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"convalescing" poems
A horror movie scene as the heroine escapes. Everything is still besides her convalescing breath and the distant, chasing wind. Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight. Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass. A tense brow relieves and tired eyes close, thankful to receive the momentary peace. A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade. Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand. A cackle is heard, a shriek undone. To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own. The wind catches up and spearheads any hole it can find. It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls. The tree bark howls, the leaves, now delight. We learn there is no reprieve for a begging champion. The camera backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon. The hero succumbs with muted screams to a gore far below and out of frame. Our only closure, a black screen, with bright white letters, slowly scrolling up. The end.
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Jul 24, 2018
Jul 24, 2018 at 10:52 PM UTC
The End // A short story experiment.
I think of mom often. Like when I read anything by Jack London or Ernest Thompson Seton. Her memory swirls around me when I see a dead opossum by the roadside it reminds me of the one we had as kids. Yes, we had an opossum. It wasn't a pet as much as it was a wounded soldier, convalescing in a field hospital close to the front and cared for by Florence Nightingale, except the field hospital was our carport under a suspended Old Towne wood canoe, the battle, with a Ford or Chevrolet, on the main road near our house in Connecticut. Florence was Mom. She peeks at me around corners in the kitchen when I make fish, or soup, because I hated fish as a child. She made us eat it because it was healthy and the blocks of frozen Turbot were cheap and she was a single mom at forty two with three hungry mouths to feed. She tried to make me think it was exotic because it came from Iceland. I thought Turbot was Icelandic for "more bones in your mouth than you ever thought possible". Mom was, however, an accomplished homemade souper. She's by my side as I explain wild things to other little wild things which hang on my every word. Words put into my head which make it seem, to the under four foot set, that I know everything. Knowledge put there by her in our yard, by the lakes of New York, the mountains of West Virginia or deserts of California. She is in every frog that jumps, whippoorwill that calls or each stalk of Jewel **** which is a cure for poison ivy by the way, that grows near a stream in the woods. But then today as my daughter opened the overhead sunglass holder in her car for the first time, the Subaru she inherited from Mom over a year ago, and Grandma's sunglasses fell out, there were no thoughts of lessons learned or knowledge imparted. Today, I just thought of her.
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Jul 14, 2013
Jul 14, 2013 at 1:10 AM UTC
Grandma's Sunglasses
I think of mom often. Like when I read anything by Jack London or Ernest Thompson Seton. Her memory swirls around me when I see a dead opossum by the roadside it reminds me of the one we had as kids. Yes, we had an opossum. It wasn't a pet as much as it was a wounded soldier, convalescing in a field hospital close to the front and cared for by Florence Nightingale, except the field hospital was our carport under a suspended Old Towne wood canoe, the battle, with a Ford or Chevrolet, on the main road near our house in Connecticut. Florence was Mom. She peeks at me around corners in the kitchen when I make fish, or soup, because I hated fish as a child. She made us eat it because it was healthy and the blocks of frozen Turbot were cheap and she was a single mom at forty two with three hungry mouths to feed. She tried to make me think it was exotic because it came from Iceland. I thought Turbot was Icelandic for "more bones in your mouth than you ever thought possible". Mom was, however, an accomplished homemade souper. She's by my side as I explain wild things to other little wild things which hang on my every word. Words put into my head which make it seem, to the under four foot set, that I know everything. Knowledge put there by her in our yard, by the lakes of New York, the mountains of West Virginia or deserts of California. She is in every frog that jumps, whippoorwill that calls or each stalk of Jewel **** which is a cure for poison ivy by the way, that grows near a stream in the woods. But then today as my daughter opened the overhead sunglass holder in her car for the first time, the Subaru she inherited from Mom over a year ago, and Grandma's sunglasses fell out, there were no thoughts of lessons learned or knowledge imparted. Today, I just thought of her.
