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Kurt Philip Behm Dec 2016
Through the keyhole darkly,
he could now remember his name

Through the keyhole darkly,
his medicine kicked in once again

Through the keyhole darkly,
he knew his daughter by her face

Through the keyhole darkly,
he was back at home in his space

Through the keyhole darkly,
his dog was closely by his side

Through the keyhole darkly,
his eyes though saddened, opened wide

Through the keyhole darkly,
her voice unwrapped the precious gift

Through the keyhole darkly,
a love once anchored, set adrift

Through the keyhole darkly,
he felt the light begin to dim

Through the keyhole darkly,
his markers fade, his reference thin

Through the keyhole darkly,
the killer thief arrives once more

Through the keyhole darkly,
  all loss of self—a closing door

(Villanova Pennsylvania: March, 2016)
Kurt Philip Behm Aug 2016
Through the keyhole darkly,
  he could now remember his name

Through the keyhole darkly,
  his medicine kicked in once again

Through the keyhole darkly,
  he knew his daughter by her face

Through the keyhole darkly,
  he was now back home in his space

Through the keyhole darkly,
  his dog was closely by his side

Through the keyhole darkly,
  his eyes though saddened, opened wide

Through the keyhole darkly,
  her voice unwrapped the precious gift

Through the keyhole darkly,
a love once anchored, set adrift

Through the keyhole darkly,
he felt the light begin to dim

Through the keyhole darkly,
his markers fade, his reference thin

Through the keyhole darkly,
the killer thief arrives once more

Through the keyhole darkly,
—all loss of self and nothing more

(Villanova Pennsylvania: March, 2016)
Kurt Philip Behm Jun 2018
Through the keyhole darkly,
  he could now remember his name

Through the keyhole darkly,
  his medicine kicked in once again

Through the keyhole darkly,
  he knew his daughter by her face

Through the keyhole darkly,
  he was now back home in his space

Through the keyhole darkly,
  his dog was closely by his side

Through the keyhole darkly,
  his eyes though saddened, opened wide

Through the keyhole darkly,
  her voice unwrapped a precious gift

Through the keyhole darkly
  a love once anchored, set adrift

Through the keyhole darkly,
  he felt the light begin to dim

Through the keyhole darkly
  his markers fade, his reference thin

Through the keyhole darkly,
  the killer thief arrives once more

Through the keyhole darkly
  all loss of self—a closing door

(Villanova Pennsylvania: March, 2016)
Kurt Philip Behm Mar 2019
Through the keyhole darkly,
  he could now remember his name

Through the keyhole darkly,
  his medicine kicked in once again

Through the keyhole darkly,
  he knew his daughter by her face

Through the keyhole darkly,
  he was now back home in his space

Through the keyhole darkly,
  his dog was closely by his side

Through the keyhole darkly,
  his eyes though saddened, opened wide

Through the keyhole darkly,
  her voice unwrapped a precious gift

Through the keyhole darkly
  a love once anchored, set adrift

Through the keyhole darkly,
  he felt the light begin to dim

Through the keyhole darkly
  his markers fade, his reference thin

Through the keyhole darkly
  the killer thief arrives once more

Through the keyhole darkly
  all loss of self—a closing door

(Villanova Pennsylvania: March, 2016)
Edna Sweetlove May 2015
I watched my mother *******
Through the toilet keyhole
When I was aged about twelve.

I think I should re-phrase that.
I watched through the keyhole
As my mother ****** into the toilet.

I didn't mean to imply that
I watched whilst my mother
****** through the keyhole.

That would have called for accuracy
Beyond the average female capability.
Sorry for any confusion there.
Amitav Radiance May 2015
Looking through a keyhole
World becomes smaller
A constricted view of the world
Lost the key somewhere
All the keys are redundant now
Within the four walls
Life revolves around the mundane
Only window to the world
Now hazy with perceptions
Now there is only one way
To look at the world
Holed up within the premises
But only to look though a keyhole
Locked inside aspirations
Never will the key be found
I see you hiding beneath
Old shirts and memories
***** jeans and worn-out shoes
That have walked a saddening mile
Weakest armour of cloth
Ripped and torn by cruel adolescence
Cursed with hate or blessed with indifference
I see you in there

Surrounded by toys
Some broken, unneeded
I see you and I know that you want to play with them
But time seems to have withdrawn permission
Or maybe you're frightened
Of how happy they once made you
Reluctantly believing they will never again make you smile or laugh
For they have become little more than fodder for the garbage heap
You find yourself beneath

On the other side of the locked door
I bend to peek through the keyhole
Expecting no more than shadows on the wall
But I see you

I've watched you walk in...
(you didn't know I was there...sorry)
...and it broke my heart
To see how swiftly you ran to the door
To behold the look of relief on your face
That broke up and melted the death mask of grief
Saved by grace
When you stepped in and turned the lock
A beaten veteran getting off a plane, whose salvation is the tarmac beneath him
You kiss the ***** carpet and call this place "home"

"How can a man be born when he is old?
can he enter the second time
into his mother's womb, and be born?"
Behind a locked door
You found the answer
Discerning flesh from flesh and spirit from Spirit
From the crowded confines of  your mother's womb

I wanted so badly to see the look on your face when you emerged
Refreshed and ready to battle demons
Or downcast, crestfallen for another day
It would have been worth the waiting hours to bear witness
To the power of this basement haven
Alas, sleep was not as curious
I could not risk your discovering me
Where I was not meant to be
Fallen from my hands and knees
Best to settle for forbidden glimpses through a keyhole
Best you didn't know I'd stolen a tiny part of your soul

I see you there, hiding from the light
Books on shelves half read or dog-eared to the very ends
A hardback Bible, the binding cracked, it's pages would spill out on the floor if not for your curiosity
66 books held tightly in your grasp to hold them together
In order
Camus, King...Baldwin, Irving...tattered paperback
Koran, Augustine...Srimad Bhagavatam, L. Ron Hubbard...sturdy hardback, spines still cracking
Barnes & Noble books unnaturally pinched between mold smelling garage sale bargains and bulky Salvation Army bookends (Webster's Dictionary, Complete Works of Shakespeare, Bullfinch's Mythology, Asimov's Chronology of Science & Technology...anything thick and sturdy enough to squeeze in a row of lesser volumes)
I see all those books but I don't see you reading them
Still, I don't wonder why they are there

I only wonder of you
Why you lie like a skeleton
Beneath piles of junk

I only wonder how
You find comfort there
And not in the arms of the ones who love you
Edna Sweetlove Dec 2014
My sister never had any boyfriends
which was quite surprising really you know
because she had a nice pair of knockers
and a very cute little **** on her
but never once a gentleman caller
came knock knock knock on her friendless portal.

So I asked her what was the ******* score
that no butch lads wanted to part her bush
and whyfore was she not barking for it
in a vague manner of ******* speaking
and she told me to glue my keen peepers
on her keyhole the next night to find out.

Thus I knelt down before her bedroom door
my eye glued to the appropriate hole
with a full view of her "sleepezee" bed
on which she casually lay spread out
legs opened like a major T-junction
and then her friend appeared to my rapt joy.

I gasped in wonder as her lesby love
straddled my **** sis and gave her tongue
a good chance to lick out her womb entrance
causing me to indulge in self-abuse
as their eager mutual *******
gave way to some red hot ***** action.

(I hope they didn't hear the noisy splats
as I squirted my lovejuice onto the doorpost)
Good taste, eh?
One Christmas was so much like another, in those years around the sea-town corner now and out of all sound
except the distant speaking of the voices I sometimes hear a moment before sleep, that I can never remember
whether it snowed for six days and six nights when I was twelve or whether it snowed for twelve days and twelve
nights when I was six.

All the Christmases roll down toward the two-tongued sea, like a cold and headlong moon bundling down the sky
that was our street; and they stop at the rim of the ice-edged fish-freezing waves, and I plunge my hands in
the snow and bring out whatever I can find. In goes my hand into that wool-white bell-tongued ball of holidays
resting at the rim of the carol-singing sea, and out come Mrs. Prothero and the firemen.

It was on the afternoon of the Christmas Eve, and I was in Mrs. Prothero's garden, waiting for cats, with her
son Jim. It was snowing. It was always snowing at Christmas. December, in my memory, is white as Lapland,
though there were no reindeers. But there were cats. Patient, cold and callous, our hands wrapped in socks, we
waited to snowball the cats. Sleek and long as jaguars and horrible-whiskered, spitting and snarling, they
would slink and sidle over the white back-garden walls, and the lynx-eyed hunters, Jim and I, fur-capped and
moccasined trappers from Hudson Bay, off Mumbles Road, would hurl our deadly snowballs at the green of their
eyes. The wise cats never appeared.

We were so still, Eskimo-footed arctic marksmen in the muffling silence of the eternal snows - eternal, ever
since Wednesday - that we never heard Mrs. Prothero's first cry from her igloo at the bottom of the garden. Or,
if we heard it at all, it was, to us, like the far-off challenge of our enemy and prey, the neighbor's polar
cat. But soon the voice grew louder.
"Fire!" cried Mrs. Prothero, and she beat the dinner-gong.

And we ran down the garden, with the snowballs in our arms, toward the house; and smoke, indeed, was pouring
out of the dining-room, and the gong was bombilating, and Mrs. Prothero was announcing ruin like a town crier
in Pompeii. This was better than all the cats in Wales standing on the wall in a row. We bounded into the
house, laden with snowballs, and stopped at the open door of the smoke-filled room.

Something was burning all right; perhaps it was Mr. Prothero, who always slept there after midday dinner with a
newspaper over his face. But he was standing in the middle of the room, saying, "A fine Christmas!" and
smacking at the smoke with a slipper.

"Call the fire brigade," cried Mrs. Prothero as she beat the gong.
"There won't be there," said Mr. Prothero, "it's Christmas."
There was no fire to be seen, only clouds of smoke and Mr. Prothero standing in the middle of them, waving his
slipper as though he were conducting.
"Do something," he said. And we threw all our snowballs into the smoke - I think we missed Mr. Prothero - and
ran out of the house to the telephone box.
"Let's call the police as well," Jim said. "And the ambulance." "And Ernie Jenkins, he likes fires."

But we only called the fire brigade, and soon the fire engine came and three tall men in helmets brought a hose
into the house and Mr. Prothero got out just in time before they turned it on. Nobody could have had a noisier
Christmas Eve. And when the firemen turned off the hose and were standing in the wet, smoky room, Jim's Aunt,
Miss. Prothero, came downstairs and peered in at them. Jim and I waited, very quietly, to hear what she would
say to them. She said the right thing, always. She looked at the three tall firemen in their shining helmets,
standing among the smoke and cinders and dissolving snowballs, and she said, "Would you like anything to read?"

Years and years ago, when I was a boy, when there were wolves in Wales, and birds the color of red-flannel
petticoats whisked past the harp-shaped hills, when we sang and wallowed all night and day in caves that smelt
like Sunday afternoons in damp front farmhouse parlors, and we chased, with the jawbones of deacons, the
English and the bears, before the motor car, before the wheel, before the duchess-faced horse, when we rode the
daft and happy hills *******, it snowed and it snowed. But here a small boy says: "It snowed last year, too. I
made a snowman and my brother knocked it down and I knocked my brother down and then we had tea."

"But that was not the same snow," I say. "Our snow was not only shaken from white wash buckets down the sky, it
came shawling out of the ground and swam and drifted out of the arms and hands and bodies of the trees; snow
grew overnight on the roofs of the houses like a pure and grandfather moss, minutely -ivied the walls and
settled on the postman, opening the gate, like a dumb, numb thunder-storm of white, torn Christmas cards."

"Were there postmen then, too?"
"With sprinkling eyes and wind-cherried noses, on spread, frozen feet they crunched up to the doors and
mittened on them manfully. But all that the children could hear was a ringing of bells."
"You mean that the postman went rat-a-tat-tat and the doors rang?"
"I mean that the bells the children could hear were inside them."
"I only hear thunder sometimes, never bells."
"There were church bells, too."
"Inside them?"
"No, no, no, in the bat-black, snow-white belfries, tugged by bishops and storks. And they rang their tidings
over the bandaged town, over the frozen foam of the powder and ice-cream hills, over the crackling sea. It
seemed that all the churches boomed for joy under my window; and the weathercocks crew for Christmas, on our
fence."

"Get back to the postmen"
"They were just ordinary postmen, found of walking and dogs and Christmas and the snow. They knocked on the
doors with blue knuckles ...."
"Ours has got a black knocker...."
"And then they stood on the white Welcome mat in the little, drifted porches and huffed and puffed, making
ghosts with their breath, and jogged from foot to foot like small boys wanting to go out."
"And then the presents?"
"And then the Presents, after the Christmas box. And the cold postman, with a rose on his button-nose, tingled
down the tea-tray-slithered run of the chilly glinting hill. He went in his ice-bound boots like a man on
fishmonger's slabs.
"He wagged his bag like a frozen camel's ****, dizzily turned the corner on one foot, and, by God, he was
gone."

"Get back to the Presents."
"There were the Useful Presents: engulfing mufflers of the old coach days, and mittens made for giant sloths;
zebra scarfs of a substance like silky gum that could be tug-o'-warred down to the galoshes; blinding tam-o'-
shanters like patchwork tea cozies and bunny-suited busbies and balaclavas for victims of head-shrinking
tribes; from aunts who always wore wool next to the skin there were mustached and rasping vests that made you
wonder why the aunts had any skin left at all; and once I had a little crocheted nose bag from an aunt now,
alas, no longer whinnying with us. And pictureless books in which small boys, though warned with quotations not
to, would skate on Farmer Giles' pond and did and drowned; and books that told me everything about the wasp,
except why."

"Go on the Useless Presents."
"Bags of moist and many-colored jelly babies and a folded flag and a false nose and a tram-conductor's cap and
a machine that punched tickets and rang a bell; never a catapult; once, by mistake that no one could explain, a
little hatchet; and a celluloid duck that made, when you pressed it, a most unducklike sound, a mewing moo that
an ambitious cat might make who wished to be a cow; and a painting book in which I could make the grass, the
trees, the sea and the animals any colour I pleased, and still the dazzling sky-blue sheep are grazing in the
red field under the rainbow-billed and pea-green birds. Hardboileds, toffee, fudge and allsorts, crunches,
cracknels, humbugs, glaciers, marzipan, and butterwelsh for the Welsh. And troops of bright tin soldiers who,
if they could not fight, could always run. And Snakes-and-Families and Happy Ladders. And Easy Hobbi-Games for
Little Engineers, complete with instructions. Oh, easy for Leonardo! And a whistle to make the dogs bark to
wake up the old man next door to make him beat on the wall with his stick to shake our picture off the wall.
And a packet of cigarettes: you put one in your mouth and you stood at the corner of the street and you waited
for hours, in vain, for an old lady to scold you for smoking a cigarette, and then with a smirk you ate it. And
then it was breakfast under the balloons."

"Were there Uncles like in our house?"
"There are always Uncles at Christmas. The same Uncles. And on Christmas morning, with dog-disturbing whistle
and sugar ****, I would scour the swatched town for the news of the little world, and find always a dead bird
by the Post Office or by the white deserted swings; perhaps a robin, all but one of his fires out. Men and
women wading or scooping back from chapel, with taproom noses and wind-bussed cheeks, all albinos, huddles
their stiff black jarring feathers against the irreligious snow. Mistletoe hung from the gas brackets in all
the front parlors; there was sherry and walnuts and bottled beer and crackers by the dessertspoons; and cats in
their fur-abouts watched the fires; and the high-heaped fire spat, all ready for the chestnuts and the mulling
pokers. Some few large men sat in the front parlors, without their collars, Uncles almost certainly, trying
their new cigars, holding them out judiciously at arms' length, returning them to their mouths, coughing, then
holding them out again as though waiting for the explosion; and some few small aunts, not wanted in the
kitchen, nor anywhere else for that matter, sat on the very edge of their chairs, poised and brittle, afraid to
break, like faded cups and saucers."

