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I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
I give money to my causes
Save the whales, electric cars
But I'm not one to lead the fight
"Cause I don't like the scars
Bricks get thrown alot you see
And those things ****** hurt
And I'm not a happy camper
When there's blood upon my shirt
I won't eat seeds of any sort
They get stuck in my teeth
My clothes are all from LL Bean
Except what's underneath
Way back in the sixties
I lived communaly
We ate only what the earth gave up
We didn't watch tv
As years passed by, our voices died
Our causes became much rarer
We sounded more like Manilow
Than Phil Ochs or Tom Lehrer
I choose fine wine over wheatgrass juice
I like leather and wear silk
I no longer go and get the goat
So we can have fresh milk
I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
I've changed lots since the sixties
I'm a capitalist blood hound
If I said I'm a true vegan
My board would see me drowned
I used to wear just cotton
Hemp and caftans  and blue jeans
Leather shoes and belts and jackets
Were just not part of my scene
My friends, well, they grew up
And others stayed in touch
The ones with money see me
The others not so much
I used to go out jogging
Through the park in puma shoes
Now I workout in a private gym
Wearing nikes and with my  crew
You see I'm still a vegan
When it suits me, don't you see
My new girlfriend likes organic
And she's only twenty three
There's forty years between us
Though I've done it all before
When my girlfriend is not with me
I am a carnivore
I support all of her causes
Though most things I don't attend
I'll be a vegan of convenience
Until our courtship ends
Who knows, what then will happen
Will I eat Tofu or some chops
I know which way I'm leaning
We'll see how that one drops
Like I said when we first started
I am a vegan, so I am
But instead of eating quinoa
I'll stick to eggs and ham.
I'm a Tree Huggin', Soy Chuggin',
I won't eat no meat
I'm a vegan of convenience,
Still, there's leather on my feet
I don't believe in lots of things
I'll protest and attack
But you won't find me out in front
'Cause I'll be in the back
Julian Jun 2018
The ******* of embezzled glory staunchly defend their counterfeit stature by defalcating the public trust of industrious societies governed internally by compunction and sabotaged externally by the tempests of acerbic fate met with inclement aleatory convergence. To supply a society with ingenuity without being complaisant or officious with unctuous pleas to the overlords we must fashion a new vogue that taps the bustle of giants and aggrandizes the margins to oversee their own creative destinies with scaffolded arrangements of titanic promise and justifiable fluidity to conquer the blinkered dogmatism of a dissolute chastity to inveterate apocryphal tenets of factitious but unmerited perspectives. Democracy crumbles when the convenience of sensationalism supplants the resolve of those that fossick hidden wealth and promulgate validity instead of undergirding pomp with precarious prevarications of duplicitous omission guarded gingerly by the gatekeepers of a ****** sanity that whitewashes the discussion with invented hobgoblins and purblind catharsis. To defeat simplicity and enshrine byzantine elegance as the paragon for voguish commentary rather than abide by a bowdlerized decorum for appeasing simpletons with divisive balkanization through identity politics we can overcome the impediments to human progress that are engineered to persist because of the inertia of the listless and the stubbornness of doctrinaire politicization and invent vivacity and festivity anew. We need to divorce ourselves from pedestrian quibbles of hero-worship that endanger the vitality of the common discourse because of fastidious pedantic disempowerment that ravages us with debased dreams by underscoring nuisances and tolerable nightmares that emasculate the virulence of the liberated individual and subvert his ambitions to contend with a picaresque world of limitless promise and self-motivated internal wealth.
      The bane of modernity is how chary the world becomes because of fractured histories intersecting with controversial destinies and the antidote to that poisonous self-defeating self-censorship is the audacity of brazen challenges to expurgation through assiduous resourcefulness and delicate diplomacy in wrangling controversies with outspoken courage rather than whispered resentment. Temerity waged in inclement circumstance is justified and curiosity stoked by lambent flames of fulgurant individualism should be fortified to the extent necessary to conquer the feckless spoilsports of unctuous puritanism and institutional obedience. The quacksalvers that blather about inconsequence strand the imagination in a desiccated desert that is ostracized from the palettes of the artistic whim to wield efflorescence rather than squander life in pursuit of perfunctory lucre or tenuous solidarity around banal idealism promised by social justice warriors that forget the biggest war being waged on humanity is on the ingenuity of the common discourse and the liberty to opine about real issues rather than saccharine conventions of emasculation through linguistic imprisonment and epicurean slavery to fashimites who relish the buzzword but never the enlightened audience that scoffs at feeble attempts at cultural commentary like Childish Gambino’s “This is America” music video. This particular artifact is a demonstration of how childishly fickle the plebeian mentality really is, stitching together a bricolage of violence to engineer controversy and serenading it with the most banal music imaginable and exhorting people to herald it as a high artform while inundating the world with unimaginative comic book movies and Star Wars rip-offs because of the lucrative business of formulaic replication. “This is America” should be regarded as a parody of itself because of how hackneyed its design is and how cacophonous it sounds and mocks its audience with lowbrow tactics of adding tinsel to trash and marketing it as the glory of tatterdemalions rather than the refinement of true cinematic achievements that have been relegated because Warhol’s Campbells-Soup-consumerism trumps true belletrist in the public view.
        Cultural watersheds punctuate our history with salient achievements in experimentation, but the formulaic profiteering of buzzword sensationalism and yellow journalism and the ostentatious glorification of promiscuous boasting and fancy cars tantalize the mice to continue playing slot machines rather than penning a novel or doing something promethean. The world scoffs at Trump but ignores the bigger institutional caveats that endanger us much more than a pragmatic albeit unconventional pontificator who is complicit in constructing a false narrative to enslave mindless people to fret about eminence rather than delight themselves in the consequential nuances of established refinement that used to serenade the world with flourish and spectacle. The world kowtows to the crusade against flavor-of-the-week enemies of the liberal-conservative syncretism because it has been conditioned to believe that synthesis is the only logical solution for the polarized worldviews of churlish people that become parvenus not on their merits but on their marketable pitfalls and their public foibles. Peccadillos are more important to people than virtues and this makes society morally bankrupt if we loiter around Astroturf causes that have been infiltrated by corporatism and venal debauchery and acquiesce as disempowered gossip hounds that hunt in packs to find jest in aberration rather than achievement in self-created narratives that defy the stupid purblind boorishness of the mainstream media and its haughty liberalism or the persnickety condemnation of priggish conservative moralities that had an expiration date 50 years ago. Who the **** cares about transgender-touting-gender-fluidity quidnuncs and the snooty obsession with lurid personal endeavors of reputable people that made minor ****** transgressions in a world policed by wide-eyed feminazis that seek to ransack men of their vital virulence to spotlight their unjustifiable oppression. Women are oppressed but the carnal nature of their calumniation and their vindictive powers of persuasion are deployed with such vehement vigilance and such distaste for the majority that the world relegates itself to quibbles of celebrities rather than substantive issues. There is a systemic feminization of society occurring that seeks to demarcate despotic uxorious pleasantries as an incarceration of vocal dissent against supercilious women and their tamed men that slavishly grovel in repudiation of anything prickly.  Men historically have oppressed women but the solution to this quandary isn’t a reverse discrimination where the minority concern is spotlighted as a majoritarian issue that overshadows the disproportionate nature of our society where nominal accreditation is afforded in a non-meritocratic way to absolve people of their carnality and demote the vigorous defense of human liberty as secondary to compromise solutions that appease more people than they offend but simultaneously result in suboptimal conditions that reward arbitrarily coachable people while jettisoning anyone witty enough to be capable of insubordination of a hedonistic epicurean world obsessed with appearance and ravaged by the decadence of formulaic profiteering at the expense of originality and true promethean art that is herculean enough to defy hackneyed tropes and siphon the best elements from a piecemeal world variegated with complexity but stifled by fomented hatred.
The solutions to these problems is to create a watchdog group of artistic critics who become eminent and ubiquitously heard enough to offer creative consultation to the artistic endeavors that we consume and the music that is curated for fastidious ears that crave euphonic originality rather than the banality of easily dovetailed bass-heavy cookie-cutter garbage and the gaudy tactics of talentless rappers whose swagger derives from  the intersection of opportunism and the divestiture of an industry that rewards gloated supercilious epicureanism and meretricious marketability. Am I the only one jaded by second-rate superhero movies that infest the cinemas that borrow from Michael Bay while thrusting pulse-pounding but narratively bankrupt movies down the throats of consumers that might prize the cinematic originality of the heyday of filmmaking? Is it always high art to invent controversy that is witless or half-witted just because it will create buzz? Shouldn’t we condemn the laziness of society in acquiescing to the penury of the modern cultural narrative which belabors the dead horses of racism and sexism ad nauseum? Shouldn’t we fight the war of against inequity through legislation rather than hibernating about scandalous eminence and testy malfeasance?
          Liberty should be championed above all else and we are turning our backs on the future unless we muster the resolve to diminish the sway of the common narrative and aim our spotlight at consequential endeavors rather than the tropes of prosaic and pedestrian bastardization of art and culture. We need to fight artistic laziness which has ravaged our culture and castigate the tactics of wannabee celebrities that use lurid tactics to attract an audience by bedizening themselves with Pyrrhic ostentations and rampant fakery to create more melodrama in a world that needs to be less histrionic. YouTube celebrities swarm us as they get high on ******* and lean-- at our expense-- and vandalize property and convincing nine-year-old’s like Lil Tay to flex her money like it is infinitely renewable in a finite world where all our attention is wasted on artless artifice of less talented people that know how to engineer a ruckus by strutting themselves beyond all decency and selling out to a corporatist nightmare of enslaved convenience. We need to be more vocal about the dissolution of artistic merit and the formulaic repetition of successful formulas that jade us and make us yawn about another retread of a previously successful idea that is milked to the point of cruelty.                                                         ­                       
       Let’s change the narrative and focus on creating true art rather than reacting to the meretricious tinsel of the vogue consensus which is so impotent in its ability to rivet audiences because it has become so notoriously lazy. Fight laziness in art, dismiss your news feeds, be resourceful, seek true happiness rather than find yourself hoodwinked and duped by the idea that Trump is the most important issue or getting caught in thought loops and brooding about sexism and inequality. Let us strive to be egalitarian but within limits that would also appease hominists rather than just the hypertrophy of the leftist narrative that seeks to cage us with the doublespeak of complaisant conformity.  Reject the unctuous charlatans that pretend priggishness when their banausic purpose is barbaric but beguiling to be a lullaby for laggards. We need to fight for the future of civilization rather than hobnob with convenience and loiter around decrying false perpetrators rather than systemic injustices that could otherwise be rectified if enough people fought for it. We can invent a future that is a great festivity serenaded by cultivated artistic refinement and forget about the trifles that divide us. United in ambition and fueled by ingenuity we can defeat artistic laziness and be resourceful with how we decide what is newsworthy. Spurred by the argosy of proactive motivation we can change the world in a substantial way by deciphering the subtext that governs the world. The subtext is everything!
Mak Jul 2014
The room was silent. The only sound to be heard was the slow, steady dripping from my mother’s IV.      

“What do you mean, you’re dying?”

Multiple Sclerosis was, in short, a ***** of a disease. Somewhere along the span of my mother's 35 short years on this planet, her immune system made a giant mistake. For uncertain reasons, her body began to attack nerve cells, severely affecting her brain's processing ability and mobility. The only medication that had ever subdued the symptoms was beginning to **** her.

“It isn’t an immediate thing, Makayla. I still have plenty of time.”

Turning away from my mother, I wiped tears from my eyes. There was no way in hell I was going to let my family see me cry. Absolutely no way. This was a joke. My mom was not going to die.

“Kayla, baby, talk to us. It’s okay.”

With a deep breath, I forced a smile, as I often did, and blinked away all traces of tears from my gray eyes. Turning around to meet my parents’ worried expressions, I simply nodded.

“How long?”

The question came out as more of a statement than a question. The morbid implication of those two short words spoke worlds louder than any words I could muster.

“5 years, at the absolute worst.”

At that, I stood, and left. I ran, and ran, and ran. I ran until my lungs hurt, and then kept running. But no matter where or how fast I went, I knew I could not escape the horrible reality of the matter.

The woman who gave me life was losing hers.

I was always the type of person who knew how to talk my way out of any situation.

And this time, there was absolutely nothing I could do about it.

There’s no sweet-talking death.

And with that, I began to accept her demise, and my defeat.

///

The first sip burned my esophagus, and I felt the blaze continue to my stomach, where it left a lasting warmth. I coughed a little, as the hazy feeling of drunkenness set in, setting my head spinning and my insides ablaze.

The past two months (52 days, 4 hours, and 30-something seconds) were a continuous downward spiral into a constant intoxicated state. Instead of addressing my feelings in the endless sea of counseling sessions and semi-sympathetic family therapy hours, I isolated myself. When my mother asked how I was, my reply remained the usual, “Doing great, mom.”

I was not, in fact, doing great. The alcohol wrapped itself into me, braided itself within my better sense, and I began to let myself fall apart. The wall I so often hid behind, the wall of perfection, of cool, was crumbling. Short, yet deep cuts lined my thighs, just high enough to be hidden by the hem of my shorts.

My mother had the opportunity to save her own life. Russian research had found a possible cure for the disease that had been plaguing her very existence. 3 weeks of chemotherapy, followed by a few months of intensive care, and she would be normal once again.

My mother denied the treatment.

“Too much money,” she said.

“Too inconvenient,” she said.

Compared to the life of my mother, no amount of money nor convenience mattered.

I was furious.

I was drunk.

///

My mind swam, speech slurred, fingers trembled.

My phone sat in front of me, propped up on a gray tissue box, which had been halfway expended due to that night’s waterworks. The Coca-Cola can which held my ***/coke concoction was long past empty. I was drunk, and screaming words like ‘sorry’ and ‘doesn’t deserve this’ into a pillow. I knew my mother deserved to live. Compared to me, she was a saint. I felt empty and pathetic. I deserved to die.

I convinced myself that maybe if I did something extreme, she would value her own life more than she did.

I held tightly onto the railing of my house’s only set of stairs, as I attempted to keep my balance. I walked drunkenly to the medicine cabinet, careful not to make noise and wake my parents. I grabbed as many pill bottles as I could carry.

Exactly 41 pills of assorted shapes, sizes, and colors sat in lines on my bed. Small to large, rainbow order. The comfort of organization wasn’t helping this time. I wanted to die.

Before starting my buffet of medication, my phone lit up. One new text.

“I know you were feeling upset earlier, and I just wanted to remind you that you are special. You matter.” I instantly felt even ******* for what I was about to do.

I laid down in bed, beginning to drown in my own tears, and let myself fall asleep.

Neither I nor my mother would be dying tonight.
liz Oct 2012
"I love you,
but rather your convenience.
your open pantry
and channels.

the quick fix of your generous lips
weekly dose of human affection.
I dislike your distance
but make no effort to prolong it.

spare me the detail of your accomplishments:
your petty achievements.
i am far too preoccupied
with an unbalanced slumber.

i love you,
but rather your convenience."
Julian Jul 2016
Hip Service
By Julian Malek

The zeal of cobblestone tolerance arrayed in fashionable hues masquerading as crimson secrecy, elevates the tide of man but some boats leak in their foundations. Therefore a cork to every exuberance and a triumphant torch for every sorrow lives onward in collective time. Larks that abound because prescience and PUGET sound, that brown has become the new orange which in turn prowls as a concealed swarthy black. To antagonize the willful and frenetic pace, a prodrome of lasting but memorialized disgrace. Should I move to a state by first or last name, or is the final appellation worthy of much more lasting fame. I scurry down the aisles, bemused by shimmering tiles and the beguiled audiences who see much in my limitation but doubt little about my debited elation. Ringmaster Barnum, how much horticulture is needed for assured superstardom, how many cloisters must we evacuate from the incendiary plumes of a metaphorical Harlem..  But know that no virtual reality can supplant the reality that does truly exist, or at least our time is too infernal and purblind to resist. Carrey the tops of mountains in the humor of wellsprings and fountains, we engage a menagerie of egos lilting of an etiolated pragmatic concern. Evicted from paradise, littered with say-cheese demise ensnaring three blind mice eaten alive by snake-eyed vice. To feel good without incorporated tyranny, we must see blue and red as alternatives to the same destiny. A world that reckons with the futilitarianism of pacified malcontent and astroturf monikers that lead the impressionable into a slaughter shed. Established or not, any enchantment under the sea must include fishes once a pastiche of me, but to them I avoid their courtesy flush and never even faintly blush as my egalitarian statements are lavish thrush.

