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Zoe taylor Dec 2024
Dutch white lace draped over the ivory long table in a seraphic quilting,
A Gawain teacup, embellished with gossamer Eustoma, sat, awaiting,

Diaphanous beads of the chandelier glistened above the lone, ceramic plate in quietude,
A tender marigold light gorged the room, as a sweet ambrosia replaced the solitude,

The Lush curtains lapped, picking up dusks gentle zephyr from behind me,
Opened oak and a soft wheeling dusting away my momentary reverie.

Trays of glimmering cloches, were carefully escorted into the room,
All adorned with silken pink ribbons, delicate as spring bloom.

I pulled out the cotton sewn chair, settling atop its the feathered doily pillow,
And rested upon the cushion, the double doors shut with a slam and a billow.

Before me, sat one of the decorated cloches, sliver like a frozen over nebulous,
I removed the reflective veil with the careful touch of folding an origami pond lotus.

Painted over in a mellow coddle of buttercream, was a layered strawberry cake,
Smiling flash at the saccharine smell, I cut into it, only to hear a trickling sibilance like a snake,

Once warm light had begun to frantically holler and splash around the room in a bleary dim haze,
Like a lagoon's catharsis, the chandelier rung out and submerged the dining hall in a flickering glaze,

During the jolting flashes, I raise the fork to my lips,
The cutlery quivering slightly under the padding of my fingertips,

Cradled by my tongue, the sponge decompounded bitterly in my jaw,
I couldn't place it, but it just tasted so overwhelmingly metallic and raw,

Shadows and honey glows, rebounding, back and fourth, playing like hungry hounds,
Staining the walls like crushed stars, over and over like a vehement clever without bounds,

As the night fed, and the chandelier flickered, I kept gulfing coppery forkfuls of food,
Sludge in my throat, wet and warm liquid slathered my gums, thickened and crude,

The rhythmic pulsing of the room, betrothed to the flavour swelling inside me,
It's taste fossilised between my gums, still, I parted my lips, welcoming it, voluntarily,

I don't know how long had passed, but the lights convulsions ceased,
Leaving the ripe gleam of the chandelier quiet and leashed,

Now before me, I could see the latter of my impulsive, gluttonous panic,
Sprawled like a burning body, a bloodied matter of fondant was slumped over the ceramic,

Like a gored lambs underbelly the feast was rich with innards and breathing with blackened bile,
Trickling down, wallowing on my chin was a stewed crimson trail, dying a patchy smile,

So I just sat there, a cup spilled at my side, spewing a tristful poison,
In quiet reflection, just me, me and the vestige of what I have done.
Hi, I've written this poem as sort of an allegory for stress eating or over indulging. But you can interpret it how you please, I'd especially love feedback because this has been one of my hardest projects and longest poetry projects, thank you for reading  <3
Zoe taylor Dec 2024
I opened my mouth to speak, and a throatful of datura glistened on my lips, lavish and ripe,
Thrashing through me, the silken flowers coiled viciously within my windpipe,

My neck was wrung with nightshade, flesh clawed with rashes,
Swollen blotches left my skin blooming and glassy with supple gashes,

Apologies from a verdant jaw trickled out of me like a botanic river,
Yet belladonna still churned in my gut and shrilled within my liver,

Violent coughs racked my body in waves of efflorescence,
And my capillaries burst with burgeoning buds of opalescence,

Ripping my pores apart, petals tore gaping holes in my teeth,
The oral garden of poison flowered like coral fluttering in a fertile reef,
So I looked at myself in the gilded vanity, bruised and young,
Reaching into the reflection, I plucked out my own tongue.
This poem is a metaphor I've made about oversharing. The poisonous nightshade represents words of a rant coming out in full flow, and the rashes and pain are basically supposed to represent regret and internal pain caused by telling others about personal experiences or feelings. This regret finally builds up into the plucking of the tongue, the catalyst representing a voluntary suppression speech. I'd love to hear what you think of it so dont be afraid to leave a comment and give feedback!
Zoe taylor Dec 2024
A seraphic grand piano, besmirched with blood and fervent,
Scattered across old alabaster keys, Ichor stains scores of parchment.