Not many those mornings trod the piling streets: an old man always, fawn-bowlered, yellow-gloved and, at this
time of year, with spats of snow, would take his constitutional to the white bowling green and back, as he
would take it wet or fire on Christmas Day or Doomsday; sometimes two hale young men, with big pipes blazing,
no overcoats and wind blown scarfs, would trudge, unspeaking, down to the forlorn sea, to work up an appetite,
to blow away the fumes, who knows, to walk into the waves until nothing of them was left but the two furling
smoke clouds of their inextinguishable briars. Then I would be slap-dashing home, the gravy smell of the
dinners of others, the bird smell, the brandy, the pudding and mince, coiling up to my nostrils, when out of a
snow-clogged side lane would come a boy the spit of myself, with a pink-tipped cigarette and the violet past of
a black eye, cocky as a bullfinch, leering all to himself.

I hated him on sight and sound, and would be about to put my dog whistle to my lips and blow him off the face
of Christmas when suddenly he, with a violet wink, put his whistle to his lips and blew so stridently, so high,
so exquisitely loud, that gobbling faces, their cheeks bulged with goose, would press against their tinsled
windows, the whole length of the white echoing street. For dinner we had turkey and blazing pudding, and after
dinner the Uncles sat in front of the fire, loosened all buttons, put their large moist hands over their watch
chains, groaned a little and slept. Mothers, aunts and sisters scuttled to and fro, bearing tureens. Auntie
Bessie, who had already been frightened, twice, by a clock-work mouse, whimpered at the sideboard and had some
elderberry wine. The dog was sick. Auntie Dosie had to have three aspirins, but Auntie Hannah, who liked port,
stood in the middle of the snowbound back yard, singing like a big-bosomed thrush. I would blow up balloons to
see how big they would blow up to; and, when they burst, which they all did, the Uncles jumped and rumbled. In
the rich and heavy afternoon, the Uncles breathing like dolphins and the snow descending, I would sit among
festoons and Chinese lanterns and nibble dates and try to make a model man-o'-war, following the Instructions
for Little Engineers, and produce what might be mistaken for a sea-going tramcar.

Or I would go out, my bright new boots squeaking, into the white world, on to the seaward hill, to call on Jim
and Dan and Jack and to pad through the still streets, leaving huge footprints on the hidden pavements.
"I bet people will think there's been hippos."
"What would you do if you saw a hippo coming down our street?"
"I'd go like this, bang! I'd throw him over the railings and roll him down the hill and then I'd tickle him
under the ear and he'd wag his tail."
"What would you do if you saw two hippos?"

Iron-flanked and bellowing he-hippos clanked and battered through the scudding snow toward us as we passed Mr.
Daniel's house.
"Let's post Mr. Daniel a snow-ball through his letter box."
"Let's write things in the snow."
"Let's write, 'Mr. Daniel looks like a spaniel' all over his lawn."
Or we walked on the white shore. "Can the fishes see it's snowing?"

The silent one-clouded heavens drifted on to the sea. Now we were snow-blind travelers lost on the north hills,
and vast dewlapped dogs, with flasks round their necks, ambled and shambled up to us, baying "Excelsior." We
returned home through the poor streets where only a few children fumbled with bare red fingers in the wheel-
rutted snow and cat-called after us, their voices fading away, as we trudged uphill, into the cries of the dock
birds and the hooting of ships out in the whirling bay. And then, at tea the recovered Uncles would be jolly;
and the ice cake loomed in the center of the table like a marble grave. Auntie Hannah laced her tea with ***,
because it was only once a year.

Bring out the tall tales now that we told by the fire as the gaslight bubbled like a diver. Ghosts whooed like
owls in the long nights when I dared not look over my shoulder; animals lurked in the cubbyhole under the
stairs and the gas meter ticked. And I remember that we went singing carols once, when there wasn't the shaving
of a moon to light the flying streets. At the end of a long road was a drive that led to a large house, and we
stumbled up the darkness of the drive that night, each one of us afraid, each one holding a stone in his hand
in case, and all of us too brave to say a word. The wind through the trees made noises as of old and unpleasant
and maybe webfooted men wheezing in caves. We reached the black bulk of the house. "What shall we give them?
Hark the Herald?"
"No," Jack said, "Good King Wencelas. I'll count three." One, two three, and we began to sing, our voices high
and seemingly distant in the snow-felted darkness round the house that was occupied by nobody we knew. We stood
close together, near the dark door. Good King Wencelas looked out On the Feast of Stephen ... And then a small,
dry voice, like the voice of someone who has not spoken for a long time, joined our singing: a small, dry,
eggshell voice from the other side of the door: a small dry voice through the keyhole. And when we stopped
running we were outside our house; the front room was lovely; balloons floated under the hot-water-bottle-
gulping gas; everything was good again and shone over the town.
"Perhaps it was a ghost," Jim said.
"Perhaps it was trolls," Dan said, who was always reading.
"Let's go in and see if there's any jelly left," Jack said. And we did that.

Always on Christmas night there was music. An uncle played the fiddle, a cousin sang "Cherry Ripe," and another
uncle sang "Drake's Drum." It was very warm in the little house. Auntie Hannah, who had got on to the parsnip
wine, sang a song about Bleeding Hearts and Death, and then another in which she said her heart was like a
Bird's Nest; and then everybody laughed again; and then I went to bed. Looking through my bedroom window, out
into the moonlight and the unending smoke-colored snow, I could see the lights in the windows of all the other
houses on our hill and hear the music rising from them up the long, steady falling night. I turned the gas
down, I got into bed. I said some words to the close and holy darkness, and then I slept.
Your daisies have come
on the day of my divorce:
the courtroom a cement box,
a gas chamber for the infectious Jew in me
and a perhaps land, a possibly promised land
for the Jew in me,
but still a betrayal room for the till-death-do-us-
and yet a death, as in the unlocking of scissors
that makes the now separate parts useless,
even to cut each other up as we did yearly
under the crayoned-in sun.
The courtroom keeps squashing our lives as they break
into two cans ready for recycling,
flattened tin humans
and a tin law,
even for my twenty-five years of hanging on
by my teeth as I once saw at Ringling Brothers.
The gray room:
Judge, lawyer, witness
and me and invisible Skeezix,
and all the other torn
enduring the bewilderments
of their division.

Your daisies have come
on the day of my divorce.
They arrive like round yellow fish,
******* with love at the coral of our love.
Yet they wait,
in their short time,
like little utero half-borns,
half killed, thin and bone soft.
They breathe the air that stands
for twenty-five illicit days,
the sun crawling inside the sheets,
the moon spinning like a tornado
in the washbowl,
and we orchestrated them both,
calling ourselves TWO CAMP DIRECTORS.
There was a song, our song on your cassette,
that played over and over
and baptised the prodigals.
It spoke the unspeakable,
as the rain will on an attic roof,
letting the animal join its soul
as we kneeled before a miracle--
forgetting its knife.

The daisies confer
in the old-married kitchen
papered with blue and green chefs
who call out pies, cookies, yummy,
at the charcoal and cigarette smoke
they wear like a yellowy salve.
The daisies absorb it all--
the twenty-five-year-old sanctioned love
(If one could call such handfuls of fists
and immobile arms that!)
and on this day my world rips itself up
while the country unfastens along
with its perjuring king and his court.
It unfastens into an abortion of belief,
as in me--
the legal rift--
as on might do with the daisies
but does not
for they stand for a love
undergoihng open heart surgery
that might take
if one prayed tough enough.
And yet I demand,
even in prayer,
that I am not a thief,
a mugger of need,
and that your heart survive
on its own,
belonging only to itself,
whole, entirely whole,
and workable
in its dark cavern under your ribs.

I pray it will know truth,
if truth catches in its cup
and yet I pray, as a child would,
that the surgery take.

I dream it is taking.
Next I dream the love is swallowing itself.
Next I dream the love is made of glass,
glass coming through the telephone
that is breaking slowly,
day by day, into my ear.
Next I dream that I put on the love
like a lifejacket and we float,
jacket and I,
we bounce on that priest-blue.
We are as light as a cat's ear
and it is safe,
safe far too long!
And I awaken quickly and go to the opposite window
and peer down at the moon in the pond
and know that beauty has walked over my head,
into this bedroom and out,
flowing out through the window screen,
dropping deep into the water
to hide.

I will observe the daisies
fade and dry up
wuntil they become flour,
snowing themselves onto the table
beside the drone of the refrigerator,
beside the radio playing Frankie
(as often as FM will allow)
snowing lightly, a tremor sinking from the ceiling--
as twenty-five years split from my side
like a growth that I sliced off like a melanoma.

It is six P.M. as I water these tiny weeds
and their little half-life,
their numbered days
that raged like a secret radio,
recalling love that I picked up innocently,
yet guiltily,
as my five-year-old daughter
picked gum off the sidewalk
and it became suddenly an elastic miracle.

For me it was love found
like a diamond
where carrots grow--
the glint of diamond on a plane wing,
meaning:  DANGER!  THICK ICE!
but the good crunch of that orange,
the diamond, the carrot,
both with four million years of resurrecting dirt,
and the love,
although Adam did not know the word,
the love of Adam
obeying his sudden gift.

You, who sought me for nine years,
in stories made up in front of your naked mirror
or walking through rooms of fog women,
you trying to forget the mother
who built guilt with the lumber of a locked door
as she sobbed her soured mild and fed you loss
through the keyhole,
you who wrote out your own birth
and built it with your own poems,
your own lumber, your own keyhole,
into the trunk and leaves of your manhood,
you, who fell into my words, years
before you fell into me (the other,
both the Camp Director and the camper),
you who baited your hook with wide-awake dreams,
and calls and letters and once a luncheon,
and twice a reading by me for you.
But I wouldn't!

Yet this year,
yanking off all past years,
I took the bait
and was pulled upward, upward,
into the sky and was held by the sun--
the quick wonder of its yellow lap--
and became a woman who learned her own shin
and dug into her soul and found it full,
and you became a man who learned his won skin
and dug into his manhood, his humanhood
and found you were as real as a baker
or a seer
and we became a home,
up into the elbows of each other's soul,
without knowing--
an invisible purchase--
that inhabits our house forever.

We were
blessed by the House-Die
by the altar of the color T.V.
and somehow managed to make a tiny marriage,
a tiny marriage
called belief,
as in the child's belief in the tooth fairy,
so close to absolute,
so daft within a year or two.
The daisies have come
for the last time.
And I who have,
each year of my life,
spoken to the tooth fairy,
believing in her,
even when I was her,
am helpless to stop your daisies from dying,
although your voice cries into the telephone:
Marry me!  Marry me!
and my voice speaks onto these keys tonight:
The love is in dark trouble!
The love is starting to die,
right now--
we are in the process of it.
The empty process of it.

I see two deaths,
and the two men plod toward the mortuary of my heart,
and though I willed one away in court today
and I whisper dreams and birthdays into the other,
they both die like waves breaking over me
and I am drowning a little,
but always swimming
among the pillows and stones of the breakwater.
And though your daisies are an unwanted death,
I wade through the smell of their cancer
and recognize the prognosis,
its cartful of loss--

I say now,
you gave what you could.
It was quite a ferris wheel to spin on!
and the dead city of my marriage
seems less important
than the fact that the daisies came weekly,
over and over,
likes kisses that can't stop themselves.

There sit two deaths on November 5th, 1973.
Let one be forgotten--
Bury it!  Wall it up!
But let me not forget the man
of my child-like flowers
though he sinks into the fog of Lake Superior,
he remains, his fingers the marvel
of fourth of July sparklers,
his furious ice cream cones of licking,
remains to cool my forehead with a washcloth
when I sweat into the bathtub of his being.

For the rest that is left:
name it gentle,
as gentle as radishes inhabiting
their short life in the earth,
name it gentle,
gentle as old friends waving so long at the window,
or in the drive,
name it gentle as maple wings singing
themselves upon the pond outside,
as sensuous as the mother-yellow in the pond,
that night that it was ours,
when our bodies floated and bumped
in moon water and the cicadas
called out like tongues.

Let such as this
be resurrected in all men
whenever they mold their days and nights
as when for twenty-five days and nights you molded mine
and planted the seed that dives into my God
and will do so forever
no matter how often I sweep the floor.
Who's she, that one in your arms?

She's the one I carried my bones to
and built a house that was just a cot
and built a life that was over an hour
and built a castle where no one lives
and built, in the end, a song
to go with the ceremony.

Why have you brought her here?
Why do you knock on my door
with your little stores and songs?

I had joined her the way a man joins
a woman and yet there was no place
for festivities or formalities
and these things matter to a woman
and, you see, we live in a cold climate
and are not permitted to kiss on the street
so I made up a song that wasn't true.
I made up a song called Marriage.

You come to me out of wedlock
and kick your foot on my stoop
and ask me to measure such things?

Never. Never. Not my real wife.
She's my real witch, my fork, my mare,
my mother of tears, my skirtful of hell,
the stamp of my sorrows, the stamp of my bruises
and also the children she might bear
and also a private place, a body of bones
that I would honestly buy, if I could buy,
that I would marry, if I could marry.

And should I torment you for that?
Each man has a small fate allotted to him
and yours is a passionate one.

But I am in torment. We have no place.
The cot we share is almost a prison
where I can't say buttercup, bobolink,
sugarduck, pumpkin, love ribbon, locket,
valentine, summergirl, funnygirl and all
those nonsense things one says in bed.
To say I have bedded with her is not enough.
I have not only bedded her down.
I have tied her down with a knot.

Then why do you stick your fists
into your pockets? Why do you shuffle
your feet like a schoolboy?

For years I have tied this knot in my dreams.
I have walked through a door in my dreams
and she was standing there in my mother's apron.
Once she crawled through a window that was shaped
like a keyhole and she was wearing my daughter's
pink corduroys and each time I tied these women
in a knot. Once a queen came. I tied her too.
But this is something I have actually tied
and now I have made her fast.
I sang her out. I caught her down.
I stamped her out with a song.
There was no other apartment for it.
There was no other chamber for it.
Only the knot. The bedded-down knot.
Thus I have laid my hands upon her
and have called her eyes and her mouth
as mine, as also her tongue.

Why do you ask me to make choices?
I am not a judge or a psychologist.
You own your bedded-down knot.

And yet I have real daytimes and nighttimes
with children and balconies and a good wife.
Thus I have tied these other knots,
yet I would rather not think of them
when I speak to you of her. Not now.
If she were a room to rent I would pay.
If she were a life to save I would save.
Maybe I am a man of many hearts.

A man of many hearts?
Why then do you tremble at my doorway?
A man of many hearts does not need me.

I'm caught deep in the dye of her.
I have allowed you to catch me red-handed,
catch me with my wild oats in a wild clock
for my mare, my dove and my own clean body.
People might say I have snakes in my boots
but I tell you that just once am I in the stirrups,
just once, this once, in the cup.
The love of the woman is in the song.
I called her the woman in red.
I called her the woman in pink
but she was ten colors
and ten women
I could hardly name her.

I know who she is.
You have named her enough.

Maybe I shouldn't have put it in words.
Frankly, I think I'm worse for this kissing,
drunk as a piper, kicking the traces
and determined to tie her up forever.
You see the song is the life,
the life I can't live.
God, even as he passes,
hand down monogamy like slang.
I wanted to write her into the law.
But, you know, there is no law for this.

Man of many hearts, you are a fool!
The clover has grown thorns this year
and robbed the cattle of their fruit
and the stones of the river
have ****** men's eyes dry,
season after season,
and every bed has been condemned,
not by morality or law,
but by time.
Mateuš Conrad Apr 2020
i can't imagine a better maxim for a marriage:

   when both of you are young...
and... instead of being
these "star-crossed lovers" -

with a rubric
                  of the thwart(ing)...

to marry: when both are still in love with life...

                    from a nation-state into
the ***** of a diaspora...

what a fine word...
   the mass-influx of hyping around
the otherwise, fake:

       migrant workers...
like the current argument for
british sovereignty:
we will not have any of the bureaucracy
from Brussels...
but, we, will! have...
those romanian fruit & veg pickers!

it's hardly a joke:
more like a choke...
                    what's the difference between...
leaving one part of the country
for another: part of the same country...
and then... being daring enough...
to leave the country: thoroughly...
and have to learn a new language?

dual-citizenship...
go back? stay here?
hmm... i'm not really fond of speaking
or writing in ******...
the germans dissolved...
the russians too: dissolved...
i'm pretty sure that language can
remain intact... as it is...
under the law & justice party...
once they focus on the breeders
with tax-free incentives...

