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Nigel Morgan Oct 2012
It was a cold night for a concert. There was frost on the windscreen as we got into the car for the short drive to this city church. We drove because we were going to be late, and it was cold, and would be likely to be colder still when the concert was over. I had wondered if part one would be enough. Could Bach and Rameau be enough? Might the musical appetite cope with Mozart and Beethoven too? Were we about to sit down to a large meal, possibly in the wrong order. Can the cheese course be a transcendental experience I wondered? Bach to begin certainly, a substantial starter with one of the mid period keyboard toccatas and two ‘distant’ preludes and fugues, but then a keyboard suite by Rameau?
 
When I listen to Beethoven though I want to hear a work on its own, unencumbered round about with other musics.  A recent experience of several hours driving to hear a single Beethoven symphony has remained close and vivid, and an experience that brought me close to tears. So I imagine that I might only hear Op.110 to make that opening sequence of chords so ominously special. The introduction seems to come from nowhere and does not connect with musical past, except perhaps the composer’s own past. It is as though the pianist puts on a pair of gloves imbued with the spirit of the composer, and these chords appear . . . and what is there that might possibly prepare the listener for the journey that pianist and listener embark upon?  Certainly not the soufflé of Mozart’s K.332.
 
The audience is hardly a smattering of coats, hats and grey hair. There is another piano recital in town tonight and this is but the artist’s preview of a forthcoming concert at a major venue. Our pianist is equipping herself for a prestigious engagement and sensibly recognizes the need to test out the way the programme flows in front of an audience, and in a provincial church where she is not entirely unknown. I admire this resolve and wonder a little at the long-term planning which makes this possible and viable.
 
Now a figure in black walks out from the shadows to stand by her piano. Coming from stage right she places left her hand firmly on the mirror-black case above the keyboard. She looks at her audience briefly, and makes a bow, almost a curtsey, an obeisance to her audience and possibly to those distant spirits who guard the music she is to play. We will not see her face again until the next time she will stand at the piano to acknowledge our applause after the Bach she is about to play. Her slightly more than shoulder-length hair is cut to flow forward as she holds herself to play; her face is often hidden from us, her expression curiously blank. Perhaps she has prepared herself to enter a deep state of concentration that admits no recognition of those sitting just in front of her. Her dress is long and black with a few sparking threads to catch the careful lighting. Without these occasional glimmers her ****** movement would be unnoticeable. As it is the way the light is caught is subtle and quietly playful, though not enough to distract, only remind us that though in black she is wearing the kind of starry sky such as you might perceive in crepuscular time.
 
Thus, we already sense so much before she has played a note there is a firm slightly dogged confidence and reverence here in her approach to instrument and audience. And in the opening bars of the Bach toccata that is manifest; and not just a confidence born out of some strategy against nervousness, but a ritual of welcoming to this music that now spills out into the partially darkened church. The sonorousness and balance of the piano’s tone surprises. It is not a fine piano, but it has qualities that she seems to understand. There is a degree of attentive listening to herself that enables her to control dynamics and act resolutely on the structure of the music. When the slow section of this four-part toccata appears there is a studied gentleness and restraint that belies any ****** led gesture or manner. Her stance and deliberation at the keyboard remain determined and in control, unaltered by the music’s message. She does not pull her body backwards as seems the custom with so many who feel they have to show us they are stroking and coaxing such gentleness and restraint out of the keyboard.
 
As the final fugato of the toccata flows at almost twice the speed I’ve ever heard it, my concentration begins to disengage. It is too fast for me to follow the voices, I miss the entries, and the smudged resonance of the texture hides those details I have grown over so many years to know and love. This is Glen Gould on speed, not the toccata that resides in my musical memory. I am aware of missing so much and my attention floats away into the sound of it all. It seems to be all sound and not the play of music.
 
In this stage of disengagement I sense the tense quality of her right leg pedalling with the tip of a reddish shoe just visible, deft, tiny flicks of movement. She turns her face away from the keyboard frequently, looking away from the keyboard through the choir to the high altar; and for a moment we see her upturned face, a blank face, possibly with little or no make up, no jewellery. A plain young woman, mid to late thirties perhaps, and not a face marked by children or a busy teaching life, but a face focused on knowing this music to a point at which there is almost a detachment, where it becomes independent of her control, flowing momentarily beyond herself.
 
Then she reins the toccata in, reoccupies it; she is seeking closure for herself and for her audience whose attention for a short while has been, as the Quakers say, gathered. Gathered into a degree of silence, when breathing and the body’s sense and presence of itself disappear, momentarily, and musical listening moves from a clock time to a virtual time. There is a slowing down, an opening out, even though in reality’s metronomic time-field there is none.
 
There is a hesitation. With more Bach to follow, should we applaud? With relief after holding the flight of time’s arrow in our consciousness, just for those concluding minutes and seconds we acknowledge and applaud - the beginning of the concert.
Alyssa Dec 2014
I always had trouble with my keyboard.
Some of the letters were too tight and never moved,
you had to slam them in order to get the words you wanted
and even the most sincere love letter
could sound like a strongly worded email to the nearest Costco
because you found that same 3 pound box of popcorn at Walmart for like 50 cents cheaper.

But the other keys were loose and fell out,
I always put them back on
but I always seemed to lose U.
It was like no matter how much I put U back together
U always fell on the floor.
My friends all urged me to forget about it
and get myself a new keyboard,
they said "come on Alyssa,
you know you need something that stays longer than a few weeks"
but I was too scared that the price of finding something new
outweighed my frustration for picking U up
and just putting U back together again.

Sometimes I wish U could be tough,
that way I didn't have to be terrified of breaking U
if I didn't feel gentle that day,
in case I really was writing that strongly worded email to Costco.
Because there are days when I am not soft and warm,
when I feel more like the lawn mower than the soft grass underneath of it.
Some days I feel like ripping out the X on my keyboard
because it has not moved once since I got it
and replacing it with U
just so U could finally stay where I put it
even if it meant I didn't use U anymore.
At least I would always know
U wouldn't move without my permission.
But that would mean that X would be falling out of place,
and God knows that I need to keep my X's where they belong.

But this isn't about the X,
and this wasn't about U,
this was about my inability to change
and my constant fear of imminent loneliness.
You see I'm not so afraid of being alone,
but feeling lonely scares the living hell out of me
so I would rather find someone broken and patch them up,
make sure they need me a lot more than I need them
so I know they won't leave first,
than find someone who has all of their pieces
and is capable of staying intact without my help.
That is the one who knows that they are so much better without me,
that I am just dead weight
and I am more likely to cause their death by drowning them
than helping them swim to shore.

But for Christmas I asked for a gift card to Best Buy
so I could buy myself a new keyboard.
I just hope I'm strong enough
to throw U out
when it gets here.
my keyboard is broken
like me
so some leer will be missing
hoefllly yo can ndersand
i'm broken
and like my keyboard
i'm missing things which
i can be cant be wihot
if yo can ndersand this
then maybe yor broken o
becase yo ndersand my brokeness which
is more then i ca say abot alot of eole
my keyboard is broken and i do no feel like using the onscreen one.
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Odysseus needs a job he calls pima community college art department chairperson sends her his resume she does not respond after a week he catches her on phone she says he lacks proper credentials laughs to himself his whole life never worked lucrative or reputable position gets job working at thrift store wacky group of coworkers customers store frequently smells like public latrine job expires after 7 weeks he gets better paying job working at record exchange Odysseus always loved music everyday he learns new artist or band his coworkers are at least half his age they pester him about being slow on keyboard he never learned to type neither he nor his generation could have foreseen future would revolve around keyboard he plods on register keys people smile politely kids he works with fly fast making many keyboard mistakes November 29 2001 george harrison dies of cancer he is 58 years old Odysseus recognizes he is from past world different era of contrasting standards ‘80’s behavior is totally unbefitting let alone ‘60’s beliefs it is 2002 and one badly chosen word is sure to send someone flying off the handle he watches his language carefully co-workers mostly born in 1980’s grew up in 1990’s they live indifferent to hopelessness he struggles to bear none of them believe in higher power music is their religion he wonders what their visions concerns for humanity are? they seem addicted to consumption as if it is end in itself he questions what is hidden at root of their absorption? loneliness? despair? apathy? absence of vision? where is their rage against social conversion current administration? he warns them about homeland security act privacy infringement increased government secrecy power they shrug their shoulders why aren’t they looking for answers? why don’t they dissent? do they care where world is going? he realizes they will have to learn for themselves few coworkers read literature or know painters philosophy their passions are video games marijuana “star wars” most of them are extremely bright more informed than he often Odysseus needs to ask questions they know answers to right off the bat he is like winsome uncle who puts up with their unremitting teasing “hey you old hippie punk rocker get you fiber in today? stools looking a little loose! peace out old man” in peculiar way he finds enough belonging he so desperately needs they tell him stories about their friends *** addictions eating disorders futile deaths he is bowled over by how young they are to know such stuff job includes health insurance which is something he has not had since Dad was alive having some cash flowing in he buys laptop computer with high-speed connection cell phone trades in toyota for truck opens crate of writings he abandoned in ‘80’s begins to rewrite story sits blurry eyed in front of computer screen his motivation has always been to tell truth as he knows it he wonders what ramifications his labor will bring positive or negative results? he guesses his story will sound like children’s fable in stark brutality of distant future october 2002 3 week ****** spree terrorizes maryland virginia  district of columbia 10 people killed 3 critically wounded police believe white van responsible october 24 man and 17-year-old boy arrested in blue chevy caprice juvenile is shooter assailants linked to string of random murders including unsolved shooting of man at golf course in tucson Odysseus mentions incident at work speaks of prevailing terror madness in america co-workers kid tell him he is crazy “did you see a white van parked outside the store Odys?” they seem desensitized to increasing national atmosphere of anger panic or perhaps they are overwhelmed by weight trauma of modern life lie after lie prevailing  havoc slaughter make for dull numbness in world they know suicide is compelling option december 22nd 2002 joe strummer dies from heart failure at age 50 Odysseus’s eyes wet he adored the clash everything they stood for loved joe strummer and mescaleros he plays “global a go-go” over and over listens sings along with first track “johnny appleseed” march 2003 president bush launches attack against iraq united states seems drunk with “shock and awe” zealous blind patriotism many people politicians countries around globe question unproven line of reasoning saddam hussein possesses “weapons of mass destruction” Odysseus gripes “not another **** vietnam” record company allows employees to check out take home used product Odysseus stopped watching movies in 1980’s he has lots of catching up to do particularly likes “natural born killers” “american history x” “american ******” “fight club” “way of the gun” “******” “king of new york” “basquiat” “frida” “*******” “before night falls” “quills” “requiem for a dream” “vanilla sky” “boys don’t cry” “being john malkovich” “adaptation” “kids” “lost in translation” “25th hour” “28 days later” “monster” “city of god” “gangs of new york” “**** bill” list goes on perfect circle becomes his favorite band followed by tool lacuna coil my morning jacket brian jonestown massacre flaming lips dredg drive-by truckers dropkick murphys flogging mollies nofx stereophonics eels weakerthans centro-matic califone godspeed you black emperor magnetic fields fiery furnaces dresden dolls smog granddaddy calexico howie gelb sufjan stevens warren haynes dax riggs john vanderslice alejandro escovedo sean paul elephant man bjork p. j. harvey ani difranco aimee mann cat power sophie b. hawkins kathleen edwards mia doi todd kimya dawson regina spektor carina round neko case fiona apple nina nastasia beth gibbons mirah rasputina dr. dre talib kweli immortal technique murs slug atmosphere trick daddy eazy-e tricky list goes on october 21 2003 elliott smith commits suicide stabbing 2 wounds into his chest Odysseus thinks about music when jimi hendrix stood up at woodstock deconstructing national anthem on guitar it took courage when punk emerged with ugly screechy sounds attempting to divorce itself from melodious harmonies of 1970s complacent crosby stills nash  the dead kennedys and *** pistol did not pander to conventional commercial success what they performed were desperate gutsy songs trying to reclaim music rock’n’roll is no longer about inventing instead it imitates its glorious past hip-hop and rap come nearest to risking rebellion but are caught in gangsterism infantile self-adulation no longer does music offer vision of what is or could be instead it conjures looping escapism from hopelessness of modern life he continues working at record shop for several years store contains every genre of music cinema he grows weary of retail sales weary of higher-ups constantly changing rules dictating what to do head manager is manipulative drama queen thrives on crisis once in private admits stealing from company Odysseus nods not knowing what to say head manager works Odysseus hard keeps him down atmosphere of conspiracy betrayal hang at start of each day assistant manager routinely taunts berates bullies teases regularly calls Odysseus “dumb-****” or “****-up” other times laughs after goading Odysseus to flinch eventually bully backs off and they become friends retail pushes Odysseus to brink of misanthropy corporation requires all employees to exercise overt courteousness while serving a public of disrespectful gang bangers demanding “show me black market brotha lynch mac dre why ya godda keep dat **** behind da counter? dat’s ****** up hey old man i ain’t got all day” it always amazes him when shoplifter is caught with product stuffed down his pants thief blatantly states “i didn’t do it i don’t know how that got there” thanksgiving through christmas to new years is most swarming stressful he feels like automaton greeting customer scanning product looking at screen to see if price agrees with product typing money amount counting money into drawer counting money out handing change to customer handing customer product receipt next customer cockroach capitalism packs of masses line up in endless stream of needs stupid remarks job also involves trade appraising condition value resale probability of cds dvds video games tapes vhs vinyl news of  iraq war gets dismal mounting civilian casualties suicide bombers hostages beheadings beginning of 2004 reports of torture ****** psychological abuse **** ****** ****** of prisoners at abu ghraib prison guantanamo bay white house cover-ups denials growing insurgency increasing u.s. body count other costs he thinks about men and women who are so much braver than him then comes re-election and lavish republican parties parades cheney rumsfeld tom delay and whole regime smirk portentously on tv none of it makes sense anymore “we the people of the united states” what does it mean? the dreams and aspirations of his generation have long since faded away he is citizen of forgotten past current world is barbaric place he barely recognizes there are real pirates with machetes rocket launchers on the seas big drug corporations hiding harmful findings kidnapped children abandoned children crooked politicians corruption at every level of society horrifying stories daily ******* priests slave markets extreme heinous cruelties abruptly everyone is acknowledging society is worsening life is not the same he does not understand people and certainly does not understand america or the world he remembers when all could be so good modern existence has turned everything into madness what happened to lessons of history? it is as if Odysseus fell asleep and when he woke everything is changed he is mistaken about what he thinks he knows feels pity for people america pity disgust sorrow he misses his dog
Mateuš Conrad Aug 2018
i couldn't never write a book, sorry, a novel, i'd hate to become a puppeteer, someone who attempts to play chess, a fiddling and bothersome shadow-baron (schattenbaron)... imaginary "friends" is not my thing, plus... i don't have an exact elastic approach to heidegger's compliments concerning poets: i only like heidegger because he likes poets, **** me, he elevates poets to the stature of philosophers when language "things" are made necessary... i.e. (and verbatim) - language - only if speech has acquired the highest univocity of the word does it become strong for the hidden play of its essential multivocity (as withdrawn from all "logic"), of which poets and thinkers alone are capable... welcome! welcome! to plato's republic! Brennus & Alaric welcome you, quiet fondly depicted by Joseph-Noël Sylvestre... and when the Huns pushed the leaders Fritigern and Alavivus into the eastern empire to settle... and emperor Valens... that's history for you: a cascade of: and and and and and and... sometimes a p.s., but mostly the and and and of causality... facts come barging in, you forage... but thanks to heidegger: the poets have earned their graces... and can return to the republic... as wordsmiths... i mean, was i ever to think of myself as a french dada dandy? frivolous and superfulous raconteur / racketeer? poet or philosopher, that's beside the point, the point being: i'm not a novelist... i don't like dealing with language that chokes that i rely on mostly and that mostly being: i like the idea of a raw vocabulary... i'm more of a butcher than an artist... i like the rawness of an inverted crossword puzzle... in my "trade"... there are no clues, whether synonymous or antonymous, in this spaghetti of: ex nihil factum sermo (out of nothing came the word)... poetry, of all places, allows this form of unadulterated nibbling at raw vocabulary... bypassing the standard g.c.s.e.: overt-scrutiny of poetics... i never like that... a 5/ 7/ 5 syllable haiku poem should never be preserved for its essay-worthiness to extend into 2000 words in a school exam... poetry strapped to pedagogy is... less heavily censored, more... over-scrutinized... you're not supposed to think in terms of poetry: you're supposed to, feel... and since when has feeling become so overrated, so despsised? oh... when people "learned" to feel, prior to learning to think... you really have to learn to think, prior to learning how to feel... if you ask someone from the orient, they'd counter the western perception of placing thinking / "reason" on the top of the pyramid with horus' eye as emblem... to learn to feel: is to learn to how to not think, while to think? it's to learn how to not feel... pretty simple, no? not really... neither approaches should be underrated, they should be understood better... who the hell needs, or wants, to be an apathetic brain-in-a-pickle-jar zombie: constantly engaging with a dialectic? then again... who wants to be a heart in an electric chair constantly bamboozled into pointless reactions? so i'm more of a butcher than a "poet", i simply appreciate the raw realism of cutting pieces of the tongue that extends into the brain's fathomability - and that overrated visual ******* of dreaming most people associate themselves with... but that's beside the point... i really appreciate days akin to this one, humid as in the concrete basin of Beijing while europe is frying in the African plume... no thanks, no, me go to Greenland or the Faroes Islands... do i look like a ******* ******* / camel jockey? why do i have limited respect for islam? i once watched a video of a saudi with an european bride... sitting on oil was both a blessing... and a curse... muhammad would whip some of these saudi brats silly... but of all days... when i get to work my magic in the kitchen, and make the most superior food in the whole wide world? blue indian cuisine: i call them blue indians and not red soxs because: come on... the raj... and that polytheism that doesn't want to disappear... h'americans can boast all they want: the steak, the hamburger, the hot dog, the pizza... n'ah... n'ah mate... it's either curry or you're chewing chicken bones, ******* out the marrow... indian cuisine is superior... i love the days when i cook up two curries... it feels like being back in edinburgh, walking into the joseph black building, the perfumes of sulphur and wood, the 12 hour experiments it would take us to conjure up an ester... esters? bases for the perfume industry... that' the grand thing about cooking a curry... you start to feel like a chemist once more... the two curries? a tikka masala: sure, an easy adventure... marinating the chicken what not... the real fun came with the malvani... blitzing the masala up: a bay leaf, half a nutmeg, 4 / 5 cloves, 7 dried chillies, 10 peppercorns, a cinnamon stick, cumin seeds, coriander seeds, chilly powder, turmeric powder... and that's just the malvani masala... the cocunut masala... ****... only two green chillies... how to get the right colour? ah... blitz up some coriander stalks... garlic and ginger... milk to get the whizz-kid on the job... it's superior cuisine, indian cuisine... it reminds me of a being in a chemistry lab at edinburgh... doing organic experiments... mind you: it's more fun, the environment is less sterile... even my mother said: you're stinking up the place, you're worse than the sikhs two doors down... so... why would i visit an indian restaurant, or indulge myself in an indian take-away, if i can mimic? i see no point... there is no other cuisine on the planet as good as what could come from either Goa or New Delhi... the colours, the perfume of the spices... by now a hamburger, pizza or hot-dog are staples or both humble beginnings and even more humbled ends... i've found my 1st to none passion... and with a afghani naan bread... and with rice infused with turmeric... tiresome ponce schemes of duck a l'orange... spaghetti this that and the other... one bias... though... scandinavian treatment of raw herrings... in cream sauce... i'm a sucker for those herrings like i'm a sucker for pop music... the added zing of the herrings' rawness out-competes the bland sushi manifesto... eating one of these herrings in a cream sauce... has the complimentary sensation, very much akin to performing oral *** on a woman... oysters are beyond the marker of metaphor / literal association... well: hello today!

