Submit your work, meet writers and drop the ads. Become a member
Cunning Linguist Nov 2013
Hella business
Got hella *******
Poppin double bottles
With a couple of mistresses
Stellar mistreatment
Here's the key
Lock em in the cellar
Forever their memory lies
But a troubling mystery

Hysteria erupting
Like waves gushing
From the tip of my *****
My genius is better
I'm the King here's my scepter
Now watch the teeth
You worthless Queen
Or I'll stifle them screams

I **** ******* on trampolines
Motion sickness?
Overdose on Dramamine

Slave to the magnitude
Of my impressive **** munching
Exploring deplorable nether-regions galore;
Can't touch me you got nothing
Broke *******
Grind your brain like morning coffee beans

Shame is a word just outside the boundaries
of my fabulous vocabulary

Oh, am I contrite?
How trifling
Check my charm I'm enlightening
Enigmatic and igniting sporadically like lightning
Magically radical voyaging down
                                                           down
                                                  down the rabbit's hole
Inciting excited riots to light fires spark fuses and chew on live wires
You do not frighten me.
Delivering excruciating asphyxiation to every pwn'd n00b
Is my modus operandi
And this is my magnum opus

I have Tourette's

Conceive these merriments of abhorrent mental abortions
Precisely concise and incisive concocting incoherent comatose monstrosities to flatten your lifelines
Conduct these ensembles of debauchery and narcotics -
I'm fascinating;
Crippling your mind like a lobotomy and tripping the light fantastic through bombarding planes of consciousness
I'm on acid thraxXx'd the **** OUT and faded
Levitating fading and oscillating in time while inflating my ego

But lets be realistic
the caliber of my linguistics is intrinsically aesthetic
but none too altruistic
Untrue!
Be reasonable lest I demand be-headings on grounds of treason
Its not hard for me -
It's profound, the sound of suffering;
I'll swallow your soul
'Tis the season!

Inference for instance -
****-hand upturned to oceans of incessant peasants
Pestering to ****** and fluster your festering ****-hole
Exact my revenge; begin phase mayhem
initiating total brain annihilation
interring bodies posthaste with skilled persistence
And sporting in poor taste
RESISTANCE IS FUTILE

You who peers through eye of the pyramid-
Would you be so kind as to interpret my footprint at face-value?
Do you take me for a fool yet seek prophets reaping profits?
Listen to them sleep, baaah-ing away like flocks of little sheep
My hearts not on my sleeve but I have a trick or two up there;

Now bow before my marvelous flow
As I behold my throne whilst throwing bows and exposing hoes.
Grace Jordan Aug 2013
Bipolar.

The toxic word flickers across the blue screen, taunting my tears into reckoning. Everything makes sense now. Now I know each time my feelings crash there is no reason, no problem, no answer. Just disorder. My disorder. It’s swirling in my veins, intoxicating me like a drug, and sometimes I like it.

Each manic moment is incomprehensible perfection, with I as the center of its universe. The world is mine to own, the Gods mine to control. Every movement is unstoppable, the energy seeping out of my very pores. Words come easily; all I am is a flowing expression of the beauty within. Nothing is above me, all are below. I am flawless. Why can’t everyone be so perfect?

Yet each depressed crash sends me spiraling into a darkness I have never known. My nails become bitten, my hair a tangled mess. Every turn I find myself nothing but alone, no one around to notice or care or even see. They are better, everything’s better, as long as it’s without me.

I am a cyclical monster, luring in my prey before dragging it into the pits of my own personal hell. Every shattered shard refracts inviting light, yet they cut deep and only capture people in a lethal web. I am breakable, unfixable. Every shade of me I thought I understood is now a vague gray. Is this smile mine? Are these tears real? Am I feeling pain or is it just the chemicals and synapses dancing haphazardly in my brain, concocting this uncontrollable body that I do not know?

I cannot hinder my blood from screaming for help, but my heart cannot tell what my lips refuse to speak. Lips lie when I try to hide, the habitual sin I can never break. People must be punished for their sins. Locked within my prison, kept without my food, begging to be unchained yet pleading to cement my sentence. A prisoner cannot **** when they are dead.

He asks to help, but he is ignorant to the truth. My arms pull him close while my heart shoves him far away, dooming my flicker of a fantastical romance before it begins. It shoves them all away. The choice is shove or break. No one deserves this, the swirling vortex of uncertainty, depression, mania, unknown. How could I break them too? The only paths before me are to lose them or hurt them. Losing them would **** me; hurting them would **** me. My heart will be murdered either way. How inevitable it is for me to be dead.

This disorder is not terminal, yet its killing me quietly, so slowly, and forcing me to feel alone in even the most crowded room. To become an alien in my own world. They want to save me, but they don’t understand, she doesn’t understand, I am too afraid to understand. It won’t be spoken. Only on paper can my iron heart ease, only alone can I say what I know is real.

Bipolar.
The lion had just lost his dear wife,
Madam lioness a couple of years ago,
She was in the prime of her life,
When she succumbed to deathly udder cancer,
Mr. Lion grieved with all energy of the bereaved beast
To make it worse, he was also terminally ill
Of the vicious lung cancer, boring his windpipes,
That when he respired sweet music came out,
Like classical xylophones of eyeless Mehrun Yurin,

His sons were away commanding respective territories
Each son a territory in the order of traditional monarchy,
No one was to cook for the sick lion, don’t mention washing,
Hence the sons hired the squirrel alias madam Caroline,
She cooked as she did all other chores in the palace,
She was good in a concocting a matchless soup
From white mushrooms and cured goat’s meet,

As Caroline cooked she also sampled by tasting for her perfection
This little by little tasting made her to increase the strength,
Her skin became smooth, her buttocks swell
Her tail became shorter and steady, but very clean,
Her skin very oily and comely, exuding no evil smell,
Her walking style purged to majestic fashion
Even the type of songs she sang
Were not peasant spirituals,
Mr. Hyena wondered and wondered;
Is the squirrel pregnant?

Only to discover she was not,
But she has a new job;
Of cooking for the sick king lion,
Hyena also heard from the public domain
That she often cooks, goat meat and mushrooms,
But the ram tail twice in week; Tuesday and Sunday,
Jealousy and bigotry, malice and prejudice ganged up at once
And gripped the hyena simultaneously,
And swore to himself that come anything;
Spells of sunshine or blizzards of snow,
He must and must; root out the squirrel
From the palace kitchen,

That bright morning he went to the palace,
Singing a Christian song in praise of Lazarus,
Who resurrected from the dead,
He entered the palace still singing,
He commanded every to stand, put off the laurels,
For he wants to pray for the sick,
He made long and noisy circumlocutions of a prayer,
With regular stamping of feet and amen,
Commanding the devil of cancer to leave,
The lungs of the king, the mighty lion.


He said final amen and all sat down
Two sons of the king, the young lions,
Were all in somber moods, their father was sick,

From the kitchen, the squirrel surfaced,
With goats meat on a metallic platter,
He served the sick lion first,
Then each of them present,
On the first taste of food,
Hyena lost control of nerves
His tail jumped out of the white trouser
That he was wearing that day,
He ate voraciously with a crazy appetite,
No such delicious food had ever crossed his way.

He cleared his food first as expected,
Then he kept mum like a stooge,
Only wagging his long tail
His long tongue hanging out
Flagging in avarice like leaves of banana,
When all others stopped eating,
Hyena began in form of a question,
To which the lion’s family listened
Indeed with kingly caution;
Am asking you the king,
Why is Madam Caroline the squirrel,
Eating your food everyday,
And you are dying of a treatable disease,
To which she has the medicine,
Why is she betraying you?
To such a simple death?

All the lions plus the sick one
Jumped to the squirrel with all horror,
For the squirrel to bring the cure
Or the be killed first be the lion dies,
She pleaded for a minute to bring the drug,
Hyena in full gear of happiness
As his friend chews misfortune,

She blamed her small body size to be the  barrier
To bringing the medicine for king lion,
But nonetheless medicine was available,
Lions roared tell us! Where is the medicine?
In a soft voice the squirrel said;
The only cure for this disease of the king,
Is a fresh liver of a male hyena!

The hyena was frozen with surprise,
Like any other foolish bigot,
He begged to leave as his time was over,
No answer came to his request,
Other than abysmal darkness
Of violent death gulfing his body,
King lion drunk Hyena’s blood
In addition to the liver
On the squirrel’s instructions,
The lion became well
And began walking strong,
Out of this joy
King lion  promoted the squirrel
To be a minister of health
In the kings palace.
Zuko Sep 2015
We are human
We fight for freedom.
Gender equality,
Peace between the races
And for the end of all wars.

Yet, we have sold ourselves
To mental slavery.
Concocting an idea of beauty
That evolves
Each time we get close enough to grasp it.

We consume morsels
And curl our frail bodies over the toilet bowl
Stare into the mirror, and
Smile.
For between our thighs
we have carved, a gap.

We paint our faces
and hide the artwork that lies beneath.
We are enslaved by ourselves
And in turn we enslave society.

But, we are human,
We fight for freedom,
Gender equality,
Peace between the races
And the end of all wars.

