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Martin Narrod Oct 2015
new spit, the hollow mind
every damaged button glaring on the
face you wear, you sew-

I don't know how to just yet.

some curses you wear
they roll over with you in your sleep
at night I sing in whispers
we face each other, I tear you down

I said I thought you were sleeping
but assassins never lie awake with their eyes closed
or hurt in their underwear
I am awake. I never sleep again.
Martin Narrod Oct 2015
shapes of yr many most favorite possessions
people looming in the lintel browsing through the pockets
yr posthumous stare chisels down the bark

280 & Alpine
taking out the post
east alto, west alto
sandwiches and snickers bars

let there be pizza
where beds happily move
and there are no swing sets or cell phones
let there be pizza
eighteen year olds swinging from the rooftops to the pool

no music played to remember it by
yr handlers are too many now
lost in the green lasers and spotlights

there are only two hands to make this memory
the quiet dark does not take it, new mouths do not take it
old words tearing off the night
Martin Narrod Oct 2015
This bold mahogany dawn never retires
Buckets of roses unfold along the slopes of this graphite mountain
Smoke stirs from the cave wall paintings
Where wild horses lead the feral battles of yesterday

The most vulnerable humans could ever be is now
With four eyes and four arms open.
She might be as wet as a blonde Swedish shark- no matter.

The best and worst of life comes from the sacred triangle
Martin Narrod Oct 2015
How can we tell if anyone is at home?

I wish you had come in a box, I'd open you now
A tin can would be too small unless we were playing dares.

I don't accept these terms. We could have been arrested together
And then we'd have another piece of paper with our names on it to enjoy.

The letters I've been sending you are shorter.
I prefer when our names are closer to each other.

That copper lithograph you made and the limited edition prints,
Those are still so ******* rad.

You left that white leather bag with the gold hardware at our apartment,
Iridescent purple crochet needles, what appears to be the beginning of

An autobiography you must be putting together. I'd be lying if I said I washed and folded your clothes. I only folded them.

How long will someone's natural perfume stay on clothes?

I don't delete some period's.
Sometime's the worst punctuation is the kind that stays forever.

I miss you more than the addiction to painkillers I kept up until
Two months ago. I've been making the necessary upgrades.

They don't have a word for how much you mean to me.
A monogamous flightless bird that serves at the pleasure of its mate

Was the closest I came to showing you not only that I'd carry you
So you didn't have to walk over the scalding lava, but that

These limbs are fitted for your form. My legs will never grow weak.
Beautiful extraordinary things adults do with their mouths

For hours and hours and hours if they like.
After lips move and speaking does not require voices, whispers, or tells.

Waking up with my arms wrapped around your leg, My head laid
In the valley of your belly button.

Everything great of me was incubated with your body in our time.
It seems we shucked everything good from your tiny body

Until you lied yourself into believing you weren't worthy of such
Immense happiness and pleasure. You have not put me away.

Your lies were lies, if only to reinforce cognitive distortions.
Being brilliant and beautiful is the curse we agreed.

This venom is three years young and flying first class, one way, with four Checked bags, rocking forward to urge time forward.

What will bring the smiling back?

The temple mounds and eyelids sewn into the lines where lips
Greeted the fantastic strands of gleaming threads in your birth crown.

I have pictures of our pictures.
I have shoes for my shoes, and their tongues are hanging out.

We introduced each other to cool. I introduced you to your body
And for three years we ****** six times a day at least.

I wear your California necklace and studded leather cuff always.
Still nothing and no one could ever come between.

Heavy flow, blood letting, and mainstream apostrophes, and
Still we are bending time and making up gravity as we go along.

We became the Villains we hoped we'd become,
But the monster that is ripe on my skin is glowing.

This is the fight I'm not going to let up on, I will not sit down until your Cappuccino with agave and steamed milk is ready for you in bed.

You wait on me like a polaroid whose shadow looks to be a ghost
But ends in contrast and a lack of exposure.

I drank the poison too and left enough for you to use.
hurt britniwest addiction punctuation forever oxy opiates painkillers birds dreams dreamgirl mygirl mydreamgirl exposure photo photographer writer writing publish shadow selfloathing confusion jimihendrix  sanfrancisco sf california chicago hangingout tongues lips mouths kissing kiss ******* lust crusader warrior trials elliottsmith  paloalto lava true life nonfiction poem poet poetry beauty extraordinary tiny funsize lifestyle style mate wife come lost disappeared shoes gender apostrophes menarche periods period 20 mainstream jetstream private blood heavyflow Villains villain poison agave coffee cafe espresso sittingdown sleepgirl girls beauty lovers' spit beehives broken social scene portolavalley thebayarea the bay sfbay waiting waitingtodie waitingtolie neverforget infinitememories autumn fall winter photographicmemory recall nostalgia britniwest martinnarrod
Martin Narrod Oct 2015
I'm heaving prose at you and you don't even know it. Like fish jumping into a boat that's empty. Having risen before, being brave would seem easier, lighter maybe. Like great fluff or a fugue of an earthy red wine. My tear ducts are hollow drums, if I could I'd give you a metaphor about weeping, but I'm wept out and worn out. I'm not tired or worn down. I'm an obelisk, or a saber perhaps. I'm good coffee from a specialty roaster, but I come in a to go cup. Coffee should never be consumed from a to go cup.

You're one of those pennies people pay one dollar and one cent for, stretched out with new print on them. At the zoo they can be bought. At places where the middle class can be classless they can be bought.

You were once a starlet. A golden and imperfect deity. I'm still worshipping you. You're my startling ******, but the rigging is busted. Now I'm onto acid washes and back on ivory. Maybe you didn't mean to leave cue cards and question marks like keepsake memories under our bedroom duvet.

I'm only asking for you.

While I **** around each new city in the jargon of a Calder sculpture. I've punched door mice and killed rattle snakes with the heel of my foot. Step on with the right and bring your fingers to your lips. I've been calling good luck for decades now. Julys Septembers and Novembers too.

Just a regular guy with a big ******* rooster.

Some girl said we're swimming for each other in the dark, but I know your eyes have adjusted to the light. Don't compensate for ordinary experiences. Realize what I realize and taste the snow.
Martin Narrod Oct 2015
hello poetry, can you put me in the mood
give me your sacred anthologies
your oceans and rivers too

human insight seems to fail in everyone I knew
like painted sandcastles on a gravel beat
a song lyric draped in Princeton blue

don't hoard the cadavers from both of us
this is one right you cannot undo
licorice rope to tie the knot, in the coma you've slipped into
Martin Narrod Oct 2015
acknowledge me. seething with tumultuous needs, the crispness in your cocktail dress sways fingertips, interstices of unscrupulous overuse, the deep accreditations you accreditted to our use. The oral collages of fogs synthesized sacrilege. Organics and the ultramodern. Speak ballet with me, turn your head sideways while I look at you a new amazing way. Write your future in the dna of my hands, I read the secrets off yours.
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