single soldiers,
Stroking thy cheek, caressing thy forehead,
Corpsmen coming for the wounded with comfort,
Antiseptic syringes, stretchers to take away
What needs taking away.

My words:

Are a neck architecturally designed to take your
Head, be a pillow resting place, your bird house to
Shelter or hide, as you need, see fit.
There is no rent charged,
Except for what I pay you in the coin of comfort.

My words:

Drum beating chest for your rest, each beat a
Message of connection, my beats purposed to
Remind you that thousands beats more yours,
So look up raise up refreshed head, to listen
For it's the song of steady, a reminder, a remainder,
So many much chances yet.

My words:

The drowning pools where anguish suffocates,
For it cannot breathe in a world of words of
Pure oxygen that resuscitate, filter, restore.
Each breath a clarification, each one  word speaking,
No more, no mas, done, enough,
Anguish
Extinguished, banished.

They say,
Words can leap off the page,
They say.

No, you try, you hear it, the voice clarion,
These new words that travel up thine arms
Holding until the until, no end demanded,
Awe and then some,
Some more,
Healing words, meant to be read back to me,
So I can rest knowing you've lesson-learned,
Homework done, cause it is your words speaking,
Out Loud!
My words,
Become words of yours,

Your words.
Created October 17th, 2013, written on October 19th, 2013
Said and sung, simpler and better...a fav tune of mine...

Falling Slowly Lyrics  
by Glen Hansard.,
From Once.


I don't know you
But I want you
All the more for that
Words fall through me
And always fool me
And I can't react
And games that never amount
To more than they're meant
Will play themselves out

Take this sinking boat and point it home
We've still got time
Raise your hopeful voice you have a choice
You'll make it now

Falling slowly, eyes that know me
And I can't go back
Moods that take me and erase me
And I'm painted black
You have suffered enough
And warred with yourself
It's time that you won

Take this sinking boat and point it home
We've still got time
Raise your hopeful voice you have a choice

You've made it now
Falling slowly sing your melody
I'll sing it loud
Nat Lipstadt Jun 2018
dedicated to E.B.
a man of faith
~

the-third-of-three-of-thee queries,
ask this poet anything variety pack,
3 permission-granted non-deniable answers,
though somewhat unsurprisingly,
the demands are the common deeper commonality,
yet finds the poet
flat footed, tongue raveled, searching
repeatedly for le mot juste, answers he doesn’t prefer to task,
by asking himself ever
directly

fingers and tips knotted,
their cooperative sensation severed,
unprepared to answer
deferring, with a weakish,
“it’s buried in plain sight in the
thousand + poem answers resting here
for a someday funeral oratory anticipatory”

all the tired, tried and refried and endless recycled responsa tossed into a barrel of formaldehyde;

in dissolution, perhaps the solution?

numerous are my recorded “dialogues,”
verbal battles with spirit authorities,
plenty of cursing and finger pointing
and not of the Sistine Chapel variety;
mutual forgiveness for human and supreme  errors,
not always, hardly ever,
on the tabula rasa menu

but you think
a principle, responsum est constituta
(from the principal, the answer can be derived)
therefore, yes, he must be...

but
the poet replies faith in what,
meaning he has the surety of none

then!
the phone rings and the poem begins:
in a voice of heretofore unknown register,

<•>


“I am the highest authority
none greater

I am but and only the first creator;
my touch operates at the spiderweb level,
the muse of muses,
present in the first grazing garden of lips,
the cacophony clarity of the avians swapping stories
in the early morn,
my worldwide alarm clock,
the wafted word,
breeze born when any poet stumbles on what comes next,
I am scented cherry blossoms, the breath in the iris newly come, and quickly gone,
the spiders web
where there yesterday there was none,
I am the first poem,
and will be the last

the new skin neath the scab,
the cooing of a grandchild that
sun melts hardy men grizzled who think
there is nothing new under the sun

the counter movement of every wave that shushes,
requesting global silence,
even when no human present to applaud

I am the smile upon the surgeon exiting
the operating room,
his right hand of confidence,
the arm draped upon a strangers shoulder
who weeps unabashedly for
undisclosed reasons that do not matter

you ask the poet
is he a man of faith
a bewildering query that obtains
diffident daily responsa, for the very question
is an ever changing variable

easy come and easy go
for what is faith but a traveling circus,
a summer day, forgot as it melds with next,
faith in?
me? hardly...

who could sustain a belief in the invisible hand that is the breeze between blades of grasses where the snowflakes will later accumulate as if nesting

even faith in himself
is a passing cloud,
a short term rental

but in that instance
he is faithful personified
for he “discovered”
the next word to close and complete,
the poem that did not exist prior

thus faith stored and restored
he believes once more if but for
a seconds-long knowing a defining of
faith

  thus he is neither solved or dissolved;
yet, is resolved to keep getting
closer to that completion
that affords him, or any poet,
to own the faith that affords belief
Nat Lipstadt May 2016
~~~*

this old man's tiddlywink, land-locked words,
runted, blunted instruments,
needy for release, the balm of salvation,
woods, neither silvered or exacting,
more a spit stain polish for a dulled, tarnished brass spittoon,
smoothed 'cept for the brute brunted bunting
of christ-crossing railroad tie lines,
all across his roughened terrain'd face,
a black and a white Degas
pen and ink etched illustration
of howling agitation.

the concrete moonscape
racked upon his soul and face,
mapped remembrances of variegated Judas kisses
each left in a pockmarked hidey place,
tired principles bent, bent from sacrificing oneself,
a rockstar burnt offering,
to any deity that promises illusions that time,
can be healed, all its cursed residues & sins sealed,
in locked antechambers, fully furnished rooms,
rentable for perpetuity if so desired,
but irony dictums diktat says you've locked yourself in,
in circular spaces where every angle stab-states:

yo, there are no unpainted corners for escape,
no day of atonement on your petite universe's calendar,
nor a host of worthy words that can e're suffice,
so howling makes perfect sense

inventory the wasted errors accumulated, accentuated,
uncovered by the howling of only "I'd known better,"
his accountants all jolly rip roar laugh,
when you beg them to ******~reduce jail time of
ancient leaden bulletpoints from the taxes future payable,
they profess there is no statue of limitation from any authority's press
for dues owed arising from your own imitations,
they mock me by howling in poe-ing unison,
"nevermore, nevermore...forevermore"

the contradiction of those criss#crossed fine lines,
each pointing in no direction, a trap of inaction,
fie, fie, on the double dealing hand you have dealt yourself
in the game of liar's poker, where all the face cards curse with smiles,
pretend portents portrait paintings of only rosy outcomes,
each a one way sign,  each pointing to a different,
magnetic compass course in a world
where all polarity confused, reversed,
so wayward, the only direction home

before Rembrandt's self-portrait @  Met Musée, he worships,
the painter's hipster jaunty hat pouty-pointy stating,
"what me worry,"
but the cracked crevices, whisper even louder,
"nothing left to lose,"
in the gallery, all stare, misunderstanding why,
why you weep profuse in perfect recognition at the
mirroring witness testifying, from whose pixels you cannot be protected,
each agitated paint pore shouts words of 
"j'accuse, j'accuse"
in a dulcet howling harmony

words lip locked, no exit, traffic jammed inside squirrelly cheeks,
scabs form, mortar and pestle a pus paste of
jumbled sounds and tongued blood,
a delicacy of swoosh and swish spit,
ugly kept behind prison bars of yellowed teeth,
a vile concoction of glorious bile of new combinations,
destined to die unuttered,
the howling all internal, becomes silence,
and yet, here,
here lies buried proof positive,
"even silence finds a tongue,"^
even words, unspoken,
yet, mind-reader read quietly,
permits the howling agitation exorcise and surcease,
rein to escape
inspired by David Hare's  play about Oscar Wilde,
The Judas Kiss

^John Clare (English Poet, 1793 - 1864)

composed April 30 ~ May 15, 2016

this will likely be my last poem for awhile
2.5k · Oct 2023
“What can a poem do?”
Nat Lipstadt Oct 2023
“What can a poem do?”
—————————-


”A poem
is a not a tourniquet
when you’re bleeding.
It’s not water when you’re thirsty
or food when you’re hungry.
A poem can’t protect you from an airstrike,
or from abduction, or from hate.
It’s hard to write when our words feel
like they’re not enough—they can’t do
the real, tangible work of saving lives,
or making people safer.”

(see (1) Maggie Smith)

<~>

as is my wont,
I write,
as is my Natted~inhabited,
retiring to the local watering holes of
Cerebrum & Cerebellum,
them regular haunts,
where all requests are mailed, processed, satisfied & marked;
‘return & render to the sender, who’s on a cerebral ******!’
and that request?

‘give me the words’ (2)

those ‘to do’ words, floaters, direct to top of list,
those ‘can do’ words, that can effect the affect,
spare the despair, realize the fungible, concretize cures,
soften hard waters, giving a worsening worn life fabric a
curated baby blanket feel, a 4-ply human tissue of

‘words that tell me everything’ (2)

salve solution verbs that bounty-wipe spills in entirety,
vacuum up spillage spoiling of 17 days of terrible nouns,
uncovered-unknown rages caused by inflicting prepositions
released a hatred rising,
safety rebury it deeper, drug & destruct the sleeper agents,
and let me start over again with

‘telling me everything by saying nothing’ (2)

the pausal silence, the quieted spaces tween the heartbeats,
where ‘reflection,’
the noun,
and its world of alternations,
reflection,
the noun,
look inwards, but shining outward,
this, this!
is where the poem goes to do!
enervating & arresting

its contradictory powers
rock you into wild docility,
possessive and submissive,
contradictory interferences,
smoothing the roughness,
closing the gaps it opens,
healing the caused truthful cuts,
with words that tell you
everything and nothing,
open the holes, filling the gaps,
that is what a
poem do,
in and by
the manner it is spoken…

<~>

“Sometimes a poem is the stone you carry in your pocket—the one you rub when you’re worried.  Let’s fill our pockets with poems.”
(see (1) Maggie Smith)
(1) Maggie Smith Oct. 24
(see link https://open.substack.com/pub/maggiesmith/p/what-can-a-poem-do

(2) see the lyrics  to”In a  Manner of Speaking”
2.5k · Jan 2014
A Poet's Anthem
Nat Lipstadt Jan 2014
Reworked and resubmitted, and this time to stay.
Anything you say can and will be used...


excited utterances,
acerbic witticisms,
utter stupidities,
elegant inanities

can and most assuredly
will be used
evidentially, eventually,
about you
in the court of poetic
justice

as inspiration,
original source material,
proofs of our collaboration
with the enemy,
whom Pogo
fathomed long ago, is
us

a Vermeer-vectored light ray
will reveal with luminous clarity,
all that you have spoken,
been secret-thinking,
template of colors for
future etch-a-sketchers,
inspiration for future poets,
far, far better than
me

this dishonorable, low repute,
poetic eavesdropper,
poet-as-recorder:
revels in the smoke and ash of
absurd, common sensible
trash,

the trite and tragic,
the pith and prissy,
the calm and hissy

all your lovely revelations
of human frailty
and asininity,
most adorable,
(except for those scarface
treatises I despise as
never justified
self-pity)

that you n' I are blessed
to have combinated
in a manner most
curiously original,
now recorded in my
digital memory,
proving positive the unique,
discreet charmes de notre
humanité

Even your silences are
most curious fodder,  
the sighs you sigh
so hard
and yet again, even
harder

unfair game, mined as
veins of golden material
for my aquatic scribblings,
as I float downriver on
currents of compulsion
to promote vicariously,
our joint disjointedness,
our grade A, prime choice,
recombinant and genetically improved
absurdities

Rembrandt will honor us,
we as the Comedic Elders of the City,
paint us upright
avec expressions most suitably gravitas,
but see the poetic jester,
funning underneath the table,
in manner most levitas,
out-sticking his
protubered tongue,
like a common geni-***,
a la maniere de
Einsteiny
and he will be
the one
future generations recall

when I cross over the Styx,
limbs turned to
potash, dust and trash,
my blush transferred to earth,
to color the good earth red,
my body eradicated yet,
our body of work extant
a written record of us,
our very own
Dead See Scrolls,
shall be an amuse bouche
for our loyal satrapped
retainers

Let the scholars

dicker and obfusicate,
delve and explicate,
each turn of phrase

write tomes on the
catacombs, where in
jar and cracked vessel discarded,
these Poems and Catechisms,
the collected processes
of our mutualism,
your edicts,
pronouncements and verdicts
captured as
dots and dashes,
zeroes and ones,
wait most patiently
for shepard boys to find  
in the year 2300

you err most grievously,
if you relegate
this note
to the dustbin of
simple ditties.

take these words
at plain face,
and
look not askance
at this fair warning,
for I am
but a tragic,
empty vessel
for you to fill,
you are the raconteur,
me, just a  
poet poseur~extraordinaire,
street urchin,
word merchant,
all my verbally,
wordly goods expropriated
from the wind,  
where your scattered thoughts
lie about, carelessly
unattended

Mock me not,
for anything
you say to our chagrin,
will be fully attributed
and recorded on the Web
of long-lived
embarrassments

A fevered dream
you might say,
rumors and excuses of a
vision of drug induced haze?

a theorem most plausible,
but the redacted versions
will not conceal
that all my words
were Indo-rooted in
a dialect called
collaborative

this I pen
partly as apology,
partly thank you note,
written notice,
subpoena served,
for as long
as you emote,
my fingertips
will gleefully record
with love abundant
in their artful device,
your mutterings, putterings,
and in-cahooting

right here, shall be,
wrought and wrote,
treasured and kept
anything you say
that can and will be used...
to express our communitas

Written June 1, 2011
Nat Lipstadt Sep 2013
He taught them well
~for all the teachers here~

He cared enough,
So much so,  
Reasoned with them.
Never diminishing their simplest prose,
Even if it rhymed with rose....

He loved them in his way,
Once his student,
This year, then forever.

Their woes he read,
In every submission,
No threat treated idly,
He knew but one grade,
Caring.

One rule strictly observed,
No touching,
In this sad age, a crime without
Any absolution.

Then came a day.
School arrived, pre-bell by ten minuets,
His customary arrival time.

This day different.

The long corridor to the classroom entree,
Lined like Noah's ark, two by two,
On each side,
His students past and present aligned,
They would not let him pass,
Till he hugged each and everyone.

Thus, they taught him well the meaning of

Just rewards

For they were his,
Yes, they were his,
Not for the taking,
But for the giving.

His subject,
Creative writing,
of course!
Wrote this just now, 517am,  just fell out of me from absolutely no-idea-where-from. A dream for my next life, perhaps?
Nat Lipstadt Dec 2015
~~
Dialogue and Oratory Between
SPT and Nat:

~
At the Intersection of
Perfection & Beauty,
By Blue Candlight