Chicago! what a fine diaspora hub
for the ****** "expatriates"...
good thing i never made it to
h'america: in stripes...

the friends of my youth...
most of then? crimminals...
        the nicknames we had for each
other:
i remember being taunted as being
an... "angol"... because my father wasn't
their father and wasn't part
of laying down the foundations
of "bones" for the dockland light railway...

i left a nation: still in its infancy...
and to its infancy i will drink!
but as a language: not a people...
not a geographic location...
a metaphysical manifestation:
if the word be a faustian signature...
yes, my lord... i see the pinching
itch of the natives squandering it...
like it should not have been...
a frederick hohenstaufen II experiment
in a nunnery on Sicily...
mute children... raised by nuns who didn't
speak: pretending...
to see... what language was genesis primo!

my allegiance is to the tongue...
it might allude to the fife and drums...
but dealing with the rascal
who deems...
that god save the queen be treated
with irreverence...
i'm not as daft and yobbish to glare
with a hydra giving birth to an extension
of its neck-load girth...

give me! the british grenadiers' fife & drum...
and i'll show you le marseillaise!
i have long ago pledge my allegience
to the tongue...
              
because? well... to be honest...
under all the supression from the...
(a) herr meisterstuck:
         the day:
        
        the prussians... "forgot"...
they were jumbled up with the lithuanians
as the last pagans of europe...
and then they decided: whatever it
was that they decided upon...

i hear some russian... i hear a down syndrome
person talk...
it's all lovely and sing-along...
but it's hardly by strict obligation
to the latin script... is it?
i have to nibble at pitty-worth jokes
to aid my...

diaspora: involuntary mass dispersion
of a population from its indigenous territories...
last time i checked...
i was born into a city famously known
for its practice in metallurgy...
i was the never-to-be grandson
of Die Krupp ambitions!
    i would leave my hometown and...
well... there was Warsaw...
or the... brain-drain train "elsewhere"...
from a nation into the grand...
vacuum of the diaspora...

except in england...
       the no. 303... most of which settled
in either Scotland or... Stratford-upon-Avon...
elsewhere... some other... "elsewhere"...

well...
   given that i have had had a choice...
ha ha! comma? sir?! that that?
      given that i have had - had a choice...
well... imagine... perhaps there's something
about Fwench... but i'm chosing sides...
it's not in Norwegian...
so... b'leh b'leh b'leh... b'leh...
                      
               i just have to borrow some german...
speaking this... hybrid saxon having
buggered enough afghanistan-esque brit druids...
the zeppelins were always dropping...
soap-bubbles...
          i tease oh god...
i tease... but this music is so... so...
oh so delight-ful!

                   die könig im gelb!

ah... to marry: when both are in love with life!
terrible affair: should... "life" somehow
matter: to disappear...
this love a suffocation for the best ****
they had in... ever...
and there's nothing of what life is concerned
with...
either children or... being infertile...
but to be in love with life...

the russians can't proclaim a diaspora...
then again: the "mafia"...
i've heard of an italian mob-esque...
      disposition... subsequent undercurrents
to boot...
an... irish mafia?
bothersome details...
         i still pledge my alliance to a Dickens
over a a Shakespeare...
because...
by chance... i might find some poetry
in the prosaic? by Shakespeare alone:
i'm... "expected".... aren't i?

bad news from York-and-the-shire...
Rotherham... and the... prefix ****-
   and the suffix -stani "debate"...
                   do you even know
how... let's not go there...
to term a bogus inconvenience of...

'what the hell is concerning you...
to fathom from cloud-9 a ****** notion of...
being out-bred?!'

an economic war... is a slow war...
it takes time...
it would take the amount of time...
to turn a once proud town focused on
metallurgy into rubble...
some stayed... some moved to warsaw...
some... played: a joker hand de facto...

i am: this... subtle... p.s. curiosity...
had i only come to breed...
rather than to otherwise...
nuance... allegiance...
zu die zunge?! alles!
             die menschen?
                     jeder seine haben!
             die schwach wind und der flagge?!
ist: die schwach wind: und der flagge: nein?

perhaps there's a stressor
of impetus in german that's not allowed
in english...

     ich bin hier für die sprache...
              
it must be translated... such it being:
oh such a wonderful... phrase...

   to marry... when both... are in love... with life...

zu heiraten... wenn beide...
                           sind im liebe... mit leben!

art-*******-and-funky-funky...
parsley-sage-rosemary-thym­e...
        what? thyme? there's a phi or a theta
to posit... instead...
you took the Dubliners' route of: paddy...
tad... and toink!
                'ucking scoundrels!

i will call... the greek-chinese ideogram...
I(ota) the key... and... "thereabouts"...
a keyhole of O(micron)...
it's an id: representation...

                 squashed: yes: 0... for better...
"graphics"...
    
to be young... and to share a half of both:
of being in love with life...

       Φ = the key enters the keyhole (I, O)...
    Θ = the key is turned... (Io)...
         Ψ = the door is opened...

        enough... Beijing "abstract" concerns...
for anyone?
       what's the abstract of rotation?
                                   oh... i guess: 'micron!

so much for abstracts as: only from boing-boing-xin...
some letter can qualify to be
apprehended in ideograms...
B - bossom or a fudge-yeast-byproduct
of a full ***...
              etc. or... Φ, Θ, Ψ...
       now by adding the brackets...
and time has a geography...
from the height of mythology...
to the depths of journalism...
that's... a vector:  (Φ, Θ, Ψ)...

     it's a key... a door... a keyhole...
                            an opening... n'est ce pas?!
hey! let's complicate it further
with: mr. squint... chop-sticks...
dragons... live vermin sushi...
    and counting dry grains of rice...

i'm not: Česlav Miloš...
to begin with... Czesław Miłosz was...
a Lithuanian...
because Copernicus wasn't ******...
"because and because"...
                     sides... all this talk of:
"allegiance"...
**** it... it's a cosmopolitan allegiance
to... the commonality of tongue...
shared to the point...
when... old fictions wrestle with me
and i'm confined to my own cubic...

for english is a language i can
entertain...
allow... yes... this parasite can erode
its host's cranium und...
                                  grauangelegenheit...
it was never... so imposing...
as a german tongue or a russian tongue...
therefore and thereby?
      an easily qualified tongue-donor
with the expanse of thought:
a complete and utter brain-drain on...

now...
there's a difference...
the english will not know it...

there's the nation... and there's the diaspora...
can the english... claim h'america...
or canada... or... australia...
as a nation-extension toward the confines
of a diaspora?
no... i don't think so...

that: quintessential inconvenience of
being merely: english...
   more prone to a local geography...
a devonshire... a derbyshire...
               someone of york...
  lost in new york...
                    a people with...
an imploded seance of diaspora...
    from the humble little island...
to: whatever fraction that was supposed
to make one impose on...

had i just been Irish... and "somehow"
forgotten my Gaelic...
or been that Welshman and no longer
with any Cymru...
well then...
but i come willing because...
      beside the mother and father...
the maternal grandmother and -father...
who will i speak my "native" and "mother"
tunge / zunge to?
          
i rather imagine marriage:
as when both of them are in love with life...
and in love that being said:
a little tale o' whittle england:
make it big in h'america...
        
         this... the most complete...
antithesis of a diaspora...
                    or rather: what lingua franca
was... and what l'inglese is...
and how: even if arabic tried...
and even if: mandarin would hope for...
well... hardly...
jackie chan kung fu and muhammad:
english is more popular than islam...
**** it up: camel jockey!
oh sure... they're "muslim"...
conflicting opinions... once:
speaking in english "arrives"...

                   i'm here: to turn up the volume...
because... i might as well have been
born in estonia... and speaking... estonian...
and never having left estonia...
been very much happy for the euro
and the... thumbling russians... somehow...
"retreating"...
well... if the russians are retreating...
they're: trying to revise being
an indo-european mongrel with...
accents of scandinavia concerning
the founding fathers of Kiev...
and them being russians:
what the hell do we do with the ukranians...
and the mongols that settled and became
tartars?!

yeah... the russians are on the retreat...
    this little island that... hopes for a diaspora...
instead... shuckles...
it has to settle for a h'american empire...
an australia... a new zealand...
ogh! mein! gott! no expatriate diaspora!
no tea with mussolini typo excursions!
mein gott! v'er vill youz goez?!

         zee f'ikkin moonz?! on a sputnik flarez?!
light up baboon *** numero uno:
then whisper among the fwench...

yes... very much brilliant...
         to be alive... and to marry so young...
and be helped: so young...
and not be thwarted...
   'coz crazy bunnies had the best ***...
great: to be alive, so young,
and married: and married to each other
and at the same time: having life marry you
to love it: to be together and married
to a love for life:
and... just... somehow...
having a co-dependent... of reciprocated
self-interests...

                            even in poland...
a soviety satellite...
with concrete chicken-shacks... ah yes:
that... "once upon a time"...
better the ******* state as my landlord
than some grubby liquorice ****** 3rd party:
libertarian "full dislocusre of mammon's
expression of par-tay"... sort of *******!
give me the state, the grey-suit and the gimps!

or? shackle me up for a stipend
working the sloughterhouse...
to boot... a house filled with 20 dobermans...
and 5 rottweilers...
i'll slaughter your cows... for the steak chops...
as long as i have the dogs to cuddle
and imagine myself doing the greater:
cosmic-karma-good...
the dogs... the harem of dogs...
no... women need excuses...
the dogs!

                 hell... a woman would require...
anniverseries... flowers... pinnace for a tsunami...
crumbs... what's a loaf of bread?
details... something to be minded as:
once being a plughole...
blah blah... hands for cushions...
        
              plus... women can't drink...
let her everything else: apart from the whiskey...
if she really wants to drink...
tell her to sober up on some Stendhal or
some Balzac... but don't let a woman
try to outcompete a man drinking...
she can drink...
but not... in that most... ugly: crab-feast
of... "detail"...

the english man... england...
h'america, australia... new zealand...
oh... wait... you were hoping for a diaspora...
weren't you?
yeah... clearly i didn't find an affair of
the imitation of greece...
took charge of the latin script...
inverted the mediterranean sea...

i speak your language: doesn't imply
i've shed the "ethno-nationalist" tattoos of "d.n.a."...
for a people to have made it bitter...
with the teutonic order over access to the baltic sea...
what's the baltic sea?
it's like the black sea...
the baltic sea is about as useful as...
well... the danes and the norwegians
held the toll and price of passing...
just like the turks or the byzantines held
the key of the bosphorus...
the baltic... is a "sea"...
just like the black sea is a "sea"...

did you know... there's a caspian sea?
yeah... it's a "sea"... more like... a lake would
be so much better...

the english could be akin to the arabs
from 200 years ago...
instead: sitting on a tonne of salt...
and waves...
and open horizons...
while the arabs sat on camel ****...
sand... and dinosaur juice...
and materialistic leprosy and limp-****
viagara palm tree impromptu...

sure... the lottery ticket of the past,
oh the most glorious past times...
        nothing lasts forever...
       so it seems...
            here's me celebrating Dickens
to the last... breath... because...
keeping up with speaking my native
language: when there are no
prussians, no russians...
           no austro-hungarians...
and there are only...
ukranians and lithuanians readying
to guilt-trip me over the failures
of the polish-lithuanian commonwealth?!

in this language i can...
ale... nie... w... tym!
Poetic T Aug 2019
I saw the sunrise through a keyhole,
      opening every possibility to

a new day.


Unlocking the potential
                                           of what opened
                                                   before me.


Remember its to the door that yearns forward,

                            but the keyhole.


Opening new possibilities that were once locked,
                                                         ­               before you.


Always look though keyholes at sunrise,
                        for they show you the possibility of





                                     what can be unlocked.
John Jordan Jan 2013
I see what you are
doing through the key hole
And I can't believe I gave you
my mind my heart and my soul  
I'm livid, it is so vivid all of my
premonitions, and suspicions
through my own vision
and I'm done
done with you,
   with the charade  
you put me through
a keyhole peep revealed
all you thought was sealed
  now it's all coming into the light
   careful of the doors you close at night
WhatIHopeToFeel Apr 2018
It's like looking through a keyhole
the first time you look; black
you don't understand, so
you walk away
but you look again
your eyes adjust
realization washes over you
but that's only the first break in the riptide.
Not true perception.
The next moment you see clouds
and the flooded floor
but is it acid
or saline?
There's something lying on the ground
a wounded dog?
No.
But a wounded soul
nails digging into hair and skin.
"It's just a headache"
they would say
If they were on your side of the door
but peeking through the keyhole
you can see the demons.

Iron.
That's what you recognize as the scent of the cell
It doesn't repulse you
It draws you in
like blue electric light.
Chains start to scratch your ears
yelling and moaning fill your head
but you're not frightened
you're not frightened.

The last sense is the one you burn for
to touch
to help and to hug
to comfort them,
Bur your not trying to help them
you came here for yourself
you want them to help you
you thought seeing this broken bone could help.
Release you
from your cell.
Did it?
If only for a little while.
Do you feel better?
Back to your burning cell
you return to flames.
You would trade your prison for theirs in a heartbeat
and they would greedily take
the key from your hands.
They want to feel that burnng
but it can't be
So will you ever return now?
Just for envy?
For longing?
Or peace in misery?
They would.
It is a poets nature
to keep returning to those memories of burning
If not for an instant
then never.
Because that's what happens
when you peep through another's keyhole.
This is something I wrote after I read a lot of Sylva Plath's work. She inspired me.
Fah Aug 2013
Sailing in a dhow at sunset after snorkeling off Mafia island, Tanzania.
'
SPILLAGE
The tree’s don’t sleep at night
they photosynthesize , by moonlight.
Leaves drink in the cool wise light
And give off dreams of softly fading starlight

Whispers of secrets , monthly unfurl
A single blossom falls at new moon
Hurtling to the ground, awake before noon
Ever noticed? The very word has the circle
Curled up in the centre , twice to make sure we remember , two full cups , not one.

Geko’s slip off old skins
And the croaking frog adds to the din
As thunder rolls in
Triggering the dogs bark
Guardian of the stark naked couple
Asleep in their parallel worlds
Together under the umbrella of ambient lighting
Not the natural kind either
But a shameless copy of pure sunlight
That emenates when their bodies collide
On the material plane.

Astral visions lead the way to headquarters
The address? Fax? Phone number?
I’m afraid you’ll have to dial again ,
Unless you’ve meditated on the vibration of emancipation
Then you would already know, you are already there
Doors are open , for those who care to try
No lock on this baby ,
Ain’t no safe to play safe
We bask in our humble glory
Under the shores on undulating tides
Rhythmic pulsations
no where to hide
The emanations come from within,
Without , a shadow of a doubt

There is a war coming , infact we’ve already been fighting for decades
Just like the change of winds, nature knows her stuff
Tip the seeds too soon and you’ll end up with a field full of fluff
But just in time and a harvest with enough to reduce every super market shelf to dust
Even though they already stock that kinda stuff
Clean up on Aisle 4, Aisle 3 , Aisle 2 , Aisle 1
Return the purchase , we’ve discovered the ****
In the cake
And we found the frog in the salad,
At least their habitat is intact
Or did you think I was still talking about the shops?

Ok , I’ll change tact
Change of pace.
No , no I will not join the Human Race
Running to where? Why all the running?
From what? To where? From whom , to whom it seems like we run straight to our tombs, without a second glance at perhaps the chance that legs can walk…
Wanna know where I’d rather be?

I want to be on a motorbike heading 70 miles an hour down empty roads
An island paradise , holding the hips of my dearest
To arrive at another home ,
where our friends relax to the forlorne strums of the blues
Tripping on love we depart ,
not without slightly heavy hearts
Peace , friends we’ll see you anon.

Pull into the golden arches , I tell myself ‘I can’t kiss those lips now they’ve touched that burger’
then I remember you’ve been working all day
before you came out to play , I wasn’t up for a dance I was too entranced in my own madness
But. Always the **** , walk up those stairs for me, softly you moan.
I agree in a semi tone. Secrets are meant to be shared,
we quietly told each other of love in the parking lot at 4 am. The pain in your eyes still wakes me up in the middle of thunderstorms.

