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Terry O'Leary Dec 2013
Ill-fated crowds neath unchained clouds: the Silent City braved
against a sudden flashing flood, unleashing lashing waves,
which stripped its stony structures, blown with neutron bursts that laved.

Its barren streets, although effete, resound of yesterday
with chit-chat words no longer heard (though having much to say)
since teeming life (at one time, rife), surceased and slipped away.

Within its walls? Whist buildings, tall... Outside the City? Dunes,
which limn its frail forgotten tales, in weird unworldly runes
with symbols strung like halos hung in lifeless, limp festoons.

Above! The dismal ditch of dusk reveals a velvet streak,
through which the winter’s wicked winds will sometimes weave and sneak,
and faraway a cable sways, a bridge clings hushed and bleak.

Thin shadows shift, like silver shafts, throughout the doomed domain
reflecting white, wee wisps of light in ebon beads of bane
which cast a crooked smile across a faceless windowpane.

Wan neon lights glow through the nights, through darkness sleek as slate,
while lanterns (hovered, high above, in silent swinging gait),
whelm ballrooms, bars, bereft bazaars, though no one’s left to fete.

Death's silhouettes show no regrets, 'twixt twilight’s ashen shrouds,
oblivious she always was to cries in dying crowds –
in foggy neap the spirits creep beyond the mushroom clouds.


No ghosts of ones with jagged tongues will sing a silent psalm
nor haunt pale lips with languid quips to pierce the deathly calm,
nor yet redress the emptiness that shifting shades embalm.



The City’s blur? A sepulcher for Christians, Muslims, Jews –
Cathedrals, Temples, vacant now, enshrine their residues,
for churches, mosques and synagogues abide without a bruise.

No cantillation, belfry bells, monastic chants inspire
and Minarets, though standing yet, host neither voice nor crier -
abodes and buildings silhouette a muted spectral choir.

A church’s Gothic ceilings guard the empty pews below
and, all alone amongst the stones, a maiden’s blue jabot.
The Saints, in crypts, though nondescript, grace halos now aglow.

Stray footsteps swarm through church no more (apostates that profane)
though echoes in the nave still din and chalice cups retain
an altar wine that tastes of brine decaying in the rain.

Coiled candle sticks, with twisted wicks, no longer 'lume the cracks -
their dying flames revealed the shame, mid pendant pearls of wax,
when deference to innocence dissolved in molten tracks.

Six steeple towers, steel though now drab daggers in the sky!
Their hallowed halls no longer call when breezes wander by –
for, filled with dread to wake the dead, they've ceased to sough or sigh.

The chapel chimes? Their clapper rope (that tongue-tied confidante)
won’t writhe to ring the carillon, alone and lean and gaunt –
its flocks of jute, now fallen mute, adorn the holy font.


No saints will come with jagged tongues to sing a silent psalm
nor bless pale lips with languid quips to pierce the deathly calm,
nor pray for mercy, grace deferred, nor beg lethean balm.


Beyond the suburbs, farmers’ fields (where donkeys often brayed)
inhale gray gusts of barren dust where living seed once laid
and in the haze a scarecrow sways, impaled upon a *****.

Green trees gone dark in palace parks (where kids once paused to play),
watch lifeless things on phantom swings (like statues made of clay)
guard marbled tombs in graveyards groomed for grievers bent to pray.

And castle clocks, unwound, defrock with speechless spinning spokes,
unfurling blight of reigning Night by sweeping off her cloaks,
and flaunting dun oblivion, her Baroness evokes.

The sun-bleached bones of those who'd flown lie scattered down the lanes
while other souls who’d hid in holes left bones with yellow stains
of plaintive tears (shed insincere, for no one felt the pains).

The wraiths that scream in sleepless dreams have ceased to terrify
though terrors wrought by conscience fraught now stalk and lurk nearby
within the shrouds of curtained clouds, frail fabrics on the sky.

And fog no longer seeps beyond the edge of doom’s café,
for when she trails her mourning veils, she fills the cabaret
with sallow smears of misty tears in sheets of shallow gray.

