Matsuo Basho Translations



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The first soft snow:
leaves of the awed jonquil
bow low
—Matsuo Basho translation by Michael R. Burch

Come, investigate loneliness:
a solitary leaf
clings to the Kiri tree
—Matsuo Basho translation by Michael R. Burch

The cheerful-chirping cricket
contends gray autumn's gay,
contemptuous of frost
—Matsuo Basho translation by Michael R. Burch

Whistle on, twilight whippoorwill,
solemn evangelist
of loneliness
—Matsuo Basho translation by Michael R. Burch

The sea darkening,
the voices of the wild geese:
my mysterious companions!
—Matsuo Basho translation by Michael R. Burch

The first chill rain:
poor monkey, you too could use
a woven cape of straw
—Matsuo Basho translation by Michael R. Burch

This snowy morning:
cries of the crow I despise
(ah, but so beautiful!)
—Matsuo Basho translation by Michael R. Burch

I wish I could wash
this perishing earth
in its shimmering dew
—Matsuo Basho translation by Michael R. Burch

Dabbed with morning dew
and splashed with mud,
the melon looks wonderfully cool.
—Matsuo Basho translation by Michael R. Burch



Basho's Butterflies

The butterfly
perfuming its wings
fans the orchid
—Matsuo Basho translation by Michael R. Burch

Will we remain parted forever?
Here at your grave:
two flowerlike butterflies!
—Matsuo Basho translation by Michael R. Burch

Air ballet:
twin butterflies, twice white,
meet, match & mate.
—Matsuo Basho translation by Michael R. Burch

Ballet in the air! ―
two butterflies, twice white,
meet, mate, unite.
―Matsuo Basho translation by Michael R. Burch

A spring wind
stirs willow leaves
as a butterfly hovers unsteadily.
―Matsuo Basho translation by Michael R. Burch

As autumn deepens,
a butterfly sips
chrysanthemum dew.
—Matsuo Basho translation by Michael R. Burch
aki o hete / cho mo nameru ya / kiku no tsuyu

Come, butterfly,
it's late
and we've a long way to go!
—Matsuo Basho translation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
―Matsuo Basho translation by Michael R. Burch



Basho's Famous Frog Poem

An ancient pond,
the frog leaps:
the silver plop and gurgle of water
—Matsuo Basho translation by Michael R. Burch

An ancient pond sleeps...
untroubled by sound or movement...until...
suddenly a frog leaps!
—Matsuo Basho translation by Michael R. Burch

Explosion!
The frog returns
to its lily pad.
—Michael R. Burch original haiku



Basho's Heron

Lightning
shatters the darkness—
the night heron's shriek
—Matsuo Basho translation by Michael R. Burch

Lightning―
the night heron's shriek
severs the darkness
― Matsuo Basho translation by Michael R. Burch

A flash of lightning―
the night heron's shriek
splits the void
― Matsuo Basho translation by Michael R. Burch



Basho's Flowers

Let us arrange
these lovely flowers in the bowl
since there's no rice
—Matsuo Basho translation by Michael R. Burch

Like a heavy fragrance
snowflakes settle:
lilies on rocks
—Matsuo Basho translation by Michael R. Burch

High-altitude rose petals
falling
falling
falling:
the melody of a waterfall.
―Matsuo Basho translation by Michael R. Burch

Revered figure!
I bow low
to the rabbit-eared Iris.
―Matsuo Basho translation by Michael R. Burch

Cold white azalea—
a lone nun
in her thatched straw hut.
―Matsuo Basho translation by Michael R. Burch

Glimpsed on this high mountain trail,
delighting my heart—
wild violets
―Matsuo Basho translation by Michael R. Burch

Disdaining grass,
the firefly nibbles nettles—
this is who I am.
—Takarai Kikaku translation by Michael R. Burch

A simple man,
content to breakfast with the morning glories—
this is who I am.
―Matsuo Basho translation by Michael R. Burch
This is Basho's response to the Takarai Kikaku haiku above
asagao ni / ware wa meshi kû / otoko kana

Ah me,
I waste my meager breakfast
morning glory gazing!
―Matsuo Basho translation by Michael R. Burch

Morning glories blossom,
reinforcing the old fence gate.
―Matsuo Basho translation by Michael R. Burch

The morning glories, alas,
also turned out
not to embrace me
―Matsuo Basho translation by Michael R. Burch

Morning glories bloom,
mending chinks
in the old fence
―Matsuo Basho translation by Michael R. Burch

Morning glories,
however poorly painted,
still engage us
—Matsuo Basho translation by Michael R. Burch
asagao wa / heta no kaku sae / aware nari

I too
have been accused
of morning glory gazing...
—original haiku by by Michael R. Burch

Curious flower,
watching us approach:
meet Death, our famished donkey.
—Matsuo Basho translation by Michael R. Burch



Basho's Poems about Spring, Summer, Autumn and Winter

Spring has come:
the nameless hill
lies shrouded in mist
—Matsuo Basho translation by Michael R. Burch

Spring!
A nameless hill
stands shrouded in mist.
—Matsuo Basho translation by Michael R. Burch

The legs of the cranes
have been shortened
by the summer rains.
—Matsuo Basho translation by Michael R. Burch

These brown summer grasses?
The only remains
of "invincible" warriors...
—Matsuo Basho translation by Michael R. Burch

An empty road
lonelier than abandonment:
this autumn evening
—Matsuo Basho translation by Michael R. Burch