Stewed passion runs wildly across the docile tempo,
Mellifluous effervescence lingers in the gored vestiges of a crescendo.

Memories of artistic vigour shrivel and regress,
Our blissful felicity of mellifluence, slaughtered by organic evanesce.
The poem I have written is a metaphor for art (of any kind), and specifically about how much effort and passion goes into curating pieces of music, literature etc. and how easily/quickly we as people discard and forget the works of others or our own once we find something we deem better. (P.S The blood on the piano is meant to show the sheer effort put into the previously performed song, due to the very fervent and fast motions of the composer it caused their fingers to bleed and leave stains the piano. Also I've tried to use structure in my poem in order to make the piece mildly resemble the keys of a piano so I'm sorry if its hard to pick up on)
Zoe taylor Dec 2024
The amethyst of her eyes writhed with maggots, laden in bile,
Spilling from the crystal in macerating clumps, thick and vile.

Squelching across her pupils, clouding her sclarea, they thrashed vehemently,
Glazing her cherubic face in the pulsing sludge of larvae beneath a peach tree.

The creatures tore apart her pores, crawling out, parasites moulding her skin,
Leaving a mottled rot gilding her features in divine black sin.
Up for interpretation but I originally wrote this piece as a metaphor for the corruption of childhood innocence and loss of naiveite. But feel free to read as you please, I'd love to hear what you think of it! <3
Zoe taylor Dec 2024
A sagging Gladius wallows inside me, limply,
It's rotting in its own wretched flaccidity,

I see others around me nurturing bounds of fruitful irises,
Some even mother sycamore, burgeoning with vigour, effortless as chaste kisses,

Tender fertilizer blots my chin in a bloodied marling,
I ingest the stolen soil, even when I feel the white sting of my innards' snarling,

So I'll inject myself with litres upon litres of putrid compost,
Only for my gladius to continuing shrivelling within my innermost,

It's stem-deep in nutrients, and is none the less decayed,
Atop the valley, even in the passing June, it stays, wilted withered and frayed,

Now, all I'm left with is the curdle of wetland moss festering in my blood,
Weighted with this fetidity, I let my gladius go, dead, in peace and clotted mud.
Feel free to interpret as you please, however my poem is originally written is about your potential/inspiration dying and no matter what you try to do to keep it alive (Basically its about Burnout). Even when you attempt to steal ("I ingest the stolen soil") and use other elements of another's work, you still feel uninspired and are not driven to be creative at all even when people around you seem to have the ability to do it so easily.
Zoe taylor Dec 2024
Disassociating in the ebony mirage,
I called your name, knee deep in that tender visage,

You didn't answer, so I sung to the fireflies at my windowsill,
I kept crooning, but I knew they never really cared for my fill,

Serenading until my throat was limp and hoarse,
I left it bruised indigo with mellifluous force,

By both the luminescent bugs and the Empyrean sky,
My ballad was left, bound and dry.
An allegory for loneliness, and being unable to make new connections. The fireflies in this instance being potential friends or lovers but fireflies die young, they don't last very long, neither do connections made in disparity.
Zoe taylor Dec 2024
Baby's breath kisses the merlot tide of disease,
A brindled sea holds the white orchid of blanched dittany's.

Moonflowers scintillate with each cradle of dusk,
While Stars marl the sky, veiling over in cosmic musk.

During quietude, swans tread the ichor in a pearlesque flotilla,
The poison ripples beneath them as they thread between silk lilies and ivory scilla.

The gore strewn water continues to fester with pulsating, ripe, bile,
Despite all, the huddle of infancy will remain ever fertile.
This piece is a metaphor for beauty coexisting amidst evil and corruption, feel free to comment I'd love to hear what you think of it
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