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The time must come when we put aside recipes untried, socks unmended, old fabrics too pretty to be used -when the bottled nuts and bolts -the springs, the locks unused -waiting, wait unused -the memorabilia of hope, the rusty steel of life. The time must come when cease to lie -lotions, Elixirs de Leon -when we fail our bite to the night-soak and think not -care not, of that breath that does not count anyhow -when reason mirrors wrinkles -undreams romance. -hooked rugs of might-have-done, school albums, what not become, leather bottles, convalescing sun -and the quieting ice. When I read the Sports/ Society page, I ask myself -them, 'How will you go down? -willingly? -with, if not a Bang, a Whimper? -if not with, without the Apotheosis of Drug? (-from http://www.condition.org/ )
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Jun 9, 2010
Jun 9, 2010 at 5:05 PM UTC
Eskimos
I was ill, convalescing in fact when I read this book On Poetry.   I was a captive audience, couldn’t move much. I sat by a window and enjoyed the light playing shadows.   Twice in two days I read this book. It convinced me I was already a judge of poets and like its author only needed seconds to know whether a poet was present in a poem.   The book encouraged me to *‘Read all the way back. Read what made it. Read what’s still here And work out why . . . Read up on the old stories Know a little of what past poets knew And what their poems still know.’*   I thought that was quite enough. But no, a little later there was more I had to learn.   I was given as a gift a collection of poems. Its prizewinning author had published respectably. Imagination would take flight into airspace off the radar screen. Childhood scenes were to chill and disturb, erotica left a bad taste in the mouth, narrative poems told with a twist, and common-place objects freshly observed. Dear Reader, this I can truly say is a confident, page-turning volume, full of proper poems, full of a poet’s presence.   But, for me there was a significant absence of wonder, a sad deficiency of joy.   When I brought the book to bed to read out loud to the one I love, not one of the poems seemed right to read to end our day. These poems called for hard chairs and the bright lights of a seminar room.   Later, awake in the night, I thought, I’m not hard-edged enough to be a real poet. My poet’s view is too parochial and kind. I write about penguins, the moon, even Christmas cake . . . and prose poems on subjects filched from postcards picked up in museums and galleries.   And there is, inevitably and always, this ever-present thing called love, creeping about when you least expect it. Know I’m at one with Dr Givens in Guteson’s East of the Mountains who laments that with death the tender memories of life will be gone – forever.   So with my poems I try to record the daily wonder of life and love: for those I care for and those who care for me.   Life is so inexpressively full of images and moments waiting for words to bring them home.   Oh I know there’s pain, and fear and distress, hate and abuse and terror . . . This is not for me what poetry is there to express. I’ve read enough to know it can, and does. That’s enough. *Poetry forms in the face of time. You master form you master time.*
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Oct 17, 2012
Oct 17, 2012 at 2:00 AM UTC
On Poetry
I was ill, convalescing in fact when I read this book On Poetry.   I was a captive audience, couldn’t move much. I sat by a window and enjoyed the light playing shadows.   Twice in two days I read this book. It convinced me I was already a judge of poets and like its author only needed seconds to know whether a poet was present in a poem.   The book encouraged me to *‘Read all the way back. Read what made it. Read what’s still here And work out why . . . Read up on the old stories Know a little of what past poets knew And what their poems still know.’*   I thought that was quite enough. But no, a little later there was more I had to learn.   I was given as a gift a collection of poems. Its prizewinning author had published respectably. Imagination would take flight into airspace off the radar screen. Childhood scenes were to chill and disturb, erotica left a bad taste in the mouth, narrative poems told with a twist, and common-place objects freshly observed. Dear Reader, this I can truly say is a confident, page-turning volume, full of proper poems, full of a poet’s presence.   But, for me there was a significant absence of wonder, a sad deficiency of joy.   When I brought the book to bed to read out loud to the one I love, not one of the poems seemed right to read to end our day. These poems called for hard chairs and the bright lights of a seminar room.   Later, awake in the night, I thought, I’m not hard-edged enough to be a real poet. My poet’s view is too parochial and kind. I write about penguins, the moon, even Christmas cake . . . and prose poems on subjects filched from postcards picked up in museums and galleries.   And there is, inevitably and always, this ever-present thing called love, creeping about when you least expect it. Know I’m at one with Dr Givens in Guteson’s East of the Mountains who laments that with death the tender memories of life will be gone – forever.   So with my poems I try to record the daily wonder of life and love: for those I care for and those who care for me.   Life is so inexpressively full of images and moments waiting for words to bring them home.   Oh I know there’s pain, and fear and distress, hate and abuse and terror . . . This is not for me what poetry is there to express. I’ve read enough to know it can, and does. That’s enough. *Poetry forms in the face of time. You master form you master time.*
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All potency for pain and pleasure binds, Confined to freely ebb from causal shell; Then, urged by current convalescing mind My heart parts way with what decaying, fell. What if the sapling's ardor fails to flower, So choked from light by canopy of old? From bitter yield, I've winnowed only sorrow; Love's fruitless growth has left it bare and cold. Quickening, each pattern passed holds lessen - With way now cleared, I remain resolute: Dreaming of trunk's branches' fruitful blossom, I make the means for chance to sweetly root.      Though Nature bounding, I still wonder why      Life, bourne by grief, seems made to die.