The City’s still, like hollowed quill with ravished feathered vane,
baptized in floods of spattered blood, once flowing through a vein.
The fruits of life, destroyed in strife... ’twas truly all in vain.


No umbras hum with jagged tongues nor sing a silent psalm
nor lade pale lips with languid quips to pierce the deathly calm –
they've seen, you see, life’s brevity, beneath a neutron bomb.


EPILOGUE

Beyond the Silent City’s walls, the victors laugh and play
while celebrating PEACE ON EARTH, the devil’s sobriquet
for neutron radiation death in places far away.
1

When lilacs last in the door-yard bloom’d,
And the great star early droop’d in the western sky in the night,
I mourn’d—and yet shall mourn with ever-returning spring.

O ever-returning spring! trinity sure to me you bring;
Lilac blooming perennial, and drooping star in the west,
And thought of him I love.

2

O powerful, western, fallen star!
O shades of night! O moody, tearful night!
O great star disappear’d! O the black murk that hides the star!
O cruel hands that hold me powerless! O helpless soul of me!
O harsh surrounding cloud, that will not free my soul!

3

In the door-yard fronting an old farm-house, near the white-wash’d palings,
Stands the lilac bush, tall-growing, with heart-shaped leaves of rich green,
With many a pointed blossom, rising, delicate, with the perfume strong I love,
With every leaf a miracle……and from this bush in the door-yard,
With delicate-color’d blossoms, and heart-shaped leaves of rich green,
A sprig, with its flower, I break.

4

In the swamp, in secluded recesses,
A shy and hidden bird is warbling a song.

Solitary, the thrush,
The hermit, withdrawn to himself, avoiding the settlements,
Sings by himself a song.

Song of the bleeding throat!
Death’s outlet song of life—(for well, dear brother, I know
If thou wast not gifted to sing, thou would’st surely die.)

5

Over the breast of the spring, the land, amid cities,
Amid lanes, and through old woods, (where lately the violets peep’d from the ground, spotting the gray debris;)
Amid the grass in the fields each side of the lanes—passing the endless grass;
Passing the yellow-spear’d wheat, every grain from its shroud in the dark-brown fields uprising;
Passing the apple-tree blows of white and pink in the orchards;
Carrying a corpse to where it shall rest in the grave,
Night and day journeys a coffin.

6

Coffin that passes through lanes and streets,
Through day and night, with the great cloud darkening the land,
With the pomp of the inloop’d flags, with the cities draped in black,
With the show of the States themselves, as of crape-veil’d women, standing,
With processions long and winding, and the flambeaus of the night,
With the countless torches lit—with the silent sea of faces, and the unbared heads,
With the waiting depot, the arriving coffin, and the sombre faces,
With dirges through the night, with the thousand voices rising strong and solemn;
With all the mournful voices of the dirges, pour’d around the coffin,
The dim-lit churches and the shuddering organs—Where amid these you journey,
With the tolling, tolling bells’ perpetual clang;
Here! coffin that slowly passes,
I give you my sprig of lilac.

7

(Nor for you, for one, alone;
Blossoms and branches green to coffins all I bring:
For fresh as the morning—thus would I carol a song for you, O sane and sacred death.

All over bouquets of roses,
O death! I cover you over with roses and early lilies;
But mostly and now the lilac that blooms the first,
Copious, I break, I break the sprigs from the bushes;
With loaded arms I come, pouring for you,
For you, and the coffins all of you, O death.)

8

O western orb, sailing the heaven!
Now I know what you must have meant, as a month since we walk’d,
As we walk’d up and down in the dark blue so mystic,
As we walk’d in silence the transparent shadowy night,
As I saw you had something to tell, as you bent to me night after night,
As you droop’d from the sky low down, as if to my side, (while the other stars all look’d on;)
As we wander’d together the solemn night, (for something, I know not what, kept me from sleep;)
As the night advanced, and I saw on the rim of the west, ere you went, how full you were of woe;
As I stood on the rising ground in the breeze, in the cold transparent night,
As I watch’d where you pass’d and was lost in the netherward black of the night,
As my soul, in its trouble, dissatisfied, sank, as where you, sad orb,
Concluded, dropt in the night, and was gone.