~~~


come let us by and by,
soon meet,
under blue moon candle lit sky,
at this worthy intersection of
beauty and perfection,

be together,
contained,
yet unconstrained

let us speak of what
we see and sense,
come to come
to know,
of what does not appear
in this world easy readily,
what lies between
two points,
sharing,
needy of,
crossing destination revelations

It's said of beauty,
once uncovered and
gazed upon whole,
be visible only at the
bottom of the bin of the
picked-threw,
it was here, where, perfection
once was lost
and may yet now be found,
where souls,
singled and singed,
seek to find of,
the perfection lost,
the untarnished beauty
within ones self

from the meadow can be seen
The Field Where Wonderment  Grows,
wild is the bounty of colored beauty
then
and only there,
can oan one,
locate, judge and
accept
what never departs
a self


at the road'meeting point,
at our time and place
appointed,
arrived but come
disappointed,
crossed and creased
by the journeys
travels and travails,
burnt blind,
eyes by life's headwinds,
singled and singed,
and the mind disbelieves, doubts,
the existence verily,
of the locale,
beauty & perfection
from Feb. 21, 2015

Spontaneously combusted; collaboration by, SPT /Nat Lipstadt
'Twas for the first kiss
Reconnecting steps
Together filling spaces
A hallmark of events
Crossing bridges burning touches
Lacing fingers enhanced
A finality
Of our final descent

our smiles
connected,
a pathway molecular
a synapse over distance
thru mindfulness,
two poets embrace
their eyes closed
while opening for the last of the
first times

It was then
she embraced his voice
For not reading his words
For the first of the last time
Tracing his lips
Embarking eternal

lastly the first
was the best,
the fluids tasted
for the first time
we're the most pleasant
scars upon lips
that never forgot nor ever
obtain the same
sense of greatness,
though not for wont,
though not for want,
for such is nature,
Tis the first
that is the most
lasting

Please come back
I'll miss you ever more
It was just like that
I turned to look
And you were gone
Leave but don't leave me
I'll be here when you tire
On bended knee
Like pillars of strength
Surmounted by you
Together we shall
Be the bridge
That together bond
What could never be gapped
You and I
By time and space
Please, I beg you
Look back

look back, an impossibility,
the ******* word lock that joins two poets
at the lips, the hips, at the places
light never sees,
defies atom splitting,
defines the fire pillars
leading us through the dessert

No leaving what is yourself
Physics denies as a first principle,
the circularity of spontaneous combustion
cannot be severed ever,
and he lover/loved her from the first
teasing message, and the last
first poem kiss,
that closed their
sensual space

For they were each others first
And last
To leave
With a kiss
What words could never express
Spontaneously combusted
Nat Lipstadt Jul 2023
are the strongest muscle one needs to exercise daily in order to

live not only a longer life,

but a better one too!
<>
2.5k · Oct 2014
For TM: What Would Eryc Do?
Nat Lipstadt Oct 2014
<> for the love of friends<>


How does one write
of one he knew not?

the ancillary evidence
mounts relentlessly,
the double toil and trouble moments
edged now, slow vanquished by
steady accumulation
of the evidentiary

a man who lived his life well,
will be inevitably,
nay, justifiably, deservedly
be well remembered...

one examines the evidence with
eyepiece lenses calibrated
to one's own soul,
for this is the natural condition
of humanity

yet wonder,
what manner, what scale,
does one rightly employ
to judge another's  
plantings in the soil?

rightly judge another?

then you hear
a woman say,
she knew not knew
this man Eryc,
revealing an honest tertiary,
even cursory knowledge
of an anecdotal life well lived

our shared quandary,
yet she solves
this judicial issue
by asking of herself
a question
so stunningly elementary,
which both
asks and answers
the double risk
you have imposed,
to write of one you can never behold,
and in doing so,
judge thyself...

What Would Eryc Do?*

this crystal rapid current question
erodes doubt, the fear to tread
where one knows not
when a stranger says to another,
indeed to many others:

heard tell of this young man,
and know now to ask myself
when I too am junctured, in doubt,
What Would Eryc Do?

there is no doubt, no juncture,
just a provident question
a makers's mark
of and upon a man,
whose future shortened,
will live far, far longer than most,
if one simple applies
a standard to one's own life of

What Would Eryc Do?
Heard a woman who knew of this man,
from family and his character.

And began to ask herself in troubling situations,
What Would Eryc Do?




for my dear friend
Nat Lipstadt Nov 2013
Consanguinity: A Commissioned Poem
(How Well Do
You
Know Me?)


This request, from wolf spirit aka quinfinn, accidentally hit the spot of what was foremost on my mind.

Cosanguinity:  A relationship by descent from a common ancestor; kinship (distinguished from affinity).  A close relationship or connection.

Poetry, mine, yours,
Ours,
Invades my consciousness.

We write poems on the same subject,
Even the same title,
But a few days apart.

Insanity,
Coincidence,
or
Consanguinity?

Perhaps we are reading each other's stuff
Too much.

But that's crazy,
Or
Consanguinity?

Yet,
And yet,
We see the same things
So incredibly different.

That is the answer.
We see the same thing and I am
Struck down.

A billion sights.
A billion words.
Yet, the human computer,
Sorts, collates, and generates
A billion different writes
In a similar spirit,
Employing the same phraseology.

All right.

Alright.

Malaysia.
Minnesota.
East Coast.
West Coast.
Geographical differences.
Time differences.

No difference.
A billion differences.
The stylistic differences enable,
No, correction,
Ennobles us to coexist,
Value each other,
Learn.

Observable differences.
But more interesting,
More pleasurable,
are the incredible, visible, signs of
Consanguinity.
Mere affinity?
Kinship.

A poem?
Nah.
But at 1:11am in my location,
It's what's on my mind.
Now that I know the meaning of
Consanguinity.
Somehow in my mind these two poems are linked.


Place your ****** hands upon thy chest.
Let them melt thru and come to rest,
Inside, the battle ongoing, under thy breast.
Watch, eyes open, knowing, fearful.
Swiftly, with no hesitation, from within,
Rip open your body, exhaling the best,
And the worst of what you got.

The cool air rushes in,
Stirring the inside stew of:
Infected grime, shameful desires,
Secrets that should not have been exposed,
The ***** stuff that you alone know exists.

Contact with the atmosphere makes
Self-pity dies, blue blood turn red,
The TNT tightness explodes,
Ashamed, you have only one escape hatch.

Now, you are ready to write.
June 18
2.5k · Mar 2014
easy like Sunday morning
Nat Lipstadt Mar 2014
for Joe A., who wishes me that
"may your best days be in love's sight"

your kindness in words,
over the top,
unduly undue

"my best days"
très charmant,
mais aujourd'hui

students surpass
the teachers,
cause
sad, bad and life
tag trending
and we~me,
are simply
Sunday~done
with those

nowadays,
grandpa's tools
outdated, shelved,
in their final
resting place,
blades dulled,
the technology
of his verbiage,
rusted by old age

the reads diminishing,
his touch, antiquated,
his best days, resting on top of
the ocean internet waves
his summertime buddies,
sand sun grass and sea air perfumes,
singing, awe we got ya,
cosy and comforted,
awaiting you in your chair,
overlooking our truest
sheltered applause

my best words
turned inwards,
collecting recollections,
rereading my solaces,
and content that

my body,
still stirs,
when joined by
Barry White and Lionel,
forgot like me,
yet happy, in bed
with us

so you see,
Joe,
you are half right,
the right half

on my bare chest,
blonde tresses,
blanket, keeping me warm,
easy like a Sunday morning

so turns come and go,
no more down the slide,
running to the back of the line,
up and down again and again

time of the tool and die maker,
to cut loose,
learn by crafting daily,
and not from the books


Ooh, that's why I'm easy
I'm easy like Sunday morning
That's why I'm easy
I'm easy like Sunday morning^


write for me, write for her,
for with her,
in love's sight,
life is
easy like Sunday morning,
and
that's why I'm easy,
like Sunday morning
I find inspiration in the private words y'all send me, your messages,
become your poems

Sunday morning, in bed, March 23rd, 2014

^ lyrics by Lionel Ritchie, "Easy Like Sunday Morning"
2.5k · Aug 2013
The Blue Men of the Minch
Nat Lipstadt Aug 2013
The Blue Men of the Minch



It is told that In poor weather or big seas, the Blue Men would come for you.  They would haul themselves—embodiments of storm and high water, malicious mermen—onto the deck, ready to pull you down. But then, they would  give you a single chance. The leader will throw you a line of verse and, one by one, everyone on board, from the skipper down, needs to offer a reply in like rhythm and meter. If by some chance all can answer poetically, the ship is freed and the Blue Men, those slimy *******, slide away to find another victim.

http://celticqueens.blogspot.com/2011/02/blue-men-of-minch.html

----------------------------------------­----------------------------------------------------------

Sept.­ 25th, 2012
2:51 AM

Thus it is in the real world.
Cancer, death, betrayal, disillusionment,
("Whatever," he snickers)
Rises up quick, bitterly blatant and obvious,
Pulls you down slow, enhanced by a phony lover/friends in disguise,
Eager, learned, in the ways of drowning you,
Testing you all, all of us poets,
Under fire, under siege, facing inevitable defeat.

