I approach most desires
like a competition; can I
**** better than him;
can I be famous at twenty-
-three since he was famous at
twenty-four -- I must be able
to sink better than him.

God, it is exhausting. I
feel like I'm dancing with
a machine; a phantom that
I can never catch, for it runs
on my blood; my insecurities;
my passion -- and, boy, oh boy,
can I attest to having plenty of
  that stuff, ladies and germs.

I think, truly, that I am
encompassing the American Dream
I think is utterly flawed; that I think
is futile in nature; that I am sure of
is the closest thing to Hell, in this
Godless, spiritually motherless
dark shoebox of sudden collisions;
this space of useful and useless
results, splayed onto and into
our hearts, asking for reverence.

There is nothing  I want more
than to be sure that my importance
is not illusory. I am not sure if
I am real.

I wanted to write a poem about flowers, so that's what I did.
It was short, expressed how I feel, and cut like glass.
I showed my father "Flowers" and he thought it was mediocre.
And I said, "No, "Mediocre" is the poem where I talk about dying,
and I'm trying to stay alive, so I wrote about flowers."

Flowers strangling soil plots with their roots, with their existence.
And to hurt something you love with your existence is a terrible feeling.

I'm in love with someone's daughter
living in the shards of a broken home
Cutting herself on two year-old letters
These are moments she can't fake;
reasons to feel alone
So used to abuse, her tears start to shake
I hold her close as her head starts to ache
"I love you too much,
so I can't let your heart break."
She said, "I know you love me,
but you've made a mistake."

I never meant for anyone to be my pulse.
I promise not to step on your feet
if you teach me how to waltz.

And I want to tell her that I understand
what it feels like to be fake, insignificant,
and a shadow on the sidewalk of society.

And I want to tell her that I also borrow
the experiences of others --
that I, too, learn feelings
by stopping and staring at personal wreckage,
like a tourist of emotions,
like an inevitable wish of a human being.

You stab me in the back with a knife,
and I apologize for bleeding on it.

Rejection is hard, rejection is tough,
Rejection has a way of making you feel like
You’re just not enough
If someone doesn’t want you
Don’t feel second rate
Because inside of us all
Lies something great

Bulging from your nutrition
My life suspended
Don’t let me go
I don’t want to be bruised

I see how white light startles.
I snapped a pic and she spun in circles.
She wanted a photograph
to cover her mother's epitaph,
so she could have a laugh.

She smoked to get away -
but this isn't what'd she say,
exhaling, "All we are is carbon
and a lack of empathy."

We blended into hues of
microwave dinners
and church alters.
I used to tell her to go
just to halt her.

We prayed to get away -
but that's not what we'd say,
whispering, "Help us be more
than carbon and a lack of empathy."

When I was young
They thought I was a girl
My hair was curly
A head full of whirls
I grew up
Happy and naïve
Until others
Said there was something wrong with me
My hair was something that made me feel ashamed
I was a curly haired ******
And it was my fault, I was to blame
As I grew up, I learned about others
About those who weren’t me
My friends or my brothers
Not everyone had good fathers and mothers
They were hurt, too. Sometimes worse than me
Broken hearts, homes, and trust, sadly.
They were hurt by the ones they held closest
Not some passerby or stranger
The one that held them, raised them, and kept them free of danger
Who would sing to them by their bunk bed
Breathing lullabies, soft eyes, young soul to be fed
They were now broken, forgetting what it was to be loved
I learned it wasn’t my fault that they pushed
Because they too were being shoved

Chainsmoking menthols,
creating clouds on parade.
Living in the dark;
frenching hurt that I've made.
There's a sadness in my comfort
and a comfort in my sadness.
***, fame, ******* down
commercialized madness.

I don't dream of pornstars
as much as I dream of clothes.
Videogames to escape it all,
carbon monoxide through my nose.
Too good for this and that;
entitlement at an all-time high.
Doing television to help me live,
or maybe to help me die.

Spotify for the masses
beating in my brain.
Youtube and pornhub
to make me feel the same
as the lost I compare to myself
and the celebs I want to be.
I want to be on edge, rich, validated;
I want to live in a fractured harmony.

Money melting in a spoon,
let's shoot it into our veins.
Flashing Kardashian lights,
streaming into our brains.
Donald Trump! He's our man!
Mark Muslims is the plan!

All-you-can-eat-
Pile. It. The. ****. High.
When you walk or
When you talk,
let the words squeak out
like they're between
Your thighs.

Thighs. American thighs,
Dreaming next to our Calvins.
Our slacktivism, our regurgitated ideas
spitballing out of our McDonald's mouths
into our peers' ears, distilled by years
And years of "almost-knowledge"
that we quasi-ascertained,
if we knew what that meant --
but we've been left behind!
No child left the **** behind!
We were left behind and there's no
possible way we slacked off, that we're dumb,
that we aren't the movie stars destined for
Lamborghini cars, five-star bars, designer bodies
for designer you and designer me:
the most special of the unique, the
Pearls that have been made in the
darkest parts of the sea, the darkest parts of
origin. Origin. ******. ****.
American ****: virginal ideals sliding around
the muck of a marketable ****, fuckfest,
******* of the American mind, the
congratulations of the American ego,
the proud mother and father tears associated with
buying and lying, "trying" and frying our food,
our ideas, our friends, our neo-impressionistic
children in Jordans, skinny jeans, on tumblr:
the unknowing cousin of Fox News, surprised
by its own wit and wisdom: they're ******* twins.
Carbon copies, unknowing, unwilling, un-un-un.

The romanticism of mental illness.
The close-up of reality-tv emotion.
The manipulation taught to servers
from managers.
The manipulation taught to customers
from society.

All we care about is ****, image, and ***.
Self-preservation: **** Donald Trump
and *******.

College is a cancer clinic.
At this university, you either live long enough to die,
or die until you want to live.
Kids drag backpacks like bags of morphine,
and are attached to their planners like they are their heart monitors.
You do your own chemotherapy,
as you poison yourself with debt,
and Friday night nickel shots.

If I want to die, I'll do it myself
I'll save a kid or some **** and make it look like I died a hero
But nah, I had a death wish.
Didn't any of you know?
I said it probably forty-million times.
It's cool the kid is alive, though.
And it's cool that this all rhymes.

Tell the kid while I convulse, choking on blood that  I said,
"Eat your vegetables. Stay in school. Being in love is really cool.
It's okay to be alone. It's okay to be afraid. Don't make the decision I made."

Then play some surfer music and have him stand in front of a projector,
projecting video waves and dreams, as they start to dance.

Honestly.
If I wanna die, it's by your side.
But you're gone.
Away.
It was too hard, and you're afraid.
I'm afraid, too. I don't wanna die.
But this isn't living, what I'm doing now.
It's survival, and it's just
blood and bone.
Eat and walk.
In a crowded room, alone.
Smile and talk.
I can't feel. I can't feel. Keep saying it: I can't feel.

But I feel it all, and if I want to die then it's by your side.
If I wanna die, then I want to talk to you before I go.
If I'm going to die then it's because it's hard to cope
knowing that I love you, and you love me, but you don't wanna anymore.
So I don't wanna anymore, anything.
I don't wanna be here.
I don't wanna be anywhere.
I don't wanna be.

I dream a lot now, more than before.
Reality has become the compass to a draining nothingness,
and I don't want to stick around.
Either way, I'll dream or think of nothing, and it couldn't be that bad.

"No one is worth taking your life over."
"It gets better."
"What if she wasn't the one?"

How do you know how I feel?
What if it doesn't?
What if she was?

Can I bathe in nihilism or is that too transparent?
Should I shake the salsa in the silver room of the Lisbeth Salander character arch or should I be in the ark, two by two, with Noah?
At least I'll be able to feel, taste, see the shine, relate to another's pain, realize a life, be next to one meant for me in the shelter of doom and eventual hope, and be with a man with as much certainty, perceived as crazy or brilliant as me.

Can you walk home to me?

To know that what I knew is what I may never know is something I don't want to know, and something I'll always know could be something I live for and by, and that's all I knew before and now I know nothing but that.

If I wanna die, then it's knowing you as I walk to you or you walk to me, in depth, in death, in soliloquy.

The crumbling clock is my hoarder as it keeps everthing I don't need like memories, future events, and times and dates for places I don't want to be.

Is it too much to want to be a fly on the wall that is smashed?

I've never been so lost.

"Don't be so dramatic. Don't be so dramatic. Don't be so dramatic."

Okay, thanks. Now I can think of that, and what else is wrong with me while I feel lost. So lost, and unlike ever before if I ever was lost before.