9

Sing on, there in the swamp!
O singer bashful and tender! I hear your notes—I hear your call;
I hear—I come presently—I understand you;
But a moment I linger—for the lustrous star has detain’d me;
The star, my departing comrade, holds and detains me.

10

O how shall I warble myself for the dead one there I loved?
And how shall I deck my song for the large sweet soul that has gone?
And what shall my perfume be, for the grave of him I love?

Sea-winds, blown from east and west,
Blown from the eastern sea, and blown from the western sea, till there on the prairies meeting:
These, and with these, and the breath of my chant,
I perfume the grave of him I love.

11

O what shall I hang on the chamber walls?
And what shall the pictures be that I hang on the walls,
To adorn the burial-house of him I love?

Pictures of growing spring, and farms, and homes,
With the Fourth-month eve at sundown, and the gray smoke lucid and bright,
With floods of the yellow gold of the gorgeous, indolent, sinking sun, burning, expanding the air;
With the fresh sweet herbage under foot, and the pale green leaves of the trees prolific;
In the distance the flowing glaze, the breast of the river, with a wind-dapple here and there;
With ranging hills on the banks, with many a line against the sky, and shadows;
And the city at hand, with dwellings so dense, and stacks of chimneys,
And all the scenes of life, and the workshops, and the workmen homeward returning.

12

Lo! body and soul! this land!
Mighty Manhattan, with spires, and the sparkling and hurrying tides, and the ships;
The varied and ample land—the South and the North in the light—Ohio’s shores, and flashing Missouri,
And ever the far-spreading prairies, cover’d with grass and corn.

Lo! the most excellent sun, so calm and haughty;
The violet and purple morn, with just-felt breezes;
The gentle, soft-born, measureless light;
The miracle, spreading, bathing all—the fulfill’d noon;
The coming eve, delicious—the welcome night, and the stars,
Over my cities shining all, enveloping man and land.

13

Sing on! sing on, you gray-brown bird!
Sing from the swamps, the recesses—pour your chant from the bushes;
Limitless out of the dusk, out of the cedars and pines.

Sing on, dearest brother—warble your reedy song;
Loud human song, with voice of uttermost woe.

O liquid, and free, and tender!
O wild and loose to my soul! O wondrous singer!
You only I hear……yet the star holds me, (but will soon depart;)
Yet the lilac, with mastering odor, holds me.

14

Now while I sat in the day, and look’d forth,
In the close of the day, with its light, and the fields of spring, and the farmer preparing his crops,
In the large unconscious scenery of my land, with its lakes and forests,
In the heavenly aerial beauty, (after the perturb’d winds, and the storms;)
Under the arching heavens of the afternoon swift passing, and the voices of children and women,
The many-moving sea-tides,—and I saw the ships how they sail’d,
And the summer approaching with richness, and the fields all busy with labor,
And the infinite separate houses, how they all went on, each with its meals and minutia of daily usages;
And the streets, how their throbbings throbb’d, and the cities pent—lo! then and there,
Falling upon them all, and among them all, enveloping me with the rest,
Appear’d the cloud, appear’d the long black trail;
And I knew Death, its thought, and the sacred knowledge of death.

15

Then with the knowledge of death as walking one side of me,
And the thought of death close-walking the other side of me,
And I in the middle, as with companions, and as holding the hands of companions,
I fled forth to the hiding receiving night, that talks not,
Down to the shores of the water, the path by the swamp in the dimness,
To the solemn shadowy cedars, and ghostly pines so still.

And the singer so shy to the rest receiv’d me;
The gray-brown bird I know, receiv’d us comrades three;
And he sang what seem’d the carol of death, and a verse for him I love.

From deep secluded recesses,
From the fragrant cedars, and the ghostly pines so still,
Came the carol of the bird.

And the charm of the carol rapt me,
As I held, as if by their hands, my comrades in the night;
And the voice of my spirit tallied the song of the bird.

DEATH CAROL.