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Sep 11, 2011
Sep 11, 2011 at 7:13 PM UTC
No. 2
She believes in picket fences and two-story castles in geometric hedges and manicured lawns She relies on window blinds and the convenient camera that remains slightly out of focus She spends her days applying adhesive to china pieces and polishing away revealing cracks She spends her nights nurturing splinted dreams and convalescing hopes So when he says "I love you, it will never happen again" She believes
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Apr 5, 2014
Apr 5, 2014 at 7:13 PM UTC
Circle
Many friends gorge during holidays, stuffing stuffing in their mouth space forcing fried flightless birds in their face along with assortments of steamed greens guzzling fermented bubbles of hops or grapes until engulfed in the glazed-eye coma nap as their bulbous bellies slowly bouey back and forth. Before passing out, some might remark about convalescing a food baby, to which I've often wondered if said baby is born when they take a **** Is it still a food baby or has it grown to a **** baby? Why don't they nurture said **** baby so it can grow and get into a ****** school and then a **** job?
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Apr 8, 2015
Apr 8, 2015 at 2:45 PM UTC
Food Baby
For just one second in time, I saw your face. I saw the cracks and crevices, the moles, the laugh lines. I saw the feeling held within your expression, your tough, gaunt expression…but kindly. I saw written there, an understanding, an appreciation …and a beautiful accommodation for my gentle infatuation. Marshalg Convalescing with the leg up. 21 November 2012
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Nov 20, 2012
Nov 20, 2012 at 9:50 PM UTC
A Moment in Time
Behind Sister Bridget's black habited back one legged Anne gave her a one fingered up you sign the nun unaware walked on down the lush green lawn the girl with burn scars on her arm and leg mouthed I'm going to tell but her wide eyed stare betrayed she never would just a maybe -if-I-had-the-nerve gesture hey Skinny kid Anne said in lowered voice hand to the side of her mouth as she'd seen spies do in war films or on TV how about we sneak into town? the Kid impassively shrugged his narrow shoulders buy you some sweet if you'll come? that decided it and he nodded and as the nun walked down the lawn chatting to the other kids who were convalescing from sicknesses or burns or accidents Anne and the Kid sneaked off back towards the big house now a nursing home for children she on her crutches he following behind looking back towards the lawn and once inside they ventured out the side door along the path by the hedge and down the side road that led into town pass traffic she crutched along the Kid bringing up the rear her one leg treading the paving the stump swinging silently beneath her skirt and the Kid catching her up walked beside her and she said got to get out of that **** place with all those other kids and those holy nuns with their tall tales and frustrated dreams the Kid said nothing he was thinking of the night she wanted him to scrub her back in the bath or that other time when he helped her from her wheelchair and accidentally touched her tight **** by mistake and the WHAT THE **** of her words and the secret feel had him wandering outside his safety zone like a child at night finding themselves in the dark all alone.
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Oct 28, 2013
Oct 28, 2013 at 3:27 PM UTC
IN THE DARK ALL ALONE.
Behind Sister Bridget's black habited back one legged Anne gave her a one fingered up you sign the nun unaware walked on down the lush green lawn the girl with burn scars on her arm and leg mouthed I'm going to tell but her wide eyed stare betrayed she never would just a maybe -if-I-had-the-nerve gesture hey Skinny kid Anne said in lowered voice hand to the side of her mouth as she'd seen spies do in war films or on TV how about we sneak into town? the Kid impassively shrugged his narrow shoulders buy you some sweet if you'll come? that decided it and he nodded and as the nun walked down the lawn chatting to the other kids who were convalescing from sicknesses or burns or accidents Anne and the Kid sneaked off back towards the big house now a nursing home for children she on her crutches he following behind looking back towards the lawn and once inside they ventured out the side door along the path by the hedge and down the side road that led into town pass traffic she crutched along the Kid bringing up the rear her one leg treading the paving the stump swinging silently beneath her skirt and the Kid catching her up walked beside her and she said got to get out of that **** place with all those other kids and those holy nuns with their tall tales and frustrated dreams the Kid said nothing he was thinking of the night she wanted him to scrub her back in the bath or that other time when he helped her from her wheelchair and accidentally touched her tight **** by mistake and the WHAT THE **** of her words and the secret feel had him wandering outside his safety zone like a child at night finding themselves in the dark all alone.
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99
I was asked today after the reading, (you know that time for question and comment poets either love or dread) ‘If you had only read one poem, what would it be I wonder, what would it be?’ ‘Now?' I said, ‘Yes, now,’ she said, being a tall woman, in a silk-blue frock, glasses pushed well back into golden hair flecked grey. I didn’t think. I knew, and as it was one I knew by heart, I dived right in. *I was ill convalescing in fact when I read this book* On Poetry . . . Does that surprise you? I had no qualms, no fears at all, it was only when those final words began to disappear across the hall, that hall of banners floating in a fan-fuelled breeze, I knew no right way to say those final italicised words: *Poetry forms in the face of time you master form you master time* You see that couplet wasn’t mine. I’d only borrowed it to make a point, a point I could not make in my poor words. ‘Nice to be quoted,’ he said later as he brought his tea to my table. ‘I know exactly what you mean: Christmas cake, penquins and the moon . . . Hmm, just so,’ he said, and smiled. ‘Oh, I did like your poem about the parrot on the beach. I’ll read it to my girls when I get home.’