Five TO Won baby one in 99, everyone here aboard the titanic stays alive, you got your boat baby and I got mine, gonna make it with babies numbered in surreal primes. Halt the slots game the nines, a stitch in time is going to turn out to be Mine. Flanger goals, girded piles, liminal like an aborted Harry Styles, we climb mountains we issue tithes, and the turmoil is etched into 45-notched bludgeons and two-tucked knives. Excuse you, where have you been all day, have you been sauntering in a gentle rain or a genteel pain, have you wallowed beyond the mires of doubt and ranked above David Blaine. I hope you tell me of your magic tricks, rather than your other flicks endeared I stand to fight an ineradicable itch. But if not, you placid pond dented by so many rocks and so many ripples give your heart over to me, before I clinch the special Olympics *******, we ran, we span the homespun garments of your left and right hand, but death is a specter that ghoulishly carouses along the carousel terminal disease we call life. I beseech your deepest affection and want to console you for your deepest struggle, to be there every time wed with time rather than a throttled scuttle. Moons make you guarded but maroons leave me desiccated, don’t ever let that wilted flower die, always water it with a rich but gentle ties and widened deck for all to at once marvel and pry.  Monsters of Mars Attacks once flanked my bed, as though the **** brain scared every gooseflesh and restrained every frisson of mystery. I lampoon myself for those cold Dark Knights and the protection ended by the plight of the poor mattering nothing to the deliberately internecine rich. I struck gold in a valley somewhere, an oxymoron of paradox that now you have the privilege to dock, to stay aboard to be a vessel of peace less widely deplored. Even if we don’t sprout wings, we garner the exactitude of measured things and our glass elevator though easily shattered by the glower of enslavement is actually our vista to heaven or listening to brethren tingles for rich mans trinkets and other things. For humanity deserves a legend and a princess, a regimented desuetude and a flanged lust but in our mistakes wildly flouted in momentary moments we become purified by the temptations of an alabaster palace.

***** the left-field wisdom of a pragmatic paragon ellipsis in prison, slip between the cracks and let my suburban muse become your urban ruse. To enchant a caged world beyond a reality delicately and deliberately unfurled. Squirming toads on highways enchanted but dead, are graves for the blue becoming purple in every dignified red. Gainsay assaults me with platitude, a repeated hitter quit on the first bunted ball into foul-line territory. Those gripes are swiped right in all circumstance no matter the plight. The pronged hearing of a trident sensitive to ambient collection, and suddenly we are all in the mad house even though the house of profaned pain is much worse. Glimpses of gambits that gambol for nickels in transit as occult grenades and known dice waddle through without artifice or device, and the laughter and slaughter that trains collegiate minds, differs no more than the tropes of a glamorous violence articled in sordid rhymes. This surfing movie means so much more than Surf Wax America pristine in limited but sacrilege nirvana. Teen spirits smell muskier than 90s pop dreams, the grasp and grunge of gouged eyes becomes a mummified staid, a scarecrow to those who disobey. Childhood flashes with blinding light, and new sight illuminates darkening blight, A blight eradicated only by two magazines and including one that houses the bullets that ***** themselves between death and comatose dreams both within astral sight. Littoral harbor on a seaside town, a shanty with a brackish gown that glides the gourmand to the cosmopolitan eatery on the outskirts of lost & found. But forever lost in embonpoint and forever gained in chavish that exonerates the gaunt, the etiolated prince in heart becomes irrefutable marrow in minded souls.

If I am a spy you are an ESPY, and if I cry than you are a baby,but since neither are the case my wiseacres will cultivate lava lamp dreams for a new generation and suddenly Boston bets on Harvard, but who knows of this piped blather squirming for relevance rather than voguish but temporary chatter. My regatta knows how to swim, my life now knows how to cringe and yet still win and in stilted plays of bungled sincerity the God of peace reminds us of our transcendent personalities. That we in sincerity top the barnacles of invention a novelty but a rarity. But the guillotine quill of emboldened unscripted parvenus ruthless in their eager dues, outdate and outlive the sued swayed blues that indemnify Clinton and make the atomic dog an amazing Winston hill a church often in sheltered disuse. Imps and urchins sting the sentiment, cloy the alimony of repentant betterment, but neither touches the gilded skies of pleonasm striving for raspy disguise as to dissuade further diatribe investigation. Lurking in those scared days of youth, the gore of unalloyed horror scourged me with a limp, that compassion itself could ever become a gimp. Now years later athletics better and scoring goals making the mildew sweat and the years wetter, not a global warming that can be alarmed by global mourning. Take peace at heart if distanced spears of separation make Idiocracy as a pastiche look exceedingly smart. And spar only with the true antagonists bridging malevolence with expedience. Killjoys sure, will joy even more sure, but still boys fluttered heart stopping dead at a stop-watched alarm the worst tragedy of our sordid sort. Give an African Child a real home rather than a spatial roam, a palatial desiccation of momentary Jonas Brothers snapping back at captives with sexualized foam.

Narrative blinds shuttered in an Island among mountains hardly ever wiser to sanitize the sanitarium among the wasps of stung power. Police crumple their uniforms as they prowl down the avenues, looking for misfits and widened platitudes. Somehow that the vigilance of those corrupted by their very career choice, look even worse when megalomania of private is the limelight of public, to their defense few turrets I can muster but castles in the sky will be the apartheid judge. Those that cling to virtue to eradicate Porsche-driven faked or real deaths at the most breakneck speed, that Fast & Furious operation if disclosed completely would turn the Shire of the ring into the hatred curtailed by a song in Sing-Sing. Immunity must not Yoda implore, that livery Liverpool marooned on islands can also to deplore the R.E.D. and still whet the sharpened stead and the fly-by-night Manchester United alights like militant peer pressure for wranglers in tights. But beating the Beatles at a game of Walruses and egg-shelled eyeful towers likely impedes rinkside hockey from anything over bellicose ballyhoo…it exists as a transient fixated glower. But who knows about soccer speculation when love is the transcendent temptation, when nest-egg hens rather than neglecting rig Bens of clockwork and clocked words designed arise better for their token ken. Do I must repeat the subtext of submarines, yellowed as though ugly unused as though unseen, as though the quixotic earthquakes of tintinnabulations Avatar dreams. Wafted souls console the disheartened thoughts of a dashed dream that Berlin hates more than a Furor’s unbridled and useless scream.
Demotic clips slinging from the bedridden silence of a token moon and its token friends, swimming in a shore of ambiguity whether history mellows or whether its furor melts away momentary doubts. I want to avoid the sting rays exorcised by due providence and become the amalgamated talents gentry and of course the upstart swagger of Jack Dawson. But with the psy-op going on, the people manipulated on all sides of a gray picket fence will the relationship bloom without muttered dissent or pretended smiles. Will we take upon the shuffled shuttle and dig with shovels deep-rooted Christmas trees and toast our lives to Dos Equis. We may never go out of style, but the treacle of illuminated imagery when divorced from sentiment bristle shows a swagger that prioritizes rather than amalgamates all love. I love being brash and brazen and honest because when she finally ditches the grandstand of delayed frenemies fandoms of other tinsel decorations without any substance beyond meretricious thrill. You want a roller coaster on some days, but most often you want the nutcracker to elope to secret hiding places. Swim with adventure not just in love, not just in affection with the starlight now matter how luminous, sixpence all the richer is no centuries any poorer and we could be that gilded couple of star and screen and if we ever have to scream, let our screams unite us in passion, rather than a milquetoast deference to pedestaled beauty. but of course the end times don’t laugh at your crumpled wizened relapse. Not out of convenience wed by a discriminating genetic harvest moon but a deeper engagement that flatters when stylish and bristles when romantic but never defiled, never riled of specious pretense. Promise me that you will always remember me in my flaws and my faults, in my scause factory destructions and the penults of PEN-ULTIMATE wisdom that comes before the grace of God in the annihilation of passion for eroded omission. If your goal is to be remembered, check that out…but the most admirable goal is as the propinquities of souls dusted in the wind returning to a spring equinox of passion and if you find in yourselves reservations do not depart from sacred land, and never jilt me because of a boisterous and menacing friend. You are everything to me right now, and I Hope this persists despite the vicissitudes of star-favored afflictions mixed with utter benediction without the pontification of stilted Benedictines  or rather the hyped ludic effrontery of termagants being made of younger and younger women. Leave it at this ,32 leaves the royal secret in royal hands and the Knights Templar and us we altogether hold hands, if only a prelude for a masquerade ball. But the stilted embarrassment of crestfallen time, let that be relegated and emphatically lets embrace what is like to not ever need a real white horse to get back into your favor, because we never go out of style we can brandish the best elements and reject the sentiments of the too newfangled and the too stodgy. We in our crenellated pleonasm can eager ride the lightning to another tomorrow and another yesterday and if even not that, we virtually make an indelible impression of embroidered love not too distant in ivory towers and not to vulgary( catering to popular sentiments) to become a trash glam movement. We soar, others deplore but let their purblind doubts render them blind to our burgeoning love.

Forget the brisk trees dangled in the wind on winding paths through haunted forest or remember them because of ghoulish fortress but with our apotropaic lamp we can avert most evil and call the rest fun and gains and shun but fames never profaned, never inalterable a destiny to magical to be some whimpered catcall. Or we could linger beneath lambent street lights disguised as though wilted garb, attrition of circumstance waiting patiently for the matinee and the vintner to escort us beyond the garb of pretense in a city so abundant with it that it deserves castigation. But I digress, a beachside cliff overlooking tepid waters tumultuous in their power but august in their noises, the cadence of love will sing a half-moon bay on full-moon nights and we will frisk each other like grasping at straws of permanent tracks trammeled of the elite and a sidetracked basque bet. Trim those antlers and instead grow metaphorical wings, to us we all sing but few can match your elegance and everyone would be crazy not to see your ennobled age and together thrilling songs to emulate thriller in sales we will collaboratively sing.
Haughty sneers from lifeless lycanthropy straggling furtively along the pastiched sidewalks of grime, livid because they can’t share the lingering limelight, with as many guarded perks of privacy clambering like a hive of snarky sharks. Lets ditch the big town dreams in terms of posh and stature if only for a caressed moment beneath the unadulterated stars and if you find spars **** to the extent they are amiable than I say guess what my name is Lars! Or wait a second, paused in the big city spotlight our stenciled hearts will guide whatever progeny is yours or mine or ours together we will sing the most comforting lullaby, and caves no longer must we abide. Yearn and earn every inch, as I gripe with my delicate saddened pinch but I think the innuendo speaks . Ripen with our trips to Napa, long afternoon sunsets swim in our hearts as we taste the vanguard’s toast on elegant wine.I console with entreaty to disavow the omen of that San Franciscan church October 2008, the doom implied by Einstein, the raillery of a world grinding down the endless decadence of a railed future inalterable in destiny or partialy amenable to widespread coquetry.

Forget those rumbles in your past that made you feel partial to insecurity and learning the ropes you transcended all and live in all eternity. Thimble and brook, tolerant of all those tokes I took your rebellious side flattens the yeast of Exodus raspy in its begrudged clapping. But the Pharaoh of the modern world sheltered me under his prickly thorns, shielded me from the sickly things that life adorns. We have the numbers on our side, the weight of destiny on our shoulders, dedicate yourself to yourself and I will preen the most vibrant wisdom and love will leap like Apollo across all borders not for camel-****** hoarders. We are culminated destiny in the wings of the best daydream
Life, Love and No Mathematics to God and Gain
Madeline Harper Aug 2018
Indebted shadows prey on a prayer
They drink up their glories and sins,
While contending for souls so rare
And endow nails upon my skin:

Clever born,
Hearty,
And silver to the bone.
Nevermore,
Sadly,
Now mutely grey in tone.

“Awake!
Arise!
Win our war in Rome!”
They break,
They lie,
And never came home.

Forget
Please never,
This threat
I sever,
Regret?
Too clever
to lie.

Faulty sins hoist a ****** banner
While goodness is only a trend,
And foes are convenient in manner
Convenience: a conclusive friend.

Too clever to lie
What a convenience am I
Am I: your conclusive friend;
Answer as to why
You raise the stakes high
When you have no soul to lend?
Random write
RAJ NANDY Nov 2015
GREAT ARTISTS & THEIR IMMORTAL WORKS :
CONCLUDING ITALIAN RENAISSANCE IN
VERSE.  -  By Raj Nandy, New Delhi.

Dear Readers, continuing my Story of Western Art in Verse chronologically, I had covered an Introduction to the Italian Renaissance previously. That background story was necessary to appreciate Renaissance Art fully. Now, I cover the Art of that period in a summarized form, mentioning mainly the salient features to curb the length. The cream here lies in the 'Art of the High Renaissance Period'! Hope you like it. Thanks, - Raj.

                          INTRODUCTION
“Painting is poetry that is seen rather than felt, &
  Poetry is painting that is felt rather than seen.”
                                                        – Leonardo Da Vinci
In the domain of Renaissance Art, we notice the
enduring influence of the Classical touch!
Ancient Greek statues and Roman architectures,
Inspired the Renaissance artists in their innovative
ventures!
The pervasive spirit of Humanism influenced
creation of life-like human forms;
Adding ****** expressions and depth, deviating
from the earlier stiff Medieval norms.
While religious subjects continued to get depicted
in three-dimensional Renaissance Art;
Portraits, **** figures, and secular subjects, also
began to appear during this great ‘Re-birth’!
The artists of the Early and High Renaissance Era
are many who deserve our adoration and artistic
due.
Yet for the sake of brevity, I mention only the
Great Masters, who are handful and few.

EARLY RENAISSANCE ARTISTS & THEIR ART

GITTO THE PIONEER:
During early 13th Century we find, Dante’s
contemporary Gitto di Bondone the Florentine,
Painting human figures in all its beauty and form
for the first time!
His masterwork being the 40 fresco cycle in the
Arena Chapel in Padua, depicting the life of the
****** and Christ, completed in 1305.
Giotto made the symbolic Medieval spiritual art
appear more natural and realistic,
By depicting human emotion, depth with an
artistic perspective!
Art Scholars consider him to be the trailblazer
inspiring the later painters of the Renaissance;
They also refer to Giorgio Vasari’s “Lives Of
The Eminent Artists,” - as their main source.
Giotto had dared to break the shackles of earlier
Medieval two-dimensional art style,
By drawing lines which head towards a certain
focal point behind;
Like an illusionary vanishing point in space,
- opening up a 3-D ‘window into space’!
This ‘window technique’ got adopted by the
later artists with grace.
(
Giorgio Vasari, a 16th Century painter, architect & Art
historian, was born in 1511 in Arezzy, a city under the
Florentine Republic, and painted during the High
Renaissance Period.)

VASARI’s book published in 1550 in Florence
was dedicated to Cosimo de Medici.
Forms an important document of Italian Art
History.
This valuable book covers a 250 year’s span.
Commencing with Cimabue the tutor of Giotto,
right up to Tizian, - better known as Titan!
Vasari also mentions four lesser known Female
Renaissance Artists; Sister Plantilla, Madonna
Lucrezia, Sofonista Anguissola, and Properzia
de Rossi;
And Rossi’s painting “Joseph and Potiphar’s
Wife”,
An impressive panel art which parallels the
unrequited love Rossi experienced in her own
life !
(
Joseph the elder son of Jacob, taken captive by Potiphar
the Captain of Pharaoh’s guard, was desired by Potiphar’s
wife, whose advances Joseph repulsed. Rossi’s painting
of 1520s inspired later artists to paint their own versions
of this same Old Testament Story.)

Next I briefly mention architects Brunelleschi
and Ghiberti, and the sculptor Donatello;
Not forgetting the painters like Masaccio,
Verrocchio and Botticelli;
Those Early Renaissance Artists are known to
us today thanks to the Art historian Giorgio
Vasari .

BRUNELLESCHI has been mentioned in Section
One of my Renaissance Story.
His 114 meter high dome of Florence Cathedral
created artistic history!
This dome was constructed without supporting
buttresses with a double egg shaped structure;
Stands out as an unique feat of Florentine
Architecture!
The dome is larger than St Paul’s in London,
the Capitol Building of Washington DC, and
also the St Peters in the Vatican City!

GILBERTI is remembered for his massive
15 feet high gilded bronze doors for the
Baptistery of Florence,
Containing twenty carved panels with themes
from the Old Testament.
Which took a quarter century to complete,
working at his own convenience.
His exquisite naturalistic carved figures in the
true spirit of the Renaissance won him a prize;
And his gilded doors were renamed by Michel
Angelo as ‘The Gates of Paradise’!
(
At the age of 23 yrs Lorenzo Ghiberti had won the
competition beating other Architects for craving the
doors of the Baptistery of Florence!)

DONATELLO’S full size bronze David was
commissioned by its patron Cosimo de’ Medici.
With its sensual contrapposto stance in the
classical Greek style with its torso bent slightly.
Is known as the first free standing **** statue
since the days of Classical Art history!
The Old Testament relates the story of David
the shepherd boy, who killed the giant Goliath
with a single sling shot;
Cutting off his head with Goliath’s own sword!
Thus saving the Israelites from Philistine’s wrath.
This unique statue inspired all later sculptors to
strive for similar artistic excellence;
Culminating in Michael Angelo’s **** statue of
David, known for its sculptured brilliance!

