Seeing Ghosts

I walk around the streets
Of old Saigon
Seeing sensing the undead

The ghosts of the war
That haunted life
So many years ago

So many people died
For a war
That never should have been fought
For reasons that are still not clear

A great tragedy unfolded
In a land half away
Around the world

The ghosts smile at me
And then they disappear

Leaving me in the present
Life goes on
 
Old Ghosts  

Old ghosts wandering the streets of old Saigon
Lost spirits of the dead
Died during the endless wars  
Ghostly apparitions around every corner

Here was Kilroy
and his gang of soldiers
Over there were the Viet Cong
Waiting to **** them

Saigon is filled with memories like that
Terrible times were had here in Old Saigon
Silently the ghosts parade the city streets
As the tourists drink in the bars

 

Mastering the Saigon Shuffle

When I first visited Saigon
Learning the Saigon Shuffle
Was difficult

And now 24 years later
It all seems to be coming back

There is an art to crossing the street
Dodging the motor cyclists, the taxis, the private cars
The bikes and other pedestrians and the buses

The art consists of letting the big guys go first
Then walk between the motorcycles and cyclists
Trusting that they will get out of your way

And they being masters of the Saigon shuffle
Always find a way

In my two visits I was struck
By how it all flows together

Without a central authority
And with almost no planning
Lights or cops

Somehow it just is
And somehow it works

And it is still a mystery to me
24 years after first
Encountering the Saigon shuffle
 
Coffee Lady
Every morning
I have gone out for Vietnamese coffee
At a sidewalk café
Down the ally from our AIRBNB

The owner is a pleasant middle age woman
Who for some reason likes us
She smiles at us
Greets us in Vietnamese
She does  not understand English
Or Korean

And I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But I moved today
And will miss her

Might go back for a final cup
Of coffee

To say good bye
To my Vietnamese coffee lady
 
Mostly Harmless Old Lady in the Alley
There is an old Vietnamese lady
In the neighborhood
Obviously senile

But everyone knows her
And watches over her

To make sure
She stays out of traffic
And out of trouble

She talks to everyone
But no one seems to understand
What she is babbling on about
They smile at her
And she smiles back

Reminds me of the phrase
From the hitchiker’s guide to the galaxy
Mostly harmless

And she for some reason
She likes us
And like my Vietnamese Coffee lady

I wonder why
Why was there this connection
Between us

It dawned on me
Perhaps in a prior life
She knew an American or two
And I remind her of someone

Or perhaps she is found
Of Korean K drama
And Angela reminds her
Of her favorite K Drama star

Or perhaps it is both
Or another reason entirely

But in any event
I look forward
To seeing her smiling face
Every time I walk
Down my ally way

Avoiding the War Due to Two Birthdays

I avoided being drafted
Due to a fluke in my birth certificate
In 1974 the last draft was held
And some people were drafted

But no one went to Vietnam
The war was ending by then
I avoided the draft though
To no effort on my own

My number came up on the draft list
My real birthday was in the zone
But then my mother pointed out
That my legal birthday was different

When I was born at 4 am
The night clerk typed up
My birth certificate
With the wrong date

My father pointed that out
She said
Once I typed it
That is it

His birthday will be
What I typed
Get use to it
My father gave up

And so, 18 years later
That saved me
From the last draft
Never made it to Vietnam

Many years latter
I visited Vietnam
Right after we opened relations

Glad I finally got to see
The country
That so many Americans visited
so many decades ago

Buddha In Vietnam

In Saigon I saw the buddha
Buddha images are everywhere
Temples are scattered about
Here and there and everywhere

Buddha lives on
In the hearts and minds
Of the Vietnamese soul

The communists tried
To get rid of Buddhism
And other religious traditions

But they failed
And Buddhism has come back
Still speaks to the Vietnamese people

A different style
A different vibe
Than Korean Buddhism

But still Buddhist thought
Prevails in the tropical lands
Of the South
 

Mekong Dreams

Traveling along the Mekong
Back in time

Seeing the river
The people
Imagining life on the river
Imagining the war
The past in the Mekong delta

And the present tourist boom
Yet life goes on
With its own laid back rhythm

As we traversed the river
We were transported back
To an earlier time

Following the ancient rhythms
Of the Mekong Delta

 
Down and Out in Saigon

Southeast Asia, and Mexico
has always attracted
A certain type of westerner
The down and out
On a down word spiral

Why?
Relatively cheap to live
Lots of part time gigs
Teaching English
Or other things

*****, drugs, ***
Readily available
And cheap

Places to stay
Dirt cheap
And no one needs
To sleep out doors

Easy to disappear
Into the foreigners backpackers ghettos
And escape
From whatever you are running from

The locals are somewhat tolerant
The police usually look the other way
And there are lots of people
In your shoes

I was surprised to find
That Saigon has become
The latest place
For the down and outer crowd
To gather together

In Bangkok one sees them a lot
In Cambodia as well
In the Philippines
In Nepal

And south of the border
In Mexico as well

In India not so much
In Japan and Korea
Just too **** expensive
And too cold to be outdoors

Back in the day
I used to work
The citizen services gig
And saw lots of the down and outer set

The old song comes to mind
No one remembers you
When you are down and out

And in the States
Being down and out
Means living on the mean streets

As it is very difficult
To live with almost no money

And the various side hustles
Don’t give you much money
Unless you are dealing drugs

And teaching ESL
Is not an option

Food is expensive
Transportation is expensive
***** and drugs expensive
Rent is prohibitive
Commercial *** is expensive

And no one loves you
If you are down and out
No one knows your name
You are just another homeless ***

Invisible to all
As you try to make do

Much better to be down and out
In Southeast Asia
Than on the mean streets
Of the USA
 

Ghosts of Chu Chi

Crawling down the tunnels
Of Chu Chi
I could almost imagine
The Viet Kong guerillas

Hiding deep under the tunnels
As the land above is turned
Into a temporary dessert

With the vegetation burned off
By ****** and agent orange

The Viet Kong creep out at night
Stealing onto the bases
Stealing weapons, food, supplies
And occasionally killing soldiers

In their sleep
The US soldiers
Stay on base at night

Terrified of the mosquitos
And of the Viet Kong

the ghosts
Surround me
Telling me their stories
And at last I fled

Through the emergency escape tunnel
Declaring victory
Profoundly shaken up
By the ghosts of the Chu Chi tunnels

 
Saigon 2019

Saigon 2019

Vibrant, vivid, exciting
A city on the move
Becoming a world class city
Yet still with a Saigon swagger

Wandering the streets
Dodging the traffic
Admiring the women
Enjoying the food

Saigon enters my heart
And I know that I will be back
This city is growing on me
Reminds me of Korea back in the 1990’s

One hopes that as it develops
It will not become a carbon copy
Of other big Asian cities
Obliterating its past

In search of a false modern image
I hope it can retain
What makes Saigon Saigon
And not become another Gangnam

Hope it does it with Saigon style
And the people will evolve
The country will emerge
And become what it should be

The Paris of the East
This is my vision
Saigon 2019


 
Saigon 1995

Saigon 1995

In 1995
I was one of the first tourists
Allowed in to Vietnam
To freely wander about

Tourism was at its infancy
And Saigon was chaotic
Wild and crazy
Traffic was insane

There were few tourism sites
Few hotels
Few guest houses
And not too many restaurants

The food was good
We saw the war memorial
The re-unification palace
And the big market

But we felt we were being monitored
Beggars were everywhere
There were scams everywhere
And it was not that pleasant an experience

But Saigon grew up
Became a much more tourist-friendly place
And these problems we encountered
A thing of the place

Saigon is so much better
So much more developed
That it has captured our soul
And we will be back

Empty skies embrace
Sparse cloud formations
The blues fade and overlapped hues
Sparkles crested in fickle delight
Lazy outstretched yawns of natural light
Sun’s glare glazed under Moon’s appearance
Embossed against the translucence of blue space
Everything up there is calm today
No rush or race or interference
Gentle indifference drifts to the West.
Staying dry for us

The beautiful simplicity of being Sky.