16

Come, lovely and soothing Death,
Undulate round the world, serenely arriving, arriving,
In the day, in the night, to all, to each,
Sooner or later, delicate Death.

Prais’d be the fathomless universe,
For life and joy, and for objects and knowledge curious;
And for love, sweet love—But praise! praise! praise!
For the sure-enwinding arms of cool-enfolding Death.

Dark Mother, always gliding near, with soft feet,
Have none chanted for thee a chant of fullest welcome?

Then I chant it for thee—I glorify thee above all;
I bring thee a song that when thou must indeed come, come unfalteringly.

Approach, strong Deliveress!
When it is so—when thou hast taken them, I joyously sing the dead,
Lost in the loving, floating ocean of thee,
Laved in the flood of thy bliss, O Death.

From me to thee glad serenades,
Dances for thee I propose, saluting thee—adornments and feastings for thee;
And the sights of the open landscape, and the high-spread sky, are fitting,
And life and the fields, and the huge and thoughtful night.

The night, in silence, under many a star;
The ocean shore, and the husky whispering wave, whose voice I know;
And the soul turning to thee, O vast and well-veil’d Death,
And the body gratefully nestling close to thee.

Over the tree-tops I float thee a song!
Over the rising and sinking waves—over the myriad fields, and the prairies wide;
Over the dense-pack’d cities all, and the teeming wharves and ways,
I float this carol with joy, with joy to thee, O Death!

17

To the tally of my soul,
Loud and strong kept up the gray-brown bird,
With pure, deliberate notes, spreading, filling the night.

Loud in the pines and cedars dim,
Clear in the freshness moist, and the swamp-perfume;
And I with my comrades there in the night.

While my sight that was bound in my eyes unclosed,
As to long panoramas of visions.

18

I saw askant the armies;
And I saw, as in noiseless dreams, hundreds of battle-flags;
Borne through the smoke of the battles, and pierc’d with missiles, I saw them,
And carried hither and yon through the smoke, and torn and ******;
And at last but a few shreds left on the staffs, (and all in silence,)
And the staffs all splinter’d and broken.

I saw battle-corpses, myriads of them,
And the white skeletons of young men—I saw them;
I saw the debris and debris of all the dead soldiers of the war;
But I saw they were not as was thought;
They themselves were fully at rest—they suffer’d not;
The living remain’d and suffer’d—the mother suffer’d,
And the wife and the child, and the musing comrade suffer’d,
And the armies that remain’d suffer’d.

19

Passing the visions, passing the night;
Passing, unloosing the hold of my comrades’ hands;
Passing the song of the hermit bird, and the tallying song of my soul,
(Victorious song, death’s outlet song, yet varying, ever-altering song,
As low and wailing, yet clear the notes, rising and falling, flooding the night,
Sadly sinking and fainting, as warning and warning, and yet again bursting with joy,
Covering the earth, and filling the spread of the heaven,
As that powerful psalm in the night I heard from recesses,)
Passing, I leave thee, lilac with heart-shaped leaves;
I leave thee there in the door-yard, blooming, returning with spring,
I cease from my song for thee;
From my gaze on thee in the west, fronting the west, communing with thee,
O comrade lustrous, with silver face in the night.