MASSACCIO (1401- 1428) joined Florentine
Artist’s Guild at the age of 21 years.
A talented artist who abandoned the old Gothic
Style, experimenting without fears!
Influenced by Giotto, he mastered the use of
perspective in art.
Introduced the vanishing point and the horizon
line, - while planning his artistic works.
In his paintings ‘The Expulsion from Eden’
and ‘The Temptation’,
He introduced the initial **** figures in Italian
Art without any inhibition!
Though up North in Flanders, Van Eyck the
painter had already made an artistic innovation,
By painting ‘Adam and Eve’ displaying their
****** in his artistic creation;
Thereby creating the first **** painting in Art
History!
But such figures greatly annoyed the Church,
Since nudes formed a part of pagan art!
So these Northern artists to pacify the Church
and pass its censorship,
Cleverly under a fig leaf cover made their art to
appear moralistic!
Van Eyck was also the innovator of oil-based paints,
Which later replaced the Medieval tempera, used to
paint angles and saints.

Masaccio’s fresco ‘The Tribute Money’ requires
here a special mention,
For his use of perspective with light and shade,
Where the blithe figure of the Roman tax collector
is artistically made.
Christ is painted with stern nobility, Peter in angry
majesty;
And every Apostle with individualized features,
attire, and pose;
With light coming from a single identifiable source!
“Render unto Caesar the things that are Caesar’s,
and unto God things that are God’s”, said Christ;
Narrated in Mathew chapter 22 verse 21, which
cannot be denied.
Unfortunately, Masaccio died at an early age of
27 years.
Said to have been killed by a jealous rival artist,
who had shed no tears!

BOTTICELLI the Florentine was born half a
century after the Dutch Van Eyck;
Remembered even to this day for his painting
the ‘Birth of Venus’, an icon of Art History
making him famous.
This painting depicts goddess Venus rising out
of the sea on a conch shell,
And the glorious path of female **** painting
commenced in Italy, - casting a spell!
His full scale **** Venus shattered the Medieval
taboo on ******.
With a subject shift from religious art to Classical
Mythology;
Removing the ‘fig-leaf cover’ over Art permanently!

I end this Early Period with VERROCCHIO, born
in Florence in fourteen hundred and thirty five.
A trained goldsmith proficient in the skills of both
painting and sculpture;
Who under the patronage of the Medici family
had thrived.
He had set up his workshop in Florence were he
trained Leonardo Da Vinci, Botticelli, and other
famous Renaissance artists alike!

FOUR CANONICAL PAINTING MODES OF
THE RENAISSANCE:
During the Renaissance the four canonical painting
modes we get to see;
Are Chiaroscuro, Sfumato, Cangiante and Unione.
‘Chiaroscuro’ comes from an Italian word meaning
‘light and dark’, a painting technique of Leonardo,
Creating a three dimensional dramatic effect to
steal the show.
Later also used with great excellence by Rubens
and the Dutch Rembrandt as we know.
‘Sfumato’ from Italian ‘sfumare’, meaning to tone
down or evaporate like a smoke;
As seen in Leonardo’s ‘Mona Lisa’ where the
colors blend seamlessly like smoke!
‘Cangiante’ means to ‘change’, where a painter
changed to a lighter or a darker hue, when the
original hue could not be made light enough;
As seen in the transformation from green to
yellow in Prophet Daniel’s robe,
On the ceiling of Sistine Chapel in Rome.
‘Unione’ followed the ‘sfumato’ quality, but
maintained vibrant colors as we get to see;
In Raphael’s ‘Alba Madonna’ in Washington’s
National Gallery.

ART OF HIGH RENAISSANCE ERA - THE
GOLDEN AGE.

“Where the spirit does not work with the
hand there is no art.”- Leonardo

With Giotto during the Trecento period of the
14th century,
Painting dominated sculpture in the artistic
endeavor of Italy.
During the 15th century the Quattrocento, with
Donetello and Giberti,
Sculpture certainly dominated painting as we get to
see!
But during the 16th century or the Cinquecento,
Painting again took the lead commencing with
the great Leonardo!
This Era was cut short by the death of Lorenzo the
Magnificent to less than half a century; (Died in 1493)
But gifted great masterpieces to the world enriching
the world of Art tremendously!
The Medieval ‘halo’ was now replaced by a fresh
naturalness;
And both Madonna and Christ acquired a more
human likeness!
Portrait paintings began to be commissioned by
many rich patrons.
While artists acquired both recognition and a status
of their own.
But the artistic focus during this Era had shifted from
Florence,  - to Venice and Rome!
In the Vatican City, Pope Julius-II was followed by
Pope Leo the Tenth,
He commissioned many works of art which are
still cherished and maintained!
Now cutting short my story let me mention the
famous Italian Renaissance Superstar Trio;
Leonardo, Raphael, and Michael Angelo.

LEONARDO DA VINCI was born in 1452 in
the village of Vinci near the City of Florence,
Was deprived of a formal education being born
illegitimate!
He was left-handed, and wrote from right to left!
He soon excelled his teacher Varrocchio, by
introduced oil based paints into Italy;
Whose translucent colors with his innovative
techniques, enhanced his painting artistically.
Sigmund Freud had said, “Leonardo was like a
man who awoke too early in the darkness while
others were all still asleep,” - he was awake!
Leonardo’s  historic ‘Note Book’ has sketches of a
battle tank, a flying machine, a parachute, and many
other anatomical and technical sketches and designs;
Reflecting the ever probing mind of this versatile
genius who was far ahead of his time!
His ‘Vituvian Man’, ‘The Last Supper’, and ‘Mona Lisa’,
Remain as his enduring works of art and more popular
than the Leaning Tower of Pisa!
Pen and ink sketch of the ‘Vitruvian Man’ with arms
and leg apart inside a square and a circle, also known
as the ‘Proportion of Man’;
Where his height correspondence to the length
of his outstretched hands;
Became symbolic of the true Renaissance spirit
of Man.
‘The Last Supper’ a 15ft by 29ft fresco work on
the refectory wall of Santa Maria, commissioned
by Duke of Milan Ludovic,
Is the most reproduced religious painting which
took three years to complete!
Leonardo searched the streets of Milan before
painting Judas’ face;
And individualized each figure with competence!
‘Mona Lisa’ with her enigmatic smile continues
to inspire artists, poets, and her viewers alike,
since its creation;
Which Leonardo took four years to complete
with utmost devotion.
Leonardo used oil on poplar wood panel, unique
during those days,
With ‘sfumato’ blending of translucent colors with
light and shade;
Creating depth, volume, and form, with a timeless
expression on Mona Lisa’s countenance!
Art Historian George Varasi says that it is the face
of one Lisa Gherardini,
Wife of a wealthy Florentine merchant of Italy.
Insurance Companies failed to make any estimation
of this portrait, declaring its value as priceless!
Today it remains housed inside an air-conditioned,
de-humidified chamber, within a triple bullet-proof
glass, in Louvre France.
“It is the ultimate symbol of human civilization”,
- exclaimed President Kennedy;
And with this I pay my humble tribute to our
Leonardo da Vinci!

MICHEL ANGELO BUONARROTI (1475-1564):
This Tuscan born sculptor, painter, architect, and
poet, was a versatile man,
Worthy to be called the archetype of the true
‘Renaissance Man’!
At the age of twelve was placed under the famous
painter Ghirlandio,
Where his inclination for sculpting began to show.
Under the liberal patronage of Lorenzo de Medici,
He developed his talent as a sculptor as we get
to see.
In the Medici Palace, he was struck by his rival
Torregiano on the nose with a mallet;
Disfiguring permanently his handsome face!
His statue of ‘Bacchus’ of 1497 and the very
beauty of the figure,
Earned him the commission for the ‘PIETA’ in
St Peter’s Basilica;
Where from a single piece of Carrara marble he
carved out the figure of ****** Mary grieving
over the dead body of Christ;
This iconic piece of sculpture which along with
his ‘David’ earned him the ‘Superstar rights’!

Michel Angelo’s **** ‘DAVID’ weighed 6.4 tons
and stood 17 feet in height;
Unlike the bronze David of Donatello, which
shows him victorious after the fight!
Michel’s David an epitome of strength and
youthful vigour with a Classical Greek touch;
Displayed an uncircumcised ***** which had
shocked the viewers very much!
But it was consistent with the Mannerism in Art,
in keeping with the Renaissance spirit as such!
David displays an attitude of placid calm with
his knitted eyebrows and sidelong glance;
With his left hand over the left shoulder
holding a sling,
Coolly surveys the giant Goliath before his
single sling shot fatally stings!
This iconic sculpture has a timeless appeal even
after 500 years, depicting the ‘Renaissance Man’
at his best;
Vigorous, healthy, beautiful, rational and fully
competent!
Finally we come to the Ceiling of the Sistine
Chapel of Rome,
Where Pope Julius-II’s persistence resulted in the
creation of world’s greatest single fresco that was
ever known!
Covering some 5000 square feet, took five years
to complete.
Special scaffoldings had to be erected for painting
scenes from ‘The Creation’ till the ‘Day of Judgment’
on a 20 meter’s high ceiling;
Where the Central portion had nine scenes from
the ‘Book of Genesis’,
With ‘Creation of Adam’ having an iconic significance!
Like Leonardo, Michel Angelo was left-handed and died
a bachelor - pursuing his art with devotion;
A man with caustic wit, proud reserve, and sublimity
of imagination!

RAFFAELLO SANZIO (1483-1520):
This last of the famous High Renaissance trio was
born in 1483 in Urbino,
Some eight years after Michel Angelo.
His Madonna series and decorative frescos
glorified the Library of Pope Julius the Second;
Who was impressed by his fresco ‘The School
of Athens’;
And commissioned Raphael to decorate his
Study in the Vatican.
Raphael painted this large fresco between 1510
and 1511, initially named as the ‘Knowledge of
Causes’,
But the 17th century guide books referred to it
as ‘The School of Athens’.
Here Plato and Aristotle are the central figures
surrounded by a host of ancient Greek scholars
and philosophers.
The bare footed Plato is seen pointing skywards,
In his left hand holds his book ‘Timaeus’;
His upward hand gesture indicating his ‘World
of Forms’ and transcendental ideas!
Aristotle is seen pointing downwards, his left
hand holds his famous book the ‘Ethics’;
His blue dress symbolizes water and earth
with an earthly fix.
The painting illustrates the historic continuance
of Platonic thoughts,
In keeping with the spirit of the Renaissance!
Raphael’s last masterpiece ‘Transfiguration’
depicts the resurrected Christ,
Flanked by prophets
Paul Hansford Jan 2016
Very early in the morning we were woken from our sleep,
We were going on safari, being driven in a jeep,
We went out before our breakfast, we went out before sunrise,
We went out before the sleep had fully vanished from our eyes.
We had to dress quite quickly, and we went out in a rush,
And after we'd been driving through miles and miles of bush
For an hour or two, I have to say - forgive the way I speak,
But the roads were very bumpy - I was dying for a leak.

The driver stopped the jeep and kindly offered us a drink,
But it might have been more kind if he had only paused to think;
We had seen a herd of elephants, some vultures in the sky,
Several wildebeest and zebra, a hyena passing by,
Giraffes, a pair of ostriches, a buffalo or two,
And we'd taken lots of photographs (well, that's what tourists do);
We had even seen some lions lazing underneath a tree,
But ... we hadn't seen a toilet ... and I really had to ***.

Beside a water-hole at last we found a pair of loos,
And I hurried to the gents', 'cos that's the one I have to use.
Yes, I went up to the gentlemen's, and pushed the door ajar,
But I didn't push it hard, and it didn't open far.
There was something in the way, you see. I did a double-take,
For it looked just like a tail, the last six inches of a snake.
I decided not to panic - I'm not that sort of bloke,
And it could have been a rubber one, left there for a joke -
So I pushed the door wide open, to be sure of no mistake,
And what should I clap eyes on but two yards of living snake!

I closed the door, quite firmly, and went to tell the guide,
"I was going to the loo, but then I found a snake inside."
He didn't quite believe me, but he went across to check.
- Not just a snake, a cobra! - "Gosh," I thought, and "Flipping Heck."
For the snake looked very supple, and the snake looked very strong,
And if it would uncurl itself, the snake looked very long,
And a cobra's bite is savage, and a cobra's bite is quick,
And if that snake had bitten me, I'd be feeling rather sick.
"It might even be a spitter, judging by the size,
"So don't you go too close, and please be careful of your eyes."
But I had to take a photograph, for that's what tourists do,
And, warily, I took a snap of the cobra in the loo.

The driver wrote a notice "Danger, Big Big Snake Inside",
And the lady with the first-aid box took out of it with pride
A strip of sticking plaster to stick it to the door,
To tell anyone who came, there was a cobra on the floor.
By now the snake was moving, it was climbing up the wall;
It hid behind the cistern, and could not be seen at all;
It came down again, and wrapped itself around the waste-pipe neatly,
Then slithered right inside the pan and disappeared completely.

Now I was on a mission to tell others what I'd seen,
But I was very conscious of the fact I'd Still Not Been!
So in that situation, though most times I wouldn't dare,
When I found the ladies' empty, I quickly popped in there.
I'd had a narrow squeak, but now (in every sense) relieved,
I had to write my story, which I hope will be believed,
For every word is gospel truth, I fully guarantee,
And it's even got a moral, which is very plain to see.

    (Moral)
If you ever see a man who's coming from the ladies' loos,
Please don't jump to conclusions, he might have a good excuse,
- "I went to spend a penny, for my need was quite intense,
"And I had to use the ladies' - there's a cobra in the gents'!"
The record of a true encounter, in Zimbabwe a few years ago, when things were less difficult.
b for short Sep 2013
Listen,
I'm really sorry
for not finishing
the teleportation device
like I promised.

I've misplaced my blowtorch
& I really do ****
at whipping up blueprints.

[I hate numbers & measuring.
more than most things in life.

So please don’t make me.]

I realize it would be beneficial
for everyone
if I just buckled down
& made it happen;

if I didn't sleep for months
& somehow managed to
defy all principles
of space & time.

I'm a woman with gumption, see?
I could definitely do it.

But there's something
devilishly attractive
revolving around the idea
of being without
such an ultramodern convenience.

**Or maybe
I just revel in
making you
work for it.
© Bitsy Sanders, September 2013
Tufayl Myburgh Sep 2018
She said to me:

"Don't you wanna go on an adventure?"

Literally seconds before taking the wrong turn.

I always remembered our car rides for everything they were not.

Trips down to the convenience store felt like driving down the highway at a hundred miles per hour,

With a view of the entire cosmos to our left.

They felt like driving through the night only to watch the sunrise pollute the ****** sky with it's pink and gold hue of sheer contentment.

It is looking up at the sky to find the purest of cotton candy clouds.

And for some reason, I always picture you trying to take a bite out of them.

If this is what a trip to the convenience store feels like then I can only dream of what Route 66 holds.

On our adventures I catch myself looking at you with joy in my eyes,

I want to say something but I do not know what.