Stop and look around.
Cyclists trickle on painted pathways
Student groups pontificate about life
and the lecture they should all be at,
Lunchtime sprawls and *******
never ending spurts of schoolchildren
delirious for sausage rolls and E numbers.

Everyone in a rush to be someone
Going somewhere with purpose,
and yet,
Be indifferent
to each other.

The bland complexity of being modern People.

An Irish judge recently commented that cyclists should pay insurance to protect people driving over priced cars.  

I suggest that idiots in powerful positions in the judiciary should pay insurance for the possible damage that they may cause to this country.

Cycling is the last vestige of the romantic, facilitating free movement with minimal dealings with capitalists, exploitative business people, bus drivers, and the self interested.

September 8.17am

Awake still not knowing

The time or hour even of the day

The light as bright as a new

Clear sky intimates to me the

Approximation of open shop time

Even so the streets are quiet

It is not open shop time until 8.30

There is time


At 9.30 the open shop is no longer open

Though all the street is busy

The lights flicker through

Their pattern of the day

And the light fades and quickly

Returns through the brick-built shadows

It is time


At 10.30 maybe the day will start


At 11.00 the start of the day

Is over and the streets

Calm down to a hustle and a bustle

Of tourists sightseeing

And cyclists out-driving

The constant hubbub of motors

The sights they are seen

And the coffee is served

To a mutter and a mumble of lunch and


At 11.35 when the light

Is as bright as the glass on the corner

The brollies pop up over tables

That prop up baggage of merchandised habits

And chequebooks and cards pay the bills


Round noon the young girls trip round

The young men tripping round

The tables and chairs of the fat

And the fortunate few


Two minutes past one.


1.30 A missing hour or so before

A leisurely stroll through

The shops and the inns of any

Old street in town

For the tourist a nap beckons

His hotel calls him for dinner

And his tickets for the evening

Pre-booked


1.45 The pubs spill out until two

In the suits

In the laughs

The haircuts and the ****

The boxes and boxes and stepped

Upon stubs of American brand-named

Tobacco the half empty glasses and

Unfinished plates betray an ennui

Boredom and short sight


2.30 Swept away by the staff the world

Is an oyster for the titbits that go to the dogs

Even the boss and his immediate help

Don’t leave the inn until three

And at five-thirty they’ll be back for

A pre-lunch meeting with dinner

And a bottle of wine


Outside on the street

The tourist who isn’t picks up

An unfinished smoke and sits down


At 3.30 he is asked if he would

Care to move on

For fear of

Upsetting business

He juggles his options

Decides against the train stations

Instead settles

For a seat in the sun


And at 5.30 returns to the smog

Of the street in the hope of

A *** or some fodder

The City returns its money-making

Machinery to the cafés and the bars

And the trains and the belt

Of the green that England is made of


At 6.35 the lights are alive and

The moon will arise in the day

As the tourists flood back in their numbers

A show

A show

A film

A play

Some serious art up the river

The life of an entertainments

Manager is as hectic as he cares to provide


At 7.30 the evenings begin

And the tourist who isn’t

Notes the pubs and the inns and

The food on the plates

Somehow do not beckon to him

Instead he will sit and look at his pint before leaving

For he knows not where

Somewhere

The people are not

All strangers to him

Somewhere

The people will know he is there

Somewhere

Other than here

In this trap for the tourist who is


The tourist who is and who will

And who can and who wants to experience it all

The tourist with the plastic in his coat and

The bag in his hand that say to him

And to his wife

Or his girlfriend

We’ve got power


At 8.45 a creeping on nine

The mulling of ale settles in

And the tourist who is and

The tourist who isn’t share an ashtray

Of fingers and butts

The boss behind the door and his boys

Who he pays to help him out

have left and will drink on

At home or in clubs until late and

Regretful in the morning return




© scribler 2010

The men kept to themselves:
they were waiting for the swiftness of the last cyclists.
The women kept to themselves:
they were expecting the death of a boy on a Japanese schooner.
They all kepy to themselves-
dreaming of the open beaks of dying birds,
the sharp parasol that punctures
a recently flattened toad,
beneath silence with a thousand ears
and tiny mouths of water
in the canyons that resist
the violent attack on the moon.
The boy on the schooner was crying and hearts were breaking
in anguish for the witness and vigilance of all things,
and because of the sky blue ground of black footprints,
obscure names, saliva, and chrome radios were still crying.
It doesn't matter if the boy grows silent when stuck with the last pin,
or if the breeze is defeated in cupped cotton flowers,
because there is a world of death whose perpetual sailors will appear in the arches and
freeze you from behind the trees.
it's useless to look for the bend
where night loses its way
and to wait in ambush for a silence that has no
torn clothes, no shells, and no tears,
because even the tiny banquet of a spider
is enough to upset the entire equilibrium of the sky.
There is no cure for the moaning from a Japanese schooner,
nor for those shadowy people who stumble on the curbs.
The countryside bites its own tail in order to gather a bunch of roots
and a ball of yarn looks anxiously in the grass for unrealized longitude.
The Moon! The police. The foghorns of the ocean liners!
Facades of *****, of smoke, anemones, rubber gloves.
Everything is shattered in the night
that spread its legs on the terraces.
Everything is shatter in the tepid faucets
of a terrible silent fountain.
Oh, crowds! Loose women! Soldiers!
We will have to journey through the eyes of idiots,
open country where the docile cobras, coiled like wire, hiss,
landscapes full of graves that yield the freshest apples,
so that uncontrollable light will arrive
to frighten the rich behind their magnifying glasses-
the odor of a single corpse from the double source of lily and rat-
and so that fire will consume those crowds still able to **** around a moan
or on the crystals in which each inimitable wave is understood.

Generous coasting of the west coast
leaves me tangled in roots from roads
intersecting with waves surfed by
long blond-haired beach bums and
babes who pant at a muscular man
that pushups on the boardwalk
next to towels drying on the
handlebars of my bicycle.

I ride and ride and ride
through weather thought to be
unrideable by most cyclists
even if million-dollar-prize
tempted them at the finish line
and a set-for-life sponsorship
was promised to any and all
who could fight through the storms
of what I stoically battle.

No gear or goggles,
just legs of toned steel from
nights spent heating them over
a log-lit fireplace on spit
while keeping intense conversation
with lover across my gaze
until she escapes unexpectedly
into dreams, unaccompanied by me.

My legs are on fire,
no rain can extinguish them
and no slick roads
will stop my going.

I am hopeful now
Walking the seawall straightens me out
The clouds and the waters
One foot in front of the other

Walking the seawall
To my day to day
The choices I've made

One foot in front of the other
Dogs on leashes
Babies in strollers
Or on daddies in front

The seawall
Windy and peaceful
One foot in front of the other

Birds eat
Fresh crab meat
The circle of life
Tug of war
One foot in front of the other

Runners run.
Cyclists, bike
Childs play

The walk to work
One foot in front of the other

i've noticed that, upon ushering words from the depth
of nothing, or as an interlude in Knausgaard's day-to-day
musing in vol. 6 after inviting Geir over:
this "i" or that "i" or for that matter "my" i...
however you want to frame it...
    i noticed that if i allow myself an evening of not writing...
esp. on an electric screen for someone else to see...
if for example i lay down to go to sleep...
not exactly asleep: dart out of bed and scribble something
on a piece of paper for only me to see...
i will still dream...
but if i sit down and face the electric screen:
pixels like the eyes of a fly... for someone else to see?
i don't dream...
   otherwise... having scribbled down the following
on a piece of paper:

   exploring Heidegger's dasein in another language...
my native, which i will translate into English,
basically prepositional coordination of(f) being
off not necessarily implying non-being -
perhaps merely: being-in-itself or rather the other...

tu-być : be-here
              to-bycie : this-being
ten-byt :                      ditto
although: nuance... there is a distinction...

i also scribbled down something i heard a long
time ago about how Russia, India and China are
re-orientating themselves with the slacking of the western
influence on: whatever it was that the west had
for the past three decades beside
proxy wars, collateral damages and "culture"...

