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In the mustardseed sun,
By full tilt river and switchback sea
  Where the cormorants scud,
In his house on stilts high among beaks
  And palavers of birds
This sandgrain day in the bent bay's grave
  He celebrates and spurns
His driftwood thirty-fifth wind turned age;
  Herons spire and spear.

  Under and round him go
Flounders, gulls, on their cold, dying trails,
  Doing what they are told,
Curlews aloud in the congered waves
  Work at their ways to death,
And the rhymer in the long tongued room,
  Who tolls his birthday bell,
Toils towards the ambush of his wounds;
  Herons, steeple stemmed, bless.

  In the thistledown fall,
He sings towards anguish; finches fly
  In the claw tracks of hawks
On a seizing sky; small fishes glide
  Through wynds and shells of drowned
Ship towns to pastures of otters. He
  In his slant, racking house
And the hewn coils of his trade perceives
  Herons walk in their shroud,

  The livelong river's robe
Of minnows wreathing around their prayer;
  And far at sea he knows,
Who slaves to his crouched, eternal end
  Under a serpent cloud,
Dolphins dive in their turnturtle dust,
  The rippled seals streak down
To **** and their own tide daubing blood
  Slides good in the sleek mouth.

  In a cavernous, swung
Wave's silence, wept white angelus knells.
  Thirty-five bells sing struck
On skull and scar where his loves lie wrecked,
  Steered by the falling stars.
And to-morrow weeps in a blind cage
  Terror will rage apart
Before chains break to a hammer flame
  And love unbolts the dark

  And freely he goes lost
In the unknown, famous light of great
  And fabulous, dear God.
Dark is a way and light is a place,
  Heaven that never was
Nor will be ever is always true,
  And, in that brambled void,
Plenty as blackberries in the woods
  The dead grow for His joy.

  There he might wander bare
With the spirits of the horseshoe bay
  Or the stars' seashore dead,
Marrow of eagles, the roots of whales
  And wishbones of wild geese,
With blessed, unborn God and His Ghost,
  And every soul His priest,
Gulled and chanter in young Heaven's fold
  Be at cloud quaking peace,

  But dark is a long way.
He, on the earth of the night, alone
  With all the living, prays,
Who knows the rocketing wind will blow
  The bones out of the hills,
And the scythed boulders bleed, and the last
  Rage shattered waters kick
Masts and fishes to the still quick starts,
  Faithlessly unto Him

  Who is the light of old
And air shaped Heaven where souls grow wild
  As horses in the foam:
Oh, let me midlife mourn by the shrined
  And druid herons' vows
The voyage to ruin I must run,
  Dawn ships clouted aground,
Yet, though I cry with tumbledown tongue,
  Count my blessings aloud:

  Four elements and five
Senses, and man a spirit in love
  Tangling through this spun slime
To his nimbus bell cool kingdom come
  And the lost, moonshine domes,
And the sea that hides his secret selves
  Deep in its black, base bones,
Lulling of spheres in the seashell flesh,
  And this last blessing most,

  That the closer I move
To death, one man through his sundered hulks,
  The louder the sun blooms
And the tusked, ramshackling sea exults;
  And every wave of the way
And gale I tackle, the whole world then,
  With more triumphant faith
That ever was since the world was said,
  Spins its morning of praise,

  I hear the bouncing hills
Grow larked and greener at berry brown
  Fall and the dew larks sing
Taller this thunderclap spring, and how
  More spanned with angles ride
The mansouled fiery islands! Oh,
  Holier then their eyes,
And my shining men no more alone
  As I sail out to die.
murari sinha Sep 2010
in this world of the limped nuptial
i’ve appeared as a power-missile of the lac-dye
that is used by the hindu women
to paint the border of their feet

the tooth-ache of some-one pumpkin
that grows on the thatched roof of a hut
has wringed spirally  
my mythological birth with corporate death

managing and arranging  my thoughts
on what I was in the past
what I would be in the future
or what is my dos at present  
the wonder-paintings of the altamira cave
unfolds its wings beside my painful in-growing nail

and in her own sky of miss marry  
my hands become so much condensed in every drops
as if within that moping smog
without any speech
speaks the twinkle twinkle little star…

beside  that labour pain what awakes then
is the patronage of a one-horned idea
along which while walking  without much preparation
i can enter into any e-mail