All I know is that I am glad you were in the passenger's seat.
For my best friend, I love you.
Lacey Clark Oct 2018
Raised faux-religiously in a catholic school by convenience of neighborhood (though, I loved the plaid and I wanted to do Eucharist but my mom explained I wasn't catholic, so I dabbled with the hymns and cursive) by my two gay moms and some 'extra kids' (fostering, etc) in Spokane. Homeschooled later (and seriously religiously, Vacation Bible School, NO HARRY POTTER and no saying 'stupid', a lot of neighborhood scootering) by uncle auntie and my two home-made and hilarious cousins (siblings) in Nevada. another private school in the Wild West with my grandpa and grandma (maybe religiously? they took me out to Mexican dinner religiously). And scattered across the West, Mid-West and South for all the rest. Public schools interwoven and equally traumatizing in between states.
One school in florida was known for fist fights and head lice. I kissed my first boy there. and girl. I left for what I thought was summer vacation and never came back. Another accidental move.
I had been squeezed in-between the palms of each coast for high school (plopped in the midwest).
In Wisconsin, I popped like a pimple and broke some major skin. Tried to end my life a few times. Psych ward after psych ward. Pills. Pills. Pills! A nurse took me aside and said "i have hope for you" and it was the first time i felt seen. met hard drugs to replace the cutting- they felt like long lost friends. Easy to pick up.
And recovery was like feeling your face after a satisfying shaving... and not a scratch since.
Now gliding along the West Coast in Academia's matrix. Politics and community engagement and the center. Clean. In the Heart of the City. Biking with helmets. Shoebox studio apartments. Nose in book, nose in food. Day job with a class of kids who I love and who love me. Space to grow, assess, reshape. Optimism. Peace. Stability.
Mateuš Conrad Aug 2018
.                                oh, have you heard of that
the times headline?
        visas for men who force
teenagers into marriage
...
some Bangladeshi beauty,
aged 15...
had to marry a 30 year old...
god... i'm loving this
"enforced" celibacy...
      i get to see as many buckling
horses, broken jockey necks
and broken horse legs as
i might, and do, digest...
   but my ethnicity is":
vermin...
   guess a ******* **** wrote
that piece... then
his compatriot ***** 10 english
damsels... my bad...
i'm in the wrong...
                                    oops?
now you've tangled yourself
with a quasi Mongol,
                      a wels catfish...

i hate, hate, the english bourgeoise...
notably?
   because they "think" all slavic
migrants are builders!
the english bourgeoise... what's that
word?
             flagellation?
no.. stripping of the skin, exposing
the muscles... with sushi precision
of remaining intent...
     the home office turned a blind eye...
oh... are there any adherents
to the Bangladeshi culture
working in your "MI5" environment?
sure as **** there are example...

now bow over the erected excess of
a ledge, drop your undergarments -
and let's... penetrate...
    why expect ***** from the English,
given their current success
of defending homosexuality?
    see how many existential inclusiveness
you have with that,
with homosexuality as the norm...
ahem...
               so why were the asylums
abolished?
   the humanity revision tactic...
stigma...

    over in england...
someone who's bilingual is, somehow,
magically, a: "problem" -
somehow bilingualism is a problem
(unless you have a foreign accent) -
bilingualism is, "apparently",
                 schizophrenia!

well.... d'uh! it's poetics,
   i am closely associated to the metaphor,
but it is only a metaphor...
beyond that?
                 let's see...
  how you'll play along to the future...
           YE, ******'... *****!
oh wait... i'm not the former
British Raj...
                        seems the second world
war didn't start, when the british
decided to side with the Poles...
    and my fetish for using the german
tongue?
    ****... the jews received their
back-logged payments...
the Poles didn't even receive a Marshall Plan...

look... communism worked...
   for one generation...
and communism will always work,
for one generation...
  and there is a place for socialism...
it involves a one generational lifespan...
post-war dynamics...
  and that's it!
               you need socialism
in the most extreme scenarios -
notably - post civil war...
                 notably Syria...
one generation's worth of socialism,
and then people can revert back
to capitalism,
   but socialism... is a safety economic
mechanism in the most extreme
cases of it, requiring implementation...

it's effective, in a constrained time-frame,
it's actually necessary -
given the civil war...
how is a Syrian butcher, supposed
to trust a Syrian cobbler -
when mediating trust,
   with foreign investment firms?
no... socialism is an expansive
format of mediating solipsism -
to reengage the collective -
in what becomes individualism -
from a solipsistic genesis...

   socialism can't be made critical
as a competitor system...
a fail-safe mechanism...
   in extreme scenarios -
post scriptum civil war,
  post scriptum a foreign invasion
recanted...
   there is no place for capitalism
in such places...
   but it's only with worth of
exercise, within only one generation...

my grandfather is the perfect
example...
   he and his school comrades,
cried, when Stalin died...
             it (socialism) has a place
in this world...
         in the most extreme scenario...
post scriptum an aftermath of war,
whether by foreign proxy
engagement, or by internal civil
unrest...
       socialism needs to be allowed
the time frame of, only,
               but one generation...

and then capitalism can allow
equilibrium...
              
            critique of marxism always
seemed to be an "antisemitic"
critique, misplaced, while also allowing
the posit of Engels -
          
one generation -
     and then people can ease in competition -
but there has to be a mediating
time-frame, in the most extreme case
scenarios -
   civil war, or foreign military investment
in a power-overthrow...

yet capitalism still has problems...
neutral problems to me minding them...
primarily the convenience /
inconvenience of
                      the surplus economy...    
capitalism is still learning
from the clown, as to how to juggle...

you seriously can't call one system
pristine, holy, while calling another -
which has lost the status of competitor:
unholy, heretical, lost...

   socialism has a use...
              capitalism via the Marshall
Plan hasn't exactly saved west western Europe...
the nations that inherited
the self-determination of the soviet
mind-set?
     and not U.S. money?
   hear of any terrorism within
               their tribal confines?

i wish the Syrians a generational
gap... of socialism...
afterwards? as much capitalism
as the Syrians can invoke...
   but not, not until
    there is a guiding socialist generational
gap, to get them,
back to the glory of the former
Damascus.
Chance Jun 2014
Though there have been harsh words in the past i miss you more than id like to admit. I no longer feel the chains that bound me to your anchor but like any other choice ive made here i am filled with regret. Regret for what though? Being used as a convenience? I honestly cant believe it took me this long to see this. Thats love though, shining a light so bright in your eyes you cant see whats on the inside. Im sincerely grateful we didn't end up as one because the things you do to those who you "love" would shatter my perception on who you actually are. You hide behind the beauty and tears. Running from your fears while tripping your loved ones hoping itll take them instead. Ive never quite known someone like you and i hope i dont again. I wish nothing but the best for you "friend."
-CRM
Hal Loyd Denton Sep 2012
I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God was stopping time. The wheels
Stopped then God turned to the seamless darkness grasped it and started to lift as he did it tore away
Reveling the bright true world of the spirit that was before hidden this was alarming since I hadn’t made
My peace with him Not long after this I was seventeen working at the refinery I just walked out of the
Boiler room into the section that was known as the flathead when a voice said time is finished all life and
Its concerns flowed out leaving me with the greatest sadness other men standing by laid down their
Tools and started milling about mindlessly on this wise in some manner this will happen all over the
World the great enterprises so important to man and society will halt government rule and authority
Abolished in an instant majesty and power will take the reins the river previously known will be
Empowered its first charge make the deserts bloom as a rose…

And I take the liberty to insert I am a person of deep feelings to make the case I wrote two pieces for
Roberta Merrifield’s birthday sorry your flowers are late then I forgot your card this was talking about
Her friends as flowers each of them need to go to their door and imagine nine hundred people standing
There reading about their lives that are filled with grace and beauty and earthen treasures that are in
Vessels of clay but to see them truly you will be speechless so I return to the numbers so it was
Eighteen thousand a little later when I couldn’t stand the pain any longer I called my retired preacher
Uncle and our pastor brother Russell I explained to them about being whipped and my writing had to be
Shut down it was thirty five thousand reads then so keys were stilled my lifeline to needy souls was at
A deadly stillness so then two months later I wrote fourteen pieces bringing the total to four hundred
And fourteen pieces and then Gods love demands the his heart be represented this is the one I am
Pleased about the most I wrote a piece called the mirrored pool over four hundred souls read this I’m
Sorry this is too important to excerpt it in you are not obligated to read I leave that to your discretion

Mirrored Pool
Wonder for all the hurts
First I knelt just to see my reflection then the depths started to reveal first the flowing thoughts were
Restrained and then a bubbling seemed to dislodge from greater depths hard truths churned with
Violent twisting but the motion made it impossible to turn away there were great large white clouds
From depths then even above the pool they rose fourteen stories high the sensation was you were
Standing outside clear air intoxicating views the pulse of many were throbbing in your ears their
Thoughts and dreams were known and their sorrows were weights that pulled you from the heights
It was a colossal game of tag and you were it first reaction fear then the appearance of bundled gifts
Broke down the fear it was promise in different sizes that met the required needs it was like a divine
Warehouse had just made a delivery there were cards with names and writing gave clarification tears
And smiles intermingled then the outer knowing postulated the difficulty the puzzle an enormous
Streaming that was now congested and it was beginning a vortex all was understood now human thought
With doubts was pulling the answer into this destructive hole where was one to find the lever to stop
This action that would disallow was the answer to touch the water bring the finger to my lips possibly
A blazing thought would occur that would strike the mind no all that brought was words that had the
Letters jumbled they made no sense unless there is a special book that is alive in it the letters and words
Are already set but they cover every act in the human condition the broken can pour over the pages
You won’t find thorns to repel your efforts there are thorns but they will speak and assuage your hurts
At the most basic and needed levels the points of your hurts will begin to dissolve from your eyes to
Your mind this inward rush and power will dislodge even spears driven deep by enemies carried for
Years you searched in vain over sad and lonely paths and days now you journey is at an end thorns of
Suffering for another produces profound power and mercy go in peace beloved one another bears your
Burden now maybe words cut you at depths you can’t even identify what if there is an antidote in a
Book you pick it up with trembling hands your body tingles from the knowledge that this is ancient texts
It will have a revival of appreciation in this world of texting but with gentle fingers and eyes that glow
With respect as you see the wisdom and the love cannot be denied you leave the world you know and
With total abandonment you swim in this sea of words until the your tears spill on this rich world of
Words those cruel barbed words that pierced tender skin and have bled internally all of these years
Begin to dissolve with stories and accounts of betrayals then the swells love and mercy you read about
Restoration not always found after apologies are given but the teaching of forgiveness strikes a cord
You have been made free from your prison the tangles of life are great as a great black cloud it hangs
Over head many are its troubles this isn’t mild but the disruptive made to strike and pierce deep the
Hidden that steals the morning blessing while other feast your hunger and unrest only enlarges a
Tormenting unquenchable fire a slow burn this is a forest being burned at the thermal level the hidden
Roots a slow process destructive but not so visible agony torture I have seen men crawl in war or fire
Fighting that where all else is lost you will know greater thrills than any other living soul with the
Desperate and those heavy burdened unable to stand a word will flow it puts out fires and gives
The luxurious buoyancy heaviness changed to joy the bouncy laughter every outward blast attack
The enemy launches is within its pages they are repelled overwhelmed by love you suffer unduly
If you don’t hold this fortress this informative book of stratagems that have made everyone a victor
Who has ever found themselves at their wits end no place on earth has a contingency plan though it
Will make the greatest claims all is just empty air when life as it too often does ***** the very air of life
Out we practically are unconscious but this help this rescue is activated by one name it’s not just a book
But the word is a person what a pool you will find what a reflection will engage you beyond your hope
To imagine just say Jesus all will be total peace your heart will know no more sorrow peace will surpass
Sorrow love will disallow the specter that was once a constant it will disappear it will return to the
Darkness from which it came stand in this newness totally free abide by still waters as the good
Sheppard stands by bless you

So the success against the evil one stands like this while he body slammed me the number of
Souls touched has risen to sixty three thousand five thousand while I was in Braidwood so I
Thank the father whose love and concern never wavers by Christmas I am hopeful I will reach
A hundred thousand if I make heaven I don’t want to see you at judgment and hear you say the
Words of that old song he knew I was lost but said nothing to me!!!!!!!!!!

The Aftermath
Please read this to see in my limited way I want to show you your true worth and value and you will see
what the devil never can get.
This is what I would stand and testify in church but what I have to say is lengthy here it can be read or
Not I would first say this to love souls is agonizing it comes with pain and great tears I went to the site
Where they started the church years ago on my Grandma Brown’s front porch as I set there I pleaded
With God to help me make a difference I turned and looked down the old street that held so many
Memories of course Tommy and Elise and Glena are the only ones that remain but I looked farther
That’s when God moved wave after wave of hard rocking sobs that lasted for thirty minutes or more
And after getting back home some will say this is foolish and I’m the first to know we can’t take the devil
On by ourselves but overcome with emotion I turned from the computer and spoke to evil its self that I
Was declaring total war for souls this is what it has cost me so far at the time I had one open wound on
My shin above the ankle two appeared directly above the first one then one to the side and then I knew
What was to come because I have sleep apnea I sleep in a recliner I knew the sores would ring my leg
And they did you can’t lay your leg out on the ledge with open wounds with nerve endings screaming
Then it jumped to my other leg so that was the first volley when I write I get lost time doesn’t exist many
A time daylight would surprise me coming through the window then the onslaught increases I go to the
Hospital I got there in early afternoon they got me in the room at ten thirty but just before a lady comes
In and takes my blood pressure it is close to perfect and then she comes back in five minutes and tells
Me take these three blood pressure pills trusting her I take them well about twelve or one they come
Into and take my blood pressure they had driven it down to seventy over thirty and plus my first
Experience with morphine I was sick and strangely loopy I wasn’t in the bed I couldn’t lay my legs
Down and no one else was in the room only one bed I did set at the end of the bed with it all the way up
In the back I put my head on it and slept comfortably one funny they have it posted call don’t fall I didn’t
Do this on purpose but when I was pulling the drawer out of the stand it came out with a wonderful
Crash Steve the male nurse made record time from down the hall at the nurse station he lunges in the
Room it wasn’t humpty dumpty just the drawer I couldn’t tell if he was relived or ticked off then it was
Their shot back over the net intravenous antibiotics five days needed a doctor from disease control to
Release me then there version of cons scarring kids with tales about prison to keep them messing with
Drugs scared straight now was scared healthy I walked out the same as I walked in I got a bill for thirty
Thousand well at least I didn’t have a bad heart then it was eleven weeks at the wound center this was
Where I met as I lovingly call them my healing angels they finally got all twelve open sores to close then
for the rest of the problem it was six weeks three times a week forty five miles to and from hundred
Degree heat every day you have to pay a hundred and seventy dollars yourself for the compress wrap
Material then you turn around a pay for compress socks that insurance doesn’t cover least the inside is
Pure silver so missed the Olympics but I got silver in fact every six months I will get silver again this is
Kind apropos I asked the compress wrap therapist where Lymph edema comes from and I will spare you
The pictures but the infection and lymph edema pictures even grossed me out but interestingly the
Therapist said an ancient king in Israel had the disease hello devil no cure just mange it from now on
This is the biggest cut of all someone else has to put them on I have always been called a free spirit
Try to take off on your own and what say hey stranger would you put these on my leg it’s like trying to
Put a baby squirrel skin on a full grown body the therapist does speeches internationally with a doctor
From India she asked permission after taking pictures to show the audience I wouldn’t want to see that
Show give the devil his due he is good at being bad I crossed swords with him he rampaged all over me
I didn’t include everything I have gone through and that doesn’t include my poor wife but I am profane
Corrupt undone should I speak to you of such great things as eternal verities matters that involve where
You will spend eternity there is the cleansing of the word the cleansing of changing my corrupt nature to
His by the spirit but know this no one will ever approach or in any way defile the very ones that as the
Finest gems will be placed in his Holy diadem this takes the cleansing of suffering and brokenness with
The heart Broken for souls and the most necessary of all this nature that is too much like the evil one
That’s what he doesn’t get the more he beats up on a person he is doing God’s work of purifying the
Most elemental evil that must be scourged if I touch you it has to be purist intentions of holy deign
We are awash in the lowest dregs dare I say quick sand only holiness can enable us to traverse this
Killing place of a dark and ever turning evil that compounds itself the devil will never lose the majority
On The Broad way that leads to destruction but there are the blessed few that stop and say oh no this is
Not for Me I was his child and I will be again thanks for the load you made me bear serving you devil now Only Love will be the weight I feel it comes by a great price of God Himself and His people

I need to finish the story for convenience I have the original Aftermath to be read first on the bottom
What was not stated in Aftermath was my concern for my writing you can’t write with two legs
Screaming when I got to the hospital my kidneys were of a concern eight alieve three times a day about
Thirty aspirins something like Tylenol didn’t count them no relief my mistake I would bang my ****** leg
Against the wood of the desk that would make it crazy for a few seconds so I finally had to stop for over
Two months well the devil won it seemed when I talked to my cousin I was at eighteen thousand reads a
Little while let me break in here for a second I know I’m talking about numbers it isn’t ego if I come in
Contact with any of you in any setting and I pass you by with just a glance I am your sworn Godless
Enemy I have just joined the cruelest damnable assassins Hell has ever released on the world I know
What awaits the lost even the Apostle Paul worked fervently because he knew the end cost of God’s
Holy severity can I do less I look but I take in all manner caring thoughts but without fail I am led to that
Future now no one even gives the last day a thought I will put this in as an excerpt this is the dream I
Had when I was seventeen or it starts this way your life began in the great head waters at Eden they will
End at the mouth of eternity. I was given a view into the celestial I was just a teenager while a sleep this
Dream came I looked into the heavens and saw two great wheels made of stars the hands of God started
To pull the wheels down as I continued I knew what was occurring God w
bob May 2018
Inked-up
poets come.
Finish inside me.
Swim in me.
Taste me. From
7 to eleven
slurp me
in the convenience store
where some
wrestle to buy
this or that
I remain
gift wrapped
waiting

for your
good stuff.
I"m humbled by all the attention.  Thank you all.
Julian Mar 2019
Tantalized by the fractious limerence of a vestigial habiliment of the old order, we conclude that hypertrophy leads to a limbo where random permutations alloyed by the rickety limits of concatenation subsume concepts that are equivocal but populate the imaginations of newfangled art forms that jostle the midwives of rumination to lead to unique pastures that are intuitively calibrated to correspond to definitive unitary events in conceptual space that sprawl unexpectedly towards the desultory but determinative conclusion of a meandering ludic sphere of rambunctious sentiments cobbled together to either rivet the captive audience or annoy the peevish criticaster when they dare to inseminate the canvassed and corrugated tract of intellectual territory created ad hoc to swelter the imagination with audacious ingenuity that is an inevitable byproduct of lexical hypertrophy. In this séance with the immaterial realm of concept rather than the predictable clockwork reductivism of a perceptual welter that is limited by the concretism circumscribed by spatiotemporal stricture we find that an extravagant twinge of even the smallest tocsin in the interstitial carousel of conscientious subroutines compounding recursively to pinprick the cossetted smolder of potentiality rather than extravagate into the vacancy of untenanted nullibiety can spawn a progeny of utilities and vehicles for dexterous abstraction that poach the exotic concepts we fathom by degrees of sapience malingering in lifeless bricolages of erratic abstraction in manners useful to transcend the repose of abeyance and heave awakening into the slumberous caverns of still-life to make them dynamically animated to capture ephemeral events that defy the demarcations of wistful indelicacy of the encumbered bulk of insufficient precision.