Autumn darkness
descends
on this road I travel alone
—Matsuo Basho translation by Michael R. Burch

Taming the rage
of an unrelenting sun—
autumn breeze.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

The sun sets,
relentlessly red,
yet autumn's in the wind.
—Matsuo Basho translation by Michael R. Burch
aka aka to / hi wa tsurenaku mo / aki no kaze

As autumn draws near,
so too our hearts
in this small tea room.
—Matsuo Basho translation by Michael R. Burch
aki chikaki / kokoro no yoru ya / yo jo han

Late autumn:
my neighbor,
how does he continue?
—Matsuo Basho translation by Michael R. Burch

Winter in the air:
my neighbor,
how does he fare?
― Matsuo Basho translation by Michael R. Burch

Winter solitude:
a world awash in white,
the sound of the wind
—Matsuo Basho translation by Michael R. Burch

The year's first day...
thoughts come, and with them, loneliness;
dusk approaches.
—Matsuo Basho translation by Michael R. Burch



Basho's Temple Poems

Graven images of long-departed gods,
dry spiritless leaves:
companions of the temple porch
—Matsuo Basho translation by Michael R. Burch

The temple bells grow silent
but the blossoms provide their incense―
A perfect evening!
—Matsuo Basho translation by Michael R. Burch

See: whose surviving sons
visit the ancestral graves
white-bearded, with trembling canes?
—Matsuo Basho translation by Michael R. Burch

Like a glorious shrine—
on these green, budding leaves,
the sun's intense radiance.
—Matsuo Basho translation by Michael R. Burch
ara toto / aoba wakaba no / hi no hikar



Basho's Birds

A raven settles
on a leafless branch:
autumn nightfall
―Matsuo Basho translation by Michael R. Burch

A crow has settled
on a naked branch—
autumn nightfall
—Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
autumn twilight
―Matsuo Basho translation by Michael R. Burch

A solitary crow
clings to a leafless branch:
phantom autumn
―Matsuo Basho translation by Michael R. Burch

A crow roosts
on a leafless branch:
autumn nightmare
―Matsuo Basho translation by Michael R. Burch

NOTE: There has been a debate about the meaning of aki-no kure, which may mean one of the following: autumn evening, autumn dusk, the end of autumn. Or it seems possible that Basho may have intentionally invoked the ideas of both the end of an autumn day and the end of the season as well. In my translations I have tried to create an image of solitary crow clinging to a branch that seems like a harbinger of approaching winter and death. In the first translation I went with the least light possible: autumn twilight. In the second translation, I attempted something more ghostly. Phrases I considered include: spectral autumn, skeletal autumn, autumnal skeleton, phantom autumn, autumn nocturne, autumn nightfall, autumn nightmare, dismal autumn. In the third and fourth translations I focused on the color of the bird and its resemblance to night falling. While literalists will no doubt object, my goal is to create an image and a feeling that convey in English what I take Basho to have been trying to convey in Japanese. Readers will have to decide whether they prefer my translations to the many others that exist, but mine are trying to convey the eeriness of the scene in English.

Except for a woodpecker
tapping at a post,
the house is silent.
—Matsuo Basho translation by Michael R. Burch

Swallow flitting in the dusk,
please spare my small friends
buzzing among the flowers!
―Matsuo Basho translation by Michael R. Burch




Basho's Insects

A bee emerging
from deep within the peony's hairy recesses
flies off heavily, sated
—Matsuo Basho translation by Michael R. Burch

That dying cricket,
how he goes on about his life!
—Matsuo Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
—Matsuo Basho translation by Michael R. Burch

Nothing in the cicada's cry
hints that it knows
how soon it must die.
—Basho translation by Michael R. Burch

The cicada's cry
contains no hint
of how soon it must die.
―Matsuo Basho translation by Michael R. Burch




Basho's Moon and Stars

Pausing between clouds
the moon rests
in the eyes of its beholders
—Matsuo Basho translation by Michael R. Burch

The moon: glorious its illumination!
Therefore, we give thanks.
Dark clouds cast their shadows on our necks.
―Matsuo Basho translation by Michael R. Burch

The surging sea crests around Sado...
and above her?
An ocean of stars.
—Matsuo Basho translation by Michael R. Burch
ara umi ya / Sado ni yokotau / Ama-no-gawa



Basho's Companions

Fire levitating ashes:
my companion's shadow
animates the wall...
—Matsuo Basho translation by Michael R. Burch

Among the graffiti
one illuminated name:
Yours.
—Matsuo Basho translation by Michael R. Burch

Scrawny tomcat!
Are you starving for fish and mice
or pining away for love?
—Matsuo Basho translation by Michael R. Burch



Basho's End of Life and Death Poems

Nothing happened!
Yesterday simply vanished
like the blowfish soup.
—Matsuo Basho translation by Michael R. Burch
ara nantomo na ya / kino wa sugite / fukuto-jiru

Fever-felled mid-path
my dreams resurrect, to trek
into a hollow land
—Matsuo Basho translation by Michael R. Burch

Sick of its autumn migration
my spirit drifts
over wilted fields...
―Matsuo Basho translation by Michael R. Burch

Sick of this autumn migration
in dreams I drift
over flowerless fields...
―Matsuo Basho translation by Michael R. Burch

NOTE: While literalists will no doubt object to "flowerless" in the translation above ― along with other word choices in my other translations ― this is my preferred version. I think Basho's meaning still comes through. But "wilted" is probably closer to what he meant. If only we could consult him, to ask whether he preferred strictly literal prose translations of his poems, or more poetic interpretations! My guess is that most poets would prefer for their poems to remain poetry in the second language. In my opinion the differences are minor and astute readers will grok both Basho's meaning and his emotion.