i heard the term: post-ethnic-nationalism
post-ethno-state post-nation-state...
ergo: multiculturalism... which, oddly enough:
i can't come to grips with trying if not trying to
pretend to be a native of these isles -
perhaps it might be a shock for someone outside
of London - but in London it's almost
second nature to... be surrounded by people
from all around the world...
needless to say: the natives are not so disgruntled
once they're sitting all pretty-cherry on top
of some hierarchy: esp. in the journalistic
opinion sections of the Saturday / Sunday magazine...
then it's an open bonanza against
the "lower class racists" and what not...
i can't be an anti-racist: after all...
                                     anti-racists once produced
a schematic for us to learn from in primary school...
which shower the size of brains of...
a white person, a black person and a racist...
and some other brains...
the racist's brain was under-developed:
smaller...                                      ­ really?!

anyway... so Russia, India and China have opted for
what has come to be known as the:
civilization-state...
                                     given the ongoing zeitgeist
******* blowing up in the Anglophone world from
H'america... the culture-war(?!) -
i would bet fairly and say that pretty much all
former nation-states of western Europe
and beyond are currently in a state of morphing
into: buzz buzzword: being - culture-states...

but whereas a civilization-state seems an abrupt
optimal to counter and disagreement with regards
to continuity: civilisations don't merely come and go...
whereas cultures do...
   culture is somehow a totality of the little things
in life... fashion, the arts, politics, faux pas innuendos,
trends, diet...
that's culture and some...
but civilisation? to me that's like saying...
the foundation of Rome was the creation
of the aqueducts...
                  civilisation to me is like saying:
the British Empire and the steam-engine...
civilisation to me, London, exclusively is... the tube...
the underground network...

seriously... i don't need to go to a West End Play
i don't need to go and see Ed Sheeran play
to a sold out Wembley stadium of 100,000+ people
(although, i did, even though i did because
i worked a shift there doing security,
so, technically i didn't, but did)
            i don't need culture... as such...

all i need to do is first, do a shift at Craven Cottage...
hope that the Elizabeth Line won't be working
travel on the Central Line from Newbury Park all
the way to Holborn... and then blah blah...
instead of trying to look at the tired faces opposite
me admire the map of the Central Line
(it's a toss-up between the Central Line map,
or the District, Northern or Piccadilly)
and then, on some sunny day... get my bicycle
out... and bicycle for most of the route... notably...
skewing... merging at Fairlop working my way
through Barkingside, coming to Gants Hill
then less of the tube route (mind you...
between Leyton and Stratford it's pretty
much over-ground) -
   and then from Stratford - through to Mile End...
from Mile End via Whitechapel... to Aldgate...
from Aldgate to St. Paul's... Chancery Lane...
Holborn... rat beneath the ground:
like a rat needs a bicycle -
   well this rat is no hamster: hence the bicycle
and not a hamster-wheel...

what culture? movies?! i tried watching something
relevant to the 1980s today... ***** Dancing...
great soundtrack but... cringe!
that's even before Malcolm X and how inter-racial
inter-****** relations had to be the new norm:
i mean: ******* fair play...
    building the new Brazil -
    but i still think there's an under-representation
(and isn't everyone supposed to get a fair share
of representation) of white boy Romanian girl
(Roma, gypsy) or white boy Turkish girl...
   or white boy half-white half-Indian girl...

i know i will not dream tonight because someone
will see this...
my little itchy thoughts, my freed from the reins
"i" that doesn't really have these words clogging
up its mind - only until the itching of the fingers starts
and i have a blessed day...
like today...

why is it that a Saturday evening can feel like
a Sunday evening?
oh, right... i made steak for dinner tonight...
potato wedges (skins on, first boiled until
the the water started boiling, turned off, soaking
for 5 min, drained, olive oil, cajun pepper sprinkle,
into the oven)
    and some baked vegetables:
leeks, carrots, parsley root, red onions,
celeriac, swede... balsamic vinegar,
    sambal, cumin, coriander, salt, pepper,
sugar (i stopped using honey,
   it sticks to the baking tray plus the vegetables
lose their crunch, and vegetables need their crunch)...
2 steaks (456g total) shared between three people...
seasoned with sea salt and grain black pepper
(i prefer pepper grains than pepper powder,
i.e. pockets of explosion of that spice)
    3 min each side... a perfect medium-rare blush...

however the Indians might sell their spices...
chillies etc. there's still something wholesome
when it comes to eating certain types of food...
given that... i wouldn't be eating beef in India:
i wouldn't be seasoning beef with chillies!
that's why pepper is important...
that's why horseradish is important...
i let most of the Indians slip up: oooh! the Europeans
didn't have any spices...
apart from thyme, rosemary, sage, lavender,
mint... pepper, horseradish, i#m sure we
were also familiar with cumin seeds -
as well as that anise-seed that' not the star
(i forgot the name of it, it looks like
a cumin seed, but fatter, and split down
the middle - green) oh and of course:
plenty of salt...
what's all the spices in the world in the culinary world...
IF, YOU, AIN'T, GOT - SALT?!
   (if you don't have... i know i know...)

it's rather bewildering talking to certain Asians...
although, saying that...
most of Eastern Europe had plenty of interaction
with Asians, namely the Mongols
and the Turks - which the western Europeans
sort of... "forgot"... after Darwinism they
skipped over Asia and went straight back
to Africa... personally? i feel more akin to Asians
(esp. the oriental folk) than i do with anyone
from Africa... however Christianity was born...
after all: what's the definition of a white man?
Caucasian? and where's the Caucus?
Asia... Europe was always going to be
a funnel - a bottle-neck continent -
a port... a departing point...
       perhaps we shouldn't be so clingy to it...
unless of course:
   oh the parody of Jesus never came out of
Europe: "we" had to wait for it coming from
North America, but by then it was no longer
a parody of Jesus but a parody of North American
Christianity... a North American parody of Jesus
is... oddly enough... a European parody
of North American Christianity: via Jesus...

which brings me to another thing... only upon
doing a shift at Craven Cottage did i first hear
the parakeets... never before...
     i'm not going to bloat my ego this much but...
since then i've seen an article on Wikipedia that
i never saw before, the article just appeared out of
nowhere: feral parakeets of England...
subsequently... only a day ago:
you're only here for the parrots, fans chant
as birds swarm Leyton Orient pitch (Evening Standard
4 hours ago)
and bare conker trees overrun by bright green
parakeets make them seem vibrant despite leafless
branches (Daily Mail, 3 days ago, somewhere
in south London)...

today i was given the chance to walk back into my old
haunt... as much as i love cycling...
it's sometimes refreshing to walk...
the slowing of pace, the horizon almost intact...
more so... if walking into a forest...
Bower Wood... i know it is a curated wood...
it's not as feral as the pine woods of Eastern Europe...
but: if life gives you X... you make XY...
x = lemons, y = juice ergo xy = lemon juice...

i'm pretty sure i was familiar with this wood...
i was out hunting for souvenirs for my mother to dress
the table / fake deer antennas for candles to sit in...
holy, some other greenery with black berries...
i was hunting for ferns, almost near impossible
given this time of year... found some! bright blush
of childish envy... oh... and birches...
some oak barks fallen off... just me alone in the forest...
i was so thankful by myself...
but usually i heard crows, magpies and woodland
pigeons... but now?! parakeets?!
here?! now?! parrots in winter in these parts?!

i swear the world is standing-up-side-down...
it's hard not to miss an under-current of a serious
pagan revival weaving and slithering its way through
Europe: if only you care to listen...
i switched off from whatever is available in culture
these days... i know that what i'm listening to
will not gain popular traction...
i can walk into the forest and... there's the forest...
i go back home... cook dinner...
go into my bedroom, open a bottle of cider
thinking: no champagne will beat this...
put on a record akin to...
Heilung's TENET and... hey presto!

                       i was in company of a good friend:
someone already dead who...
i don't know how someone can lose themselves
in the forest... pareidolia...
   you can sometimes see paths already trodden...
unseen but somehow: you can see a "ghost"
of a foot here and there...
    you know: you just KNOW where a human foot
prior to yours once treaded...
there are patterns... better sticking with pareidolia than
the iconoclasm of celebrity...
i always thought that was better...
i like to think i'm in the company of strange
creatures: phantoms of my mind...
but hardly! how can these be phantoms of my mind?!
i didn't spontaneously conjure a face in a tree
when the ******* tree is older than me!
the tree was here before me!
what?! some sin?! some psychological sin
of non-conformity?! i don't adhere to star-gazing
in the filth of commodities and entertainment?!