though our love pulls a very long-face about itself
and in the opinion of the married women
the sigh of the sin θ of our love wants to cultivate
mustered-seeds on the soil of the inhabitants
of this human-life
with a stick by which the monkeys are driven out
what more can i say in lieu of
a piece of red-salute written in green ink

if i say in the dawn of the 52-cards
i touch your face
by the hands of a school-boy
your calmness and earthly perfume
make me stunned

then in this field of sweat and war
the explosion of logic and intellect
of your top-floor
seems more famous anchor than the milk
that spilt over on the fire

and more to say
when daubing all over the body
all taste of the path of joy
enter into then fort of gold you can notice there
when in some unknown moment
my pajama dies socially
by the bite of the snails and oysters

to keep the heart of the break-kiln always move
this form-less interactions are so well
in the harvest-arrangement of the late-autumn
we are all uttering the name of cherry-flower
and begging shelter from the mango leaves

the cause of spreading over of the fragrance
from our secret myrobalan to every side of the pillows
is not only such that in the morning
an empty ink-*** says to the rain-water
you are beautiful

it is also remarkable that
coming to our half-articulated  travelling
the writings carved on the granite stone
become very much ashamed also

and  taking the busy market-price of the sun-glass
in the fold of the **** cloth tied at the waist
my both hands are also marked very much
in the omnibus of the dancing-bar

such is just because it is the art and science of navigation
that pastes some earth-wave
having no number-plate
with the public
rolling down  on the mat of the summer

it is impossible
to memorise the history of  those
so much contended-hunger
so much contended-sleep

it is all right that the staff-members
of our vibgyr university are all alive  
but they are the existence of some
bio-data only

arrangement of so much smiles and tears
in the nomenclature of banana-bed of mrs sofia
is not to tell the directionlessness of her fishery products
but if the culture of the wild trees assuming figure
then there remains no separate entity of the rbcs
inside or inside-up of the veins and arteries

all are the world of cosmetic-surgery
all are the arena of displaced national integrity
that is the only way to get admitted
into the still water of the horse-race

so the making of this self-portrait of the tip-cat game
by own-hand
so is the fancy of the engagement ring of the bursar

as a result of the headache in the au fait knee-joint
all the rats on the rice-*** of margaret  
become very angry
and when they make their performance  
you can’t catch them by extending your hands

so there is this sky-blue printed sari of desdemona
now take refuge under her perfumed disaster
and it is feared that there may be the drops of sweat
on the lobes of her nose extremely devoted
that the trees become to reside in

how much confusing is that cascade
in each of whose earings the dark fortnight
and whose eden garden is so large
that all those  people with crevasses dwell there

they stay in a group of nine
neither eight nor ten
just n for 9
n is also meant for the nancy
and the narcissus
and the sensational appearance of the
nereid  

once again we rub green-chilly after pouring water
in the parched-rice on the ancient plate made of brass
it is right that the peak is separated down from the temple
but it does not hurt the priest

by the right of our walks strewed outside
we too when hiding ourselves in the regime of fire
with our intention and activities
with our standpoint
with our conduct and  behaviour
or any instant rule or direction
or our deeds
that compel the rotation of the deodorant

thus after the eye-operation
the love between you and me is now
seeing more week-ends than before
to her knee has been submitted many caws
painted in water-colour

in every corner and every hole of the body
that pulls the rickshaw the wind enters
and in every root-cause of the sufferings
the ripple of annihilation of love

from the shop of dip-swimming now
you can also purchase soundlessness  
to feel  the spirit of  chrysoberyl

now you need the work for 100 days
to gain the power you need to keep pace
with the graph of the terracotta
that may also be a long day of fasting  

then on the back of that hungry conch-shell
a globe shouts
the other’s world puts its office-water
in the fountain of cactus the roaring of which
pours so many telephone-calls into the ears

then in our market the ear-bursting sound of the generator
then in our forest-land
the bullet-fight between maoist and the joint-force

then with the enlarging and waning of our moon
are the bright fortnight the dark fortnight and the leaves of wood-apple

you may say now
those demerits relate to the seeds of the gm oranges
but just think the scanning of hibernation of the philtre
or of the kite the thread of which is cut off
they can’t escape their responsibility too

then tell me to whom i could give
my sad melting point  

but then to do any work means
this trigonometry
outside the territory of copyright

then the connection of the biscuits
with the thoughts of the fire-works
is clearly dismantled

the border-zone of all relations thus keep themselves apart
and due to a sharp difference in the chromosomes of sand-stone
our dwelling-house becomes a museum