What do I even say on my note?

Ooops?
Whoops?
My bad?
It's never enough, isn't it?

If I could wrap your sorrow around my lungs to where I could only breathe your sadness as I give you my hopes, joys, and everlasting essence to fuse with you as you feel complete, I would, I have, and I lay empty.

Is this enough to say?
Do you get my point?

This is what she looks like when she's sad:
The human condition effective immediately.
Winter shades shift side to side,
exploding out of each iris.
Skin falling off,
when lunging forward to kiss me.
Fingernail daggers dig into my pores.
I'll bleed under her fingernails,
if she'll drag them down my torso
until her knees click the floor.

This is her tongue inside of my mouth:
We taste each other before we waste each other.
Hip bones parallel and our eyes rubbing shoulders,
my hands surfing her rib cage
and it's all the rage because she moans.
And when she moans,
color tones orbit around her head.
Planetary tumors dancing around her skull;
jump roping with her hair,
eating morals and removing plurals.

Those are her lips around me.
Her head moves up and down
but her eyes focus on me.
She makes eye contact
and I empty my dreams
into her mouth.

We are a public forum.
I ache with alcohol poisoning
and liberal undertones.
The terrain that is my face
bleeds oils that would lubricate
the axle of the car that she drove
into the tree
that we carved our name into.

Come back to me.
I miss you so much.
I watched you die.
I watched you die
and there was nothing I could do.

They told me that she wouldn't make it.
They told me that she might make it.
My hand gripped at blood stained blanket.
I think she said my name under the air mask.
I could tell if she saw me;
her eyes rolled back into her head
after she gazed a thousand yards away
into the field of black
that sheltered the tall grass
that we would chase each other through
and get lost in
as we got lost in each other.

I love you! I ******* love you!
My back, a membrane coil
that rises my stiff neck
that cares my head full of memories.
I turn on the light and you're not there next to me.
I put my hand on your copy of The Thornbirds
and know that you've read it more than the notes
I leave in your inbox,
hoping that it'll say that you have seen it.

Walking to your grave,
I am a darkness that the abyss has swallowed
and I have followed myself into nothingness
that is such bliss
that I forget
your kiss.

CHANNEL 3 AT 7:


We are at the scene, now;
an awesome showing of
                    brute force.
What some are calling the
greatest moment in U.S.
                          history
and, some, "An example
of jingoistic propaganda
masquerading as self-
-liberation."

Whatever it is, Tom,
one thing is certain:
we will be here,
covering every second
of this gigantic American
                          moment.

"And we thank you for your fine
reporting, Lisa. Boy, I tell you,
the President is making a huge
mistake with this act."

You have got that right, Tom.
We, as Americans, cannot
allow this to happen. We have
to ask these people if they want
this to happen -- and, then, we
need to enforce, what we consider
progressive and better for their
well-being, to them. These people
are like lost puppies, Tom.
It is our responsibility to make sure
that they do not respect their religion,
their culture, or prehistoric way of life
they have become accustomed to.
If we ignore the issue, of their
third-world existence and third-world
values, then we will have lost as
human beings; and the United States
cannot lose whenever it comes to this.

"Lisa, bathe me in your words,
because nothing has ever felt so
clean and right. You're absolutely,
100% correct: we need to guide
these poor, helpless people and
show them what is right, when
it comes to culture, identity,
among other things."

Agreed, Tom. And thank you.
To make things simple for
the viewer at home, you wouldn't
buy a puppy and expect it to
**** anywhere it wanted?
You have to show it where to ****.
Heck, you have to show it what to
eat, so the **** can be a good ****.
To sum things up, these people have
been pooping incorrectly, for a long time,
and it is our responsibility to show them
the **** inside of us, and how we aren't
going to mix with them, but, instead,
show them how they can get a nice,
firm ******* that we all but
take for granted.

"Couldn't agree more, Lisa.
It is our duty, as Americans,
to help these people who have
been de-humanized, and show
them how to handle this and
the world, especially during
a time like this for them.
And let us not forget,
this is their moment."



MAD MIKE IN THE MORNING:

Hello folks, and welcome
to the Heat Zone; a place
where snowflakes melt
and where liberals sweat.
I, of course, am your man,
Mad Mike O'Leary and
boy, do we have some
serious stuff to talk about.

Our fabulous leader,
whom we shall respect,
has made our nation great,
as 195 countries --
excluding our's, of course --
citizens now have American flags
drilled into their skulls.
As an act of kindness,  
Our fabulous leader,
has given each of these citizens
the choice of keeping or removing
the flags. Of course, if one were
to try to remove the flag,
a tiny explosive would detonate,
as one can never be too sure
if a citizen would use the flag
as a weapon -- and, of course,
there is no promise that the flag
wouldn't touch the ground,
so Our fabulous leader explained
that flag burning would be an
acceptable method of removing the
flag from this plane of existence.

Here, today, we have political pundit --
or political genius; you decide --
Ryan Tomlinson to discuss this radical
new way of life, we unfortunately have
to endure. Ryan, what are your thoughts
on the controversial method of discarding
the flag: a symbol of our strength, love,
                                          and freedom?

"Well, I'll tell you Mike: you think you're
the mad one, you should ask my wife
about my reaction when I learned about
this atrocious tiny explosive destroying --
yes, destroying -- our great and mighty flag!"

Haha, is that right, Ryan? I bet Nancy got
the Rowdy Ryan I've met on Nickle Shot Night.
What were her thoughts on your reaction --
better, yet, what was your reaction, Ryan?

"Well, I can't tell you exactly how she
reacted to my reaction, because I wasn't
really listening. But, I tell you, ever since
He Who Shall Not Be Named left the office,
Our fabulous leader has had to adopt some of
his wild and, frankly, immoral methods --
which would include the burning of our flag."

You got that right, Ryan. It reminds me of
when my oldest left for college, leaving behind
some beers that little Matthew ended up drinking.
My point is,  He Who Shall Not Be Named
has left some stains that still need to be cleaned up,
but I am confident that Our fabulous leader will
scrub those right up; if Matthew can do it, so can he.
To move on, here's an issue I have
that no one is really talking about, Ryan:
Not only are you detonating this flag -- a
flag that millions of men, God Bless Them,
have fought and died for -- but you're also
covering this symbol of freedom in the
blood and gore and scalp and guts of
these dangerous people who would love
nothing more than to see our symbol destroyed.

"You hit the nail right on the head, Mike!
These people don't understand what it is
like to be an American; to deal with their
oppression and policing of our values.
They already have succeeded in dividing us
when it comes to this whole flag removal
method. You can't reason with these, people.
You can try to offer them a Benjamin;
you can try to give them tickets to Transformers,
but these people will never respect us or our
way of life. And these liberals are right behind them!
I'm not sure what the liberals plans are, right now,
but you can be sure they'll use this whole flag thing
to exploit something. Hell, they're already talking
about how we should teach these people to **** --
what if they get to them, first, and teach them to
**** on the GD flag?! The liberals are helping divide us!
That's what they do!"

You are so, so right, Ryan. This country is full of
the wrong ****; and is going down the toilet.
Well, unfortunately,
we have to go to commercial, but you can bet
your keister that we'll continue this important
discussion that involves your liberty,
your job, and your soldiers.
Mad Mike in the Morning, with special guest,
Ryan Tomlinson -- be right back.
Don't go away.

Elizabeth and God exist in a sunflower grave. Her mother and father slit her stomach open and watched the contents pour out like
spaghetti confetti.

Tommy, Elizabeth's boyfriend, rode his ocean blue Huffy, until the tread on his tires grew bald and until the grips were blanketed by dead skin. Looking for her, panoramic views of the horizon leapt beside him. Silhouettes of his legs, churned and kissed the orange and caramel dusk. With every tear in his hamstrings and calves, the **** in his sky grew and swallowed the memory of Elizabeth Mendenhall, Honor Student.

Margot, Elizabeth's twelve year-old sister, was an idealistic soul. Taking a Sharpie, she wrote on her sister's wall, "Liz, there is no death greater than the loss of self, and no life greater than one where we continuously search for what self is." Margot struggled with concentrating and frying eggs - but focused on the sunflower garden, dangerously and perfectly.

Hilary and Brendan were thirty-five and thirty-six years-old. They stabbed their daughter thirty-seven times. They don't know why they did it, they just couldn't think of a reason not to do it.