i know why this feels like a Sunday evening even
though it's a Saturday night...
i was planning on going to the brothel tonight...
but... oh hey mother, hello father...
i'm going out... where? you don't have any friends...
blah blah... yeah... well... i'm kind of happy
because of that: no social-constraints of expectations...
as the conversation usually ran with the last
remaining friend i had from high-school...
- so, what have you been up to?
- nothing...
     and he knew that i was scribbling like mad...
what's there to talk about when it comes to writing?!
last time i heard: you read what is written...
you don't talk about it...
hopefully the reading of something written goes
back into thinking and is not spoken of:
since the conventionality of everyday
formality of social-speech crushes anything delicate
that is born from i-ought-not-but-regardless-i-must!
it's a compulsion!

i went to the shop about 3 hours ago to buy an extra
bottle of cider because i knew: having read a little more than
usual i had to keep the Libra of conscience in place,
"conscience": never write more than you read...
and never read less than you write - so so...
          wow... FORK in the "ROAD"...
                        this is me replaying the opening of the song
TENET - the sound of the horn...
well... i didn't have a horn in the forest...
but i had my pagan statue... a dead white tree...
i left this little stick next to it... i used to walk this wood
more times than i can remember...
sometimes i walked into it bare-chested...
blind from the darkness, but somehow illuminated
by the moon... sat on a stump of wood...
silence... then a breaking of a branch...
not the sort of breaking of a branch still attached
to a tree... something stepped on it...
i wasn't alone... i froze but then ushered in my voice
to compliment a shared bewildered amazement:
that is not a foot of a man stepping on a branch...

in the same wood i saw my first GARMR...
would i really have to go with the flow
of a Christopher J. MacCandless?!
                                       if hell is going to send its hounds
out to meet me, it doesn't matter where that might
be... i don't need to visit the northern most parts
of Norway to find what i'm seeking...
and what i'm seeking i found: since i'm dragging what
needed to be found around...
it's not surprising that at Bower Wood i was
alleviating a traffic problem when
two does and about 5 fawns were causing havoc...
"havoc" in the night implies 3 cars pulling over...
me coming down from the hill running up to
the village of Havering-atte-Bower spotting one...
not caring if there was a stag nearby running
with the fawn which subsequently ensured
the two does and the rest of the fawns
started to gallop and disappeared into the Wood...

i wish i could make this stuff up...
but then again: i'm not jealous of people
who have seen the Galapagos Islands or the Maldives
or... ah... just recently...
i took that rat-above-rat-below trip on my bicycle
into central London... i said to myself:
circle round St. Paul's cathedral... nope...
not good enough... around the Old Bailey then...
o.k. - and i "prayed": please! not another flat tire!
hey presto! on my way back... a flat tire at Aldgate!
great! well... i walked this distance before...
i can walk it again... walking back...
passed the East London Mosque and then...
Allahu Akbar! a bicycle repair shop!

walked up - leaned the bicycle against the wall,
the Chinese guy said: just 10 minutes
(while he was fixing this Deliveroo rider's
electric bicycle) - no problem -
i took some times to each some gelatin sweets
and drink some water, looking at people,
i felt like i was in some exclusive club,
only cyclists allowed - it felt like a very urban
sensation that most punks must have felt,
or goths, standing out...
i paid too much compliments to those guys
in Cycle King bicycle shop in Chadwell Heath...
i knew the front tire was worn down,
but i thought: get the professional's opinion...
they would be more than willing to change
the inner-tube for the Nth time before telling me:
oh... you need to change the actual tyre...
how many times did i change the inner tube?
**** knows! milking it... ******* were milking it!
but this Chinese guy said outright plainly...
it's ****... i'll change it for you...
inner tube, tyre and labour... £55...
done!
               he changed it to a tyre that...
well... let's face it... 2nd gear front
and 4th, 5th 6th and 7th gears in the back...
i was whizzing past home... he said:
less width... more grip... for the grit...
   but at least he was ******* honest...
that's what i mean about a European's relationship
with the Asians... i'm honest, they're honest...
they're not some SCAM MERCHANT KNIGS
of NIGERIA: CNUT-MBAPPE typos...

oh... and it's not like anyone didn't notice
that Indian girls think they're the bomb?!
oh yeah... oh no, not the Muslim girls... those girls
are whipped into always staring down...
like white girls are whipped into peering into
their smart-phone screens and envisioning:
anything outside of inter-racial relationships is:
pederasty (loose term)... whatever it might me...
bulimic antics: not done properly, mind you...
not in the Roman style of training the oesophagus
to just spew on a whim: i.e. i ate too much...
apologies... i need to... ugh! ugh! ugh!
                      get ready the trampoline!
we're going to launch half-digested fish-heads!

now i'm happy... my Trek Merlin 5 is compatible...
fun... looking at that *** trying to chase me down
working my way down toward the Old Bailey...
Asian ceramic raven haired
no helmet... and never, never... ride a bicycle
in an urban environment minding
the sticker on the inside of a large vehicle:
BLIND SPOT... well... d'uh... so use the large
vehicle like a battering ram against all the gnats
of smaller vehicles... ride on the outside of the large
vehicle... always on the outside...
what are you, cyclist... a Hebrew forced by
the **** brown-shirts to walk in the gutter rather
than on the pavement?! what am i?
just because i'm a cyclist i'm no less a hazard
to a motorcyclist?! momentum, self-generated!
i like my legs... let me know when you're dealing
wheelies and whizzes on a ******* wheelchair...
until i have my legs... i'll be skimming through
traffic... Norman Davis might have called
the Polish-Lithuanian Commonwealth God's Playground...
i think i'll call London my playground...
there's plenty to play with around here...

                 but for once i listened to my ego...
for some reason i didn't require a depth of the
Freudian secular trinity of the addition of superego
and id... i was just about to think about going to the brothel
but then my ego said: you're not feeling it...
and i wasn't... i still had to clean the kitchen up,
take the garbage out... i was oiling myself up...
"oiling": checking if i still had a 30 year old's hard-on
i stopped using the fake diet of ******* of
actors: disposable, unattainable...
i switched to: ROMANIAN AMATEUR ****...
well... it's what i'm going to get...
but i checked my hard-on too many times today...
checked, i.e. checked without climaxing...
checked about 4 times... the 5th time i checked
i was thinking about going to the brothel...
but then my ego (not my ego) checked me...
you're not going anywhere:

THE FICKLE MIND AND THE FIRM TRUTH
OF THE BODY...
the mind lies more times than the body cares to admit...
until, of course... the reality of body steps in
and the mind has to retreat... just as happened with
my excess drinking... i went to buy that extra bottle
of cider and waiting in the queue while a mother
with three daughters "****'s sake" the mother retorted
while the girls were undecided what else
to add to the basked i looked at the shelves
with all the spirits... no! no! no more whiskey!
no more *****! no more!
i checked my supposed "impotence" too many times
today... "impotence": more like being
insulted by the madam: beached-whale...
she just flicked it when it went limp because
i found her physically abhorrent...
flicked it... like it was a worm...
like she was 6 years old and i was 5 years old
and she was still playing with Barbie dolls
and unlike she was...
because she knew what a key was and what a keyhole
was... but she had no idea what
physical attraction was...