Too ill to travel,
now only my autumn dreams
survey these withering fields
― Matsuo Basho translation by Michael R. Burch



New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch


New Haiku Translations, Added 10/6/2020

Air ballet:
twin butterflies, twice white,
meet, match & mate
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Denied transformation
into a butterfly,
autumn worsens for the worm
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Dusk-gliding swallow,
please spare my small friends
flitting among the flowers!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Up and at ’em! The sky goes bright!
Let’***** the road again,
Companion Butterfly!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Higher than a skylark,
resting on the breast of heaven:
mountain pass.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Farewell,
my cloud-parting friend!
Wild goose migrating.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

A crow settles
on a leafless branch:
autumn nightfall.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

An exciting struggle
with such a sad ending:
cormorant fishing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch

Secretly,
by the light of the moon,
a worm bores into a chestnut.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

This strange flower
investigated by butterflies and birds:
the autumn sky
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Where’s the moon tonight?
Like the temple bell:
lost at sea.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Spring departs;
birds wail;
the pale eyes of fish moisten.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon still appears,
though far from home:
summer vagrant.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Cooling the pitiless sun’s
bright red flames:
autumn wind.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Saying farewell to others
while being told farewell:
departing autumn.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  
Traveling this road alone:
autumn evening.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Thin from its journey
and not yet recovered:
late harvest moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Occasional clouds
bless tired eyes with rest
from moon-viewing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The farmboy
rests from husking rice
to reach for the moon.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon aside,
no one here
has such a lovely face.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon having set,
all that remains
are the four corners of his desk.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The moon so bright
a wandering monk carries it
lightly on his shoulder.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls
is obscured
by smoke from the crematory.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

The Festival of Souls!
Smoke from the crematory?
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Family reunion:
those with white hair and canes
visiting graves.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

One who is no more
left embroidered clothes
for a summer airing.
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

What am I doing,
writing haiku on the threshold of death?
Hush, a bird’s song!
—Matsuo Basho, loose translation/interpretation by Michael R. Burch  

Fallen ill on a final tour,
in dreams I go roving
earth’s flowerless moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Striken ill on a senseless tour,
still in dreams I go roving
earth’s withered moor.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

Stricken ill on a journey,
in dreams I go wandering
withered moors.
—Matsuo Basho, loose translation/interpretation of his jisei (death poem) by Michael R. Burch

OTHER POETS

Observe:
see how the wild violets bloom
within the forbidden fences!
—Shida Yaba (1663-1740), loose translation/interpretation by Michael R. Burch

When no wind at all
ruffles the Kiri tree
leaves fall of their own free will.
—Nozawa Boncho (1640-1714), loose translation/interpretation by Michael R. Burch



Keywords/Tags: Basho, haiku, translation, Japan, Japanese, Oriental, Orient Occident, nature, season, seasons, waka, tanka, life and death, compassion, empathy, mrbhaiku, mrbbasho

Inilah Proses Kematian dan Hancurnya Tubuh Kita!
Sesaat sebelum mati, Anda akan merasakan jantung berhenti berdetak, nafas tertahan dan badan bergetar. Anda merasa dingin ditelinga. Darah berubah menjadi asam dan tenggorokan berkontraksi.
0 Menit
Kematian secara medis terjadi ketika otak kehabisan supply oksigen.
1 Menit
Darah berubah warna dan otot kehilangan kontraksi, isi kantung kemih keluar tanpa izin.
3 Menit
Sel-sel otak tewas secara masal. Saat ini otak benar-benar berhenti berpikir.
4 – 5 Menit
Pupil mata membesar dan berselaput. Bola mata mengkerut karena kehilangan tekanan darah.
7 – 9 Menit
Penghubung ke otak mulai mati.
1 – 4 Jam
Rigor Mortis (fase dimana keseluruhan otot di tubuh menjadi kaku) membuat otot kaku dan rambut berdiri, kesannya rambut tetap tumbuh setelah mati.
4 – 6 Jam
Rigor Mortis Terus beraksi. Darah yang berkumpul lalu mati dan warna kulit menghitam.
6 Jam
Otot masih berkontraksi. Proses penghancuran, seperti efek alkohol masih berjalan.
8 Jam
Suhu tubuh langsung menurun drastis.
24 – 72 Jam
Isi perut membusuk oleh mikroba dan pankreas mulai mencerna dirinya sendiri.
36 – 48 Jam
Rigor Mortis berhenti, tubuh anda selentur penari balerina.
3 – 5 Hari
Pembusukan mengakibatkan luka skala besar, darah menetes keluar dari mulut dan hidung.
8 – 10 Hari
Warna tubuh berubah dari hijau ke merah sejalan dengan membusuknya darah.
Beberapa Minggu
Rambut, kuku dan gigi dengan mudahnya terlepas.
Satu Bulan
Kulit Anda mulai mencair.
Satu Tahun
Tidak ada lagi yang tersisa dari tubuh Anda. Anda yang sewaktu hidupnya cantik, gagah, ganteng, kaya dan berkuasa, sekarang hanyalah tumpukan tulang-belulang yang menyedihkan. Jadi, apa lagi yg mau disombongkan org sebenarnya????
BAGUS UNTUK DIRENUNGKAN.....
Kita tak membawa apapun juga saat kita meninggalkan dunia yg fana ini..