20

Yet each I keep, and all, retrievements out of the night;
The song, the wondrous chant of the gray-brown bird,
And the tallying chant, the echo arous’d in my soul,
With the lustrous and drooping star, with the countenance full of woe,
With the lilac tall, and its blossoms of mastering odor;
With the holders holding my hand, nearing the call of the bird,
Comrades mine, and I in the midst, and their memory ever I keep—for the dead I loved so well;
For the sweetest, wisest soul of all my days and lands…and this for his dear sake;
Lilac and star and bird, twined with the chant of my soul,
There in the fragrant pines, and the cedars dusk and dim.
Onoma Feb 2015
...Away...
the full-bodied overran spiritedly
its cup--
fetched in movements, musical.
Impress of eyes laved
by their transpiration...
as that daylong Star that
trembles the hills--
where from in plain you come.
Sole proponent of emergence,
enfleshed pathway...
inherit thy haunts.
Whereupon lightning forks
its thunder...as a
joyous weeping dances
the thirsting rose...
the heart of the matter,
thusly enfleshed pathways
meet.
Anticipation floods my veins
like an ocean wave crashing along a rocky shore
When I close my eyes, I can see it all
yet I have no reference to what the darkness
consuming my mind is revealing
Stuck in a state of mind
where opposites accompany one another
in order to cope with the fierceness
of reality
Where a tear laved with disappointment
rests comfortably on the edge
of a smile that translates
an undeniable sense of satisfaction
Imprisoned by a wall
where every stone is the exact same
yet every one counts for something
different
Dreams disintegrate into nightmares
Nightmares regurgitate what open eyes display
Assumed truth
the lovers took a warm bath
they laved each others skin
their many tactile expressions
were stimulating
Solomon Dec 2017
You are a thief,
Cause of mischief,
All the eyes you've stolen,
and the souls you've frozen,
are proofs that your talents are golden,
A chest within my chest,
Where my heart are kept safe,
To ensure my soul stay in place,
Yet to the cove of your mercy is where it had laved,
For the sake of repentance or sympathy,
You returned it to me,
Too used to muse on your fantasy,
To you,it longs to be,
Silently,the truth had I veiled,
Though now your songs are my holy grail.
Kaaya Faye Jun 2018
Far, far away

Deep in the woods

Filled with thick trees and tall grass

Lived a man named ‘Saga’

Short and stout

Noisy and loud

He lived alone

Screaming at the air, talking to the rain

Saga lived in a cave

Posing to be brave But, afraid of the loneliness How naïve!

Living in the wild

Far away from his tribe

Alone through the woods he steered

Saga was afeard

He missed his wife

His old, happy life

And cursed the dusk

When he lost his way, following the musk

He cursed his daughter, Hilde

Deeming her the reason he was lost in wild ‘Why did you have to be so obstinate?’

‘Spoilt as hell, brat, ****** arrogant”

Mumbling under his breath

He was lost in his wrath

Crossing the same eerie desire trail

With misty fog and traces of hail

“What a horrifying path to take

Death be waiting for all treading this way”

Shivering and afeard

He walked rapidly till that path disappeared

Days passed and nights went by

He lay on the grass

Watching the drifting sky

Change its color from blue to brass

The trees rustled and wind blew

As the storm brewed

Sky thundered, rivers creaked

Saga listened to the forest screak.

“Hellish! I am lost in these labyrinthine woods

With cimmerian paths and Styngian brooks”

He started towards his aphotic cave

“Someone come for me and save!”

The forest grew murkier and dark Deafening sounds of storm, hark!

A whip just cracked

Echoing the sound of a thousand claps.

Saga fastened his pace

In terror and haste

Mud laved his feet

As if mocking Saga’s hysterical retreat.

“Oh! Get out of my way you muck”

As he fell on his face – Shmck!

Thud! flumb! squelch! splosh! deign!

He flushed through the water of rain.

For hours he struggled against the gush

Louder and louder grew brus

With each passing minute, the storm soared

The forest rumbled and sky roared.

Saga brawled and bawled

As if trying to silence the stormy howl.

Alas! all his attempts failed

Unconscious soon, he sailed



Where to? He would never know

For the forest had already beseeched his breath

Saga swam through the wild flow

Into the comfortable arms of Death.
Anne Jul 2018
My pure orbs laid upon a cold-hearted knave,
Isaac, oh, Isaac;
That the cherubs atop, my scarlet ticker; they laved,
I had fallen quite hard like the cruel ocean waves,
For Isaac, my Isaac;
Though he never glimpsed upon me,
Why, Isaac? Oh, Isaac;
My pure orbs, they have turned into a bitter sea;
Done by Isaac, oh, Isaac;
That knave thieved the joy from me, you see—
God! Isaac, why Isaac?
I wish I never had opened my once pure eyes for Isaac;
Behold of what Isaac had done to me;
My Isaac, oh Isaac;
He had purloined my love and my glee from me;
Oh, Isaac, my Isaac.
this is a poem from my past self for my beloved
ps: he didn't die
i moved on from this guy
Antony Glaser Feb 2022
Pale daughters
don't follow their father's orders
or wash behind their ears
laved in white light
they sport a smile when  necessary
compelled by an accidental mischief
detentions of exclusion
rendered in the shade
They wouldn't go dancing on the almost air
Milton Robertson Nov 2017
There stands a man who's brave had many close shaves, wasn't at all afraid ,not even of the grave.