Awoken to sorrows from the motherland, monsters creep to the door,
peep in the keyhole.
Oh,
I forget,
your door is activated by credit card numbers that spiral from lips of z-list celebrities.
So we’ll waste away the morning in each other arms,
you watch me as I dress. No underwear no less. Put on your bra properly, suddenly you get kinda frosty.
Not far from where we sat to have a Japanese lunch , pretty close to where I walked to meet you for tea , where you held my feet and handed me a phone I left in your brothers car.
Well that’s where we have breakfast coffee and papaya whilst tourists ogle at the dog guard.
Deaf to our calls , luxuriously taking his time. He didn’t find the secret beach either.
Although the sea was good for a float, and to hear the space journey’s musical manifestation
at every crash of every wave, the magnetic pull playing her crooked beat as she bypasses our feet.
Then, there are two nights with two Amsterdam gals , one smoked lucky strikes and had scars across her wrists , the other photographed trees for a living.
Both blonde , both fair , both with their own flair.

Expect the unexpected , beach raves full of people I don’t really want to be with , so we get tequila shots instead
and stand outside a shop selling knock off clothes when the bar needs to shut.

She took a break to the bathroom , we finally let out the kisses we’d been holding in all night,  
until she got back.

Who said we couldn’t control ourselves? Although to be fair, I could feel you reaching for me wayyy back.

Why should we be selfish? Why shouldn’t we? I still went home with you that night, there really was no two ways about it.
I had *** with you, slightly drunken ***, that was by no means gentle, by no means candle lit , by no means rose petals laid out on the bed, infact , if my memory holds true, there were no flowers apart from the ones on my dress.
I’d say you were lucky , but then I cried at home.
So much pent up emotion in that one act.
Enough to propel us in into another night and untold eons beyond, I’m skipping ahead now,
Where we drank red wine on the shoreline , I used the staff bathroom and noticed all the things that could be improved – seemed like work was wearing off on me.
Still, the best part was yet to come, yeah the *** was fun but nothing compared to the games we played. Dress up and salsa ,
mysterious temples
natures tickles leading to giggles at the foolish endevours of two ***** humans., smoke a spliff , enough to unwind the mind to a new point of time. A flash of something I’ve never seen before, nor have yet to be graced with again.
I guess that was divine. Well, wouldn’t you say….
It was about time.

So , am I still talking about the shops?
Or who wore what with kate moss?
No disrespect
she’s adept at her art but i don’t wanna read about boring old farts
Lets hear about the underground collective of conscious minds who are rewinding the clock , who won’t stop ,
warriors.

Well quite frankly

How long have we sat , year after year to be told the same **** and bull story.. my ears, my ears! MY EARS!!! They yearn for the sweet serenade of the truth

behind the crumbling arcade of rigged lottery tickets and games of black jack where the house always wins.
Fortunately we’ve been coming since we were five , we know the cards without seeing the faces, we hold all the jacks and aces, we’ve got time on our side

So…that’s why they are running , finding places to hide.

We’d only be stealing from the house to give to the houseless…
With the tools the house gifted to us…doesn’t it seem ironic?

I laughed until I cried the day I discovered the universe had a sense of humor. A dark , ironic , sarcastic tone that involves  a major chord. Maybe a G or a D.
For some reason , my first poem i ever posted here i cut short
i felt that the whole poem was too close
i thought i lost it on my old laptop
but seemingly here it is...

funny,

what i seek seems to be seeking me....
Curt A Rivard Sr Apr 2013
Ladies and Gentlemen, boys and girls of all ages
Step right up; his dying time is now near
all his pain, all his screams, do you want to hear?
Welcome... I bid you welcome...
Welcome to my three ring ****** state of mind
inside my evil twisted thoughts you'll see I'm only a one of a kind.
There is no rush that is greater now than the shaking of a corpse's hand, telling them my name and there not getting off my table till I'm done after their hourglass had ran out of sand.
For all my life I was rocked to sleep in the cradle of a nightmare.
Tested and taunted all along the way I told you all before in my chest my heart does not stay to tell my works are original, better look for the linen paper at your funeral.
For I blended embalming fluid and powder in my dipping pens ink well and every morning I unscrew it's cap and take a deep smell, burning vapors now fill my eyes as they begin to weep rolling down my face you'll be able to tell like black magic voodoo I am under my own sick powerful spell.
Tearing your name out of the book of life I doused you with a bucket full of gasoline and told you to now run faster than the gingerbread man as I'm chasing you with a loaded flair gun. Now you’re the burned page and you can never be found.
It was a rainy night after when I put you under the sinking muddy ground so happy now that your gone my head no longer has to hurt with murdering voices in my skull that pound.
Watch me now as I show you all how it is really done
performing for you all a living embalming nightmare.
Turning up the pressure and setting the dials till a pressure pulsating flow
He can’t escape, my number one son has him tied up with strips from his prison sheet and now there shouting code blue over the intercom cause my arson freak is laughing, as he's making a mummy out of you.
Trapped in your cell he holds the key and now you have nowhere to go.
Watch me now pump his neck with liquid silver mercury
till it seeps out his eye sockets and he now no longer sees. Tickling your sponge like the Egyptians did I'm now breaking the bone and then packing your nose with cotton ***** soaked with super glue. How easy it was to do and how beautiful it felt wanting it to trickel out your ears.
Placing my nose close for the death smell it was there for I had smelt. Rigid rigor slowly setting in I can tell, thank you my old friend for the way you had felt.
Now I have to do a reverse fill because your body is holding no pressure, your veins did not swell, O' my God, it's not looking well.
Brain matters now pouring out your nostrils ever so fast and is streaking down your upper lip.
Why me I can see is on your face the answer is coming soon to you and to all your loved ones I will tell.
Shaking my hands clean and collecting it all in a jar, seven layers thick I love playing with all your skin slip :)
Feelings can’t compare, this is the best, now isn’t this fun?
The party isn’t over yet for I have only just begun.
He as a glock three eighty not only did he dress but he also shot it like an old lady. O' don't worry there's always another day for acting like a rat, how about an attack with a baseball bat?
  When I am done for you all today
I'll prove to you that I am bullet and shatter proof cause,
I’m then going to stuff that little ballerina inside it's very own special music box
Peeking and peering through the caskets keyhole
I can see he’s scratching and tearing at the coffins lid
Believing rumors that you have heard, come on for real, are you a kid?
Whispering to you a sweet death lullaby its ok you now can start to cry.
It’s too bad now I gave you a chance, you can beg, you can plead but I now must dip my pen and write this poem with your blood as your body now begins to bleed.
Tears won’t work no matter how hard you try
this is what you get for believing someone’s lie
Members of the audience I thank you all and you all are very welcome
look at him now just like then it was so funny looking inside and seeing no brain. look he's crying again like a baby full of trauma and getting ready to go insane trust I know, you all will never forget my name!
I must now wash away all the evidence and go fetch for you a first son for I am running madder than the craziest plague in the Bible.
You can use all the ****** lambs’ blood you can find to paint a cross over your doorway but that won't stop my sickness because I cannot stop now for this is too much fun.
Hey what can I say...
But I always do say...
Welcome to the show!

(SirCARSr 4-30-13)
Keith J Collard Jan 2013
"Wow, what a mansion!"--Albert Wesker RE1


Gothic mansion, where every warrior lost it,
head, heart, and soul--as Faust did,
there walks a scientist who's blood is acid,
with glasses that turn to shade--death reactive.

" Who dares touch my holster" he says bombastic.
as walls evaginate victims, send out vines,
it is from Jesus' in the crowd--Mathew--his lines.
the sight of thorax, stinger and fang,
******* the slain,
do not phase him, for he is phase-less,
turn off receptors of pain, and all is pain-less.
A fallen teamate, still and a'swarm,
the black shades do not mourn,
as thorax crawls ontop of her
but laughs at the irony of a female,
impregnated with ovipositor.

He helped design those creatures,
and--he is her traitorous leader.

Howling night forest, awakens the staff,
as if they sleep facedown in saltwater tides,
shuffling and whale moaning, as if  harpooned--
going to lonely depths to die.
then there are the hunters, reptilian apes,
can open locked doors with skeleton claw,
move to quick in hallways,
why pump buttstock you saw.
Pepper the **** on the bed with full load,
with zombies fellating down to bone,
scream through your muzzle,
slide room apart in jigsaw puzzle.
then watch your six for the hunter,
it is stalking you, wants to put its foot on your face,
and dig in, then kick its leg--and rip off your skin.
retreat from hunters and faces bloated with cadaverine,
find a safe room to safely scream.
Sit down at the bar, pull scotch from its coffin,
on counter, rest pump and Colt python,
do not think of the things you will die from.
there are three darts in the bullseye,
in William Tell style,
but the board is in fashion of an atom,
with electrons in orbit,
the  numbers are the human genome,
and a surgical marksman has scored it.
He is Wesker, and this mansion is his tester,
blood and bone is both colors of his litmus,
horribles awaiting in dark room pay witness.
his muzzle flashlight's rooms with hot spark,
entry beats claw swing, shades now clear in dark.
they say in total black silence, one will go crazy,
from the sound of their heart.
but "My trigger that squeezes within,
charged from pupil's firing pin,
sweet semi-auto strokes of violin."
as he vaunts over dying beast,
and darkness returns to his shades,
from moon light through window,
reflecting knifes on wall from moon in wane.
he slicks back a loosed strand,
locks the door behind him, and continues with his plan.
" In my father's mansion are many rooms,
" I'll go prepare a room for you." he mocks, as he walks,
with parabellum hollow points and acid round glocks.
This is his mansion, he is Achilles loosing knees,
he is warrior and scholar, a student of Thucidydes.
team-mates--out air holes in jungle boot bleed,
blood seeping through pants--
olive drab uniform now fatigue.
rooms: blood grooves running down your bayonet--
traps-- channeling you to your death.
prop open  oaken door with knife, hope  it will hold,
walk to the far side of parlor,
the sound of medieval bolt.
door spits out knife,
just scream through keyhole.
The iron maiden taper is coming slowly,
do not let it go through non-vitals,
a slow way to die,
take it through frontal lobe behind eye.
alas a team-mate hears your screams,
in the sepulchal hall,
door swing, and out of deaths thrall.

Charley Mike: continue mission,
and paint the walls black,
with dead flesh backsplash,
gun or nerves jam, then die a ripping death,
smell a cannibals breath.
Be it known, the man in black and strap,
laughs off exposed rib cage slats,
with only a scrape to his pistol belt.

Enter the man in reactive shades,
Picture a alligator, calm, age old in the everglades.
One in the brain, and none in the chest,
those extra shots for rooks, without prowess.
" Wesker, you'll pay for this treachery," invoking Karma,
but the man in black measures her tears as he harms her.
So all that enter mansion portal,
and reach the basement, before becoming morsel,
finally catching up with Wesker,
no more trail of labotomized minds,
and jaws and eyes in epileptic shock,
from a calm trigger squeeze of glock.
Face to face with the master of the saxon race,
mastering gunpowder under the scope,
and you hear the hunters off distant,
primal howls and hissing.
Listen to what the man in black says,
the mortal contest is over,
and he has a virus to offer,
" Die here, and your death will be longer than your life,"
says the man, who's shooting hand is the reapers scythe.
" But live with this virus, and you will never die."
but watch the sun burn out in the sky."
You can refuse him, and face the nightmare creatures alone,
adding your skeleton to the calcium of mansion stone.
or take the virus that invaded the first cell,
invading mitochondria,
making 'other men' the meaning of hell.

" Come decide, lest I go prepare a room for you".--
From powder burns,  your tears are black,
eardrums ring from screaming contest of
chrome python against giant asp.
shoulder numb from combat loading shotgun,
thumbing shells straight to chamber--
almost cyclic.
blood in boots: not much fight left.
your friends are dead, and you answer,
" I rather die forever traitor, to rid the world of your cancer."

In my masters mansion, are many rooms,
dying, crying, moaning: eternal tombs.
how resident evil the movie should have felt.......I only cite the 96 video game, which only shared the setting with my poem.
the curly haired boy had a darker side
well ingrained and perversely it did preside
in hindsight the family's collective eyes got to see
what an odious person he turned out to be

at a gathering of our clan on Christmas day
Lionel did have his despicable way
into Nan's lounge room he took my sister
on the pretext that they'd listen to his transistor

thence he proceeded to violate
the innocence of a thirteen year old girl
he touched her in an inappropriate manner
which was for my sister unpleasant of whirl

strange how past incidents come to light
the family have seen cousin Lionel in a new light
for several years he'd been acting well out of line
touching the females in the family as a filthy swine

the other side of his door
had a contemptible slur
we've gained privy to a person
little better than a cur
Frisk Feb 2016
October 11, 2013 -*
Chloe's POV
____________

“Wonderland looks like a ******* acid trip.” I mentioned, while Hayden silently dragged me along pressing his fingers so roughly into the skin of my arm that I could feel my pulse surge through my arm. “Come on, don't tell me you don't think the same.”

“Where is Alice?”

I pointed towards the cage, containing one of the seven princesses. “There.”

Hayden took off his hood, and stepped up to the podium to stare at Queen *****. Oops, I meant the Queen of Hearts. Her square face and extremely large lips coated in a ruby waxy color along with the bad contouring made her look like a drunk housewife who hates her kids. “Who are you? How dare you interfere with my court!”

“What if I find you the real culprit? Will you let Alice go?”

“That's hogwash. Find me proof, then we'll talk.” The Queen of Hearts yelled in her unnecessarily loud and booming voice, startling even Hayden's hardass personality.

The solitaire card guards stood at bay, wielding their weapons at their sides. One of the guards locked the gate, and threw the key up towards the queen who spun the key ring around her finger. Hayden stepped back, gripping my arm forcefully again. “Dude, can't you loosen up?”

Hayden huffed. “Shut the **** up. If you don't follow my orders –”

“You'll do what? **** me? I thought you needed my soul to enter the Final Keyhole.”

Hayden tensed up the muscles in his hands around my arm, literally dragging me along with him. The moment we entered the forest, he loosened his grip on me slightly as he walked forward mumbling something about wanting to have me on a leash.

“Yeah, because I'm literally a *****. Get it?”

Hayden threw me up against the wall, pressing his balled up fist beside my face. His nose was nearly touching mine as he gave me a humorless look. I could basically see the evil in his eyes. “You're not ******* funny. After we open up the Final Keyhole, I'll finally be able to ******* get rid of you. All you are to me is ******* trash. Do you understand that?”

I spit a loogie in his face. “Get off of me, *******.”

Before I could react, he took out his keyblade and slashed up my left arm drawing a lot of blood. With gritted teeth, I said, “You – You will never ******* open up the Final Keyhole. Not without me.”

My body started losing consciousness almost immediately, and I felt my body drop down onto the forest floor. If looks could ****, I would have been dead the moment Organization XIII captured me three weeks ago. Finally, the darkness swallowed me and I welcomed it's homely embrace.

“There's a legend behind those paopu fruit: If two people share one, their destinies become intertwined. They'll remain a part of each other's lives no matter what. I've always wanted to try it."  Max mentioned, putting her bare feet into the water.

“You know legends are basically myths passed down over generations?”

She looked over towards me with this soft gaze in her face, and I felt the air ****** out of me as the sun hit her azure blue eyes the right way. “I know it sounds stupid, but I want to do it sometime.”

“Grab me the axe out the shed, Max. We're gonna chop down one of these trees.”

“Are you kidding me?” Max had this worried look on her face, and I rolled my eyes.

“Yes. Come on, slowpoke. We're losing daylight here.”

A few minutes passed as I soaked my feet in the salt water, and I laid down in the sand whenever I was met with Max who held the axe above me. I flinched, and sat up quickly. “You scared me.”

“Give me the axe.” She handed it to me, and we raced each other to the top of the lighthouse. Of course, Max was faster since I was lugging around this dense axe. When we made it to the tree, I started swinging the axe into the tree. I got tired super quickly, since we basically raced each other. “This activity takes so much energy out of me. You and I shouldn't have raced up here.”

“It was fun. Let me try.” Max grabbed the axe from me, and swung with slightly more force than I did. After several of Max's swings, we watched the tree start leaning towards the water.

“You're doing it, Max!”