She begged for her life. The yellow petals of the sunflowers caught blood-drops and, after enough struggle, floated down to kiss and lay on Elizabeth's slow-twitch body. Hilary looked at Brendan and said, "What does this mean?" Brendan shrugged and said, "This is new to me."

The garden was an oven, and digging her grave was like pulling back on a cheap, plastic latch. Elizabeth had pale, pre-cooked pie crust skin. The slits in her stomach looked like peeks into a cherry stuffed filling. Crinkled lips looked indented by a stainless steel fork, back and forth, side to side. And the soil rained upon her like the reversal of hot vapor, returning home.

Elizabeth and the Sunflower Garden.

Dear Talia,

I don't want to be a tortured artist.
I don't want to be depressed and I don't want to be anxious.
Competitive sadness and disorders treated like accessories disgust me.

The world glamorizes mental illness, and I don't understand why. There is nothing romantic about being mentally ill just like how there's nothing glamorous about a broken wrist or a torn medial collateral ligament. There's nothing romantic about constantly being afraid that the world will fold in itself and **** you with it. There's nothing romantic about feeling like you could break down and cry at any moment.

This is the first piece I've written while being medicated.

I want it to be Christmas already.

The world dreams itself a halo, but can only attain horns. The halo is an illusion and the horns are an idea.

I'm due to take another Lorazepam. Would I look cool to the kids who idolize dysfunction and misinterpret pain as style, if I were to take one of these, with water and a distant glance, in front of them? Geez, to have their approval would to have everything and nothing at all.

I'm not sure why I've written as much about this as I have.

You.

It is 2:48 am and all I can think about, in this moment, is you.

I can't wait to spend Christmas with you. I can't wait to wear bad Christmas sweaters, and be the couple everyone hates, as we sing Christmas carols and spread holiday cheer.

I wrote this poem a few minutes ago. Sometime around 2:30 am. I'm not sure. I'm exhausted:

I sat on the edge of my bed, and on the edge of my life,
medicated to the point of pointlessness. Soft.
It was the nineteenth, not the twentieth,
and I wished I saw the fireworks with her fifteen days earlier.

My gasps tore the shingles off of the house.
And they hung suspended above the hole in the roof.
And God stared down into my room, as the shingles swirled skyward.
"I see you," I said, "but I don't believe in you."

I left home and ran until I was a dream that had passed itself.


I hope that was okay.

I love you.


Yours,

Joshua Haines

Father mosquito
drank my blood
and promised me
that there was a lot
to live for:
***, money,
women, love,
food, water.

But *** is only worth
the ten seconds
after I ***:
the ten seconds
where my body breaks
but not my heart.

And money is an idea
that belongs to someone else.
So, the money I have
never really is mine.
The things I need,
I'll never have.
The things I have,
I'll never need.

I do love the softness of women,
Father Mosquito.
You have understood me
once.

It's just underneath
my skin.

But you say love
and no love
is as important
as self-love.
No lips stitched into mine
is worth the feeling
unless I understand my worth,
and you're currently
*******
it
dry.

What happens when food
loses its taste?
And water is no longer cold?
What happens when
my body fails me?
Drink my blood
since it is yours, too,
father.

It's just underneath
my skin.

Xeroxed vitals on paperplanes
Crashing into window panes
Broken-heart blisters and voyeuristic veins
Appear and create transparent glass stains
Blue-Green grass on the other side
Laying there, our fathers died
Dreams and streams of alcohol
Run from their mouths with no control.
Shaking, breaking, no where to decompose
Skin peeling off of worn down toes.
Tell me where their love goes
Tell me where their love goes
Everything turned into gun-shy eyes
Blue-lipped Sunday surprise
Bodies breaking into waiting
This is nothing but carbon dating
Bottles breaking of ***** that's so clear
That I won't see until they're near
God and Jesus in picture frames
Suburban families with jungle brains
Broken homes and replacement Brad's
401 k's and missing ads
Finding our homes that aren't so black and white
Let us sleep in our dreams tonight
Validation through our existence
Is dead but still our resistance

There was an army of ants in the plastic plants
So I poured light through a magnifying glass
And I created a fire on the artificial grass

They scurried and hurried
with flames on their backs
Like soldiers on a hopeless plain,
searching for invisible barracks

And I sighed as they died,
because we are all the same:
Scurrying and hurrying from invisible pain

Hard to miss, you can take me home.
I'd rather be anyone than to be alone.
Marlboro-stained teeth
have my lips controlled.
Don't mistake the chemicals
for our souls.

I move with the waters inside your ribcage.
Because when I drown in you,
it's the perfect place.

Softly, please, taking off our clothes:
I can see the kisses that have left holes.
You've been acid-washed
by love that wasn't stronger.
Take off your armor,
so you can stay here longer.

Your face is as cold
as the place I found you in.
You can let go of the hurt
trapped beneath your skin.

I keep warm in your fire that beats fast.
To be alone with you, it to be, at last.

Hard to miss, I will take you home.
You can be anyone, rather than be alone.
Remove your shoes, but not your heart.
You can stay here, as our world falls apart.

She applied the latest fashion tips to her lips
and put on the newest dress to cover the mess.
I held her as she swayed in front of the mirror.
"I want to get away from here," she cooes in my ear.

It rains ridicule as she tries to be classic cool;
storms that brew from within-
and there's no way of knowing how it'll begin.
She'll say that she's a succubus
but I promise that she's a star and thus
destined to implode but shine beautiful before death.
And I await to be burnt by her deathly breath.

She says that she feels detached,
I read the message that has hatched
from ten eggs thrown from a wrist.
Her lips are mine but all I do is miss.
Her lips aren't mine and all I do is this.

I **** time with new noise and old sights.
She asks if I'll be home tonight
and I wish I could because I'd clearly sway thee,
macabre debutante lover baby.

Her name is Tricia and as I whisper,
her cheeks blush.
"Don't break hearts or mine too much."
I could say the say the same for you, my Josh.
Couldn't we all break broken signs
with the love we reallign?

I tantalize her lullabies with eager hands
and lethargic eyes.
I shoulder her and press her near,
and kiss her from neck to each ear.
She slides hands and traces each crease.
She runs her hands as soft as fleece.
My hands hide in her underwear
and she says,
"How did you remove all of my air?"
She fixes her hands and grabs my base,
I kiss each corner of her face.
Stroking, stoking my desire,
I ask her to lay naked by the fire.

I disrobe and throw each cloth on ground.
Tricia takes off her bra and there is no sound.
Her ******* make me eagersome
and, suddenly, I'm no longer numb .
I tell her that if it doesn't feel right
that we don't have to make love tonight.
She walks and her feet kiss the tile.
She says she wants to stay for a while.

We get lost in blanket and the cloth is soft,
as we move from the fire to a loft.
I tell her that her lips are silk,
her chest plays songs,
and her taste is milk.

Her feet appear behind my head,
and she bites her lip until I feel dead.
I place my hand between her thighs
and listen to each moan and sigh.

I hear her shudder as I break her soil
and I feel my body start to boil,
as I push in and kiss her nose.
She throws back her head
as her mouth can't close.

I wake up and she's next to me.
I kiss her forehead to thank for harmony.
I pick her up and let her bloom in my arms like a flower.
And then I walk her to the shower.

Standing like a model in a motel room-
jealous eyes can't open the blinds.
Every time, every time.

Je t'aime à la folie, broken frames.
These are beautiful songs for damaged people
that don't think they're all the same.

They taste like formaldehyde,
so hopefully they'll preserve me.
But, instead, they burn the room
as they kiss my neck and collarbone.
Lapdancing on my loneliness-
Please, let me remove my eyes and hands,
because I've seen and have felt too much.

You don't understand:
everything is ideation
and demisexuality.
Double entendre:
I'm a toxic lover,
I have girls around my waste.

Take a look around and see how damaged everyone is,
and how universal they are in their illusory disguise,
"How can we be so smart if the last line was redundant, guys?"

Je t'aime à la folie, broken frames.
This is just a mediocre song for damaged people,
so they believe they're not all the same.

Don't feel too much.
Remove introspection.
Be self-absorbed.
Feel no affection.

She said people were seasons,
and when I first met her, I couldn't agree more.  
After getting to know her, I wished that I didn't.
Her ex-lovers were Winter, and her eyes were a shade of Spring.
I could see the vulnerability of a car crash
swimming in each fountain trapped behind her emeralds.
She was beautiful in the way that could cause suicides,
and fix spider-webbed windshields after each collision of,
“Are you okay,” and, “I’m fine; I promise.”

Every story was Winter, and she was always left alone in the snow.
Mauve lips mouthed words that silently whispered,
"When is this too much? When are you going to leave?"