Yes, you too, a poet.

You misheard.
It's not the poetry in motion,
But in emotion, where you too can win
A noble peace prize.

On certain days,
In uncertain times,
We are all Olympic athletes, poet laureates.
Some train all their lives for the seminal,
Most of us, wholly unprepared for the eventful,
Or worse, the tempered draining of the uneventful.

In the place where anger and fear commingle,
When the battery is dead, the only pole negative,
When sounds of life energy discharging skin-tingle,
In the hour, when the unemployed wake and walk,
Their past and future human debts crowding all other thoughts,
When the parent-less child cries out to the sound of no answer,
When we ask, why is my bed empty of love,
The Blue Merman are visiting and vesting,
Recruiting on your campus for new graduates.

Small, half consolations is all that's left on the table,
Single words, trite phrases of repetition,
why me,
Yield no comfort,
sate not, deafen and infect ache.

So commandeer the words hidden within,
Sort them by rhyme and meter,
Answer the critics, bend them over to your way,
Write your own poetry, fearing no ones judgement,
Put your self out there,
I have so many times.
Death, betrayal, disillusionment,
Regular visitors in the upstate prison cell of my head,
Are all greeted with new poems of old words,
Sent packing, but confident in their inevitable return,
I write defensively between their visits,
Best prepared, a good offense is eloquent literacy.

You offer me Xanax,
I offer you this.

Your endless supplies of potent, bitter pills,
No match for recombinations of Webster's diction,
All of us lesser poets of a higher degree.
Fresh out of inspiration so I dug this one out of the sewing box. Understanding takes work, time, reflection, most I suspect will read and discard....not bother to chew on it....I write defensively between their visits. Best prepared, a good offense is eloquent literacy.
Nat Lipstadt May 2013
As long as there are teenagers extant,
Anomie and alienation of
an unripened generation
Shall spill upon this site in cliched cries,
Dabbling with threats of pills and lies,
The endless pain felt gives one fright.
To this old soul who wonders silently,
Will these thousands of pained children
Make it through to their next incarnation

So much angst, so much anger,
I wonder if God created poetry
To salve their wounds

Their unknown futures loom,
But all I read is  hurt and doom.
You shall survive, children.
Awful poetry, some good,
you will write.
But write and write
till your heart be calmed

For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.

This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, quiet like, praying,
Hallelujah, spoken in the original,
The tongue of his ancestors
May 2013
Nat Lipstadt Aug 2023
~for Isabel, Alex & Wendy, Theo & Rose~

be reading Whitman and Hafiz,
adding some Shelley and Frost,
for (no salt) seasoning, might add in
a biblical, King Solomon’s be-loved,
sugared Song of Songs…

won’t need to go far, on my nightstand,
search & reach, to love and preach to
generations next, a lesson last & simple:

read, read, read there by learning,
how to first define, then preserve the
variety of feelings rising from within!

here’s a starter morsel from Walt,
sort of a summary of how to do it,
all well and proper…
poppy

”This is what you shall do; Love the earth and sun and the animals, despise riches, give alms to every one that asks, stand up for the stupid and crazy, devote your income and labor to others, hate tyrants, argue not concerning God, have patience and indulgence toward the people, take off your hat to nothing known or unknown or to any man or number of men, go freely with powerful uneducated persons and with the young and with the mothers of families,
read these leaves in the open air every season of every year of your life,. re-examine all you have been told at school or church or in any book, dismiss whatever insults your own soul, and your very flesh shall be a great poem and have the richest fluency not only in its words but in the silent lines of its lips and face and between the lashes of your eyes and in every motion and joint of your body.”

Walt Whitman

Preface to Leaves of Grass, 1855.
Walt Whitman, c.1887.
August 2 2023
readying for surgery
2.4k · Nov 2013
Short Shorts
Nat Lipstadt Nov 2013
No,
not short poems.
honest to goodness
short shorts,
jean-like short shorts.

No,
not those kinds that
the young girls wear,
jean lookalike stretch fabric,
skin so tight it makes
their ole daddies' faces
wince the same color blue.

in the middle muddle of fall,
now you write of short shorts?

Well, I was told I could not write this
till after the summer was final gone
from the rear view mirror glass.

Once I wrote/imagined about
a woman of a certain age,
who emptied her armoire drawers,
time to transition and take things
that could no longer be,
to the thrift shop,
for others to be
thrifty in.

Except for one bathing suit,
a two piece back from the days,
when two pieces meant
you were proud
of what you had and
what you didn't have -

the same suit she was
wearing grabbing her little son,
then a man of six or seven,
(now a dad with a son,
of three or six or seven),
in the photo on the night table,
some thirty dreams ago.

Man you take a long time to make a point!
what's all this got to do with short shorts?

one summer day,
a woman I know,
an actual
fire-breathing dragon,
went thru the drawers
of her ***** blonde armoire.
there she "found" a pair of
shorts shorts, from some
thirty dreams ago.

it did not take
too much encouragement,
just a little courage
to try them on,
thirty dreams later.

now these short shorts
were the old fashioned kind,
they look liked cut off jeans
but were not, they had rolled up
cuffed bottoms to increase the illusion.

They no longer fit!
Yup.

******* short shorts were


loose


around that curvaceous waist,
known as my favorite place.,
where I rested my head once again,
after,
we celebrated.

that is my poem about short shorts
that I've been carrying round
until the curfew was lifted.

but even tho I like short shorts,
I'll never ask someone to wear them,
risking scorn and mockery,
but I know for a fact,
those short shorts did not



**get thrown out.
Nat Lipstadt Sep 2017
for Jul
<•>
your style, it is who you are

some can dance only to the music of haiku,
some, in anger birthed, can only call out, cursing the world,
with poems beginning and ending with a rousing fk you

your style, it is who you are

most guilty of only perspective inward,
micro-scoping to the cellar cellular level
where in glass stained slides everything revealed, criticized,
the tissues of selfish, the cancerous fears, the shocking
discovery that we are mostly mineral water of kindness galore glory

your style, it is who you are

a few see a solitary leaf,
gravity kissed, flutter to mother earth,
and write of a voyage re-versed,
life in ascendancy,
upward bound, and cyclically, seasonally hopeful,
a reminder that the straightest lives are but a composition,
a series of rainbow colored curved lines,
connected dots on an arc of two by two,
say it's so, Noah!

your style, it is who you are

a handful see the morning daily in their first cuppa,
thinking
"when I look up it is quite possible,
will see the moon and the sun simultaneous occupying
a sunrise and surely more miracles
are possible, unseen, unnoticed, god bless"

your style, it is who you are

some will have their inscribed words endure as long
as the Georgia granite, their retainer, resists the elements,
overlooking the marks left on the human brain that
are a poetic monument invisible but far more
everlasting

your style, it is who you are

one or three, will write daily, chasing music, trying to forget
what just cannot be, and the abased case, there is no
The End
when offered a choice
to chase reborn every time, or not, always choose,
just another photo or poem continuum
for memories are multi-generational in both

your style, it is who you are

are you the one who loves to write, but more so,
writes of love over over repeatedly, for the words
exotic, ******, poetic and ultimately infinitely~intimately,
one and the same?

are you the young one who needs to expiate the sin
of a broken heart, a broken home, a brokenness so
persuasive there will be no relief until someone
person n e w will be a stumbled-on, and the earth will be
torridly recreated and the prior ache just a discarded bandaid,
come the go-morrow

your style, it is who you are

some write to heal, just to feel, to be sure,
they are who they claim to be, wise old young men who've seen too many big rivers that cannot be man-made dammed,
and even the tiny eddy flows of their skin will generate electricity
in praise of nature, never realizing that the human kind is
always the ever greater

your style, it is who you are,

those who are confined by the ropes of rhyme,
or to a script pentameter beaten and measured,
to you, gift the freedom to scream any way, any time,
that pleasures us all with words jointly treasured

your style, it is who you are

some in their garden write in both wistful
contentment and dissatisfaction of things
never to be crossed off, sallied forth, on the list,
but no mind, no matter, the generational ladder climbed,
looking ahead is a looking back of a life richly deployed,
and even the many...in between the poetic words,
and the poetic days, when one day, will be filled in,
these...
will be will be the pits, the seeds bearing still
more of the ripened fruit of that tree

your style, it is who you are

me?
as if me mattered, the littlest bit,
surely the o'clock nearest,
a boundary that cuckoo states
like a good ole friend,
dummy, as usual, you've gone on too long,
but that's your style, it is who you are, so leave some choice,
Grade A, poetic cavalcade of noises for the better poets,
who come everyday, new babies for a better day,
leaving me behind, so happily contented, to be just another scribbler

in my style, it is who I am
  
<•>

September 3rd, 2017
2:01am ~ 3:01am
the message I guess is best
to stick to who you are,
especially in our writings


"keep me where the light is"
John Mayer
Nat Lipstadt Jun 2013
Scattered Thunderstorms

The radar shows a band of multi-green storms,
Parallel running to the East Coast,
Stretching from So. Florida to Falmouth, Rhode Island.

Path-dependent, the edges skirt my present location,
Instrumented, but not weather resistant,
Water teases, invites me to a head clearing session.

Breezy gusts of overcast, caramel salty bay waters,
(weirdly calm),
Spray sprites whisper, scattered thunderstorms, starboard side

I am the only boat out, especially,
The only one going for sure aimlessly,
Radar non-discriminatory, stupidity legal,
So fools like me go out alone.

Scattered Thunderstorms,
Unavoidable, summer's favored annoyance of choice.

The melancholic platelets budding off my bone's marrow,
Forming wondrous clots of sadness,
Running strong in the currents of my veins,
Downtempo'd, there is no relief for
Inside of my radar scanned brain, the scattered thunderstorms,
Have arrived much earlier today.

What sourced this elegiac distich,
Too many poets, fully disclosing their downbeat, aroma of defeat?

The world is in a **** mood, not one of us, got nothing
Good to say, seems that love storms ripping hearts
With no trace of mercy, the radio has elected nonstop
Taylor Swift and Jonas Bro's
Just to make the point!

It is so easy to feel ******,
When the sun is unshining, elegant distich, **** me.

Thinking back, getting a good idea,
Found some long necked Corona overlooked,
Turn on the tv, pretend I'm a real cowboy,
And for god's sake, shut down poetry,
Good Bye Poetry, for the rest of the day

Value you more than me, but you've worn me down
My blood streams your anguished distress,
I cannot survive these scattered revolver-repeating
Anguish-Cries-For-Relief from the Thunderstorms,
That now having reached, breached,
That now, having infected my heart which started
This day brow beaten,
First poem of the day, already shell-shellacked,
Now, I must shut me, batten me, down.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
The average lifespan of a platelet is normally just 5 to 9 days. Platelets are a natural source of growth factors. They circulate in the blood of mammals and are involved in hemostasis, leading to the formation of blood clots.
2.4k · Jan 2014
Mystique
Nat Lipstadt Jan 2014
Mystique

- a framework of doctrines, ideas, beliefs, or the like, constructed around a person or object, endowing the person or object with enhanced value or profound meaning: "the mystique of Poe."