Dear Nakama...
      Kau tenang saja, mulai sekarang aku tak kan marah, kesal, sedih, cemburu, iri, ataupun jengkel saat kau berhubungan dengan Dia. Aku tak apa-apa. J

Dear Nakama...
      Sekarang, kau bisa melakukan apa saja sesuka hatimu padanya. Toh, Aku sudah melupakan semua perasaan itu, Aku sudah bisa bangkit dari keterpurukan ini. Jadi, tak ada lagi alasan untuk mu menjauhkan?

Dear Nakama...
      Aku merindukanmu, Tak ingin melihat kau seperti ini, mengapa kau seperti ini? L

Dear Nakama...
      Bukankah, kita sudah saling berjanji takkan pernah saling menyakiti,  akan terus menghubungi dan jangan sampai hilang hubungan? Dan sekarang, Aku ingin menagih janji itu...

Dear Nakama...
      Aku di sini sedang sedih. Tapi semoga, Kau baik-baik saja...

Dear Nakama...
      Apakah aku tidak boleh mengetahui keadaanmu? Tapi, bukankah itu suatu hal yang wajar di antara hubungan persahabatan? Aku tak mau kehilangan “TEMANKU”, aku tak mau kehilangan “SAHABATKU”, dan Aku tak mau kehilangan “KAKAKKU”...  :’(

Dear Nakama...
      Selama ini hanya Kau orang yang bisa mengerti Aku, mempercayaiku, dan menyayangiku dengan setulus hati. Akupun Selalu berusaha agar bisa menjadi seperti itu...

Dear Nakama...
      Setiap hari aku menimbun sedih, menyembunyikan sakit, menampung rindu, menabung kekecewaan, mengumpulkan kegelisahan, dan terus menelan air mata hanya untukmu...

Dear Nakama...
      Pandanganku kabur, pergerakanku kaku, kakiku lesu, tanganku beku, lidahku kelu, air mata terus jatuh, dan sesaat aku merasa duniaku runtuh ketika mengetahui kau sedang berusaha menjauh...

Dear Nakama...
      Apa yang harus ku lakukan agar kau mau kembali seperti dulu? Saat-saat di mana Aku belum mengenalnya, saat-saat di mana aku masih menjadi gadis kecil yang polos dan tidak mengenal cinta, saat-saat di mana kita sering berbincang tentang kartun kesukaan kita!

Dear Nakama...
      Aku minta maaf, jelas-jelas ini salahku. Dan bodohnya lagi, Aku baru menyadarinya sekarang. Maafkan Aku jika Aku melakukan kesalahan yang membuatmu tersakiti. Kesalahan yang di sengaja maupun tidak di sengaja...
Semoga kau berkenan untuk memaafkanku...
Sahabatmu : Haruna J

sedikit demi sedikit, aku sudah tidak merasakan kamu di cangkir kopiku setiap pagi.

entah rasanya mengapa sangat sangat habar. seakan kamu sudah benar-benar pergi dari sini.

tidak ada yang membuat jantung ini seakan sudah tidak berada di tempatnya lagi ketika mataku menangkap sosokmu.

aku tahu, nantinya memang kamu akan pergi. mencintai pilihanmu yang lebih sempurna dariku.

aku hanya manusia, mi querido. aku bukan dia yang lebih dari manusia normal. dia spesial untukmu. sedangkan aku tidak.

oh, tidak. aku tidak pernah kemana-kemana. aku tidak pergi. aku tetap disini dan menunggu. hanya sepertinya kamu saja yang tidak pernah sadar jika aku disini.

sudah menerka-nerka. semua ini akan berakhir tidak berbalas. semua ini berakhir sia-sia.

tapi apakah kamu tahu?

semenjak kamu bersama dia, aku sangat menikmati hobiku merangkai aksara tentangmu. walau kadang maknamu sudah terasa hambar.

kamu tahu mengapa? karena tangan ini tidak akan pernah mampu meringkuh wajahmu dan mulut ini akan kaku ketika bertatapan denganmu.

aku membiarkan tangan ini menari-nari diatas papan kata dan merangkai karangan tentangmu.

"Boy were we wrong!  We're the oddball.  We're the freaks." --- Dr. Michio Kaku

We looked at trillions of those stars and knew,
that somewhere out there was another Planet Blue.
Those were not canals we saw on Mars;
optical illusions, lensed figment memoirs.

Stare into trillions, space mind overwhelms.
Rimbaud entrapped in countless ethereal realms.
Not the goal of evolution, merely happenstance,
the search for elsewhere leads a merry dance.

Planets a dime a dozen, yet no Goldilocks Zone
produces signals bearing SETI transient tones.
Birds more subtly impact our lives,
than do the aliens our universe provides.

Di malam bulan terpotong jadi tawa, angin membelahku jadi tiga bujursangkar. Satu untuk diriku sendiri, satu untuk bibir kemaraumu, dan yang lain, mungkin, untuk dua anjing lapar yang Tuhan pelihara dalam diriku dan dirimu.

Di situ, di rimbunan gelap yang padat dan waktu yang mengering, ingatan mempertemukan kita walau sebentar. Kau berlari membawa kotak yang di dalamnya mungkin adalah namaku, dan aku berlari di belakangmu menjauhi danau.

Sayap-sayap yang tidur, kepala yang dinaungi tali-temali, dan jejak-jejak bernafas rapat. Bagimu, dunia mungkin masih adalah tabir yang kaku.