I.

i'm starting to suspect, that one of the...
"supposed" stars...
   is actually a planet - due to its colour -
      it's unlike all the other -
todkompf, metallic white
glitter...
      it's hued in a more orange
spectacle - more fire...
less distance...
                and on the canvas
of the night?
   sits lower than all the other stars,
which are more up -
   rather than on a horizon
to speak off...
   question is... is that *mars
,
or is that venus?

**** it: 'ere i go...
'n' buy me a *******
telescope to investigate further...

II.

did the ancient romans really
distinguish the arithmetic
quantity of I - or IX -
   or XII or...
                with a dot?
       not unless it was inscribed
in stone -
   where even upsilon had
to vacate the more easily chiseled
in:              YOVR POINT?
just wondering
   how only two diacritical marks
were applied to the encryption -
and both... not for orthographic
reasons, but for aesthetics -
    what's the actual difference
when the guillotine digestion
machine (like me) comes in and
says...
    
     ȷokιng around...
        what with the iPod...
   why shouldn't ι,
                    come ιn -
   and give a ȷester's ιnquιsιtιon?
out of... mere... curιosιty?
ιt's not lιke those two-heads
even make a dιfference...
come on! ιt's ιneffectιve,
there are no orthographιc reasons
for ιt!
        why, even, bother?
    and no fancy name eιther,
ιn the dιacrιtιcal famιly...
  dot... when compared to?
cιrcumflex, caron, macron,
      cedιlla,  ͅ (ιota subscrιpt)
...
you name ιt!
can someone, please,
ȷust gιve me, an approprιate reason?

III.

it's not like i can confuse,
i with I - since i have 1, and 2 instead
of II, and 3 instead of III,
and 4, instead of IV,
       and 6 instead of VI...
ah... L(l) -
              and the exodus of handwriting
in the digital age...
any schmuck can write
now... but... i'd love to see
them write with a pen, on paper...

personally - i couldn't write an intact
word with a pen...
   calligraphy: a bit like monkish
Gregorian chants... coming near
to extinction...
          i could sometimes write
out a intra-connectivity of syllables -
but... entire words?
    no chance... the digit system
came in... and i had to learn how
to position my arms before
the keyboard, to write, and not look
down...
   unlike my old G.P.,
who, bless him... nearing his retirement,
pecked, like a crow,
on the keyboard...
   looking down on it...

the ENTER key? right arm pinky finger...
SPACE BAR key? primarily
left hand thumb...
   unlike a piano, you don't actually
use all the fingers on both arms...
e.g.? ring ringer on the left hand?
rarely used... unless doing some
mental hand gymnastics...
  
stream of "consciousness" - no words,
just observations -

(0,0,) LH ******* A
    RH index finger N -
     that's - ah! ring finger of
the right arm is used, quiet a lot,
  notably?  SHIFT + (?/) key -
      *******...
   but for the apostrophe?
    the (@ ') key...
  which, on my machine translates
as the (" ') key...

IV.

     - interlude -
--- -- - - - -  - - - logic  -- - - -  -- - bomb -- - - --  -
- - -- computers -- -- - - & - -- microprocessors -
- - - --- -- - --- -- -(parasense ----- - - remix) -- -- -

V.

it is chiromancy in reverse,
only that i'm reading my hands...
facing down,
rather than staring on the reverse
side of the... where the girdle of venus
is situated,
   or the index finger skin folds
of the chokhmah, chesed,
    netzach
- respectively -
akin to reading mandarin:
   from the the head - to the base
               of a knuckle.
i read my hands - looking at a screen,
how else can you write anything,
distracted by looking down
onto the keyboard -
  no aware of the spacing?
        question: how fast is your typing?
don't know:
what sort of ******* am i to note
down, and how many amendment
will i have to make to the text,
as we plow along to your diatribe
monologue?
                  
VI.

why would anyone sit up all night,
drinking?
     ****** question, esp. given
yesterday's 5 / 6 am carnival of rain...
out of nowhere,
there i was, ready to call it a night
well spent (not working in a Stratford
casino) - dreading the heat of
the sunrise...
  boom!
   thunder, lightning...
    the air turned white from
the ferocity of the rain...
   literally...
                the ground was wriggling
with a meteor shower -
excited gnat fly like puddles
appearing and disappearing -
soon becoming lakes
  within the confines of a supposed
**** of worm parasites...
      probably your typical day
      on the Faroe Islands...
you know... on such occasions...
you really can't help, but stick
your head out of the window,
far enough to drench your head
and hair in regenwasser...
            i should have walked
into the garden and
cleansed my whole body...
   but...
guess all ι needed, was the head...
       god...
  there's nothing more **** than
listening to horror movie soundtracks
while it pours a mini-monsoon
outside your window,
  and there's thunder, and there's
lightning...
   and you're just about to fall asleep...
like a baby might...

VII.

oh god... the one time i don't take
a beer for a walk, coming back
from the supermarket...
and i pick up... this genius:
genius... tortilla wrap...
    falafel + hummus + a hint
of mango chutney (with a tease
of arugula leaves)?
            **** me... who needs
beer... if not a bottle of mineral
water... to accompany
taking a walk?
Mateuš Conrad Nov 2016
before i pull this one out of my *** (again - listen, these words are not coming from either head or heart, it's best to pull them from the bowels, a gut-wrenching-feeling is more potent than that "something" that "something" delusional pulled from a clenched heart... as far as i know, the brain is incapable of emotions, it doesn't understand them, and since it doesn't understand them: it ridicules them)... which brings me to point:

(a) perhaps the idea of a soul is out-dated... why wouldn't it be, 21g worth of breath does not equal a soul... hence the autopsy of man, each detail studied seperately, the cardiologist knows the heart, the neurologist the brain etc., but some items work in a solipsistic mode... the heart is robotic, automaton pump queen (and not the kind of pump you'd get from Shveeden) - thump thump thump! come to think of it, most of our bodies are robotic, automated... lucky for me: i don't have to think about the heart doing what it does, it just per se does it... i'm not even sure i'm gifted with the a.i. brain functions... but there's an underlying principle that governs all of these items... some call it the self... i prefer: the Σ ultimatum... some would call it soul... but there has to be something akin to the Σ ultimatum that allows me to become detached from this body, while at the same time be bound to it: high blood pressure, heart attack on the horizon... take the high blood pressure pills... ****... what was (b)? oh... yes...

(b) i'm sorry, virginity doesn't cut it for me, lucky me that it was isabella of grenoble that allowed me to move aside from: god, prior to losing my virginity.... roxette: do you feel excited, you're still the one (shanaia twain), fade to black - metallica... i was such a romantic before i lost this dreaded curse... i was a romantic... 19th century style romanticism... but you really can see past this sort of romanticism unless you haven't ******... these days the right complains about cultural marxism: plenty of things to complain about... it makes as much sense as a pickle in a dollop of custard... or cooking with pale indian ale to make a stew: bad idea... wine, brandy, cider? fine... beer? terrible idea to cook with... but unless you haven't lost your virginity, you can't see what cultural marxism chose as its opponent: cultural darwinism... you know how little you hear about darwinism outside of the english speaking world? zero to none, yes, it's an accepted fact, but this fact does not permeate outside of the fact per se, the fact contains itself and the whole subsequent narrative because subconsciously stored... no other people than the people who found it ensure there are subplot proof statements of a reconfirmation of the validity... the whole social science bogus trap of rating people on looks... contradicting the meritocracy of that old Socratic saying: let me be as beautiful on the inside as on the outside... if you haven't ******: you're still the same old romantic i was at puberty... once you ****... well... cultural marxism dwarfs... yes yes it's there... so? but at the same time you can at least appreciate seeing the antithesis: cultural darwinism... the romantic needs to die the most carnal death via experience... all my ideals were shattered, this perfection of woman... i very much liked the idea / not even the ideal of a woman... but when the idea fizzled out and there was no ideal to begin with... i saw cultural darwinism for the very first time and... it was as ugly as cultural marxism so heavily criticized by the conservative right of the west... so... i decided to walk the middle ground, ignoring both sides (of the argument).

(c) i wouldn't have come up with a point see, unless my favorite square schematic didn't pop into my mind, Kantian, as ever: the best philosophy is the antithesis of English pragmatism and overt-politicisation, so it has to be German, ergo? i will not explain these terms, i figured: if i nail a decent example to fit each category, that's enough: since you can then visualize the concept via the example:

analytical a priori                           synthetic a priori
there's a need to throw                   learning
a ball at                                                to throw a ball
a target                                                 at a target once
                                                            ­  the need has been
                                                            ­  established...



synthetic a posteriori                    analytical a posteriori
there's a  need to                           perfecting to throw
      throw a ball at                               a ball at a target
a target, in order
to perfect this need...

                                            baseball..­. cricket...
at least: that's how i define knowledge of something
simple without having to use mathematics
that Kant used to explain... 2 + 2 = 4...
mathematics isn't exactly a man's best friend
at explaining philosophy...
you write philosophy that alligns itself
to mathematics... no wonder: moths in books...
yawns, unfinished works...
i found that sports work just as well
as mathematics... and you have the already
primitive objects to work with...
rather than pseudo-objects: i.e. numbers...
the abstracts of perception: i'm actually 6ft2...
not 6ft1... karolína plíšková is 6ft1...
       as noted when watching her today...

  i'll admit, i'm always a bit shaky when it comes
to this sqaure, whether it's over-simplified,
notably the top left corner: analytical a priori,
i'm always of a mindset that wants to associated
this definition with: analytical a- priori...
  i.e. borrowing from atheism:
    to analyse something without there
being a prior to example...
               analysis without a prior example...
i guess that's the mojo of science... the driving force...
back to sports... bow and arrow...
   tools: target...
       whether a bow and arrow and a deer
to begin with...
or a hand and ball and a wicket to end with...

there's a need to throw                  
a ball at a target...

            and cricket was the precursor of
baseball, but prior to cricket?
   there was archery...
              and prior to archery...
   there was forever a fundamental need,
e.g. to go from point X to point Z...
   see... as much as Kant wanted...
   numbers don't really solve the "problem"
of explaining something: algebra would be
better suited... x + y = z...
                    with numbers either hovering
above, or below (in the instance of chemistry's
subscript)...

talking of squares... sūdoku...
well, if at any time the french were to receive a hard-on
in terms of inventing something,
the english: rugby, cricket, football, tennis...
the french really did read some of the hebrew
qabbalah literature, as i am doing...
magic squares...
       the secular version of this puzzle
first appeared on july 6, 1895 (the modern version)...

it came to us from India and China...
again... why do western cultural darwinists
always tell our genesis from
the perspective of: "out of Africa"?
aren't there elephants in India?
            i will not believe i originated in Africa,
i'm not an "out of Africa" sorry state of
incompetence... i place my origins in
the sub-continent... at least that's where my
current language originates from...
the great migration across the Siberian tundra,
rather than some African savannah...
after all the Bangladeshi and the Sri Lankans
(the tear of India) resemble burnt cinnamon
in tone, some even as dark skinned as
east africans...
   if the germanic people want to stick to
the "out of Africa" narrative (notably the English):
let them have it... i place my origins in
India...

   never mind, now i'll write a name's dropping
history of how july 6th, 1895 happened...
the "magic" squares...

    from either India or China (chess from India)...
moschopulus of contantinople
  introduced them (the "magic" squares)
in the early 1400s... apparently ancient qabbalists
had knowledge of them
  (so... a trip well spent)...
                             rabbi joseph tzayah (1505 - 1573)
magnum opus: responsa...
             rabbi joseph castro: avkat rokhel...
tzayah in jerusalem wrote his major work
Evven HaShoham (the onyx stone) - 1538 -
   a year later the book: tzeror ha-chaim discussing
the Talmud: he never really bothered about
the Zohar...
               the hebrai word for "letters": otiot...
divided into two:
                         tav aleph (a line of aleph)
and tav yod (a line of yod)...
                   one is to never concentrate
upon the keter within the realm of the sefirot...
hence the matisyahu expression:
   king without a crown...
                         one example of a "magic" square
later dictated into a 9 x 9 newspaper puzzle?
      2     9     4
      7     5     3
      6     1     8     (up down across = 15...
my date of birth? 15th may 1986,
no coincidence, just stating an oblivion's
worth of a "point)... 15 x 3 = 45...
   and that's about as significant as any
                               insignificance can be...

album of choice?
    old horn tooth - from the ghost grey depths...

and without even associating the arabs
to the hebrai practice of gamatria,
i once inquired an old pakistani (who tried to convert me)
what: Alif, Lam, Meem
implied in the opening of the al-baqarah sutra
implied?
   he replied: god knew...
        so i thought, you don't know what
alif (letter) what lam (letter) and meem (also a letter)
means? you have to search for god
for the answers? good look making me into
a proselyte... mind you:
if the jews abhor proselytes,
while the muslims are so so oh so *******
welcoming... isn't that a tad bit suspicious?
how can a muslim convert me
when he can't explain to me what
alif lam and meem implies at the opening
of al-baqarah?!
            let's play some hijāʾī order game...
and the three letters...
       28 letters in total...
alif (28), lam (6), meem (5)...
    i'm not even going to go into the gamatria
mental gymnsastics related to any
"significance"...
   point was made upon the question being
asked... if a muslim tries to covert you...
and he can't explain to you
the significance of alif lam meem at the beginning
of al-baqarah... they're letters...
well... how is he going to explain to you
what's bothersome about those letters
to begin with? ALM... does that imply: zakat?!
to give alms? zakat being one of the pillars
of islam?
  **** me... i haven't even converted
and it would appear: i know more than the person
who tried to convert me!