                        reciprocated...

well ****... it's working... guess it's not working with you...
a bit like the horse that Christopher Reeve rode
when it dropped him and recalculated Superman:
without a spine...
plus i had no excuse to leave the house...
i had plenty of excuses to read some more of Knausgaard
and write this...
tomorrow i'll have the excuse of "working late"...
going to a brothel is not like saying:
oh yeah... i'm going on a date with a girl
we're going to the cinema blah blah...
       no... dearest ******* Madam...
she's the one that chased away both Mona and Khadra...
what the **** happened?!

what am i? a Duracell bunny?! there's an ON and OFF
switch with regards to my phallus?!
if that's the case... what's the dynamic of ****?!
is ****... no... it can't be... **** is a man *******
a turned-off woman? i once had an experience
of a woman who... let's put it mildly:
her **** was as dry as the adequate metaphor
of sensation one might regret to feel from rubbing one's
hands on sandpaper!
hands... finger tips... rough skin...
ergo the ability to play guitar or rock climb...
we're talking tender skin...
so... technically: hardly a pleasure for a ****** to feel
pleasure from an unaroused ****!
ergo?! that was an aroused **** and it's all psychological:
not physical... the shame of giving it so freely
and unwillingly... whereas playing games with
those one might want to give it up to...
i can hardly **** with a LIMPY -
   but i certainly wouldn't want to **** a timber-mill worth
of toothpicks, match-sticks and left-overs...
**** is psychological it would seem...
                the shame of it... all those labyrinths of playing
games suddenly disappearing from the case of
"spontaneity"...
   you should ask her: South African... Sancha...
worked in a private school... teaching boys Mathematics...
maybe she was a *******... by now who knows?!
i do know that i wasn't terrible aroused by her
the first time we tried...
i got a limp... like i got a limp with Ilona:
a forewarning... but she was adamant and whispered
into my ear: you will not deny me...
second time i was in her teacher accommodation
i brought a copy of the Machinist with me on DVD...
she must have spiked my drink because then the horror
of cocoon *** ensued and that's when
she climbed on top of me and gave me the sawdust
sandpaper **** treatment in the dark...

it kind of follows through to the casual mode of
argumentation people have concerning the schizoid condition:
it's all in your mind...
right... so the schizoid condition is simply: so...
your i-think detaches itself from thought
and forms a i-hallucinate complex as if: spring follows winters?
well then... it's all in your mind...
**** is probably in most of women's minds...
it doesn't actually exist in reality:
in the physiology... **** is a mental construct...
it must be... since i don't recall any ******
talking about: oh ****... i had to pull out...
her **** turned into a mantis or the mouth
of a worm from the planet Dune... i just couldn't
continue!

the next day she drove me to the station and i never saw
her again...
ergo? i have a strange relationship with a limp ****...
it's not impotence: per se,
it's more a judge of character concerning a ******
partner: however brief, however informal...
it's like a wild animal freezing still...
     deer in the headlights...
                                      i should have known better
with Ilona... but she pressured to the point where it
finally started "working": i wish "he" didn't...
it would have saved me so much pointless drama...
if i were a man with a child i would tell him just as much:
it's not working for a reason...
that ***** is a mantis... you're not a robot...
this isn't a *****... you're not an extension of a *****...
it's not working for a reason...
go and check... watch the most realistic "*******":
switch to amateur stuff...
                                that's all you're going to get...
and can you, get it up? well then...
it's not you...
                                     once all the glamour is gone
and you're left with a butcher's cut of antics...
                              well... if you're aroused by that sort of stuff
in private... why can't the partner reciprocate?
maybe that's just me finalising some logistics for
tomorrow...
shift at the Ice Rink tomorrow...
me... two girls...
   one butch lesbian... she keeps rubbing off on my arms
every time the home side scores
and she's celebrating...
      one rub by chance i can understand... two rubs
and i'm thinking: this isn't homosexual conversion therapy,
is it?
the other? got me the job to begin with...
started taking dieting pills because she feels depressed
because she thinks she's fat and this is what
working with women looks like if you're not
in the business of being a plumber: in the realm of
customer service...
    
                 that's how this new girl i fancied at work
got fired... about 4 other girls ganged up on her
and she was literally bullied out of work because...
            
it's coming up to 1am... i need to get up early tomorrow...
do a cycling shift...
trim my mustache, my beard, my ***** region, my arm-pits...
finish one more bottle of cider for good luck:
or no luck...
           listen to some more pagan music...
think about Bower Wood and how i wish that if i weren't
working tomorrow
i'd buy myself a bottle of whiskey and walk
into it, right now... to howl and wake up the crows.

p.s. oh, right, that dream i had last night when
i didn't scribble any words for anyone else to see?
two night ago i was swimming with
pseudo-jelly fish on the edge of the universe
transmitting vibrations of light...
last night i was watching while some colts
were gleefully celebrating their ability to drink
shots of absinthe... until i walked up to the bar
and showed them how to drink absinthe
properly...
i took out a spoon, dipped the spoon in some
sugar... poured some absinthe onto the spoon...
lit the spoon and the sugar alight...
watched the caramel form...
then poured some water into the glass
to clue them in into the secret of drinking absinthe:
you don't drink absinthe like *****...
you need for the green-milk of wormwood
to emerge!
    sie müssen für die grünmilsch von wermut
zu auftauchen!

Detective stories have been making a splash on European screens for the past decade. Some attract top-notch directors, actors and script writers. They are far superior to anything that appears over here -- whether on TV or from Hollywood. Part of the impetus has come from the remarkable Italian series Montelbano, the name of a Sicilian commissario in Ragusa (Vigata)who was first featured in the skillfully crafted novellas of Andrea Camilleri.

Italians remain in the forefront of the genre as Montelbano was followed by similar high class productions set in Bologna, Ferrara, Turino, Milano, Palermo and Roma. A few are placed in evocative historical context. The French follow close behind with a rich variety of series ranging from a revived Maigret circa 2004(Bruno Cremer) and Frank Riva (Alain Delon) to the gritty Blood On The Docks (Le Havre) and the refined dramatizations of other Simenon tales. Others have jumped in: Austria, Germany (several) and all the Scandinavians. The former, Anatomy of Evil, offers us a dark yet riveting set of mysteries featuring a taciturn middle-aged police psychiatrist. Germany'sgem, Homicide Unit -- Istanbul, has a cast of talented Turkish Germans who speak German in a vividly portrayed contemporary Istanbul. Shows from the last mentioned region tend to be dreary and the characters uni-dimensional, so will receive short shrift in these comments.

Most striking to an American viewer are the strange mores and customs of the local protagonists compared to their counterparts over here. So are the physical traits as well as the social contexts. Here are a few immediately noteworthy examples. Tattoos and ****** hardware are strangely absent -- even among the bad guys. Green or orange hair is equally out of sight. The former, I guess, are disfiguring. The latter types are too crude for the sophisticated plots. European salons also seem unable to produce that commonplace style of artificial blond hair parted by a conspicuous streak of dark brown roots so favored by news anchors, talk show howlers and other female luminaries. Jeans, of course, are universal -- and usually filled in comely fashion. It's what people do in them (or out of them) that stands out.

First, almost no workout routines -- or animated talk about them. Nautilus? Nordic Track? Yoga pants? From roughly 50 programs, I can recall only one, in fact -- a rather humorous scene in an Istanbul health club that doubles as a drug depot. There is a bit of jogging, just a bit -- none in Italy. The Italians do do some swimming (Montalbano) and are pictured hauling cases of wine up steep cellar stairs with uncanny frequency. Kale appears nowhere on the menu; and vegan or gluten are words unspoken. Speaking of food, almost all of these characters actually sit down to eat lunch, albeit the main protagonist tends to lose an appetite when on the heels of a particularly elusive villain. Oblique references to cholesterol levels occur on but two occasions. Those omnipresent little containers of yoghurt are considered unworthy of camera time.

A few other features of contemporary American life are missing from the dialogue. I cannot recall the word "consultant' being uttered once. In the face of this amazing reality, one can only wonder how ****-kid 21 year old graduates from elite European universities manage to get that first critical foothold on the ladder of financial excess. Something else is lacking in the organizational culture of police departments, high-powered real estate operations, environmental NGOs or law firms: formal evaluations. In those retro environments, it all turns on long-standing personal ties, budgetary appropriations and actual accomplishment -- not graded memo writing skills. Moreover, the abrupt firing of professionals is a surprising rarity. No wonder Europe is lagging so far behind in the league table of billionaires produced annually and on-the-job suicides

Then, there is that staple of all American conversation -- real estate prices. They crop up very rarely -- and then only when retirement is the subject. Admittedly, that is a pretty boring subject for a tense crime drama -- however compelling it is for academics, investors, lawyers and doctors over here. Still, it fits a pattern.