But we neglect the wars going on inside us.
Ottis Blades Dec 2009
I am the catalyst of this cataclysm
the catastrophe that impaled
the atmosphere
of this vagabond heart
that is shaped like a sphere
and an uncertain future
being build out of fear
that gets bypassed product
of my cynicism.
 
Secluded in my lab
concocting a potion for this illness
and when all else fails
call me the alchemist
nothing more than an
angst-ridden antagonist
my apologies to the pessimist,
my excuses to the optimist
I was born to be a *******
with a heart made of silver.
 
Buried in my bunker
trapped in someone else's lore
which in turn makes me the catalyst
of my own downfall
I was baptized a Catholic
without ever being asked
turn me into a Cyclist
and I'll pedal real far
turn me into a Scientist
and my lab coat will leave my side
turn me into a labyrinth
and you won't be able to find
traces of me, of who I was
or who I never came to be.
Robert Ronnow Aug 2015
The four fundamental forces:
Zeus, Aphrodite, Ares (or Mars), and Adam and Eve.

                            <<0>>                                          >> 0 <<

             Electric field induced by             Electric field induced by
            a positive electric charge            a negative electric charge

"Deutsch thinks that such 'jumps to universality' must occur not only in the capacity to calculate things, but also in the capacity to understand things, and in the closely related capacity to make things happen. And he thinks that it was precisely such a threshold that was crossed with the invention of the scientific method. There were plenty of things we humans could do, of course, prior to the invention of that method: agriculture, or the domestication of animals, or the design of sundials, or the construction of pyramids. But all of a sudden, with the introduction of that particular method of concocting and evaluating new hypotheses, there was a sense in which we could do anything. The capacities of a community that has mastered that method to survive, to learn, and to remake the world according to its inclinations are (in the long run) literally, mathematically, infinite. And Deutsch is convinced that the tendency of the world to give rise to such communities, more than, say, the force of gravitation, or the second law of thermodynamics, or even the phenomenon of death, is what ultimately gives the world its shape, and what constitutes the genuine essence of nature. 'In all cases,' he writes, 'the class of transformations that could happen spontaneously--in the absence of knowledge--is negligibly small compared with the class that could be effected artificially by intelligent beings who wanted those transformations to happen. So the explanations of almost all physically possible phenomena are about how knowledge would be applied to bring those phenomena about.' And there is a beautiful and almost mystical irony in all this: that it was precisely by means of the Scientific Revolution, it was precisely by means of accepting that we are not the center of the universe, that we became the center of the universe."

Danger comes from the root bad brakes and bald tires. Chain saws
      and wildfires. Poisonous
ideologies, housecleaning chemicals and toiletries. Powerful
      industrialists, alcoholic fathers.
Invasive species, illegal immigrants. Concentration camps, attention
      deficit disorder.
Performance phobia, identity enhancements. Pleasure, applause.
      Quiet moments, walking and
talking war buddies. Electoral politics, marriage and divorce. Pest
      exterminator, Yeats seminar.
Love affair, pencil sharpener. Whatever, matter. Ionic and covalent
      bonds, republican hairstyle.
Events in their mere chronology.

"What is a typical place in the universe like? Let me assume that you are reading this on Earth. In your mind's eye travel straight upwards a few hundred kilometers. Now you are in the slightly more typical environment of space. But you are still being heated and illuminated by the sun, and half your field of view is still taken up by the solids, liquids and **** of the Earth. A typical location has none of those features. So, travel a few trillion kilometers further in the same direction. You are now so far away that the sun looks like other stars. You are at a much colder, darker and emptier place, with no **** in sight. But it is not yet typical: you are still inside the Milky Way galaxy, and most places in the universe are not in any galaxy. Continue until you are clear outside the galaxy--say, a hundred thousand light years from Earth. At this distance you could not glimpse the Earth even if you used the most powerful telescope that humans have yet built. But the Milky Way still fills much of your sky. To get to a typical place in the universe, you have to imagine yourself at least a thousand times as far out as that, deep in intergalactic space. What is it like there? Imagine the whole of space notionally divided into cubes the size of our solar system. If you were observing from a typical one of them, the sky would be pitch black. The nearest star would be so far away that if it were to explode as a supernova, and you were staring directly at it when its light reached you, you would not even see a glimmer. That is how big and dark the universe is. And it is cold: it is at that background temperature of 217 Kelvin, which is cold enough to freeze every known substance except helium. And it is empty: the density of atoms out there is below one per cubic meter. That is a million times sparser than atoms in the space between the stars, and those atoms are themselves sparser than in the best vacuum that human technology has yet achieved. Almost all the atoms in intergalactic space are hydrogen or helium, so there is no chemistry. No life could have evolved there, nor any intelligence. Nothing changes there. Nothing happens. The same is true of the next cube and the next, and if you were to examine a million consecutive cubes in any direction the story would be the same."

The 5 colors of sadness:
disappointed, didn't get what was wanted
confused, don't know what to do next, where to go
lonely, no one to love or be loved by
sorry, unable to help or change what happened
depressed, can't get out of bed, want to **** self

"Unless a society is expecting its own future choices to be better than its present ones, it will strive to make its present policies and institutions as immutable as possible. Therefore Popper's criterion can be met only by societies that expect their knowledge to grow -- and to grow unpredictably. And, further, they are expecting that if it did grow, that would help. This expectation is what I call optimism, and I can state it, in its most general form, thus: The Principle of Optimism -- All evils are caused by insufficient knowledge. Optimism is, in the first instance, a way of explaining failure, not prophesying success. It says that there is no fundamental barrier, no law of nature or supernatural decree, preventing progress. Whenever we try to improve things and fail, it is not because the spiteful (or unfathomably benevolent) gods are thwarting us or punishing us for trying, or because we have reached a limit on the capacity of reason to make improvements, or because it is best that we fail, but always because we did not know enough, in time. But optimism is also a stance towards the future, because nearly all failures, and nearly all successes, are yet to come.

As I think of things to do I do them.
Thing by thing I get things done.
That's how my father and his father did things.
I guess my mother and her mother did things that way too.

Sometimes I'm driving and I think how my father and his father drove
      too.
There was weather and they had problems. There is weather and I
      have problems.
Time exists only in the human mind. But if the mind exists, time exists.
Joy everywhere. Joy at birth. Joy at death. All joy, all times.
--Alpert, David, "Explaining it All: How We Became the Center of the Universe", NY Times Book Review, August 12, 2011
--Deutsch, David, The Beginning of Infinity, Viking Press, 2011

www.ronnowpoetry.com
Hard light bathed them-a whole nation of eyeless men,
Dark bipeds not aware how they were maimed. A long
Process, clearly, a slow curse,
Drained through centuries, left them thus.

At some transitional stage, then, a luckless few,
No doubt, must have had eyes after the up-to-date,
Normal type had achieved snug
Darkness, safe from the guns of heavn;

Whose blind mouths would abuse words that belonged to their
Great-grandsires, unabashed, talking of light in some
******'d, etiolated,
Fungoid sense, as a symbol of

Abstract thoughts. If a man, one that had eyes, a poor
Misfit, spoke of the grey dawn or the stars or green-
Sloped sea waves, or admired how
Warm tints change in a lady's cheek,

None complained he had used words from an alien tongue,
None question'd. It was worse. All would agree 'Of course,'
Came their answer. "We've all felt
Just like that." They were wrong. And he

Knew too much to be clear, could not explain. The words --
Sold, ***** flung to the dogs -- now could avail no more;
Hence silence. But the mouldwarps,
With glib confidence, easily

Showed how tricks of the phrase, sheer metaphors could set
Fools concocting a myth, taking the worlds for things.
Do you think this a far-fetched
Picture? Go then about among

Men now famous; attempt speech on the truths that once,
Opaque, carved in divine forms, irremovable,
Dear but dear as a mountain-
Mass, stood plain to the inward eye.
Micah Alex May 2013
The awake hummingbird flits,
At speeds beyond imagination over dark daisies and roses,
Little Pearls unerringly grow in deep ocean sands,
Concealed behind deceiving waters from the times of Moses.

A wobbling chair shifts on the glistening porch,
By the sands that move with the soul of the azure sea,
Where Calypso sits nestling the locket of the man she will lose tonight,
All of creation moves with her sobs in perfect harmony.

In the vistas of far reaching coconut trees,
The wind rushes to and fro,
Concocting a strange chilling melody,
A song that the seagulls forgot; that now only the ancient spirits know.

These notes that precede and proclaim the farewell that is to come,
Once again trapped within the confines of her paradise,
Calypso will cry once more when the man she had loved would have to go,
Deep within her aching heart without any comfort, her tears would have to suffice.
Calypso in Greek mythology was the daughter of the evil titan Atlas. After the war between the Titans and the gods, Calypso was detained to island of Ogygia to live in isolation for eternity. Even though she wasn't evil she was punished for her father's sins.