.i. Yuri Gagarin and the yo-yo

if ever the potency of a "keyboard crusader"
existed, it's now -
   i can dangle a mouse above a bear-trap
and tell an elephant of a phobia concerning
mice any day of the week,
          when in fact i'm talking about
a mousetrap: nothing more.
     hence the exaggeration in the imagery
comparison:
        or it begins with a story told in the 20th
century:
             when women put down their mascara
brushes, men put down their swords:
never mind the voice in the wilderness:
       mind the voice in the crowd -
there's absolutely no reason to speculate
urbanity and tribal environments without
addressing, or regressing the crowd,
or as i like to call it: what Nietzsche said,
minus the Wake... but now inclusive of the wake
and the Bacchus cult of fun fun fun.
            the Wake in condor terms?
we congregate praying for something to die...
      i don't pretend to be whatever
that sachet of concrete-Cartesian labels entitles me
too:        for the most part
        people say 'i am' without a thought to
govern the rain shaman telling you what thought
is required to 'be', oh, a very old ontological
stipend: you need people to experience a collectivisation,
a herding, a "bound together" sort of mentality
before the critic arrives and says: well, that's not
what i'm really about.
                    a bit like the **** firs, mouth second
debacle...
                but what heart they had, our predecessors!
what heart!
             they'd wage war over a woman,
a Helen,
                  would you wage a war against
the feminist version of Helen these days?
would you pluck a Scottish thistle over an English rose?
      true: you might be a bishop
and of lesser rank... but would you wage a war
over the women of these days?
my **** is in a pickle jar anyway! we have become
a *** of a species unburdened by an obligation...
             finally! we can become eternal bachelors
sort of ******* that we're here, and hear less and less
of sayings about the "things that matter".
            you know what vile? really really vile?
oh i know my contemporaries when i bother to
hear them talk, oddly enough never bother when they
think, i'm quiet content with a Godot stage of
a park bench and an old man as my company,
      i know Douglas Murray,
               i know the wild-eyed Icke,
but a thing that concerns me is why: the safety room
parallel to the leftist thesis of offensive speech
was put in play when a discussion took off
concerning feminism, between milo yiannopoulus
and julie bindel - that's like saying:
ask a pederast to talk for a heterosexual man
with a woman safe-space...
                                no one wants to hear
the heterosexual side of the argument....
  you'll sooner see heterosexual intellects have their
marriages come undone then get paired with either
side of the argument...
     little richard is in the pickle jar anyway,
and he's not coming out...
                it's a bit like ****** for dummies....
       hence i have to succumb to violence without
the glory, tongue waggling blah blah
when i'd gladly take a weapon and shove it into
a shattered cranium bone: had i the ****** chance to
do so!
           no heterosexual is taken seriously:
and won't be:
    of a woman to be like a rosy cushion on which
i can lay my head after the darkly toils of
    roofing, or laying bricks, or excavating the sewers...
no! let the Chinese do that:
the basic argument of slavery, although imported
therefore ****** ******* fine.
                         cryogenic fathers,
      pickled *****:      where's the middle in all of this?
     a coconut just fell from the Boddhi tree:
money!           and those that defend it,
don't know squat about the tribalism of squatters!
but hey! they have the ****** stage!
         i have a bench when someone approaches me
and talk, doing the best thing possible:
               knitting opinions -
i don't want the truth of opinions: i want a sweater,
or a pair of socks! that's metaphor for something
different altogether.
  keyboard crusader? really? can i ask you for
directions to the high street, in every single town
across the country? i can't find one!
         no one hears a heterosexual argument
on the various topics: because there isn't one -
                     as of the end of the 20th century,
working classes in the west striving to ensure
there is something mundane to do during the day
and kick back with the family in the evening
are the "inferior" neanderthals: who
haven't jacked into discovering a 3D reality
of what's otherwise a 2D computer screen and
aren't hooked on #crack;
honestly, so much debating ought to be opera,
and so much opera ought to be debating -
    ah: that famous tingle of utopian paradoxes
never in duality, but always in dichotomy.
   keyboard crusader?
really? i thought people were always moaning
about how many emails they receive:
   and never a single postcard from, say,
someplace like Venice?
           it's still early days,
                   and already we're brewing enough
cliches to replace all known nouns in
    the surrogate mother that's the dictionary
of our completed version of a soul -
if ever to be experienced upon meeting the omni-vocabulary;
jigsaws, i know my idiosyncratic version
of events, he says photosynthesis within parameters
                            of photon deconstruction of hydrogen;
'cos' it's sub; d'uh! i say god i say this perfected
version of nearing telepathy - you say god i hope you
don't mean satan's clause - great anagram to frighten
children with: the Babushka surprise of a Pumpkin head
laughing it's way toward: how easy life would be
if we had all that time to think it through as being hard,
rather than that mortal fleetingness in both thought
and body.

ii. Macbeth

it really dawned on me, when i was watching the film
Macbeth (2015) -
            there was an eeriness to it, a near perfection
of Shakespeare on screen...
           honestly? i'd rather read Kant early on in life
while i have the vigour, and leave old age to Shakespeare...
but it truly was eerie all over the place.
      i do recall seeing Romeo + Juliet
          and reading the script, and imagining the fallacy
of word for word translation from theatre to cinema
of the script: the narrator a news channel anchor,
and everything said, word, for, word.
that film with DiCaprio as Romeo and Claire Danes
as Juliet - it just felt itchy, uncomfortable -
                            Shakespeare, word for word, on screen?!
     (surprise, then astonishment, not !? or astonishment,
   then the surprise, because: it didn't really work);
and it didn't! you can't adapt Shakespeare to the screen
and put everything in! i noticed it at that ******
generous scene in Macbeth concerning the battle
of Ellon... so i was like like... this isn't typescript...
(and thank **** it isn't) -
you can't depict Shakespeare word for word,
to be honest, Macbeth (2015) is the only worthy
translation of Macbeth (the text) into Macbeth (the movie);
all this scientific exactness in previous examples
like Romeo + Juliet, the Merchant of Venice
and a Midsummer's Night Dream don't work,
it's their precision making,
     a theatre cast can take it, but a cinema going crowd,
with all these cutting and copying and repasting
    succinct moments? it doesn't work!
maybe because there's no actual narrator in the staged
examples? narrator as a necessary character understudy:
surely Puck and the news anchor are there:
don't know about the Shylock scenario...
           but these screen adaptations didn't work for me,
too rigid, too formal... in the case of Macbeth?
finally! the long awaited piquant version of Shakespeare:
all that matters, and the rest is thrown into
poetic technique: imagery, metaphor,
                everything that's necessary can be given grammar
as image and not word!
       want an example? from the text...
the Royal Shakespeare
  from the text of Professor Delius
  and introduction by f. j. Furnivall, ll.d.
         vol. v (special edition)
Cassell & Company, Ltd.

        sure, it feels like a Roman Polanski moment
akin to the 9th Gate scenic affair of a bibliophile
fetishist, and it is:

     ... (the only enemy of enso poetry
is the bladder) ...

well the screen play first:

banquo: what are these?
macbeth: live you? or are you aught
                          that man may question?
       speak if you can - what are you?
1st witch: macbeth! hail to thee
                    thane of Glamis!
2nd witch: macbeth... hail to thee,
       thane of Cawdor!
3rd witch: all hail Macbeth! that shalt be king in-after.

but such disparity, such **** as if once
of Lucretia, then of the authority,
for i have before me the original composition:
which is not worth cinema -
nonetheless, a **** takes place:
an assortment for the abdication of a king:
or as ever suggested: the wrong footed path:
never was tossing a coin in a gamble
that of tossing a crown into the air
for a court jester to appear less amusing
and more scolding.

act i, scene iii: post the battle of ellon...
  if ever the refusal to give up Greek myth,
then Macbeth's witches
      and Perseus' Graeae -
                            or naturalise a myth:
like you might not naturalise a strengthened
economy.... canonise the nation
with Elgin Marbles - Elgin: less than
what's said to be the exfoliation of the Aegean -
a municipality somewhere in Scotland:
west of Aberdeen, on the Northern Sea's
battering of the coast...
but word for word? or how to write Shakespeare
into cinema?
                 herr zensor must come into play -
you have to bypass imagery in poetic tongue
and relay it with actual images, a direly needed
necessity:

just after the three witches arrive,
enter Macbeth and Bonquo...

   Macb. so foul and fair a day i have not seen.
Ban. how far is't call'd to Fores? - what are these,
     so wither'd and so wild in their attire,
that look not like th' inhabitants o' the earth,
   and yet are on 't?
             live you? or are you aught that man may
question?

                  (how word for word, but the words
waggle from a different tongue, namely that of
Macbeth, and not that of Banquo, hence
italicised).
                   continuing:
       you seem to understand me,
by each at once her choppy finger laying upon her
skinny lips: - you should be women, and yet your
beards forbid me to interpret that you are so.
Macb. speak, if you can - what are you?
         the witches. all hail, Macbeth!
     hail to thee, thane of Glamis!
         all hail, Macbeth! hail to thee, thane
of Cawdor!
         all hail, Macbeth! that shalt be king hereafter.
            
so does he really belong on the psychoanalytic
couch? is he really that necessarily wonton of talk?
  Cawdor v. Gondor - it's an ongoing narrative.
but is he in need of a couch?
                 what sort of talk is talk when
in fact the only talk that's need to be said is the talk
of man's sexualised naturalisation for strife,
and here: as if knocking on a door:
you want to simply hear the onomatopoeia of
the Kabbalah in a woman gasping for breath
while puny Jewish boys under strict rabbinical
studies study?

                mama, take this badge from  me,
i can't use it, anymore,
            it's getting dark, too dark to see,
feels like i'm knockin' on heaven's door -
      my big mouth and man as a piston
                                               Ferrari acrobat


(even the soundtrack is a shrill, a strangulation
variant of higher pitch of the bagpipes -
not that braveheart ****** of whisking out
a song like for the love of a princess addition to:
  and can i have a madonna to boot too?
it's piercing, a whale sonar above refrigerator
white noise hum for the new age Buddha -
and that's because all the poetry has been excavated
  to suit cinema: not theatre).

and this is the first adaptation of Shakespeare i actually
could stomach...
     the genius was in how Macbeth spoke the lines
of Bonqua - so the character didn't start smacking
the narrative ****** in terms of solipsism:
even Shakespeare can be attacked on this front...
        if in the movie Banqua said all that was in
the typescript: the film wouldn't have worked...
i don't know what the big deal is with Lady Macbeth:
i thought that in the olden days
Macbeth suggested to King Duncan that:
can i leave the warring if you **** my wife?
i can go on the contract that you **** my wife
and i stop serving you?
      first impressions: strange English.
well, i'm sure she's important as it might be said:
within the programme of Orthodoxy,
            but never catholic (metadoxy) tradition of
saying: way hey! ensnare the mare in a funfair!
       and play the game: pin the tale on the donkey!
heads or tails?      it looks pretty damnable
     in the first place: as all honesty hogs to pout and
***** a hoggish sneeze out of the story.

iii. shaken, not stirred

and indeed, how many a times
did not a neon blossom sprout,
thinking it might rattle an oratory
with an oak in autumn, and behold
a swarm of leaves descend -
not out of passing ease,
but out of wishful thinking
that some indentation might be made:
with whom the hands of will reside,
and yet: to no gratifying effect,
to whatever atomic-centralisation
dream, be that ego or be it hydrogen
(lending hands: so too
electric or thus negative, neutral and
thus proto) - shake foundation
and give a revising repertoire of
              the covering dust humanity
that once made famous: never
again to learn the humility of the start;
        to whatever centric dream that
does not waver in demands of orientation,
be it father (sun), son (shadow)
  or the holy spirit (night) -
  make them earn! be obscure!
            or simply say: in the community
of the stated congregation:
  i find all to be as night,
   and safer that plague the father:
  i am not akin to the shadow:
                   but the shadow in mirror.
so, a centric dream that does not
waver in demands for orientation,
has ever or will be enthroned in man's
heart as the stability of Sabbath's demands
       for less, oh so much less to agitate with!
as too, when the ancient appliances
were adorned by countless demands of
mimic, so too our modern
fibbles are to stage a usurping of
such things demanded and their mimic;
for with such disclosure does all fate
of anewed become burdened in what
history could be: shaken,
rather than simply a stirring of the void,
nothing more than the unburdening
of sweetening a cup of coffee, of that and
the layers: or bitter at the top, drank
through toward the sedimented sweetness -
and all that: hoping i could have retained
that silver spoon lodged in my ***
          when i first met her and thought about
consolidating marriage: so fresh, eager prune
of the flesh embodiment as first
    watered ash, then entombed in marble
and the eternal... ah
               but it was all just the faintest of dreams;
so lumberjack sleep ensued,
                      as did a kindred worth ethic:
we are a long way from Eden...
      there is but the idyll of the absurd fruition of
albreit macht frei... or a redefinement of
such stakes as: what occupies our days?
                    if not war, if not disease,
if not the Chinese... what does, occupy our days?
Andrew Gale Feb 2015
I express myself online because its easier than to your face.
You don't even press the like button, my world collapses.

I hide behind my keyboard, A warrior in plastic.
You don't understand how hard this would be in real life.

I come across in a certain way, that's just the way I type.
If you were here with me, I probably wouldn't even speak.

The flickering LED's comprise my Armour, Hidden behind a shield of light.
You might think I'm somebody else, I'm your keyboard warrior.
Aa Harvey Sep 2018
Mr Whoever Invented My Keyboard


The stupidest thing ever invented
Is the power button on my keyboard.


Hours and hours of smoking and playing, lost to a mistake.  
I knocked it off the bed and lost it all!
You’re joking!


Well I agree with you then,
This invention is ludicrous.
Hey Mr. Whoever-Invented-My-Keyboard!
You’re an ****!
So shove this keyboard back up yourself!


(C)2013 Aa Harvey. All Rights Reserved.
Terry Collett Apr 2015
You must practice, Yochana's mother says, you need to have the Schubert off better. Yochana moves her thin fingers over the keyboard, eyeing the music-sheet on the piano stand. Her mother walks behind her, eyes on her fingers' movement. Angela said some boy pays you attention, the mother says, focusing on the fingers, how they seem too stiff. What boy? Yochana says, pausing her playing, please to stop, eyeing her mother, thinking on the boy Benedict, the kiss he gave her on the cheek. Angela spoke of some boy at school in your class, the mother says, and play on, your fingers are stiff while playing. There is no boy, Yochana says, lying, but trying to do a professional job at it, but not that good as her eyes give her away, proceeding to get her fingers playing over the keyboard once again, bring the Schubert back to life. Then Angela is either mistaken or lying are you saying? Her mother says. Yochana says nothing, wondering how much Angela had said, and how much pressure Mother put her on the poor girl. I've told you about boys, you have no time yet for boys, not while at school at any rate, and it then needs to be the right boy, and I cannot see there being that kind of boy at that school, the mother says slowly, but with emphasis on the word -right boy-, and still the firmness in the way of speech. Yochana comes to the end of the Schubert piece and puts her hands in her lap. She sits stiff. She hears her mother breathing, pacing behind her. Still too stiff in playing, she says, and this boy and I assume there is a boy or Angela would not have mentioned one and I do hope you are not taking to the art of deception, Yochana, as you do not have that skill to any great degree. Yochana turns and looks at her mother. Just a boy in class and it's nothing, she says, never going to mention the kiss on the cheek, she thinks, eyeing her mother's eyes. And what is he up to, this boy? Nothing, just a boy in class who stare sat me. And why does he stare at you? Have you been encouraging the boy to stare? Yochana shakes her head. Her dark hair moves from side to side. Of course not, she says, seeing Benedict near her in her mind. So why does he stare? the mother asks, leaning over Yochana, her hands each side of the piano-stall on which Yochana sits. Maybe he likes to stare at me. Don't be flippant, the mother says, Angela says he seems too friendly with you. Too friendly? Yochana senses herself blush and tries to add distraction by turning and playing a few bars of Beethoven, he's just a boy who stares and jokes. Then discourage him, the mother says firmly, or I will write to the Head and complain. I do discourage him as best I can, she lies, bringing the Beethoven along fiercely. A slap drives her hands from the keyboard and into her lap where she digs them deep between her thin thighs. Don't try and distract me my girl or you will  be pushing me to my limits and you know what that means, the mother says. Yochana looks down at the keyboard, senses the sting of pain on her hands. She nods. I will ask Angela to keep an eye on this boy and you it seems. Angela and her big mouth, Yochana muses, looking at the motionless keyboard, black and white keys. She sees Benedict kissing her again on her cheek just out of the blue that day. It was sudden. Smack on the cheek. Damp, warm. He standing there smiling. She stirred up, but pretending not to be. Understand me? Her mother says, turning Yochana around to face her, gazing into her daughters eyes, through the thin wired framed glasses. Yes, I understand, she says, trying not to look at her mother, attempting to hide her tears coming, the sting of hands. Then go to your room and focus on the English work, otherwise you will get behind with that and you will need that if you are to make anything of yourself at that school, her mother says, standing back allowing room for her daughter to rise up from the piano stall and move. Yochana walks away from the piano looking away from her mother, her eyes watery. And remember, girl, you are only fourteen not twenty one, still a child, the mother says at her daughter disappearing back. Yochana says nothing, but walks out of the music room and up the stairs, one foot climbing after the other in a slow determined fashion. She knows what her mother is implying. She remembers how strict her mother can be. She walks to her room, opens the door and enters, closing the door behind her and leans against it. Tears fill her eyes. Angela's big mouth. No doubt innocently said. Mother pushing it. Squeezing all she could out of the dim girl until it had all she needed. I'll see Angela and have a word. Keep it quiet. Mouth shut. Or I'm for it, I'll tell her, Yochana  says to herself, moving away from the door and picking up the English grammar and lies on the bed. That sort of boy. That kind of school. Was Benedict that kind of boy? What kind was he? She didn't know. Not her mother's idea of a right type of boy. Kiss on the cheek. She felt her cheek where she recalls he kissed her. Fingers feel there. The sting in her hand is still there as she moves her fingers. She puts the English grammar book beside her on the bed and closes her eyes, pushing out tears. She places a hand to her cheek. Rubs it. Takes the fingers from her cheek and puts the fingertips to her lips and kisses, then slowly blows the invisible kisses towards the window, hoping to God her mother doesn't see the invisible kisses flyby and go.
A GIRL AND HER MOTHER AND THE BOY IN 1962.
Jay G Oct 2014
So it's been awhile,
dear keyboard of mine.
Wait,
I suppose you aren't mine.
Just a little piece of plastic,
that takes up my time.
Do you even understand the words that come out?
I know I don't, but the bottles uncapped.
I give up all the worrying,
the shame.
I give up wondering, if any one will know my name.

Dear keyboard are you playing the same game.
You're in this as much as I am.
You're half as responsible,
and you don't seem to care.