to build a hospital with a big moustache
at last within the hypnotized company
the shadow of our bed-room appears

then the light of the social moon  is like the materials
with which the inner parts of the sorrows of the pomelo
is made up

it may be well for making great
the art-work of the horse-rider
that is wrapped with the handkerchief of ocean  

it must be waiting for my shampoo-power too

some cure may be offered by the paraffin
and her open hair

but one deed of the rose-petals
and the convex sweet drops of molasses  
is the flame of thumb-impression
that is born and brought up by the pan-cake
in-between sauce-pan and peter pan

in this all-pervasive panorama of slang-opera
murari sinha Sep 2010
1.
any colour may be applied to the
night-dress

this city actually has no cart
driven by horses

before a pretty long time the shepherds
had also told adieu

by secret signalling the red-hat addiction
called the pigeons  sitting on the broken sticks
of the antenna to come nearer

on those dead-news the travel-story
keeps awake by whole night

and pours down on eye-lids
clouds
wrapped with cellophane

one day that wave sent
rolling-down-on-the-back hair
to the yellow balcony

those are all ancient drama

in the glow of the back-light you can see
civic humps have grown up on the back
of the birds every day and night

yet
under the dead-stop ceiling fan the dance
of the ****** reel wet with sweat does not fall short

the paper-buckles with the flowers painted on it
gets more and more tight on the air of the throat

velpuris of the evening
offer full enjoyment

2.
the night that comes all walking on the sands of the desert
how much concern does she has about the navigability of the river

when the husk of the water-chestnut is got open
flowing down the waves bursting into a blaze

to that flow is open the motor-car
the wan procession
and all the fishes that want to go upward the wave

so many varieties of floating

if the matter of clouds be let off
the multi-coloured fingers
also have so many infotainments  

if the question of  moveable property is  raised
it is only a suicide-note from my father

and a knot
in the robe of the blue trouser

3.
the trees and creepers of the night
and the plants and herbs of the day
do all of them have the same blood-group

there is much flora
inside the jail-custody also
and in this ruins of the old palace

how much is it justified
to express eagerness about the geography
of one’s character

specially of the trees
of the fishes
or of the humans

it is said
all rivers
flowing through the bodies of the great men
are totally ******

there is also the blank desert
on the silent snow-valley
in the corner of your
lips

4.
on this spine
having a mouth of crocodile
always jump down
the climate    

everyday
the sunglass changes

look at the soil and the sky
no one of them has any body-guard

the open mouth of the light
swallows the grey coin

here the wall becomes more tamed
the wild jasmine comes nearer to the heart
and hums

then ripping open my veins
should i also ***** the blue elocution
accumulated on the ****-pit

after recovery of the flower-mill from fever
the harmonium is being played on  

even introduction with the gas-balloon
has not been done yet

5.
arrangements are being made

the green shirt will gradually
turn reddish

the culverts that have become exhausted
within the travel-format
will get recharged again to sit up straight

and the hawker will get passed the silent-home
shouting with undressed coconuts in hands

from the lap of the stand-still rocking-cradles
of the children-park
the amaltas will say
i’m ready

then to escape the sun-shine
the boy who comes to attend the private tuition
will embrace… oh margosa … its your pierced-heart

you may tell him that the name of the girl
who is eating guava and swinging her legs
sitting on its branch is munni

6.
the horse is running
just above 3 feet of the yellow cornice

his back is full of dreams
or a girl named miss dorothy  

around it is the mid-night
around it is the wind that wants to be printed

and in every corner of its flying
are hundreds of skirts
  
all are of free-size

what may be their market-price
there is no shop-keeper there

in that valley
a shadow is proceeding on

do you know whose shadow it is
he is philip the teacher who gets irritated easily

this time there is no thin cane
in his hand

in the pieces of papers dumped in the waste-box
under his window there is a manuscript eaten up by the worms

there is ‘darling’ there
and ‘yours beloved greta’

in which skirt
a touch of that greta does remain  

is it being searched even today

is it greta or margaret or eliza  
there is no bar if it is dorothy

in whose smell there is no greta
who has no such horse flying just above three feet
of the yellow cornice  

each mid-night fills the fountain pen
with the flow of blue ink

7.
the leaf of jack-fruit is luxuriant
i can’t remember whether i ever notice
the portrait of your face on it  