People are patterns,
and all she knew was the tessellation of temporary love and permanent loss.
Her hands trembled as she looked down.
She was in transit; moving after each hope of home fell apart.
And I wanted to kiss her like the world was falling apart.

Dear Talia,


Acid rain has never felt so warm. We ran home today from the Rail Trail, underneath an umbrella, that you called a Monet and that I called home.

Before that, I sat in a cafe, using my heartbeats as a way to count the passing seconds. I frequently got up and left to go occupy myself. Honestly, I got up to try to remedy my anxiety.

Beyond reasonable punctuality, I was forty, give or take, minutes early. I don't know why I was early; I guess I just was really excited to see you.

When I did leave the cafe, I would always be on a mission to improve our day anyway I could.

At first, I bought a notebook and two cranberry juices. I wanted to write you poetry in the cafe, before you arrived. I started writing but nothing worth showing spilled onto the paper.

I wrote you this poem:

There is nothing that calms me like you do.
There is no one that smiles like you do.
I could find escape in your eyes, and home in your hands.
If you could understand me, like how I understand you.
There is no one like you.

The next time I left, I went to buy bread. I thought it was a good idea if we could feed the ducks, together.

The lady who sold me the bread looked like her dreams were passed onto me. She looked at me with hope, and realistic expectations.

When I went back to the cafe, you still weren't there. I was expecting you in a few minutes, so I was okay. I had horrible anxiety because I thought you would never come, despite your not having to be there until three minutes and however remaining seconds. I have a horrible fear of abandonment and it ignores all rational thought.

So I sat down and I wrote you another poem, hoping that you would surprise me while I was writing it.

I wrote this poem:

I love you.
And it's okay,
you don't have to love me.
It's my love and I want you to have it.

An hour passed and you still weren't there. It was okay because I thought something more important came up. I just wanted you to be happy.

Another twenty minutes passed and I decided to leave. My head sunk down to the ground, as I jaywalked across a street of inconsistent traffic. Then, I found the sidewalk. I was walking, not really paying attention to anything, when I found you. My god, your peripheral vision is bad, but you really do see me.

I was happy to see you.

I wanted to say, "I love you," but I didn't want to lose you.

You were wearing this top that looked like it was painted in cream, and you were exhausted from walking miles to see me. You profusely apologized for being late, and I profusely apologized for not checking my messages.

****, I really do love you. At first, I was stepping down stairs, and then I fell so hard onto the asphalt that had your face confidently drawn on with assorted chalks.

Your name flickers in every light, and your voice settles in my eardrums.

We walked down to the Rail Trail, and I felt like how I imagined those would feel after being baptized. You don't realize how lucky I feel to be walking next to you, talking to you, and knowing that you are on the Earth, and that we are in the same place, the same moment.

I got to hold the umbrella.

My mouth tasted like cheddar and sour cream ruffles, and my hands had trouble circulating blood, and my heart was circulating too much, too fast.

Your eyes were fountains trapped behind emerald.

I love you. I love you. And I love you. I thought all of this between every word that we exchanged, and every glance. I think you love me, too, but it's hard to tell sometimes. You don't have to, but sometimes I imagine that you do, and it's wonderful to imagine such things.

I'm afraid that I'll have to go to a mental hospital. If you were to leave me, I'd understand. I would just want you to be happy, Talia. I hope you wouldn't, though. I guess I'll find out in June.

Despite being reasonably unstable, I feel like the sanest person in a room, sometimes. I was sitting in my living room and I thought about us feeding the ducks, and I heard everyone else talking. I don't understand the point in alcohol and alcohol related stories, when there are ducks and feeding-the-ducks-with-someone-you-love related stories. I don't understand this town, sometimes. Maybe I don't understand how messed up I am, and how everyone is normal.

The mother ducks, and the children, were not there whenever we arrived. We fed the males and it was fun. I like it when you smile. Frequently, we talked about how unfair it was to the females that they would be deprived of our bread. I think things are unfair for females, no matter the species.

We tossed slices and half-slices of bread like safety nets. If our bread can make them live longer, then it'll be worth it. Is that too dramatic of a thought to have?

After looking at the sky, you and I both knew what would happen. It was to be a downpour of everything that would **** you and I, if collected into a cement hole in the ground, approximately six to twelve feet deep. I felt safe, though. I always feel safe with you.

We hunched underneath the umbrella, and scampered across downtown. Your feet were getting wet because of your sandals, and our clothes were sticking to our bodies like how we were sticking to each other. We laughed and spoke French underneath the umbrella, in the pouring rain.

You wore one of my shirts, once we were in my room, and I looked at you and knew that it was true.

Your nose had little cuts, underneath, from our kissing. Apparently, my stubble scratched your skin. I can feel you after we kiss, too, but in a different way.  I can feel you anywhere I go.

I watched you walk up the side of the road, and I turned around to retrace my steps back home, despite just watching my home walk up the side of the road.



Yours Always,

Josh

When the thunder collapses like my grandfather's love,
there's no one that can hate me more than I do now.
As the lights begins to stain and drain my eyes,
there's no one that can hate me more than I do now.
Skeletons fell with the sea shells in the air.
I hope I'm falling asleep.
To no longer be here
is to be fair to everyone.

Art gallery in my head,
where the paintings hang above
polaroids and used condoms.
Where it's okay that I'm there:
the picture of a *******.
Where it's okay to love me.
Where it's okay to be me.
Where it's okay to know me.
Where it's okay to be me.
Where it's okay to get close to me.
Where it's okay to be me.
Where it's okay to believe in me.
Where it's okay to be me.
Where it's okay to be me.

In 2003 I was molested.
I want it to be okay to be me.
I detached myself from lullabies
and sorry eyes, only to realize:
I could have been dead in March,
right before the summer glows
and everyone would know
It wasn't okay to be me.

Why did you have to do it
My flesh tastes tainted,
and my eyes are painted
with the disgust of distrust
and the disgust of your lust
that corroded my body
and ate my blood
Am I any good
I want to be good.
I want to be pure.
I want to be more
than what I am.
****
There's acid in my veins
There's ******* acid in my veins
My body ******* shakes
Even when in love, I shake
When I'm safe, I shake
Am I ever safe

God isn't real, and neither am I
I am about as real as the dream I can't even buy
My talent is irrelevant, my past dictates my decisions
My love is the only redeeming quality,
and even that lacks precision.
I want to be perfect. I'm sorry that I apologize for anxiety;
it's not so much that I'm asking for forgiveness,
I just want to hear that there's no need to be sorry,
because it's okay to be me.

Oh. Hey, my eyes are watering; isn't this cool?
We're all having fun. Yippee.

The sun bursts rays, and there are twenty-three different ways
to stay alive inside when I'd rather hide from the sun's naivety
Searching for warmth on the walls with blistered palms,
as I lay in bed, naked. Removed of clothes and hope.
Blood in my mouth, new starters with broken shoelaces on the floor
Dreaming of different places. I said: dreaming of different places.
Cryptic words. In other worlds. In fire, I learned to drown.

A-B-C-D-E-F-G
Reentering the room, drunk.
H-I-J-K-L-M-N-O-P
Hide behind the bloodied bunk.
Q-R-S-
T-U-V-
W-X-
Y and Z
Now I've learned my lack of harmony,
next time won't you spare me, please.

Roses fall from the ceiling. There's no way I'm feeling.
Detach yourself from this room, this nation, this planet.
"You're too fragile to talk to, Josh." Thank you.
Don't allow yourself to ever be hurt again.
Regain your focus after I count down from ten.

Ten.
Reasons to stay alive.
Nine.
I want to live, I don't want to survive.
Eight.
There's nothing about me that anyone should hate.
Seven.
There's no god, but right now, I can make my own heaven.
Six.
I detached myself from lullabies and sorry eyes only to realize I love you.
Five.
"You're still there, right?" Dial tone silence, followed by fist to wall violence.
Four.
And to know you, is to know everything.
Three.
Adaptation without reclamation I find you in my translation
as hurt yet elation.
Two.
I want to make love in love. I want to die and donate a part of myself;
my backbone, lack thereof.
One.
When I fall asleep my eyes meet yours.

Intermission:

Do you like hurt? Do you like pain? Is a happy poem not your game?
Well, read a poem by Josh Haines and never look at him the same again.
And don't look at yourself the same, because it's okay to be you!
For the price of absolutely nothing, you can look at his words!
Wait, and that's not all! Validate the 'beauty' of his words by
touching that heart and making it red!
Make it as red as the bloodied bunk that stained his back and heels!
Only for the price of absolutely ******* nothing!
Hurry, though! You only have until the end of ******* forever, so act fast!
The number is
1-800-I'M AVOIDING A LAWSUIT LIKE I DO THE PEOPLE IN MY LIFE

2nd.