In the recent fiction novel series "Percy Jackson", Percy, a demi-god (son of Poseidon and a human) is trapped on the island. Where Calypso falls in love with him but he has to leave as early as possible. So Calypso for the second time in her long life is forced to let go of the hope that she would at last have a companion.
Marshal Gebbie Sep 2013
A moment’s inspiration to grasp a building thought,
A panicked, surged excitement, now achieved, where once was naught.
In plucking crystal thought from the yonder crisp, blue air,
And coalescing mishmash into meaningful repair.
To seek a path of verbage realigning phrases bright
And feel the resurrection of creative works this night.
In pulling rich vocabulary from within the concrete hash
Concocting circumspection in this brilliant verse from trash.
Annunciating clarity and a purity of class
To haul yourself, abruptly, to get off your lazy ****…
To burst forth in immaculate and spontaneous wordage clear
And blithely blow away your critics on their loathsome, leering ear.

Marshalg
11 September 2013
judy smith Jan 2016
“Ever since I started this job and anyone asks how I’m doing, I always say, ‘I’m great!’ ” Maayan Zilberman excitedly explains. And why shouldn’t she? The former Lake & Stars lingerie designer, who has since founded confections lineSweet Saba, happens to have the sweetest career around. Concocting a literal visual feast out of her Park *****, Brooklyn, kitchen and Fort Gansevoort Meatpacking pop-up shop, the Israeli-born polymath uses her background in sculpture and a biting sense of humor to create her vibrant, indulgent delicacies. Think sugarfied tubes of lipstick, rap mixtapes, and Rolex watches—with their raw handiwork and dead-on wit, these in-demand pieces match Zilberman’s equally enticing wardrobe. Hardly barefoot in the kitchen, Zilberman teeters about in her workspace in vintage Betsey Johnson Mary Janes, while throwing on a customized Adam Selman pearl-laced apron to protect her Prada skirts andProenza Schouler knits. Here, the dazzling candymaker reveals how she has always been more En Vogue than grunge, why she never forgoes a perfect press-on manicure, and her plans on taking Sweet Saba herbal.

From Jerusalem to Vancouver

I was born on a kibbutz, where the first clothing I had was a mix of unisex hand-me-downs, so I was given a pretty blank slate. When I lived in Jerusalem we were surrounded by several sects of Orthodox communities, and the fabrics associated with each group were inspiring to me. During those years, designer brands were becoming popular, and the only place I was seeing this was in the shuk [market] where one could find imitation Calvin Klein and United Colors of Benetton next to tzitzit and shawls. I think it was in the early ’90s that I first understood how to mix my ethnicity with fashion and food.

Also, one of the most influential books of my childhood was Color Me Beautiful, which the women in my family took very seriously. I learned at the age of 6 that I was a “Winter” and haven’t veered off course since. I still have the book and love to pull it out at parties. Later in high school in Vancouver, grunge was the big trend and there wasn’t much room for my sensibilities in that environment—even when I wore my Revlon Blackberry lipstick and grunged out with irony. I was always far more En Vogue and Versace than the Pacific Northwest could handle.

Taking Cues From ’90s New York City Street Style

When I first got to New York, when I was 15, one of the first things I discovered was all the music I could get on Canal Street. I used to buy mix CDs from girls in monochrome outfits and big name-plate earrings. They pointed me to Fulton Mall in Brooklyn, and that’s where I finally got pants that fit right and jewelry that reflected my personality—a departure from the stuff I’d received for my bat mitzvah.

A shift in style for me meant a tougher, more confident look, where a short skirt is a reference to an era, not a call for attention. Music and lyrics played a big part in teaching me about how to dress and how to feel feminine. I had a Versace quilted skirt that I wore a lot—it made me feel like the supermodels in the ad campaigns: Cindy, Claudia, Stephanie, et cetera. I also had a Jean Paul Gaultierdouble-breasted pinstripe suit that I’d wear casually. In fact, I’m still wearing most of my clothes from those days: Betsey Johnson floral dresses, Donna Karanbodysuits, a metallic Byblos pouf skirt, and a grommeted Pelle Pelle jacket.

Lingerie Beginnings

I studied sculpture at the School of Visual Arts, and for a year at the San Francisco Art Institute my major was “new genres,” a very ’90s thing. Right after I graduated from SVA, I did an artist residency with Ilya Kabakov at the Fondazione Antonio Ratti in Como, where they also manufactured some of the world’s most beautiful silks. A tour of their factory opened my eyes to a potential dip into fashion, but it wasn’t until I met a pair of women in New York City that same year looking to start a lingerie brand that I took a chance on garment design. I bought a bunch of bras and took them apart and figured out how they were put back together. I cofounded The Lake & Stars in 2007 with the desire to make a brand that was in line with the story I wanted to tell as an artist. Lingerie was a tool, a structure that gave me rules so I could tell a sci-fi tale while inherently delivering romance and *** appeal.

read more:http://www.marieaustralia.com

www.marieaustralia.com/short-formal-dresses
Terry O'Leary Jan 2019
.             <Well, ShallowMan’s ne’er at a loss>
              <for voicing shallow thoughts that gloss.>
              <With trenchant wit he reaps the dross>
              <when seeking sense in applesauce.>

              <But to his aid flies FactoidMan>
              <who always has a Fact at hand;>
              <with him, who needs a whether-man>
              <to answer “if?” or “but?” or “and?”?>

“Oh ShallowMan, let me explain
the Facts of life to you, so plain,
yet flush with truthful thoughts arcane.
When understood, you won’t maintain
that callowness you think urbane.”

                              “Oh FactoidMan, give benedictions,
                              save me from all contradictions
                              with your knowledge, no restrictions
                              finding Facts, avoiding fictions.”

“Well, when in doubt, you always may
request my help to find your way
through shades of black and white and gray,
and from the Facts you’ll never stray.
Yes, ShallowMan, I’ll make your day.”

                              “Since yesteryear I’ve wondered why
                              I’m served a piece of humble pie
                              whene’er attempting to descry
                              just what’s a Fact, and what’s a lie,
                              and which be Facts one can’t deny.
                              With candor, can you edify
                              me with some recondite reply?”

“Well, as you know, my Facts are Facts
which naught nor nothing counteracts
and things that do, mere artifacts
in dim myopic cataracts.”

“A lie’s a thing which disagrees
with Facts I utter, if you please,
and hides the forest from the trees
ignoring all my verities.”

“And this reminds me of my youth,
with axioms defined as truth
which I selected as a sleuth
(abetted by a sweet vermouth);
I being now so long of tooth,
to contradict me’s hardly couth.”

                              “That certainly helps me clarify
                              whom I can trust: yeah, you’re the guy!  
                              Now, furthermore I’ve wondered why
                              the moon can’t fall and clouds can fly.  
                              What’s called that law those facts defy?
                              And mightn’t I just give a try
                              to make a guess to verify?”

“If you link your facts to law
(ah, please excuse a gruff guffaw)
you’ll certainly flaunt a flimsy flaw
that strains belief and breaks the straw
of what you’ve heard and thought you saw.
(I‘ll leave you with some bones to gnaw
that leave you holding me in awe
when once you’ve grasped and gasped ‘aha’).
So tell me now your ideas, raw,
but keep it short, your blah, blah, blah.”

                              “Umm, could it be just gravity
                              (well, something like a theory
                              that some call Relativity)
                              which pulls the apple from the tree
                              and puts a strain upon my knee;
                              or is that fact absurdity?”

“Ahem, a theory’s just a theory,
not a Fact, it’s all so eerie,
something which should make you leery
as explained until I’m weary.”

                              “If Relativity’s a theory,
                              and a theory’s not a Fact,
                              is it a fiction I can query
                              when I’m falling, ere I’m whacked?”

“Though theories might be based on Fact,
a theory is, in fact, not backed
by any cause, effect or act
which might be salvaged when attacked.
For you, this Fact may seem abstract,
plumb depths where shallow thoughts distract.”

“Yes, what goes up must soon come down
is quite a Fact of world renown.
But theory’s just a heathen gown
to deck the naked King in town,
and when he falls, he breaks his crown
which leaves him wearing but a frown.”

“It surely should be obvious,
the property of Heaviness
(like Godliness and Heaven-ness)
defines the cosmic edifice,
refuting Newton’s flakiness
and Einstein’s spooky emphasis  
on space-time’s 4-D flimsiness.
Yes, Facts like these are copious
(I count them with my abacus);
to argue would be blasphemous
displaying mental barrenness
about the push and pulling stress
when bouncing ***** rebound, unless
one views elastic laziness
as evil Satan’s stubbornness.”

                              “Well now I think I understand,
                              that gravity seems somewhat grand,
                              but’s just, in fact, a rubber band
                              that stretches through our earth-bound-land
                              constricting us when we expand.”

“Yes, ShallowMan, you finally got it,
just as I’ve long preached and taught it.
I’m so happy that you’ve bought it.
(Not a question nor an audit -
you’re so shallow, who’d have thought it?)”

              <Once ShallowMan dipped into science>
              <seeking FactoidMan’s alliance>
              <gaining, hence, a strong reliance>
              <on the Facts and their appliance,>
              <justifying strong compliance,>
              <turning down those in defiance.>

                              “Hey, FactoidMan, another topic
                              leaves me reeling, gyroscopic,
                              dealing with the microscopic
                              in a world kaleidoscopic.”