Oh.

Burung-burung dalam kepala! Itu kekakuan yang liris membunuhku.


Malang, 3 April 2013

Kekasihku telah meninggal
Tak ada lagi yang tersisa dari
Rambut panjangnya
Bahkan sekarang
Senyumnya berbau masam

Kekasihku telah meninggal
Sudah tak dapat lagi ia ucap
Sajak-sajak getir
Laut di ufuk
Apalagi senandung bintang atas kita

Kekasihku telah meninggal
Sentuhannya dingin
Tubuhnya kaku
Kelembutannya menjadi pisau
Dan gurauannya antarkan duka

Ia tetap tertawa dalam kematiannya
Karena jasadnya dapat terus hidup
Sebagai manusia lain
Yang bagiku, entah siapa
Yang bahkan tak kukenali danurnya

Jika bisa
Aku ingin mengembalikan tubuh itu padanya
Akan kugali kuburan dalam hatinya
Kutarik keluar jenazahnya dan kubangkitkan,
Dalam sebuah peluk dan angan

Akan kubiarkan ia merasuk
Pada tubuh tak berhati
Tak berjiwa itu
Tubuh budak
Peradaban lama

Akan kubiarkan ia merasuk
Panjang rambutnya yang fana
Senyumnya yang binar
Hatinya yang murni
Harus ku kembalikan

Pada
Tubuh
Hidup
Gentayangan
Itu

Aku berdiri kaku di depan cermin menatap nanar dirimu.

Bertanya...

Berapa banyak malam yang kau habiskan untuk mencaci tubuh tak bersalah itu?
Mencabiknya agar kau tetap bisa merasa hidup.
Biru dan ungu selalu menjadi tanda bahwa kau menang melawanku.

Aku ingat beberapa orang
mengubahmu menjadi kelabu,
membunuhmu dengan kejam,
lalu membuangmu jauh ke jurang hitam.

Kita berjalan beriringan dengan kapak berlumur kata-kata tak dimaksudkan,
tapi kau bilang kau telah mati jauh sebelum kita berdamai.

Lalu bagaimana denganku?

Seperti ruang kosong yang hilang ditelan kesendiriannya,
aku berjalan menuju ujung lorong yang tak pernah sempat kau injak.
Menari-nari di bawah binar harapan seperti aku lupa bahwa kau tak lagi diam di sana.

Ingatkah kau saat kita duduk di meja makan bersama dua orang asing?
Kau sibuk bermain dengan gelisahmu,
sementara aku tersenyum lebar berperan sebagai hantu.
Kau melahap habis semua isi di sana, tetapi hanya berakhir pada kamar air yang sengaja kau sembunyikan.

Kau mati.
Lalu bagaimana denganku?

Seorang Part I
Baru-baru ini aku merasakan yang hidup ini tidak lagi bermakna buat aku. Di mana aku rasa kosong setiap kali nak memulakan sesuatu. Bagaikan terputus tali layang-layang yang asyik ditiup angin di langit biru itu. Aku cuba dan terus mencuba untuk memahami setiap apa yang berlaku di sekeliling aku. Akhirnya aku masih di situ dan terbelenggu keseorangan tanpa sesiapa pun sedar aku di mana. Tidak ada tangan yang mahu menolong aku apatah lagi bahu untuk ku sandarkan tiap kali aku mencurahkan air mata. Aku keseorangan.

Seorang Part II
Aku masih diam di situ kaku. Sejenak aku terdetik untuk mendongak ke langit. Tika itu kelihatan malam pekat dihiasi dengan bintang-bintang berkerlipan penuh gemerlapan dan juga bulan yang terang memukau aku seketika. Waktu itu aku masih ingin menangis lagi kerana aku lupa pada Yang Maha Mendengar Yang Maha Melihat Yang Maha Mengasihi. Aku alpa kerna selama ini aku melupakan Yang Maha Berkuasa. Aku merasakan kerdil waktu itu dan pada saat itu juga aku merasakan aku dibius semangat baru.

Seorang Part III
.............................................................­..............................

Hentian tak bermakna tiba
kegelapan tak semestinya hiba
keindahan tunjang sehingga pucuknya
bukanlah anugerah dalam sekilat cahaya
sambungan cerita kita yang punya
tapi beza adaptasinya
terkadang patah renyuk tak disangka
terkadang wangi semerbak bunga
terkadang terik memancar sinar
terkadang kaku kelu membisu
namanya perjuangan masihkan kekal
entahkan wujud entahkan binasa
menggapai semua mampukah kita
menyelongkar hingga tak ketemu jua
masakan diri menongkah jaya
moga memijak di alam nyata
agar sempurna gambaran selamanya....