Today we embark on a quest to defile the anoegenetic recapitulation of canon that litters the dilapidated avenues of miserly contemplation that has a histeriological certainty and feeds the engines that enable novelty but ultimately remain rancid with the stench of the idiosyncratic shibboleths of synoptic alloyed impoverishment that leads to the vast wasteland of cremated entropy that is a stained foible of misappropriated context interpolated usefully as botched triage for daunting problems that require a nimble legerdemain of facile versatility that we easily adduce to conquer the present with the botched memorial of a defunct salience. Despite the travail of scholars to retreat from the frontier into the hypostatized hegemony of recycled credentialed information, we often are ensnared by the solemn attrition of decay as we traverse the conceptual underpinnings of all bedrock thought only to dangle precariously near the void of lapsed sentience because of transitory incontinence that is contiguous to the doldrums of crudity but nevertheless with mustered mettle we purport that the very self-serious awakening to our hobbling limitations is akin to a prosthetic enhancement of ratiocination capable of feats that stagger beneath the lowest level of subtext to elevate the highest superordinate categorization into heightened scrutiny that burgeons metacognitive limber. Marooned in the equipoise of specifiable enlightenment countermanded by the strictures of working memory we can orchestrate transverse pathways between the elemental quiddity of impetuous meaning and the dignified tropes of transitivity that bequeaths entire universes with feral progeny that modulate their ecosystems with both a taste of approximated symmetry and a cohesive enterprise for productivity that rests on the granular concordance of the highest plane to the indivisible parcels of atomic meaning that solder together to exist as intelligible if strained by the primordial frictions guaranteed by the brunt of motion incipient because of the metaphorical inertia created within insular universes to inform sprawling conurbations of mobilized thoughts designed to reckon with the breakneck pace of the corresponding reality to which they explicitly and precisely refer to.

We must singe surgically the filigrees that amount to the perceptible realities that transmute temperaments into the liturgy of routine conflated with the rigmarole of neural dragnets of reiterative quips in an elegant game of raillery with our supernal contumacy against the rigid authority of aleatory vagaries mandated by a dually arbitrary universe in a probabilistic terpsichorean dance with the depth of our dredge for subliminal acuity or the shallow bellicosity of common modes of glib contemplation characteristic of the basic nobility of improvisation. This basic interface with the world can either be mercurial or tranquil based on the interactionism of the enfeebled trudge of surface senses or blunt intuitions and the smoldering impact of the vestigial cloaks that deal gingerly with the poignant subtext evoked in the cauldron of immediacy rather than pondered with the portentous weight of imperative singularities of uniqueness derived from the plunge into the arcane citadel of microscopic introspection so refined that the ineffable drives we seek to fathom become amenable to the traipse of transcendental time that rarefies itself by defying the brunt of compartmentalized bureaucracies administered by the fulcrum of stereotypical notions of acquired gravitas imputed to mundane pedestrian quidnunc concerns that defile humanity rather than embolden the subaudition of gritty punctilios that show the supernal powers of the axiomatic divinity of sharpened sentience to reign with supremacy over the baser ignoble components of bletcherous nescience that leads to knee-**** platitudes that provoke folksy peevish divisions. We should rather orchestrate our activity by heeding the admonishment about the primogeniture of poignant sabotage buffered by the remonstration of innate tranquility and finding a whipsawed compromise of rationalization with true visceral encounters with the fulgurant quips of brisk emotions that grind industriously into amorphous retinues of the trenchant human imagination to either equip or hobble the leapfrogged interrogation of veracity and more consequently our notions of truth and fact.

When we see the hackneyed results of default ecological dynamics, we find ourselves aloof from purported transcendence because the whimpered bleats and cavils of the importunate masses result in a deafening din of cacophony because we strive throbbing with sprightliness towards the galloped chase of tantalization without the luxury of a terminus for satiation. Obviously a growth mindset is the galvanic ****** that spawns the imaginative swank of the pliable modulations of our perceived reality that, when protean, showcase the limitless verve of our primordial cacoethes for epigenetic evolution rather than the stolid and staid foreclosure of impervious sloth that memorializes the gluttony of speculation about fixed entities rather than imperative jostling urbanity that dignifies the brackish dance with dearth and the exuberant savory taste of momentary excess because it engages the animated pursuit of limerence rather than the exhumed corpse of wistful regret. Nature is a cyclical clockwork system of predatory instinct met with the clemency of the prosperous providence enacted by the travailing ingenuity of successive cumulative generativities that compounded unevenly and unpredictably to predicate a fundamental zeitgeist calculated to engorge the fattened resources of the resourceful and temper the etiolated dreams of the fringed acquiescence of a hulking prejudiced population of dutiful servants that balk at the diminutive prospects of a lopsided distribution of talent and means but slumber in irenic resolve created by the merciful hands of defensive designs that configure consciousness to relish comparative touchstones rather than absolute outcomes that straggle beyond a point of enviable reference to shield the world of the barbarism of botched laments clamoring for an uncertain grave from the gravity of the orbiting satellites of apportioned wealth both sunblind and boorish but simultaneously inextricable from the acclimated fortune of heaped nepotism and herculean opportunism. The intransigence of the weighted destiny of inequity is a squalid enterprise of primeval abrasive and combative tendencies within the bailiwick of the indignant compass inherent to the system that fathoms its deficiencies with crabwise and gingerly pause but airs a sheepish grievance like a bleat of self-exculpation but simultaneously an arraignment of fundamental attribution erroneously indicted without the selfsame reflexiveness characteristic of a transcendent being with other recourses to clamber an avenue to Broadway without malingering in the slums of opprobrious ineffectual remonstration against the arrangement of a blinkered metropolis of uneven gentrification.

We flicker sometimes between the strategic drivel of appeasement and the candor of audacious imprecation of the culprits of indignity or considerate nutritive encomium of the beacons of ameliorated enlightenment because we often masquerade a half-witted glib consciousness lazily sketched by the welters of verve alloyed with the rancid distaste of squalor and slumber on the faculty of conscientious swivels of prudential expeditions with an avarice for bountiful considered thought and wily contortions of demeanor that issue the affirmative traction of adaptive endeavor to cheat a warped system for a reconciled peace and a refined self-mastery. We need to traduce the urchins that sting the system with pangs of opprobrious ballyhoo and the effluvia of foofaraw that contaminate with pettifoggery and small-minded blather the arenas better suited for the gladiatorial combat of cockalorums tinged with a dose of intellectual effrontery beyond the span of dogmatism rather than the hackneyed platitudes that infest the news cycle with folksy backwardation catered to the fascism of a checkered established press that urges insurrection while tranquilizing dissent against the furtive actions of consequence hidden behind the draped verdure of pretense whose byproduct is only a self-referential sophistry that swarms like an intractable itch to devolve the spectator into a pasquinaded spectacle of profound human obtuseness that pervades malignantly the system of debate until the reductionists outwit themselves with the empty prevarication of circular logic that deliberately misfires to miss the target of true importance because of the pandered black hole easily evaded by creatures of high sentience but inevitably ensnaring the special kind of dupe into a cycle of bellicose ferocity of internecine balkanization. The vainglory of the omphalos of entertainment is also another reckoning because it festers a cultural mythos of glorified crapulence parading a philandered promiscuity with half-baked antics that gravitate attention and the lecheries of gaudy tenses of recycled tinsel alloyed by debased aberrations of seedy grapholagnia that magnetize as they percolate because of the insidious catchphrases embedded in pedestrian syncopation that ignite retention and acclimate to mediocrity the sounds of generations discolored by faint pasty rainbows rather than ennobled by majestic landscapes of ignipotent mellifluous sound that stands a supernal amusement still for the resourceful trainspotter.

Despite the contumely aimed in the direction of contrarians for deviating from the lockstep clockwork hustle of stooped pandered manipulation that peddles the wares of an entirely counterfeit reality, I stand obstinately against the melliferous stupefaction of entire genres of myth and subcultures huddled around the sentimental tug of factitious sophistries regaled by thick amorphous apostates that cherish the vacuous sidetracked spotlight with fervor rather than pausing on the enigmatic querulous inquisition about the penumbras that lurk with strained effort beneath or above the categorical nescience of the shadowy unknown that often coruscates with elegance even in obscurity. I fight with labored words to spawn a psychological discipline that invokes the incisive subaudition of the pluckily pricked exorcism of true insight from the husk of buzzwords that constellate auxiliary tangential distractions from the art form of psychological discernment that predicates itself on the concept that the rarefaction of rumination by degrees of microscopic precision enables the introspective hindsight of conscious events that can be parsed without the acrimony of cluttered conflations of the granular prowess of triumphant ratiocination that earns a panoramic perch with the added luxury of perspicacious insight into the atomic structure of the rudiments of our phenomenological field and the abstractions that linger beyond perceptual categorization. When we analyze the gradients of anger, for example, we can either be ****** into a brooded twinge of wistful resentment or we can decipher that through heuristics designed to cloister the provenance of subconscious repose with ignorance there exists a regimented array of tangential accessories embedded deep within the cavernous repository of memory that designates a cumulative trace of compounded symmetries of concordant experience immediately perceptible because of the tangible provocateur of our gripes and the largely subliminal tusk that protrudes because of primal instinct that squirms with peevishness because of the momentary context preceded by the desultory churn of smoldering associations swimming with either complete intangible sputtered mobility through the tract of subconscious hyperspace or rigidly fixated by an arraignment of circumstances with propinquity to the deep unfathomed flicker of bygones receding or protruding because of the warped and largely unpredictable rigmarole of constellated spreading activation.  
When we examine the largesse of the swift recourse of convenience we forget by degrees the travail that once bridged the span of experience from patient abeyance in provident pursuit to now the importunate glare of inflated expectations for immediacy that stings the whole enterprise of societal dynamics because it vitiates us with a complacency for the filigrees of momentary tinsel of a virtualized reality divorced from the concretism that used to undergird interaction and now stands outmoded as a wisp beyond outstretched hands straggling beyond the black mirror of a newfangled narcissistic clannishness that shepherds the ostentation of conceit to a predominant position that swaddles us with fretful diversion that operates on a warped logic of lurid squalor and pasty trends becoming the mainstays of a hypercritical linguistic system of entrapment based on the apostasy of candor for the propitiation of fringed aberration because of the majoritarian uproar about touchy butthurt pedantic criticasters with a penchant for persnickety structuralism. With the infestation of entertainment with the ubiquitous political cavils engineered by the ruling class to have a common arena of waggish irreverence we forget that sometimes the impetuous ****** of propaganda is cloaked by the fashionable implements of a rootless time writhing in a purported identity crisis only to gawk at the ungainly reflection of modernity in the mirror and remain blissfully unaware about the transmogrified cultural psyche that feeds the lunacy of endless spectacle based on the premise that one singular whipping post can unite an entire generation of miscegenated misfits looking for commonality to team up against the aging generations that cling to the sanctity of cherished jingoism against the intentionality of a revamped system that malingers with empty promises using exigency and legerdemain to obscure the mooncalves among their ranks that march on with quixotic dreams that tolerate only the idea of absolute tolerance and moderate only when feasibly permitted by the anchored negotiation of the fulcrum of totemic governmental responsibility between factions that wage volleys of invective at each other to promote a binary choice of vitiated compromises of mendaciloquence that ultimately endanger the republic with either the perils of hidebound conventionalism and nativist fervor or the boondoggles of fiscally irresponsible insanity cloaked with rainbows and participation trophies. Reproach can be distributed to both sides of the aisle because ironically in a world where gender is non-binary the most important reproductive ***** in the free world is a binary-by-default despotism that polarizes extremely ludic fantasies on the left met with the acrimony of the traditionalisms on the right that staunchly resist the fatuous confusions of delegated order only to the sharp rebuke of the revamped political vogue that owes its sustenance to a manufactured diplomacy of saccharine lies and ubiquitous lampoons that are lopsided in the direction of a globalist neoliberal bricolage of moderately popular buzzwords and the trojan horse of insubordinate flippant feminism that seeks to subvert through backhanded manipulation the patriarchy so many resent using lowbrow tactics and poignant case studies rather than legislating the egalitarian system into law using the proper channels. I myself am a political independent who sides with fiscal conservatism but libertarianism in most other affairs because the pettifoggery of law-and-order politics is a diatribe overused by sheltered suburbanites and red meat is often just as fatuous as blue tinsel and sadly in a majoritarian society the ushers of conformity demand corporate divestiture in favor of an ecological system of predictability rather than an opinionated welter of legitimate challenges to a broken system of backwards partisanship and wangled consent. Ultimately, I remain mostly apolitical, but I am a fervent champion of the mobilization of education to a statelier standard that demands rigor and responsibility rather than the chafe of rigmarole that understates the common objectives of humanity and rewards conventional thinking and nominal participation to earn credentialed pedigree when the bulk of talent resides elsewhere.
Osiris Jul 2013
In the heavens was written the mandate for the oldest child of the Sun and the Sea.

She the princess, oh nobly born, the oldest of three, was the model for the universe for elegance and wisdom of compassion as the philosopher child.

As she suckled on her mother, the volition of the sea, the philosopher child embraced the light of her father's wisdom as a vessel of beauty that all across all lands and in heaven adored to see.

As a gift of divine creation, the philosopher child, as written, taking form, a sage for humanity, was intended for she. The princess of innocence also loved her little sister and brother with the tenderness that is so special as she.

Upon reaching the age of wonder, her father fashioned a chariot for her to ride, so that where ever she were to travel, she could stand on ethics and scruples and not false pride. Her mother gave her horses the spirit of her volition so to pull their child across many unknown tides where on the chariot their child would be safe from contempt, dismay, envy and lost lives.

The philosopher child crossed the lands of question, where deep in its valley of many masks, politicians made laws of convenience, allowing one to wear many as one could, impromptu, they could choose to decide. She saw, that there, things could be fashioned for popularity where the vital balance of nature, being ignored, was foolishly thought not to reside.

But where ever she traveled, her father as the Sun, her mother the sea, felt safe that their daughter the sage as the philosopher child would learn the cost for compassion, and as wisdom would fill her heart so to eventually bless humanity with its redemption, with her kindness that was deep inside.

One day the princess arrived at the dark forest where the midst was thick and deep.  Creatures started to show from everywhere and reached out to hail her arrival. They said - please step down off your chariot, so to join us, as up there you are so far way and hard for us all to see as we are so low to the ground where the earth barely allows us to be.

In the kindness of her heart of compassion, trusting when she did, they then replied, that you are no better than me. The foxes chuckled in grin as making her feel as if she had to apologize for being the philosopher child. They stole her chariot and wasted her horses who cried out in fear in their terror; but yet not to be heard over all the panacea and glamour afforded in the foxes swift tide. The foxes insisted that their familiarity with her was not a contemptible form of their false pride.

In making her way across treacherous lands, she wondered deep in the dark forest wishing to make peace with all. But each who she met could only offer her the blindness of their limitations and deceit where calling it truth and where she, if to wish acceptance, was not given a choice to decide.

This tore into her father’s heart, as being the Sun he could barley shine as years of this went by. His beautiful philosopher child had suffered the evils of pedestrian false pride. The child’s mother, being the sea, wept as wanting once again to offer to suckle her with the vital elixir of life the way it use to be.

But the creatures of the dark forest, as ruthless as they were crafted to be,  had already poisoned her with the devils blood, as it hardened her veins unless she continue to drink just to have a peaceful blur of the memories in her mind’s eye. This is while many after taking what they wished from her would then cast easily her aside.

As a great dragon her father took form to swoop down from the heavens, when she could find no longer any quarter, so as to lead her to the great tree.

Here he said is the tree of life, where the archetypes as the branches and leaves you can relearn to see. Care for the matriarch as she has always loved you; respect this sacred ground and as a place of refuge, you can always return to, to rest, protected and safe from the world that still must be redeemed as you learn to rebalance the flow of your chi.

A little time past as all seemed to be relieved that the princess was now safe from treacherous beings,. But then on a clouded day a toad then did come by. Costumed as a monk with the guise of truth, sincerity and purity, he said - you are very pretty and do you remember me? We had met some time ago, but I have been away up till now  where some others must go. But explanations of my absence need not be.

He made her laugh. He made her feel light hearted as saying, lean on me. Forget all else, as all you need to see is just me. Whatever you wish to say, need not worry as I will fill in the words for you; and if you need to lie to get by, just remember that you can rationalize it as why should you really care why. In this way you can be as care free as me he did say, and I will teach you cunning facades, as there is really no upside in truth, and especially when you do not want to pay when you only want just to get by. Praise Buddha as I say to fools, as then they let me just slip by.

I will show you how in my own way in how I adore you. I will put pictures of you everywhere for all to see. I will hail how great you are and that you actually belong to, and then make sure to associate you for the legitimacy of me.  

We will have a future you and me, the way I had with others before, but as I have hollowed their souls, and with no longer their money, they have become to bore me.