                              “Within the realm of vacuum loops
                              Dark Energy in quantum soups
                              of anti-matter sometimes swoops
                              across inflation’s Big Bang stoops
                              where space-time ends and matter droops.
                              Do you believe, or just the dupes?

“It’s nothing but a passing phase,
(a theory that in fact betrays
obscure occult communiqués
that fevered fantasy conveys)
of those who thump creation days.
Just check! The vacuum state portrays
perfection in your shallow ways
reflected in that vacant gaze
you cast upon the dossiers
of all my Facts that so amaze.”

                              “And what about the quantum theory?
                              Particles not hard but smeary,
                              just like waves? It’s kinda eerie!
                              Facts could not be quite so bleary
                              leaving Bohr, well, sad and teary.
                              FactoidMan, just tell me, dearie,
                              what the Facts are, bright or dreary.”

                              “And then again what are those holes
                              (as black as ravens bathed in coals)
                              wherein the past and future strolls
                              exploiting fields that Higgs controls
                              beneath the shady shallow shoals
                              between magnetic monopoles.”

“The science lab’s a ‘fact’ory
concocting stuff that cannot be
(like unknown realms and notably
those tiny things NoMan can see
with naked eye on bended knee
neath microscopic scrutiny)
and claim they’ve found reality;
they call their god a ‘Theo’ry
(a fig-ment of the Yum-Yum tree)
that leads them to hyperbole
about the singularity
that’s dipped in dazed duplicity
denying all eternity.”

“Here’s my advice that seems to work:
ignore the ones with ‘facts’ that lurk
behind their ‘proofs’ (which always irk),
and being challenged have the quirk
of stepping back within the murk
(indulged, I chuckle, smile or smirk).”

              <Now ShallowMan is quite content>
              <receiving FactoidMan’s consent>
              <to quibble and express dissent>
              <as long as keeping covenant>
              <with fingers crossed and belfry bent>
              <when viewing Facts in sealed cement:>

                               “The Facts you give me circumvent
                               those ‘truths’ your chuckles supplement;
                               although they might disorient
                               they can’t be wrong, I won’t dissent,
                               just using ones which you invent.“
“(No need of source in that event).”

                               “Your wise advice is simply sound
                               in cases where a game is bound
                               to parcel points out round by round
                               or else on verbal battleground
                              where know-it-alls are duly crowned.”

              <Though ShallowMan is kinda slow>
              <he still takes time to learn and throw>
              <his facts and theories to and fro,>
              <amazing facts which seem to show>
              <that theories sometimes come and go,>
              <returning strengthened with the glow>
              <of new found facts (for which to crow)>
              <that fill the gaps of long ago.>

                               “Oh FactoidMan, just tip your cap!
                               I’ve found a piece to fill the gap
                               that simplifies a mouse’s trap:
                               if triggerless, it still will clap
                               to give the mouse a mighty zap
                               that makes its tiny back bone snap.”

                               “With mousetrap type simplexity,
                               reducible complexity
                               helps arguments’ duplexity
                               with twists of crude convexity.”

“Ha-ha! That serves to prove my case:
for each gap filled, two in its place,
each growing at the doubled pace;
for unfilled gaps, I’m saying grace
(they help, indeed, for saving face)
Trying to get out of neutral....
don't know whether I'm in first or reverse...
Big Virge Aug 2021
Now... My Poetic Potions...
Are Those That Are POTENT... !!!

So Cause A COMMOTION...
In Heads With The Notion...
That They Be ALL KNOWING... ?!?

Which Clearly Is Showing...
Their Potions Are BROKEN...
And Focussed On Holding...

Mixtures of Tinctures...
That Create FAKE Pictures...
of Thinking That’s Linking...
Itself To Ships Sinking... !!!!!!!!

While Potions I Roll With...
Somehow Keep Me Floating...
And STINGING Like Bees...
That’s Right Like... ALI... !!!

Now I’m Not That Pretty...
But I’m Sure NOT UGLY... !!!

Cos My Thoughts Hold BEAUTY...
That Prove That I’m... DEEP... !!!

Just Like Beautiful Minds...
That Write The Best Rhymes...
That Speak About Life...

And Create EXPLOSIONS...
of Potions With Motions...
That … Musically SHINE... !!!

Now I May Not Be One...
Whose Known Or Famous...

But That Is Because...
My Potions DON’T Front...
Or Bend Over Like SOME... !!!

To Get To Positions...
WITHOUT Paying Dues...

Due To Their Thinking...
REFUSING To Choose...

To NOT Do What Their TOLD...
Just Like Those Slaves of Old... !!!

A Potion... SO COLD...
That It’s BROKEN The Souls...
of Those Who Were Weak...
And Embraced Slavery... ?!?

Instead of Concocting...
A Potion For STOPPING...
Supremacist Nonsense... !!!

Like Witch Doctors Shopping...
For Potions So POTENT... !!!

That They POISONED Heads...
And Stomachs of Men...
Who Came With Recitals...
From LIBELLOUS Bibles... !!!

And Then CHANGED The Titles...
of Nations Once VITAL...
To... Human Survival...
Like Melanin Skins...
That Contain Vitamins... !!!

That Help Us To Live...
Under Sunshine That Brings...

BURNS To These People...
Whose Potions Are EVIL... !!!

But Words I’m Now Writing...
Have Potions Combining...
EXQUISITE Verse Rhyming...
With Wordplay DEFYING...
Leaders... Who Are LYING... !!!

Because They’re Inviting...
People To STOP GRIPING...
And Foolish In Fighting... !!!

That Keeps On Dividing...
Because of Disliking...
Those DIFFERENT To YOU...
Like Those In Tribal Crews... !!!

Now Those Words Air A View...
For Those That Are SHREWD...

So DON’T Get It CONFUSED... !!!

My Potions' Devotion...
Is NOT For One Hue... !!!

Societal Tricks...
Have Potions That STINK... !!!

But NOTHING STINKS MORE...
Than... HATRED of Skin... !!!
When We Should Look WITHIN...

Or... Internal Wars...
That Hurt YOUR OWN KIN... !?!

My Potions REFUSE...
To... EVER EXCUSE...

Those Who Make Claims...
That... Their Race Is Great... !!!

Because... Nobody’s Perfect...
That’s Right... NOBODY... !!!

No Matter What Skin Tone...
Or … Family Tree …
That Defines Who You Be... !!!

So These Days I’m Focussed...
On... HUMANITY... !!!

NOT Being SUPREME...
When TECHNOLOGY...
Is Getting To Be...
Something SO SUPREME...

That... Humanity...
May Be Left All At Sea... ?!?

Humans Are CRAZY...
To... Truly Believe...

That Tech And Vaccines...
Are The Things That Should LEAD...

While We Still Fight Each Other...
For... EQUALITY...

Corona’s New Potions...
Are Causing COMMOTION...
So What Are We Doing...
To Hinder These Movements... ?

Well Me I’m Concocting...
More Poems Exuding...

A Wish For More Shrewdness...
And Being MORE HUMAN... !!!

Instead of Collusion’s...
And Movements Confusing...
What Needs To Be Flowing...

MORE TRUTH And Less Lies...
From Those In Nice Ties...

Like Deceitful P.O.T.U.S.... !!!

And Talk That Is POTENT... !!!
That Hits MORE Than Quotas...
of... Modern Day Voters...

Like The Things I’m Now Quoting...

In My......

........ “ Poetic Potions “.......
I have now concocted quite a few....
La Jongleuse Mar 2013
i wish i were a chemist,
so that i could hypothesize
& limit my attempts &
my experiments in futility

so that maybe, I could
tell you that your mere
presence was a catalyst
to my volatile elements

provoking reactions,
left & right, endless
explosions in my head
& mostly, in my chest

or that you tasted like a
antidote to the mundane
bringing me back from
this quiet complacence

i could drink your tonic,
swallow your smoke,
& devour your scraps
like a starving bulimic

or how your poison
made me slip, drip like
mercury, through your
skillful & soft fingertips

like sodium, this persistent
salt that refuses to quit
from my veins, a reserve
remains after the detox

or why i would oscilliate
between the alkaline &  
the acidic, never quite
stabilizing at a safe degree

if i had know all this,
i would not have played
alchemist, concocting
a worthless elixir of life
CHAI GARAM  CHAI

Millions of cups of TEA/CHAI each day, we Indians happily consume

It is almost a must every morning, evening and before we work resume

Lures us its aroma at home or when we pass by a tea-stall, tempting are its fumes

One of the most consumed drinks in India is definitely chai, anyone can this presume

Huge varieties there are, count  one cannot; but the most famous I guess is Masala chai

Most Indians, specially Gujjus, this thoroughly enjoy; even foreigners must definitely it try.

Every morning a fresh cup of boiling chai makes your day; ah! that cup of "garma-garam chai"

My  most favorites are the aadu-ilaichi (ginger cardamom) n Bawaji special, the fudhina-leeli-chai

Once you sip it, along with Bun-Muska, almost addicted you are, you get a "Chaska" true.