None of the main characters devotes time to soliciting offers from other institutions -- be they universities, elite police units in a different city, insurance companies, banks, or architectural firms. They are peculiarly rooted where they are. In the U.S., professionals are constantly on the look-out for some prospective employer who will make them an attractive offer. That offer is then taken to their current institution along with the demand that it be matched or they'll be packing their bags. Most of the time, it makes little difference if that "offer" is from College Station, Texas or La Jolla, California. That doesn't occur in the programs that I've viewed. No one is driven to abandon colleagues, friends, a comfortable home and favorite restaurants for the hope of upward mobility. What a touching, if archaic way of viewing life.

The pedigree of actors help make all this credible. For example, the classiest female leads are a "Turk" (Idil Uner) who in real life studied voice in Berlin for 17 years and a transplanted Russo-Italian (Natasha Stephanenko) whose father was a nuclear physicist at a secret facility in the Urals. Each has a parallel non-acting career in the arts. It shows.

After viewing the first dozen or so mysteries of diverse nationality, an American viewer begins to feel an unease creeping up on him. Something is amiss; something awry; something missing. Where are those little bottles of natural water that are ubiquitous in the U.S? The ones with the ****** tip. Meetings of all sorts are held without their comforting presence. Receptionists -- glamorous or unglamorous alike -- make do without them. Heat tormented Sicilians seem immune to the temptation. Cyclists don't stick them in handlebar holders. Even stray teenagers and university students are lacking their company. Uneasiness gives way to a sensation of dread. For European civilization looks to be on the brink of extinction due to mass dehydration.

That's a pity. Any society where cityscapes are not cluttered with SUVs deserves to survive as a reserve of sanity on that score at least. It also allows for car chases through the crooked, cobbled streets of old towns unobstructed by herds of Yukons and Outbacks on the prowl for a double parking space. Bonus: Montelbano's unwashed Fiat has been missing a right front hubcap for 4 years (just like my car). To meet Hollywood standards for car chases he'd have to borrow Ingrid's red Maserati.

Social ******* reveals a number of even more bizarre phenomena. In conversation, above all. Volume is several decibels below what it is on American TV shows and in our society. It is not necessary to grab the remote to drop sound levels down into the 20s in order to avoid irreparable hearing damage. Nor is one afflicted by those piercing, high-pitched voices that can cut through 3 inches of solid steel. All manner of intelligible conversations are held in restaurants, cafes and other public places. Most incomprehensible are the moments of silence. Some last for up to a minute while the mind contemplates an intellectual puzzle or complex emotions. Such extreme behavior does crop up occasionally in shows or films over here -- but invariably followed by a diagnosis of concealed autism which provides the dramatic theme for the rest of the episode.

Tragedy is more common, and takes more subtle forms in these European dramatizations. Certainly, America has long since departed from the standard formula of happy endings. Over there, tragic endings are not only varied -- they include forms of tragedy that do not end in death or violence. The Sicilian series stands out in this respect.

As to violence, there is a fair amount as only could be expected in detective series. Not everyone can be killed decorously by slow arsenic poisoning. So there is some blood and gore. But there is no visual lingering on either the acts themselves or their grisly aftermaths. People bleed -- but without geysers of blood or minutes fixed on its portentous dripping. Violence is part of life -- not to be denied, not to be magnified as an object of occult fascination. The same with ****** abuse and *******.

Finally, it surprises an American to see how little the Europeans portrayed in these stories care about us. We tend to assume that the entire world is obsessed by the United States. True, our pop culture is everywhere. Relatives from 'over there' do make an occasional appearance -- especially in Italian shows. However, unlike their leaders who give the impression that they can't take an unscheduled leak without first checking with the White House or National Security Council in Washington, these characters manage quite nicely to handle their lives in their own way on their own terms.

Anyone who lives on the Continent or spends a lot of time there off the tourist circuit knows all this. The image presented by TV dramas may have the effect of exaggerating the differences with the U.S. That is not their intention, though. Moreover, isn't the purpose of art to force us to see things that otherwise may not be obvious?Read more at:http://www.marieaustralia.com | www.marieaustralia.com/short-formal-dresses

Apples & plums high on their boughs
autumn is not far off now

nearby, red brick houses
sleep in the after-shower sun

only a few more days
& summer's done

the cyclists are speeding
on their way from work

along the Bristol-Bath cycle path
also ' railway path' called

& with a three year old laugh
a child in an anorak unsteadily sways

I've walked this way in the night
with the moon shining up above

& seen a fox run out in plain sight
into the middle of the path

the street lamps either side
amongst the trees, shining on it's red fur

& in the early morning light
watched a mysterious toad blink it's wide eyes

& walked it all the way
to Bristol town & back

& also to the old Steam trains
out past Warmley

dressed in my old boots
waiting for the sunset & the dark

calling up ghosts
musing on Rousseau

listening to birdsong
& wanting nothing more

All the roads are closed. Silence metastasizes through the stretch of EDSA. Cold seeps in bone. Sun still flagellates.
        Oscillate through sound space and whitewashed walls. Seismic grunt of jeepney awakens the signs: no avatars, yet. The night was as deep as any lover, a fine blistering moon glares through lit rivers.
   Nothing exists except heads of tacks and maimed populace ambulating across roads sequined with ermine light. The disquiet approximates   the lightness of
buildings in repair. Scaffolds, ubiquitous lovers,
    clouds explode into white, and everything else like pain, pales in comparison with the slow twitch of everything.
     Today there will be no siren nor
   simultaneous joust of cyclists in perpetual motion— just you contending
   against hues of all graffiti:
Cataract of anguish. News of killing.
    Incarnadine trees netted with aureoles burning bright in solstices. Penumbral undulation of
           forethought and afterthought.
   Dislimned – all; you, left
       in polaroid taken in solitary shutter,
    in pursuit of light.

A poem for cyclists with tech.

When one is by-cycling,
And the wind is anything but charming.
The direction that doth wind blow
Is the SAME as on your Garmin.

When one is by-cycling,
And the wind propels you like a teen.
The direction that doth wind blow
Is OPPOSITE as what’s on your screen!

The concert ended
The crowd moved out
The show was over
But I had doubts
Whether I could make
The long trip home
Long, because I was alone
I walked in circles
In downtown
Stole glimpses of treasures
To lift my frown
Floodlit fountains
Candle light
Night time galas
Hidden delights
Couples and friends
In happy times
Cyclists and tourists
Youth in their prime
And I walked alone
Single once more
And I dreaded the thought
Of the waiting door
That would lead to
An empty house
I tried my best the fear
To douse
And then I faced it
And I plunged ahead
And went straight home
To an empty bed

We would meet most Sunday mornings,
always before 10 o'clock, when the dew from the night before
was still blanketing the grass
and the birds were still sleeping silently,
the trees cracking as they awakened from their slumber
and fog still hanging above the air like a burden.

We would meet outside of the public house,
a sign of green metal with gold lettering hung just outside
the door, welcoming cyclists and families;
advertising their beautiful beer garden which we would
often traipse through,
admiring the rose bush that the landlady planted some years ago,
and sometimes stopping to run our hands through the water
of the water feature which stood proudly in the corner.

Brick dust would hang about the air, as we perched our bodies
against the structure of the decaying wall outside the pub,
holding onto each other with our faces pressed incredibly close together,
your hands in my back pockets
and my lips pressed firmly to yours.

We'd often walk hand in hand,
passing dog walkers and old couples, who would
smile and say 'good morning' to us before passing on their way,
and you'd always be so polite to them,
and offer them smokes.

You took me to a bench by Aubrey Pond one time;
and you sat with me, taking my hand in your own
and pressing your mouth to my cheek,
"darling there is something I must tell you"
you muttered
and for a moment my heart froze and my brow furrowed
"I leave tomorrow evening," you paused.
"I won't be back."

-

It is only now, that six full months have passed,
that I have stopped to notice the dew on the grass,
and the silence of the birds
and the cracking of the trees.

I no longer read the gold lettering of the metal sign
that hangs precariously just outside of the pub door,
advertising its awfully kept garden,
and rose bushes planted by a mad old woman,
who paid a small fortune for a badly placed water feature.