there are so many words
that are slippery

how much rustic is the dust of the legs
of the young person is known to the road of the city

daubing green on both palms
i call for rain …oh rain ..oh rain

and into that rain i let my wrist-watch float

thus the great rainbow unfolds its wise mirror
on the scaffold of bottle-gourd  

from the bright cloth-end falling down
the odour of detergent

thus the applied mathematics of the diesel
is learnt to a greater extent

8.
behind the change of colour of the swelled wind
the samovar plays no role

though you know it you tear off tears
from your eyes

and the merry biscuits that are kept in the jar
raise a joint demand to serve them
after wrapping with new banana-leaves  

and the funny thing is that no accounts is found out
of the expenditure on the lip-stick that was used
by the fishes in the aquarium  at the time of illness
of the antenna

by the hands of the clock stretching their shanks apart
is it possible to know the actual age of a comb
either it’s costly or cheap  

9.
like the light
like the dark

yet it is full of the sound of steps
again it wakes up on the forest-road  

taking leave from the yellow construction
all the sound of the bamboo-flute
sinks today into the green minerals

it is not moonlight
on the road it is some north-east sadness

he who comes admits his body
with the divine sin

if you are sorry be water for three days now

through out the day and night
there is the paraffin of fire-flies

the blue cough is not from the sky

it may be some tusu-gaan fly off
from the chest of the straight-line
that has been wiped out

10.
i’ve deposited my metallic heart
to the archaeological-store of the wind

and i send rolling this bare eyes towards the fog
frequently

i make the crystal of her hair soft

i can see those crows
whose jaws are not closed

the colour is also
as if it were burst into cotton

can the anchal of danekhali sari swallow the kernel
and water of the blue tooth-brash after opening its husk

i say to the head with earnest request
oh my father keep cool
and look at the rain-pipe inside which
there is all the dances of the peacocks

11.
in the dim light
the predecessors of the dead stars
tell stories

this dhaba
is beside the long bus-root

yet it is still not satisfied
with the shrimps

the tail of the black drongo
hanging from the farakka bridge
is divided

towards the ganga
towards the padma

the gramophone of the mid-noon
continues to sound at the midnight

those who are doing pilgrimage
on the back of tigers

within the lighting zone of their torch
all the nearest of men who get lost
cover their faces

you know very well that the memory-gland of the wind
becomes how much river-minded when it walks through the fire
Valsa George May 2016
Music, Oh mysterious sprite!
Lift us to the seamless realms of delight
Your ubiquitous presence we feel;
In the hum of crickets
In the silence of the stars
In the falling cataracts
In the running streams
You are there in the lone sea breakers
And under the swift wings of the wind

Come as subtle vibes to saturate our being,
Winding your way through every sinew
Enfold us in your rapturous hold,
Raising our souls to the magic of rhapsody
      Paint intangible pictures in silence,
Creating a sensation beyond the reach of words
Let our souls savor the taste of ecstasy,
Daubing myriad hues on all ugly stains
      Land us in the sequestered pools of oases,
As the blistering sands leave burns on our souls

Oh Music! Come and fill me
Soak me from foot to crown
Like a falling drizzle
Like a caressing soft wind
Like a marauding sensation
Drown me
In the subaqueous quietude of the sea
Levitating me through ether
And lifting me up onto the borders of heaven!
antony glaser May 2012
I had always wanted to buy Martha Marzipan
and to see her encased Vermilion diary
so she could heal beneath.
But she only succeeded  
in filling her emptiness
with joyful Psalm songs
at a daffodil festival

I always had envisaged lying with her
in fields of oxeye daises
under the cerulean blue of an early summer sky.
My seeming wishes were granted,
until she proceeded to  purloin such paradise
by cutting her hair
and daubing ash on her wrist.
For she had previously lit a candle
for her years made wise,
believing only women suffered pain
and I now realised,  no one could buy her.
I’ve been up
  all night
slow dancing
            with the reasons why
                         my canvas is still mostly
empty and
  my palate
  holds only
seven shades of black.
  While I’m weeping
through a
 Foxtrot with
my paintbrush
        and daubing
     midnight
stains across
my walls
the Hollyhocks
still bloom
        outside my door.
      The humming birds
    adore them
standing tall and
lavender
  but I can’t stop
   to waltz with them
I’ll lose
this beat
     and genius
        that fickle muse
will quickstep
   on
and leave me here
behind.
  ljm
I struggled through rearranging this three times trying to get the spacing I wanted, but could only have the spacing the program created.  Is there a trick to this?
On canvas God's image is obscured
A casual eye may not be secured
In the middle ground and to right side
A hooded figure the artist did paint
Within his composition it is faint
In center foreground a telephone sits
E'er taking the viewer's sighting wits
At back of picture greyish blocks preside
A dab hand with oils and of brush daubing
His canvas is a work most absorbing
In lake scene God's presence is reflected
Of the divine a common Dali theme
To grasp the meaning of his color scheme
The artist's intrigue must be inspected
#artist  #canvas  #theme
Sombro Dec 2014
As sight is servant to the sun
I am servant to these
Smiths and songmen
The lives bent over a desk