There is an art in concocting a good cup of chai; one must know  how to it properly brew

Sadly I wasn't allowed to taste coffee or tea/chai when young, I tasted it, only when I grew

Tea here, is a drink old, but the Brits loved it n made it famous; so, chai is old tea is new

Armin Dutia Motashaw
J Penpla Feb 2013
Up and over the barbed wire gate
Crept a dreadful Mr. Despair
To meet a horrible Mr. Hate
Who was impatiently waiting there
The dark alley that they had chosen
Was well off the beaten path
But it wasn’t long they heard approaching
A reckless Mr. Wrath
He greeted them with a grunt
A courtesy, for they’d never met
Then up from a steamy sewer
Rose a rueful Mr. Regret
He hardly nodded his heavy head
On his face a grumpy grimace
And so there they festered
Awaiting their last accomplice
Then out from a ***** dumpster
Creeping quite quietly
Fell the gang’s last felon
An awkward Mr. Anxiety
So there they plotted to pillage
In that abandoned alley
That lovely little town
Then called Vulnerable Valley
There they consorted, concocting
To bring the town nothing but gloom
They snickered, spat and sneered
Oh, the impending doom
Suddenly all peered upward
As a light shone through a window above
Their riotous rebellion had roused
A light-hearted Mr. Love
“Top of the mornin’ down there
Dandy weather wouldn’t ye say?”
To which there was no rebuttal
To sewers and shadows
The creeps had crept
To fraternize another day
Inspired by a Tim Burton exhibit. I shall call it a tribute.
Scarlet London Oct 2013
We're breaking the rules
One judge says I'm wrong
That I'm the evil mastermind concocting our crimes
One tells me it's your fault
You're the one with something to lose
but still making the mistakes
(Is it even a mistake?)
The jury stands watch from the sidelines
And they whisper the questions amongst themselves
("What are they doing?")
We stand in the center, undivided by blame and fault
We're in this together
Fingers intertwined (behind our backs)
Because the third judge is watching
Eyes like slits, she's reaching out for your hand
("Childish boy, I don't care what you want!")
But that hand, the boy who tells me of his love for October and how bored of people he is, it's all mine
You hear that? You're mine.
The judges' decrees don't mean a **** thing
When each silent look we exchange gives me more reason to fight
("Nothing, just glad I have you.")
I may have broken laws with you
but it doesn't feel as wrong
nor as beautiful
as breaking the rules
I can't decide whether or not I'm a bad person
We did it,done it, do it and each time you take me through it to the other side,
and side by side as if we're tied by bonds we lie.
You sleep and I keep watch,
and watch the spiders web that holds the cracks in place up in the right hand window pane,
and I have lain awake so many times, concocting lines and rhymes and words that stimulate,
but every time you wake,
I forget,
and take you once again upon the lover's train and the tracks we make,make the moves that take my breath away.
Molly Oct 2012
My cat’s interest is peaked by anything resembling the
slick plastic crinkle
of the treat bag.
It’s the only time she will approach me.
Besides when I actually have the treat bag.
Then she is a tiger
prowling around the corners of the kitchen.
The depths of her eyes are eerie green pearls
with shiny granite centers
slowly meet mine
that blue ball tinkling around her neck
as she turns her gaze towards me.

She can tell that I’m high.
At the computer
my mother is checking her mail
slowly
clicking
scrolling
click
click
she is hunting
and
pecking.
Mrs. Palese, my third grade teacher
would have been displeased
because we always kept
all our fingers on the keys
asdfjkl;
I think I’m one off
Now she’d be staring at me sternly.
A stern look.
Her eyes are just pools that my memory
can not fill
but I remember her hair
and I remember the time her husband died
and we each made a casserole everyday
as if lasagna would hold her at night
and tell her she looked beautiful in the morning
before she brushed her hair
or washed her face.
I remember she gave me my first communion.
I would get another stern look for my
Lack Of Capitalization.
But I would care just as much
as I did when that wafer
hit my lips.
I’ll give you a guess.
My mother is still checking her e-mail.
It almost seems impossible that she
is concocting real words
with that slow ebb and flow of fingers.
But finally,
the sun is almost up,
she is done
See you tomorrow, sweetie
she whispers,
like she could wake anyone up
because it’s already tomorrow
and she’s getting confused.
The quick rattle of pill bottles
and she’s gone.
And maybe I
the time
stretched

a
little
because
there are still five hours
until dawn.
L Gardener Sep 2013
Things can only be off track for so long before you train yourself.
Where are we going?
That keeps coming up in small doses.
What potion am I concocting in my head?
There are other ingredients as well
but they aren't base notes.
Accents actually improve my senses,
and since when do I create my own specific brand of tears?
They're scented almost like a perfume that smells
not a **** thing like the beach.
You know what they say,
"Life's a beach."
In a small way it's accurate.
Living and oceans.
Life and seas.
I see life.
I make waves,
and function as the tides
always pulling away or pushing towards.
Towards or away
towards or away
towardsoraway
make up your mind,
are we coming or going?
Should we ask the moon while we dip our toes in the water?
Wading for an answer while he first addresses the stars.

It's a start.
Michelle E Alba Jun 2010
Luminescent sacrifism
concocting inside
this bountiful prism.
Succumb to division,
reciprocations to decisions
unholy in thought
occupying this prison.
Unknown-
the only variable that's given.
Uncover the conspiracies
in this tank that you live in.
Revealing whats hidden,
believe and be smitten.
Luminescent little prism,
dreaming this dream
of a bountiful
sacrifism.
Yes, this is a made up word. But follow my logic...
-ism: is defined as some kind of system or practice, as the word sacrifice would be to give away or act at a loss. Therefore, the word SACRIFISM, would be a system or practice of giving and acting at no gain, even loss. Agree....?

Either way, I will not change my entire poem because 'they' say my word does not exist.

-Thanks for reading.
Carl Halling Aug 2015
I seldom indulge in letter writing
Because I consider it
To be a cold and illusory
Means of communication.
I will only send someone a letter
If I'm certain it's going to serve
A definite functional purpose,
Such as that which I'm
Scrupulously concocting at present
Indisputably does.
It's not that I incline
Towards excessive premeditation;
Its rather that I have to subject
My thoughts and emotions
To quasi-military discipline,
As pandemonium is the sole alternative.
I'm the compensatory man par excellence.
                                                              
Deliberation, in my case,
Is a means to an end,
But scarcely by any means,
An end in itself.
This letter possesses not one,
But two, designs.
On one hand, its aim is edification.
Besides that, I plan to include it
In the literary project upon which
I'm presently engaged,
With your permission of course.
Contrary to what you have suspected
In the past,
I never intend to trivialise intimacy
By distilling it into art.
On the contrary, I seek
To apotheosise the same.
                                                              
You see...I lack the necessary
Emotional vitality to do justice
To people and events
That are precious to me;
I am forced, therefore,
To at a later date call
On emotive reserves
Contained within my unconscious
In order to transform
The aforesaid into literary monuments.
You once said that my feelings
Had been interred under six feet
Of lifeless abstractions;
As true as this might be,
The abstractions in question
Come from without
Rather than within me:
                                                              
My youthful spontaneity
Many mistrustfully identified
With self-satisfied inconsiderateness
(A standard case of fallacious reasoning),
And I was consequently
The frequent victim
Of somewhat draconic cerebrations.
I tremble now
In the face of hyperconsciousness.
I've manufactured a mentality,
Riddled with deliberation,
Cankerous with irony;
Still, in its fragility,
Not to say, artificiality,
It can, with supreme facility,
Be wrenched aside to expose
The touch-paper tenderness within.
                                                              
With characteristic extremism,
I've taken ratiocination
To its very limits,
But I've acquainted myself with,
Nay, embraced my antagonist
Only in order to more effectively throttle him.
Being a survivor of the protracted passage
Through the morass of nihilism,
Found deep within
"the hell of my inner being,"
I am more than qualified to say this:
There is no way out
Of the prison of ceaseless sophistry.
There are many things I have left to say,
But I shall only have begun to exist in earnest
When these are far behind me,
In fact, so far as to be all but imperceptible.
                                                              
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.
Everything I ever dreaded being, I've become
Everything I ever desired to be, I've become.
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I long for the time
When I shall have compensated to my satisfaction.
I never desired intellectuality; it was ****** upon me.  
I'm the sum total of a lifetime's
Fears and fantasies,
Both wish-fulfillment
And dread-consummation incarnate.
I'm the compensatory man par excellence.
"The Compensatory Man Par Excellence" possessed some kind of autobiographical novel written around 1987, and whose ultimate fate was, so I recall, to be destroyed with only a handful of scraps remaining, as its starting point.
gears turning

grinding

screaching

creating

a mechanical me



ingredients fold into a mixing bowl

a pinch

a dash

concocting a potion

poisonous to exposure



this liquidates in the basin of my mind

mixing with machinary

creating a technical malfunction



I will forget what I forgot to remember

I will try to explain

how I can't explain

why the static in my brain

has a constant refrain



but

all of this is hidden

under layers of flesh

disguising the deformity

under my skin.
When the King came down to the counting house and found all his money had gone
he ranted on as only Kings can in the Kingly way
for a year and a day,
which was surprising but only in that it reminded me of the pea green boat and the ***** cat
the loss of his dosh had nothing whatsoever to do with that.
The King was now potless
not a penny to spare
he couldn't sell knighthoods or forested woods,
he was as they say,'boracic lint'
skint
a pauper.