Keyboard, I love you.
For something that has no feelings,
I feel you love me too.
Marshall Gass Nov 2014
just as delicate as piano keys making music
the black plastic tickles
the whites embossed
something lit up like Christmas trees
joyous in their duties

the keyboard strokes dictate
what our fingers cannot do
we are trapped in this entourage
sending, receiving, erasing data
flows like -like little lava streams
racing faster with two fingered urgency

such novel
ideas written in word-processed perfection
poems of technological wonders
endless streams
collecting into rivers of words
until at least the verbal sea
explodes  reason to this keyboard
of  entries alpha-numeric
patient progress.
Who is watching us as we work?

Author Notes

simple object-technological gateway.
© Marshall Gass. All rights reserved, a month ago
John West Oct 2015
I am typing on a keyboard
I dream about fords
But unfortunately
I can't afford them
To me they are a gem
A gem that stems
From my brain
One day I'll have to use a cane
K Jul 2018
Tears on My keyboard as I write this,
Cause my heart hurts
I don't have you,
but yet it feels like I do
I can't wrap my head around it,
On why I feel this certain way about you
I'm Heartbroken over someone I never was with
But that's what a crush will do to you,
That's what being in love will do to you.
I will take your heart and dance with it,
Spend the night with it,
Then smash it into a million pieces when it's done
Then when you fall for another man,
It will do the same thing,
Time and time again
It fells so good
But hurts so bad
From your smile
To just being in your presence
I feel so ******* stupid
That's why there're tears on my keyboard.
anastasiad Jan 2017
While in the line of ProBook, designed for business people, there seemed to be the uniqueness H . p . ProBook Four hundred and fifty G2. The girl, like several involving your ex sisters and brothers, is a great doing the job unit and not simply because in this article, together with built in images plus distinct offered. So besides office environment tasks will even enjoy uncomplicated online games. An awesome replacement for catch several wildlife along with one particular rock. I'm wondering what otherwise is able to you should this ProBook 350 G2?

Design and style ( blank ) Hewlett packard ProBook 450 G2
That 16.6-inch device has got dimensions 375x262x23-25 mm, and its particular body is employed matte soft-touch plastic material in addition to lightweight aluminum. Forces and hues the product, although it is kind of typical, or in other words conventional. The lid as well as the bottom on the ProBook 400 G2 black, while the important area ?silver. Alternatives back again of your pc, the idea contains the air vents, compartment, to which includes the ram segments and hard hard drive, and battery power as well as segments to help eject And sealing. As to the design, plus there is very little authentic. Include and also basic aspects slightly rounded physique truly becomes smaller, except that it is actually fuller regarding some mm.

Whenever we talk about the fat from the product which can be 3.One particular kg, it is not only smaller for such a style element, but the best, in order not to experience irritation whilst traveling as well as business trips. Also, the laptop is created perfectly, whatever the case, a distressing experience with this functioning, he does not go away.

Present, sound, net camera - Horsepower ProBook 400 G2
A monitor with the laptop includes a 16.6-inch straight as well as a quite minimal decision with 1366?Sixty eight pixels. Naturally, correctly could be plenty of, these days this determine will not be specially beautiful from the little brown eyes of end users. Incidentally, your settings and also distinction is too higher, in case you utilize a laptop at work, although not since crucial for the duties to generally be carried out about the ProBook 400 G2. As well as the matte present surface area is a lot more secure versus the lustrous, not only for motion pictures also for office work. In terms of taking a look at sides, they are not hence vast in which, without decrease of image quality watch training video or even photograph from your facet, as opposed to just staying straight while watching computer screen. In addition suggested choice: show by using Entire HD-resolution, effect regulates, in addition to aid pertaining to 10-finger multitouch.

The notebook can be a A single.Three mp web cam. It is actually sufficient regarding movie telephone calls in Skype, to maintain in contact with friends and colleagues. In beneficial gentle snapshot from the camera, will probably be far better.

Intended for sound recording production suffices two music audio speakers based over the keyboard set, along with the adjustments DTS Sound +. The seem is definitely sent with out deformation, with the exception that in addition to high frequencies would choose to find out a little bit of striper. Sadly, a laptop isn't adequate quantity so that you are probably certainly not well worth parting together with earbuds. As well, the product is usually a business-class, therefore the acoustics in the primary premiums and are not made.

Keyboard set along with Touchpad ( blank ) Hewlett packard ProBook Four hindred and fifty G2
In the key-board, waiting in this laptop computer, there are plenty of benefits. This can be mostly a waterproof surface that won't complete towards interior pieces poured the liquid. It is usually a tropical, full-size, incorporates nampad.

The particular control buttons employ a centre system, forced without having a lot attempt but not also noisy. Recommendations and it's away from the key board, they are accountable for this introduction of the laptop computer, the initial involving cellular quests along with mime.

A touch pad includes a beneficial receptiveness, completed through the help of two-finger scrolling, along with both horizontal and vertical. Moreover, you may move as well as focus, make use of. Manipulator doesn't besknopochny, listed here there's two actual personal computer mouse.

On the right on the known as is actually a finger marks scanner, it has the reputation is quite easy regarding business enterprise vacationers and everything those who used to safeguard computer data out of prying.

Efficiency ( blank ) Hp . p . ProBook 400 G2
Brand-new makes 64-bit main system Microsoft windows 7.One. Just in case Hewlett packard ProBook 450 G2 (J4S24EA) covering the low-voltage dual-core Apple company Central i5-4210U , which has a time clock volume of one.7 Ghz as well as a storage cache inside third volume of Several Megabytes. The following chip is made in Haswell 25 nm technological know-how, how many its features consist of service regarding Turbo Raise, which allows to boost the frequency to two.Several Ghz with a one lively nucleus, together with Hyper-Threading, through which the two cores is actually refined approximately three facts water ways in unison. As you can tell, compared to the forerunner Center i5-4200U the following a bit improved time clock pace since the bottom, and something by which the actual brand operates in any style Turbocompresseur. I must say which Center i5-4210U handle business office chores and also media, however if you have to have a stronger notebook, then otherwise you can pick an extensive fixed with primary Central i7.

Graphics Credit card Apple company Hi-def Graphics 4400 incorporated while in the nick, is a wonderful selection for easy artwork chores. Such as, looking at videos, modifying shots. Although with more intricate operations better equipped reduce let loose AMD Radeon R5 M255. Its rate of recurrence is definitely fewer than 940 Megahertz, he supports DirectX 11.A couple of and has now Only two Gigabyte involving of memory space standard, DDR3. Performance of this credit card wool, to ensure superior image quality, particularly, is certainly a great way pertaining to games. In between incorporated as well as let loose visuals can be turned.

As to Cram, it offers a couple of video poker machines, one of which is well worth menu 8 GB DDR3L-1600MHz. Certainly, this could be adequate ability to arduous uses in addition to rapidly do the job, especially since book is possible to set up the maximum amount of Memory ?04 Gigabytes.

You are able to retail outlet data on the hard disk ability associated with 650 Gigabytes and a quickness with 5400 innovations every minute. So as well as office docs a person undoubtedly fill out "piggy bank" the laptop computer multimedia data files as well as game titles. With regards to the settings as a drive generate may be mounted Hard disk drive smaller sized quantity or perhaps 128 Gigabyte SSD.

Locations as well as Marketing communications * Hp . p . ProBook 400 G2
Only be aware that on the appropriate side from the journal is really a more compact volume of slots compared to a eventually left. So, for the proper you can view this built-in visual push Disc +/- RW SuperMulti Defensive line, adjacent to which are a couple Universal serial bus Two.0 ports and a put together microphone connector and also a headset connector. Towards the end faces visible position with regard to Kensington lock.

For the complete opposite aspect can be a choice of distinctive user interfaces. That VGA, High definition multimedia interface, plug for your wall charger, a couple Browse 3.2, along with network RJ-45 dock. As well as the plug-ins within the kept area from the HP ProBook 450 G2 increases the in-take to take out heat.

Indications within the pc enough, but they're never situated in a single location. Several is seen higher than the key-board. Inside remaining corner is actually a lighting switch on, for the right ?a couple of Led lights (do the job instant multilevel, silence). Additionally, you will find a screen within the keyboard set ?Num Shut as well as Hats Locking mechanism. Although within the nose is simply the LED in the hard drive, which is given near the greeting card reader, reading formats SD, SDHC, SDXC.

Cellular connection in a very pc through Wi-Fi 802.11b Versus grams / d along with Wireless bluetooth 4.1.

Battery power -- Horsepower ProBook 400 G2
Horsepower ProBook Four hindred and fifty G2 Battery Package with 5 parts. Lithium-ion battery power features a volume with 30 Wh in addition to asking for 65-watt power. On the independence in the notebook is not a great deal hard work Data, doing the job devoid of re charging mode internet surfing two to three hours, plus within a weight connected with at most A person.Several hours.

Realization -- Horsepower ProBook 450 G2
Hence, this particular novelty, portion of a series ProBook, will appeal to those people who get the job done each day with a notebook computer, but he was no unknown person for you to leisure. Which H . p . ProBook 400 G2 will assist keep, making it possible for to try out, focus on new music or check out video clips. Is the fact a visit to this kind of hobby will not likely continue to be very long, because the small operating duration of the battery pack. Of course, too high-quality illustrations or photos through the present, you cannot put it off, since settings and contrast are small, as well as timetable is certainly not the main stage. But that notebook computer ?it is just a viable option intended for everyday projects.

The price tag on this gadget is concerning $ 800, which could in part end up being revealed by way of current fruitful satisfying, the presence of a finger print scanning device and also a water-resistant keyboard set. However with the price tag, search along with similarly functional in addition to profitable type. Generally speaking, should you prefer a notebook typically for function for pleasurable will be 2nd, for the ProBook Four hindred and fifty G2 will not seriously imagining to pick out.

http://www.passwordmanagers.net/ Password Manager Windows 7
Eugene Oct 2018
Abalang-abala ka sa pakikipag-usap sa iyong kustomer at hindi mo na namalayang tumatakbo ang oras. Ang nasa isip mo lamang nang mga oras na iyon ay matapos mo ang iyong trabaho nang walang palya at walang ano mang iisipin pa. Nang iyong tanggalin ang headset ay doon mo lamang napansing ikaw na lamang pala ang nag-iisang ahente sa ikatlong palapag ng opisinang iyong pinapasukan sa isang call center.

Tanging ang liwanag na lamang sa iyong station ang tanglaw nang mga oras na iyon. Kaya naman ay sinipat mo ang orasan sa iyong wrist watch at napagtantong isang oras na lamang at sarado na rin ang buong building at kailangan mo ng umuwi.

Inayos mo na ang iyong mga gamit at siniguradong na-i-document mo nang maayos ang mga calls recordings mo. Nag-inat-inat ka pa muna bago mo pinatay ang monitor at CPU ng iyong kompyuter. Hinintay mo munang naka-shut down na ito bago ka tumayo. Nang tuluyan na nga itong namatay ay agad **** binitbit ang iyong back pack. Nang tatalikod ka na ay isang malamig na simoy ng hangin ang nanuot sa iyong balat.

Sa iyong pagkakaalam ay sarado naman ang mga bintana sa opisinang iyon at sigurado kang pinapatay na rin ang aircon kapag isang tao o walang tao nang naiiwan roon. Ngunit, kakaibang lamig ang iyong naramdaman. Hindi lang iyon dahil isa, dalawa, at talong beses kang nakarinig na may nagtitipa sa keyboard.

Halos lumabas na ang iyong mata sa takot pero nanatili ka pa ring matapang. Huminga ka muna nang malalim at agad nilingon ang kanina pang nagtitipang bagay sa iyong likuran. At doon ay lalo kang nanginig nang makita ng iyong dalawang mata ang biglang pagliwanag ng monitor at sunod-sunod na pagtitipa ng wala namang kamay na mga letra sa keyboard.

Nang mag-flash sa screen ang mga letra ay doon ka na nagtatakbo palabas dahil nakasulat doon ang mga katagang TYPING KEYBOARD  na may kasamang pigura ng duguang bungo.
ConnectHook Sep 2015


A signifying monkey grunted
(keyboard-clever, morals stunted)

from his perch in a digital tree.
And next, did text (quite rapidly):

“Courtship rituals won’t suffice.
Face-to-face can’t break the ice.

Instagram me! Tweet me up . . .
friend me, like me, buttercup.

Sentences are so outmoded—
take too long to get decoded;

primate sexting hits me faster,
steers me towards your hot disaster.

Female monkeys: send an image.
(Ain’t got time for useless verbiage…)

if your snout just might unseat me
tweet me, greet me—don’t delete me.”

Then, unpeeling fresh banana,
searched his screen for Vox Humana. . .
https://connecthook.wordpress.com/mine/various/

Kairee F Jul 2014
This place is my release,
A white screen in front of my eyes
waiting to be filled with a story
that emerges from the tiniest thought,
the most fleeting sight,
the most faltering emotion.
Whatever shoves me around,
whatever makes me fly,
this place keeps me grounded
to where I am the safest.
And sometimes,
when I don’t know what brings me here,
I just listen to the clicking of the keyboard
held prey beneath my fingertips,
hoping to see the answer reveal itself.
That didn’t happen this time.
My heart hangs heavy in my chest,
held there by cages of bone and blood,
swinging from an avid artery
back and forth,
back and forth,
like the ticking of a clock
tracking the time till I explode.
Have I detonated yet?
Maybe, when the clicking stops,
it means I’m whole again,
without needing to learn of what ails me.
I have nothing to say here.
I have yearnings of freedom
crying through my nerves here.
May they release with these words here,
calm with these words here,
rest with these words here,
so I can go on with the earth here.
Can it stop me from unease?
Will my eyes lift again
to the beat of a heart left floating?
I still hear it,
the clicking of the keyboard
held prey beneath my fingertips,
held pray beneath my fingertips.
Can it lead me out of this one?
This place is my release.
Mateuš Conrad Jan 2017
there's always that trailing off i get when i write,
oh god, whiskey is a ******...
    it drags you like a mermaid to the depths,
i start to feel an anchor in my mind
even though my heart is steady-numb...
   and i evidently become slightly dyslexic...
  but hey! what can you do:
     either drink and be miserable,
  or drink and unfold with terrible spelling at
the end of a session... and feel shame the next
day, having seen the outpouring
from the previous night...
      better still... i could recommend tending to
a small vine-patch...
and like me: taking a break from whiskey once
a year and drinking your own produce...
    unless of course you have a local turkish shop
nearby that sells out-dated beer
  at half the price... let me tell you:
that's ****** marvelous... nothing like
out-dated beer... it's right up there with the rollercoaster
and the kick! my my! it's so sudden...
      but it hits the spot,
all the disorientative effects of mushrooms:
without excess Dali lodged in your eyes...
so yeah, out-dated beer... double the trip...
but today is different, i have about 30 litres of
home-made wine just ready to be drunk,
   i've downed one bottle and i'm running
errands with the next... but i'm not miserable
in that i'm washing away my sorrows...
the funny thing about making your own wine
is that once you drink it: you celebrate...
you start to think about all the effort you put
into making it... how you picked the grapes from
the vine, how you squashed the grapes,
how you stood bedazzled by melting sugar
        in a little bit of water over the stove
(and how it started looking very much like
heavy water, or mercury, but see-through) -
and how you sniffed the stench of yeast,
and then waited for a month or so for the ****** thing
to take up strength...
   and now you're drinking it...
                    oh yes... wine in essex is very much
agreeable... and my my: i am really celebrating this
endeavour... it's not as fake as going to the shop
and buying a bottle of wine... i am drinking
my own work... i am celebrating, there's no god
or omen in the world that can tell me otherwise...
    i waited a year for this, well: two...
i don't know what happened last year, i mistimed...
the grapes froze, there was a sudden surge of frost
and i was really upset because of it, 2 years ago
i was drunk like a skunk for several days
and wrote some poems in between,
      and put my own wine on the christmas table,
but since i was ****** for so long, i could only
showcase one bottle...
      well they do say there are spirits out there,
and i must say: wine, esp. your own really is
the veritas, as the saying goes: in vino veritas...
    bring it back to whiskey, or Ms. Amber as i like
to call her... she's not sour, and she's pulverising,
so she's no friend of the tongue... in case you're wondering
i'd like to call herr goebbels right now...
         but can you feel a shame of having misspelled a word
drunk, because your hands started to feel
   a bit like a daddy longlegs with one or two legs missing?
in terms of the keyboard...
what are the prime digits?
right hand: ******* - ****! now my hands feel conscious
of me talking about them...
middle and thumb (for the spacebar) -
   index finger for the opening bracket (  
pinky finger for the enter button -
                 to make room for the next line -
which makes me wonder about my left hand,
it would appear that i'm left handed when before
the keyboard -
   the main provocators are the index
middle and... surprise surprise! the ring finger!
the left hand thumb sometimes does
                       use the space bar also...
the the right hand ring finger is hardly used...
i remember watching my doctor type at a keyboard once...
a bit like a crow pecking... it went like this:
index (right) index (left)
    index (right) index (left)
               index (right) index (left) - it was agony...
it was a bit like standing at a supermarket cashier with
an old lady in front of you, buying butter and milk
and talking for an hour while counting her change...
   ageism? no! just your typical life-bound comedy of
how the stats stack... we spend this many years in traffic...
and my, the hand thing...
       yep, next thing you'll - aha! there is the ring-finger
utility in the right hand after all - it comes with words
that come shortened, i.e. you'll... the ' mark,
and also the backspace button...
                  i was going to say: (the shift button?
pinky owns it) - as the great kabbalists have this fetish
of looking at your hands, it's worthwhile to note down
this geography of the keyboard...
   they'd just point at the indententions of the hand
and spew words out like: girdle of venus...
     malkhut (silent h) -
                 which brings to mind:
   we already know the name is silent,
  since you might be served an indian dish called
dhal... and in fact you would be served such a dish,
but you'd only say you ate daal... or dāl...
then again that's also true with the pedant puritan
who'd note it as: dhāl... which is funny that this isn't
merely coincidental... a language that doesn't
use diacritical marks, and has a third arm sticking out
of it in terms of what letters remain silent (but are
inserted into words nonetheless), and a concentration
of the same rubik's "cube" akin to y and w...
      y and i are so close! you can almost feel them pushing
together, or giving birth to something!
  why?! why?!
                         (insert snigger)... drunk humour:
it gets the better of me sometimes...
   so yes, that thing about kabbalists and the hand thing,
other words could be included, like: keter,
               bina(h),             gevura(h),  
strangely enough Hod...   tiferet (what a beautiful word),
    yesod....     chok(h)ma(h)...   chesed...
netzach! hey! surfing u.s.a., i think i'll bring my banjo
to sniff out whether i'm part of the scene:
dangle dangle plop plop... ah poo...
                   p pi po'h...           and last weekend
we had snow... it scared the bejesus out of people
for a while, but things returned to normal nonetheless...