how sensible it all seems, how crew-cut and with enough
anaesthetic to k.o. an elephant - outside the laboratories
the populists in whatever guise march on - as with any
congregation, atheists also muster up enough social muscle:
they too have their bouncers and other
gob-smackers with knuckle dusters -
as long as science is popularised it pushes
the boundaries of insensible chasms elsewhere -
                             but with so futile popularisation:
shortages in respective sectors: mandatory,
or as suggested: no longer rich bachelors and
         private laboratories - a science of regurgitation -
once they burned heretics, now the subtle
        championing of mingy sedatives - and since
Joan of Arc's heart no longer aspires to passion
and its all consuming fire, it turns into a wet
piece of coal - reining in the crowds of pop culture
zombies - said before, said again - but how
dislodged the feelings not ranging into absurdity
or at least nibbling on the zest of Dionysus;
but how things changed from that year, 2006,
everyone is asking, the poncy pope with glamorous
attire, the stiff-necked scientists - the pendulum
of guilt swinging in both directions - half of
the 20th century prescribed a fear magnanimously:
oddly enough - as implying: we forgive your
puny religious swooning and answering with
the easiest answers possible... here's a bomb -
so who are the sacred ones? they too are human -
the magazine dissected into:
a. what is reality? (can we be sure that the world
  we experience is not just a figment of our
    imagination) by roger penrose
     b. do we have free will? (the more we find
out about the brain works, the less room there
  seems to be for personal choice or responsibility)
     by patricia churchland
c. what is life? (if we encounter alien life,
chances are we wouldn't recognise it - not even
if it was here on earth) by robert hazen
d. is the universe deterministic?
   (however you look at it, the answer seems to be "maybe")
       by vlatko vedral
   e. what is consciousness? ("my soul is a hidden
    orchestra... all i hear is the music" - fernando pessoa)
            by paul brooks
f. will we ever have a theory of everything?
    (2000 years of rational inquiry may be approaching
  their crowning glory. just one more push could
   be enough...)
                            by michio kaku
   g. what happens after you die? (we have all
  wondered if there is an afterlife, but only a few are brave -
or foolish - enough to try and find out)
                                by mary roach
  h. what comes after **** sapiens?
  (all species are fated either to die out or to evolve
  into something else. all except humans, that is)
                   by james hughes -
so there we have it - the respective pillars of science,
whereby science replaces core beliefs into
core questions - to not hold firm, but to constantly
sway - the 8 founding questions - no more,
  no less - but how many people can perpetually sway?
   the supposed 8 universals, i.e. that every human
  being might, might not, will or will not ask -
     and for these 8 universals, exponential functions
of particulars: because that's how it's supposed
to be: chaotically democratic -
thus everyone knows the objectivity standard:
at its core is awe, outside the core pathology and
apathy - or let us say: passions and indifference -
then subdivisions of (+) and (-), and in general:
   however it is you feel: compensated or left starving.
in 2006, they congregated at a round table and
spoke god-this, god-that - no minority report,
  cold evidence never went down with women (or
so i'm told), three questions, question 1:
                 should science do away with religion?
oddly enough R. Dawkins said:
               "no doubt there are many people who do need
religion, and far be it from me to pull the rug from
under their feet." - we know that the bestseller
              the god delusion came out shortly after.
a physicist (S. Weinberg) similarly (c me la ri lee):
   "science can't provide a sense of magic about the world,
or a community of fellow-believers. there's a
religious mentality that yearns for that."
  L. Krauss: the success of science does not encompass
the entirety of human intellectual experience.
on and on this goes - i guess they have to debate for
the sake of debate - as i am sure everyone is aware:
   a debate can overpower the point of prayer -
confessions? i treat it more like poetry - but in saying
that... where is the medical profession in all of this?
we have astronomers, ecologists, biologists,
physicists, astrophysicists, planetary scientists,
cosmologists, philosophers... what's the odd one out?
it's a bit suspicious that this magazine does not
cite any chemists... and that's ****** obvious...
they're the ones making pacts with the devil -
whether Goethe's or Marlowe's Faust -
then at least to the more obscure rendition
of Pan Twardowski (Herr Tvardovsky) -
         but how odd it already is that chemists haven't
joined ranks with other scientists in their little
Friday night debating club meetings - seriously?
are those boffins serious about all of this?
            or as one said it:
i came from learning to write CO for carbon monoxide,
   and FeO for ferric oxide - or drawing electron migration
  diagrams when two compounds interact (a nice
playground of symbols) and went my way into
   some form of linguistics - primarily working on
          the tetragrammaton - i have no major interest
beyond this definition: would i debate the most
difficult metaphysical assumption of the omni-variations
in terms of ascribing the variations to a being?
i'd stumble in the metaphysical world on omnipresence,
meaning i would be a pantheist - meaning god
    would be anything and everything from the moon,
a mouse, an ant colony, my **** and what not -
            the all-in-one: for one thing, that's already much
too hellish to comprehend, let alone make comedy from.
but they haven't told you about the painkilling
saliva that beats morphine - catherine rougeo:
proceedings of the national academy of sciences,
vol. 103, p. 17979) - the compound's name? opiorphin,
or the scourge of Afghanistan. they also didn't
tell you about Saracen sabres - their scimitars contained
carbon nanotubes - forged from Indian steel
called wootz - 17th century examples studied by
P. Paufler (Dresden) found the carbon nanotubes
and even nanowires (nature, vol. 444, p. 286) -
or is this becoming to look very much like traffic
on London's M25 during rush-hour? it certainly is,
as was intended -
                   1950s: age of optimism -
influenza wave from the east, the indestructible transistor,
   television without wires, baby computer the size of
  a piano, rubber windshields, genetic chemistry,
atomic aircraft, the neutrino, sputnik 1, strontium-90
(radioactive ash)  used by manufacturers of woven
and knitted fabrics to overcome fog markings,
the coleopter, polypropylene (the remnants of German
word-compounding revealed in chemistry, and
only in chemistry, elsewhere compounding is
replaced by hyphenation, i.e. hyphenating),
                  and so on and so forth until present day -
passing through Sir, Julian, Huxley, who reinvented
****** with "positive" eugenics - oh sure, it was still
alive and kicking - quark hunters draw a blank -
             i could reference all else that was involved
in making the last 60 years - beyond that people are
call it ancient history - or are Virgil and as Horace,
and as Ovid did - turned their back to the world,
         into their poplar groves and jasmine filled gardens,
and said: ta'oh!           ta'oh!                 Tao!
  but not until then, before embarking i'm already
dreading to embark with something to add, to even
voice this -                                     but i guess i might:
  as ever, the freedom of speech is never as grand a
                                      luxury as the freedom to think.