“Max the Axe Queen!” I shook my head grinning as the tree finally groaned, spintered, and collapsed off the top of the hill of the lighthouse crashing into the waters below. “Oh no...”

“I'll get it.” I nodded. “I'm a good swimmer.”

As I swam over towards the crash site, I noticed that the tree has gotten caught on the gap between one of the rocks so the leaves of the tree and some of the fruits were still showing. I was surprised that the stems of the paopu fruits stayed on. “I found the *****!”

“Chloe!”*

Immediately, I recall that Max never called for me. I swam back to shore, right? Her shrill voice rang in the air louder. Then it became deafeningly loud. That's when I felt fabric wrapped around my arm. My finger twitched as I started to realize that Max was screaming my name. “– And you don't understand anything. You're just a weak kid with a keyblade.”

“I may be weak, but my heart is strong.”

“Then show me that you're strong, because all I see is a hopeless girl saturated with optimism. Like you can do anything with those doormats you call your sidekicks.” I struggled to open my eyes, eventually peeking out. This was the first time I was looking at Max Caulfield in five years, and she looked ******* furious as she held the keyblade.

“Don't you dare talk about my friends like that!”

“Try and ******* stop me, you twig.”

Her eyes immediately flickered towards me, and I did the shushing motion with my lips when I weakly pointed up towards Hayden. She looked back at Hayden, positioning herself. With all of the strength in my body, I kicked Hayden in the back of his knees making him collapse over me. “What the hell?”

Quickly, I crawled out when he grabbed at my leg. “Get back here, *****!”

Max sprinted towards Hayden, her keyblade drawn and positioned to attack Hayden when he blocked Max with his own. This gave me enough time to crawl out of his grip. Two keyblades, something I've never seen before, came forth from Hayden's hands as I ran towards Max's side, throwing out my hand to manifest my sword. My heart was beating against my chest as I pressed my back up against Max's. “Good to see you again, Max.”

“Same here. Distract him, I'm going to heal you.”

Then it was my turn to fight Hayden, who looked furious. Max healed my wound in the background as I ran from Hayden. With Hayden equipped with two swords and knowing he is dexterous with both his left and right hand, defense was very difficult on my part. Eventually, he kept on throwing slashes over at me and that's all I could do. “Come on, Max. I'm basically blocking here.”

While Hayden was occupied by me, he noticed Max was building up a fire attack which he quickly darted towards the left as the flames hit a tree in the forest. The tree slowly started building up a fire as Max and I started clashing swords with Hayden. At one point, he swiped Max towards the ground and pinned me up against one of the burning trees. “You better back the ******* right now.”

“You're ******* scared, aren't you?” I yelled at Hayden's face, who pressed the keyblade against my neck. Everything started feeling uncomfortably hot, especially the sweat that ran down my face. My eyes glanced over towards Max, who quickly ran off towards the fruit upstairs.

“Where did that ***** Max go?”

Hayden spotted Max eating the fruit high in the tree, and his face went pale. Max slowly started growing in size, and that delay was enough time for me to run from Hayden. Once Max was at full size, she grabbed Hayden like a ******* teddy graham. “Leave my friends alone.”

She crushed him in her fingers, and his body shattered into billions of pieces. After checking that he was executed properly, she wiped her fingers on her shirt. “Woah, Max. That was ******* awesome.”

“Let me get down on your level first.” Max joked, grabbing the fruit out of the tree. Once Max shrank back to normal size, the blonde haired girl with wings had came over to heal my arm injuries with her keyblade. As Max approached me, I felt my heart jolt once I saw how big the smile was on her face.

****, she's ******* attractive now.

“Cards! Find whoever made this mess, and exterminate them. Off with their heads!” The familiar booming voice of Queen ***** interrupted my thoughts, and for once, I was thankful to hear such a nasally and unattractive voice.

"Oh ****!" Max whisper-screamed, grabbing my hand.

We ran towards the tea party set up yet abandoned by Alice and her friends, and hid under the table as we heard the Queen's voice, followed by the clapping footsteps of the Solitaire Cards.

“So are you going to introduce me to your friends?” I whispered to Max who was at my side, nudged her in her arm.

“Maybe later, when we're not stuck under a ******* table.” She gently grabbed my arm, and I noticed her touch greatly contrasted with Hayden's rough one. I excused that thought as soon as it ran through my head, silencing our breathing as the cards marched through the abandoned tea party. It must have been fifteen minutes of cards patrolling the area making sure it was clear before we crawled out.

I wiped the grass off my pants when Max threw her arms around me in the process. “Max, you're a ninja. That was some quick thinking. You're still smart.”

“I missed you.” Max buried her nose into my collar bones, curling her arms around me and pressing me close to her. I could feel her heart beating rapidly from the leftover adrenaline from the fight. Almost immediately, I returned the favor throwing my arms around her neck. Something about her smelled sweet, and I allowed myself a moment of peace and serenity with my best friend.

“I missed you too, Max.” Max tightened her grip on my shirt as I tried pulling back. “What?”

“Chloe, I've been looking for you for years now. I thought you were dead.” Max was crying, but from the way she was smiling, I could tell that it was tears of joy. Something in me blossomed as I pulled her into my chest again. “It's just...I'm so glad to see you.”

“Yeah. Same here.” Eventually, she let go, and I turned towards Max's friends. “Sorry for that. Looks like my best friend can't keep her hands off me. I'm Chloe Price.”

Warren and Kate both shook Chloe's eager hand. “Come on, Chloe. We have to leave before the cards find us and try to **** me.”

“Lead the way, Max.”
Nick Moser Feb 2014
The saying is "Always live your life in the fast lane."
But how can I do that if my life has faded like smoke through a keyhole?
It is blank like a notepad on a little girl's desk.
The girl who is constantly bullied for the Bell's Palsy that consumes her face.
The notepad that sits on her desk that she has ripped pages upon pages upon pages out of.
Pages that read words that are thrown at her everyday.
****, *****, *****, loser.
Pages that have drawings of her and that one guy she longs for, but that one guy longs for her disappearance.
My life is like that blank note pad.
The only thing it retains is it's last message telling the world "Goodbye."
I always admired that girl.
Asa D Bruss Feb 2015
If the perfect
last end of
the wrong thing
before and after
the last could be
molded faster
than a fastener
then why not
return to the gurney
and be wheeled about
on a short-term journey
through the keyhole?
Hello Bob. I'm a cake.
Gabriel burnS Nov 2018
Ash outside
Sparks - encased
Just deny
If the world peeks
Through the keyhole

For it was meant for
It was meant for One

Whose eyes unlock the door
...barefoot 'cross the threshold
Patrick Ensslin Oct 2013
ny
In an apartment on 53rd street
A fire is burning
Out of a keyhole &
Into a cigarette.

Smoke comes in walls
& is heavier than rocks
& it takes an artist
To hate oneself.

Moon-faced Serbians sipped
Drain-O from sandals
While red-lipped nomads
Gazed & sharpened their blades.

A fat lady walks in &
Before she can say
“Burger & fries”
There are spears in her ears.

The body is dragged to the
River by sheepish failures, but
The boxer knew what was afoot &
Had removed all the water from the river.

But no-one cared because a riot had
Started in the streets
“Flay the feminazis,” they chanted
“Pour molten oil on the devout,” they screamed.

& all the flat-eyed artists
& all the drag-queen mobsters
Danced around the fire like evolution
& an ape got in the middle of it.

His fingertips calloused
His elbows like spears
His eyes w/ more blood
Than white.

Richard Nixon or
A Richard Nixon costume
Entered stage right w/
Boxing gloves & cocktails.

They would throw children
Across the fire
& artists on the other side would be
Waiting w/ nets & knives.

But then tear gas came
& they cried & their
Tears were like the eyes that
Glinted at them.

Out of a keyhole &
Into a cigarette.
poetryaccident Aug 2018
I spent my life as a ghost
drifting lost through the halls
knocking on the closed doors
immaterial against their charm

a mere shadow by life’s gauge
with a past the most can’t see
while I dread the future times
existing longer than I dare

in response I mark my time
exploring themes most avoid
by this measure I am lost
a phantom seeking what most avoid

moaning poems to be heard
these enchantments from the muse
delivered a mantra daily shared
asking a world to bear witness

the themes of life are countable
on one hand or maybe two
knowing others also struggle
also shades to my form

only a spectre, nothing more
I’ll end my time with a verse
asking for an equal ear
to listen through the keyhole’s width.

© 2018. Sean Green. All Rights Reserved. 20180807
The poem “Keyhole’s Width” is about the apparent isolation of individuals, and the power of the written word to build brides, even if the portal is as small as a keyhole.
R Moon Winkelman May 2010
Look in the keyhole
see into infinity
climb through
back where I started
turn around
look in the keyhole
see into infinity
climb through
back where I started
turn around
realize the door is standing in the middle of infinity
I put it there on some drunken night
thinking I was clever in my devising
never realizing I would trick myself with it too
kick the door down
and turn it into a flying carpet
a person can travel forever here
I see others at their own doors
seems my little game wasn't original after all
that's ok
I see others on their carpets
and wave hello
I see rockets and planes and balloons
There is a buddha hovering over a planet there
at peace, in zenful meditation
she is beautiful.
what wonders to discover
what glorious souls to meet
we are all family
we all know each others names and faces
before our first meetings and introductions
Saw a friend knock down her door
and fly away with wings, rapture on her face
I wept for joy to see her go
knowing our foreheads will touch again when it is time
and the stories she will tell!
Oh the stories!
All of these tales from divine lips
weaving into the fabric of the infinite
weaving us together as a whole
We Are - I Am
We Are One
Each experience becomes a story
Each life is an epic journey
retold with the tongues of cosmic bards
the words resonate in swirls and patterns
making sacred geometry with the stars
I see, I see, I see
there is so much to take in
and so much to give back
dancing with the bear and the wolf
the eagle and the raven cry out above our heads
reminding me of the regal heritage which death wears on it's crown.
Supping at a feast of the gods, Inanna on one side, Ganesh leaning on my shoulder
they laugh and cry and tell cheesy jokes like the rest of us
when we aren't looking
we are in the infinite, there is no rush
for there is no time - it's all Now
RMRW 06
Mateuš Conrad Dec 2019
i can clearly hear how english mutates...
a book review by a channel... better than food...
the book he's reviewing is goETHE's captain faust:
and the non-avengers...
but no...

i don't hear: stick an umlaut anywhere you please...
i, "for some reason"... do not hear
a: Θ... a göethe... or a goëthe (ladin alphabet -
the germans know about this)...
there is this... goe-ether association...
it's sometimes a riddle of goë, göe...
or quiet simply...
the remains of the ancient latin grapheme (œ)?

educated people make this distinction -
and they'll catch "you" out on it...
since... they represent the Hyacinth Bucket brigade...
gynocentrism doing a snail-trail:
one step forward... two steps back...
it's beside what the linguist "says":
a bucket is a bucket a ***** is a *****...
otherwise? glorifying such a harsh reality
of a surname like: bucket... but not beckett?
no... "samuel"? well then...
it's not a bucket if it's somehow
translated via chernobyll as: bouquet...
is it?! is it?
because even in french: they self-cannibalise...
i.e. they "eat" some letters...
they write one language: but speak another...
what isn't bucket what is nonetheless
bouquet? well... isn't it: bouque-?
it's not even that... boo-k for the ones that
still hear... and can write grafitti schlang...
in some variation of a german...

becuase educated people can get away
with treating GOETHE...
as?  '/ˈɡɜːrtə, ˈɡeɪtə'...
or in simple-me-and-you being bilingual...
fiddling around we arrive at:
Göerte... which is "said"...
but this "lunatic asylum" exception has
to be written: with a clarity of a *******
Greek THETA... a fin! the end!
which always makes lying easier...
when you can: say (a)... but... but...
imply (b)... like some "metaphor"...
some forever useful tool of nuance...
some "spectacle"...
it's easier to lie when... you say (a)
but are "implying" (b)...
then you can blame it on...
not allow the literacy of the masses:
quite as much... you require... exceptions
to the rule... to **** out the lesser educated
"people"...

don't get me started...
born? Ostrowiec Świętokrzyski...
perhaps i should have never left...
3 years in Edinburgh...
over a month in St. Petersburg...
somewhere in Paris, Stochholm, Venice...
Athens... Belgrade from a distance...
Amsterdam... two weeks in Kenya...
and a nonchalant attitude surrounding
London... a strong distaste for Warsaw...
a myth of Cracow...

and no, i haven't been everywhere...
but... after a while... does it really matter
where you go, if you're bringing
expectations with you?
expectations and postcards?
clichés? clichés expectations and postcards?
and... a whole lot of strangers
you haven't met?
tourism and: feeding the ghost town
mentality... perhaps a ghost town would be
something to behold... instead of this...
atypical metropolitan casualness of avoiding
each other... busier busier: and no more
busy than once pronounced dead...
but wait for it: you're at least given a "scene"...

but no... i know one language that
makes pedantic orthographical observations...
but i also know a language that...
write one way... speaks another...
whichever way, best, to suit it...

and you "know" it would only be Fa-Ber'g -
no... borrow the j- from je suis...
if that last E was not an acute É...
but an grave È (grave... or? gráve...
grrrr'av... not a hey hey grave...
GRA-Vity)...

hence? my point exactly..
if the diacritical markers are respected
in fwench... with an acute É and a grave È...
why do "we" need... I(i) and J(j)?
why not... I(ı) and J(ȷ)?

besides... ever imagine writing an autobiography
like a Knausgård... defender of the runes
for a sentence in volume 1...
major google-maps ****** *** volume 2...
i write that with a "glee"...
i mean... you can be immediately be put off
writing an autobiography...
just to avoid the mediocre descriptive elements
of using something more complicated
than a hammer...
for an otherwise... less than a hammer's worth
of banality: evaluation of modern banality /
procrastination...
no one we have been given these complicated
tools... and to the best of our abilities we
best procrastinate, using them...
i hardly think a hammer would be used
to... pretend to play the drums...
but yes: Knausgård... the defender of runes...
irony... but the mr. google-earth guy to turn to...

yes... and before i discovered a past...
there were the runes... and there was
forever this latin morph of the barbarians
"thieving"... but there was also the glagolitic script...
apparently! and before that there was the greek!
and... somehow... i did arrive at having
to master some vague understanding of
mother cyrillic!