I no longer invite strangers to converse with me,
and I most certainly do not acknowlegde their kind words,
and I refuse to give them smokes.
The couples will sneer at me abnoxiously and they will be
shoved on their way,
as I stare bleakly at the ground on which I walk upon,
and scuff my feet against the ***** path of the
frightening woodland.

You took me to Aubrey Pond one time;
and you sat with me, taking my hand in your own
and pressing your mouth to your cheek.

And I never saw you again.

Press play before reading - https://www.youtube.com/watch?v=RWtx0AvGAlw*

Take all my ashes,
throw them in the earth,
in the wheat fields, the remnants of cotton fields, the tree roots and the minefields.
Take all my bone and sinew,
sew them in the empty spaces,
in the family hospital rooms, in the deployment barracks, in the wake of a tsunami, and the after burn of an earthquake,
Take all my blood,
seal it into a coursing river,
in to the vacumn of the solitary life, the parents watching bleeping incubators, the last breath on death beds, and the blue refugee bedrooms.
Take all my breath,
and throw it into the tide,
in to those that need words, in those that have lost their fight, in those who no longer care, and those that just can't move.
Take all my heart,
and throw it on the table,
give the muscles to the fleeing children, give the valves to the returned soldiers, give the membrane to families destroyed by poverty, and give the beat only, to my son.
Take all my wild passion,
and throw it in to the air,
in to the cyclists before they fall, in to the pianists arthritic fingers, in to all the first wedding dances, and into the young before they grow old.
Take all my tears,
and fill a bottle up,
fill up those thirsty and dying, fill up the lakes of dying fish, fill up those empty with grieving, and fill up the eyes of those who forgot how to cry.
Take all my love,
and let it just dissipate,
let it find its way, let it filter through the *******, let it wash away the guilt and shame, and let it fill you up.

"Small towns are fun simple living man",*
I’ve always preferred a guitar riff to a beat drop
Girls in long sweaters and nothing else
Waterfalls to shopping malls
If you watch too many movies it
Becomes obvious not all endings are optional
but,
Anything can happen around a campfire
Anything can happen on an ice cream date
Anything that ever mattered
Becomes less important than
Something that mattered
To a family on vacation, waterski enthusiasts
cyclists of mountain or road, a children with ice-cream,
Playing in safe streets An Ice-cream parlour older than your parents
Iconic
A Small diving board
a Big diving board
And    the   cliffs.
Cliffs with edges that Hunter would jump from
I would always jump in love
Rather than fall

I’m starting to prefer pony tails to job interviews
Fast speeds to failures
Motorhomes to Mazda trucks
Homemade salads to Starbucks
For as much heart the barista’s have
The salad is homemade and heartmade
Home is where the heart is and
They rarely come home with ya
where my home is not where  I always am
Its always where you can find me.
it is not my house,
but my heart
That is my home.

And boy oh boy does my heart have a big **motor!

The wind is always blowing here.
It rushes down out of the canyon
to the east
like a cavalcade of rhinoceroses.
The cyclists
struggle against it
the pedestrians
have to lean into it
the motorists
spend two dollars and ninety cents extra
each time they gas up
to compensate for it.
The trees on the eastern edge of the cemetery
are bowed-
to the west-
and their leaves don’t fall
they’re ejected
like screaming pilots from flaming cockpits
at wonky angles
until they crash into the grave markers below them.
And the headstones are all weathered
prematurely,
names and dates and histories
erased

while below,
wrinkled shells dressed in sunday suits
sit in metal boxes
pretending
that some shred of them
will last forever.

this is a time for campervans cyclists and walkers-
visitors vie with the inhabited 500 or so-
we bulge a little but not too much-
we will always find room for more-
they come from all over and I mean all over-
And as for the main isle-
cruise ships by the hundred-
passengers by the thousands-
I am glad I moved to our smaller isle-
it suits my nature suits my mood suits my muse

I feel less depressed when it blows and rains
seeing the sunshine makes me too wistful
- cyclists and walkers and campers go past
and I havn't walked any distance now for seven odd years
except of course in my imagination
and hope carries me as far as Heaven
a short distance I know, but you can travel that road forever.

I am a sitter at windows, said Lucia;
I am a thinker of sad thoughts, a gazer
at stars and moon and the bright hot
afternoon sun. My thoughts taunt me

like bullying children, they repeat
words and images and strings of verbal
abuse like repetitive *****. I sit at
the window with folded arms, my ***

numb on the window ledge, my eyes
peering through the netted curtains,
taking in the sights, the people, the cats
and dogs, the cars and buses, the odd

cyclists, the women pushing prams,
children crying at the side. I see and
know my childhood ghosts, the locked
doors, the no supper nights, the starving

rumblings of an empty stomach, words
bellowed through the doors by angry
parents. I am one who stares from windows,
one who snoops through netted curtains,

taking in the sights, hearing imperfectly
the outer sounds, the stolen kisses and hugs
from teenage loves, the backyards fondles,
*** on the cheap, lives, loves, kisses and

holds. I see new moons, quarter moons,
half moons and full moons and the lunatic
surge pulls me in and pushes me out, my
moods change like the waves of the sea,

the deeps drowning me in depression,
the black dog’s bark, thoughts of death
in a bath, slit wrists, over doses, hanging
behind a bathroom door like mother had,

eyes popping, tongue protruding. I think
of past loves, dream of what might have
been, the boys who came and went, the
ones who stayed and spoiled, the girls who

stayed the night for sensual *** or schoolgirl
kisses, of visits to an asylum before mother’s
demise, the locked doors, the cruel cries and
lunatic laughter, the odd looking staff, the eyes,

the tongues, the finger gestures from closing
doors. I see the work of the gods in my daily
stares, the passing people on their way to death
or work or love or indecent *** with another’s

love, or a child innocent as a flower’s bud
plucked and pulled and brain washed by an
adult hand and tongue. I am one who sees
what’s come to an end and what’s sadly begun.

Winding round the hill
Following the paved road.
As it takes twists and turns
Sometimes changing abruptly
Along came a speeding truck
A little too fast on the road
Swerving with the curves
Threatening to crash.
I am but a little girl
Taking a well known path
One that leads me home
Each and every day.
If only I stick to the side
And make way for joggers
And cyclists.
Walking and walking home.

You touched me on the shoulder
as you ran quickly by on your phone.

I was in such a hurry
to climb those jenga stairs
that I didn't realize it was you,
until I saw that tiny body
and that frenzy of tousled blond hair
swishing in the wind.

I turned around and ran
to you,
as you walked away.

I ran to you
and grabbed your arm.

"Don't touch me," you said.

Diamonds falling from your eyes,
I picked at them with my pinky fingernail,
searching for the loam beneath.

"Where've you been?" I yelled.

"You don't know what's happened to me!" You yelled,
and you lifted your shirt and felt at a pink scar;
a trench in your belly,
a wound that I had infected.

People stared,
but I just wanted to yell,
there was so much yelling inside of me.

I yelled like a lover yells,
yelled with my heart.

The yell sounded like this:
"Can I hold you one last time?
I just want to hold you," I said,
like a loon,
but it was the only thing
I ever wanted.

To hold all of you
in one moment.

And so you came to me,
and let me hold you a while.

but the skin between us
was better for separating,
and I told you
to call me if you needed me,
even though I knew you never would.

And you walked away,
that tiny body of circling movement
and head full of giant clams
with their swirling pink pearls
moving farther and farther.

Until you were in the distance
and invincible.

Cyclists whizzed by,
phones beeped onward,
taxis rode highways of clouds
beneath the bridge,
and I thrummed quietly,
picking at the diamonds in my hands,
searching for the loam
that I could put into the planters,
food for the flowers
I had always wanted you to see.

Her skin darkens as she salutes the sun,
staring soft from the yoga mat,
sunbeams cast motes of light
across the surface of the Alzou River.

The neighbours collect skulls of the
rabbits they have killed, turning them
to a fortune whilst honouring the dead.
She had forgotten what it meant

to fall into a silence,
to sit and read in an endless afternoon.

The cyclists roam in the crooked streets
of the cliff-side village, the Buddhists
are smoking **** in their hammocks.
She had faltered to a start,

falling into a corset,
to sit on him and kiss his calloused hands.