Suatu hari saya akan bertanya kepada kamu, apa yang menjadi ketakutan terbesar kamu?
Saya sadar, kamu terlalu idealis.
Saya tidak berpikir kita akan menjadi hebat bersama karena kita sempurna tetapi karena kita cacat.
Anehnya kita masih saling mengerti satu sama lain.

Suatu hari saya akan bertanya kepada kamu, apa itu cinta?
Dan kata-katanya akan membuat tubuhku kaku, mengapa kamu begitu takut mencintaiku?

Suatu hari kita akan bertemu lalu saya akan bertanya kepada kamu, apakah kamu ingin tahu apa yang selama ini saya pikirkan?
Kamu ketakutan lalu mengacaukannya.

Suatu haru saya akan menemui kamu lalu saya akan bertanya, mengapa kamu meninggalkan saya?
Kamu tidak bisa menjawab lalu kembali bersembunyi.

I have never wrote about nothing
I've told my self to a million
two million times to date
to sit and write about nothing but
my mind proves magnetic
Sticking to the simple things
Romanticizing specs and sweeping monuments
because I write to find some solace
and normally
my greatest comfort is intellectual
spiritual stimulation
I like getting high and
watching TedTalks and Michio Kaku videos
about string theory and is there an eleventh dimension?
And I like to lay down still
And torture myself by letting my skin crawl
with untouched bug bites
with my eyes closed until my arms feel
detached and my chest is heavy and all of my flesh is static
For a while it is black and I hear the looping of
the rain and wind chimes of CenterPointe
And I like the meditation tapes but silence has its virtues
Ascension is always lighter and more arid
Languid in a way water can only ever mock
I think it might have something to do with
oxygen being ubiquitous in our atmosphere
or more so than h2o that is
but then again I really am no Bio major

The Other

"Panyacha barka tambya dya, Kaku",
From outside, a boy cried
For his father had toiled in field
And his throat completely dried.

Kaku shouted at him
"It's Chhota, not Barka" with her eyes-wide.
"Run away from here,
Stupid guy from countryside!"

"Panyacha Chhota tyamba dya!"
Then he preferred to say;
"It's Lota, not Tambya, Duffer!" Chachi harshly said.
From there too he wended his way.

He didn't have any courage
To ask anyone for water for his father
Whom he should reach out?
He was considered to be the other.

An Aunt stood in the corner
And was watching this drama all along
She offered him a glass of water
Since then the boy started singing her song.

S. Bharat

It's her putting letters into words
So he becomes a part of literature
It's the way she spontaneously smiles when she remembers his dress shoes
It's her sitting on the rooftop holding nothing but a half-spent cigarette
Wishing it was his hand instead
It's the exhausted smell on her comforter
Until the day he sprays more cologne on it
Or body spray, either way
It's being comfortable enough to not wear a bra (at times)
It's her way of looking at the shirt he gave
It's spicy food
And the cup of Nissin seafood

It's his giggling whenever she acts like a child
It's the pendant on his neck
It's the "wo ai ni"
It's the intensity of his stare
It's resisting the urge to **** her
It's the bonnet
It's his first kiss in the rain
It's his fear of oblivion
It's his whispers of "God, I love you so much"

It's closing her eyes when she hears "Walang Iba"
It's the "keka ku, kaku ka"
It's the dark closet in her room
And the inflatable bed of their friend
It's fighting over the simplest things that seem like mountains
Like the Great Wall of China
Or the Battle at Gettysburg
It's her shouting "I hate you!"
Only to hear "I love you too!" in return
It's the duets they got used to.
It's being with each other for 72 hours straight
It's him
saying he's not good enough for her
And her
thinking he deserves someone better.

It's the lapse between seconds
It's him breaking her walls without breaking anything else
It's her making him believe in waking up to the same face for the rest of his life
It's the music
It's the silence
It's knowing that she desires him for herself
Even with all the stars between them.
It's seeing,
That although the road is rough,
She is his medicine
Just as he is hers.
It's the entire universe conspiring to bring them together
It's the petty misunderstandings
Or the major ones.

It's the stargazers.
And the shotguns.
It's loving too much
Or loving just right.
It's you.

aku mengantuk sekali hingga kutahu ada venus di atas kepalaku yang kaku.
Kaki dibanjiri hujan, pesan cukupkan bulan di bawah bantalku-maksimal.
×Tidak ada tuhan lagi kali ini.

Bukankah kita terlihat begitu jauh?
sementara jarak sudah melipat dirinya begitu lekat, supaya Kau dan Aku
melupakan bahwa semuanya
pernah terjadi dan sudah selesai.

Apa yang diinginkan kata dari Kita berdua?
sepertinya mereka ingin Kau mengeja namaku yang sama sekali sulit diucapkan lidahmu, katamu lidah itu kelu dan kaku. Kau bohong.