Hey, do you like your parents?
Yes!
Trick question. Do you looove your parents?
Yes!!
Do you like seeing your grandmother in a wheelchair?
Yes!
Do you like being hurt by the people that you care about the most?
Yes!!
Then grab some popcorn and cola!

End of Intermission.


Trying like you're crying at the end of the film that documents your life
To divide a knife into your skin like it's a sin to feel this way
I just couldn't take it, bones in the corner of the room.
Inside a skeleton's eyes, flowers bloom.
Chicka-yay-no way. You swear? You say:
Ti-ta-time is on my side, but that's not how it feels inside.
An internal measure of the pressure of the world
and it's bound to run out like the sand in my hands
at the precious beach that would **** me if I stepped
into the blue, for me and you.

Let me turn back time to when I first met you.
Don't be afraid.

I remember everything. To never forget, is to realize every lie,
smile at every face, and to remember every goodbye.

I hurt my hands, I need to talk to you on the phone.

My insomnia lives off the thought, that I hurt you.
The room is blurry, and I'm sorry for being cold.
I am warm. I have the sun inside.
I guess I'm just afraid of burning you with it.

The drums pound into rhyme,
Diamond casualties
Rewind, wound, rewound
To scratch the surface
until there's nothing but sound.

Her voice is strained.
Her skin is fair.
Her ******* lay on the countertop.
I **** her until my thoughts stop.

She rejects the notion of love for all,
as she leans against my kitchen wall,
with a cigarette and an unbuttoned blouse-
she wants to be homeless in my house.

She keeps me in her necklace's locket,
and I keep her in the wallet in my pocket.
Her toes kiss the linoleum,
she walks like she's made of helium.

She mumbles that I taste like mint chocolate chip,
as she rubs against my hip.
Her breath smells like Malboro Lights,
and I hope she decides to stay the night.

Milky Ways and Vanilla Cakes,
she likes the way my body shakes,
as we lay and eat our troubles away.
Hurried words slow the day.

She asks me about my stretch marks and scars,
and if I've ever been hit by a car.
And I say no, but I've been hit by love before,
and it feels like getting your hand caught in a door.

Hurried smiles and bathroom stalls,
she likes the way my family never calls.
The words escape between her plump lips,
as my hand travels between her hips.

We move until we forget
that the world is moving faster.

In seventh grade I watched my friend bleed out
Holding what was left of his leg, he whispered, "This isn't good."
They say that the human body contains eight pints of blood
I counted nine.

When you were born, no one knew.
No one knew how intense the galaxy inside of you was.
How each star would illuminate your eyes,
and how you would illuminate mine.

In tenth grade,
my dad didn't talk to me for three months.
I didn't know who I was for three months.
My light became darkness as his love became emptiness.
Father, love me the way I love you. I pretend not to,
please be the same way as me.

Your heart grew faster than my hands, brother.
I hope someone loves you more than I.
For I am what you are, everything without and within,
forever and without the night.

Mother,
do you feel what I feel? Do you see what I see?
Am I what you imagined, more or less?
Do my words matter? Does my heartbeat pound alone?
Do you love me?

You are what illuminates my eyes, Queen Anne's Lace.
With or without, from your eyes to mine,
silence with noise, electricity moves throughout
yet I am calm. You are what I know,
and all that should be known is that
you deserve to be happy.

In twelfth grade my father tried to stab me.
If he was successful, it wouldn't have been the first time
one of his actions got past the surface level.

It's not your fault, burning rainbow on the water.
Adaptation without reclamation I find you in my translation
as hurt yet elation. Mother.

My kaleidoscope,
so soon,
mirroring colors and shape.
Am I looking at myself?

I don't care if you don't comprehend, the words I say or how I end.
And if you don't understand the words that pass,
your eyes, like your heart, are transparent glass.
Taste throughout, with blood mixed in, the way I beat has always been
to know, to show, to allow what I see now to be seen,
may I know what I let go is what I'll always mean.
Thunderbolts from your mouth, good luck to me because I am shocked.
There is no lock. There is no lock. There is no lock.

I live throughout different years, with evolving eyes without resolving fears.
I've been afraid. I've been lost.
Kaleidoscope.
No longer, no more.  
My heart is an open door.

Blood stained pants.
Hands without.
With every word,
every shout.

You pull on my lip like an aircraft emergency oxygen system.
Our engines catch fire
as our tongues flutter like the wing's peeling metal,
and as our eyes peek at one another
between each plane crash of lips.

We've lost cabin pressure
as we can no longer control our bodies.
We gasp for each other's breath
as our shimmering structures
roll around on the sky of my bed.

We kiss like we've only got seconds left,
when in reality,
these moments will never die
even if we do.

My dad dug his foot into my back like a shovel breaking soil.
If I do enough push ups, can I put a smile on your face.
If I move the earth for you, will meteors stop me.

I carried sparklers in my hands while cannon-kisses erupted in the sky,
and my cousin swore that I'd hurt myself.
But I explained to him that history repeats itself,
and that my hurt is unavoidable.

Like the hug of a grieving grandmother,
and the staring off into space,
as her tears stain my white oxford lie.
There's no way to get out of this place.
Finding new ways to live in death.

I don't want to be cool. I don't want to be cool.

And her fingers left a ******* on my back.
And my mouth melted onto hers.
I love her until my eyes **** in sleep.
And it's deep. And it's deep.

The swirl of the ceiling sank down
like a child being drowned by his mother.
And I missed my brother, and I missed it all.

I don't want to be cool. I don't want to be cool.
No, not anymore.

My foggy mouth tries to hide behind rain-smacked glass.
She says goodbye with complacent stares
and with the sudden flash of an umbrella.

The red of her dress doesn't belong in my life.
Each of her strides carry my resentment and weariness,
alongside the melting grey of the Seattle skyline.
So, I don't yell for her or imagine our lives,
as the windshield wipers sweep her image, out of sight, but not out of my head.

I return home, the half I was for decades.
The tread of my shoe mashing bluegrass,
digging up seeds and insect carcass, with every step.
Storm-soaked magazine subscriptions lay on the porch,
and her name is tattooed on every one.

The dog lays on the carpet, ears and eyes perking up at me.
And he knows he's truly alone, because I'll depend on him.

Eggshell kitchen cabinets are jammed with her:
Vermilion, saffron, and burgundy glasses hold
half-empty hangings of golden flat draft,
keeping her day-old, dried saliva smothered on the edges,
like transparent ocean waves dying on a glass coast
and buried in the bottom of the sun-pierced vortex.

What I couldn't realize is that the cup was me:
marked in so many ways,
letting decaying memories burrow and stay.

Her ribs crackled, in the skeleton night.
And I remember my mouth on hers,
where atomic fish hooks attached our lips.
Where there was nothing like kissing
like our God wasn't dead.

She was accused of killing a taxi driver
in the Brazilian underbelly.
Smoking a cigarette, she dropped it on the ground,
spat on it, and crushed it with her bare foot,
saying she fell in love with the way
his sleep-drenched body lay.

And I told her to stay home.
And I told her that they'd find her.
But she didn't stay home.
And they did find her.

Chasing her through the Babylon brush,
insults were thrown and so were balloons of gasoline.
Each pink, yellow, and green vessel floated in the air, as an internal opera heightened.
And sour splashes spread across her body,
as she fled from the vigilante mob.

The children danced along the panoramic horizon she ran beside,
laughing, pointing, singing.
The slumbering sorrow of the situation became evident,
and she started to feel the calm of fleeting life.

Her dreams aborted and her ideals became fallacies,
and with the sound of fuzzy motors in the background, her heart leapt and her feet slipped.

Rope ate into her, wrapping her like the orphaned recklessness of each set of eyes that painted her.
She squirmed amongst the cheers.
She cried with every thrown beer and balloon.
The empty-eyed males gang ***** her.
The women covered the children's eyes,
and the children tried to move their mothers' hands.

And I pushed my way through the crowd.
And I saw her smothered in blood, beer, and gasoline.
I wanted to halt the hurricane that destroyed morality.
But I am a coward.
Frozen by my fear, I, too, am a murderer.
And a murderer I'll always be,
for the burning of all that was good.