- but prior to... did you know what
slavs love cabbage? all the pakistani point this
out: slav love cabbage!
today? i watched the film Layer Cake
and made some cabbage soup...
Layer Cake being? the pre-to-a-bond-film
taster for the actor Daniel Craig...
it was hardly a Guy ******* Ritchie film...
woz itz? but... a decent actor advert...
with "hindsight"...
if i watched the film then...
or as i whatched the now...
and all the known actors jumped the train...
well... cabbage soup... base?
a decent polish / jewish chicken broth...
most of the chicken goes into a ***...
except the *******: you make a *******
roulade with that...
and proper potato bakes...
potato bakes like Heston Blumethal
boils a soft egg...
tatties in cold water... until they start boiling...
then you hunch over them...
boil them for a decent fiver...
turn off the heat...
again... hunch over them...
like an inquistive condor waitig for
the water to stop bubbling...
asking the question: are we all ready...
for the oven? yes, my toy soldiers,
are we, ready?

apparently they taste like christmas
tatties in waistcoats!
my my... what a lovely affair!
cabbage soup? you really need a complete
lack of imagination and a work-around
using root veg...
the european way...
but what is preferred is ensuring
you make a cabbage soup like...
a slav treats a cabbage like a frenchman treats
an onion: you suffocate it...
an hour minimum...
until the crass ******* boils out...
and you're left with...
a sweetness... and softness...
bay leaf all-spice (english spice) included...
some kiełbasa (etymology?
root... kieł- derived from the plural?
kły... canines... suffix -basa?
baza - base... canine-base...
something that requires an understanding
that elevates the dog, "debases" the man...
no quran reader will understand this:
for lack of a better word: shaming food...

where would pakistani cuisine be...
without the pantheon of hindu spices?!
i'll eat like a dog and in so doing:
live a tier above a king...
i still find it highly unimaginative...
to call one fruit "forbidden"
and one meat: "impure"...
whatever Gabriel spoke to Muhammad...
never really explained crab meat...
crab meat crab meat...
the Maldive muslims eat crab meat...
what's crab meat again:
when it concentrates a comparison
with ol' porky porky? scavenger of the seas...
what's with the muslim beef on pork?
and god was critical...
of his perfected animal worthy of
consumption... looks pretty silly from
Beijing... so Beijing is ensuring that Muslims
"look silly"... well... "live"... silly...
so god was so... this that and the other...
then he lent his "all knowing wisdom" and said...
no... this one animal... which you can...
butcher and make use of...
all that's missing is the oink and the hoofs!
or whatever it was: i can't eat the oink,
the grunt remain's the bacon's owner...
and perhaps the "hoofs"...
but such a pristine animal...
tapeworms come... much larger in size...
from aquatic flesh... so...
tic-toc... tic-toc... pull a sly porky on me or...
Gabriel my ***...

the Pwophet sez!
much easier these days: to, "get away" with "it"...
camel jockeys turned oil barons...
yachts... whizzed-up-*******-white-****-****...
and never... the odd-ball from
that long extended lineage of the family
living with a cuddles *****, soft toys...
east of Beirut...
that pencil girth's woe explosion in the sky...
"built" by people...
who employ slave Bangladeshis for
a sunday's worth of sabbath cricket in the desert...
i thought that deserts were only good
for waiting for qurans and dinosaur blood
and myopia and... the odd dehydration
hallucinations?!

i'll eat some sushi to sober up before
i accompany my mother: circa 60 getting
a hip replacement surgery done on her...
i'll sober up: but first things first:
spew...

mind you... below you will find some
ancients inscriptions...
i had to wonder: if the precursor text
of the anglo-sphere people...
the germans and "celts" of the british isles...
the welsh... the scandinavians...
was bound to runes...
before the latin men came...
what did "we", the slavs, use?

before the greeks allowed us entry into
the realm of mediating the otherwise:
quasi-fathomable?
cyrillic is what came: AFTER...
but there was a prior...
i'm no longer interested in the prior...
no more than i am interested in greek...
i once slurred russian cyrillic
for not having any diacritical markers...
i knew they had them...
but that they were... crude...
for lack of a better word...

how does that theory sound?
the: ex Africae omnis est Africanus...
sorry... what?!
giving my scrutiny of phonetic encoding...
am i closer to speak...
or thinking, and if not thinking,
then, reading?!
by the looks of it...
i devolved from encoding in
chinese... perhaps not so much:
sanskrit... but i most certainly suffered
moving across Siberia: obviously: not "i"...

mind you: i've looked at "it" and thought...
me, reproduce? add a stranger to the equation
of my family? i'm just happy to end
the libeage... thank god i don't have
some inheritence complex abounding...
no expectation, no "legacy" akin
to a surname like Rhodes (circa NY)...
i was born with one ****** surname,
which changed... i'll die with another ******
surname: that never made it to a status
of Eshlert... nonetheless! i'll leave...
like a ******* Einstein of an acronym:
E = MC... good for me! bravo ty! bravo ja!

beside the egyptian hieroglyphs...
i'm yet to read something...
from... Congo... perhaps i'm just too ignorant...
or the -igger shade was just too much
that it... grabbed my attention and
i forgot that the victim olympics didn't
happen every 4 years...
but every... whimsical time-span of...
a quarter of the length of a fortnite...

whatever: all out of africa implies...
i'm writing in a devolved chinese...
frozen bits across the siberian fickle desert...
next stopover? Novosibirsk!
no need for pyramids in Novosibirsk...
no "awe" to be found...
when you're toe-dead numb from
frost bite.... is there?!

my letters are a sieve... they allow meaning
through like hands praying to cusp water!
it's, the, reality...
you have ****-wit socialists on one side...
and then... this hyper-inflated
darwinism is all historism on the other...
middle ground, people!
"democracy"! i stand stand both the marxism...
or the darwinism... but arguments failed...
or? we can have the extreme of both ends
of the argument! enough of reading
Pasternak will teach you...
hey... shhh shhh... the collective can
congregate any minute now...
they don't need that many intelligent people
to rally them...
what your, "your" side needs, though?
if enough brass people: stupid enough
to entertain, to lulluby...
em... that's now much to "go on"... is it?
the intelligent with pour gasoline
on a fire...
the entertainers will simply pour
cold milk into a saucepan that contains
milk you're warming to...
melt some butter some honey and an egg yolk
to self-remedy: devoid of big pharma influences...
a witches' brew for a cold and soar throat...

side note: do i "worry" about not having children?
if i lived on the Faroe islands,
Greeland, Iceland, Norway -
i most probably would probably mind...
small town mentality: enlarged...
then again: my family, "my" and "family"
is not exactly accomodating...
why am i not spending time with my grandparents?
at least one side... the "patriarchal" side
drops off: accomodating the madonna anyways...
a sister (my mother) and a brother (my uncle)
are waging a war...
this... "eastender" soap opera is...
i don't have the finances to grativate away
from it...
enter children? and they'd be more ******
up than i already am with my libido
and no outlet... i've stopped seeing prostitutes:
no because i felt "bad":
that one time we only pretended to be
leeching / kissing oysters just because
i forgot to trim my ***** hair:
like some western feminist argument
about the exploitation of romanian women "matters"...
when... the labourer drones of men
of building sites... coming in to work...
hangover... might perhaps... stop...
fuelling the english lush economy...
i didn't want to have children because:
family-wise? things, "things" are messy...
and there's no magic carpet to get me out
of here... not when the last surviving remnant
of a past... i.e. my grandmother,
talks to my dementia riddled grandfather
with the words...
and he stresses them: you no good...
skurwysyn!
elaborate? sure! z-kurwy-syn...
from-a-*****-son..
my grandfather's mother...
well... let's put it in facts...
my grandfather is an illegitimate (
oh **** me, i spelled that right, drunk)
son... his mamma then married...
the father of this illegitimate child...
was a polyglot... spoke 7 languages...
emigrated to the U.S. of A...
remarried, fostered some shards of glass...
and sent his last postcard...
from Niagara Falls... before jumping
into the kamikazee sun...
oh my family is perfect...
then this mother of his...
had two children with a man...
who would beat my grandfather...
which is why he became a "pioneer"
coal-miner aged 15 or 14 or 16...
then this one kid ended up being
fostered... then this "watermelon" of a kid
(nickname) came out...
from a love affair... and when the "*****" died...
his quasi-foster father lived with him...
and in this custard: he...
the father semi-god-know's what...
abused the old man for putting up with
him as a love-child: in wedlock...
and... well thank god there was
no epitaph to begin an end with...

me and children? i am gracious,
i am kind... i don't want them to inherit this
history... which is worse than
a history of germany... at least those *******
had the nazis... which is worthwhile
in terms of exploiting them via video games
as those: evilz badz guyz!

i always think: the sooner i'm dead -
the more chances i have
to either dream... or breathe...
currently i quasi the former and accept
the reality of the latter...
but me and children? my, own, brood?
em... for some capitalistic driven darwinism
pressure ploy of narrative?
taxes and retirement plans for
the western: placebo: aged?
grand'm'ah and gwand'p'ah not fit under
the same roof... set them on the butcher's
path toward the "shop" of wrinkle
and: pristine effortless economic
endeavor... the pig's the lot...
economic meat and... about as barren as a dinner
plate scooped up for examination
once a pauper sat before it to supper...
ingenious! if only, if only we were all born
into a Charlie ******* Dickens' lot of life!
then, only then, we could, we could
perhaps, perhaps: write about it!

i have seen how people have lived their lives...
how... they had wish to write about it...
which always involved a lot of other people -
movie scripts written by directors
and not... actual manuscripts of scripters...
they would write... but then:
started to gag from **** at the mere of thought
of being: brutal, honest, honing...

people either write an honest autobiography,
they ghost it: have someone write a biography,
they write an autobiography that's
designated as: tabloid...
but most importantly... they forget...
a "Moscow"...
when i was in Moscow... i felt like i was
in London for the very first time...
a last time...

i did mention that i didn't envy the russian
diacritical approach...
the odd: miss and "there"...
but no... i didn't envy them...
to me there was no russian orthography...
there is an orthography: which you mind
above any metaphysical discussion...
when, and only when... aesthetics comes
into play...
i.e. rz = ż and ó = u and ch (cerp i ha) = h (samo ha)
this is how orthography is born...
sorry... i'm too "busy" dealing with
orthographic ******* to even mind
your "metaphysics" or a death of (it): interim...

as i stood at the feet of the tower of babel...
i started to su doku the pieces that
pleased my eyes... and the pieces...
left in leftover arabic squiggles of
the remnants of the 20th century...
and the new emergence of environmental
beijing free-of-syndromes to spawn
the 21st... or...
the child of a one-child-state-policy
without a Beijing... only a gradual evaluation
of... concerns for...
not giving birth to yet another ****-wit
of the world's counter to: another
****** of a gullible persuasion...
given that law is blind...
he must have been born: deaf!

- you didn't see me coming;
i didn't even see you leave... -

since the greek letters i tend to most "forget"
are:
- gamma lower-case (γ) because
of the upper-case upsilon (Υ)
- lower-case zeta (ζ) becaue
of the lower-case "11" (ξ)
- eta, lower-case (η) is no real grief
with lower-case EPSILON (ε)
until... you enter the cyrillic
"debate" of е and э...
- lower-case NU (ν) and lower-case
UPSILON (υ)
- Ξ (Θ, Φ) i.e.: XI, PSI, CHI, PHI...
return: that first 'un' is an ale'ks...
alex... but it's not an X in the way that
CHI expresses itself in CHurCH...
lay-teΞ...
- then again... greek orthography begins
in SIGMA... those... quasi-germans...
those remnants of the northern / teutonic
crusade... those Pruσσianς...
or... Prußianς...
the greek F and the greek "F"...
key into a keyhole: Φ...
key turning in a keyhole: Θ...
the iota of four uses... Θ, Φ, Ξ... Ψ...

but that's only the greek... i will not touch
on the glagolitic... until, barely skimming
the draft months earlier...
until i come with my own diacritical markers
and show you: how i was wrong...
yes... the russians do use these markers...
but they, mostly... do not "accent" them...

because i'm no Ezra Pound i didn't have
to imagine going as far back
as the Taoist ideogram...
because i remained bound to the anchor
of europe and...
i really didn't find anything of worth
in africa encoding: silence into their
verbiage with anything:
beside the odd spell of hieroglyphs...
so? i am not an Idaho man...
or whatever mid-western miss-western
******* the genius came from...

i don't have an ideogram:
i have a synonym... the sound is exactly
the same... but Charon 'ave their eyes!
mind you...
ądam and ęwa are off limits...
as is: ł... then again: given that i write in english...
em... "yes, and no"...

but here's my rubric... a rubric implies:
i will not narrate this crap:

don't get me started on the russian variations
of Y... i once said... because the greeks had
names for their letters... and the romans didn't...
well... in western slavic: Y "why, I" has a name:
e'GREK... iGrek... e and i are interchanged
between the western slavs and the islanders...
but the russians?
let me Shakespeare that for you:
pre-scriptum - don't ask me...
how oh how a german umlaut infiltrated
the alphabet: i blame catherine the great...
you have...

е (ye)
ё (yo)
й (-y-) - which acts like a "ȷUDAS"
ы (ý) - alt. to? ıGREK
ю (yu)
я (ya)

all that's missing is a: иы variation?!
let me check my pentagram of vowels...
e, o... u, a... oh right... IO-T'AH-T'AH-T'AH...
sinking the ******* POTEMPKIN!

it's for the best: i'm entrenched in two languages...
which makes me "schizophrenic" /
bilingual... ergo? i have to write in at least:
four... pepper in some latin etc.....
and modern slang? i need that...
and some german... and perhaps a dash
of Gaelic... and some scandi-navigational
pseudo-romancing the rosetta stone...

the rest is quiet "simple"...
a french-atypical acute... because there's no gr'ah-v'eh!
grave ole...
and a dot... like the dot used for no real purpose
in english...

i.e. ь involves the acute...
while the ъ involes the "horde" symbol...
either the dot above the Z in ż or the caron
above the R: ř...
alternative interpretations invoke
even more: 'hide and seek" mechanisms
of the russian Y...
  объект: interJEct with an obJEct...
thus? there just seem to be gradations
of hiding a why (y) with its added vowel...
and its mutant й... crescent mongol moon...
and all the rest of "it"...
since when you "borrow": yew borrow...
you get something along the lines
of: e.g.:

ć.        ць: c.f. surnames ending with -CKI
ń.       нь
ó.      "u" or? Loonin...
ś.        cь
ź.        зь
dz.     ž (dzik - boar - the wild adjective is a tautology)    
ż.      ř       rz   (зъ) or? ж...
ł.       woad... łagodny (he - gentle)
                        łagodna (she - gentle)
š.      sz.      ш             (sh)
č.      cz.      ч               (ch... you're not foreign
to graphemes... mr. Æ ms. Œ...
you simply haven't seen it applied
to consonants... only vowels!)
щ     šč     (szczypta - pinch -
a germanic, saxon "ch" is a cz...
or a caron above the C...
ch' ch'.... akin to the caron above the S...
sh' sh'... so far away from "god": YHWH...
yet so close, so, close!)
ha ha... a "dangling bit"...
and i thought the russians weren't
good at hiding "things"... from ш to щ
you have hidden: a caron a "c"...
a ****'s CHeap... in a dangling "left-over"...
of an otherwise caron S... heap of SH SH ****...

in terms of the cerp and ha and samo ha?
the greek χ (chi) comes into play...
but not like a cheeze...
more like a vowel-catcher breath...
eerie as ****... a HA HA with...
cHA cHA! i.e. like the surds you allow
hindu words access to: gnostic -
'nostic... or... knife... i.e. 'nife...

it's no surprise for me, now...
out of all the black caribbean kids,
the indian and pakistani,
the africans... i was one of the first
to: come out swinging from under
the iron curtain:
distrust levels? high... near almighty...
not enough "japanese" in me
to squander a late debt from
Hiroshima or some other etc.

in some remote original draft...

as ever, i drink, and am a nobody, but then i find myself inclined to look upon the god of gods: whatever remains of worth for the phonetic encoding... whether latin, greek, rune, cyrillic, or ⰒⰑⰃⰀⰐ ⰒⰉⰔⰏ (another googlewhack)... the glagolitic phonetic encoding... sure, first they'll ban the runes in sweden, before realißing that... there's another alphabet... the glagolith...
                  Ⱉ = Ω, given Ѡ = ω...
         this alphabet has been suppressed, long enough!
to be honest? i've never seen a more beautiful letter,
anywhere, other than in the glatolith...
     Ⰿ = M = ᛗ...
                      maybe that's why i like my given names
so much...
                            ⰏⰀⰕⰅⰖⰞ
                 i too! i too have a past!
             i don't need to peer into pseudo-arab ***
the quran religiosity of hieroglyphs
of the northern africans, camel jockeys!
                             there's, oh there's so much
more at stake than the runes...
                what of the Kiev Rus vikings?
this, this is their language:
                ⰕⰑ          "ⰏⰑⰆⰅ"          (może = maybe)    
(to = this)
                                                   (ⰜⰀ = trzeba, trza /
                                                            tsa)­
            ⰕⰔⰑ (tsa)           ⰃⰀ (ga)     ⰂⰀⰓⰉ (vari)
               (gadać = converse... gavari)

    Ⰴ (d)                ⰆⰫⰕ (żyt = fathoming life)

                             ⰆⰫⰕ (worthwile noting:
this is out lot of, a, life)...