His Daughter,
the lady Jamille
cried a lot
for now she'd to deal with the peasantry and pleasantly so,
she had to learn how to grow,
cabbages,turnips and broad beans it seems she did well enough to feed the family with vegetables
she could stuff tomatoes with mince because quince was 'orf' the menu
she made ragout and that was a mess,spilled it all down her best lavender dress and she cried a lot more.
Being poor was not good and being knightless and single was worse,she was sure she'd been cursed by some well versed old witch who was concocting a spell to leave her quite naked,not even a stitch to her name,
I did mention her name was Jamille?
yes
Jamille learnt to steal and to lie and to cheat
a normal occupation
if you have to stand on your own two feet (in shoes which she stole)
She got caught in the end and in the courts of the justice was ordered to mend her ways.
The old King was ashamed but could hardly be blamed for this circumstance which caused him such grief
it was down to the thief who stole all of his money and the same thief pretends now to be posh,
well he would do with all of that dosh
but we know different don't we.

Clothes may make the man as much as any amount of money can but
it does not make you a king and vice versa,
Berne Aramaic Element

From Bethlehem the messages of the fields of Moab are felt, after the death of Eimelech and sons Mahlon and Quelion, Naomi remaining alone, Alone in the middle of the ears. Lepidoptera would begin to fly in all the lands of Judah after this distressing event. From the far reaches of the fields in the hot afternoons, Ruth could be seen in the fields and in the Hera united tightly with Naomi, where each one fence after fence will go the other in the name of Jehovah. Ruth deliberately gathers the grain and ears with the sheaves, between the reapers and the swollen sheaves, to provide sustenance for a whole past life of famine brought by Naomi's lamentations. Then Ruth after gleaning the grasses, thanked Boaz by looking into his eye fixedly, being able to see in him, how to lift the hay and run it to the world of the midwives to feed the newborn children, that way everyone will eat and be satisfied with the pottage until they are very satisfied.

From this land of ears of corn, will arrive the celebrations of Shavuot and of good grace for the stay of the Hexagonal Birthright in Gethsemane. The actors and landowners of these lands are making a great contribution to this phylogeny (with the consolidation of the Aramaic language in the garden).

Ruth appears saying: “Look well all the field, we are all in it, we have water and enough heat from the Shemash ignition, to grow the ears of wheat, and here is the refuge of Jehovah who gives us his protection, making us an equal part of his children to sustain us. I feel great pride in being deferential to Naomi; she will help me with the ears that will migrate to Gethsemane, with the transcendent visit of the Apostle Saint John. The bumblebees, bees and wasps will be satisfied; they will provide the nutrient food to those who will have to make the communications in the garden. "Blessed is the food that it gives you by harvesting, preserving and lavishing it"

A great axiom of archaeological heritages begins to be evidenced in this agriculture of transmission from the field to the expression of the cognitive and emotional areas that represent the oropharyngolaryngeal endocranial molds of sheep that become inert with crops and insects. Here the beloved rhetoric of insects will intervene with personal wings from the basic prop of their emotions, attracting signals from the fields and their images described by the flocks of insects that migrated from this Ruth book passage, to be able to retransmit them with the phonetic signals that go beyond the spike, which is rather a settlement or a Kibbutz, current to mold or settle archaic civilizations under an idiomatic link, which will address the phylogeny as cephalization of invertebrate animals with those of the benefits of support of adhesion between so much science and simply the invocation of Jehovah bringing us food languages with nuances of religious joy.


Phylogeny in Gethsemane: **** erectus crossed multiple evidences of pro-adaptive evolution beings, - Neanderthal / **** sapiens. The children of Israel wrote parables, epistles, verses, stories and books ..., their vocal and phonetic tract spoke of storms and environmental factors between heaven and earth, of the "Great noise outside of us, but little silence in us." The elementary thing is the larynx that only has to pronounce the image that denounces a concept, evokes the minimum sounds in different positions of its instrumentalized mega sound. Talking about how language varies according to history, and the civic-environmental environment instructing us in its threshold and descent, by detaching itself by the air effusions of language at the laryngeal level. It authoritatively collects the intervals of vocalization and relationship with agriculture in all its dimensions, descending through its internal walls, but rising through our parietal emotions outside of itself.


Of the little air that the world has left, to continue digesting temporarily, it has to let the air flow, which is possessed of mechanically inert particles, and unsanctified prophecies with corollaries of miracles.  Inherence that has made the super existence of those who still do not perish by the hand of a monarchical mandate. Thus the mute swallows air in asphyxiating and polluted halves, while others redistribute them for those who need to sit at the table to pick up the Bread and share it with others. "Here the echo of my Christian body resounds." That in Aramaic, it will signify much more than the language in its blood, grapheme and phonemes or stylistics, it is the shock of vibrating beyond the deep ground, reverberating with the grace of its divine enunciation”. Joshua, swallows spikes and olive leaves simultaneously arranging us in his arms, as his children, a sheep in his arms giving us milk-hydro milk from the sustenance of his creative verb.  "A strict fact of preserving the Aramaic and not misleading them by turning the pages in history." The Aramaic must be incorporated for the times that Joshua after more than two thousand years He is still here walking from one place to another, to tell us that He is still here, only suggestive of your walk plagiarizing with your larynx the sound of his expression DE shepherding. The sheep is a mammal ..., more mammal than man, since its statement always reflects in the bases of its skull, for the rest of its offspring as a biblical language, under all the rainbows of the cherubs, together with the children surrounding them in identical intention. **** habilis - **** Sanctus, in a process that has a Christ base and peripheral anatomical capacity for language in the wandering of the sternum to confuse them with each other, not altering the structural or functional complexity. From the potential of the Lepidoptera and winged insects, the phenotype will arise that will relate and relativist the mechanics of the Aramaic or the Aramaic method, of not misplacing the tongue because it is divine, as well as divine and laryngeal torque of those who have Aramaic blood and body, since his mechanized mystique is to devour the smallest words with the maximums in a whole range of sounds of the field speaking of: "Come to my field here the spikes and insects will speak more than the mechanical potential of your Voice."

They continue through the field Ruth forming phonemes in small verses, which go hand in hand with the words and those that refer to them; They are settlements of those who do not speak only suggest the presence of Jeheová without being present, but if after being with his stomach satisfied, parodying the activities of the field with his poetry made reality in a poetic-hydric whole and of the transgenerationality of the ancient peoples who no longer speak .., "They only express their wisdom with agro-phrases of wheat ears and olives in all their songs."

After Walking through narrow cobbled streets, now they are full of character with the Bedouin fumaroles, it is like walking through a heart hungry for alkaloids and lipids; to tour its synagogues evoking an outstanding barrage of pilgrimages without knowing how much more they will have to accompany our steps. Jerusalem, the walls that protect it, are witnesses to many battles that have been fought "in the name of God." As well as the soil that speaks for itself. Without a doubt, the Mount of Olives can be seen from Jerusalem beautifully, but not in the same way the other way around. The trees, whose fruits contribute positively to the economy of the region, in addition to symbolizing strength, security, prosperity, give hope in the journey of history with the same thing that never tires of the same. The orchard or garden of Gethsemane, a name that refers to the olive presses that are used to extract and process the oil. According to the Gospels, the Lord came to Gethsemane with his disciples to spend some time in prayer. But, as the environment in Jerusalem was one of insecurity and high tension, due to the celebration of the Jewish Passover festival in a context of political and military occupation of the Roman Empire, Jesus, very saddened, began to feel anguish ... asserting himself from the branches each once felt an olive near his fingers.

Etréstles says: "All the physical, emotional and spiritual forces of Jesus, here are smelled digging into the organic tissue, experiences that go beyond the intellect ..., it is the own and unequivocal admissibility of military feet walking on the ground after their meditation and recollection. From today, when the lights in the shadows will fill the limits of the garden with ecology, the giant camels will have to graze when the atmospheres have to make the tribune grow grass on his evangelizing poetics, to have it for tomorrow in the dawn meditation. All the pros and cons will have to be lost with the guests prayers that will inhabit the spaces that human reason does not have to intervene”.

Meditation with the Cherubim, the hexagonal primogeniture and insects penetrating the divisions of time that the cessation of a breath is obtained and being able to offer with the imagination the inclemency of having everything just beginning. That is prayer; it begins cyclically and then returns to the beginning, without leaving us comforted to finish what does not enclose the lapse circle of the meditative circumambulation.