She had lost herself to advertisements
promoting freedom in a cinematic drawl;
time-lapse pictures and memories
of a summer spent landlocked in defeat.

She has fallen for her music.
To sit and listen to the drumbeat’s awful sin.

Help was pointed to after my first beating,
a battlefield I paid to enter.
A friend pointed to a house
I often passed.
Said she would be around.
She became a teacher in a brutal place
full of fierce hunters.


Irritating for sure stressing
rules about table manners
where there are no tables.

My old coach
did everything
so long as she could only be felt.
I joined after meeting her.
She ignored a list that rolled forever.
I quickly became something I’m
still not quite sure of, inside
some days competition other days.


We were more similar
than I give credit for.

A lion in a pack of lions.
Relishing the ability
to pick the moment where our fate rests.
Just the road
and a fierce pack of cyclists
bleeding sweat.
Of holding cards
and praying  for a
moment to play them.
Of waking up at five to race,
watching the sun rise above the trees
and glimpses of the world waking up
around us.

She was there when I
had my first bad crash
She was teaching a session
on sprinting
My world didn’t explode.
It just changed.
Flying through central park.
Lying on a bed
sirens in the background.
“Breath in” as I enter a grey tube.
“I’m fine” as I pull at
bandages on my arm.
She only left me after
I went down to sleep
that night.

So I spun around the track
some laps she was there,
most of the time
she was only felt.

I never did do any
thank you notes.
Always scribbled messily
when they threatened to put a brake on.


A lean powerful
figure with a quiet
bonfire in her eyes,
an Olympian, twice.


I tried to exit gracefully
volunteering to help, though
I have no clue
if I deftly rolled out
or clunked like an elephant.

Yet still despite it,
or maybe because of it
she gave me a final
blessing.

Now I sit hear typing this
next to a passion she showed me,
wishing I could think
about how I left her far before
she went down to sleep.

The distant laughter broken by the waves of the Mersey is rushing through my ears,
The barbeque smells of burning lunches fill my eyes with salty tears,
Children's laughter carries along the promenade straight,
Puppy dogs playing at the old rusted gate,
This is the sound of my summer,
Teens on skateboards scratch down the path and weave,
Mobile phones beeping as the sun begins to breathe,
Cyclists whizzing by in a world of their own,
Kites flying high with excitement like they've never been flown,
This is the sound if my summer,
Gulls screeching loudly but somehow in tune,
Girls watching boys, their wavy hair they plume,
The breeze carries music from north to north west,
Sometimes getting lost under conversations and jest,
This is the sound of my summer,
Waves trickle gently onto the flats of mud,
A place where my ancestors once had stood,
No footprints linger on the darkened rich bank,
Just the waves trickling gently around the ship that once sank,
This is the sound of my summer,
As the evening drawers near a silence will fall,
The promenade will empty and the shadows stand tall,
The Mersey will settle to a soft and gentle flow,
The birds bring the night as the sun prepares to go,
This is the sound of my summer.

Marcus,

I left a message on your answering machine
but you have yet to respond. It's been
two weeks, perhaps more. I lost count.

At the moment, the streaks have accelerated
and multiplied. They resemble an arial view of
cyclists competing in the Tour de France; they're
like multitudes of ***** pennies vying for that one
eternal slot.

Hey, man. At least I tried. I'm drained of all that
is sacred. The me you knew as a child, is still that
innocent figure left standing by the door. Except
this time, he's not coming back anymore.

I guess you could say I'm finally free.

How silly it is to depend on such modern
machinery. Man has come this far just to end up abandoned.
And yet  man is constantly searching for a self to wrap up
in a tidy little package; to display for the entire world to see.

I thought I'd drop by, in the form
of random sequences; this present motion
is like a ballon being released from it's
needy little string. The desire was always
following me around, but now
I'm fathoms deep in the sky;

Drowning happily.

Marcus, if you find the time
to put aside the nuclear children
and wife. Please call back,

so we can have that man to man

talk you promised for so

many years.

on the trail today,
I thought of something
I wanted to say

I told myself
I would remember, but
nothing's there

perhaps I wanted
to mention I had seen
a dozen bikes

peddlers whizzing by under 
cloudless sky, with no whipping
winds to ****** them

where the prairie's rude
riding gusts were hiding,
I do not claim to know

wherever they chose to go
their sabbatical left surface
waters calm, blue

but that's not what I had to
tell you--tales of cyclists unperturbed
by a stiff breeze

i said i wouldn't forget
and yet, here I am rambling,
scrambling to recall

what inspired me most
of all: not nascent blossoms or
butterfly wings, of all things

but the absence of an invisible
symphony, a silenced howling from
the sky's spectral lungs

i said i wouldn't forget; tomorrow
surely the winds will blow, and I will
catch whatever they meant to say

i really did shove an afro into my socks dancing to
pendulum's tarantula in a Basildon nightclub -
alongside the shark-like
(-like, ever see an adjective
misplaced like so? all dues
concerning a lack of necessary
spelling to sand-smooth
a block of marble, polish
a leg of mahogany or any other
leisure life item worth's
of a cartel's production)
nibble of flint-spear:
jagged-little ***** - i.e.
what feminism needs is a booster,
a booster via a misogynist,
and then we can have a Disney
Brothers' Troll story about Borat Obama's
daughters' kissing a frog...
oh boo Abraham Lincoln and assassination to mind...
a real wreck of a tear jerker -
can say ******* in canadian french at this moment
to ensure Quebec is the new Vatican?
well, hush out the harshness and
we'll all be olive skinned as Queen Sheba
said prophecy unto King Solomon -
boy you better leave that harem of your's alone
if my **** be the count of three thousand
with only about 10 satisfied...
seriously, the homosexuals agreed,
feminism needs a true misogynist to feed it
it can't do with with womanising brown-nosing
cute-pies minding it as mince beef
while Hinduism was happening -
and the cows were minded for the homeless
to be worth more than fast-speeding
cyclists and motorbike eventualities to
subscribe to ***** donor Netflix.
i can side with misogyny via the robert johnson -
she loved me so much she preferred me to be dead -
a quasi-crucified body was resurrected,
and those who denied the truth
denied it for no political gain - they denied the truth
for a sense of denial per se,
                                                hardly a ******* case
for Milton's revision of the book of genesis -
given Moses the positive subverter
and ****** an Austrian and Stalin the Georgian
as negative subverters;
i had to learn a language, unlearn it with a
lightning strike without thunder -
and get told that for all my integrative efforts
i had to learn to be an immigrant twice-over by
some paddy leprechaun...
and so i thought: well isn't that rude?

walk one foot in front of the other,
not your normal gait,
the sobriety test pace,
just to see the looks on peoples faces,
at shoulder height,
put your hands out to the side,
make sure the cyclists ride
in their lane with the traffic, not where we who, walk the walkway
touch your nose with alternating fingers,
touch the sky with hands raised,
pull the invisible bell cord,
                      you know the ding-dinger,
now stop perfectly still close your eyes and listen and smell,
is your life richer
are you more at peace,
what did you make
creatively
that the Maker marked your place in destiny
throwing words down on a page,
just hurts some words
throwing life down on a page
bring life to those words,
are your ready to live up to what you write,
or maybe you are writing a new life,
as a form of therapy, be honest, what is inside,
that kicks your pride, across a busy bullied road,
of people who act like road rage is a right
whether or not they are in a car,
oh
wait
you don't have to stand still
anymore,
sorry I left you
back there,
it is dark now,
hear me call, come this way
you won't fall
but hurry and don't be late,
that parcel of words close to your
heart needs to be shared,
I won't dare you,
that is not what those so close to the edge do.
But here is my hand if and when...



©DWE012014

There are no words
For that feeling
That precedes tears.
The eyes lose their sparkle
And focus, chin falls, and
Lips tremble.
The loneliness of it all
Seems worse in the crowd
Jostling at the change of lights,
Pedestrians, scooters, cyclists,
Cars turning, ignoring us all
Standing like sheep,
Huddled together for safety.
In this strange city
I have no language to ask
'Are you all right?'
And in the moment of
This thought arising,
That cannot be put into words,
The lights change and the tide
Of the pressing throng turns,
Sweeping us on without
Another thought.