Sixteen,
skin baked with brine and chlorine,
Top 40 hissing in my Walkman.

The girl found me first,
barefoot on the sandy trail,
tears spilling, pointing back to the sea.
A jellyfish sting, she couldn’t say it,
just clung to my leg like kelp.

Her mother rose from the dunes,
black bikini, tan lines,
two beach bags gnawing her wrists.
coconut oil, salt, chipped Jackie O shades.
She sighed, called the girl dramatic,
drifted home on scraping sandals.

Their world leaked into ours,
adjacent green bungalow
with fronds rattling like bones,
oranges sagging into white fuzz,
ATV ruts torn through the yard.
Rob polishing his Camaro,
coughing through pollen and Skoal,
swearing he saw a gator the size of a boat
slide into the canal at dusk.

She’d wander up, black bikini,
thighs shining,
shadow falling across my pool chair.
“Hey, you see my kid?” she’d ask,
leaning close,
the scent of Coppertone
and Marlboro Gold
fogging my thoughts.

I’d shift polite, church-boy manners,
“No, ma’am,”
She’d smile
at the clumsy hormones
rising off me
like steam.

Nights were bonfires,
oranges softening to flies,
Rob coughing in his driveway
while the pool light hummed and flickered.
Her shadow swam on the walls,
slick as the gator sliding into dusk.

Nobody warned me
about the sound of skeleton laughter,
ribcages shaking like bells,
airless chuckles cracking the hot night,
slipping through the closet slats
into my skull.

It was fine with just Meg:
supermodel cheekbones,
a jaw that could steal my name.
We shared the closet,
my jackets brushing her collarbone.
"your flesh prison
can't wear that many anyway."

Then came her sister,
then another,
until nine of them
rattled teacups at 2 A.M.,
dripping through the floorboards.
My shirts fled to the hall.
I dream of thunder
that silences their bones.

They call it a ****** of crows -
but what waits in the dark,
rattling its teeth
for the last of you,
is a plague of skeletons.

Necessity is the mother of deception.
Confession is good for the prosecutor.
The squeaky wheel
is quietly replaced.

An empty wallet
keeps the doctor away.
A fool and his money
are the foundation
of our financial system.

The early bird
catches the worm,
and is welcome to it.

What goes around
usually comes back hungry.
All that glitters
has a nondisclosure agreement.

Hope springs eternal,
in the marketing department.

(ACT ONE: DRAFT)

STAGE DIRECTIONS
Basement.
Dim bulb swaying.

Center stage:
A battered leather wooden chest,
straps and buckles cinched
like a ship at storm.

Upstairs: (Built out upper stage)
A woman, white hair in soft pins,
her chair angled toward a radio
hissing static and old jazz.

She eats quietly.
Spoon tracing circles in her bowl.

CHARACTER NOTES

THE WOMAN – seventy-eight
hands like river stones,
her face a map of soft summers
and lonely winters.

THE CHEST –

Unseen:
heavy with letters, photographs,
perfumed silk,
a man’s pressed shirts,
and the ache of two bodies
that once loved
without mercy.

Seen:
Its sides swell -
the subtle shape of a man’s hands
behind it's leather,
pressing out,
clasping the straps.
Fingers circle
the locked buckles.

THE PAST LOVER – Voice only.
He exists as vibration
inside surrounding wood,
breathing
in response to the Woman.

SCENE PROGRESSION

Lights fade up.
The chest breathes.

Pause.

Buckles flex.
A groan,
like an old stair.

She glances down
through the floorboards.
She does not rise.

(radio goes silent)

Eyes closed,
she whispers:
Hush now.
I remember.
I remember you.

And then
nothing.

Her silence
is part of the score.

ACTION CUE

The chest swells.
Wood stretching.

A strap snaps.

A letter flutters
up the stairs,
as if seeking oxygen
and lands
at her feet.

She rises.
Snatches letter;
fetches rope, duct tape,
an old belt.

Descends the stairs.

Ties the memory down again.

Her hands shake,
but she is precise,
as if dressing a wound.

She ascends.
Sits back in her chair.
Spoon in hand,
mid‑air.

Radio on:
a soft trumpet solo,
weary with promise.

The chest downstairs
begins to thump
and inhale.

A low whisper
seeps through the floorboards:
her name.

Her hands tremble.
She does not answer.

The chest exhales once,
long, hollow,
full throated,

and the house answers.

FADE TO BLACK

Only the sound
of her spoon
falling
to the basement floor.

~ A Nursery Rhyme ~

By night the lamplights bloom in blue,
and Squinty Bat comes lurking through.
A flicker, a whisper,
a crooked spin,
she twirls in the hush where dreams begin.

She nibbles moths that orbit the glow,
grim as the gossip graveyards know.
Around the lamp
she loops and slides,
a velvet ribbon on moonlit tides.

At morning sun - dreadful, bright! -
Miss Clara Parrot claims the light.
She squawks and scolds,
so green, so loud,
a herald of day to the mortal crowd.

She tattles from trees with her feathered choir,
spilling the secrets that night conspired.
Their laughter clatters
like shattered glass,
naming each sin the shadows let pass.

Neighbors groan and pull their sheets
as Clara reigns over waking streets.
While Squinty swings
in her secret nook,
dangling like crime in a dusty book.

By day, it’s Clara, gossip and glare,  
by night, it’s Squinty, a ghost in the air.  
And before you ask:
Which one is blessed?
the sun and the moon will refuse that test.

It’s never easy
starting midstream,
when your joints squeak like old vinyl.

Worse to end just as you begin,
editing hope into bullet points,
buffing your portfolio like a coffin lid.
You kneel to metadata while the holy algorithm decides
if you're human enough to be blessed.

Better to read old Nabokov,
nap in your robe
(the good one with pockets),
wait for the mail like it’s 1998
when catalogs still mattered.
Let purpose dissolve, like the vitamin
you dropped in the sink.

You failed to fail,
which sounds noble
but feels more like
accidentally surviving.

So drift toward the grocery by the newsstand,
nod to the pretty barista with the knife-edge bangs,
pretend the papayas mean something.

You’re the median of middle-aged.
Your knees, both traitors.
Your dreams, reruns.

These lines limp
like your fifth attempt
to rebrand the layoff as a sabbatical.
Don’t derail, just project
your better self on a screen.
Crop the hair, dim the lighting,
hide the existential dread
behind a well-placed emoji.

Let rhyme stutter
like a pull-string toy,
half-broken,
slightly too cheerful.
Feet unsure, eyes fogged
(by pollen, by memory, by news).

There’s no noir here,
no brooding detective,
no dame worth lighting a cigarette for.

Just this:
the echo of effort,
forms half-filled,
where even your name looks uncertain.

So let’s call it.
Let’s bury the draft,
archive the ambition,
delete the app.

End
where we never really
began.