- interlude -

the tyranny of being conscious...
long recognised by eastern philosophy and the practice
of meditation...
  to be away from me...
        and they do so, splendid,
and then all toward vanity, given you're forced
into dreaming... so even when you're not even
conscious... i.e. unconscious...
   you're being fed a dream...
  and however disroted that you in the dream
is... there's still you...
oddly enough: if i make thinking = dreaming
   i can honestly say: i wish i dreamed more
than i thought... me not a mighty oratory gob
after all...
            evidently doing hallucinogenics
   was to excavate the dream into the waking hour...
and that's how i'll leave this interlude,
   i just imagine andy warhol testifying about fame
at the opera...
   or that's me bound to watching:
   alain de botton... or what does need diacritical
marks: alain dé bóttą...
                        dé bóttą... the art of travel,
                    on the QE2...    
      dé bóttą! oh the marvel, French of all languages
is nasal and glottal! when speaking Polish you
might as well be talking in razors...
                  Greek and lisp, English and Cockney rhyme...
and the lost trill of the R... R hollowed out...
                and once again to modern times:
the imperial march (darth vader's theme) vs.
     beethoven's 9th symphony...
                                                             tra la la -
both as universally acknowledged as the sound of
a ****... and perhaps a pigeon's coo-woo
                                                                                       -

...the interlude actually contains what ignited me to
write... drinking aside, but drinking too...
   in all too a great happiness that somehow i live
a life that asks for narrative minimalism,
               i can say: and in between i did **** all,
i thought profanity was necessary,
            and how i'd wish i'd have written a epic
like don quixote... but then i thought: keep it real,
keep it real... av a laugh...
                           i'll probably taste the sour from the wine
sometime soon, once the narrative becomes a Gobi
and i get worked about the eventual loss of
   a carpe diem quickie...
                           but it's still there, for the moment...
        and having realised that: it's gone.
               and i did say:
    by the personnae principle, in line with not writing out
a Tolstoy, i have to admit that i never know
who i encounter in my exploits...
            and there is a personnae principle at work here,
it's not Shakespeare, that much i know,
   it's the practice of personnae incorporation that
does away with: and Titus said:
                                      veni! vidi! vendredi!
(oi oi, enough of the French static, ya ponce!)
          so that's that, poetry has come to resemble
   modern art... given the personnae principle
we have done away with all the intricacies of
        writing a Shakespearean play...
Titus - lo!
   Anthony - a plum tree!
                          as a person competent with narratives
i ask for all people to leave the building...
   a pit of tongues i might also add...
      populo in singuli!       ah freckles and ash...
it has to be: pertaining to the vulgate...
   nothing better than speaking illiterate latin ol' boy...
  a bit like richard brautigan
writing the pill versus the springhill mine disaster -
there the buds of the concept personnae (without clear
indication that we are dealing with a crowd,
so no memorable quote or character, the narrator
is trying to keep his **** together, pardons for the laziness
and lack of indicative marks that there are actually
more people in the room than could be expected...
me and drunk me make up a thousand crude-essentials
as to what is intended to imply: having a good time) -
    sometimes poetry is just that: a quickened code for
acting, albeit without any character-study,
        or diet, or paparazzi...  and it's so quick... you've
watched a movie like a mosquito lived its life and you're
writing the credits...
       like richard brautigan wrote that poem -
      when you take your pill
           it's like a mine disaster.
       i think of all the people
      lost inside of you.

richard brautigan! richard brautigan!
this is the mine disaster company, over!
         yes, we number 34 souls in total.
       and there's your thesis! it must be hard to
write "poetry" and never, not once: experience
the Styx in your travels, the pit of tongues,
         or the personnae principle...
              always bound to rigid narrative constructs,
alway having an aliby with a 'he said it!'
          it must get horrid sometimes,
   living that life of a puppeteer / narrator -
     never really drunk with pesky humour -
       never once enjoing a wicked thought -
        a meddle on the omnius frivolity of life...
but personally? i find it almost bewildering that
of all the ancient Greek gods... Hades was homeless...
that's before Hades was a noun designating a place,
a realm... i just find it hard
to believe that of all the gods, Hades didn't have a temple...
    the only god from ancient greece that didn't
have a temple... sure, they had a statue of him,
  but there was no temple to see to benediction...
now i really think i've over-stepped it...
                     the wine is imploring me to end this
polyphonic nonsense, and think of a monophonic
sound of a woodpecker... relax... think of the sound
when wood is chopped...
      relax... forget this circus of what could be
described as a theoretical exploration of a schizophrenic
symptom... think of a monty python sketch...
        calm



                                                                                 .
Julie Grenness May 2016
In our world technological,
Here's how to talk to gadgets digital,
"Now, listen up, keyboard and router,
Not to mention dysfunctional mouser...
Are you listening to me carefully?
(I am talking to them, but silently),
I do have replacements for each of thee,
I see a future ahead of you three,
Tossed into the gaping jaws of a bin,
off to the council tip, repository of sin,
Did you hear that? Listening in,
Stop trying to do my head in!"
Now they're behaving dutifully,
Technology responding beautifully,
"I'm warning each one of thee,
No more messing around with me!"
Yes, how to talk to technology!
(But make sure you do it silently!)
A whimsy. Feedback welcome.
Mateuš Conrad Feb 2017
for any of my work to have any meaning, i can only suggested browsing Empedocles (of Acragas), in saying that, i suggest the name, primarily it's a form of philosophy, written in poetic form... in that it exhausts the need for poetic technique: i.e., there's more to see, than actually hear.

- just like i don't understand people who fake doing the maestro whenever they listen to classical music, in the same vein: your greengroccer... your plumber... your electricians.... god forbid you t.v. guy....  don't translate that oddity in, modern music and imitating drummers... i get air guitar, i get air maestro... no one really bother the drumming brigade, when i listen to classical music, i am looking for a maestro, when i listen to contemporary music i, want a drummer, bad; ****! St. Thomas' gospel is becoming real... like i really, really, need a *** change.... never mind the 50cl of whiskey waiting for me, or sasha foxxx's eyes... the job? hammer in a thousand nails... industrialise ***, what do you get? a **** economy... why would god enter the equation if all the problems are theological self-made-heresy? it's not even that *** sells, and god gives gives rise to stampedes... what with the Koran and oil, are we counting to state the same arithmetic... i mean: the industrialisation of ***... nothing that hurts, nothing but a quip... that sorta of definition belongs in China or India with a billion participants... what we have is a case of mouthing off the competitors, when you're actually chihuahua in the Sahara of expectation.... i'm as mad as the numbers say i am... personal stories are non-essential.... i included mine for added effect... or a presumtpion that i might: acknowledged as having said anything in total....counter to english existentialism, so wholly preoccpupied with zoos and biology as the only scientific resource... i can't agree to it making sense, in the standard item-basis-list of following-up an argument... that dire, fake or indeed couch-sloth desert-prune is only half of *σ
... i mean there's a tendency of a natural disparity, to ensure a dialectical health of any if all argument... σ = per se... it's because there no single, identifiable argument, the one current is a vogue argument, in the realm of zeitgeist parameters... it's not the only one... the world will move on... it's only that at the zenith of civilisation, we are only bound to industrialise ***, and art is, as according to W. Benjamin, in a state of: ditto, in the age of machanical, reproduction... easier said than... and so done... i feel the anaesthetic needle doing the suggested thing, of numbing me... it's not when art is given onto this Moloch-like altar... it's when *** is industrially-scaled to require cinema... and the quickie-dip of dimension having repertoire in threes... i have no care to ensure there's a narrative and a frenzy... i just care to say: there's a narrative, and a frenzy.... that one has no insurance, and that the other has all the resources that would otherwise invole a familial life... which now, evidently, is prone to same-*** affiliations than compliment-*** affiliations... meaning less art from the **** realm, and more art from the hetero or h-quasi realm (origin ****)... you need to talk about the cushions, if you're going to sleep in the bed, ****'s sake! -

to really live by the "rules" of existentialism,
to live an existential doctrine,
is to really: live an uneventful life,
or should i say: rather ordinary?
  well... i wouldn't go as far as saying it
might be boring, just... un-spectacular.

and all it takes it five beers and, oh, about
6 miles of wet wintry cement,
   and o.t.t.'s album blumenkraft,
with the crescendo song: billy the kid strikes back...

walk 6 or 7 miles in winter
and you come back into a warm abode
and you have skeleton hands...
numb from the cold...
but in england winter is different
than on the continent...
a wet winter (which is very english)
is worse than a dry winter (which is
continental)...
  as honesty goes... -18C in a dry winter
is probably not as bad as -1C in a wet
winter...
    so there's me, completely
****-faced watching the t.v. series
this is us, and one of the characters is
a black kid that gets adopted by
a white family when
    one of the triplets of the white family
dies in child-birth,
and he finds his biological father...
and also a mid-life crisis:
white folks told me to excell,
so he does,
   black daddy was a poet and played
the piano...
and he experiences a mild
schizophrenia... see, it's not a scary word,
i mean: without the extreme symptoms...
   a split-mind...
thankfully i cushioned mine on bilingualism...
and i have been ever since: bilingual -
nothing to be proud of,
   after all: there's the genius polymath...
but it's not about that: it's about winter...
winters in england are so different to
winters on the continent...
the grey skies? oh, that's here all year...
    talk about being a weather man
in Saudi Arabia, most of them moved to England:
where the action is...
          
but really, i can't imagine why existentialism
as a movement, culminated in the zenith
it achieved (precursor movement?
phenomenology)
        oh yah yah: were nieche, very Kensington,
very, Chiswick...

but to really appreciate an existentialist
dogma, a truly uneventful life...
   and given that existentialism in the French
vein akin to Kant but not so much Heidegger
lends itself to the cartesian maxim...
well... that's because it kinda has to,
but not really...

  Kant took out i think and merely focused on that,
his biography goes along the lines of:
a ritual walker, stayed in one place,
    a rook of the clock, i couldn't exactly call him
a pawn... nonetheless...
             a very uneventful life...
why? thought.
    
    what's the most interesting thing i've done today?
i thought, or, i had a thought (a / the article scissors
cutting off the -ism)...
and that's about it...
    had a thought...
                   i hit the gong that thus translates into
the post ergo / therefore of i am,
   and then i realised: i wasn't motivated enough
by my thought: to do much!
              
historically speaking, my writing can only be placed
into a dynamic of being called post-existentialism,
it's not boasting, it's just a plain fact,
   like Monday will be St. Valentine's day, 2017...
and some men collect stamps,
   and some men like fishing,
    and some men have the habit of writing about
things that are, a bit like Avogardo's constant,
meaning they'd love to speak about these things
over, and over again, and never get bored of them,
or for that matter: start families.

strange how it works, have it all...
       or have none of it, to later only have that one
vector that's opposite of mortal, ******...
        or have both, in a way,
and be later traced to some Shakespearean controversy
about a mistaken identity...
well... there's that too.

that must be it, existentialism, and the most,
ordinary life...
         pause for what, akin to something else i wrote
about beginning the thought catching
up to the walk a few days earlier which began
with z and i and diacritical marks,
how northern slavs wouldn't necessarily disrespect
the already present diacritical mark
on the ι (iota), i.e. regarding acute z (ź),
and how if z & i appear together, i.e.
    z and immediately after it, i... you don't bother
writing an acute version of z,
   as a southern slav (balkan) might,
with his caron (ž)...

or a bit like stating the old chestnut of universals
vs. particulars...
   well... they can say what they like about
the cheapness of writing in this medium
but there is nothing so gut-wrenching as a deleted
passage, that will never return...
    immediate heartache... there on the screen,
the computer decides to "have a mind of its own"
moment by either your carelessness
          or the computer's defects and: ****!
gone, a shift+ and suddenly... writing while not
looking at the keyboard, as you do... ****!
gone... gone baby... gone...
    and if that's not analogy of: a lesson
in placing your hands correctly onto the computer
does me: you're looking at the keyboard
and not at the screen...

  how about writing with my eyes closed?
  haven't seen anyone attempt that...

here goes:

    and with that i give you hades...

not bad, i should try it more often... it's not believable
because it's actually correct and has no mistakes....
*******.

alternative? and with that i give you sheol...
   still the same... double *******.

((   ((
    
and that's all it takes... the part where you let go,
because you have to:
  the regret can be there, but soon has to
be overruled...
   it mattered at the zenith of logic,
it was really there, for such a brief moment,
i could call it a study in how you can ****
a very lucid moment, and then have to "resort",
but, rather: merely accepting it as having no place
in the overall composition...
    so to the windowsill, finishing off
blackbeard (whiskey and coca cola and
a cigarette)... changing the aura from
o.t.t.'s album taken home from the "marathon"
(yes, the prime existential tool is the transcendence
of synonyms, encouraging misnomers
or: how to not build dams, or become custard
beavers, looking for words...
    the river, every time, always looking at a river...
the sea and the people and time...
   rivers occupy an infinite concept of space
and the change within such a Thermopylae,
as it might give you indigestion,
or the highest serving rank of memory...
the sea and the people don't scare me,
and it's hardly a thing of admiration...
its just a sight of pulverisation, a headache...
the river, the solitude, and the fact that local
newspapers have adverts of only lonely women...
sure, read a national newspaper and there
are women seeking men, women seeking women,
men seeking women, men seeking men...
but look at a local, a local newspaper: only women
advertising themselves for candles and firecrackers...
it seams men were always programmed (a priori)
        into the gravitas of solitude...
what i really meant to say: existentialistic writings
can appear foreboding with the ditto...
with the perception that there's this ulterior,
dark-seeded motive...
      i just thought about bypassing the thesaurus,
like some writers do,
    you can spot it when they do,
a word they looked up from their labour
of lumberjacking the keyboard
sticks out like a modern statue, or a broken finger,
a word: right off the pages of a thesaurus...
   i just mean that there's nothing sinister enclosed in
the said "brackets"...  there's nothing additional about it,
but as narratives go... you sometimes want to bypass
Sherlock Holmes and write a synonym-antonym,
you want to bypass the thesaurus, content with your
own vocab riches, but too "lazy" / engrossed in
what's actually coming...
say, that interlude, a cigarette, finishing off the whiskey,
with the glass freezing and having a layer of ice
around it... and: why i'll never be part of the nirvana's
or the doors' cult...
     pearl jam's indifference, from their second album.

so it's sometimes thereuputic letting go,
  after all, no one built a house on the summit of Everest,
if i wrote something of such clarifying quality,
and lost it... i can only apply an imagery of having seen it,
the best i can suggest that i wrote something
akin to 1 + 1 = 2, and then accidently deleted it...
and that's the sad part,
universals as vowels, particulars like consonants,
    even numbers akin to 2 and odd numbers akin to 1
(divided into decimals, or the wormhole of 0.123456 etc.) -
it was a beautiful sight, and then, again: ****!
gone... like a magician doing a trick
   and then... the sadness of having lost the technique
to recreate it...
well, the best i can do to recreate it is based
on a short argument...
   if universals and particulars (relying on the fact
that both have a plural form,
  i.e. so not 1 in 1, but the many of 1,
   and akin to: the 1 in many, and the many in many,
and the 1 in 1 / focus, something identifiable) -
or loosely universals like vowels, and particulars like consonants,
but given the two experience diacritical distinction /
additions... i could best remember what i wrote
as: 1 e.g. particular, if divided: fractions, and after
fractions: decimals...
                2 e.g. universal, if divided: whole numbers,
and after whole numbers fractions, and later decimals...
   so on and so forth with 3 (particular), 4 (universal),
     5 (p.), 6 (u.)...
                 a bit like having your own telescope
and microscope, just looking at what we make silence
of, our two ways of encoding what could have,
or should have been said, that was nonetheless said,
transcending our contemporaries as, what can only
be described as... an echo, lost in the caves of aeons...