Pernahkah Kau menenggelamkan diri
dalam bayangan yang terpantul dari cermin?
seakan mataku mengambang di sana
dan senyumku persis terpahat di bibirmu.

Jawabannya
Aku tahu dan Kau juga tahu.

Kepada bumi yang semakin liar.
Dipenuhi sesak yang membakar.
Kepada para manusia yang disebut pemimpin.
Lihatlah tempat-tempat di mana kami bermukim.

Panas, seakan membakar diri.
Peluh berjatuhan semakin jadi.
Tanpa hirauan dari kalian para petinggi.
Melepas kata seolah akan kami pahami.
Sudahilah kepura-puraan kalian.
Kami muak akan kepalsuan.
Kau bungkam kami dengan janji manis.
Kemudian kau tertawa dengan bengis.

Hancur sudah perlahan mimpi.
Tak satupun orang-orang yang peduli.
Terbujur kaku dingin diam membisu.
Kepada siapa lagi kami kan mengadu.

Banyak kata terbuang percuma.
Mengkoarkan segala duka penuh kecewa.
Kepada mereka para petinggi yang berkuasa.
Takpunya hati dan rasa bela sungkawa.

-M-

ingin kuhancurkan diriku yang lalu
ingin kuhardik lulu yang kemarin
ingin kumaki kelakuanku dulu


berfoto di kamar kuning
memegang kue tar
diberi kaus kaki telur dan pisang
gelang merah dan tosca
masih kaku
tapi senang

lain dengan sekarang
rambutku tidak karuan
mataku seperti dihajar satpam
bagbigbug karena keadaan

malunya, di rumah cindy
aku nangis di rumah cindy

tuanku telah meninggal
sudah tak dapat lagi ia ucap
sajak-sajak getir perlawanan atas tuhan
apalagi senandung bintang atas kita

tuanku telah meninggal
sentuhannya dingin
tubuhnya kaku
sajaknya menjadi pisau
dan gurauannya antarkan duka

ia tetap tertawa dalam kematiannya
karena jasadnya dapat terus hidup
sebagai manusia lain
yang bagiku, entah siapa
yang bahkan tak kukenali danurnya

jika bisa
aku ingin mengembalikan tubuh itu padanya
akan kugali kuburan dalam hatinya
kutarik keluar jenazahnya dan kubangkitkan,
dalam sebuah peluk dan angan

akan kubiarkan ia merasuk
pada tubuh tak berhati, tak berjiwa itu
pada tubuh hidup gentayangan itu

Michio Kaku: Quantum computing is the next revolution

Aku melangkah di jalanmu, terukir dalam batu. Di mana sungai-sungai retak dan keheningan berdengung. Lagu pengantar tidur terus menghantui, membungkusku seperti kain kafan. Bisikan-bisikan membusuk dalam kesunyian, tersisa di udara seperti rahasia yang terlupakan, sementara keputusan menggantung di kehampaan—mayat-mayat cahaya.

Panas menggigil menyiksa melalui tulang punggung gurun ini, tebal dan menindas, saat bayangan terus menggeliat, tertawa dengan kebencian yang membekukan. Kau telah lama menghilang—bertahun-tahun, mungkin selamanya—ketidakhadiranmu adalah luka yang tak kunjung sembuh. Tak ada tangan yang mengulurkan jari untuk menenangkan langkahku yang goyah, tak ada kehangatan untuk mengikat pikiranku yang berputar-putar, dan beban ketidakpedulianmu menekan, mencekik seperti aku sedang berada di kuburan.

Jika aku menutup mataku dan membiarkan diriku larut dalam kegelapan, apakah itu akan membangkitkan sesuatu di dalam dirimu, atau kau akan tetap tak tersentuh, seperti selama ini? Langit ini terasa seperti kaca, rapuh mudah pecah, dan siap hancur akibat kekosongannya sendiri. Sementara bumi di bawahku setipis bisikan, siap menyerah. Pernahkah kau benar-benar ada di sini, atau kau selalu gagal untuk ada, sosok yang menghantui sebagian mimpiku yang hancur?

Pemenggal kepala menjulang di depan, janji yang tak terpenuhi,  
takdir yang terasa hampir manis, ujungnya yang tajam seperti panggilan sirene. Aku berdiri di bawah nya, pucat dan kaku. Besi dingin itu memanggilku, dan aku bertanya-tanya— jika aku menerima kejatuhan ini, apakah kau akan menyaksikan akhir, atau kau hanya akan berpaling, acuh tak acuh terhadap kegelapan yang menelanku bulat-bulat?

Kau tidak hadir di tanah yang tandus ini, tak mengucapkan sepatah kata pun untuk menghancurkan kesunyian yang membentang tanpa henti. Hanya gema tanpa suara dari ketidakhadiranmu yang ada melalui kehampaan, pengingat tanpa henti tentang cinta yang tak pernah ada. Jika aku semakin terperosok ke jurang ini, mencari pelipur lara di kedalaman keputusasaan, akankah aku mendapati dirimu menunggu, atau akankah ketidakhadiranmu bergema lebih keras, mencekik napas terakhirku?

Aku telah menelusuri debu tempat jejak kakimu terkikis,  
tapi bumi di bawahku berputar ke dalam ketiadaan, rusak oleh beban yang kau tinggalkan. Jadi di sinilah aku berbaring, di reruntuhan yang kau buat, di bawah tatapan dingin langit, terjerat dalam kesunyian yang kau jalin, di mana waktu berhenti, dan sisa-sisa harapanku memudar ke dalam jurang.