- an aura of mystery or mystical power surrounding a particular occupation or pursuit: "the mystique of nuclear science."

the mystique of Poe,
the mystique of nuclear science,

don't you see the irony extraordinaire,
the perfect intersection of
human and science?

atoms of a poet.

what, who better to
radiate
the profound complex meaning of
mystique

smile while
commencing the
delving, inhaling,
comprehending,
subsuming the
aura of human cells
odors of the atomizer
flavors mellifluous
chain reacting

the set theory of all my senses,
at the ultimate overlapping
of the primordial intersection
of the nucleus.

I am the living scientific proof,
the written poem,
the
realization of mystique,
the enhanced value
of the human you.
Written to Copeland's Variations on a Shaker Melody

For she who knows where the inspiration came from...
2.4k · Sep 2013
Ferry Me
Nat Lipstadt Sep 2013
Ferry Me

Ferry me, but once more.

The last ferry rides of Indian Summer,
Always arrives on schedule which is
Always and precisely, too soon.

Then, the imprisonment months,
Sentence, indeterminate.

A Grand Jury trial of months,
I, and my co-defendant,
My sanity, this time, the Oddsmakers say,
Won't survive the lockup.

The source perfume of driftwood words,
Very ferry distinguishing marks,
Sails and seagulls, diesel fumes and saltwater,
Sunsets and seagrass, flying fish and multi-mollusks,
The stuffing of my summer turkey, the currants of
Poems and dreams, sad-eyed longings...

Now,
Evidence used by prosecution,
Confession freely uncoerced,
I Am A Summer Man
Adjudged and convicted,
Guilty of Winter's Discontent.


But it is these last few passages,
Not of words, but over water,
The absence thereof, crush, ravage,
Worse than any grey calendar captivity,
Forlornly, I mouth silently, repeatedly,
Ferry me, but once more.

The course, straightforward,
Voyager, but a few minutes, but long enough to
Love it deeply, need it like a fix,
The mania of the mainland left behind,
The island, thinly lit, more shadow than real,
The approaching dark, shelters, comforts, embraces.

Perhaps, likely, I deceive myself.
No matter how the island comforts,
The brain always rumbling,
Can never make stop questioning,
Prisoner of 24/7,
But it is lessened, left behind,
As I am ferried away both,
In body and in mind.
Nat Lipstadt Nov 2013
I sorta sleep in my underwear.

Another lie.

I sleep in the ****,
when I have the energy
to remove the day's toil off of my
skin, which is not so easy.

No special creme, cleanser.
too tired to tirade, living life,
fall in to bed worn,
shoes et. al., the ones that need soles.
you already knew that.

wake up in the dark.
start to disrobe,
and soon enough, *******,
another poem done.

the poem of course is me ****,
so you get to see what
is under what I wear.

So I sorta sleep in my under-what-I-wear,
is not exactly a lie,
just me dissembling^
and/or disassembling
another day in this life.
^ dissemble verb, dis·sem·bled, dis·sem·bling.
— verb (used with object)

to give a false or misleading appearance to; conceal the truth or real nature of: to dissemble one's incompetence in business.
to put on the appearance of; feign: to dissemble innocence.
Obsolete . to let pass unnoticed; ignore.

A humorous adjunct to this
Nat Lipstadt · Jun 15
How I Defrosted My Woman
Or
Nat Lipstadt · Sep 8
I don't sleep in p.j's
2.4k · Aug 2023
The Fatigue
Nat Lipstadt Aug 2023
The Fatigue

is newly familiar, but familiarity breeds
surrender, not contempt, for its powers
are overwhelmingly secretive, coming anew,
stealthy like evening fog, all encompassing,
departing when it chooses, only by choice,
fearing not day or brighter burn of sunlight,
or even the insistent rules
of the mathematics of a timepiece


it hides within the ordinary, the mundane,
the onerous lifting of the fork, the exhausting
chewing, chewing until sleep offers distraction,
but not necessarily relief, for the chores of
living, are an endless looping, and the fatigue

does not recognize the clock, the body’s rhythm,
only its own schedule, I proud man, am but its
vessel and vassal…
Aug 22 2023 11:03pm
Nat Lipstadt Apr 2015
"I suffered, so, I learned, so, I changed"

her pale white arm,
back and forth,
flashes before my eyes face,
cutting my few blonde many grays,
she tumbles pieces of
now dead me,
to the floor,
in cut wet clumps

there, across her underarm,
placed there to be but
half-hid,
my Bostonian via Albania haircutter,
(I am a human explorer)
reveals a tattoo uttering
in Arabic
that cuts me
deeper
then any scissored blade
she metal possessed


I suffered, so,  I learned, so, I changed

revelations daily granted me,
this one,
incomprehensible,
as she cuts,
I imagine,
my mused blood superheated,
clotting this poem

oh the words are readily understood,
but unknown is
the inspiration,
the event
so formative
it was deserving of being
transcribed, inked,
permanence earned by,
recording pon human flesh,
exposed
yet hidden

and I dare not inquire...even I...

who among us dare say
that they have not
suffered?

yet, you,
say the word slow
suf-fer,
hiss* it
in two parts,
then ask yourself again,
have you experienced
the unimaginable
as real?
and needy to record it upon thy own
human flesh?

I have walked
empty mirrored hallways unending,
stood by rivers imploring,
begging me to join their current,
sleepwalked for days without count,
punishing penance for
acts of commission,
acts of fearful cowardice

I learned
I changed

better
for the betterment
of my united untied
bodied bloodied soul

where?
my tattoo?
readily visible!

*
in every word I ever wrote
See
https://s-media-cache-ak0.pinimg.com/236x/fe/eb/98/feeb98fc879f599be507983bebe64e5c.jpg
Nat Lipstadt Jul 2023
“I will always remember you”

raise you hand if honesty
yet lives inside your muscle
memory of brain, of heart,
there is no one here who hasn’t
uttered them fool lying words

with difficulty we struggle to up
raise faces and places, moments
and images no longer mirrored
within the frontmost places of
our recollection, that searing then,
itself scorched, lichen+moss covered,
our greatest pains, pleasures sworn
allegiances to these razored inflection
points, now scoured by rusty hazes,
and we wonder what has become
of us, what we valued so to savor
as forever memories, their names
gray lady shrouded, and there is
no internet site to aid in self-recovery,
for our selfish selves have been altered,
time, new loves, guilt and other stuff
intersect with mind’s eyes and no mas-
more synapses paths instant linkages

I know you will vociferously argue but
it is almost physical, our shame at losing
them and ourselves, in the morass that
time digs daily deeper for what grieves
us is that losing as the end rushes to close
our story, makes us pick up pen and finger
scratch as best we can inside the lines on
our faces that are/had proofs, witnesses,
that once, we were there at the places,
whose names are no longer mapped any

where, so deep, no archivist’s submersible dare
fathom those fathom’s darkest we would need
to explore without the possibility that we
might implode if we sunk so far to rip apart sea
forests we knowingly, secret-planted to coverup
her memory, the words spoken, the oaths
and promises, we swore, for instance, simply
by saying, “I will always remember you”

p.s. and my self-shaming so great, that my
asking for forgiveness is buried so fast, it
may, not ever been real, just another fiction


Jul  6th, 8:36 AM,
inspired by one of those poems by r.
Nat Lipstadt Jun 2015
Preface

(not even 9:00 am and
I've wet myself

this was my to be
my Poet Palm Sunday,
when my pen is in
some room,
by other's well hidden,
and composition is a prohibition,
the hours yet to come,
come negligently but happily,
whiled and whittled,
reading the better poetry of others,
on this, a day of rest for the
body's satisfaction
and the body of the soul's,
even greater

yet a day of rest,
be not South Pole opposite
from a day of no North Pole work

this early I-am-risen Sunday dawn,
finds me focused, two dog ears alert,
forty one poems in descending order,
read and wept over and upon,
a real, not a faux Bush,
"mission accomplished"

lived long and occasionally prospered,
of poets, I am familiar some,
of writing poetry,
have learned my sums,
know what is likeable
love what is
loving and loveable

it is the poetry of every day life

of strange noises of strangers
in the mid of night,
dogs rhythmically snoring,
while you curse/overcome
the bright eyed, darkened alertness of insomnia
by word whittling yourself,
by the softness of skin of a grand kid
that momentarily manages to convince,
it was indeed,
all worth it

the zoo animals of the lawn and trees,
singing concertos in any minor they please,
as long as it's major enough
to command the world's attention

six stanzas and yet have not commenced,
the task God gave me this sabbath morn,
for the problem with seeing the world,
thru the filter of aging eyes,
is you grow vulnerable, wistful,
distracted by your own ancient feeling streams
that lie too deep in the Manhattan schist
of what others call, your heart,
but somehow still manage
to bubble up and geyser out your eyes)

~~~

Joe Cottonwood

as Patton said to Rommel,
"I've read your book"

the book of forty one poems
that are the products of
years in the making, with tools
that hang upon the belt of yourself,
that you acquired long before
the leathered and weathered
tool belt of four decades of you daily dress,
was first ever worn

you tell us of your ancestry,
thus reveal your story simple intimate,
and by the fourth or fifth essay,
our poetic ancestor,
Walt Whitman,
was readily apparent,
in the little life things
the American and all families  
celebrate

of my six decades,
I yet
still struggle for a summary definition
of who I am,
what I'm worth,
yet weep at your simple eloquence,
self described scribe and man
detailing a life well lived

Hammer nails. Write poems. Bake bread. Shake hands.

is that all there is?
Oh god there are veins
in this poet run deeper than the
iron ore that makes his nails,
the sun ray mines that electric heat
his bread oven

they are mined by me this morning

he does not write of
anguish, blood, love or scars,
that are newly born on a
summer's day youthful blush,
no, he writes of
anguish, blood, love or scars
that humans accumulate,
and in poetry encapsulate
of a life very well lived

I know you Joe,
and apologize for the
paucity of mine,
in honoring yours...


~~~
Postface**

the coffee beans grinding,
the pots banging,
the music suddenly turned softer,
surely constellation cosmic signs
that a lover's breakfast soon to arrive

so I away, but in earnest plead,
share the simple joyousness
of his poetry,
and our communal Sunday
and everyday lives
will be indeed come
as a day of comfort blessed,
the only toil,
tear removal...
If your value a skill and love
that captures more of life and love,
please read
http://hellopoetry.com/joe-cottonwood/

a single excerpt,
no two, a sampler
~
Coffee and corn bread.
They putter about with weekend chores:
she waters plants; he snakes the cursed toilet.
They take turns riding the exercise bike.
He cleans the hot tub filter;
she stretches yoga-like while listening to an audiobook.
He makes a wooden toy, gift for a grandchild;
she prepares chicken burgers and salad.
They watch a movie from Netflix
about Miss Potter, Beatrix
a rebel of another century.
In the dark, outdoors, scarred bodies
water-slick in the moonlight,
they soak in the hot tub
while a dog guards, sphinx position, ears *****
to the rustle of raccoons in the underbrush.
At fifteen minutes to midnight
as steam wafts in moonbeams
she says, “Hey — it’s our anniversary.”
Almost forgotten. The forty-sixth. Or fifty-first
in a different calculus, because at the wedding
they’d already been lovers five years. He sings
     Oh my love is a wallflower
     so pretty and so shy
She answers:
     No boy I’d ever marry
     until you gave me a try.
Under water, their toes touch.