this promenade begun with something to z & i...
or z, i, ι, ź and ž (what a nice pentagram,
i was watching the six nation's match
between wales and england,
and lo! behold... a goat at the fore!
  mind you, i took a cigarette break when they scored
their two tries).
Cardiff? yeah, been there once...
         Poland v Wales qualifying match,
donning a polish football shirt, got approached
by two young welsh girls saying: your team is ****...
started giving it the local... how fast they ran away...
and they say we laugh more than we cry,
   and i could be the one to snigger a sly laugh at
that memory, but cinema memory says to me:
time to usher in the reverse-psychology,
calling white black, and laughter crying...
        or as i like to call it, the paradox marriage
that has, literally not tentacle hold on the world,
   the bilingual marriage,
             lodged deep inside my head,
most recognisable by my theory study of diacritical
marks, or actually having noticed them,
and having no real, authentic accent to remind me
that i belong in either geography...
         whether from beginning, or toward an end...
some call it acting, some call it faking,
  i call it: just what i was given, or, more precisely:
what i earned... and that was to no good use...
        unless... this is the best expression of what the foundations
look like.

what was i thinking of? ah!

   it just involved the σ                       ς roundabout...
the aesthetic variation for one,
but on another investigation, well, sigma, total, sum,
and how be obey it like a golden ratio or pi,
   it's just auto-suggestive of how we are never truly
synchronised in our arguments...
   but, "paradoxically", or should i say: by a miracle,
make up the greatest potent to have an argument...
  we can never truly really synchronises ourselves
to fill the boots of expressing an utopian dream,
otherwise we wouldn't dream... period...
  so bye bye Freud and that method of escapism...
     we already ensured that, if they be our creation,
the gods are already at war with the Titans...
      i'll actually acknowledge that in an age of
pop philosophy in that Greece was, a place of allowing
a fertility of thought and later popularising it
(we don't live in times where there's a fertility consecrated
on the altar of thought, or what philosophy is, thinking per se /
for itself... innovators! scientists! up-starts!
or as some might say, the other pronoun battle,
the one without genitals involved,
as could only be sooner said:
  per se, or per per...
                       in in...
nothing sexualised... it's only that there's a limit in pronouns,
per se / in itself must come across the muddle
regarding the moment when people lose their
identity and begin their life with: ? thought
rather than i think,
       i can't place it anywhere else than inside my head,
better there than in the genitals,
   or wasn't Jesus circumcised and the zeitgeist
of St. Thomas' gospel and the transgender movment?
    the church is old, and counter-authoritarian,
it's just a tired institution, so it has no actual authenticity
over the current changes in society,
    might as well call onto Islam to move the chess pieces...
or that's what i'm currently seeing...
   i was just thinking about a logical limit in language,
e.g. timbaland's song the way i are...
   there really is a logical limit on how far you can
suddenly just forget grammar...
            so why begin with per se?
                 at best described as a cogitans (
ASB May 2013
Late at night when I
talk to you,
I can feel my fingers
quietly tapping my keyboard,
and every letter is filled
with expectations;
every word is a part of me,
moments of loving you
spill onto my screen and
you won't see anything
but a casual 'good night'
or a question about your day,
you won't notice the careful
punctuation or how every
letter was typed with consideration
and love and crushed dreams.
The beauty of the modern world
is that I can love you without
you ever knowing that your
words silently break my heart.
Tim Emminger Apr 2014
Every time I look at the keyboard
I see U and I together
There is W and E for We
It's code for you and me
First two lines was a quote I came across; then I just kind of rolled with it
Revised 5/9/14
r0b0t Jul 2014
Bang your head against the keyboard until the fear fades.
Julia P Jan 2013
i like to type the words and hear the keys just loud.
i type aloud the words.
my keyboard is in awe-
of how my fingers trace with anger
its innocence of buttons.

i've never felt a sorry for my keyboard,
not once i've tried to make it feel welcome under my fingers-
because when keyboards were created- they had a purpose;
and that purpose was for me to put the words on pages.
and pages scribbled by me, barely ever have anything calm and rested.
im angry and thats why i write-
if it happens that my keyboard suffers most of my rage,
im not bothered.
the keyboard was created for my anger in rushing fingers.
my rage should fearfully be gone when typed my words will get.

i like to type my words aloud.
i have no mercy for the keyboards.
© JP.
Madeleine Mar 2018
My life is like a keyboard in
9
8
7
6
5
4
3
2
1
I try and Esc those who are poison to my life
where I just need to Tab and skip ahead a week
or maybe a month
that doesn't always work so I try and find an Alt way
if all fails
push through to the End
Shift to the new chapter
and delete them from your life
phone
social media and all
I like to enter into a long dream
so I can wake up and start over
some days feel like I am on caps lock and everything is drastic
or way too exciting I just need to scroll down a bit to save some energy for the rest of the day
Some days I need not be alone
but to insert myself into healthy groups
full of positive vibes and energy
if I stay with healthy relationships
my f8 should be well off
but don't quote me on that
if I ever get to crazy
feel free to tell me to backspace
and just chill
I don't want my life to be just okay & full of JK's
but rather full of spontaneous adventures
while trying not to be a jailbird one day
I know we belong together
for that is why W and E are next to each other
like U and I
but don't #perfect us for we are like many others
so if you could let me clear my mind
and focus that would be great
for I am @ a point
where I shouldn't be worried about $$
and the % I make
to help do things for you and I
because it isn't about
money but taking
one letter one word at a time
Eroshu Homaj Aug 2013
I write in vain with out my arms
A vein-less form are they.
My tongue does keyboard pushups
Each letter steals my day
Stealing on I type and type
Til brightened sky is gray
My tongue can work this test
but my head wants  to lean and
IRGB STYJ  SDHT Bdfghyhnxyf ixdrtghe5m69,opduxh
sgW4
g  5tttttttttttghe5ttttge5tttttte5ttrfbse


rest.
C S Dec 2013
I know you.

Sitting behind a screen in your room,
Sipping in the shadows of a coffee shop.
iPhone, iPad, iAm "Anonymous".

The most dangerous word you can be labeled,
The most double-edged of weapons-
Anonymous.

You're never really as untraceable
As the cleared browser history says you are,
Never as untraceable as the chain of destruction you cause is traceable.

You're never really as invisible
As the checked box lets you think you are,
Never as invisible as the scars you direct a hand to make are visible.

One word can't be all that.
Anonymous can't be so dangerous.
Some clicks on a keyboard can't be so devastating.

There's a reason it used to be difficult to avoid responsibility.
Because responsibility for your words, for what you cause,
Is what allows you to see a few steps ahead.

Your signature is what allows you to learn from mistakes,
To vow after you've learned the hard way to think before you act.
To see that those words have two names attached to them now.

The writer, and the subject.
Two traceable, visible people.
Two hearts beating and breathing, now connected.

Anonymous constructs a wall between action and reaction.
It robs you of responsibility.
Yes, responsibility is a prized possession, there to teach and show.

Anonymous allows you to settle.
It robs you of the greater person you could become.
Yes, your future holds more than this, there beyond the wall of cyber bulling.

I hate that I was once Anonymous like you.
I hate that I unknowingly controlled the strings
Of a self-destructive marionette hand miles away.

But I don't hate you. Because I know you.
I know you are more than the mistakes you've made behind that screen.
I know you are more than Anonymous.

So prove it.
Donald Guy Nov 2012
Mine

6:48 a Wednesday
Two Weeks later
Then: Thanksgiving eve
5E; MIT

I sit at my desk:
stare out of the windows <
My skull
at the Chocolate Bock I just
Overflowed > all over my notes
on the Circe episode of Ulysses,
which I have not yet read.

20 minutes after I just ––
Went alone. Stood there, yes, alone
Above the porcelain enterprise
Taking that litmus test of humanity
Clear, I pass. Yellow, I fail.
It was rather clear I think
Honestly? I don't remember.

Two weeks ago, I stood there==
and came up with this phrase.
Standing there with special eyes::::
Seeing.
Came back to my room, I did, faithfully
Looked there below my second fridge
A plate sat. mine. On it: maybe food, maybe *****
Probably marijuana
Only the first my own
Who remembers?

Next to it: an empty prescription bottle
"It's some medicine for Asthma. I don't even
have asthma!"
"Classy **** I am; I've never bought a shot glass.
Just use discarded prescription bottles."

An experiment @ the sink: exact: 2.0z. On the dot.
Turns out that's 1&1/3 of the standard—The ritual
We make it. And have made it.
For years now together after midnight
[or so]
4 years. Soon it will be
Maybe I shall leave; probably not

but harken back, that fortnight, less 6
To that evening. Orange and purple
Effort sublime but not enough:
Lost to a team of Freshman.?!

~If only:~
"Tripped mad-laundry shrooms",
6 and a half months ago

Two men sit in the corner of my room
I know one; the other spoke

2-weeks-later: sticky keyboard
I am not sober, but who is?

Last night. Remember those videos?
reminded me that *** can be beautiful:
After basically 2 years: I almost forgot.
x-art.com. December 6, 2011

I have a perspective now:
It is not the same as yours
it is not and, by necessity,
can not be the same.

But I see it. Stephen Daedalus
calls it immature—lyrical
but *******, James: it is mine!

I am. Will always be.
Will have never been.
But, God/Goddess **** it now!
I am: I See.
I try!

~D.B.Guy
Proper reading involves out-loud pronunciation of some of the punctuation

12/7/11. the day I was drunk 14 hours.

Ostensibly written for William Corbett's 21W.756 Writing and Reading Poems.
ostensible nod to James Schuyler.
Raj Arumugam Sep 2010
Thank you for visiting this page.
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That was just to ensure you are alert and active
and doing something instead
of falling asleep as you read this poem.
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As we were saying:
Welcome.
And to read the poem
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No, you didn’t!
We didn’t even feel a thing!
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your feelings as you read
this poem will be e-captured
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If you do not wish to be recorded
please press 9.
And 10.
And 2534.
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Now, please be informed you’ll still be recorded anyway
for training purposes
as this ****** poet here has no idea what poetry is.
Press 7 for fun.
And now press 229 for distraction.
Good. Your pressing skills have improved since we started.
Now, you may read the poem:
“Jack and Jill
went up the hill
and Jack came running back to mummy:
‘Mummy! Mummy!’
said Jack
‘Jill pulled my pants down
and poured ice-cold water
on either side
of my bottom!’”


When you finish reading
please press 23567876549807975987
and just for the heck of it
press 8.
Wow, that feels nice.
Thank you.
Now, that you have read the poem
and pressed a few numbers like a thoroughbred idiot
we are processing our reading
of your responses
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Please hold on; this may take a few seconds;
you may hug the computer screen while you wait;
and please minimize that **** page immediately.
And for the fun of it,
we suggest you press 13.
And here is the result of your reading this idiotic poem
as revealed by our recordings of your responses and feelings:
You blady isdizot! You &&&%%$$^# !!!!!
You hate this poem! You think this is 67757
####!
Get out of here, you nicmo9088768!
Never ever come back here to this page!


Now if you like – you may press 9…
Now you may hang up and return to that **** page you minimized.
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but here at the Idiot Writes Idiot Poems Page…
Thank you. Please press 5 before you hang up.
Oh, that feels so good…could you press – hey!
Come back here!
Kemy Sep 2018
*** with me is so amazing      
Hey, I’m just Paraphrasing      
However, I was listening to the artist, Rihanna singing this song      
As the song kept plugging along      
Not meaning to come on too strong      
With respect do not get me wrong      
I’ve often wondered, is *** of the body more powerful than *** of the mind      
And no, I do not have a feminist ax to grind      
I will choose my words on this topic and remain kind      
Well, at best that I can      
From my perspective related to this issue between woman and man      
Making love to the female body its ******, it’s pleasurable, and certainly it’s thrilling      
But once nature’s release has been prefilled      
The mind needs a dose of endorphins to be instilled      
Are you still with me on that concept      
I’m speaking for me who needs the combined effect
      
*** WITH ME IS SO AMAZING
With someone capable of emotional grazing      
Blind dates, we talk about our passions or dreams      
Clothes still on, however, he gets what you mean      
Do we take this night one step farther      
We slept together      
Heated and passionate under silk covers, yet, he knew nothing about the weather      
We were definitely birds of a different feather      
His arms were not even that strong      
His brain got duller as the night prolonged
      
*** WITH ME IS SO AMAZING
Sometimes is not all about trailblazing      
Computer Dating      
Keyboard translating      
Breathless words of debate      
Soulful elate      
No physical contact to rate      
But wait      
You can type on computer keys from sunrise to sunset      
If you cannot be bipartisan with words than you can’t articulate      
A break to give since we’ve just met      
Between you and me it’s now mental Russian Roulette      
Spinning my mind landing on red      
Keep your mouth closed as you lay in my bed      
Enticing words danced across my screen      
Pulling me in was all a squandered dream      
We’ll never again experience emotions under the covers      
****** of no analytical bonding from a distance lover      
Once again, a horse of another color 
     
*** WITH ME IS SO AMAZING
In the midst of me praising you as our eyes are glazing      
One night stands      
First of all, you’re taking your life into your own hands      
No commands        
Sedated and scented juices mingling of its passion galore      
Lust filled desires and so much more      
No demands      
Talking on the go, and making no sense, well I be ****      
What a waste of a slam bam and thank you ma’am      
Mental *** on the brain I know it may sound insane      
But my God, it makes me rain      
Intellectual simulations have always been such a turn on      
Take me to task and then I’m far gone      
Rainbow coalitions      
I do not have any petitions      
Never in favor of anyone’s competitions      
Just me, my words, and I      
Reaching for that academic all time high      
Coming at you as I’m ******* with you      
The next morning, I would have told you a thing or two      
Something old or maybe something new      
It all depends on if I’ve pitied a fool      
Not my game, not in my arms      
Not fooled by undercover charms      
Capture my mind until the ringing of my alarm      
Wow, did we really just talk all night long      
Arms were very strong, your mind kept me warm while we discussed society’s storms      
One night stands      
Never with an intelligent man      
He needs a briefcase or a blueprint plan      
He could execute with his own mind      
On his own time      
Using his own dime      
Then he’s ready for my mind      
No prophylactics needed      
Once you gyrate my mind you’ve succeeded      
Feeding me words from the depths of your cerebral cortex to the powers that be      
Lightening my mind up like a Christmas tree      
Now you got me down on my knees      
Thanking you, as I please      
Was it good for you as it was for me
      
*** WITH ME IS SO AMAZING
Mind now resting in a dreamy phase, body has now been thoroughly praised      
Here comes the aftermath of sweet melodies to conversations      
Moaning out all kinds of pronunciations      
Affirmations      
Aspirations      
French words with exclamations      
Giving me perceptual palpitations      
From the knowledge of head ministrations      
Climbing the psychological throne once again      
While whispering words in my ear as my mind adheres      
Once mental energy has been locked in      
Slow dancing, and then a thrusting rush as we begin      
Words of revelations      
Taking my mind beyond the constellations      
To the height of my glorious crown      
I’ve created, rested, and now the essence of my intellect is winding down      
Mental capacity has once again been meticulously interrogated      
Hearts of the minds now segregated  
    
*** WITH ME IS SO AMAZING
Sweet words whispered to your male ego, minds blazing        
Perceptual notations moving inside of me      
Bending me over, as you lick up and down my womanly creed      
A passionate quick kiss as your mind sinks into my intellectual abyss      
From my mind to your fathom lips      
Seductively gyrating my hips      
Raising the nature of your hard ****      
Love and Hugs        
Soft tongue bathing your body, massage oil, and caressing rubs
Innovation comes out of great human ingenuity and very personal passions.

Megan Smith
Lou Romano Oct 2019
The subject of this email is as usual... subjective! Not sure there is actually a subject involved? I mean if I just ramble on about any old thing that crosses my mind, how would that be described as a subject. I submit that the "subject" line of all emails should be moved to the end of an email! That way we would have a better grasp of what the subject of the email truly is.

Better yet it should automatically prompt you to go to the subject line when you click "send" to fill in at that time. Maybe the email program should even give samples of possible subject lines based on google's interpretation of what you have typed in the body of the email. Better yet that program should just run automatically and impose a subject line based on the information in the message body after it is run through several psychiatric data bases and analyzed and a consensus has been reached...

Hmmm... Now I'm thinking that there should be a mind to keyboard interface so we can do away with all this time-consuming typing! And while we're at it why not add a chip in our brains that thinks for us and sends the data it receives directly to the keyboard interface... I mean think of all the time we would save not having to think any more!

Why stop there? We can also add emotion chips so that when we are letting our thinking chip talk for us we can also have the emotions that our emotion chip thinks we should be feeling automatically inserted into the email with the capability of it being felt by the emotion chip in the person whose thinking and keyboard interface chips are perusing the email written by our thinking and keyboard interface chips.

Ooooh now I'm really thinking... why not install mini SD drives in our brains so we can change the way we feel by simply inserting a new SD card? That way if we happen to read one of the emails thought out by our thinking chip, written by our keyboard interface chip, analyzed and consented to by the psychiatric data bases and given a subject and we decide that we want to change the way it is perceived by the thinking chip of the recipient we can simply insert a different emotion SD card into our SD drive and have those new emotions embedded directly into the email!

***! This is genius! Imagine the time we could save! I could just go on and on with this! The applications are limitless. Why hasn't someone thought of this before? Oh wait, what am I thinking... this is old news. This is called brainwashing and the government and every major company in the world has been doing it since the dawn of capitalism!

I'm going to stop now because I am no longer sure if the words I write are my own, or if they are just a bunch of noise created by the humm of all the post hypnotic suggestive clutter in my brain from years and years of commercial TV and slick politician abuse.