      ⰛⰫⰛⰍⰀ (szyszka = cone, of the ᚦᛁᚱ /
                                     ⰡⰑⰄⰟⰀ - fir /
                              jodła tree)

see, i can't solve crossword puzzles...
      i don't know where i would begin,
fathoming this sort of "plaything" thesaurus...
i can play a solitaire mahjong,
i can solve you a su doku puzzle
without wanting to compensate myself
by competing...
                  
   but i do know...
                    what conjured the atom,
the letter?
  what conjured the atom, the letter,
and subsequently, the alphabet?
        noun...
                  the cipher conceptualißation
of making a name, smaller,
so small, in fact...
that letter emerged, and names were
no longer indicative...
of a meaning...
  so much so, that units were
formed, fathomed...
and when merely giving names
to these units, akin to the greeks,
alpha...
        which had to become a-lpha...
and beta had to become b-eta...
          well... only thanks to the latin men...
they became songs...
sing-alongs...
   very much thanks for the H vowel
catcher of the hebrew god...
ah... said the castrato...
  b'eeh sang the castrato...
           em...
  obviously the devil managed to keep
some of the letters...
z'ed...
                 it's still bewildering...
how the latin men "reinterpreted"
the northern runes...
   as the greek men "reinterpreted"
the north eastern glagolitic script...
and to think! to think!
    Ⱃ = R = ρ = rho...
         but what happened, "elsewhere"?
ᚱ = R... but... but... where's the trill?
R, as a letter, looks like it's about
to hide a leg... and start rolling...
ripping apart all other onomatopeias
associated with the rattle of a rattlesnake,
or the sound it could make,
to associate itself with the sound
of water boiling... where did that "go"?
with the french hark "innovation",
and the english tongue...
being bitten and left numb by
a tarantula?!
                      
  point being... i never imagined myself
much of an archeologist...
i always found:
  if you state your "necessary" freedom
to speak?
you're a tongue inside one cranium,
at a particular time, in a universal space...
but, like kierkegaard,
you care more about a freedom to think?
i'm "here", i'm "there", i'm "i'm"
like heidegger might state...
                  using this very modern
language that's english...
          but then sliding back into...
an obscure region of history...
      in two places at once...
        at a universal moment in time,
in a particular space...
                   talking exhausts me,
whenever i start speaking for more than
ten minutes,
there is a cotton mouth infestation,
my tongue turns into a serpent about
to shed a layer of its skin,
and, if i'm lucky,
i will not swollow the tongue...

                    and why wouldn't the runes
be more protected, but currently under
siege -
             both the latin text and the greek
text (respectively),
had the ambition of performing an
x-ray on the runes and the glagolitic texts,
treating them as pseudo-hieroglyphics...

but they found similarities,
   which made this foreign phonetic
encoding systems relateable...

ᚠ = F
                ᚢ = U         (copernican "up-side-down")
ᚨ = A (strange sort of arithmetic, / \
                                              )
               ­ ᚱ = R (d'uh)
   ᚺ = H...
           ᛁ = I
               ᛋ = s
                ᛏ = t (what's with the "bending knee",
so much for the supposed: "arrow"),
               ᛒ = B...
           ᛖ = Σ = E...
                   ᛗ = M...
                   ᛚ = L...
                  ᛟ = o - crude version of circle...

so? the latin men had an easier way to
fathom the runes, and ingest them
into the x-ray vision of post-latin...
   the greeks with the glagolitic script?
much harder...

         Ⱂ = Π = P = ρ (rho)
                 Ⰰ = A = ᛉ = Z...
             Ⱇ = φ = ᚦ = θ...
                             Ѡ = ω...
                Ⱑ = A...
                          Ⱔ = ε....
                                            Ⱚ = θ...

but i agree... you couldn't get "our"
peoples to where we are now,
with these pseudo-hieroglyphics...
   after all: Ⰿ (M) is a beautiful letter...
in glagolitic terms...
          but... it's too complicated for us,
at this moment in time...
it might have had all the necessary
practicality in its necessary time...
that it was allocated to...
but... given people these days
are looking at X-|ɔ\
                              /
\ /_ / ?
                            how ******* hard must
it have been, when,
the phonetic encoding,
was as hard as it, to now, us,
it seems?!
                   so... whatever is happening
in sweden, right now?
       i'm not bemaoning it,
   i have a tattoo... it reads: Sienkiewicz...
the swedish deluge of 1626–29... a.d.,
          **** it, ban the runes...
i've "just" discovered the gagolitic phonetic
encoding, the sort of **** that
st. cyril and methodius had to work with,
and it wasn't as easy as translating /
incorporating the runes...

                     oh sure, i'm waiting...
                 first they ban the runes...
   then they'll have to learn something akin
to the glagolitic script...
             returning back to their x-ray
latin lettering...
                       i still can't believe that
james joyce got away with writing finnegans
wake... without ever employing a single
diacritical marker...
spewing out... what became the modern
english grafitti spreschen...
   e.g.: lolz...
                              und: L8ER...
it's like: the worst of the worst of what
already is the worst in the form
of the h'american demands for acronyms.          

after watching an old couple walk
past me into the supermarket:
    or unlike the men climbing
           the matterhorn:
   which from postcards seems so
much more majestic in its formidable
shape than the goliath everest
    (from postcards) -
                 5 miles, a dark forest,
  and i can show you where english
druids chant: satanus in excelsior!
   and i thought i spoke bad english:
it's: in excelsis satanus...
       i would have approached them,
but then i was alone,
      and there was one idiot shouting
and about a crowd of twenty disciples:
you could hear the murmur
   adhering to the chant from a distance
of about 300 metres...
                    i only had beer on me,
no goat blood, no woad pigment...
                crash a party when they
were having a party in complete
darkness?
                     it's a good thing there was
a song change on my headphones
               and for a minute i picked it up...
wait a minute: i thought i owned
these woods, walking at night?
               ragnarök blood of Hvalba:
unfortunately the norse founded
kiev,
           so if they founded kiev,
                they must have past where
i made mark as: the land immune to
                                       the black death...
if i were an academic with a stipend,
   i'd write another boorish book on the matter
to attract moths...
          but the old couple, hand in hand,
shrinking but not exactly disappearing...
     in me the inherent conceptualisation
of a twin, like a limb missing,
  but with all my limbs intact...
              yet still a twin gleaming in my mind,
as the story i was told in my childhood
no echoes like a behemoth ghouling:
    they said to me:
   did you know that in this world there exists
a person that looks exactly like you?
         what? so i started looking,
      not leonardo, not brad,
                    can't compete -
            if i really am the stronger twin
                 who sent my twin to the plough
and the hearth... am i not to suddenly
    lick ash?
                  but the old couple:
   what a rarity to see, dwarfs,
                                  of former majestic
forms... elsewhere the single mother with
a baby in a buggy at 10 minutes to 11 during
the week, bewildered by reading
frozen foods labels...
           oh... about the supermarket...
grr... mein gott!
                    Surabhis! Surabhis everywhere!
the joy of walking into a supermarket
last, aisles as spacious as any king's
    lonely castle...
        but in the hours 12 in the afternoon
till about 5 in the afternoon?
        traffic jams!
                   zombified shoppers, women,
of course, children to boot...
                           how many times i might
have bumped into them...
      gaze lost, hazy eyed...
                 sometimes i had to walk down one
aisle, emerge from another, just to pass
  a woman standing fiddling with her
hair...
           the new meeting place, apparently,
but that's beside the point,
   the more i listen to radio,
  the more i learned that i'm far from
a music snob...
            take for example:
       free deejays's song
                            el amor es un party...
what? cuba not pretty any more?
              but there's a worthwhile observation
in there:
        only rich men have the chance
        to play a woman's game of "the chase"...
        only rich men get to "chase" women...
        the poor schmucks?
                          ****! have to live with them.  
****... i need to find that
    one exchange in ingmar bergman's
film wild strawberries:
            when the old man wakes from
a dream-memory in which he is
the ****** of a **** scene...
        where a woman is teasing a man
to the point, until he transcendes
                   a teasing woman,
                       and finds a Jezebel...
so upon waking...
                the "children" are picking
flowers in the rain...
                          and there's talk of
abortion...
       at this point it's gone beyond
castration...
                      the conversation invokes
the death-mask of man,
    or man as tomb, and woman as
the robber -
                         apparently once impregnated
man cannot ask for his ***** back,
and in some twisted way:
           and as much as i'd like to "cheat"
having found the screenplay online,
   i have the misfortune of owning the ****
movie...
        and how i like returning
to silent cinema, black & white, foreign,
with subtitles...
                     at this point,
because didn't place the subtitles: on top
of the screen, but at the bottom...
   well, **** me: am i looking for
Cindarella, because focusing back
on those faces means i seem them without
lips and merely eyes and noses,
   and perhaps a chance to spot
   a wriggling, morphed into an insect
st. peter's, if not van gogh's ear!
              or the lost "art" of handwriting...
Cinderella? my focus is so low from
      the action, that i might as well be
  watching, either a ballet, or a *******
riverdance!
             dr. isak borg (a)
marianne borg (b)
        dr. evald borg (d)

such a weird and heart-numbing thinking
went into writing this...
i have a history, a past:
regardless of having children and with
their existence: some sort of guarantee
for a future...
that i have a past, a history,
and it exists... outside of its current
written format,
that i can escape with or without having
children: that i would have probably
later ***** mentally...
having ingested all this third party
quasi-history propaganda
for the only history that's being
salvaged: the insect prone libido
of a status quo... well then...
let my "failure" be the patent for all future
success.
for everything worth some sushi glue? this isn't part of it.
Mateuš Conrad Sep 2015
in that, beyond good and evil, there's on femininity and masculinity; we already know of st. thomas' account about how the masculine needs to made into feminine and vice verse... no wonder such teachings in the undercurrent of our life, that we went beyond this and started doing likewise in the framework of good and evil; but there's hardly a dualism within the four 90º, while the tetragrammaton opens the gates to geometric phoneticism, which does not work in the hebrew depiction of the tetragrammaton, only in latin, because in latin one will not see a vision but reveal, having heard but not seen, and when inserting a thought into an experience: a satanism that said: i'll be satan and change this choir into moving stars and send a telegram to the aliens! should i see man loose all dignity in warring with himself that ended in napoleonic trust for man and man on the battlefield - because what she offered most men can get, and what i was offered only one among the billions, and in history about three, get.

so while some attempts at a sensual proof were not
granted, only one was, through moses,
and obviously through elijah - as sensual proofs
go, the proof of moses had to be fused with
a cognitive remainder, since, given the fact
that the torah was written by the supreme outsider,
the book depicting elijah was written by a true insider,
yet the cognitive realm which these two operated in
is a pure mystery, given the fact that sensually,
the staged rifts were short lived, yet too long lived
cognitively, having to argue, cite and disagree with
moses, who dragged the most sensual distortion
into the cognitive realm.

so as cognitive proof-arguments go, they are simply that,
more cognitive proofs lead to more argumentation,
but little sensuality, such that the paid need for
theological argumentation that leads to no sensual
precipitation enters the realm of holocausts,
whereby idle and vain cognitive proofs have no sensual
******, only more "thinking;" paid thinking.
and when the sensual proof for the non-existence of god
appears, like the holocaust, all those accumulative
"proofs" from the cognitive realm... end up like midgets...
and everyone's awe taken aback, because so much
cognition was left undisturbed, that the senses are prompted
for a disaster! why would i want cognitive argumentation
if i cannot seek and find a sensual guarantee?
where's the sensual ******, if cognitive argumentation
climaxed to the fine tuned 1 + 1 logic is a sensual anticlimax?!

the odd thing is walking the neighbourhood with beer and hand
waiting for the indian heatwave, but as i sooner realised,
this type of drinking is no good - the shelter of the garden
is where i find laughter - on the street making miles
i find anger - and as i noticed a day prior:
beer in hand, cigarette burning the lung forests,
watching a clear night sky, seeing a boeing boast
engine ***** high up to sound like i drone - that
universe forgets i can claim a nighttime hemisphere of sounds
with that boeing, even though the daytime skyblue is blinded
by a dilated pupil,i can feed that massive vacuum
of emptiness and keyhole glitter a mishap and a chance
to study less celestial geometry to endeavour out of this
haven.

prompts a maxim this verse does:
no one around me in my shape or walk -
tall enough to reach the sky, but
dumb like a thirteen day old butterfly, still flirting with the flutter.
***** you were born as the caterpillar old man,
now you're a fever of beauty in colour,
and only for two weeks, or even less if nabokov is about.

well, crescendo!
when simon magus stood with st. peter at nero's throne
the stage was like the two women with solomon about to cut a baby in half.
it was scened within the following framework of details:
st. peter started to sing bon jovi's 'lay your hands on me,'
with alternative lyrics - let me lay my hands on you
with the power of the holy spirit.
nero replied: lay your own hand on yourself, get away from
me you ***** *******, that holy spirit of yours, the one
you said is a personality but really isn't is just another form of:
celestial chaining; magus simon, what about you?
so simon magus came up and said:
i'll whiff you a smokey vision of caligula learning
of philosophy as read by his talking horse *incitatus
.

i wish for praise here on originality, but i heard of this one,
the talking horse of caligula by the one and only zbyszek herbert,
and in quick translation the poem reads -

*says caligula:

from all the citizens of rome
i loved only one
incitasus - a horse

when he entered the senate
the unblemished toga of his fur
glistened immaculately among hemmed with purple cowardly
                                                        ­                           murderers.

incitatus was full of virtuous bounties
he never spoke over me or spoke in general
a stoic nature
i think that at night in the stables he read philosophers

i loved him to such an extent that one day i decided to
                                                              ­                   crucify him
but his noble anatomy countered such a feat

he bosomed the position of consul with dignified apathy
he held power to the helm with a cupful of water
spilling none in a drunk waiter's swagger,
meaning he used none of it with the entitlement

it was impossible to make him bow to long lasting bonds of love
with mt second wife caesonia
alas no lineage of future caesars arose - centaurs

that's why rome crumbled

i decided to nominate him a god
but on the ninth day before the calendar days of february
cherea cornelius sabinus and other fools obstructed these godly intentions

with calm he received the message of my death

thrown out from the palace and sentenced to exile

he accepted the burden with dignity

he died heirless
butchered by a thick-skinned butcher from the township of anzio

of the posthumous fates of his meat
taticus is silent with regards to.
I like to think your eye is at the keyhole,
Your sloppy brain conjuring make-shift realities
     for your majick to paint into thin air
         from your lies.
Bald-faced whoppers or sneaky half-truths,
You twirl them around your illusion
     expecting
          a fantastic creation
                with which to delight yourself.
A pitiful white smoke jin,
     dissolving
          almost as quickly
                as it rose from the flame.
You honestly believe you've stolen my illusion,
     kept it just long enough to smudge,
           a chalk drawing.
You honestly believe
     I've let you do it, unwilling and unknowing.
Your fingers are *****,
     the powder won't wash away.
All for nothing.
You only erased the memory of what I once felt for you.
     Ah, your makeshift majick works!
Well done and thank you.

How long will you keep squinting at the light on the other side?
Your eye must be getting tired.
Why don't you just open the door?
     It ain't locked.

I've a feeling you've got a wicked temper
     and a lot of hate built up inside that you
          refuse to acknowledge,
              try to ignore,
Until you're secure in the darkest corner of your prayer closet.
     Facing a mirror,
          Worshipping and damning
               at the same time
That's when it boils over.
***** **** dog, frothing at the mouth...
Mean drunk, indiscriminate for a fight,
     but there's no one at the bar.
          Only a witch's cruel mirror
                    and all it says is...

"You aren't the Golden Child,
"Your majick is a sham
"No one cares enough to read you
"You're a thick, boring book
"The worst kind: a book about a book
"A book about yourself
"A book called 'Look What I've Done!'"

So here I sit, on the other side of your peephole view
Wondering what I should do next,
Knowing I'll never be strong enough to tell you
     to your face
          that I've known all along...
I walk through streets in your dreams...
Of this I'm certain
     even as I know you're watching me right now,
         with all your wasted mental projections,
                 charms, chants, lusts, cravings, desires, needs,
Casting that covetous spell my way but I guess
     The keyhole must be too small
Because I don't feel a thing
     and as I sit here,
         naked in my own secret place,
I could care less that you live for these moments
                of disappointed voyeurism
Mateuš Conrad Apr 2020
.and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...


high-brow my ***...
         because iron maiden's phantom
of the opera... did... does... predate...
andrew webber's stab...
                 hard rock 'ammer...
       as in... a paul di'anno bitchboy
                 scant-gimpwhore fan... etc.
the castrato operatics... later...
n'ah...               but that's oh so much
an origins story...
                    and hardly the evolution...