~

old bronze
your cheek, so brown
old bronze
brushed with down
shekels of freckles
over a dusky moon

bronze is an alloy
forged in heat
shaped in art
durable as stone
darkens with age
glows when rubbed
still warm
against my lips
2.4k · May 2014
She Decooped and Decamped
Nat Lipstadt May 2014
Everything thing you are about to read is the whole truth, and nothing but...

she flew
via jet blue,
da coop

decamped urban lands,
leaving poet producing this
piece de (at-the-door poem-de crap) resistance:

Sad mad bad

where I asked?

a mountain in Mexico,
where purpled pink wild flowers decorate,
and the yoga mat is never rolled up
and post pampering included!

harrumph,
and worse,
exclaimed

NYC got florists
and yogi masters
for hire


with my sisters,
will commune,
hike by dawn light,
eat veggies day and night
and bone my body
with exercise

Manhattan got veggies, central parks,
and occasionally a pretty dawn,
bone doctors extraordinaire,
don't you know the best veggies,
grown in Whole Foods in the
Time Warner Center?

go then, leaving poet,
sad mad bad

to salve my soul,
know this!

I am eating
a tuna Swiss melt,
French Fries and ketchup,
Danish made with Danish cheese,
drinking my fatte latte.

This my stress,
so well expressed,
but baby, be advised,

I am doing it,
in our bed!

all day tv watching,
crushed neath an inconsolable need
to do all those spiritual things
of which you disapprove!


you went down the long hallway
at 6am,
you thot you heard me say,

Leila, you got me on my knees!

what was said but this:

*Save me babe,
from doing as I please!
See the banner photo of Mexico

tonite, by candlelight,
with white linen napkins,
frosted flakes and juiced hot dogs
in relish, relished,
on white mans bread,
sliced on the top...and that's just
for my
just deserts
Nat Lipstadt Oct 2013
There is a song, each of has one.
It is that song that you listen to not once, not twice,
but over and over again.
This song I loved, and put it aside, 'lost' it,
and this afternoon, on a drive to Monterey a year ago,
it found me again.
Below are the words.
Find a video of Richie Havens (see the notes) singing it.
It is a song that you will listen to not once, not twice,
but over and over again, for when he cries out
follow, you will.

Why today?
For a number of reasons.  Primarily, because the first rock festival to change the nation was the 1967 10th Anniversary of the Monterey Jazz Festival, a crossover, because, Richie and Janis Joplin were included and exploded the world, paving the way for Woodstock, the festival heard round the world, where Richie was the opening act!

The headliners were: T-Bone Walker, B. B. King, Richie Havens, the Clara Ward Singers, Dizzy Gillespie Quintet, Modern Jazz Quartet, Ornette Coleman Quartet, Carmen McRae, Earl "Fatha" Hines, Richie Havens, and Big Brother & The Holding Company w/Janis Joplin.

Teach your children well, their father's hell will slowly go by...Crosby Stills and Nash

Soon it will be six months since Richie passed (April 22, 2014).
Patty M. reminded of Van Morrison today, and it in turn, brought me to this place, where my heart resided a year ago today.


*FOLLOW
(Words by Jerry Merrick)

Let the river rock you like a cradle
Climb to the treetops, child, if you’re able
Let your hands tie a knot across the table.
Come and touch the things you cannot feel.
And close your fingertips and fly where I can’t hold you
Let the sun-rain fall and let the dewy clouds enfold you
And maybe you can sing to me the words I just told you,
If all the things you feel ain’t what they seem.
And don’t mind me 'cos I ain't nothin' but a dream.

The mocking bird sings each different song
Each song has wings - they won’t stay long.
Do those who hear think he's doing wrong?
While the church bell tolls its one-note song
And the school bell is tinkling to the throng.
Come here where your ears cannot hear.
And close your eyes, child, and listen to what I’ll tell you
Follow in the darkest night the sounds that may impel you
And the song that I am singing may disturb or serve to quell you
If all the sounds you hear ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The rising smell of fresh-cut grass,
Smothered cities choke and yell with fuming gas;
I hold some grapes up to the sun
And their flavour breaks upon my tongue.
With eager tongues we taste our strife
And fill our lungs with seas of life.
Come taste and smell the waters of our time.
And close your lips, child, so softly I might kiss you,
Let your flower perfume out and let the winds caress you.
As I walk on through the garden, I am hoping I don’t miss you
If all the things you taste ain’t what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream.

The sun and moon both are right,
And we’ll see them soon through days of night
But now silver leaves on mirrors bring delight.
And the colours of your eyes are fiery bright,
While darkness blinds the skies with all its light.
Come see where your eyes cannot see.
And close your eyes, child, and look at what I’ll show you;
Let your mind go reeling out and let the breezes blow you,
Then maybe, when we meet, suddenly I will know you.
If all the things you see ain't what they seem,
Then don’t mind me ‘cos I ain’t nothin’ but a dream .
And you can follow; And you can follow; follow…
Try

http://vimeo.com/37671417

The last time I saw Richie A-live, of all places, a poetic place perfect,, where we keep our treasures.



http://www.last.fm/event/588961+Richie+Havens+at+The+Metropolitan+Museum+of+Art+on+2+May+2008
2.4k · Jul 6
My "these days"
Nat Lipstadt Jul 6
"These days
I'll sit on corner stones
And count the time in quarter tones to ten, my friend
Don't confront me with my failures
I had not forgotten them"
Jackson Browne

<>

these days,
you can come by tween
the mostly soft warming cracking of Dawn,
and the early born-ing of
the first peek of a full grown
but yet
sleepy sunrise,

you'll find me siting on a
asshard dock,
two seagulls staring at the
human interloper,
alone with the threads in my
hardened head,
beating time in casual rhyme,
because that's what poets do,
to warm up their
tongues & toes,
clear their eyes
and
sniffling nose,
their partly opened,
party closed,
throats, eyes and
give up, sacrifice
the longest list of little lies,
that makes (forces) us to get up  in the undimming earlies,
when it's just me, the gulls,
& the minnows poking around,

the fluke,
smarter but not wiser,
further out in deep water,
waiting to be caught

and
the cool blood barely flows,
until the rising orb warms
our fragility,
and we review the stories old,
that make us cold at night promising ourselves that
today you'll do that thing(s)
you've been putting off for years,

"Don't confront me with my failures"
Jackson pleads, but I concede,
thinking tell me them
one
mo' time,
make me unrighteous,
make me whole,
then take me,
holy displayed fully,

and the
first poem of the day,
will be my
confession total,
without reservation
and yet muse on
honor
something I thought I knew,
but needing a
closer examination
it might've been
dishonor
that was what
I was truly
knew
<>
Sunrise
July 5
'25
sitting on the dock
by the bay,
would I

lay down with a lie?
Nat Lipstadt Jun 2013
In the Poet's Nook: Perhaps I should write less

Surrounded by a movie set of waves,
A just stiff enough, warm-to the-wet-finger breeze,
Temperature just touches 80 Fahrenheit,
Our shirts wind-ripple, the sun rays tipple
Our minds into a clarity of euphoria dots of surreal stipple,  
One would never think to drink or smoke again.
Surround-sounded by waves rapping,
Pushed~pulled by the gusts, delivery messengers of
Air bearing, air aborning, of every flavored life's seedling needed,
We would freeze life as is, forever, unhesitatingly.

A cool woman from whom I sip, rip, and to her,
Tender my life, comes to kiss-visit me in the nookery,
Feeds me peaches, cherries, and a fruit as yet unnamed.
Called by some my muse, I call her my fuse,
For the disparities, the troubles I but hint at,
And all that is life-good under her roof,
Comes together here where there is only
Cerebral and sensual, for there is nothing else of import,
Even the not-good, tempered gently, and put aside.

You and I,
We know but small of each other,
Yet we reveal so much -
If I could summon you here right now,
All would be clarified,
No request denied,
Yes, every tear, every tear, would dry itself,
Promise.  From experience, promise.

Wish we could compose side by side.
My perfection would be made more perfect
By its sharing, especially with those
So hurting-pained, suffering, I cannot all absorb it,
No longer stand this influenza wave of affliction,
Especially when I.Am.Blessed.

Come here, where I can promise slow and steady healing.

How can I make you understand what I write,
Where,  here, I write, all comes so easy,
Every glance a poem formed,
Every phrase a title to a poem to be served,
Every conversation overheard, wind-lifted brought,
A seed, a germ, a word~worm hooked to the pole crook of
My finger saying,
See man, time to get more
Rod and reel, ink and paper,
Go, and catch us a few poems for dinner.


The snapper weakfish word colors are
Running past my-by the thousands,
We will need a woven basket to catch but a fraction,
Of what you see, more than more enough to share,
Only Happy Poems for all.

It is in this rhyming way, I view the world,
That is my freedom, my-present essence,
How the poems come, how thy flow,
Peaking, I cannot berate, rarely eat,
Sleep a thing of the past (as you be aware, beware)
There is poetry in simply everything.
                                                     ­     
A long time ago, I wrote a long poem that began like this:

Excited utterances, acerbic witticisms, utter stupidities,
elegant inanities, can and most assuredly will be used,
both evidentially, and eventually, about you
in the court of poetic justice,
as inspiration, original source material,
proofs of our collaboration with the enemy,
whom Pogo fathomed long ago is...Us

As I drink in my good fortune,
The enemy is clearly just me, overwhelmed,
Unable to choose, unable to distinguish,
Unable stop, out of control, I need perspective,
Both the scars and the successes, scar-e me

Perhaps I should write less,
Or take a mental rest,
Is not brevity what's in this year?*

But in this *not-half-but-all-the-way
house by the bay,
Where lying about, in the Poets Nook, is the souls cure,
There is inspiration ammunition galore,
Brevity is but a demoted D list celebrity.

I need you to be at ease,
So my happy days can be full completed,
Meantime the pen is grounded,
I should put-poetry-writing aside and just think,
Read~Rocking the writs those little babies you send to me,
For my mouth to mouth inhaltion and
Return to them, children, the elements of a
Nook's Recitation of Resuscitation.

June 2013
To better understand this poem, see: https://hellopoetry.com/poem/390340/time-to-get-serious-in-the-poets-nook and also,
https://hellopoetry.com/search/poems/?q=a+man+in+search+of+his+style..

early poems on HP when I knew how to write. As many of your know, the Poet's Nook is a real place;  three old and weathered Adirondack Chairs, overlooking the
bay, the beach, and serenity;
All invited to compose alongside, even the old grouchies who complain correctly, I wright too long(ly)
2.4k · Jul 2013
FPotD: The Morning Smells
Nat Lipstadt Jul 2013
My eyes smell sleepy, he, refusing to depart,
But there is coffee on the nightstand,
The odor, infiltrating the dozy brain's heart.

Annoyed with each other,
They shout and fight
Like teenage siblings Commissioners at the SEC,
Arguing over bathroom monopolization,
The tongue stays sidelined, feigning net neutrality.

The bed smells empty,
For the **** has crowed,
Yogi David commands your presence
At Saturday morning Eight O'clock yoga services.

To get to his Sinai on time,
Early departure, an FAA requirement,
Car, ferry and foot you will deploy,
In the winter, special skis and snowshoes,
That blessed by his mantra,
Enable you to walk on water.

In the kitchen there is sisterly conversation,
Yes, puttering and muttering and discussing,
Sister's grown child texting, he's making the pilgrimage
To see Mama, alone, unexpectedly,
Six hours driving.