That's all I have time for this morning. I apologize in retrospect for the emotional agony I have put your brain through while reading this inane banter...
Shari Forman Mar 2013
A sound better and livelier as ever startled me. Baffled and unaware of my surroundings, my eyes slowly opened, viewing my irresistible grandmother’s hand gently touching my cheek. Listening carefully, I noticed a beautiful sound coming from her voice. The warm-hearted, lovable lady warmly smiled down at me as my smile formed into the shape of a crescendo, getting larger and wider, finally to a laugh of pure joy. I knew one thing was certain to be true; I fell in love with the intriguing sounds bit by bit.
I awoke to the sight of my father playing his guitar at a medium volume. The sound of the instrument inspired me and motivated me to follow him. I lie in my crib listening intently to the various sounds coming from the guitar. It was almost morning, yet I thought it was later in the morning because my light was on its maximum strength. I watched his fingers move very quickly on the guitar, yet the sounds were beautiful.
“Good morning my love,” said my father smiling at me. “Did you have a good sleep, my love?” he said.
“Pno,” I said on my very own.
“What did you say my love?” said my father startled and impressed that I had just muttered my first word at age one. His smile was soothing in my opinion. His eyes became lively and big with complete shock and joy.
“Po neo.”
“Piano!” said my father ecstatic at the moment.
Considering music was his dream, he wanted me to take part in the wonderful career as well. He set his guitar down against my light blue-colored wall. Then my father went to my small rocking chair and sat down. He put his face in the palm of his hands. I thought he was crying and intimidated by me, but then I realized he was very proud of me and believed I would go far in life. He stood up and picked me up gently and set me down on a chair next to my piano. He smiled and embraced me with affection. I knew my father’s name by heart but I couldn’t manage to say it. It was William. He started playing simple notes on the keys with his thick, masculine hands. He played six notes, all with important meaning and full-care. He motioned for me to take part playing as well.
“No, no. You’ve done it all wrong my love. You must listen with ease and act how you feel,” said my father with concern.
I started weeping large sobs as my father talks in a loud tone with disapproval.
“What, my dear?” says William concerned.
I pressed a key on the piano and roar with laughter.
“You’ve got it my love,” said my father in a soft, mellow tone.
I then take again to the keyboard, this time with full confidence playing again. My father then sang a song while playing the piano. I didn’t know the name of the song, but he told me it was a song he had written after. That inspired me to write my own songs and play the piano and possibly the guitar.
“This is the world, I hail from.  The sorrows and pity we might feel for each other. But arised a God who’s mighty strong. Who turns our sorrows into pride and joy, and this is where I am hail from,” sang my father very emotional.
“You’ll go far my love, I promise you. One day music will save you...” said my father.
…28 years later those words stuck with me…
I was off to work going about my usual day. I was thirty one now and living with my girlfriend in our apartment. I still lived in my hometown, California. Whenever I thought of my hometown, the song “Hometown California,” came to me automatically. I’d just start singing. I wouldn’t consider myself an excellent singer, but that was just a hobby of mine. I was phenomenal at playing the piano and very good at playing the guitar in the eyes of many people.
…When the weekend finally came, I found the time on Saturday morning to fit a tennis match in with one of my good friends, Troy.  As we rally back and forth, something caught me by surprise. A grey-haired man about twice my age had an awkward looking smile that lit up his whole face. I was baffled at the bizarre stranger. He came up to me and tapped me on the shoulder.  I looked at him.
“Hello young fellow. My name is Harry Hayfold and I was wondering if you would like to train with me to become a professional tennis player.” said the man.
‘No thanks man, I’m just playing a match with my friend. Thanks anyways.” I said and I went back to rallying.
“Young fellow, please. You’ve great skill as I see,” said the older guy eager to say something more.
“I don’t think I want to train for hours for a chance at becoming a pro- tennis player. Thanks for the compliment though,” I said a little annoyed.
“It would be your loss sir.” said the man.
I just continued rallying with my friend. My friend looked baffled as well and felt bad for the guy. I didn’t care if he was still standing there; I just wanted to play. When we were finished rallying, we started a match. As I throw the ball up to serve, he shouts something right next to me.
“Would you please just listen to what I have to say?!” said the man angry.
“Oh, my god; could you leave us alone now?  I’m not doing the training classes; I have a job. I work in a music store, okay!” I said very annoyed.
My friend came over to my side of the tennis court and asked what the problem was to the man.
“I can’t stand people like you. You’re a liar and a creep.” said John.
“Which music store do you work at?” asked the man.
“It’s called Music Academy. Can you leave us alone now?” I said perturbed.
“I’m very sorry to have bothered you.” said the man.
“Yeah,” I said without any enthusiasm.
“No wait, he’ll be honored to do the classes with you sir. He needs money anyway,” said John’s friend Troy.
“What are you doing?!” I said to my friend with fury. “I will be fine financially once I get signed professionally which will happen troy. It will definitely happen. This guy… He’s out of his mind,” I said confident.
“What did you say your name was?” said the man.
“John.” I said.
“Excellent Johnathon.”“Meet me here on these same tennis courts tomorrow morning at eight o’clock. Don’t be late.” said Harry.
I smashed my racket as hard as I could on the ground with full force, releasing all of my stress and anger out on the court.
“Alright John,” said Troy with pity on him. We’ll hang out again soon.” He said and left.
“Crapola!”  I yelled in mid-air after everyone left.
The next day I don’t even consider going to the psychotic man’s tennis class. Instead, I make my way to work early.
As I’m exiting my shift at night, I noticed someone standing behind a wall. And there it was… I couldn’t believe my eyes.
“Oh, no,” I whispered to myself.
“Hello Jonathon. You’re session was at eight am this morning. Have you forgotten?” he said concerned.
“Listen, I don’t think this whole business with the excessive training classes to make me into what I will never become and putting my job in jeopardy of getting fired, is going to work out,” I said with a smile.
“I’ve watched you work in the store John,” said the man concerned.
“Oh jeez, now I’ve got a personal stalker. This is gonna be interesting.” I whispered.
“How much do you make a week? I’ve come to sought you don’t look happy working there and want to become into a real musician.” said Harry.
I was just about to completely lose my mind when I took a deep breath and bit my tongue to avoid making a scene. My face turned so red.
“Once I get a record deal with the piano, then things will be even better for me. But as of now, I’m very happy, just not super happy. And you know what else, I’m so happy I began music because I couldn’t get much happier. Oh, the glory of being a musician would make me so happy. And you barging randomly into my life and ******* up everything… well I couldn’t get much happier!” I managed to scream at the end of my statement.
“Come with me John. Please let me help you find a way to forget that you’re not a musician.” said the man.
“My father was my inspiration. He’s dead now, yet I’m following in his footsteps because I want to.” I said.
“I see… I’m very sorry for your loss John,” said Harry with a fake sad expression on his face.
This man was driving me up the wall by now. I had had it with his monkey business.
There was a long pause…
“So tomorrow at eight?” I said completely unsatisfied, yet willing to experiment with what he had in mind to teach me.
“Yes, oh yes that would be just perfect John,” said Harry ecstatic.
We both started walking to our homes. He had walked rather quickly for an older guy, and me, slowly like I’d just had a pancreas failure.
When I arrived at my apartment, my girlfriend wasn’t there.
“Jenny, I’m home”… “Jenny, you there?” I said baffled at the silence. “Jennyyyyy”, I said playfully. Jennifer… Is dinner set toniiiight?” I said as I smiled at my own humor.
All of a sudden, the phone rang, which startled me and made me uninterested at this point to answer. I answered the phone anyway.
“Hello?” I said.
“Hello, this is a patient of Jennifer; is Jenny there?”
“No she isn’t at the moment,” I said unsure of my answer.
“Ok, thank you,” she said and hung up.
“You’re welcome,” I said sarcastically after she already hung up.
I walked into our bedroom to take my work clothes off and put pajamas on. The door was closed which got me a little concerned and angry. I walked in the bedroom and turned on the light.
“What the hell is going on here?! Get off my girlfriend you crazy *******!” I yelled.
“No John, please stop. He’s my fiancé John,” said Jenny annoyed with me.
“What are you talking about Jennifer?” I said raging with anger.
“Listen john, I’m sorry. Things weren’t working out between us recently and things just clicked between… well Steve and I.” she said.
“ I can’t believe what I am seeing right now,” said john through tears of disappointment and anger.
“Things weren’t working out between us John_”
“Yeah, I think you mentioned that already.” said John crying hysterically.
“Well don’t be sorry. Be sorry at yourself because I did nothing but treat you nicely. What happened to us Jenny? We were so in love with each other. I can’t believe what I am seeing.” I said.
My girlfriend my starting to cry now and as she began to speak I walked out stomping on the floor and slammed the front door as I exited my apartment.
“The next morning John arrived at the tennis courts that he visited two days ago with his friend.
“I’m here; let’s start playing tennis,” I said calmly.
“Wait, wait. I have not yet explained the concepts.” said Harry.
“Yeah, yeah, concepts. I know,” I said annoyed.
I picked up a tennis ball and hit it over the fence as hard as I could.
“Excellent work there John,” said Harry sarcastically.
“That was just a warm up professor. Now here comes glory,” I said about to ****** someone.
I slam my pre-broken racket on the floor so hard that it cracked in half. The man was outraged at the horrifying scene.
“I missed work this morning for this crapola?!” I yelled.
John, you’re crazy right now. Sit down and relax!” said Harry firmly.
“Music is all I want and you’re taking that away from me.” I said
“I apologize sir; I don’t think I want to do this anymore.” I said.
“Anymore? You haven’t even started playing yet,” said Harry with a little chuckle.
“Ok, fine; I’ll play.” I said. “I don’t have a racket now.” I said ashamed and guilty.
“That’s not my problem.” said Harry. “If you no longer have a racket, I will let you have my spare racket if you practice drills catching the ball precisely with only your hands.”
“Ha, you’re kidding right? That was a good one Harry; very good.” I said.
I tap him on the shoulder.
“See you tomorrow.” I said.
“Will you stop acting arrogant and negative for once John! I was serious about the hand drill.” said Harry.
“Ok then.” I said.
Harry got on the side opposite from my side. He took a bunch of ***** and out them in his pockets.
“Now John…I want you to catch the ball wherever I throw it okay?” said Harry.
“Yeah, I’m ready.” I said.
He fed the ball over the net and John caught the ball wherever he threw it. When he was getting exhausted from the number of ***** being fed to him, he took the ball and smashed it on the ground.
“What in heaven’s name has come over you?” asked the man terrified.
“Nothing, except the fact that my girlfriend is now getting married with her new fiancé and was having an affair in my bedroom. That is it ladies and gentleman, the show is now over,” I said sarcastically.
“Oh, haha…hahahahahahaahahaa.” Harry chuckled.
Harry burst out laughing.
“John, John, I’m sorry. The way you said it made me laugh, that’s all.” said Harry.
I run up to the old man about ready to **** him (not literally) when he started coughing. He fell down to his knees holding his chest.
“John,” he whispered trying to grasp more oxygen.
“What happened Harry? Are you alright?” I asked nervously panicking.
I ran off the court to get my cell phone in my tennis bag on one of the park benches and called an ambulance. I then run back to Harry.
“I’m calling an ambulance for you Harry. It’ll be okay,” I said about to cry from the sight of what just happened.
When the ambulance came, he was put on a stretcher by several paramedics and taken to the nearest hospital. I don’t bother calling my ex-girlfriend, knowing I was through with her insecure ways and immaturity level. I drove to the hospital following the ambulance as I drove. I arrived at the hospital minutes after him and sat in the waiting room for over two hours with his son who was about my age, if not older. The doctor came out looking down with tears in his eyes. He ripped off his glasses and fell to his knees. He stood up…
“I’m very sorry. There was nothing more I could precede on doing,” said the doctor.
The doctor walked away looking very upset and disappointed in himself and what happened. I turned to his son and saw such shock and disappointment in him.
“He was a very mysterious, outgoing person and a great father,” said his son through tears.
I nodded my head and smiled.
“My father tried to teach you basic steps of becoming a tennis player, but it wasn’t for a career. Trust me. He wanted you to learn something new. That’s all. He can be difficult at times, I know, but he is a very courageous man and loves helping others,” said his son smiling at me.
I was shocked. I was living an okay life with music. But now I realized that this man inspired me to follow chase after what you want. He taught me that things may be challenging in life, but you can overcome them if you work hard and love what you do in life. Even through financial problems, I realized that you can still achieve your dreams and it is never too late to start a record deal. His son left the hospital before me without mentioning what his name was. I believed the Harry and his family were a mystery, but a good mystery. I showed up to the music store the next morning and the manager of the store had exhilarating news for me. I had gotten signed by a famous musician! This was the best day of my whole entire life and I could not have asked for anything more in life.
“Signed by Buddy Clark, I present to you your record deal. Sign this and you have a chance to work with this talented man for a chance at achieving your dream John. Well done, we’re all very proud of you,” said the manager of the store.
All of the workers in the store started cheering me on and applauding my superb work and efforts. I was now in tears of pure joy and I felt worth something major for the first time.
“Thanks a lot Jason,” I said to the manager of the store. “This is a gift; it means the world to me,” I said as I gave him a hug.
I realized life is not all about tennis or music. It’s the important things in music that make you feel out of this world amazed. People may have a strong opinion about something they love, but never take a person for granitite.
I have an old guitar named Gypsy Queen.  Normally this would not be much of a momentous occasion, lots of people name their guitars, but Gypsy is hand made by me.  Many moons ago when my ex wife was pregnant with my only child, a daughter, I took an adult education night class while I was attending college as a day job.  Our instructor had recently taken a trip to Canada to buy wood as he made his living building custom guitars and he had some of the most beautiful birds eye maple I'd ever seen and also some very good spruce for the top of the guitar.  We met at the local high-school's woodshop classroom.  I knew all the power tools there having taken wood shop twice in middle school and again in high-school.  From raw lumber I fashioned her pieces, sides, three piece back, neck, keyboard (made from some exotic ebony my instructor had), and top.  While my wife was patiently waddling about the house I shaped and sanded those pieces on our living room floor.  The interior struts, the binding, and frets for the keyboard had to be created as well.  When I finally got her glued and assembled she was quite a sight, almost perfect in every way, and the quality wood she was made from was so beautiful I had never seen the likes of her before.  Most of the people in the class didn't get that far not having the skills with the tools or the coordination necessary to succeed.  Still she needed to be lacquered and finished.  All told, special tools and accouterments, cost of the wood, glue and sandpaper, plus the frets (nickeled silver), and the grover tuning pegs she cost me about $160.  But almost 500hrs labor went into her creation, whole free weekends spent sanding and shaping.  It was a year or more before I finally got her lacquered and she was so beautiful I could scarce believe I had made her, totally from scratch.  I had even inlaid her mother of pearl keyboard art, god she was a sight.  Both she, and my daughter, are now close to 40 years old, and she still plays like a champ.  Ask any guitarist about guitars they use a lot, see how many survive that long.  She's my prized possession to this day.  Her custom bridge is shaped like a bird (something I've never seen to this day anywhere else) and I'd put her sound up against any expensive Martin made.  Plus she is so much prettier.  She's old and her finish is crackled some but her neck is still true and her action is superb.  Through the years she has brought me so much joy, I'm so glad I took that class.  I hope she survives till I die cause I want to mix her ashes with mine before they get spread around by my friends.  I'll want something to play in the afterlife.
...
http://i1178.photobucket.com/albums/x370/toreinss/IMG_0325.jpg
Gypsy Queen my friend who knew I was such a good Luthier.  Beginners Luck!!!!

http://i1178.photobucket.com/albums/x370/toreinss/IMG_0324.jpg
Carlos A Espino Jul 2012
I start writing this lines for whomever is willing to read then...

Today I could not reconcile with my sleep, lately it seems we are sworn enemies, battling every single night until one of us is so exhausted it forfeits its own life and gives in to the overwhelming force of the other entity, tonight I was the one who lost the fight... I lay in agony writing these words to try and take the pain away, trying to keep my mind sane sorounded by this madness... It is a quiet night, and all you can hear are my fingers on the keyboard, and the breaths I take to exhale the smoke in my lungs.

The minutes pass and i cling myself to a thoughts that seems to be so distant, memories of happier days flow in and out of my mind, floating in nothingness, like a beautiful song with no one there to appreciate its beauty... No one...

Hours go by, and still no sign of any type of existence whatsoever, just me, the smoke and the sound of this keyboard... Just when my soul is about to go stray, at the point of no return, I hear footsteps from afar, FINALLY!, she has returned! I can feel different things happening inside me, if I could see myself from the outside, it would be like watching a young boy waiting for a present, THAT present that he has always wished for... Soon all the commotion inside me its betrayed by the reality of what lies in front of my eyes, that siluette in the darkness does not belong to my long wished gift, to that little music box that holds my heart, that figure coming out of the darkness correspond to a very old friend, a dear friend that I have missed, yet, never wished to be face to face again...

My dear friend finally walks out of the darkness and standing in front of me without saying one word, I can see a small hint of happiness in those beautiful eyes filled with sorrow, anger, wisdom... I can feel her getting close to me and smell that unique perfume that I was acustome to, it is almost like I could taste her skin at the moment that she kisses my forehead, I sit still, frozen, afraid, wanting to run far from her presence and yet I stayed there, intoxicated by her astonishing beauty... The only thing that I can remember thinking is the yells inside my head, screaming COWARD!