Sudden flames soared towards the sky.
Laughter escaped as molotov cocktails exploded onto her body.
Her head turned towards the crowd,
as flames scampered across her face.
I saw in her, what I never saw before,
which was the human race.

I am in such a **** mood,
the mountains have no meaning.
Big ******* rocks.

*******, dad.
*******, Fox News.
*******, Indiana.

None of you *******
know what irony is.
Google that ****.
Jesus Christ.

There are yellow streams--
that's poetic ****.
There are ruby stained sheets--
that's blood, obviously,
and, I dunno,
maybe somebody died on a bed?

Everyone can **** my ****.

To be or not to be,
that is the
shut the **** up.

Rapists are disgusting people.
They aren't people.

******* idiots.
Romanticizing everything
you wish you had
because
suicide, mental illness,
and eating disorders
make you cool,
riiiigghhhttt?
*******.
If you do this,
you aren't interesting.
You're just you.
Get used to it.
There are people
that go through
these issues
and they don't think
it's ******* rad,
*******.

I hate 75% of the south.
The south will rise again?
Get the **** out of here.

Stalin was a ****.

Most writers are *****.
Most of them ****.
I don't care.

For the love of "God",
if I read one more poem
about what poetry is
or how to define a poet,
I'll slam my head against
a ******* knife.

Some people are so dumb.
Most ******* people.
******* pseudo-knowledge.
Armchair philosophers.
If you guys wanted
to **** yourself,
you could jump
from your ego
to your IQ.

Something, something, imagery.
Metaphor.

Dear Talia,


I found you.

Have you ever lain in your bed, after a night of restlessness and tears that tessellate on your face as you dream of a new place where crying isn't a thing, and where beautiful girls in dark dresses and black Keds are?

Have you ever looked at the stars and say to yourself, "Wow, some of these are dead, but the person I could love, and who could love me, may be looking at them and is still alive?"

When in our darkest places, when the hurt can't escape our bodies, when we think we'll never recover, have you ever thought of a person that you don't know yet, but you know that they're part of the answer? I think you're the person I've been thinking about.

Do you want to be my Alexa Chung?

Do you want to be the soft song in my room, as we slow dance on a carpet covered in removed clothes and removed fear?

Can I be the one to show you how you could save lives with your presence and that your presence is a present?

Can I be yours?

I want to wipe off the lipstick on your lips with my lips. I want to paint my face with your mauve and laugh about it in bed, over a bowl of ice cream and teeth showing as we smile. You're a nice dream. You're the only dream I have right now.

If I die, I want you to know that you are one the most beautiful people I've ever encountered.

"I'm so ****** whenever it comes to this final," were my first eloquent words to you as we trudged out of Cerbone's, and pushed double doors that opened the opportunity of ourselves to one another.

When I think about it, I could have said something a little less Sid Vicious-esque than, "I'm so ****** whenever it comes to this final," but you can be my Nancy Spungen, sans stabbing you in the stomach. I'd rather you be my Alexa Chung, though. Plus, Nancy Spungen was kind of *****, inside and out, and you're cleaner than a rain-kissed afternoon.  

Is this weird? I'm writing a letter to someone that I spent five and a half hours with in a cafe. Then again, I think it may be warranted.

We left his classroom and avoided bumping into each other until we were at The Daily Grind. You were beside me, attached to my hip, or was I attached to yours? Your hair is dark and has a quasi-bronze streak in one part. It's unique, like parental guidance. I think your eyes could break hearts and fix spider-webbed windshields after a collision with, "Are you okay," and, "I'm fine; I'm not going anywhere."

I find it unusual that whenever I was walking with you, that I felt calm. I haven't felt that way in a long time, when walking with someone. Then again, I've only been walking with my shadow, as of late. Usually, my nerves seep out of my pores and my hair spins in my scalp, as I breathe heavily and think about long ways to say goodbye and quick ways to die. But with you, the ocean softens the shore inside.  

Entering through the weathered door of The Daily Grind, you were still there. Ryan was there, but he doesn't know who I am. To be fair, no one really knows me. It's mutual, but I only know of him because of his questionable but interesting opinions. Actually, his opinions aren't that interesting, I just think his confidence is interesting. He reminds me of a bee stinging someone and confidently allowing the lower half of his body to be ripped out, as he bleeds out with insides hanging like cooked spaghetti noodles, with wings sputtering, as he talks about Bad Faith, with a smile on his face. Wow, that was a run-on sentence. That was the type of run-on sentence you could lose faith over.

I'm afraid that you may think that the way I perceive the world is weird. It's okay, though. I think I annoy my friends whenever I tell them about my problems, so I don't want to do that to you. I only tell them about a quarter of my problems, but you're the type of person I could tell everything to. It's not their faults, though. They have their own issues and lives to handle, as do you. I'd hate to be the cut in your mouth.

You ordered a ***** chai, I believe it's called. You're a regular. I'm only a regular to lonely nights. People know you and love you. I can see why, and I'm glad they do. You're the type of person that inspires books and to be yours would to be everything.

I ordered a Sierra Mist, because I'm about as cool as a pyromaniac's paradise. I like your eyebrows and your voice. We swept each other to a table by the window.

Your eyes are green. Your hair is black. And after meeting you, there's no turning back.

We were supposed to study, but I didn't come there to learn about Sartre. Existentialism did come into play as I tried to figure out if you could add purpose to my life. You did.

I think you were a little surprised that I didn't want to study, and I think you were even more surprised when I wanted to talk about you.

My God, Talia, I don't think you're aware of how beautiful you are.

We spoke for five hours and thirty minutes. I thought it'd only last half an hour. We bled ideas, stories, and questions. You told me the story about yourself. That was my favorite story.

After these five and a half hours, I had to go to therapy. You said it was four. This was the second or third time you checked your phone in almost six hours; I was flattered that I had your attention. The first time, out of probable nervousness, and the second time whenever your friend came in to talk to you.

I wanted to say so much more to you, but I bit my lip so I wouldn't and so my jaw wouldn't drop.

When you said it was four, I was sad. I didn't want to leave you, or for you to leave me.

Do blood and thoughts hold a race whenever we're afraid of losing someone?

We walked out of the cafe, and found the sidewalk. As we walked, I was wondering what was next. I didn't know what you'd think of my having a therapist. I'm not crazy, just scared.

I should have held your hand.

When we arrived to our destination, the lair, I told you that I had a therapist and an appointment. I asked you if you wanted to sit with me in the lobby. You said yes. I felt the words, "Thank you."

I don't think the elevator we stood in was big enough for our hearts, and I'd like to think that love seat was our sanctuary. You looked at me and understood, as we talked about our childhoods, our mothers, my father, and our worlds.

I wanted to kiss eternity into you.

My therapist came out, and I said bye. I got up, quickly. I would have said goodbye slower, but my heart was too fast. I'm supposed to see you tomorrow, so I can work on my goodbye.

If I die, I want you to know that you've given me the greatest six hours I could have asked for.

You deserve to be happy and I hope that you are, no matter with who. Despite all of that, I feel like you and I are supposed to happen.

I wrote a poem whenever I got home:

Move your hands with mine.
You're the current of the ocean.
I whisper your name, and I'm not afraid.
You are my emotion.

It's you, isn't it?


I want to be yours,

Josh

Caged organs never sounded so beat
Bone marrow around the brass meat
I'm a toxic lover with love around my waist
And afraid of poisoning, as you taste waste
Cleaning toxins out of my sheets with chemicals.

(commercial break)

Ay-yeah-ya-yeah-yeah
Ay-ay-ay-ay-ay-ay-wa

Breathe me all the ways to stay away
Blood on bathroom tiles that run for miles like crimson Niles
Just stay

Ay-yeah-ya-yeah-yeah
Ay-ay-ay-ay-ay-ay-wa

(Okay, we're back.)

Coals in your cold coat holes
I know you're happy now
I hope you're warm with fingers intertwined
within the future in your ribcage
feel your organs to know you're alive
your heartbeats beat because of a stolen car.
I feel-

(change the station)

Drive me, my baby. I'll turn you out in time. Don't you recognize
you're the only thing I want in sight. I could change your-

(change the station)

You're the one for me. You are my-

(change the station)

I hope you like it like you love it when you should like it because you love it without liking it with loving it within loving and without loving with love and without like because liking is love and love is liking what is liked to be loved within and without. Here's God with the weather.

(change the station)

Green and cotton, that's a lovely chair, I could make love from over there
without a percocet. Un-un-un-un.
Touch the eyes that boil within; you find me nice but I'm not applicable
because I'm a lonely boy without a dog.
And I,
am
God.
And I,
am
God. Nod.