Apostle Saint John said: More than pain and worry, after praying, he regained his strength and courage to face life, with its troubles and betrayals, with courage, dignity and hope. But more than this atavistic-anthropological complex, it is the salvific integrity that the verb saves the verb, through the vibrational prayer of the sound and perception of the words, and more with the Aramaic sound that is narrowing like the streets of Jerusalem, to distinguish biases of praising essence in the elements of noise, almost to the harmonic limit of a sound perfecting in a psalm or parable, which emerges from its oropharyngeal movement, leaving without expiation the abrupt change towards Hebrew thought and doctrine, together with the external sound emancipating the perfect cacophony of its vibratory inner howl, beyond the ritual that satisfies our needs by having a Father. He sanctifies and purifies because it is life and the dawn of new land that lies in the garden of prayer, every time I have to get up is to take the Bible and look as in a whole interlocution for me prostrating, and every time I get up and that I speak with my father I am attentive to close myself to his dimension.

The food that returns and feeds back, is the blood provided with justice to inhabit the body that synthesizes its protein oratory. The food that you go there from a breeze and merriment, puts on the tables all its clothes to sit around, it is the lament that smells like seed that evaporates from the hands, it is the heat of the holy field. The food that speaks of inviting so many to sit next to us is the one who least thought he was lacking in love, and that he should not be prepared, being the one who would eat everything until he was satisfied, leaving nothing in the compote or yeast, because of he will persist the food that satisfies only for the one who has the excessive spirit of the famine of whom it can be satisfied. Gethsemane is a flowery field where Lepidoptera, drunk with angels, fly, who only have one mission; “Give food to those who owe the desire to eat and nothing else, because the rest that suggests it is abstention, and this will be procrastination of the verb, which ceases to create and endow even if it wants it, since all the support of life can cease at risk bread and wine more than a toast and cheers! Rather, it is due to the devotional nurtured circle of the action of lavishing the Son-Father circle, granting the establishment of hunger-satiety to forge genetic and paternal seeds to recirculate them in the procreation chain.

Eurydice speaks: “My body flames like a spike towards my beloved Joshua, I come from the mask of a ship. I went to Jerusalem to look for flowers, which pour out aromatic herbs to bring and bless their words tied at their feet. I was late and I have lost my way, unable to find my way back. I only saw that from afar some lights in the northern area of the orchard lit up like cycling olives exploding in the air in fireflies that swarmed next to the Lepidoptera ..., they guided me here. But I repeat, when I saw the lights I go back as a child in my distant Greece, with my Orpheus when I managed to sleep Cerberus near Lake Styx. But I reiterate ..., beyond the lights I have been able to see how the insects are weaving and concocting his words, my beloved Joshua, which the auditors will be able to help the square and interpret for many more than thousands of years, taking us with their pre-recipients that we they allow you to feel your voice and hear it as far away as if it were closer than the olive branch that caresses your face. But I reiterate, I never thought that I would get lost, I am even arriving as if it were the figurehead of the prow of my ship, I always wanted to be near a world of light from the Olive Tree of Barnea genetics like this one that has led me to meet it "

Eurydice heads to the holy place, when she approaches the Fireflies and Lepidoptera come out to collect her, she allied themselves to the twisted shadows of the olive trees sharpening in clear harmony with the mirror archetypes of the dark foliage, reflecting the green shadows on the wild fruits by the oleaginous branches that went towards the branches embracing with those of the olive tree or thorny thousand-year-old olive tree, procreating the sacredness and ancient magistracy, for Eurydice it was clear that in her nation whoever wounded or cut an olive tree had the penalty of exile, she knew that she was in the House of the Olives, were in transit to their maturation in the autumn months of the boreal hemisphere, with their raps decorating the wisdom of have it with a favorite daphnomancy or divination of Joshua's message with the olive tree, with its white petals like the apostle's cassock, becoming lumpy in its texture when the olive begins to be born emitting crucifixion howls.

Just eleven days, before the ekadashi of the full moon, the phenomenon of the beat occurred, which happens after a year of abundant olive harvest and another in which the harvest is small, here the change in nuances is evident and corrugated textures of the countenance of the olive trees, without it being possible to think that this phenomenon will necessarily occur biennially or triennially. It was suspected and it was known that the developing fruits would go in this event through their hormones and the substances that intervene in their growth acting as inhibitors of the differentiation of the buds, so many of them would change when they were transformed into a flower to do so in wood, and from this process it was deduced that the turn occurs when grass and gospel are needed. The actions destined to promote greater harvests in the years that correspond to load, by taking care of the planting of meditation, and the abandonment of it in the years of discharge that contributes even more to accentuate the failure in doubts of faith. Some varieties of olive trees are truer than others, so it can be assumed that a genetic component generates this phenomenon. On the other hand, there will be the Christian cultivation technique, reducing the amount of time, such as watering or early harvesting of the olive, stop the tables that need to have it on their tablecloth. In such a way, that this phenomenon will help together with the genetic phylogeny, to reinsert lost words expired from antiquity in the emanation of God's wisdom, through the universe acting as a great Drupe or peach, which will assimilate to be the amygdala that will allow to assent the sent vibrations when they connect with the plagued ground walked and retracted of the Messiah, bringing to his earth the words in Aramaic of the sacred salvation of his prosapia, word and surveying work; which will allow them to transfer some appropriate property of their spirit to Patmos when they return.

Says King David: “like the olive grove of Barne of old stone, it will serve us for the harvest in the morning, with its fat percentage it will help us to feed the Shemash fat in the new Sun to wield the winds that will curb the nocturnal mist of the waning moon. All of us as kings have been baptized with oil at our coronations, also coins traded in Kar, to pay their benefits, with the allegory of Yotam, in the Book of Judges to choose the king of trees ..., the olive tree refusing because it had to produce oil, in the menorah are the two tiny olive branches, but large ones are lighting up the great temple of life. Now we will need it, since the eleven days come before we rescind the cessation of Aramaic as a lost language, rather to reimpose it in the entity of its gesture-visual channel- and spaces of what it hears or hears in repeated aramic oropharyngeal systems and voices when lamenting in Hebrew cheerfully passages of the Torah, with the same meaning and channeling source of pentateuch. To recast him in the Barne species to transcend genetics, together with his phylogeny towards Katapausis and the monastic cell of St. John on Patmos with Vernarth. "

Eurydice kept giving atomic waterspouts of momentum at her feet, to soon reach Gethsemane. When she arrived, she saw how the cherubs were pruning the Olives next to the Hexagonal Birthright. Everyone was preparing for the festival of the olive tree in the Garden. She was nearing the end of King David's itchy speech among the Roses of Sharon, but on the cobblestones where a Cherub was replying to her, so that nothing would be wasted if she was heard by her figurehead ears. He arrives and carries the aromatic trans essences and flowers to begin with intuitive adoration for each barefoot step he took, each petal and particle of his essence revere the base of the invested Messiah, reaching the perfect triangulation of the acetoso balsamic and the thorns with flowered arámicos of this revival of the path of the Barne olive grove species, to initiate a night in which to rest with its pinches that it deposited when brooding between the eyebrows of the spiritual garrison that was stationed in Gethsemane.
Berne Aramaic Element
Shandel Pruitt Sep 2009
There is Power in my words
oh how i love these adjectives & verbs
my adoration of this language
rooted deeply in fables..
and mystic lore

set in place long before
my great great grandmother was named...

Weaving the lyrics of my mind
into a tangible form
something verbal and legible
that touches the heart...

Concocting experiments
to combine the English language
with the literary elements of old...

Praying that i add
the correct amounts
of this and that
so the resulting bond
of Chemicals
Eradicates your mind
leaving a ravaged wasteland
of thought


I am Astral
these words are my Pulse
bearing to you my Genetic Code
SVL Jan 2018
It's about 6 months later,
And your name continues to roll off my tongue
Like desperate droplets of water that,
Had by chance, gracefully made it's journey through the canopy of a forest.

It's about 6 months later,
And I continue to be tantalized,
As I reminisce about the moments of your very first touch.
The steady beating of your heart,
As my head lay stolid against your warm bust.

It's about 6 months later,
And your name still feels like home, yet so far away from home.
So close that I can touch it with my heart, but
So far that I can't even reach it with my arm.

It's been roughly 6 months later,
And I'm still not quite over you.
Your poetic stained lips drew me in like a bee to a flower;
******* up every single drop of nectar I could,
Concocting pure honey out of our love for each of us to devour.

It's about 6 months later,
And I am still entangled within your love.
Without the slightest intention of breaking free;
In hopes that I'll be somehow trapped for all of eternity, but,
Then again I have to think.
"Is this really the best thing for me?"
"Is the distance now between our hearts too far out of reach?"

Because it's been about 6 months now,
And it seems like you've moved on...
It's funny because I thought we would be together
Till Michael Jackson decided to sing another song,
Till Perry Christie gets re-elected, or,
Till Donald trump likes black folks at all.
All 3 things simply impossible,
As the thought of me and you not together.

But, it's been about 6 months now, and,
I'm beginning to feel a little bit under the weather.
"Together forever?", my friends would ask.
"Did you not hear me?" I would say
"Together forever, but for real this time...I'm sure of it...Trust me,
I know what I'm doing...I....love...him."

It's about 6 months later,
And I wonder every day if the thought of me ever crosses your mind.
If you think about us laying down watching the starry night sky while you're on your high,
If you happen to laugh from time to time about our silly inside jokes.
Remember baby, sigh...sigh...sigh...todo.