- that the phantom of the opera stands on
a skeleton of three songs...
revised...                morphing...

perhaps not, not that they are songs...
i'd have to sharpen my scalpel for
attempting the smithy deeds on words...

a skeleton of three themes...
       thus noted:

               "angel of music"
            "phantom of the opera"
    and... last but not least:
                     "masquerade"...

what a day... or what wasn't expected...
no one ever told me that:
a musical per se... differs so much from
a musical: for the stage...

by musical...
                 i'd be shaking to conjure up...
the screen musicals of a west side story...
etc. -

            and one can easily so tire of
this trap...

  and what of the internal jokes?
jokes at the expense of the opera...
              - poor fool, he makes me laugh
       - hannibal...
quite the jokes...
   having to draw the blood from
the mundane talk elevated to an operatic
context of song...

that a musical is... somehow...
when opera can be reduced to talk...
and can be thus reduced to:
the joker in a hand of poker...
   a whimsical little card...

the 25th anniversery of the phantom
at the royal opera house...
one can somehow forgive the electronic
attaches of the overture...
whether the electric guitar of the drum
machine...

   like one can forgive:
                 nirvana's unplugged...
at the end though...
   even andrew webber looks perplexed /
nervous... how did we get away with this?
i don't know:
the only style of genre that...
actually requires a stage and props...
and ample volume of space!
a theatre: since otherwise...
opera: pure technique...
                and prop minimalism...

and...

because can a musical: not require a stage?
does it indeed feed too many images
that need to be attired with quacks...
with feathers... with leather boots and chandeliers?!

now i'll toast! i'll toast to a new reason
to go down the alleys of ah bit tipsy:
itsy bitsy sniffing a bottle neck...
bloated from a champagne cork pop!

truly... if only the stage...
   that allowance to perform a performance
a need to perfect: always never:
the editor in charge...
   all those out-takes left to what life is
left behind the curtain...

     the musical of the movies of h'america...
whatever they might be...
to name but a few would be best...
           and if i didn't first see the phatom
on a television screen...
but in its natural environment:
with the volume of required air...
     i wouldn't have been able to choke
my tears...

and i have seen the theatre
and i have seen the opera
and the ballet...
                            i sometimes...
"sometimes": wearisome...
try to forget the maggot pit of phelgm,
sweat and ***** of a rock concert...
        of all the mediums...
         this jumbled up swedish table platter...
what a cocktail of a rollercoaster!

i could forever take off my garments
of jealousy: of which there's that pitiable
affair of a beard-envy...
                well...
                           well well...

how pristine: they even had a music-box!
in that crude relief of finding
"revisions" and alt. interpretations
of... perhaps it's only a matter of
two themes and that overture?

             and if it's song and dance...
       it's not a candy-smiles and tap-dancing buffet...
it's opera and ballet...
because... it's opera:
                 ha! empty these cupboards!
no one needs to attend an opera
like a foreign language movie:
with subtitles running on a FTSE100
reel above the stage...

                      the musical: is the reinvention
of the opera... a musical is an opera...
with mild added animation of theatre...
and there's a pinch of ballet!

          this will most certainly not translate
into me liking cats... or les misérables...
       this will do...
                   sing-along / sing-through?
and everyone is, suddenly... equipped with
a deciphering ear to translate the over-infuated
vowels of an operatic breath?!

- and very much so:
the royal albert hall... is not where you'd go
to watch ballet...
      unless you were going to watch...
an enlarged centipede pretend to stampede
on a treadmill...

- but if someone would tell you...
a musical... west side story? yes?
     i'm pretty sure it would be all about:
singin' in the rain... fair enough...
             but all for that popcorn entertainment...
and the tap-dancing...
and chewing-gum advert smiles...
and all that technicolour dabbling...
and all those heavily bothersome editing
processes... like... the plumbers
most associated with veins and arteries?
sorry: the romanians are picking the fruit
and veg for the next: x-factor star...
the next youtube vlogger breakthrough chart
topper...

blunt and ******* obvious...
      and how has english changed since Dickens?
i made a note of...
because i will not make notes
of what's already passed...
a direct etymological association with a loan,
word...
  not from dutch, german or french...

       SA-LU-BRI-OUS
            (healthy...)

                   PER-EM-PTO-RILY...
         (not being permitted a denial)

that 19th century victorian english that...
just had to loan words directly from
latin... this much of reading Dickens remains
in me... after having just experienced
a blitzkrieg of a musical: proper...

there are still the same old nooks 'n' crannies
for me to find shadows and moths
in...

    because: i am most certainly the one
about to cite: they took away my circuses!
and m'ah bread!
there's no football! well... no football?
goodness me! what are, what are...
the alternatives?!

         opera you can... disregard...
theatre if... movies are your...
ahem... sartre's curiosity with the keyhole...
voyeurism: to exist is to be seen...
but only through a keyhole...
                     which movies aren't, of course!
the editor comes in...
even in the golden age of cinema...
the panoramic view... resembled a stage...
and in the old movies you could
time... the editor taking charge...
and how long it would take for
the actors to forget their lines...

            not that that matters... given...
there's no stage... but the red carpet
of postures and toothpaste adverts...
and paparazzi *** epilepsy from the strobe
glitter ball of the leeches congregating!
not even vultures make such a spectacle!
i saw the same...
then the concrete was layered with enough
frost at night...
the crevices would become impregnated
with diamonds of ice...
every twist of the head would
agitate these sparkles toward imitation
of a flash!

there's a "musical": in the advent of the h'american
sense... and there's: a musical...

- and if you happen to hear a subtle joke
by evelyn waugh in the meantime:
at the better for you...
              what is an encyclopedic "ogling"
within the confines of scrutiny:
that man may forever be attired...
and the genitals just dangling like
champagne flutes without any,
any sort of, scrutiny of...
not having to play the Oedipus!

               here's a fork... here's a donkey...
here's a spoon... here's the Schleswig-Holstein
and its siege of Westerplatte!
here!
   the Schleswig-Holstein tenor of
                           the opera: Westerplatte...
oh joy: a "my" in a "history"...
and none of it an affair that might...
disturb the peaceful lives
of those lived: under the splendour
of a charles II and a handel firework's music
to have to somehow: "put out"!

clearly: i'll be dying from the ******
of all the collective forces of the universe
and gambling and... oopsies...
i am here... and it's not that sort of grey...
pistons assured!
- had i the face of beauty...
beside starring as a tadpole of potential...
a voice with a stage to make outlet with...

- what could ever become of this...
jigsaw puzzling overdue do...
                         the narrative in the classical sense:
hardly what, and what not:
this vector and the in-between
from some mythical (a) toward a journalism,
and weekend opinion pieces...
and all that insomnia riddled "journalism"
of the current year of crux denoted with
a (b)...

               all true: from darwin and the "big bang"...
and of course... time shrinking...
in between... beside carbon dating...
and let us not hear of things speak
for themselves: but ourselves!
untrue! hercules!
untrue! prometheus!
untrue untrue untrue!
but darwin and the ape: nod! gentlemen!
we have proof!
myth or no myth: but a journalistic integrity!
that's enough proof! for today and tomorrow!
and... what's not the fiction that's already
memory?

and what is... this imagination that's...
not a single street witnessed of Paris
in the circa of the year that was... 2004...
or 2006 or 2007...
                      
for the art... and this detail of science that
once upon a time shocked...
now... only comes... burdensome...
a ballet on ice... a shaking of hands with
a shadow... something beside this:
base revision of culture and civilization:
this bogus lopsided quest for:
re-inventing... nothing more... than a zoo!

so little must have happened in the case
of english history...
this hannibal and the mountains...
but what curtain: the great wall of china:
built among the mountains...
ingenious: doubling-up?
  xerxes whipping the waves of the aegean...
the great wall of *****-chewing-wall'ah...
i dare become the new albino...
i dare... and i the next japanese porcelain
frailty...
               many thanks: for the <caugh caugh>...
hooray!

              oh my mother:
the cindarella of nations of europe...
         i seriously can't do much worse than
that cocktail and carboot sale of tchaikovsky's
1812 overture...
   it's an overture!
              
really? the phantom of the opera is because...
of the overture?
last time i heard... prokofiev's lieutenant kijé
(kij - stick... kije... sticks)...
romance... was all a rave! "rave"...
              a nibbling at a crescendo...
    but hardly: then again: a nomad chorus...
a reminiscence... a memory lost: yet foretold...

and if... the anonymous provider...
of the full extent of the carmina burana...
      what if?
        i play... this cliche... this... my most
democratic oath: for the bettering of the voice
that could allow the congregation of
the many! my democratic oath: my quasi:
civic duty... me joining the club of the most
sober bottom's-up! pick'ld-week!

                 such are the affairs... hardly a worthiness
of a frenchman of pander...
or of being so blessed by an island...
when being neighbour of europe...
and easily bound to be found because:
france never too interest in the robot antics
of the scandinavians or what
was ever to be assured by iceland!

thus came the crude: skeleton waiting
to be refined... a peter schteele interlude of:
fancying a giant to a tumble...
i will not satisfy myself with a biography
outside of the realm of immediacy...
how do people write a biography without
the peacock of whim and of what's readily
available? a biography with a past...
automated: futurism... n'est ce pas?

         - i escape for the transcendental relief in
beauty... my own lack...
therefore better neglected: rather than denied...
it's my own that Belzeebub should
****** with maggots and acne synonyms onto
my face...

          i escape for beauty... not... sorry...
pardon my fwench: a ******* conversation
of the paupering sociopathic sort of
a job trotter sordid kin'!
                  if only crocodiles could cry...
they'd be warm-blooded...
and i would be year after year
an oscar nominee for a toast
of best actor at the oscars!

          pity... pity and the subsequent
dumbdrum!
                no! i do not want to guillotine this
affair with the autobiographic as long
as i am drinking and not any champagne
in sight... or... schnapps...
              
i best be off... this is enough frivolity
of the heart for a day's worth!
John Dec 2012
Hesitation
Observation
Contemplation
Yanks me back and forth

Running
Bounding
Chasing
Never sure which way to sway

Ticking
Flowing
Finding
New truths each day

Thinking
Wishing
Hoping
My life isn't a waste
Jackson Freeman Sep 2013
You let me rub sawdust in your ears.
You let me drip wax on your fingertips.
You let me defenestrate your free time.
You let me run my voice across your lips.
You let me think I can.
It is of my opinion that the basement here smells
of expensive wood varnish
and it reminds me of what you are supposed to be;
an old thought.
A grimy vexation.
A copper colored conundrum,
antiquated and nauseously green.
I hate it when you waste time with me.
You make me feel like we're worthless.
Sitting alone in a stone darkness
with both purple hazes
hanging in the air like rhythmic skeletons
strung up in a celebratory gallows.
I'm happy when I'm with you,
you two-penny *****
of wasted yourself.
I love you.
Now leave.
Out of our lives.
I would be happier if you were out of yourself.
But you knew that.

I know a cedar chest of a hundred years
and you are knees-to-chest inside;
not dead
but breathing through the keyhole
in a white evening gown
with your skin growing tighter against your ribs.
One day I will open the chest
and your blood will flow
and your eyes will open
and your skin will hang more loose
under healthy fat and muscle and life
and you may throw your arms 'round my neck
and I will cry as I love your touch
as you smile with joy
as I take my hand and put it to your chest.
Push.
Down.
Hard.
You will not escape to make me love you.
The latch will close and you will be silent,
breathing through the keyhole,
and I will not mourn.
I will try not to mourn.

You are beautiful,Time.
Why?
You burn heart-shaped marks into the souls of lovers
and whittle them away through yourself
and that is horrendous
yet you change not.
Villain! A pox upon you for a clumsy lout!
You must undress in simmering water for ramen or tea
because you refuse to change until I look away.
You make the voices of a hundred years past
hiss and pop on gramophones
because you didn't feel like sharing 2008's MP3s.
Oh, you wretch,
you curdle milk
and Captain Crunch disapproves.
You make car rides to Washington, DC unbearable.
You masterfully draw out the suspense in waiting rooms,
dangling gender verdicts of newborns over the heads of expectant fathers.
You ****.
You ridiculously unfair goblin.
You murderer.
You toyer of lives.
You are so beautiful.
You make life short so it matters.
This hate is a necessary hate
but so is my love for you.
You will **** me one day.
For that, I loathe every second you give me in your pitiful pity.
I wish I could rip apart every second and return them to the sender
and have them ignite on your doorstep
and burn your house down
and have you cry "I was only doing my job"
as your home smolders to ashes.
But right after I would buy you a nice dinner
and tell you that it's going to be okay
because you made some months of my life matter
and enjoyable and happy.
I might even admit to arson
to make you smile
or grimace.
Time, you toothless wolf.
You spineless snake.
You stringless marionette.
I love you.
david badgerow Feb 2012
a penny is a penny
and i am a monk hawking birth control pills
without any shame or pride
disguised in flamboyant tinfoil.
i am an extra sensitive *** on my daily street corner
turning into a crumb of hunger
staring down a long alleyway and eating the flowers
that grew up in concrete.
there are shadows of jugglers on the wall
jumping into the sun, and i am a burning lampshade.
henry miller is in a wheelchair now
and i am a walrus with a backache
being forced among the proverb writers,
but i'm no prophet because i've seen the bubbling fire
and the swords on the doorway.
i am a lover with a guilty conscience
and i have too much on my mind.
i stole the bread from the riot squad and
i blow out these words from a keyhole,
pounding my fist on a book
while the mystics get drunk with skinny ******.
i don't go to birthday parties or funerals
instead i'd like to do something worthwhile
but i am your typical flunky, writing eccentric jokes about rich pimps
while my father lies dead on the hill.
Towela Kams Dec 2014
As I feel my mind romp
Ceaselessly into the past
I twitch to it's sight
And I know I'm scared
All my happy thoughts
Are interrupted by obscure memories
Dark, grey flashbacks
Reminding me that I'm chained
To a world of immense pain

Helpless and crushed
I seek a permanent solution
I attempt to find peace
In what the world offers me
Indirectly, I'm sitting upon
Invisible dough of deceit
Concealing it's strategy to defeat me
Reminding me that I'm chained
To a world of immense pain

The chains are visible now
A keyhole appears in clear view
The more I allow fear in my thoughts
The more the keyhole diminishes
So I give my first shot at faith
Believing first, forget seeing
The master key to save me
Reminding me that I'm free
From a world of immense pain

So I've drawn up my conclusion:
I choose believing over seeing
That my inner heart be wholly converted
Than my eyes merely convinced.
For everything I see tells me not to believe
And everything I believe tells me not to see
The two contradict each other
So what do I choose?
Faith over fears
I'd rather believe then give into my tears.
Umm. Your views?
g clair Nov 2013
At the end of the day, it could go either way
much like at the end of this song
Well I write for a while then I sink to a smile
when I think how you draw me along.

Well we came with a story, a beautiful poem,
unheard verses locked deep in our soul
and to way to discover what's locked in a lover
find the key that will fit the keyhole.

Must we all be inspired? Seems like that's how I'm wired
I've got something to share, but it seems
that I still blame myself for what sits on the shelf
unreleased from my closet of dreams.

From rejection to strife, anger cuts like a knife
and it tore at the door to my pride
it was then your sweet voice through the keyhole rejoiced
and released the deadbolt from inside.

So now I can tell you just what's on my mind
I am corny and weird and unkind, sometimes
but I say what I feel 'cause i know what is real
and it sure beats what I left behind.

Thought the answer was finding the right key
for the words and the music to roll
but the Master unlocking life's sweet mystery
is the Love sown in each others soul.
Bluebird Dec 2014
he is sitting still
a pen in his hand
a paper on the desk
he wants to write
he can't think of anything
he searches trough his pockets
he takes a cigaret
he lights it
he watches smoke
make circles:

seeing the new universe
of unsaid and untold
the drop of ink
falls on the paper
now,the story can unfold.

the ink spreads on a sheet
starts to form a spider
with thiny legs with
six white eyes
made of smeared blue ink
it inlarges it dances
it does what ever
he wants it to do..
then it dies,
with a movement of his pen
it reincarnates with the other one
it's so fun when you can
play with life and death.
he disperse the smoke circle,
with no trouble or regret.

all the time i stood watching
the way the story was made
of a spider from disperse
he puts a dot to end the thought
what a strange mind he has

— The End —