Friends and countryman,
That is how you spell t-r-o-u-b-l-e

Sleepy master dwarf refuses to concede,
Says when kitchen noises retreat,
Back to him you will supplicate,
They (the other dwarfs and body parts),
Have a big convention to better communicate..

Departure comes without a kiss,
But not without complaint,
She always says I love you first,
Which is natural,
She being a girl.

Now the bladder starts to whiny~chatter,
What about me, what about me,
Don't you love me, and me rhymes with P!
While the stomach quietly snores
Have been well-fed
but a few hours before,
He dreams of some more....macadamia crusted s'mores...

I could verse you more,
No problem that's for sure,
But you got the point:
**The morning smells.
This recording of my life, sometimes fun, sometimes poetry, trouble-getting-me-into.  Which can be inspiring as well. Good Morning!

Someday I hope add a stanza about grandchildren, cartoons and monsoons, but the parents say they're too young, to endure us, the G parents, for a whole weekend. They are  referring to themselves of course, not the little ones.
2.4k · Aug 2013
Slide to Unlock!
Nat Lipstadt Aug 2013
Slide to Unlock

When inspiration is imprisoned,
insight,
a crime-of-no-passion victim,
strangled by codification,
clothed in a prison uniform,
where *uniform
be another word for a
poet's death sentence.

When dream interruptus,
is a nightly altercation,
a hellacious sensation,,
rolling of the dice,
rewarding the dreamer
with an not-so-good ending to his
falling sensation,
or, for an old school type (me),
the nightmare worst:

A world sans punctuation!

The truth about what haunts you,
in the valley of dried bones grows whiter,
even Vishvaksena and his armies
helpless, cannot eradicate.

Then, your  iPad reminds:

"Sir, sometimes you have to
Slide to Unlock!"

Slide to unlock the aggravations,
Let it out with disregard,
Let us know how you feel
When the constriction in the throat
From the things you can't say
Stops making you choke.

Truth is out of style,
common decency is a phrase
unused
or just abused.

The only difference between liar and fair,
a single letter and a
rearrangement of the facts
to suit yourself.

So I like you fine,
I like you better even,
now that it's ok to slide
beneath the fielder's tag
and get in your face and
unlock what rumbling around
in the ruins of my psyche,
ruminations about this and that,
released with a flourish and a rich
***** you!

But I like it, like you best
when in the pursuit of life, liberty and happiness,
it's ok for me to politely inform you
to fk off!

So,
I do declare myself
unlocked
and in your face
booked!
Still uninspired...dug out another old one....bit of a mess, I agree
Nat Lipstadt Apr 2022
Listen to the stories

men tell of last year

that sound of other places

though they happened here
Listen to a name

so private it can burn

hear it said aloud

and learn and learn
History is a needle

for putting men asleep

anointed with the poison

of all they want to keep
Now a name that saved you

has a foreign taste

claims a foreign body

froze in last year’s waste
And what is living lingers

while monuments are built

then yields its final whisper

to letters raised in gilt
But cries of stifled ripeness

whip me to my knees

I am with the falling snow

falling in the seas
I am with the hunters

hungry and shrewd

and I am with the hunted

quick and soft and ****
I am with the houses

that wash away in rain

and leave no teeth of pillars

to rake them up again
Let men numb names

scratch winds that blow

listen to the stories

but what you know you know
And knowing is enough

for mountains such as these

where nothing long remains

houses walls or trees

<~>
“I would recommend On Hearing a Name Long Unspoken. This poem is from Cohen’s 1964 collection, Flowers for ******, which deals with the trauma of the Holocaust and its legacy in 1960s Canada. In this book Cohen describes himself as a ‘front-line writer’ trying to understand totalitarianism, and the poems aim to critique his readers’ complacency in the violence of the world wars, anti-Semitism and colonialism. In On Hearing a Name Long Unspoken, Cohen asks his readers to consider how atrocities ‘that sound of other places’ also ‘happened here.’ He wants us to remember the lives of real people, to remember where people have found solidarity and protection, as well as how they have been oppressed because he is concerned that the stories that are told about the past will make it feel distant and unreal.”

KAIT PINDER, assistant professor of English at Acadia University
Nat Lipstadt Apr 2019
every poem is a test of character,
holy/profane all the same,
algorithm entirely humanized-you,
the elected words cannot be voted out of office,
by a recall petition, regardless of
constant corrected incorrectness.

sorted by size,
nocturnal alliteration,
do they sound in the dark
like your bleeding or you’re breathing?

holy/profane all the same,
Gertrude truth is a truth is truths,
you think my name matters?
Artificial Idiocy. Everyone poem faceted,
a chip off the the naming blockchain idiot.

when I imagine-lie,
it is a truth in and of its own
holy/profane.

call me baffled.
that is a god enough
one word summary.
and so true.

baffling perplexing cryptic and opaque.
in all honesty.
if you’re reading this, you are
testing my character.

what have you found, or even, lost?


in the midst of the characters is
character
10/26/@m/2019/16/april

inspired by Leonard Cohen
Nat Lipstadt Nov 2015
~for Steve R. & Stephen Y.~

"two regrets are mine -
not finding you earlier in life when...words would have carved for me a better road, and...not hand-ing you a touch, the perfect tightness-shake of one's hand reserved for fondest friends and the light press on one's back deserved for dearest brothers!"
~~~

the light press surety of five fingers on one,
oh, what messages it composes, oh, what duty weighty it transmits

dear brothers:

tho this hands-on handoff, this fly-over, is still a  
mission unaccomplished,
yet no regrets, please!

men don't overuse superlatives,
what you lovingly uncover in my rocket-verbal Mars probes,
is more telling, more revealing of  who you are,
than any hand-tightness shake,
any touching grasp, could e'er convey

yet I promise, forsworn upon the cross
of the north west Pacifico latitude and longitude
a latitude that just happens to intersect
my olden, new english state,
knowing that Interstate 90
a straight transcontinental shot,
and the car keys just an impulse grab away

to tell your arms, your face, your back, our hands,
that when you love my poetry,
you love me,
you friends,
are an affirmation of  Pablo Neruda's words:

"whoever discovers who I am
discovers who you are"


fondness is not distance constrained,
touching grasps pay no obeisance to time,
the honor of your affection permanent
affirmed and enflamed,
all mine, sublime, to lead my heart,
where to lay hands upon your back,
to realize even more
our single united rhyme
November 7, 2015
4:50 pm
nyc/nl
Nat Lipstadt Jul 2017
<•>
  For A:

The Pleasure of Infection

10:53 pm

our all about
is to be the whittler of our personage,
to both hold the knife with care,
but with risky, reckless artistry,
as we shape of what raw materials we are possessed,
into our own reshaped, reformed
most prized bejeweled possession

never mind the shavings and cutaways fallen,
they are fast away, castaway choices made and cannot be retrieved,
for when we whittle, whether our shape desired
which may be prior envisioned or a vision
from the discovery of performing,
they matter no more,
let them go, in their absence too,
they are part and a whit of you,
but not of you, no longer

our commonality in this: everything,
in everything else, so little

but your honesty and crafted, almost dishonesty both ring true,
and infect us with pleasure of recalling
when we
being cut designed and preparing our statue for
an unveiling, but with no date yet set,
and the loveliness of our mistakes,
were precious do-over opportunities

seek out the infection, the infection of discovery,
the risk of pleasure exposed and
your poetry may be either  
the antibiotics
when the result is red and unpleasant,
or a celebration,
an invitation to us to be a
semi-silent beholder of your artistry

infections heal after pain and discoloration
but new skin always forms,
but at a different pace for each of us

I see the faces in my carpet nodding agreement,
"always new skin"

oh boy. time to go to bed

go seek out the pleasure of infection,
sadly, happily, it is the only way

good night
from an old man who dreams and schemes of
new skin nightly
but never mind me,
my piece long ago writ
and in need of just a tweak here and there,
call it one too many close shavings,
his poem's treasure trove,
a list
of life's minor irritations
and major lifts

<•>

11:16pm
sanuel barber and aaron copeland
are calling ne to bed
Nat Lipstadt Apr 2021
Ah you hate to see another tired man / Lay down his hand / Like he was giving up the holy game of poker
Leonard Cohen
<>
Will I remain within God's house at night as shadows drift through dimming my light?
written by Weeping Willow, gifted to me, by Edmund Black
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

I,
in­stant understanding, perhaps in my experiential possess,
some answerings perhaps...product of late night, many, many
theological arguments over poker games, with coarse men,
tough women, and ethically-challenged Gods, all faithful regular attendees

With a little bit o’ luck from an occasional guardian angel, even
I possess an occasional winning hand.

now we all commence with a passionate uttered blessing,
for the good beer and salty pretzels, giving thanks for having
reached this act-exact moment of being, here and now, in God’s house at night, plus a holy add-on variation, a swear-to-god (we all snicker) promise solemn, no cheating, no absolutely divine peeking/spying in soulful futures, no fun in that, sanctified & sealed with hearty amens and ****** noises offered for emphasis.

hear you scratching you head, wondering what all this to do
with a whispered prayer of soulful, on-shore drilling deep,
product of a drill bit cutting the black quietude of interstellar voids internal, where there is no censorship, lying an impossibility, and the only questions are super hard, so some never return with an answer truthful

so, I remain in God’s House, playing poker, with deities who
jealous guard their moments as human facsimiles...cherishing humans who guard with care, an ability to see that they and gods differ little, when making honest truth a shared primacy

in the intimacy
of an overnight stay
in God’s house at night,
all our coming-led light dims,
when my/their need is greatest
!

(written sometime this year, Jan. 2021, Manhattan)



~~~~
^ https://hellopoetry.com/poem/4157753/winter/

^^ Blessed are You, L-rd our G‑d, King of the
Universe, who has granted us life, sustained us and
enabled us to reach this occasion.
2.4k · Apr 2015
She-Poet: The Southern Way
Nat Lipstadt Apr 2015
for T.M.R.
our "fellow" southern friend*

the southern way,
she-poet
teaches me
via long distance
breaking of the
braking neural inhibitions of
the loudest silences
that only humans can
mistress

photos, stories,
Facebook posts
how the earth rebirths
taking unasked
unwitting but wisely
both of us
to be refreshed,
so verily
the southern way

sharing worldly  
southern words
betraying a
more than
passing
(how I hate that word)
expertise
in spring colors
glorious to every sense,
best described
as nature's way to humanize what we wordily call
hopeful,
self-betraying herself by the
she -poets
innate
southern ways

calls me
northern boy
in a
true voice,
raconteuring,
quick retorting
always in the midst of
d r a wling stories,
about all crazy frogs
of Columbia County,
jumping multiple courses

all about
she-poets navigating
life erratic,
half ecstatic
yet singularity colored,
characteristic of a  
ninety percent southern
Tennessee whiskey blues

hear clear
she-poets
welcoming swirling
undertow undertones
lying just above the calmest
morning water surface glistening
words betraying nothing,
yet saying
all in
between, in
pauses of
speckling sun drops spectacular

she-poet
has her places
in woods, knolls and
rarely visited mountains
where cold brooks and cold beers
southern sooth
in ways
I will likely,
wanting but unable,
never learn
to hear clear

the southern way
is never flex,
nerve never
never bend, smile,
still fighting
the prior lost cause
ignore the
cracks coverup

until and when
the afternoon sun
ceases to warm
the orchard porch
daylighting no longer
when no one is around
she-poet
weeps out loud alone
in the
southern way

and I,
northern boy,
student witness,
having obtained
a learner's permit
for her teachings
re
the southern wayfaring ways
of living life

weep along side
in my unsatisfactory
northern way,
learning that,
who knew,
tears are also
glue
anywhere
For Tonya Maria
Nat Lipstadt Sep 2018
~for she who knows whom I mean~

do not beg to differ
just do

she is progressing true,
but the process is foretold
three generations of tracks
the line is map drawn

she and the generations before
and the generations to follow are
a work in process

the process is forever foretold
the genes are in control


do you ken the difference?
do you ken the compliment?
and the complement...clear
mother daughter mother
2.4k · Nov 2016
Ilion gray
Nat Lipstadt Nov 2016
soul brothers from other mothers,
fellow city dwellers,
one up downtown
one down uptown,
fellow riders,
of the underground
of the by-NY-ways
of America

we met years ago ruminating on poetry,
late one night/early one morn,
just like us,
there is no difference,
call the hour what you want,
we spoke one language,
long long ago
in the early days here at HP

the I, lion of gray stumbled on me,
with a smiling, stunning midnight crosstown compliment,
kindred instant

he stole
my breath, with work that..
declaimed notions of
quiet unshouted artistry excellent
and a new appetite was birthed
in my head, in my bed
one night

the young black man-father and the
aging white-grandfather
so little in common,
but in the early morn,
we both haunt the hallways
of the city of poetry,
speaking the poetry of the city,
where blood is but
two colors

black and white,

like the poem words we share
that you are now eye-reading

and

in our torn,
but not yet shredded country,
we find ways to speak

I am long done, past being the past,
he is the dapper father of the future
and the river boundaries we share,
on different sides
are lines of connection
not demarcation
hellopoetry.com/poem/466149/i-am-unafraid-tonight/

Sept 2013

I am unafraid tonight

To write and sign my real name.