But rest assured, you are different, and you are special in being brand new. For this we can have a future, but you will need to pay for it now, as currently I am a pulpier in practicing as being my own form of monk. But once I was rich as I can easily claim that again someday I could be. Perhaps Iwill pay you back then, but let’s see.

But you need not question anything I say, but just drink the devils elixir regardless if it blackens your veins. Then magically I will appear as that special prince for your eyes in their blur will to see.  Do not question me, as in handing your fate so cheaply to over, I am the only one to now approve of thee.

That tree of life, he said, must be really nice.  I hear the matriarch is a brittle as can be. Perhaps she will crack before too long where then you will give it all to me. I have stayed here and there, and now as your prince should you not offer me this place to now reside.  After all it is yours isn’t it, and you should express your rights. Do not worry as pettiness is acceptable way of life, and I want to carve that tree in the vain image of me.  Sacred what, family who, roots of you?  All this means nothing to suit the convenience of me. You should not regard these things as being as important to you as me.

Cast everything that had meant something to you before aside. It is now time for you to make all the room for me. I will give you everything you need, so don't worry. As I promised before to others, as long as you seem novel and new you will be able to laugh every day. This is the happiness which you can count on from me.  

The philosopher child’s mother did weep in seeing this toad to claim to be a prince.  Her tears as the sea awoke the child’s  father once again.   As the winged dragon he then swooped down once more from the heavens. With fury in his eyes he said, they who trespass these sacred grounds, the fire of my breath will incinerate. No mediocrity will pass unto these sacred grounds. This you can be assured, that in awakening my fury, your life then will mean little to me.  

Deep down inside, although wishing to ignore a pulsing tone, the princess being the philosopher child could in her dreams hear as she slept her soul speak - what has happened to thee?  Oh nobly born have you forsaken everything in life that heaven has written for you to be. Be fooled not by the toad of warts, as he can only be a prince of fools and not worthy of thee. Have the courage and strength to come back to the divine and shimmering form that you use to be.

Have faith as you can be the great sage, the elegant thinker where your beauty is assured. True princes will then kneel one after another to offer their hand in marriage to thee.

Make no excuse, as all can wait except for the matriarch for thee,  and be 49 days in solitude with your loving father and mother as the transformation of thee.  

Be removed from the trash that has subjected thee. Eight of these days are first required to free you from the devils blood. This is so your heart once again can start pumping again the true spirit of volition that your mother had meant for thee. Use the remaining of the days for your rest, repose, solace and contemplation where in the land of no demands no pressure is put on thee. You can face your mirrors so once again to recognize the cherished roots that compose thee.

Oh nobly born fear not and come into the light of wisdom of your loving father who in his tender love has untangled your matted snarls of your life before.  

Allow the volition of spirit of your mother to once again suckle thee. In this time, in self reflection then you can become reborn again, and transformed, the philosopher child, as divine in being, to bless humanity in the scripture you write that the heavens will then publish for thee.  

All across the earth will gather then to be blessed by the warmth of the shimmering light of thee.  Great princes that are destined to be great kings, who, in having searched before everywhere, they  will know then where to find thee.
Michelle Joanne Nov 2013
If I were a poet,
I'd write words of wisdom and insight

In places of least convenience
In places one wouldn't expect,
Because when searching for enlightenment
There's no chance of finding it

Instead,
I'd write love stories and life lessons
On stained walls,
Crumbling bricks,
The corners of sidewalks

Traps laid for the unprepared
Traps laid to be stumbled upon
Unexpectedly and suddenly,
Perfectly and when needed most


However, I am no poet and know nothing of these things,
Nothing but wisdoms and insights stumbled upon past.
Muted Dec 2017
we caught eyes
in this convenience store
but
not because i fancied you.
i was piercing you
with my gaze
lips pursed, ready to spew
all of the hatred that swelled within me.
you were air and I was a balloon
but
you didn't expect something so hard
from someone so "soft"
because since i was a child
i was taught to speak only when spoken to
to do what men expect you to do
to find comfort in getting someone to fall in love with you
but i will not settle with
being defined by someone else,
not even you.
ive spent far too long holding my tongue
because that's what they expect women to do
they expect you to stay silent while they undress you
not just with their bodies
but with their words, falling like dominoes, spreading until the last one falls
but when will the last one fall?
when will I feel comfortable walking home by myself?
when will my clothes no longer be a form of consent?
when will the lines be paralleled?
when will birth no longer be punishment?
and when that day comes
when a boy tells my daughter what she should and shouldn't do,
his words like howling winds, destroying everything in their path,
she will have been made of stone.
and when he compares her to other girls, she will know wholeheartedly that she is a beautious being
and not because someone told her so.

so, here we are in this convenience store.
and i no longer hold my tongue.
Nathan Pival Jun 2015
What you're asking me now
Is to go and forget
Act like it didn't happen

Don't be hurt
Don't be sad
Don't be heartbroken
Don't be mad

We tried but it didn't work
I can forgive
But wanting me to forget
Makes me ask
How?

Walk out of my life
Without a second glance
From the beginning
Was there ever really a chance?

You toyed with my heart
I was an experiment
It wasn't love for you
I was just convenience
Dre Guthrie May 2015
If I could manage to swallow
that growing sense of dread between my
shivering, pale lips, then it would
be much easier to take the lead.

Would I be free of emotional instabilities
the moment my boxers slipped to the floor?
Is that how this works? Where do my hands
even go in the first place?

If I could make my eyes flicker closed
as you lean in to steal my breaths by
means of unwelcome inquiry, perhaps
my heart would cease lamenting.

I could probably say all I wanted in the matter
and plead my case, but when society's the prosecutor,
chances are my legs would be required to stay
open 24/7, like a convenience store.

I'm sorry. I can't fix this, it's not something to be
fixed. I've failed as a basic human and cannot function
without regrets and anger. Besides, there are nicer
sorts around. Find them instead.

Remove your hands from my chest, your mouth from
my mottled shoulder. This is a convenience store that
never opens.
vircapio gale Sep 2012
wakefulness demands a certain clearness when asleep . . .
it doesn't come as planned
"tat tvam asi"
LaBerge says to me in dream of me
"this world you are, withstanding even torments thou art never seen."
and that's enough to suffer aching, opaque psyche summit, forward
heart to rise an interspecies knell when danceless fades the bee in droves...
aimless whales who singing deep in love are cut from evolution's murky chain...
fungal blight of hibernaculum, in deafened sonar sending sudden drop of death;
to horror fragment melt, the ocean swill from ancient caps to sunken polar paw
diverse in massacre of tropic forest fertile mists, lives dispersed
and balance tipped from blindness not unlike the sterile statue's, there
                                                          i­n dusty courthouse corner, shadow-lined with infamy...
what imagined cartoon causal Captain Planet              
                            villainy to blare across oneiromantic globe? and (dreaming?) civil strife,                  
       eradication's alter triumph pose to measure blame in inner life?
of empiric meditation's top, in *******
churning out abuse in deeper,
                                                         ­   younger hidden traffics yet to terrorize the net...                                  
                                             the scraping of the sky had punctured through                                
                         ­                                      from metaphor to fact
                                       the sooty barbs
                            in radiance rebound    
and irony affected 'green'
                  folds crisis and solution into one                            we hope
                like what we say we are, becoming change                      in wartime summer fling    
we                                                        
say we can in world of 'me'                                      
in guilt-assuaging verve
                                  the heifer-gift to village fief
    but then to rest against organic pillow-conscience gray                                                             ­       
                                                               soundly snoring smokestacks fill from ground to sky
still for sly investment windfall   fog  billow, shake...                             
transcontinental scape of dream imbued anew:
i am the genie of my ownmost inner lamp
in dreamtime-being spacious constellational of reach distilled
in contemplation's tratak zoom mInute
   with jet black finger trace
    i net                                                              ­                                        from out the inter-earthen air                
                                             ­                                              the lump on lump of coal
                massaging from                                                             ­      as if an ivory atmospheric                  
lift                   of      weight  
                           the sculpture of our past condensed in elephantine ******
                                                 miasmic fossil shower-haze of sporogenic fear,
mneumonic nail-tusk night of carbon-spirit back into its hold -- originary dark,
Dark light from burning black                                                 once again contained                                                      in elemental subterrain                                                       ­                                                       
         ­                                        --now it underlies the ground inside for triple shielding outshine
--outer-- light to cool us breathing once again . , ,    
false convenience in abeyance in a human time!                                
i am right now of inward self my soul supernal carbon imprint copy                             
for accounting every speciesistic mind to open wide enough and quell the "all-too human plagues--                                                                           ­       cheering all penultimates, in beams reflecting ante-truth          
                                                 down halls of mirror-minds that lightly discourse
on the ingress of a centaur saving power
channeling the leylines of inception,
ecstatic dreamworld of apotheosic glee:
parting the eidetic clouds,
commune an avatar intentionality . . .
ensorcelling the foodstuffs of the world to feed a dozen million refugees,
insectile diet pride attends in homes of affluence,
the abstract mass of media, become eupeptic cud of understanding bats and even bees--
for biospheres a Goodall stewardship arrives
(her perfect chimp call too resounds across the earth!)
and dwindled frogs their former ponds (unknown, destroyed without a sound)
return to chirping vibrant green symphonic swooning life
the glacial march of tears to halt . . .
all ecosystems rife withall
the panegyric of marshlands globally reborn  
along with shining waters, algaeic sun alive at play
in double-helix breath of dolphin families' bubble art
a sudden resurrect from ****** harvest cove arise cascading joyous leap
on final absence of the metal herding knock of trapping pods
no longer hacked in waves of pink, mere preparations for a restaurant sink--
they are free to swim the depth of worldheart dreaming unknown dream entire real again
marine apsaras dip in spectra (flicker eyelid) rays, reintroduce the dawn
her fine apparel calling forth transhuman destinies
unsplicing brilliant minds from ****** task of splicing GMOs
recycled randomness accepting death before we die
mycelium in runs of spilling-- all undone --
migrational attuned our resource use
and CSAs to thrive in eco-city scapes
no solopsistic somniac pretends
--the dream imbued in final hue
a momentary lapse, creationary flux--
the bombs defused in flick of wrist
indentured and enslaved, imprisoned innocents, oppressed and even self-deprived released
through selfhood's metaviral claim
ground of each dependent intertwining
whatness will to be
a place in which to hum in tune or out of tune
to heal and in a another dream aside from this perhaps with me partake
in true oneiric panoply of conflict held
--with permeating rigpa geogaze--
colliding ideologies transmuted into trust
in panharmonium of varied vision
and what the ever present boons of real, imagined symbol-real
create awake












.
Max Apr 2012
one day i was talking to my little sister.
she asks me if i was ever depressed.
i tell her yes.
her eyes widen and her lips are mouthing 'why?'
'babe, i'm transgender.'
'is that it?'
so i begin to explain to her the things i feel.
i tell her how everyday i can't wait to get home
and slice open this body i don't know
with a razor from a convenience store.
i tell her i don't know how to act like
a girl for mom and dad, but apparently
i do a **** good job because they
don't notice i'm not.
i tell her that for fourteen years
i've wanted to cut my hair short
and never have to wear a skirt to church again.
i tell her about the pain and fear of
going into a public bathroom.
i tell her about the looks the kids at school give me
and the shoves from behind
about the **** binders and
the locker rooms.
i tell her that i don't know what they
want me to be, and if i can be it.
i tell her all i want is to be called 'he'
and feel like they mean it.

she pauses and gives me a look that says
even though she's too young to understand,
she does.
'i've always wanted a brother.'
begin end begin he writes come to party in my room ashtray spilled on sheets mirror smeared clothes scattered everywhere i’m reclining on floor pulling on ***** hair writing lonely-hearts poem i don’t care about your photograph i just want to know will you come to party in my room? i have confidences to share secrets to reveal no one to give my body to i need to feel warmth of another there is food if you are hungry i’ll just watch listen to you will come won’t you? please this is no prank are you there? i just wanted to invite you to party you’re my only guest i need you i sound desperate you want to know how long i’ve been this way kind of let myself go grown used to this room that keeps my secret used to sleeping alone in big double bed i think i shall go take hot bath don’t come another night perhaps i can do it quite well myself thank you you probably would have felt out of place anyway - london 1971

nothing wrong with beating off but i prefer female sometimes pretty thing replies Odys you have a way with words actually he prefers woman all times tends to be too impatient rough handling himself needs woman’s gentler slower adoring touch

i wouldn’t mind wife if she is simply **** in residence leaning against doorway posing between me and kitchen he considers let’s get cruel in cruelty one finally realizes one’s own true self-interest who am i? am i cruel enough to be sick-hearted *******? am i capable of oppression torture? do i honestly desire *** slave? do i believe all hope of becoming normal human is gone? he hears her words i have cuffs crop leg spreader flogger hood paddle cane like swelling bruises on my *** never touch my face arms legs i like to be spit on while you pull hair i like servicing man who takes pleasure in giving brutal intense pain *** on my face **** **** on me i'm looking for white muscular egotistic man who is into sadomasochism i enjoy abuse part just as much as *** part is he lightweight no stomach for collared sadism? He mumbles to himself bottom line i respect love women this existence is killing me ignores his thoughts sings aloud we’re used to being rude to each other used to getting crude with each other come on now pretty thing sit next to me

female fantasy number 1 man’s ******* is like handle on slot machine if woman pulls it right way 3 cherries line up in his eyes ***** jingle ring money shoots out ***-hole female fantasy number 2 science invents way in which more money woman spends shopping more weight she can lose

i imagined you were plateful of pancakes you giggled when i poured syrup on your face i smiled pondering how lovely you would taste we sat for a while gazing into each other’s eyes until you got cold rubbery i didn’t want to eat you anymore

maybe he is not so charming anymore maybe Odysseus has become blunt  difficult he tries to be respectful but sometimes he is excessive self-willed time place names have lost any mearing during lively discussion with pretty thing creativity versus craft he confronts original invention requires destruction surely you realize that? pretty thing replies Odys i didn’t realize you were so dominant you seem so playful puppy-like in daytime i never would have guessed you’re such a chauvinistic ******* he questions chauvinistic ******* what’s that suppose to mean? i don’t know what you’re talking about she answers don’t play dumb Odys i know you’re smart at semiotics he asks semiotics what does that mean? I don’t know the word listen you’re right and i’m wrong i apologize i didn’t mean to get so argumentative he reaches for dictionary on floor next to chair pretty thing crosses legs speaks i’m very careful to use simple words everyone can understand but i’m just sign painter isn’t that right Odys? what would i know? he pleads you’re not making any sense we both use brushes paint similar techniques that’s beside the point i apologize she insists you’re way off the subject Odys he begs you’re right i’m wrong whatever i said made you get so upset please forgive me her voice cold terse i need to go home Odys you scare me you’re way too fanatic

thinks to himself promise her anything but give her the finger just when she’s finally starting to fall for whole scam give her the slip 6 to 12 weeks is average life expectancy for modern romance it’s fast world we’re all expendable can’t hear what you’re saying music is too loud rule number 1 no matter how beautiful she is there’s always someone who’s sick of her rule number 2 why would you even be talking with her if she didn’t have *****? rule number 3 they’re all ******* ******! he tries to recall if Bayli ever behaved like ***** he concludes no never did she become one?

in restless sleep he dreams someone tells him Bayli is working at ******* bar he goes to see her Bayli looks young beautiful wearing thong nothing else many men are pursuing her he excitedly approaches but she seems to only vaguely recognize him she questions do i know you? he answers Bayli it’s me Odys! she answers my name is not Bayli Odys who? where do you know me from?” he pleads Bayli, look at me Bayli smiles hesitantly as she looks around for support points finger towards Odysseus 2 bouncers approach shove him against wall force him outside bouncer barks her name is not Bayli now get hell out of here you freaking loser! they go back inside slamming door as he walks away neighborhood kids throw apples at him wakes up confused sad from dream

he vows i don’t need love love is for those too lame to stand alone bear solitude self-avowal love is sign of weakness compliance control love is contract made between two people too spineless to take pleasure in own freedom love is way to take advantage exploit love is convenience pact for mutual security love is cumbersome weight tied around athlete’s neck love is suffering love is a lie illusion cover-up for everyone’s petty lame problems