I sometimes ponder as to if it was real or was it just another story that began with "once upon a time",
But I always seem to find myself missing your poetically inclined, open mind, ******* you're fine,
Please take up all my time,
My heart begins to beat faster and faster.
****, I hope this story ends with "Happily Ever After".

It's about 6 months later,
And I pray that 6 months from now,
You will be able to look into my eyes and remember me
As the girl who has the audacity to be beautiful
Even on days when everything around her is ugly.
The girl who correlates your name with angels of a heavenly choir Singing at the beautiful exodus of her flight into the heavens.
The girl who was not afraid to get up in front of an audience
Of people she did not know,
Not only to prove to you that she was worth it,
But to pour out of her heart the startling truth...
That it's about 6 months later, and I am still solely in love with you.
This is something that I wrote over a year ago after ruining a relationship. The situation is long over with, in the past, and has no correlation to the present, but I felt as though I should share. Thanks for reading <3
Third Mate Third May 2015
as is our wont, she cooks, I clean.

a division of labor, that reflects
skills levels celebrating
les différences vivent!

sink-bent, over the grill pans,
with water thundering,
soap liquid armies/battles concocting
(secret, shh!)
nonetheless overhears her
chilling in bed,
veg TV watching
thunderous interrupted by
what he knows
will be minimum six or
seven sneezes

which is her wont.

one/two won't ever do,
she a veritable sneezing machine gun,
ever alert, the scrubbing man
becomes a danseur fluid,
performing a triple tours en l'aire
from kitchen to bed in three bounds

with swift and mighty leaps to new heights,
he makes his way to her side,
having plucked tissues,
from a nearby, overhanging branch
upon his way.

seven sneezes immobilize,
kinda like being tasered,
snowball-in-the-face stunners,
requires her man to be a her-o-dancer
to be a savior, gift bearing
of relief-aid to her side.

he returns to the kitchen work,
you cannot half wash dishes,
it's an all or none thing,
it's a man self back slap/clap of the hands
when satisfaction of job completed visible.

satisfaction of just rewards
should always be given
to heroes,
danseurs,
dishwashers,
one and all

so when he slips in beside her,
greeted with seven kisses
for seven sneezes

and this children
is no love poem,
but one of daily stories of
lives well lived in love,
where the mundane,
where the ordinary,
traded up into precious extraordinary
are ever on poems of life,
and ok,
yup,
love
too.


now slap/clap for jobs well done....
Nina Sousa Oct 2013
I laid there thinking of you
Dreaming of you
To only open my eyes and see that it was you
Breathing on my neck
In order for me to breathe you in
Taste your sweetness from the inside
Your innermost feelings penetrated my skin,
Through your breath.
And the way the sun looked behind your head
Shining, gleaming, like steam from a ***
Oh yes, you still make me sweat.
And your sweat mixed with mine is like every great love potion combined
Concocting sweet memories and love sick tendencies
Making me want you,
To tell me how you love me.
And the way your hands fit over mine, like perfect stencils of art made
because even then our bodies together make the most beautiful shapes
and not in the dirtiest of ways, but rather the innocent
the way we cuddle, hug  and love its simply
amazing
the way you trace the hairs on my head, the hairs on my neck the hairs on my arms all the way down the nonexistent hairs on my leg, only for you so that the ride down is smooth
smooth like your words that flow through my ears and tickle my nerves in every neuronal-space
that transmit through every fiber of my body and speak to every muscle telling me to tense
when I hear you whisper, “chill”.
And every time your fingertips imprint themselves on my skin
I know that those will forever be mine, for those fingertips are forever yours on me
On me I find your scent, your sweat, your fingerprints, your love
Is all around me, I can feel it when you align your cheeks with mine.
The way you rub your stubble filled chin through each dip and dent of my chin neck and chest.
The way your breaths somehow coincide with mine.
We are one and I realize the moment that I open my eyes
It’s not some dream my child-like, little girl, cutesy self is making
But those are your eyes I look into with the sun shining down
And your arms that hold me tight
And your breath that I long to feel at night.
paige elliott May 2013
Ana
sweat and fat and greed
she comes in
altering my consciousness --
concocting the wretched thoughts --
anew

rushing through my skull
deafening and pounding
confronting all that i am
all that i will be
or won't be

because of her
she smiles
flashing her fiendish countenance
a scowl and a glare
and i'm trapped
trigger?
Kevin G Brady Jun 2011
Zombie King
copyright me, 2007

soft-spoken because broken
amazed to still be here
louder and prouder than Lucifer
of nothing, for no reason
nothing more or less than a man
another man in a numberless land
done things to stay alive
compromised to survive
danced extremely closely to the flame
and stared into the fire
for as long as one could
longer than one should
stumble around now like a zombie king
numbly staring at a missing ring
like somebody stole the precious
just pushed along by drive
the only thing left
to seek pleasure
and avoid pain
beaten like a dog
just another turning cog
in the wheel of a machine
that he can't get off
but I can, man
saving grace
truth be told
is that you can achieve release
but you lose that right
if you leave the fight
to ****** the **** and jewels
while others go without
and so the zombie king
without his ring
stumbles around eventually to his grave
and there he may lie
for a million years
suffering no fears
concocting no plans
and avoiding the light of day
who can say
what would break the spell
and free him from
awareness without passion
easy style with no sense of fashion
and the spirits that he keeps alive
but not living
zombie king
missing his ring
Olivia OConnor Apr 2012
Oh those eyes;
innumerable amount of eyes.
Just following me.
Gazing at me. Staring at me. Glaring at me.
As if I were deformed;
a monster that doesn't meet
the quota for aesthetically pleasing.
As if I were a deviant;
fearing that they may the next victim
of whatever scheme I am concocting.
As if I were a cow
causing earthquakes with
each step I take.
As if I were a stick figure
recoiling at the slightest touch
for fear of the pain.
As if I were a diety.
Bold and beautiful
flowing gracefully across their path.
As if I were a genius.
Just waiting in line to hear
my views on the world.
Or maybe they're not following me at all.
Maybe they're looking right through me.
Straight past me.
They don't even notice me.
ryn Feb 2019
I often see myself...

Sitting in the shade
of a lone old tree
set in the middle of a field,
on a warm, breezy afternoon.

Leaning upon the trunk,
I’d feel its gnarly bark
gently pressing into the softness
of my back.
Making it seem as though
in turn, the tree, too,
leaned on me.

As my fingers play
with the tips of grass
that grew lush around me,
I’d think of people I know.
And whom amongst them
would share this joy like I would.

I would spend many moments
concocting poetic lines in my head;
As my eyes trace the haphazard
flight of butterflies.

An occasional gust would come
and sweep up
the fragrance of nature into the air.

I inhale...

Sweetness...

It lingers strong for a brief moment
before receding into the folds
and blending in with the smell
of the earth and freshly trodden on
grass.

Such a day would only induce
calmness and peace.
Such a thought would seem too far
to grasp.
But such a dream keeps me
hoping.
Owen Phillips Jan 2011
He slaved away
Day after day
In his dark laboratory
Particle colliding
Seldom backsliding
Concocting something inflammatory
Constructing, among other things
GOD in his first iteration.
The being of pure Intelligence
Who synthesized existence.
And now He, stationary, laboratory
Constricted in movement only by perception
he cannot tell why He is so quiet.
So cold and emotionless.
But at the same time encompassing
All warmth and feeling
The scienceman
With all his sciencetoys
Might tell you he understands anything
But then could NOT
Even describe the APPEARANCE
Of GOD
Because when you experience GOD
Everything is known, an assumed fact.
God knows you
He knows most
That which He knows not
We can't know
For He created what we know
And the way in which we understand anything
We can't know
That which He knows not.
GOD existed there in the laboratory
The scienceman, the fool
He did not create God in his lab
He destroyed
Destroyed his ability to perceive anything BUT GOD
And so he couldn't think about
ANYTHING but these complex
Heavenly thoughts
Even though
To understand...
Context. Is key.
And since he can't perceive
Anything beyond GOD
Because GOD created his perception
He can't understand any of it.
ANY OF IT
So he babbles like a fool
And some believe him
Some BELIEVE him
SOME BELIEVE HIM


And like that he becomes a gOD
But a gOD is not a GOD
Is not a God is not a god.
And so it seems
Any less than GOD ought to be
NOTHING
And so the statues
Molded and assembled in China
Crumble apart and then...
RECALL.

And so I lay me down to sleep
And fear that GOD my soul may keep
And I shall die before I wake
The scienceman's mistake

To live in fear of what I know
Instead of the unknown
And the unknowable
Destroys my spirit
And my will.
Nik Krutilla Sep 2012
Functioning alone inside a place,
Where I don't have to have a pleasant expression
Is a nice reprieve.
Just being able to contemplate about things
In no particular order
And let the mind roam around,
Until it bores and moves into the next thought.
That's when I feel centered.
That's where I feel free.
Not out in the world exploring and
Experiencing sights and sounds
But letting solitude open my imagination
From a remote spot.
Wondering...
Concocting...
Remembering...
Clearing...

Buil­ding up the resources for when the time comes To go outside
And let free all of what I've been evolving.
Letting the world see untethered me.


*© NDHK

— The End —