To like what I read which is almost everything here
For the sake, for the pain, for the unashamed, for just
Celebrating those who breathe life for the just
Trying.

I am unafraid tonight

To disclose that I live as an
Agonist
In a city that ghost taps on my windows,
( thank you Ilion gray for that),
When the quiet is pockmarked by so many crying the
Loudest tears.

I am unafraid tonight
To express my dissatisfaction with you.

I am unafraid tonight
To express the miracle of those across oceans,
And across town,
Welcoming me into their hearts and wonder
Where else do the wayfarers gather

I am I am
unafraid tonight
To curry your favor,
Despise your silence
Expose corners of me
That should be buried
Before my body later follows

I am unafraid tonight
To use or abuse punctuation
For their are spaces and ,
Between us that can and cannot be closed
But I am compelled to try to narrow the differences
For
I am unafraid tonight

Tomorrow, we shall see,
If the shale within can yet be fractured,
Brought to the surface
To be consumed,
Or the fractures spread
Destructing the whole.

But tonight,
I am unafraid.
2.4k · Feb 2015
pen-is envy
Nat Lipstadt Feb 2015
winter's after-the-noon shadow lights,
fused-tinged with early-onset grays,
harbinger of one for whom death
detaches the answer from that question
too soon asked, so long unanswered,
why me?

those gray lights, a violin accompaniment,
mourning pitched wailings unasked for,
yet always in attendance, court courtiers,
feelings of insufficiency, angry angst insects

envy days when simplistic unknown fears
were the worst enemy, never lingering,
for unknowns have no answers and
cannot obtain permanent resident visas

but reality, another matter, mad hatter,
asking repeating what is this, why is this,
even comprehension partial gives
no comforting answer satisfactory logical

envy innocence past, for newer questions now *****,
comfort by the lies in the essaying, trialling,
if, but, for, the distractions most affordable,
so grasp the pen that is the envy of thy companions

let the ink wail louder than you,
make paper shed what you have used up,
let envy of lost and found, found, yet still lost,
salve, but not solve, soothe, but not save

in the winter afternoons, those shortest days
of indeterminable longevity, words received,
offer little, but words self-conscripted,
a mortal transcript of pain immortalized by pen, relief will yet be,

for the pen is the envy of all
>~~~~~~~~<
For my friends who suffer in silence
2.4k · Sep 2013
My Darling, The Words of Us
Nat Lipstadt Sep 2013
Inadequate to the task
Humbled by the enormity of our love,
The perfection of our joining,
Where are the words kept that sufficient
Honor and portray what we have achieved?

You seated, beside me by the bay, finally,
Two old adirondack trees side by side,
By the sheltered place you bequeathed me,
Where poems are raindrops, so numerous,
And you, if not the subject, the source.

The waves rolling in, mirror the
Fluidity of thy dancing,
Fluidity of the adaptation,
Two lives, now one bay blue colored,
The merging, the unification,
Many waves, but one bay,
The Bay of Us.

Yet so different.
We are cloud worshippers,
Does not the Skye's Tableau inconstancy,
Mirror our ever changing form, individuality,
Yet, one sky,
The Sky of Us.

So many times have I lain be-sided
Even as we this afternoon sit now a-sided,
Tears welling up, above and beyond control,
This man's steady nerves, constant on patrol,
Our secret open, visible, un-hided,
Your are my Magi
My Yogi,
i.am, your, obedient devotee, shaped to you please.

This is the birthday present my words present.

Words, unremarkable,
Except for the contentment
That lies within them.

Let me love you more,
Recklessly abandon norms,
Kiss you at the supermarket, at the opera,
Unashamedly, take you in my arms
Wherever wonderment and wandering lead us.

T'is so very hard to compose
When tears flow upon my writing tablet,
To wipe, blot them away, I refuse,
For tears are joyous emblems,
Salty badges of love,
All compliments of our complementary beings,
The Tears of Us.

The soaring music we gather in.
The shimmering sparkles upon the bay,
My gift of natural diamonds better, this day,
Than jeweled glitterati I hide in the refrigerator.
All this treasure, part and sparkle of
The Treasure of Us.

T'is truth,
I know not, forgot, your age nor care,
The day the time the year,
What matter they to me these artifice markers,
I weep carelessly, undone, overcome,
Every day, but this day, most, united joy.

Need-No reminder,
I am a survivor,
From a concentration camp
That slow programmed to destroy,
Perhaps the kindness you claim
As the hallmark of my fame,
An inadvertent gift, from the devil?

You shook my hand on our first meet,
Don't think, have I ever let go?
Let me be your driver, entertainer, your only poet,
Let me be whatever you need,
Even as now, I laugh-cry, your tissue carrier.

For t'is I who weeps and keeps
These tissues as part of our history.
You are the first,
Who has ever read
The Words of Us.
Happy Birthday, my darling S.
Nat Lipstadt Dec 2013
This writing was found in Italian among
my father's papers, when he passed away
___________
*Dedicated to F. Murray Abraham, whose
performance as Shylock, rent open my chest.
and with deep apologies to Shakespeare*
and gifted to Liz Balise
__________

The True Tale of Shylock's Pound
(Did Shylock pay his pound of flesh?)

A peculiar circumcision,
into the Jew's chest
shall now be commenced,
by the Medico Legale of Venizia,,
his instruments blessed, ready.

Dual purposed, to extract  
an accursed payment,
in service to the Court and
in furtherance to man's
greater scientific knowledge.

Incise a body prone before him,
but it's not a body at rest,
the cut, the trademark coroner's
inquiring and most appropriate Y,
(his pleas to Yehovah go unanswered)
shall be executed just so,
both as legal tender,
his debt to pay,
and to answer queries varied,
shall we,
this living body, dismember
while coincidental, alive.

Tho we injure with pleasure,
t'is recorded fair,
t'is at the behest of a
court-ordered scientific inquiry,
ordered to measure,
answer questions
from the trial's record
that having been posed
to the Duke,  
and for answers,
impatiently,
the Court and Duke,
now awaits:

By the unholy virtue of his
guile and trickery,
a trifling pound
shall be ours,
for the Jew's resource,
and fortune
have been most
legally reversed.

His due, most legitimate,
more than forfeit,
is now ours to keep.

Hath a Jew hands,
organs, dimensions,
senses, affections, passions?

If you ***** the Jew,
doth it bleed?

How much doth a Jew's
pound of flesh weigh?

Doth it weigh more or less
when his unholy soul
yet contaminate
his writhing body?

What color doth his heart,
exposed, reveal
or simpler yet,
does the accursed,
this dog's vessel,
even a heart contain?

What powers the Jew's cunning,
inspires his deceptions,
so he prospers despite  our
many constant degradations?

Come wise councillors of
most notable lineage,
let's us put our heads together,
like the olden Egyptian sorcerers
who tried yet failed.

Have at it skilled Da Vinci, you
and your scienziato brethren,
do assay well the potions
that doth taint the Jew's blood,
so that we may,
his secrets maketh,
our own notions.

Come Medicos,
discover how the Jew
maketh precious stones
from coals, spit and hate,
for the bene proviso of the
citizens of our city-state,
dearest Venice!

Our brothers who from
Spain and Portugal hail,
have much knowledge
in these matters,
so let make haste,
cut deep and true, Doctors
the Jew physic treasures discover,
lest the Spanish Alchemistos
the secrets earn,
their inquisitories reveal
how Jews turn
dross into ducats!

Take measurements fine,
observe most accurate
his corde vocali,
the infernal instrument
projecting these shrieks, cries,
so horrible peculiar,
we need to ascertain
the wherefore of such
wails and moans.

All knoweth,
Jew cries are lies,
yet they haunt and crucify
our most perfect, noble demeanor,
**** them.

Attention pay, dear ones,
examine with great care,
the tongue that populates
his now most deformed features.

Its secrets many,
for it speaks guile
so fluently and elegante,
and in so many lingua,
a skill, our brothers Borgia
hold exceedingly valuable!

Our introspection today
in Heaven's service performed,
this pound,
its value exceedth
its countermeasure in
gold and jewels

When has Justice
and science
simultaneous,
been served so well?

Only one quest remains
unknown and alas,  
as yet unresolvable:

**What maketh a Jew,
this Jew, all Jews,
choose death
over our warm and willing embrace?
*Dedicated to F. Murray Abraham, whose
performance as Shylock, rent open my chest.
and with deep apologies to Shakespeare*
Nat Lipstadt Jun 2023
Leave if You Can II


I live in the house of poetry.
I ascend her stairs slowly
and leap back down.
I sit in the chair of poetry,
sleep in her bed, eat from her plate.
Poetry has windows
through which mornings and afternoons
fall, and how well she suspends a teardrop
how well she blows until I tumble / With this
I mean to say that
one basket brings
both wounds and bandages.  
I love poetry so much that sometimes I think
I don’t love her / She looks at me,
inclines her head and keeps knitting
poetry.
As always, I’ll be the bigger person.
But how to say it / How to tell her
I want to leave / honestly I want to
fry my asparagus…
I see her coming near
with her bottle of oil
and crazed skillet.
I see her,
her little bundle of asparagus
slipping out her sleeve.
Ah her freshness / her chaotic glint
and the way she approaches with relentless meter.  
I surrender / I surrender always because I live
in the house of poetry / because I ascend
the stairs of poetry
and also because
I come back down.

    — Translated by Lisa Allen Ortiz & Sara Daniele Rivera
Rossella Di Paolo

Rossella Di Paolo was born in Lima, Peru in 1960. She studied literature at the Pontifical Catholic University of Peru. She made her first publications in the student literary magazine Calandria, and worked as a journalist for several years for the alternative current affairs magazine La Tortuga. Her books include Prueba de Galera (1985 and 2017), Continuidad de Los Cuadros (1988 and 2018), Raised skin (1993 and 2019), Tablets of San Lázaro (2001 and 2020), and The chair in the sea (2016), which received the Lights of the Readers Award for the El Comercio Best Book of Poetry of 2016. In 2020, she won the Casa de la Literatura Peruana Prize and was distinguished as a Personalidad Meritoria de la Cultura (Admirable Cultural Personality) by the Peruvian Ministry of Culture.