Sugar sweet, silver sweep,
I could touch you in familiar places in unfamiliar ways
I get lost in the boulevard of a sweatshirt
And I,
am
without.
And I,
am
without. Route.

Mhm, that's not a smile,
that's a thirty-foot crocodile
waiting to take a chunk outta my heart.
Art-Art-Art-Art-Art?
******* in separate dreams with the same meaning,
blood boiling in coffee pots and soldiers
without a cover.
Tame me like a child in uniform, from the universe.
Cake drugs like it's an icecream cone. Jesus loves you.
**** in another room
to feel the same.
**** in another mindset
to feel sane. Train.

I'm not a river of veins suffocated by milk skin,
to be without a busted lip is to be kissing without pain.
And to be your God
is to be ******* insane. ******* in a bathub.

Mhm,
you're a painting within a crooked house
inside a straight housewife's flamboyant blouse.
You're sippin' on God and Orange Julius
without a straw.

Ripping out red ribbon rays from rayon replays of a river in ruin
really what did you expect to do with that sort of information
I could cancer caulk chalk with every other walk
to seal your home without home inflammation.

Jesus on a candle clock, with a nail in each hand of the hour
I feel nothing but sugar shame when I sail past his shower.
And I,
am
without remorse.
And I,
am
without remorse. Force.

Candy-coated ***** candidly corroding colored coats into capes
callously creating cowardice,
can you be more?

I have a way to remove myself from great events
and a way to sell lies wrapped up in honest packages.
To be without and which way would you run with me
if I were not a twenty-three
in your eyes,
meteorological decline.

And the winds
carry
me home.
And your eyes
carry
me home.
And your lips
carry
me home.
And your hands
carry
me home.
Home again.

(change the station)

Bone marrow
in my back
touch me, I wanna feel
Give it up
Give it up
I want to make love in love
I want to die and donate
a part of myself
my backbone, lack thereof

(change the station)

Tie a noose around a highschool grad
attach to a college rule to rule how to think the same
because a couple of IDs and free games
help you understand how you understand how you understand
how you understand how you understand how you understand

Dreams.

Whoops.

****.

Two twenty-three inside a church for me because God doesn't have
a responsible doorman, just an abused son and a plot-hole plan.

(change station)

Save the opera for the quiet drinks
I wanna think, I wanna think

(change station)

Sonic tendencies
suicidal sound
My heart is left in a bone,
bone marrow
I'm a broken calcium stick
surrounded by health
I waste away
Waste away for you
Oooh,
I love.

I tried to stay my overstay.

(change the station)

Bronze your lips, I want to kiss you green.
Wait. I could be the best.
Don't walk too far because it feels like walking away.

(change the station)

Super fast
in the past

My darling,
upon the mountain's caress.
My ******-friendly mess
in a pineapple dress.
I couldn't love less
or less of you.

Young explorer,
drifting from world to world.
A huckleberry eye
that shifts from trembling duress,
with my hands onto her back.
Why can't life cut you any slack?
The chair is going out under
as the skies are mumbling thunder.
My violin underneath the sin,
sounding from within
"...I love you."

Broken water
bounce from cheek to chest.
Your breathing sounds the best.
With my words onto your lips,
and how the saliva drowns and drips.
I grip around your hips,
with the world releasing a boulder,
that drops upon your shoulder,
and I shake you senselessly,
why can't god set you free?
I can feel from you to me.

Blood, down, to ever and let go,
with your body in the snow.
My river-drowned girl,
engulfed by the swirl.
Love, oh no, from year to year.
Your words so everclear,
"I love you, too."

Silver-shiner,
moon-kissed and ever so,
your feet on the bathroom floor,
the kills from the handled snore.
What I wouldn't give to drink
from your fountain.
What I wouldn't give to die
on your mountain.
My darling, from colored-t.v.,
with a kiss and a motel fee,
I could know what the known couldn't,
with my fingertips where they shouldn't.
Turn down the volume and say
that you'll stay another day
or three.

They say we're degenerates
as we walk with sore shoulders,
flimsy backs, fractured dreams.

The word millennial is used like
some derogatory word --
we're meant to feel like ****
because our parents failed us.

Because smartphones help us
release dopamine.

Because we're addicted to
virtual realities.

Because we **** strangers
that we hope validate us.

No one understands why
the news says this about drugs
and this about violence -- or why
we do 'those things' and if we
have any '******* sense'.

It's beyond them.
Maybe beyond us.

It's higher than our weekends;
lower than our expectations.

Wisconsin, fine--
We sit on state lines.
Across the street, Rodeo Drive.
Move a little bit
and East L.A. makes you feel alive.

Go to the diner
where the mermaids wear aprons
and hold out menus like personal stock.
Where the surfer-rama drama in the diner deep
allows them to let go of those they keep.

And you and me and those we love,
keep us finite, because why not.
I could tell you how to eat your waffles
if you will be the spoon that stirs my coffee.

Listen to me,
"Rachel, there's no one, right now,
that I'd rather sit and eat breakfast with than you.
And if it doesn't work out,
and we choke on our meals, that's fine.
I just want to try when I'm with you."

We exchange glances
and I'm sure, then,
that I adore the aplomb,
for your smile leads myself
into believing and being more.

They tell me to lay down
and to please look at the fish.
Notice how they glide
in-and-out of the cool-blue
water; how they don't have
a care in the world -- they're
fish: one out of millions;
mindless; alone in packed
tanks; alone, jammed in
metal cans full of corpses
and low-quality mustard.

Putting the mask over my
perfect nostrils, my straight
teeth, they say Don't be afraid;
listen to my humming; how it
will blend with the high-pitch
screech you hear, now; becoming
an equilibrium of torture and
fantastical strangeness, unbound
by Gods, by Persons, by Loves.

Inside this perfect dark,
you cannot think beyond
the giant broad strokes that
is the world sweeping by --
and it is marvelous, the
buoyant miseries floating
above your head; my head
of ambivalent visions;
the Earth's core, a furiously
violent brilliance, ablaze
beneath my feet, under
layers of confounded
deathly masquerade; a
mask much like mine:
an egotistical reflection
brought out by one's
feeling of gigantic import-
-ance, despite hanging
from the vastest of ceilings;
a wannabe church in the sway
of jungle mind; primitive instinct.


***

You know you can wake up
  at this point, or so they say.
What does it all mean, to which
I murmur, I don't know. It's
hard to say what I know; if
anything, all I have is doubts.
All I can muster are regrets;
I wish I could return to that
perfect dark, confused and
semi-philosophical; all-
pretentious: a feeling of
being bound by brokenness.

They tell me to chill out;
you use semi-colons like
they're heartbeats. Focus
on whether your chest
holds validity.

Mother, Father
I am six foot one and I can see over the trees
I can **** mountains and bury my bones in the soil
I am six foot one and I am just tall enough to see the truth
I can look over others but I can't look over myself
My shoulders bend like a bow, waiting to break
And I can feel it all. I can feel it all.

And to you,
May your temporary smile be a golden forever
And your heart existent with or without hope
Let your brain open doors your hands cannot touch
And your chest not collapse when the smoke is too much
To live and to love with you is the grandest adventure
And to cut myself on your edges, bleeds into itself
And to live in your heart, is the biggest place I've ever found
And to kiss you until my hands break and there is no sound

And to all of us,
We're a dark piece of trash
Ribs are a cage and holographic souls sing
Disenchanted by the human experience
We're pretentious and objectify everything

And to all of us,
We're all light, we're all eyes wondering wide
And we all shine bright, some of us cannot hide
May your hands slant, slowly slinging
towards the bells that are slowly ringing
and may you strike a chord in all of us.
May your existence be a temporary forever.

I can tell you about the girl.

Her freckles were beige constellations,
and her voice was husky and rasped
like birds before the churning of a storm.

She was weird and laughed at everything I said -
which made her even weirder,
because I'm only funny in certain photos
and in certain clothes.

Her left arm was covered in scars and burns.
"As you can tell, I'm right handed," she said.
Arthritis surrounded her wrists and other joints,
and all I could think about were my
grandmother's arthritis crippled hands,
and if the girl would thank the arthritis, one day,
for no longer allowing her to self-harm.

One of her feet were bigger than the other
and, when she walked, she would lose balance.
"I'm not sure if the world is too fast
or if I'm too slow. Then again," she winked,
"it's probably because of my feet."
I liked her because she treated me like a person,
but didn't take me as seriously
as I took myself.

I struggled with self-respect
and she struggled with a drug addiction.
Her arm was needle park
and sometimes she missed ******
more than she missed me.