1984 chicago suffers harsh winter furious winds blow across lakefront Mom and Dad take Odysseus to dinner at posh new restaurant in art galleries district on the way Mom and Dad argue about parking Mom wants to leave car with valet Dad insists they first look for space Mom gets annoyed the wind will ruin my hair drop me and Odys off at door then do what you want Dad says you’re going to miss me when i’m gone Mom snaps we’ll see when are you planning on leaving? Dad wears navy blue blazer white shirt burgundy foulard silk tie he is in good spirits winning personality keeps table lively Mom wears beige cashmere turtleneck darker beige wool skirt brown alligator high heels gold earrings she waves then greets roths weissmans who are led by young hostess they walk past table make brief polite conversation after several rounds of drinks Dad speaks you know, it’s about time Odys are you dating anyone in particular? Odysseus hesitates confesses he has had ****** relations with hundreds of girls his knees begin to shake under table he admits maybe I’m incapable of sustaining intimate relationship with one woman i’m conflicted blocking all these feelings inside never learned how to love can’t hold on to anything all i know how is **** and run Mom interjects don’t use that word! she suggests he travel get some fresh ideas Dad becomes irritated lights cigarette waives to waiter orders another Absolute on the rocks bursts out what the hell do you mean you never learned to love you grew up in a house of love *******! didn’t you learn anything? are you purposely trying to ruin dinner? you watch your step mister or i’ll whack you right here at the table! you make me sick with all your excuses one of these days you’re going to wake up Odys and I hope it’s not too late Mom immediately glances at roth’s weissman’s table then glares sharply at Dad she snaps Max lower your voice! people can hear you we’re in a restaurant can we please change the subject? she instantly regains composure continues i spoke with your sister Penelope today and she let me know she might be landing a new account she’s being wined and dined this evening by c.e.o. of prominent san francisco agency later waiter clears entrees asks if anyone wants after-dinner drink dessert Mom orders coffee apple pie with scoop of vanilla ice cream Dad orders coffee Mom asks what do you wish for in your life Odys? who do you want to be? he exhales long breath answers i used to dream of becoming renown painter but now i’m not sure sad to say don’t know what i want sometimes i think of priesthood but i’ve done too much sinning Dad grows irate who puts these ideas into your head? you ******* ungrateful kid! what the hell is matter with you? Mom interrupts Max don’t lose your temper we’re in a restaurant she glances at roth’s weissman’s table nods with big smile on face Odysseus feels entangled in web of desires deceptions debts he vacillates from one aspiration to next grown comfortable in his failures distrust
Mike Hauser Oct 2013
I bought a bag of Love today
From the Jiffy Mart
I did it out of convenience
Which in hindsight wasn't smart

I went straight out to the car
And opened the bag up
What fell out in my lap
Was nothing but fluff

I bought the cheapest version
So of course it didn't last
But at the time of purchase
I was strapped for cash

I should have saved my money up
To where I could afford better stuff
But you don't think of those things
When you want love bad enough

My advice for those in the market
Take your time, never rush
Save up as much as you can
So one day you'll have the best of Love
mk Oct 2015
we've been poisoned
with hopes and dreams
of "true love"

its hysterical
how naïve we are
we fell so hard
put ourselves on the line
for a poorly constructed ideology

you idiot
darling i'm such an idiot
to think there was good
in this world
to think there was a chance
that selfless love existed

ah, what a fool
to think marriage
was anything more
than a social norm
a convenience
that relationships
were actually based on anything
more than a false sense of
comfort and security

highschool kids
throwing away their future
bunch of immature children
tricked into thinking
that someone could make them whole
"let's get married"
"let's run away"
"we're in loooove"

we've poisoned our youth
love should be the last thing
on their mind

women giving up their dreams
men giving up their lives
for W H A T
the idea that
someone could keep them
from drowning
darling
oh darling
i wish that were true

but
w a k e u p

no one can save you
love is cursed.
we are cursed.

love,
in its own essence
does not exist
and i was such a fool
such a ****** fool
to think it lasts

i guess it just made me feel relaxed
to think that there was one part of my life
that could be just for me
i thought love was my escape
i'm holding up the world
i thought it would give me a break
rest my head
HAH
hysterical
i swear to God i'm in fits of laughter

believe in love?
ask the kid of messy divorce
ask the single mom with no idea where her baby daddy went
ask the girl with a broken heart
ask the boy who gives his all, in return for none

love
is
just
another
word
for
loss.

sorry to burst your bubble
but
your idea of "love"
**doesn't exist
fooled me twice if i fall for you.
lX0st Jul 2014
Your heart was never
The same shape as mine
And their collision
Only caused more pain.
I tried not to confuse
Liquor with passion
Nor convenience with love
But your lips tasted so sweet
And I longed for the rush
That only your touch could induce.
Alyssa Jan 2014
You were as stealthy as a slow gas leak, by the time i knew i was in love with you, i had succumbed to you. You were in the drivers seat of my car lighting a cigarette with the windows up so i could breathe you in. I quit smoking so your secondhand smoke was all you would allow. I watched as you brought the cigarette to your lips and dragged in as if your life depended on it. It was your third one today and i told you that you should stop, maybe breathe me in for a second. Do you know what i would give to become second hand smoke from your lips? All you would have to do is kiss me and i would vanish into thin air, become a noble gas in the periodic table but there is nothing noble about the element of disappearance. I have been shrinking away from you ever since you held my hand in that convenience store a year ago. I'm trying to convince myself to get over you because all i am to you is someone to **** slowly through your second hand smoke. I never knew I could get so addicted to nicotine until it came from under your tongue. When you're gone, it's hard for me to breathe which doesnt make sense because when youre here my lungs are filled with your sweet black tar. But you will be gone for months when you leave in two weeks. You said you'd write to me, but written words can't carry your second hand smoke. You can't build a home out of a human being, but that doesn't mean i cant find a home in your bed.
Äŧül Jan 2015
They tell lies,
Not caring what the product may be,
Whatsoever the others may get hurt,
They do not care the least about me,
At least the one who was expected to did never care about me.
Such a loser is shamelessly writing these words.
Just 30 more poems to go before I take a long, long break to study dedicatedly for my entrance exam.

My HP Poem #747
©Atul Kaushal
Bryce Jun 2018
Hello Chicago
Flat carpet-town of corn meal
steel spears at the northern junction
of Cahokia and some unknown dream

No lillies grow here sir,
no tulip fields
though there are many Dutch
a little up north
Wisconsin, dontcha' know?

Family blood rains through the Chicago river
named of the blood of a slain tribal wonder
wanders
with the roaming buffalo

I sat at the top of Sears
(Willis)
Tower and peered into the foggy distance
and made out the shores of Michigan
through Indiana
the leftover rains of a continental freeze
churned the earth to butter and carved the arteries
and bowels
of today's earthly body

And when we drove in from O'Hare
in the late hours on incessant stoplight highways
counting down the streets
thinking maybe they'll go all the way to
Mississippi
just a long row of
Concrete

I saw the brick tower
of a decrepit Frito-lay plant
where they cooked their corn and potato
into succulent
can't eat just one
little snacks

for the whole of america
to enjoy in backyard barbecues
and convenience stores
and grocery outlets
All across the planet

Now with the trucks they come and go
up to and whizzing past Chicago
on to greener states with greater relief
with hills and lakes and winding streams

Different sections of the sculpture
Cities eroding into the pleasant coasts
quaking and breaking into tiny stones
a monumental David
cracked in the gallery
bird **** corroding the silicates
unpolished and immortal
words

Chicago!
oh you mighty city you
built from sod and sweat and dew
of new morning
I see your towers
you dreamer, you
But your towers are in Dubai,
and Shanghai
now

The world moved on
and forgot everything about
that magnificent mile
burned to make you earn
new toys and fancy things
from far beyond your winding river streams

But you didn't die
amazing, how much they tried
to rust you out
to bleed you dry

no,
Chicago,
you keep your ***** rivers flowing
all the way to the Mississippi
flanked by modern Roman concrete
all the way to the great green sea
out into the puddle that surronds
the Amerigo

Chicago
don't you give up that river dream
Maxine Robbins Aug 2014
They say having good friends is like winning the lottery,
Well who gave me a fake winning ticket?
Every friend that comes and goes is just a mockery,
Of my undying kindness even for those who don’t return it.

Is it dumb to believe in the phrase “Best friends forever”,
Or am I just stuck in my 2002 kindergarten playground?
People seem to drop me like a bird sheds a feather,
And I am unwillingly isolated by the time I am found.

I was not aware that friends were like snacks in a vending machine,
Picked and chosen when it is most convenient for you.
I guess I am the little pack of crackers stuck in between,
The chips and the Mountain Dew.

God forbid that machine runs out chips and drinks,
Because then you may have to settle for my boring ******* ***.
And maybe for once it actually won’t be a jinx,
But it’s too late I am no longer a convenience so I shall pass.
phil roberts Feb 2017
Never trust the establishment
They do not exist for our benefit
For they believe  that we exist
For their convenience
Their only purpose is self-perpetuation
And they think that our only function
Is to accommodate that purpose
Whereas our true cause should be
To get rid of the *******

                                        By Phil Roberts
And indeedst, thou mourneth once more
When th' lover who is to thine become
Returneth not, in thy own brevities-of love and hate,
As t'is chiding ruthlessness might not be
thy just fate.

Cleopatra, Cleopatra
Shalt thy soul ever weepest for me?
Weep for t'ese chains of guilt and yet, adorable clarity
T'at within my heart are obstreperously burning
I thy secret lover; shrieks railing at my heart
Whenever thou lurchest forwards
and tearest t'is strumming passion apart.

And t'ere is one single convenience not
As I shalt sit more by northern winds; and whose gales
upon a pale, moonlit shore.
Cleopatra, play me a song at t'at hour
Before bedtime with thy violin once more
And let us look through th' vacant glasses;
at clouds t'at swirl and swear in dark blue masses.

Ah, my queen, t'ese lips are softly creaking
and swearing silently; emitting words
of which I presume thou wouldst not hear.
On my lonely days I sat dreamily
upon t'at hard-hearted wooden bench,
and wrote poems of thee
behind th' greedy palm trees;
They mocked me and swore
t'at my love for thee was a tragedy;
and my poem a menial elegy
For a soldier I was, whom thy wealth
and kingdom foundeth precisely intolerable.
How I hate-t'ose sickly words of 'em!
Ah, t'ose unknowing, cynical creatures!
I, who fell in love with thee
Amongst th' giggling bushes,
stomping merrily amongst each other
and shoving their heads prettily on my shoulder
As I walked pass 'em;
I strapped their doom to death,
and cursed their piously insatiable wrath
Until no more grief was left attached
To th' parable summer air; and rendered thou as plainly
as thou had been,
but bleak not; and ceremoniously unheeded
Only by thy most picturesque features, and breaths.
Thou who loved to wander behind th' red-coated shed,
and beautiful green pastures ahead
With tulips and white roses on thy hand,
And with floods of laughter thou wouldst dart ahead
like a summer nightingale;
'fore stretching thy body effortlessly
amongst th' chirping grass
Ah, Cleopatra, thou looketh but so lovely-
oh, indeedst thou did; but too lovely-too lovely to me!
A figure of a princess so comely,
thou wouldst but be th' one
who bringst th' light,
and fool all t'ose evils, and morbid abysses;
Thou shalt fill our future days with hopes,
and colourful promises.

And slithered I, like a naive snake
Throughout th' bushes; to swing myself into thee
Even only through thy shadow,
I didst, I didst-my love, procured my satisfaction
By seeing thee breathe, and thrive, and bloom.
I loveth her not, t'is village's outrageous,
but sweet-spirited maiden;
a dutiful soldier as I am,
my love for thee is still bountiful,
ah, even more plentiful t'an t'is cordial one
I may hath for my poor lover. Not t'at I despise
her poorness, but in my mind, thou art forever my baroness;
Thou art th' purest queen, amongst all th' virgins
Ah, Cleopatra!
To me, if rejection is indeedst misery,
thine is but a glorious mystery;
for whose preciousness, which is now vague,
by thy hand might come clear,
for within my sight of thee
All t'ese objections are still ingenious,
within thy perilous smile,
t'at oftentimes caresses me
With relief, whenst I am mad,
and corrupts my conscience-
whenst I am sad;
Even only for a second; and even only
for a while.
But if thy smile were all it seemeth,
and thy perfection all t'at I dreameth,
Then a nightmare could be mirth,
and a bitter smile could be so sweet.
Just like everything my eyes hath seen;
if thy innocence was what I needest,
and thy gentleness th' one I seekest,
then I'd needst just and ought, worry not;
for all thy lips couldst be so meek
and thy glistening cheeks
wouldst be so sleek.

Oh, sweet, sweet-like thee, Cleopatra!
Sweet mournful songs are trampling along my ears,
but again, t'ey project me into no harmony-
I curse t'em and corrupt t'em,
I gnaw at t'em and elbow t'em-
I stomp on t'em and jostle t'em-
th' one sung by my insidious lover,
I feel like a ghost as I perch myself beside her.
Whilst thou-thou art away from me!
Thou, thou for whom my breath shalt choke
with insanity,
thou who wert there and merrily laughed with me-
just like last Monday,
By yon purple prairie and amber oak trees
By my newest words and dearly loving poetry.
Oh, my poetry-t'at I hath always crafted so willingly,
o, so willingly, for thee!
For thee, for thee only, my love!
Ah, Cleopatra, as we rolled down th' hoarse alley t'at day,
and th' silky banks by rueful warm water-
I hoped t'at thou wouldst forever stay with me,
like th' green bushes and t'eir immortal thorns,
Thou wouldst lull me to sleep at nights,
and kiss me firmly every dewy morn.

Cleopatra, Cleopatra
Ah, and with thy cherry-like lips
Thou shalt again invite me into thy living gardens,
With thy childish jokes and ramblings and adventures
To th' dying sunflowers, thou wert a cure;
and thy crown is even brighter t'an their foliage,
For it is a resemblance of thy heart, but
thy vanity not;
Thou art th' song t'at t'ey shalt sing,
thou art th' joy t'at no other greatness canst bring.

Ah, Cleopatra, look-and t'is sun is shining on thee,
but not my bride;
My bride who is so impatiently to withdraw
her rights; her fatal rights-o, I insist!
And so t'is time I shall but despise her
for her gluttony and rebellious viciousness.
T'at savage, unholy greed of hers!
How unadmirable-and blind I was,
for I deemed all t'ose indecipherable!
How I shalt forever deprecate myself,
for which!
Ah, but whenst I see thee!
As how I shall twist my finger into hers,
(Oh! T'is precocious little harlot!)
Thou art th' one who is, in my mind, to become my lover,
and amongst tonight's all prudence and marriage mercy
I shall dreameth not of my wife but thee;
Whilst my wife is like a cloaked rain doll beneath,
and her ******* shall be rigid and awkward to me-
unlike thee, so indolent but warm and generous
with unhesitant integrity;
Ah, I wish she could die, die, and be dead-by my hands,
But no anger and fury could I wreak,
for she hath been, for all t'ese years,
my single best friend.
Or she was, at least.
Oh Cleopatra, thou art my girl;
please dance, dance again-dance for me in thy best pink frock,
and wear thy most desirous, fastidious perfume;
I shall turn thee once more, into a delicious nymphet,
and I standing on a rock, a writer-soldier husband to thee-
Loving thee from afar, but a nearest heart,
my soul shalt become tender; but passionately aggravated
With such blows of poetic genuinity in my hands-
by t'ese of thee-so powerful, and intuitive sonnets.

Oh, my dear! T'is is a ruin, ruin, and but a ruin to me-
A castle of utmost devastation and damage and fear,
for as I looketh into her eyes behindeth me,
and thine upon thy throne-
so elegant and fuller of joy and permanent delight
Than hers t'at are fraught with pernicious questions,
and flocks of virginal fright,
I am afraid, once more-t'at I am torn,
before thy eyes t'at pierce and stun me like a stone,
an unknown stone, made of graveyard gems, and gold
Thou smell like death, just as dead as I am
On my loveless marriage day
And as I gaze into th' dubious priest
And thee beside him, my master-o, but my dream woman!
Oh, sadly my only dream woman!
Th' stars of love are once more
encompassing thine eyes,
and with wonder-oh Cleopatra, thou art seemingly tainted
with sacrifice, but delightfully, lies-
As I stareth at thee once more,
I knoweth t'at I loveth thee even more
just like how thou hath loved me since ever before
And thy passion and lust rooted in mine
Strangling me like selfish stars;
and th' moon and saturated rainbows
hanging up t'ere in troubled, ye' peaceful skies, tonight.