She is a university professor and directs poetry workshops. Her poems have appeared in anthologies of Peruvian and Latin American poetry. She takes part in exhibitions of poetry, painting, and photography, and edits multidisciplinary editions of poetry.
Nat Lipstadt Oct 2017
Those old comments from the disappeared with no names,
no faces, just a large gray dot and two -- anonymous*




<•>

Those old comments
live on, unremoved,
from the disappeared ones,
no faces, no names
a large gray dot and
two -- anonymous dashes

a most contemporary kind of disregarding,
disregard-me, frak you, cause I disregarded you first,
funeral pyre ******* gesture,
where only your face was consumed,
but your words live on forever. ...  
congrats, in this day and age,
you, managed to get in the last word

who were you?
why was it necessary to leave?
while your comments, pithy,  
cheddar sharp, meaningful,
of just a plain old prdinary
wow,
tender precious to me
drive me now to simple
madness gladness sadness
failing to yes, to be recalling
who you were/are

were you stalked, trolled, gored,
or just bored
with the word-gaming,
needy for some well constructed avatars
desirous for ****** machine gun killing?

did you heart break one last time
into one million parts too many
you did not believe, didn't trusted me enough,
to heal the cuts and paste
you together like I did previously,
no more one more time?

did you get
transmigrated,
move beyond and out of
London and Minneapolis, Katmandu?

win the lottery,
get parental sent away,
super jetting wealthy,
married, divorced, soul lost,
unhealthy in complete privacy,
up and left the poems of we
poor sods behind,
on your way to Monaco or Singapore?

did I offend beyond any mending?
gladly would have kissed you knees,
written a poem just to tickle you pink
or whatever color you so desired but that
gray grey cream dot not,
that makes your disappearing act,
twice as a pain-full, a banner unfurled of,
you pick the word

was I too sweet, too kind, cloyingly annoying
driving you crazy with my midnight clockwork
"jes' me checking in on you"
one liner messages,
go one message too far?

how we conversed, holy roman dialogues
till one day and hadn't heard and
chagrin uncovered no more souling
we two, ragging and consoling,
on each others nonsense,
cause
you cloaked a name in deliberate invisibility!

well ha on you I am lying,
I will know your name, your face,
your funny way of signing off
when fate sits us side by side
on some long plane ride

you will watch me tap on my tablet
in letters so big you won't struggle to read over my shoulder,
the poem I will write for you / just one more
for just you

and I'll see reflection of your turned away head
in the plexiglass window smiling and tearing,
while I hum some Carole King sad love songs

you will salty say
to wound and to love
cause ain't no difference:
now

you're still an idiot,
write way too long
and forget to put the title in, on -- whatever*

and I will nod also,
in that idiotic identical
tonality of whatever,
in holy poem agreement
not saying much, just
tapping grey --
the rest of the way till we land,
thinking mostly about all the gray grey shades and shadows
in that dashed word,
whatever--



9:27pm 10-5-no jive
"Now And Forever"
ny Carole King
Now and forever, you are a part of me
And the memory cuts like a knife
Didn't we find the ecstasy, didn't we share the daylight
When you walked into my life

Now and forever, I'll remember
All the promises still unbroken
And think about all the words between us
That never needed to be spoken

We had a moment, just one moment
That will last beyond a dream, beyond a lifetime
We are the lucky ones
Some people never get to do all we got to do
Now and forever, I will always think of you

Didn't we come together, didn't we live together
Didn't we cry together
Didn't we play together, didn't we love together
And together we lit up the world

I miss the tears, I miss the laughter
I miss the day we met and all that followed after
Sometimes I wish I could always be with you
The way we used to do
Now and forever, I will always think of you
Now and forever, I will always be with you
Nat Lipstadt Oct 2023
The “little” Art I Possess

~writ for, inspired by, and warmly dedicated to
Kelly Rose Saccone~

“So an artist does…They say that often when you fill your walls with art you often forget it’s there and you don't absorb its beauty, but I enjoy what little art I have everyday. Sometimes it is just the color or the passion that hits me anew when I look at them.”
KRS

<~>

long ago the new~knowledge,
“newlodge” came brewing~infusing me;
art was not capable of being possessed

my reversal~eyes opened
the senses over~fulfilling,
body sensations brimming,

for I was the container,
only in temporary possession!

the art, in whatever the day’s chameleon guise,
is the professor-possessor, I am the missionary~emissary
remaindered by-product,
just
the vassal~vessel

when to gaze upon a poem~creation of years ago,
my expected mistakes appeared, a wee pride,
largesse of satisfaction, but these are frailties,
weaknesses, human misperceptions,
human ill-delusions!

never

ever was a poem among my possessions,
it was “in-sighted” within me
what was placed in my cupboard,
stored by my sensual conduits,
mine only to covey, not to covet,

art that tempest resides in as part,
a parcel in of the entirety of your body+soul composition,
but “out for delivery,”
seeded, stored & carry~birthed, given forth,
in a completed quantity
that’s so grand,
it takes five senses to truly comprehend!

it is pieces, a child of you,
recombinant,
you the birth sac,
how could ever be assessed as merely

little?

you are better understood to be a translator,
a temp~progenitor,
taking what all of nature and human experience
has installed on your inner walls, and then dispatched,
by you, gestated and unhesitatingly dispatched,

and when gift unwrapped from the plain brown paper of
our now orphaned belly skin,
it is to be hallelujah greeted,
for you, artist, translator, poem~mother,
have done you job, hallowed and sacrosanct,
and now the renewed giant emptiness,
will soon,
needy to be refilled, and
retransmitted once more:

this is no little, limited, mean feat,
your gifting is
beyond any words that limit,
no size constrains,
no words,
neither sufficient and insufficient,
you, are in loco parentis,
you’ve take what you/we are given,
beyond sizing,
and it seizes and is seized,
until you give it away
completed

and that is the grandest art .
inseminated within you,
true artistry!




7:42am
Fri Oct 27
2023
2.3k · Nov 2013
V: A Sorta-Commissioned Poem
Nat Lipstadt Nov 2013
this poem didn't come easy. written amidst buffeting emo's, V will not be natural flow, probably flawed. You, self-chosen people, will come along, please, to see the process, and the proceeds too.
But as usual, the poem was write before me, needing only human kindness overflowing to guide the way.

V

V words lord, excluding all others,
phonetic juggernauts,
never met a V word
that had no personality.

victory is the one word that
my/our brains
think of first.

sure there is vortex, victuals, veer
and *valor exam,

the latter,
what ever it means is a gift,
curtsy-courtesy of auto-incorrect.

but it is victory
on top,
victorious in its own way.

try it on another if you must...
what is the word that starts with a V
that first comes to mind?

so let us talk of victories.

so oft, I write in the dark,
even as I do now.

came home soul weary,
face worn-worry,
gotta go out to meet
Peter Bogdanovich later,
to chat about his latest movie.

woman looks me over.
X-ray glance,
an MRI of my heart,
no deductible charged,
but oh yes, a co-pay due, indeed!

Peter will keep,
tonight you're-mine,
to bed I send,
right after we consume
Large Thin Mush,
cause pizza with shrooms contains
mood serotonins,
that erase the
"pain of the day"

that be a victory nonpareil.
a Waterloo, a Normandy landing,
that be a victory where
both sides hug and kiss,
and make with their long,
stubby Churchillian fingers,
V's all night long
with goofy grins,
cigars and bowler hats,
just to go along.

so here I am in the dark,
having been "put" to bed,
one mo' time,
slicing and dicing letters
into a word-salade,
instead of resting.

dreaming of the day
when I can no longer need to
pretend to be a Seuss, but truly,
can be writing poems for all my
children~friends.

one for each letter
of the alphabet,
teaching us to write
upon our faces
laugh lines thin and fine,
mine, ours, yours.

product of pizza poems,
some that come not circular,
but tonite shaped
just like a woman,
just like a
*V.
For Victoria who has promised to read every poem the pizza delivery boy wrote in alphabetical order, starting with the one that was heretofore missing, one that started with the letter V.

PostScript: there could be no N,
Without the topsy turvy
V hidden inside,
Proof positive
That life is indeed
turVy
Nat Lipstadt Apr 2018
~one more for the r man~

almost Monday
and its weighty five day oppressive lead poisoning on the horizon,
is but a thirsty thirty six minutes away from its fortified Sumter, first shot to be fired at midnight, how we love to mark the commencement of hostilities and killing

but I am already wounded, a casualty of having spent evening with pleading, pleasing timer eating, reading of your work,
r

the sounds of inestimable admiration and infectious jealousy
make this old man eager to discard a lifetimes work and
begin fresh, but only as a copyist of you,
r

I know you’re thinking "what in the hell is he blubbering about?"

so I willingly will my confessional offering in the dark of the
holy bedroom; for you make me eat my words, and
spit them out as wastage, in dumbfounding humility

god you and yours, make me frail and blessed that I stumbled
upon your abbreviations of the human life,
r

shut up and accept my three r’s
reading ‘riting and rising
up to sing hymns of praise
for a man with a historical perspective and
whose few occasionals
are carved in the granite bench
of what makes my life
worthy of load bearing;

more than bearable,
all are soul-enlightened by
baring our humility, our admiration

11:24pm 4/15/18
nyc
read the poet r;
and
https://artsofthought.com/2018/04/17/inside-a-poets-mind-an-interview-with-poet-and-archeologist-rick-r-richardson/
2.3k · Dec 2013
Nothing So Sensuous
Nat Lipstadt Dec 2013
Nothing So Sensuous


Last night, I went back in time and met Alice Liddell in 1862.  
Alice Pleasance Liddell, known for most of her adult life by her married name, Alice Hargreaves, inspired the children's classic Alice's Adventures in Wonderland by Lewis Carroll, whose protagonist Alice is said to be named after her.  See her, greet her, in my banner photo, and all will clear.
~~~~~~~~~

nothing so sensuous
as to watch a woman,
nay, a woman child,
brush her hair
in the mirror.

sensuous,
more than sensual,
all my senses
affected.

luxuriating in a gift that
cannot be
bought,
her head titled,
then thrown
from her chest as far back,
your eyes see waves
of chestnut in
slow motion,
the smile on her face
for the knowing that
she has
sorcerer succeeded
in capturing
all of you.

mesmerizer,
she languidly strokes
her hair,
though it needs it not.
no, she brushes you
to your
knees,
your eyes,
see her eyes,
in the mirror,
the woman's sensuality
maddening.

every sense alerted,
you body fired,
far beyond
merely stirred,
she has you,
and then she asks...

would you brush my hair?
have you ever been in love?
have you ever had to tell someone
you no longer loved them
though you still did?


you answer:

Oh yes, Oh may I?

yes, with you totally, at this very instant.

yes, for I
must leave you
and return to
my time, my age,
150 years from now


the only way
I can do that
is to lie to myself,
no, I do not love you
that much,
not that way,
pretense,
for the agony of this


impermissible desire

is such ecstasy,
that I can
only dare to
write of it,
in my time,
lest I fulfill
it in ours.
A true story, a true adventure. If u want to time travel with me, then u must come to NYC, for that is where I depart.  All expenses paid for time travel.  You come here, we travel. Must be 21 and over and bring proof of age.  They are Fussy, about that!
Also, must make reservation well in advance. Small time travel machine accommodates only 15 people....and currently the only "destination" is Victorian England.
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