She wasn't the type of girl to shake
without her drugs -
she'd, instead, talk about them
like they were old friends.
She understood them
more than she understood herself.

After a few months of ***
and, "I'll be sad when you leave,"s,
I called her my girlfriend
and she smiled.
Flecks of speckled angles, bright,
I saw her, first, she accepted
my night.

Five days later,
she overdosed on morphine.
I picked her up.

Her eyes were glazed over.
I said, "I love you,
but this is *******."
She cried and said,
"Forgive me."

I lain in bed, next to her -
next to the avoidance of death.
She asked how I was
and I said, "Everything I write is ****,
but I'm glad I can write ****** poetry
about how we'll be okay."

She asked, "We will be okay, right?"

I hope.

She dragged a steak knife
  across her forehead.
I said,
   What the **** is your--
Hey, we all have problems.
She killed herself with
the memory
   of a system.
Everyone was begging.
Beg. Beg. Beg.
   Make me a star!!
I want to be
   Kurt Cobain!!
So, they dragged blades
and did smack.
Tweeted lyrics
and took selfies
with a poster of--

But she was never alive, right?
There can't be a her
if there's a me.
But I suppose what it condensed
is bound to
  shoot out into
itty
    bitty
stars.

Good ******* Christ,
redeem the men and women
slaughtering genitals.
Grinding against
  the hole in society.

Are you ******* serious?
  Oh my god,
I will die if he takes off
   his skin!!
What a hunk.

It was all elaborate
and people were saying
  "droll".
That's a thing.
Everyone was ******* lame.

Then, the men stripped.
One, Jupiter.
One, Titan.
And what was stopped
was a hurried whisper,
traveling the confines
of the classroom.
  And the men
clothed. And the instruments
  unused.
Sketches ceased before creation.
Paint without purpose.
What a Greek tragedy.
Boo-*******-hoo.

What I could only imagine
a slurry of too many words
aiming at my brain.
The mention of us all.

You don't understand.
*******.

She dragged a steak knife
across her forehead.
I said,
   What the **** is your problem?

I sit and I dream,
a parasitic dream,
where we aren't
who we were
and we aren't
how we seem.
Where I eat you
and you eat me
and somehow
we're still
happy.

In each pile of
body on body
I walk by
loneliness
and loss.
I love you's
and
I hate me's
saturate the air's
conscience.
Us,
the nation and all
are pinned against
each wall
being ******,
mercilessly.
We are
*******
heartbreakers.
Our ***** are
property of
others:
intellectual property.

In my dream,
where I dream,
everyone
I've ever loved,
is dreaming
and
trapped in a pit
of motorized
rubber ******
where the rubber
pumps and eats,
pumps and eats,
breaking ribs,
shattering spines,
ripping esophagus,
splitting spirit like
tissue paper.
Bodies ripped apart
by branded, artificial
"love":
society's configuration.
Brand recognition.
Product placement.
Motor salad.

Dear reader,


It won't be long before they electrocute the trees with candy colored Christmas lights. Soon everything will be gone: memories, glances, the year. Every thing will dissolve into nostalgia and our lives will become more patchwork and less hopeful. Soul-crushingly sweet our smiles will be, as we watch that disguised meteorite crash into our existence.

Her name was Reno. Her dad joked he named her so because she was the result of a gamble gone wrong.

I could see the stitching around her eyes start to falter, as tears slipped out like a young nineteen year-old girl, running out of the back of a double-wide. Away. Away from it all. Leaving her father, the mechanic who could only fix things with his hands. Running through a field as shimmering as her nails, touching the tall grass with her short fingers.

"I'm not trailer trash," she said, "I've just had it rough."

Reno could see things others couldn't see. Frequently she painted wrecked cars, and I asked why, to which she explained, "Some accidents are allowed to be beautiful."

I fell for her the way her jaw drops after one of my inappropriate jokes: quickly and with such joy.

She had the same answer to when I asked if she liked movies and if she missed her mom.

"Of course I do, Josh," she looked at me and smiled, "Hey buck, have you ever seen True Romance?"

A woman after my own heart.

We watched Christian Slater shoot Drexl, and, like a bullet to the chest, she placed her hand over my heart.

"My, oh my, are you sure that rib cage is big enough for that thing, Mr. Haines?"

She looked a little like Patricia Arquette, but identical to Michelle Williams.

"Are you aware that you look like Michelle Williams?"

Reno ran her hands up my legs, across my torso, and held her hands at my jaw,"Are you aware of how good of a person you are, John Mayer?"

"Ah, yeah. I've gotten that since high school."

She smiled, looked down and up at me,"No, the part about you being a good person? ...You're the drawing on my wall."

I didn't know what that meant.

"I had this drawing-so terrible-it was of the sunset on our hill in Welling Valley," she looked into me and down, while smiling,"Anyway, the sun would kiss the grass every evening, and one day I thought I'd draw it and keep it in my room. When every thing got ugly with my daddy's drinking, and when he beat me something awful, I wanted something to remind me that the light sometimes goes away but will always be back another day. You're my light, Josh. You're the next day after nineteen years of cussing and drinking."

We made love on my bed, as, through the window, the sun bathed our bodies. Her body was a sculpture and her voice was as soft as her lips. I was terrified.

Pulling her hair back, she stood at the foot of my bed, naked,"Are you scared of little ole' me? You look as white as a ghost."

"No, I've never felt so alive... You're so ******* beautiful."

Reno and I lain in bed while Parks and Rec played on the television. Her index and ******* walked across my chest and stopped as she asked, "Josh, have you ever been in love?"

I touched my fingers on hers, studying them with my eyes, and then I looked at her, "Yes, once."

"What was it like?"

I thought I'd feel pain but instead I smiled, "Fantastic, fleeting, and always a little out of reach."

She cooed, "I can't wait until I think I love you like nobody else."

"Me too."



Sincerely,


Joshua Haines

Up until my insomnia meets me
I lied when I said I forgot
I was scared what you'd think
If I said that  I love you a lot

People have only cared for minutes
Leaving me to care for days
When I look at you all I can think
Is please don't go away

I can see me in your eyes
I dream of dreaming with you
I can trace your scars with mine
My thoughts are bleeding through:

My Talia, I know what it's like to not be seen;
what it's like to be alone in a crowded room.
For you, my star, I want you to know:
that no one shines as bright as you.

I can taste you moving on my skin.
My gasp is air you sustain.
hand in hand, under an umbrella
with you, I am safe.

I made love
to an email,
inside my
mind's
sugar shop.
I guess
our blood is
detailed;
I don't feel
until you're
shocked.

You say the things
I moan,
and I wear the things
you swear,
like, "I'd still see you,
even if you were
to disappear."

You kiss me before
I tell you that you're
silver-spoon-
melted-heart,
reassuring me
that you're ****** up,
and to just push
to watch you
fall apart.

We shake
because it's what
we forgive the most.
So, let's bite our tongues
and float north.

She kissed me
not because
she wanted to
but because
she could.

We fell in
love.
Not because
we could
but because
we wanted to.

We made
mistakes.
Not because
we wanted to
but because
we could.

We thought
we were
perfect.
Not because
we could
but because
we wanted to.

I vomited in
the bathroom
of a
Baltimore
7-11
because
sometimes
you cannot
hold it in
much
longer.

Her hands shook
as she held her
mirror
because
sometimes
your reflection
can only
tell you
so much.

My body shook.
Her body stiff.
And when
the bodies
move
the hearts
stop.

She lied some.
I drank words.
The veins
in hands
are maps
to imagined
consciousness.

Really,
it's just
a
*******
*****.

Music to
my ears.
Nervousness
between
blinks.
Noise to
my brain.

She said,
"I love you"
not because
she wanted to
but because
she could.

I said,
"I love you, too,"
not because
I could
but because
I wanted to.

The cluster of ice in my glass
  looks like a milky fist.
I shake my cup and ask
  about the weather.
He says, 'Hasn't rained in
  one thousand or so years.'
I say how that's unfortunate;
  he says how **** happens.

This party transitions into
  something out of an art-house film;
the Cali-tens are dancing to some
  80's song you would vaguely recognize.
They bump into one another
  like bees in an electric hive.
A Russian drinking a Russian
  asks about drugs.
I say into my drink that I
  don't have that many friends.

Looking for a bathroom,
  I am bumped by hips and lips
into the former eggshell/cigarette stain wall,
where I find my partial reflection
  looking back at me in that familiar
transparent parent way.

I find myself apologizing.