He was a total knave, would always misbehave because he was downright depraved.

Now he would rant and he would rave like he belonged in a cave. He thought he had it made, not knowing to Sin, he was a slave.

Til one day he had a crave but someone else needed a fav. He couldn't understand why from his heart he gave.

Then he was hit with a shockwave, from that moment he was saved. No longer is he depraved cause he was laved, now his way is paved.

Neither is he a slave for The Lord Forgave. When you break away from sin a new life will begin.

Stop being A Slave. Be Truly Brave.
Wake up people. Time grows short.
My legacy was
To be laved twice a day,
To disport myself around the garden.
Enveloped in my crisp creaseless clothes,
Encircled by the aroma of blossoms.
My gladsome day was rounded
Off with a dinner fit for a King.
My education taught me
To read, write and a lot more.
I was conditioned to expect nothing less.


Her legacy was
To toil the soil on the farm
In threadbare clothes.
Steeped in baked clay,
Engulfed by the stench of the fields.
Her meed was to eat
Whatever there was.
Her education was to do
More than her fair share.
She was privileged to expect nothing more.


We walked the earth,
We breath the same air,
Yet,
Like the two oceans,
Our lives never transgress.
Our challenge is to reconcile our inheritances with what should be.
ANKIT JAISWAL Feb 2019
Marred with taboo, akin to divinity,
This is the trail, the symbol of feminity.
Manlihood often walks where for pleasure,
The trail laved in blood is loved never.

Every month, slowly, the autumn treads in,
The trail is strewn with leaves crimson.
Though the tree sobs, it is silent,
The pain is unbearable and strident.

The trail tarnished in murky red
Should be hid and tree be untouched,
But the trail swathed in blood ruby,
Is the very essence of tree's feminity.

To this sacred trail, I bow in reverence,
In li'l steps, life has always crawled whence.
The given poem captures the theme of *******- a phenomenon which is so natural, yet so blemished in our society.
Kerli Tulva Sep 2020
The calm of the rain
the smell of the laved air
the cellos sublime hue
mingle in the conscious.

The summer ends quietly
spreading its blanket
on top of flowers and birds
little crystals of evening.

Steps of autumn echo
in the distant aisle of trees
the leaves smile falling
changing their suit
into the colours of a rainbow.

Vivaldi performs gloriously
as the world spins sublimely
giving the nature its stance
the deep harmony of universe
the calm of the rain and heart.
John Dewberry Jun 2019
Eggshells crack
In the mirror
While you’re searching
For yourself
The floor is paved
With gold and laved
And hot sulfur
Will you vie

Turning away
Isn’t the worst thing you could do
Growth and perseverance force you
To stay true

Are you loving life
Through the pain and strife
As your dancing with your personality
Don’t mind your shadow
Laughing
While your waltzing with
Your demons

Who said
Life was easy
They’re full of ****
But I promise you
The struggles worth it!

Burning ties
Changing tides
And nullifying
Ebb and flow
Don’t be afraid
To fight the currents
Or status quo

BE YOU!
Are you loving life
Through the pain and strife
As your dancing with your personality
Mind you not
That your shadows laughing
While you’re waltzing with
Your demons
Valentin Busuioc Oct 2020
lonesome
so peaceful
with the writing sheet
watching how the words unfold
empty
laved in light
like mistresses
who always lie
on the happiest side
of the bed
Antony Glaser Feb 2022
Pale daughters,
don't follow their familial line
or wash behind their ears
laved in white light,
they sport a smile when necessary,
compelled by a accidental mischief
pencils of exclusion,
rendered in the shade
We wouldnt go dancing on an almost air.

— The End —