Working as a canvas
Daubing themselves with
Whatever ink they find
Muck or gold make marks

And I am fettered
Achain to their words
I stare into their eyes
But they reflect me

I don't believe it
Where Shelter Apr 2020
my nose now runs seasonallyfrom sigh droplets

every new season celebrated by the constant continuation
of its running from, running to ?, or as I joke,  
from  September to September inclusive

but something new, my eyes now watery, a permanente daily irregularity, the imaginary laundry lady whines consistently, as she cannot always locate, prior to machine insertion, for all my secret hiding places of the always everywhere ***** tissues!

“too many pockets, too many tissues,” she underbreath mumbles,
but secretly I observe her similarly daubing~dabbing of the eyes,
in this time of constant sorrow, no one immunized, the sigh droplets
pass through any mask and gown, and then become full time residents

wry thinking, “let he or she who is without stone, cast the first tissue”
but we are all ****** all the time, heavy heaving, eyes tearing and
noses running

it don’t take much, the continuous reportage batters me and turning
away from my electronics impossible, they now hard wired inside the maniac-brainiac, wifi’d, from every side, even a actual glance outside at the desert of our dehumanized streetscapes always amazes

we no longer worry that every sniffle or tear
is a warning sign of  a more serious ailment;
no, we understand too well this is a sad spirit inside,
it’s symptoms unleashed but un-lethal, the antibody
to a weariness that has no name, only tissues that

cannot cure nor disinfect
he painted flourishing gardens
and stunning landscapes
using a palette of superb
colour drapes

in his homeland they toast
him with champagne
for his canvases hang
in their art gallery's lane

his works are worth
many millions of dollars
and they've been studied
by generations of scholars

of the impressionist style
was he
he had brush daubing
down to a tee

paint me a picture
if you possibly can
that will tell me
of this creative man
Shadow Oct 2020
To spartan prose the years are turning,
Coquettish rhyme the years are spurning;
And I - I with a sigh confess -
I'm running after her much less,
My pen has lost its former pleasures
Of daubing fleeting leaves, it seems,
Today, quite different, chilling dreams;
Quite different unrelenting pressures,
In stillness or in social noise,
Disturb the sleep my soul enjoys.
PB Ward Apr 2016
Oak trees mount mossy slopes… graphing the thin-shrub, need not much light.
Fallen comrades stretch out up the valley, their armor soaked with dew-mist and stuck leaves.
Dry foliage rings around their plinth, daubing their place in the social order.
Dark shades cut short, amalgamating a bond between what is and what can be…

Willow wood leans forward, observing last year’s crop… its focus grounded by fleecing strands.
Bunches shivering in the cold wind, undulate neighbors to tripping the light fantastic.
A swaddling creek serves both life and death, kissing the feet of giants above.
The water flows white off the human path, babbling past a lean-to, set on the lea’s bottom.

Flaxen wood guards the gate of Stygian timber, dark as its cousins ‘round.
The house sitting with the wood, dormant in its lot, thinks nothing of the past.
The forest soon to sleep, they Shiloh* amongst themselves… Next to the graves of the first to go.
*Here, Shiloh is used a be a verb (pronounced Sh-high-low) defined: to embrace and nestle into another being out of happiness and comfort.
The derivative, Shiloh, means “the peaceful one,” and is a proper noun.
upon this morning's topaz blue parchment
an artist has been working with white paint*
his picture brings the eye such enjoyment
a thin smear he's applied so very faint
to the long wispy tails which are flicking
behind them the fuller ones of contrast
they have scalloped edges on their ticking
all of these abstract shapes moving fast
daubing a light pink shade on quite a few
which hover over the river's slow flow
as yet he's not finished with his view
on the east hills a hint of sun does show
quite a canvas he's composed to-day
*in the sky is his brush's vista display
RedCosmonaut Mar 2016
The evil in your face
Intentional. Acid.
As you paint pictures in words
Daubing my soul with the filth

Of your games

How to rise above
The flood which overwhelms?
They were your choices,  not mine
Revealing you, not me
John Silence Sep 2016
The moon is watching through the window.
She sits low over the low hills,
daubing the housetops and lightpoles with silver.
In my drowsy mind
in the cool air of the first moments of tomorrow
I confuse her name and my state,
“Selene” and “serene.”
I think one must derive from the other
though which came first remains unanswered
like the first question you asked me.