She sits quietly next to me on the stairs, I get my matches and light up another cancer stick, like my old buddy was used to called them, she looks at the box and without saying a word takes one to her mouth and lights it up... I could only see the bright red light, reflected in her eyes as she embraces a slow death with each breath she takes, I notice that she still has the smile on her face while she stares at me, right in my eyes... I feel at ease knowing that I am not with a stranger, knowing that my old friend was there for a reason, a reason that at the moment I couldent control but clearly understand. Everything seems to slow down, its even more quiet than before, u can hardly hear the typing on the keyboard anymore... All I can hear are the breaths she takes while she smokes her cigarette... The minutes go by and not one word has come out her tempting mouth, she is almost exactly as I remember her, quiet, yet on this visit she seems more mature, sensual, more natural, passive and also more beautiful, it is very difficult to describe but sitting there I almost felt relieve... Its like our minds are connected, i see, i feel things she is carrying within her, it burns my insides like a shot of tequila, slowly ohh soo slowly takes over my body... She giggles as she sees me light yet another cigarette, she knows that she has me, she knows that any moment i will succumb to the idea of having her in my presence... I keep writing, incredibly, I feel my fingers lighter, faster...

20 minutes go by like nothing and as I still sit there, she finally makes her move, she whispers something between breaths, I get hypnotized by her gorgeous eyes, her wonderful smile and those lips that I've been dying all night to taste... She leans forward and takes my hand, I stand like if I can't even control my own body, she closes the door behind us, the room grows even darker and just a little bit colder, as I turn around before I could make sense of what is happening, I'm shock in surprise to feel her lips on mine, I try to step away but she holds on tight like if she needs me, almost like we are two sides of the same coin... Soon I surrender to her touch, her soft warm lips, her tongue dancing with mine, I want to stop but she is not willing to let go, or you can say that I'm just not strong enough to let go of her... I can feel her hands on my back and her fingers gently taking off my shirt, caressing my chest, licking my neck... The room still seems cold even with everything that is going on, it is a strange feeling, but I am more focus on my dear friend that has not visited me in such a long time, she still hassent said a word as she slowly walks to my bedroom, I can see her stunning body perfectly because with each step she takes, her hands and fingers play with a different part of her clothing as she takes them off and seduces me to come close, so close that our breaths become a single one, I can't control myself anymore, after fighting my desires for so long I give in to her presence, to her will, to all her company brings to my life... I take hold of her fragile body, with my hands I explore every inch of her, kissing, biting, losing my mind with her taste, her smell... I can feel that this is not right, but as I look at her, everything else tells me to keep on... To move, one step at a time...

Slowly but surely our bodies begin to accept one another, to enjoy more and more the simple fact that it feels like they belong together... Together, at least at the moment... Laying on my bed, u can hear her nails playing with my back, my shoulders, my waist, I can hear another whisper between her breaths as we make things happen that you have only heard of. She is not so quiet anymore, she still keeps her impeccable beauty, but the beauty I see now, is more natural, more unique than any I have ever seen, I can see her face blushing with little tears of sweat dripping from her chest, her face... Her beauty still lies there, but now I want her more than before, if there would be a form of describing what my eyes could see, would be as simple as saying that she looks like reaching the heavens and hell at the same time. Quickly she turns my body around and I can see the full splendor of her naked siluette, a body that belongs to me, but a soul that will never be mine... I reach out to touch her face, its not so soft anymore, it feels more rubbished, more raw, more exiting than anything that I have ever seen or felt before... She takes my finger and carries it to her mouth, smiles at me and then makes my hand travel all the corners of her sensual body, every inch of untouched skin... I feel like the moment will never end, I feel eternity has nothing against me... But inside me, I can sense that I'm wrong, that I will be sorry for the present, wishing for the past, and hating my future... In the back of my mind, my will yells for me to realize that it will hurt more tomorrow, just as I almost break from her spell she bends over me and yet again I could only make out a whisper between breaths, a sign without reason... I can feel her body laying on top of mine, hearts beating together, deep breaths and long stares at each other... She still hassent said a word, her fingers play with my chest hair, and her eyes filled with sorrow, anger and wisdom shed a tear, just one tear, for the reasons we both know of, we know that she has to go, that I don't want her to stay next to me, because I'm not willing to take all the things she is accustom to bring with her... She feels used, worst than a *****, worst than a simple piece of meat... But she understands, she can no longer be visiting me, she can no longer make my soul her's... She will have to comfort herself in the fact that she will always be with me, but never taking control... At the moment she stands, looks at me with her dark beautiful eyes, picks up her clothes and kisses my forehead once more... I lay on my bed, watching her beauty, looking as she covers her gorgeous body by the clothes design to hide it... She stands by the door and hints me to stand next to her, I feel her arms wrap tightly around my waist and her head resting on my chest, at the moment I can finally understand my quiet dear friend, as her last whisper I can only make out the words "I will always be by your side"... She turns to the door and back the stairs she came from, and I just stand there, still, lighting another match to smoke another slow poison in my lungs... At the far distance I can see my dear old friend looking back at the space on my door, its like I almost know what she will say, what she will do... She disappears into the night, only to be seen or felt by those who wish for her company or desire her taste, I only stand there, with a smoke in hand whispering for my own amusement, "goodbye dear friend, goodbye old companion, goodbye my lover, goodbye loneliness"



The End
i know is NOT exactly a "poem" but i wanted to get you guys feedback. thank you for reading.
Anton Kooistra Mar 2016
*******
keyboard
hamburger
blue
coffeehouse
smile

the
joy
citizenship
face
she's

Slapped
brightly

a
cold
lot
on
sweat
singing
Dance
merry
stuff
a
canned
about

mayor
of
Cool
macdonald
croudsource

major
was

work
loud
birthday
red
call
measure
workingclass
monogamy
silence
a
his
carnivores

down
street
manly

ordnance
every

happy
steaming
beginning
rattle
place
ukraine
sniff
serial
place
We
testing
laugh
bro
my
worker
of
crap
juice
water
canon
man
shuffling

the
bread
Shaking
fried
peanut
Johnny's
cleaninglady
based
upbringing
hums
flanberg
flames

the
brainface
got
of
before

awkward
flight
foresaw
on
black
She
travels
meaningful

fell
hamster
fighter
lack
correlate
was
day
colony

what
man
She
train
fortify

Guitar
piano

orange
intermezzo
butter
squints
cackling
happy
mate

hot

breadsource
browsers
Randomized from environmental conversation, songs and cold writing.
1970 Odysseus visits cousin Patsy in New York City she introduces him to her best friend Lauren’s older less attractive more reclusive sister Tanya Mulhaney extremely wealthy family father founded corporation manufactures pinball machines which years later develop to video games then casino empire he favors and spoils Tanya but dies suddenly her envious sisters and mother gang up on Tanya is pale skinny flat-chested copious brown bush Odysseus sits in bathtub with Tanya and he probes in a way they hits it off maybe no boy has ever touched her in that way her complexion is so fragile slightest fluster prompts pink blotches on her cheeks neck chest back he admires her book smarts he’s attracted to her refined strangeness he thinks her bush and flat-chest are **** she laughs shyly offers to take him around the world he accepts Odysseus tells his parents Mom goes crazy yells into telephone what are you a ******? you father and i work like fools to send you to the best schools so you can make something of yourself you’re going to throw everything away to be a ***? i tell you we’ll disown you you won’t have a home to come back to do you hear me? we’ll disown you! she sobs how can you just walk out after all we have done for you? you ******* kid! Odysseus takes leave of absence from art school he and Tanya take Iberia jet 12 hour flight with stopover in Iceland to Belgium Tanya sinks into one of her moods swallows several pills to help her rest sitting on other side of Odysseus is curly haired skinny talkative musician claims he has jammed with Miles Davis and other jazz greats Odysseus says yeah right and i’ve shown with Johns and Twombly where exactly are you heading in Europe? musician answers he is a scientologist on his way to visit L. Ron Hubbard in England Odysseus does not know what Dianetics are and wants explanation he asks many questions and musician talks for hours they enjoy each other’s rapport as jet descends in Brussels they exchange home addresses in the States 9 months later when Odysseus returns to America a friend notices scribbled address while skimming through his travel journals Odys! how did you get Chick Corea’s address? do you know him? do you realize how brilliant he is? he’s a keyboard virtuoso! Odysseus questions Chick Corea? who’s Chick Corea? he looks at journal page then says oh that guy i sat next to him on the jet to Europe so he really is a famous musician huh? wow!

in October 1970 Brussels is damp chilly Tanya wears hip-hugger jeans black turtle-neck top North Face shell she huddles her arms around her chest smokes cigarettes looks through hotel room window out into gray overcast sky speaks in defeatist voice i didn’t bring clothes for this weather she picks at her plate in hotel restaurant glumly vacillates later in bed after refusing *** decides they leave tomorrow fly to Canary Islands for several weeks to get tan before traveling through Morocco during winter months Canary Islands are laden with Swedish tourists including bikini clad young girls many not wearing tops Odysseus is thinking about how to swing some of that Swedish free love once Tanya gets drunk succumbs to Odysseus’s ****** overtures it is good  one day while returning to hotel from beach 2 Spanish police stop and question Tanya and Odysseus police order to see their passports then command them into squad car police bark in Spanish rifle through their daypacks point a finger Odysseus can smell alcohol on their breaths Tanya and Odysseus are terrified police drive off main road to remote location abandoned ruins no one is around police order them to step out police drive off laughing Tanya’s complexion is crimson she sobs they could have murdered us no one would know who we are or where to find us we’re lost where are we? Odysseus looks around replies don’t worry we’ll be all right i watched where the driver was going we’ll retrace their trail

they fly to Tangier travel south by train Tanya is irritable insisting Odysseus carry her backpack Casablanca is ***** 3 men peer from sunglasses act suspicious wear tattered trench coats Tanya and Odysseus snack at cafe which provides hookahs for smoking hashish Odysseus scores several grams Tanya laughs suggests they rent car drive south travel to sandy beaches of Diabet for 6 weeks in the morning she paces around French hotel room with cigarette in one hand ashtray in other like she is sultry 1940’s Hollywood actress she stays in room and devours Penguin Classics Tolstoy Stendhal Proust Huysmans Zola turns out Tanya is sexually frigid she buys Odysseus anything he wants but does not put out they take train Marrakech it is sun drenched with blue skies mountains in distance Odysseus wants to go out explore get ***** with the natives he visits Medina daily witnessing many bizarre scenes he does not understand a woman squatting over an egg a man with no legs dragging himself through marketplace holding up cigarette butts in his hand he meets a professor who is out of work because king of Morocco has closed the universities due to teachers’ strike professor explains woman squatting over egg is fortuneteller and man dragging himself has been offered crutches many times yet makes more money playing off pity of tourists cigarette butts are for sale the professor invites Odysseus to visit Berbers in mountains Odysseus persuades Tanya she reluctantly agrees the 3 travel by bus in first-class front row seats vehicle filled with lively families chickens pig bus driver has assistant who lugs people onto bus or shoves them out door at a midpoint bus stops in little town everyone exits bus then men women children urinate in street local venders sell trinkets snacks Odysseus buys nibbles shish-kabob that later professor informs is roasted cat and dog they reenter bus wait suddenly butchered lamb flank is flung onto Odysseus’s lap a man climbs aboard bus stairs then grabs large carcass and heedlessly walks to back seat Odysseus wipes blood and slime off his jeans Tanya demurely giggles bus climbs mountains arrives at small Berber village professor leads them along narrow winding street of shanty huts sheltering merchants open kitchens professor tastes from various steaming iron kettles finally decides on one they are directed to rickety roof where they sit wait a boy comes up with plastic bowl filled with water and small box of Tide following professor they wash their hands then minutes later proprietor brings up simmering *** of couscous serves it with scratched raw plastic bowls no eating utensils they eat with their fingers Tanya seems bothered declines to partake she withdraws into silence after meal she becomes irritable complains of headache says she needs to return to Marrakech she remains standoffish on bus all the way to French hotel

after Marrakech they take boat trip to Italy while onboard Odysseus meets Italian Count who has an eye for him Odysseus wears Jim Morrison beat-up leather jeans Bruce Lee t-shirt scraggly whiskers Count wears thin manicured beard tiny red Speedo swim trunks Tanya grins amused Count offers Odysseus and Tanya to be guests at his villa in Milan city flourishes with stylish clothes loud lively restaurants classical sculptures covered in car pollution following several weeks of aristocratic wining and dining amazing 11 course elegant soiree Odysseus botches compliance with Count’s desires they are asked to leave Tanya laughs hysterically they board train to Germany based on Tanya’s tour book they find historic hotel with wind rattling windows coin operated hot water bath in Munich Tanya stays in room Odysseus goes to dance club meets brown-hared pale skinned German girl neither speak the other’s language he pays for hourly rated room they play German girl in animated gesturing warns him as he is going down on her but he does not understand until several days later scratching beard finds ***** seeks A-200 lice treatment German version leather pants disposed Tanya knows but says nothing she buys Volkswagen they drive through Black Forest Tanya wants to visit King Ludwig’s castles Odysseus does the driving mostly they listen to the Who’s “Who’s Next” and Joni Mitchell’s “Blue” he follows Tanya’s instructions not knowing who King Ludwig was eventually he learns Ludwig was colorful character built extravagant Disney like castles and friends Richard Wagner Bavaria is cold gray brown deep forest green scenic Swiss Alps visible in southern view they drive from Neuschwanstein to Linderhof to Herrenchiemsee then Freiburg lodge in bed and breakfasts Tanya grows restless by all the driving decides to ditch car along road in northern France as Odysseus unscrews car license by road side several cars stop French people concerned they need help Tanya is anxious hoping for clean get away from abandoning vehicle they board train to Paris Tanya speaks a little French in spring of 1971 they are backpacking in search of hotel on Left Bank it rains all morning sky is overcast Tanya reads “Pride and Prejudice” Odysseus draws in sketchbook at sidewalk café sitting next to them are older Parisian couple man detects they are Americans he turns to them expresses in English his contempt why can’t you Americans learn from France’s lessons in Vietnam? Tanya and Odysseus don’t look up they feel like dumb ugly Americans within days they leave Paris

cross English Channel by boat they find temporary apartment in Earl’s Court in London it is overcast almost every day within a month they move to larger place in Chelsea with backyard with run down English garden Odysseus weeds garden plants tomatoes lettuce carrots radishes flowers Tanya stays in her room smokes reads at night they go out to ethnic restaurants one night they visit Indian restaurant a very proper English woman sitting at next table orders exotic fruit for dessert Odysseus asks waiter what kind of fruit waiter answers mango Odysseus has never seen or tasted mango English woman delicately eats the fruit with fork and knife Odysseus orders mango for dessert he attempts to imitate how English lady proceeded fruit slips around on plate finally out of frustration he picks it up in his hands bites into it he is aroused by how luscious mango is sniffing with nose scraping fruit’s skin with front teeth then ******* the seed Tanya makes a face suddenly the seed slides from his grasp shoots across table Tanya’s cheeks neck turn scarlet voice raises stop it Odys! you’re disgusting! are you intentionally trying to embarrass me? why are you doing this? he replies i’m not doing anything to you i’m enjoying the most delicious fruit i’ve ever tasted who cares what it looks like? later she laughs about incident offers to buy more mangos promises to take him shopping at Harrods tomorrow he goes along with their arrangement until it all seems like pretty background scenery to an empty intimacy missing all his friends back at art school he writes about his loneliness he feels trapped in Tanya’s web several times he sneaks English girls into his room when Tanya jealously confronts him he admits he has had enough and wants to go back to Hartford she suggests at the least they fly to Bermuda for several weeks to get tan before returning he declines on June 30 1971 Odysseus returns to Hartford and Tanya moves to San Francisco on July 3 Jim Morrison overdoses in Paris
Raj Arumugam Oct 2010
Sorry - login failed....
OK...easy - of course it's me;
I’m authentic, not me pretending to be me
or someone else pretending to be me
or me pretending to be Swine Poet;
no, it’s not
Swim Goggles masquerading as Noodles Mee;
or Pretty Pig pretending to be Ugly Duckling;
so let’s try again – it’s easy…sure, I know my password….
OK….
Sorry – login failed….
OK…
it’s easy....I’ll give you my username
and here’s password…Enter…here we go…
Sorry – login failed….
Hey! You’re joking with me, right?
you know it’s me, and you’re just kidding, right?
What?
If at first you don’t succeed – try, try again…
OK, OK…let’s go again….
Sorry – login failed….
Hey, man – or woman, this is serious…
Oh I see – my thick fingers
might have landed on 9 instead of 8
and on g instead of f –
you see? It’s me….I’ll try and use my most slender fingers
and avoid my thick fingers…
Knock and the door shall be opened…
OK…here we go…username…hmmmmm….easy now….
slender fingers, remember….OK….password….careful now….
use slender fingers only….Enter! Yipppppeeeeee!
Sorry - login failed....
Hey- it appears I’m thick-headed as well!
Come on – give me a chance!
It’s almost like being denied at Heaven’s doors!
I’m having an identity crisis here, baby!
You want to see me have a breakdown and
send me to a madhouse, or what?
All right, all right…cool down…easy….easy…calm…
Take a deep breath….
Username…OK….slender fingers, now…eyes on keyboard…
…Password….slender fingers, remember….eyes on keyboard….
Now, all good….I think….Want to say a prayer?
Come on – it’s not that serious….Alright….ENTER!
Yes – I’m in! Hey guys – here I am!
on the pleasures of logging in at internet sites

— The End —