I want her not, as thou hath always fiercely,
and truthfully known,
so t'at I wriggle free,
ignoring my bride's wise screams
and cries and sobs uttered heartbreakingly-
onto th' gravel-and gravely chiseled pavement outside,
'fore eventually I slippeth myself out of my brownish
soldier's uniforms.
Thou standeth in surprise, I taketh, as I riseth
from my seat-my fictitious seat, in my mind,
for all t'is, pertaining to my unreal love for her,
shalt never be, in any way, real-
All are but th' phantom and ghost
of my own stories; trivial stories
Skulking about me with unpardonable sorries
Which I hate, I hate out of my life, most!
As to anyone else aside from thee
I should and shalt not ever be-married,
and as I set my doleful eyes on thee once more,
curtained by sorrow and unanswered longings,
but sincere feelings-I canst, for th' first time,
admire thy silent, lipped confession
Which is so remarkably
painted and inked throughout
thy lavish; ye' decently translucent face;
t'at thou needst me and wouldst stick by me
in soul, though not in flesh;
but in heaven, in our dear heaven,
whenst I and thou art free,
from all t'ese ungodly barriers and misery,
to welcome th' fierceness of our fate,
and taste th' merriment of our delayed date.
Oh, my love!
My Cleopatra! My very own, my own,
and mine only-Cleopatra!
My dear secret lover, and wife; for whom
my crying soul was gently born, and cherished,
and nurtured; for whose grief my heart shall be ripped,
and only for whose pride-for whose pride only,
I shall allow mine to be disgraced.
Cleopatra! But in death we shall be reunited,
amongst th' birds t'at flow above and under,
To th' sparkling heavens we shall be invited,
above th' vividly sweet rainbows; about th' precious
rainy thunder.
Mateuš Conrad Feb 2016
.before i come to the food topics, here's a pet peeve... language... how the pakistanis might / might not be offended by the laziness of the english, shortening their denotation to a prefix: ****-... and i'm like... is that really offensive? with the -stani suffix missing? o.k. o.k., iraq: iraqi... iran: iranian... pakistani: ****- / pakistani... so what about afghanistan? afghan, or afghanistani?! i'm pretty sure it's afghan... a person is afghani and not afghanistani... so what's wrong with ****-? it must be an english-****'stani thing from the 1960s or something... ******* as sensitive as french footballers... this has to be hard-pressed... this instance... because i hardly think it's a racial slur to stick to the prefix and not include the suffix, given the example from afghanistan - just like the "problem" of calling a jew a ***-, borrowed prefix from... yiddish! now for the food:

a. would you trust a skinny chef? i know i wouldn't trust a chef who's also a healthy-eating gym bro maniac, i bet he would never cook with lard or pork trimmings, with that calorie calculator lodged up his head that represents an ******* is not much to go with when taste is prime... 6ft1 253.5pounds, that's where i stand... i would never trust a health-freak to cook for me, let alone all the proofs rattling anorexic examples...

    b. "***** take your shoes off and get into the kitchen!" what a ****** joke, chauvanism rampant... mind you... who the hell said that women belong in the kitchen? they don't... i don't want a woman in the kitchen... i've had two dinners cooked by my fwends' mothers when still in my early teens... 1. over-cooked pasta... my fwends father would pretend to eat the dinner, before driving me home while stopping off at a sikh diner and took to the take-away (cooked by men), another example beside the over-cooked pasta? under-cooked spring potatoes - after all... the men on ships and submarines that kept the other men firing did all the cooking... men can cook... or at least: that's the least they should do... think: organic chemistry experiments...

eating a raw herring
in piquant mayonnaise
of reminiscence of a
granny-smith and pickled
cucumber tickle...
slurping it up into
a workout of the oesophagus
might remind many
of oral ***: but after all...
it's only a raw herring being eaten.

p.s. well perhaps gulping down
a raw oyster does feel familiar
to performing oral *** on a woman...
but since you're not really
chewing the oyster,
or licking it... but gulping it whole...
i can only compared performing
oral *** on a ***** to
                eating a raw herring.

            and why all of this talk of food?
well... what's on the menu for tomorrow?
a bangers & mash stew,
    old recipe from the days of the british
empire... mind you: why did they
call sausages bangers back then?
well, during the war, they put a lot of
water into the sausages...
and when water mixes with warm oil?
bang! bang!

                 'i was five and he was six,
   we rode on horses made of sticks,
he wore black and i wore white,
   he would always win the fight...
   bang! bang!
  he shot me down!
  bang! bang!
                 i hit the ground...
bang! bang!
   that awful sound...
bang! bang!
   my baby... shot me down!'
              (audio bullys ft. nancy s.) -

so obviously i had to take a walk
and buy the key ingredient...
   i.p.a.:
        and when they were stationed
in the raj, and the troops were receiving
provisions...
  the standard beer wouldn't last the trip,
going off...
     and dark port was too sweet...
so indian pale ale was invented:
   more potent alcohol content and brewed
based more on hops than barley or wheat...
bitter: but my god, what a strand of beer,
like your typical irish stout...
   which is why i never figured out
  the bud to be the king of beers...
   fermentation of rice? sure... it's crisp...
but also the sort of toddler **** you'd expect
from rice fermentation:
no body, no *****, no blood,
no palette...
      easy stew:
   sausages,
      onions, garlic, celery, carrots,
                  leeks...
     a bottle of i.p.a.,
   some to degrease the pan the sausages
and veg were fried on, the rest for the jacuzzi...
some water, bay leaf, salt to taste,
   tomato purée and 2tbsp
  of muscovado sugar to bite through
   the extra hops... mash on the side...
                  and an array of veg on the side too...

i still don't know where the idea
that women belong in the kitchen came from:
perhaps when the men were coal-miners,
and when the kitchen wasn't filled
with all the current day appliances
of convenience...
   when women worked as hard in the kitchen
as the men who worked in the coal-mine...
perhaps then, in the early part of the 20th
century... when spaghetti dough was hand-made
at home...
then a woman could take pride in her
house-keeping...
   now? now i guess: the same sort of melancholic
voice bound to nancy sinatra singing...
because once upon a time it was hard
work, running the house...
                       and then "suddenly"
everything became simple...
a man could walk into a coal-mine,
come back home and...
              make himself a decent meal...
  looking at what the english woman buy
in the supermarket?
      couch potato maidens...
       ready meal after yet another ready meal...
things have become so easy
that easy isn't enough...

      let me tell you a culinary ***** of a story...
the scurge of making homemade
ravioli! believe me... once a year is enough...
sure, it tastes great...
                  but once a year is enough.
Dondaycee Aug 2018
I want to give love like I’m leading the Queen,
I want to feel hugs; photosynthesis, aura green,
I have to hideaway to three K’s,
Kyi is a kid that shuffles when he discovers key,
He is me; youth be re- I’ll let; tea… (*sip),

I’m so I’m so gene; us,
I only show frustration when we as a species let perceptions get in between us,
As if what we expressed daily was heterogeneous,
No need for mean mugs,
Mugshots when fetus,
Jesus is needless if we see our reflection as phoenix,
I’m not saying his teachings were meaningless but they mean less if it is hindering your freeness,
That type of convenience is something we need less,

My intentions are not to provoke but invoke our potential,
I’m not Pro in anything although I’m in everything,
I voke to our attention what I believe is essential,
Call it an expression of the ego, because it’s preferential,
If defined by actions, the ego is detrimental,
If defined by conscious; choice, that’s voluntary over involuntary,
Enjoy, we would; the state of being aware of thoughts that were brought by patterns that are the most influential,

I don’t want to be a resident in a place with a president,
Take offense, you may,
If I can’t speak a wave; transmute the word thought into the word say,
I give away my name because my expression’s never hesitant,
If that was the case, I wouldn’t be relevant,
Arrogance; my ego will second this,

To live and die in the A, because that A word is two cops before,
A kid claiming **** life at core,
Interpretation; fearless to explore,
But a perception created a door,
Honoring the fathers of four, his body hit the floor,
Questions arising; were the intentions backed by this illusion of war?
Discrimination? Advanced payments? The separation between the rich and poor?
Or, was this an obligation to bigotry, a resistance to change because the fear brings about the unknown?
“What if they evened the score?”
The question I’m asking is who’s suffering more,
Those that ascend because of freedom, or those who are reacting because they closed a door?

Tore, I am, because I can not condition this heart,
I can not serve all if all are torn apart,
We sung together as one, divided we fall,
The Beetles said come; coincided free fall,

United default, America was pre thought,
The idea would’ve worked if we brought, our understanding to one before we fought,
Liberty; she walked,
The people; we watched,
Identity; we lost,
A “VICTORY”; we thought,
History distort because his story, we taught,
Now distraught; resorting to love, because it’s the only thing that remained in gene as default…
Given the apparent magical surrealism that the months of April is the month of fate for and death of writers, artists, dramatis, philosophers and poets, a phenomenon which readily gets support from the cases of untimely and early April deaths of; Max Weber, Miguel de Cervantes, William Shakespeare, Francis Imbuga, and Chinua Achebe  then  Wisdom of the moment behooves me to adjure away the fateful month by  allowing  me to mourn Gabriel José de la Concordia García Márquez by expressing my feelings of grieve through the following dirge of elegy;
You lived alone in the solitude
Of pure hundred years in Colombia
Roaming in Amacondo with a Spanish tongue
Carrying the bones of your grandmother in a sisal sag
On your poverty written Colombian back,
Gadabouting to make love in times of cholera,
On none other than your bitter-sweet memories
Of your melancholic ***** the daughter of Castro,
Your cowardice made you to fear your momentous life
In this glorious and poetic time of April 2014,
Only to succumb to untimely black death
That similarly dimunitized your cultural ancestor;
Miguel de Cervantes, a quixotic Spaniard,
You were to write to the colonel for your life,
Before eating the cockerel you had ear-marked
For Olympic cockfight, the hope of the oppressed,
Come back from death, you dear Marquez
To tell me more stories fanaticism to surrealism,
From Tarzanic Africa the fabulous land
An avatar of evil gods that are impish propre
Only Vitian Naipaul and Salman Rushdie are not enough,
For both of them are so naïve to tell the African stories,
I will miss you a lot the rest of my life, my dear Garbo,
But I will ever carry your living soul, my dear Garcia,
Soul of your literature and poetry in a Maasai kioondo
On my broad African shoulders during my journey of art,
When coming to America to look for your culture
That gave you versatile tongue and quill of a pen,
Both I will take as your memento and crystallize them
Into my future thespic umbrella of orature and literature.

Gabriel Garcia Marquez, an eminent Latin American and most widely acclaimed authors, died untimely at his home in Mexico City on Thursday, 17th April 2014. The 1982 literature Nobel laureate, whose reputation drew comparisons to Mark Twain of adventures of Huckleberry Finny and Charles Dickens of hard Times, was 87 of age. Already a luminous legend in his well used lifetime, Latin American writer, Gabriel Garcia Marquez was perceived as not only one of the most consequential writers of the 20th and 21ist centuries, but also the sterling performing Spanish-language author since the world’s experience of Miguel de Cervantes, the Spanish Jail bird and Author of Don Quixote who lived in the 17th century.
Like very many other writers from the politically and economically poor parts of the world, in the likes of J M Coatze, Wole Soyinka, Nadine Gordimer, Doris May Lessing, Octavio Paz, Pablo Neruda, V S Naipaul, and Rabidranathe Tagore, Marguez won the literature Nobel prize in addition to the previous countless awards for his magically fabulous novels, gripping short stories, farcical screenplays, incisive journalistic contributions and spellbinding essays. But due to postmodern global thespic civilization the Nobel Prize is recognized as most important of his prizes in the sense that, he received in 1982, as the first Colombian author to achieve such literary eminence. The eminence of his work in literature communicated in Spanish are towered by none other than the Bible, especially  in its Homeric style which Moses used when writing the book of Genesis and the fictitious drama of Job.
Just like Ngugi, Achebe, Soyinka, and Ousmane Marquez is not the first born. He is the youngest of siblings. He was born on March 6, 1927 in the Colombian village of Aracataca, on the Caribbean coast. His literary bravado was displayed in his book, Love in the Times of Cholera.  In which he narrated how his parents met and got married. Marguez did not grow up with his father and mother, but instead he grew up with his grandparents. He often felt lonely as a child. Environment of aunts and grandmother did not fill the psychological void of father and mother. This social phenomenon of inadequate parenthood is also seen catapulting Richard Wright, Charlese Dickens, and Barrack Obama to literary excellency.Obama recounted the same experience in his Dreams from my father.

Poverty determines convenience or hardship of marriage. This is mirrored by Garcia Marquez in his marriage to Mercedes Barcha.  An early childhood play-mate and neighbour in 1958. In appreciation of his marriage, Marquez later wrote in his memoirs that it is women who maintain the world, whereas we men tend to plunge it into disarray with all our historic brutality. This was a connotation of his grandmother in particular who played an important role during the times of childhood. The grand mother introduced him to the beauty of orature by telling him fabulous stories about ghosts and dead relatives haunting the cellar and attic, a social experience which exactly produced Chinua Achebe, Okot P’Bitek, Mazizi Kunene, Margaret Ogola and very many other writers of the third world.
Little Gabo as his affectionate pseudonym for literature goes, was a voracious bookworm, who like his ideological master Karl Marx read King Lear of Shakespeare at the age of sixteen. He fondly devoured the works of Spanish authors, obviously Miguel de Cervantes, as well as other European heavyweights like; Edward Hemingway, Faulkner and Frantz Kafka.
Good writers usually drop out of school and at most writers who win the Nobel Prize. This formative virtue of writers is evinced in Alice Munro, Doris Lessing, Nadine Gordimer, John Steinbeck, William Shakespeare, Sembene Ousmane, Octavio Paz as well as Gabriel Garcia Marquez. After dropping out of law school, Garcia Marquez decided instead to embark on a call of his passion as a journalist. The career he perfectly did by regularly criticizing Colombian as well as ideological failures of the then foreign politics. In a nutshell he was a literary crusader against poverty. This is of course the obvious hall marker of leftist political orientation.
Garcia Marquez’s sensational breakthrough occurred in 1967 with the break-away publication of his oeuvre; One Hundred Years of Solitude which the New York Times Book Review meritoriously elevated as ‘the first piece of literature since the Book of Genesis that should be required reading for the entire human race. The position similarly taken by Salman Rushdie. Marquez often shared out that this novel carried him above emotional tantrums on its publication. He was keen on this as his manner of speech was always devoid of la di da.so humble and suave that his genius can only be appreciated not from the booming media outlets about his death, but by reading all of his works and especially his Literature Noble price acceptance speech delivered in 1982.
Phyllis T Halle Dec 2012
Caint Complain
                       By Phyllis T.  Halle  February 26, 2006
Growing up in a tiny coal mining town in the hills of Eastern Kentucky,
I frequently heard a response out of the lips of stooped, arthritic miners, toothless women, old before their time,
wretchedly poor widows with six children to feed.
It was just a common reply to the courteous, "How are you?" -
"Caint complain."
The high pitched voices of those descendents of English, Scottish, German, Irish pioneers still echo in my ears and I wonder always at the tenacity, strength and wisdom which resounded firmly in those two words,
                                          "Caint Complain."
Very few people had indoor plumbing, telephones, cars or two pair of shoes. Health insurance, retirement plans, paid sick days, furnaces, pizzas, air conditioners, jet planes, paid vacations, job security, career planning were all unheard of unknowns.
When someone became ill, the ‘‘kindly old general practitioner would come to the house and dispense his little pills and words of encouragement and instruction, knowing the limitations of his skill and ability to heal.
Mothers and fathers still buried their little children who died from diphtheria, pneumonia, whooping cough, measles, diarrhea, croup ( a disorder known in later years as asthma).
Husbands buried wives who died in childbirth, at an alarming rate. "Caint Complain," they'd say gently, with a soft 'almost' smile and deeply troubled eyes.
Sanitation was fought for, vigorously, by hard muscled women, who scrubbed and washed, and swept and mopped.
They'd boiled the family’s clothes which had been worn for a week, in pots in the back yard, "to get ‘em clean."  
Killing germs was not in their vocabulary, but that is what they'd were doing. Ask that little old gal who was out in the yard, stirring the clothes around in boiling water, over an open fire, "How are you doin’?"  
                            "Caint Complain, " she would invariably say.
WHY couldn't they'd complain? Where did their tenacity come from?
Where did that philosophy of not complaining come from?
Where did they find the resolve to place dire, critical deprivation, hard labor and malnourishment behind them and place a smile on their faces and say
                                Caint Complain?

I knew some of those people when they had grown very old and faced birthdays in their late nineties. Without exception, they had the sweetest dispositions, most grateful hearts, kindest words and calmest old ages of any among the many I have known who reached that age!
When the pressures of their life had faded and they had nothing remaining that had to be done except to live out the final part of their life, they did not have a habit of complaint.
Some recent phone calls I have received were what prompted me to think about this. One right after another, friends called and for the first ten minutes of each call, I listened to a long list of complaints about the trials and travails my dear friend was suffering.
Each friend has: no financial worries, a wonderful primary care doctor, prescriptions to keep their heart pumping, eyes seeing, brain focusing, stomach digesting and body sleeping, each night.
They are protected from financial ruin, by medicare and/or HMO, social security checks, pensions, savings and inherited wealth. They have loving, devoted sons, daughters, nieces and nephews who keep in touch and are there for them.
They each one have lovely heated and cooled homes, apartments or condos with every convenience known to Americans; cars or taxi/bus services to get them out and around. More than that, each has beautiful memories which they can call upon to bring a smile to their face at any moment of the day or night. But somehow we find plenty to complain about.
Why haven't we formed the habit of Caint Complain?
Maybe the philosophy of always seeking more comfort, more possessions, more money, more- more- more- of everything, has driven us to achieve, accumulate and accomplish but it required us to never know what the word contentment means.
Contentment doesn't mean having everything at one’s fingertips. It doesn't mean lacking nothing. It certainly doesn't mean every dream and desire fulfilled.

Yet there are many who have enough of everything except the common sense to know when they really "Caint Complain."
Happiness is a fleeting moment of joy. Contentment is finding peace in what you have, what you are and what you have accomplished.
Having the serenity to know which one brings lasting goodness into your life is wisdom.
A SMILE IS THE KNIFE GOD GAVE US TO CUT THE SIZE OF OUR TROUBLES DOWN TO A BEARABLE LOAD.    
Lots of love and hugs, Phyllis

— The End —