Her silver spills into our darkened room
across my legs
bare and exposed on the white blanket
still damp, my flesh still bright and warm,
your head black on my shoulder,
your breath just one element of the silence
as are the neighbor dogs,
the mourning doves,
the passing cars on the hillside.
When dreams turn your face,
gibbous in black hair,
white as milk in her light,
I want to sleep like this forever.
Daubing paint as carefully as I know how.
An image begins to take shape
But it’s a chair, not a meadow
Filled with sunlight and daffodils.

Choosing colors carefully,
I mix pale blue and yellow
But instead of green it turns out gray,
And all I can paint with it is rocks.

I study all the Masters
And marvel at their work
My stomach knots in envy
At the skills I don’t possess

Wishing I could someday
Create something to compare
Wishing I could find the key
To unlock stunning visions.

Clean canvas and another brush
My mind can see the painting
As I work to find it in the paint
I’m mixing on my palette

I labor with unending zeal
Overpainting all my errors
Searching for the beauty in my strokes
Hoping I have broken through

To join the pantheon of Masters.
Standing back to take a look
At the fruit of all my labors
I see another painting of a chair.
ljm
Doubting my abilities.
Alek Mielnikow Jan 2020
I wander through the city,
skipping every crack.


It never feels as real,
hearing it from your lips.

When you write it,
I’m elated.
It’s warm honey daubing
crusty sourdough
as I sip a cup of joe
and gaze out the window
at the ocean mist
under a toasty sunset.

Yet, when I listen to you speak,
hear your tone
as I gaze into your eyes,
the glow just isn’t there.

I want to believe
you have just lost it,
but I really can’t remember.


I stop to scrape gum off my sole.

-
by Aleksander Mielnikow | Alek the Poet
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allanbrunmier Apr 2020
In placid setting of field and sky
A windless moment be stills my time
I think of you pasted to the scene
With but the depth of a silhouette

Is our love just as shallow
A coating on pastoral image
Penurious daubing
Of an artist’s afterthoughts

I want to shatter through
Shout in the stillness
Puncture the protective colors
Feel the other side of me

Is this just momentary doubt
Is my mind suddenly deadlocked
Or is this a dreadful insight
Into a frightful reality

A breeze unexpectedly occurs
Clouds are moving
Grass is waving
A painting becomes a movie

I immediately inhale the vision of you
With a renewed vitality
Floods of emotions fill me
We’re again in joyous sync with the world
I ran than jumped high
into the upper atmosphere
like a young frisky
buck naked and bare
no matter weight of world
and personal woes oppressive,
yours truly shrugged,

(she loves you yea... yea... yea...
think Atlas) "faking" without care
free, able, ready, and
willing to dare
daubing metrical feet into stream
of consciousness (think)
metaphorical earthenware

placid figurative smooth as glassware
reflecting mine mien
mean disheveled hare
reed state of body,
mind and spirit long
acclimated, accompanied,

and accustomed
with mental, physical,
and spiritual malfunctions
ever since birth,
(or even in utero), where
biological mutations did interfere
easily availing self

as token "scapegoat
school kids did taunt and jeer
futilely screeching nonetheless
targeted and doomed killdeer
lamely seeking safety, albeit laughable
pencil necked geek longhair

donned as outdated "hippie"
lame excuse for cheesy mouseketeer
every day of younglife (mine) wanted
me "mommy dearest" near,
cuz yours truly
felt like kin outlier

one lonely human
being within alienation
forever seeking salvation
courtesy wing and prayer
ill fitting analogous to round hole
raised to accept unconventional
credo, gospel (according

to Matthew) mores as quare
figurative peg thus revere
ring boyhood, because
growing up scare
re: especially as
undersized withdrawn tear
huff eyed little lad.

— The End —