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Jul 4, 2014
Jul 4, 2014 at 4:28 PM UTC
The Reading
All potency for pain and pleasure binds, Confined to freely ebb from causal shell; Then, urged by current convalescing mind My heart parts way with what decaying, fell. What if the sapling's ardor fails to flower, So choked from light by canopy of old? From bitter yield, I've winnowed only sorrow; Love's fruitless growth has left me bare and cold. Quickening, each pattern passed holds lessen, With way now clear, I remain resolute: Dreaming of trunk's branches' fruitful blossom I make the means for chance to sweetly root. Though Nature bounding, I still wonder why Life, borne by grief, seems grown to die.
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Jun 15, 2015
Jun 15, 2015 at 8:14 PM UTC
Leaves
most normal nights it's about something stupid or other, like my mother's tendency to cry when I visit her like my inability to find something I could stick with for all of adulthood other than writing terrible anecdotes on existentialism like the look of abject disappointment on my father's face when he found out I was getting dropped from school again like the whole of 2015, where I spent all year convalescing behind a bar counter, convinced I could save peanuts for a degree like when I watch motes of dust wrestle in dim light and tell myself it's just a phase it's just a phase
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May 10, 2016
May 10, 2016 at 4:51 PM UTC
Untitled
I'm a resonant body, made love to the man I hope comes around in my dreams and his torso distended and separated kissed his stomach before his legs became driftwood and slabs of black marble-- his house was carpeted in grass with rivers running through them and I stood half-naked at the stream with a makeshift fishing rod, folding spotted paperclips into hooks, there were no doors but you came around the sunlight as if there was, stepped through the air and stood beside me--and the fish came to you one after the other until I accidentally dropped the wire and it floated downstream to the front entrance, where is my heart? in the misty moors burnt off by noonday convalescing in mossy burrows trying so hard to make sense of the people that become bales of hay matchsticks and empty cotton shirts.
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Jun 13, 2016
Jun 13, 2016 at 2:18 PM UTC
Speak to Me.
Poetry is a healthier alternative To picking fistfights with strangers (*OI. THE **** YOU STARIN' AT?*) Or stalking your gigs While groping the knife Tucked into my waistband Because convalescing in silence Is still better Than having quack doctors and faith healers Crowd over your body Touch, rub, probe, poke With their grubby fingers Write you illegible prescriptions Charging you a king's ransom For 'professional advice'. *You just need to get out more. Fresh ***** is the answer! Pray. Have faith. Geez, you're not over it yet?* It would've been better If I just kept my **** mouth shut And kept up the facade A walking picture of health. I don't need your ******* platitudes Your uncomprehending stares The drivel you proudly spew Like how you so lovingly ladle out swill to the homeless Assured of another mansion in heaven. **** you. This is not a soup kitchen And I don't need your pity. (And condescension does not save you.) Convalescing in silence Is still more logical Than rallying people To eradicate sickness from earth By arresting viruses Putting them on trial. A virus does what it does. It is in its nature, Like how stray dogs bite And how ****** **** Poetry is the best choice. It's active non-action. Reflecting While the seasons change, The fullness of time comes, And news of your impending demise arrives Of when your moral destitution Finally catches up to you. And by the time it comes around, My youthful ignorance will have bled out a bit, And I will receive the news With a smile, a cigarette, and a new poem.
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Jun 10, 2014
Jun 10, 2014 at 12:07 PM UTC
Poetic Justice
Poetry is a healthier alternative To picking fistfights with strangers (*OI. THE **** YOU STARIN' AT?*) Or stalking your gigs While groping the knife Tucked into my waistband Because convalescing in silence Is still better Than having quack doctors and faith healers Crowd over your body Touch, rub, probe, poke With their grubby fingers Write you illegible prescriptions Charging you a king's ransom For 'professional advice'. *You just need to get out more. Fresh ***** is the answer! Pray. Have faith. Geez, you're not over it yet?* It would've been better If I just kept my **** mouth shut And kept up the facade A walking picture of health. I don't need your ******* platitudes Your uncomprehending stares The drivel you proudly spew Like how you so lovingly ladle out swill to the homeless Assured of another mansion in heaven. **** you. This is not a soup kitchen And I don't need your pity. (And condescension does not save you.) Convalescing in silence Is still more logical Than rallying people To eradicate sickness from earth By arresting viruses Putting them on trial. A virus does what it does. It is in its nature, Like how stray dogs bite And how ****** **** Poetry is the best choice. It's active non-action. Reflecting While the seasons change, The fullness of time comes, And news of your impending demise arrives Of when your moral destitution Finally catches up to you. And by the time it comes around, My youthful ignorance will have bled out a bit, And I will receive the news With a smile, a cigarette, and a new poem.
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