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"caroline" poems
Caroline loves the ocean.   Her soul sails on a Carolina breeze. But her music's in the mountains, and her heart's back home where it needs to be. I'm stuck here in a Carolina wind, wading in the ocean with my heart in Tennessee, and my mind on Caroline. Carolina's got everything a man could want. Everything he needs. It's got the mountains and the ocean. It has a Carolina breeze. He has everything but Caroline; everything but Tennessee. r ~ 6/22/14
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Jun 22, 2014
Jun 22, 2014 at 6:49 PM UTC
Caroline
A woman drew herself up from wrecked wood at the bottom of the ocean; whispered sea-songs into the wistful ear of a long lost love; shook her locks 'til his heart beat faster; looked longer than she should into the deep pools of his pleading eyes. "I will call you when I want to; I will call you when I want." Cooled his temples; breathed her watery breath as silvered beads streamed down his shocked skin.                                        ....... Rumors rock an empty drifting boat; a glazed shell faced with priceless pearl broken from its moorings, strangled by a knotted rope. "You have not chosen me, but I have chosen you" Hold fast the bestowed gift, your Quinquireme of stowed treasure. Protect its precious structure. "Who are you, the one who stripped my soul? Who is the third who stole yours?"                                             ......... Broken from netting I lie a beached starfish on burning sand, wishing the waves to wash me back through Time's receding current to find the silence that once was; to turn away before the sacrifice, before the Eye of the storm. copyright © Caroline Grace 2010
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May 20, 2010
May 20, 2010 at 2:05 AM UTC
The Eye of the storm
Attended by old friends and mentors the Great Bear's name is set in stone. Protected by the roof of his architectural cave his undying lines resound in the celebrated corner of words. copyright © Caroline Grace 2011
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Dec 8, 2011
Dec 8, 2011 at 6:04 AM UTC
Ted Hughes: A Celebration.
Shannon, Mariah, Serena, Maria Meridia, Midian, Sharon, Alliah Rochelle, Camille, Rose, Halo Trenna, Jessica, Ashley, Georgia Marla, Olivia, Sofia, India Daniella, Diana, Christina, Caroline Isabella, Amelia, Amanda, Matilda Nadine, Haley, Bailey, Francine Eliza, Annabelle, Kathryn, Sandra Melinda, Audrey, Aubrey, Emily Tara, Emma, Ginny, Kathleen Josephine, Helena, Charlotte, Laura Chelsea, Arkady, Megan, Kelsey Kayla, Karliah, Moana, Vivien Kaysea, Macy, Stacy, Lorraine Theresa, Felicia, Cecilia, Darlene Holly, Brianna, Alexa, Ariel Marianne, Miranda, Jennie, Coral Korra, Daisy, Penelope, Rayne Zoey, Cassandra, Grace, Stephanie
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Jul 27, 2013
Jul 27, 2013 at 12:34 AM UTC
Chromosome
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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Sep 1, 2018
Sep 1, 2018 at 10:04 AM UTC
Queens of Beauty
Georgiana Seymour,             Duchess of Somerset crowned _'Queen of Beauty'_ at the 1839 Eglinton Tournament,    the first known                         beauty pageant; W European festivals dating to the medieval era provide the most direct lineage for beauty pageants. For example, English May Day celebrations always involved the selection of a May Queen. In the United States, the May Day tradition of selecting a woman to serve as a symbol of bounty and community ideals continued, as young beautiful women participated in public celebrations; such as the beauty pageant held during the Eglinton Tournament of 1839, organized by Archibald Montgomerie,           13th Earl of Eglinton, as part of a re-enactment of a medieval joust that was held in Scotland;                                the pageant was won by Georgiana Seymour,                                   Duchess of Somerset, wife of Edward Seymour,                             12th Duke of Somerset, and sister of Caroline Norton;                 Georgiana proclaimed _"Queen of Beauty"_; Entrepreneur Phineas Taylor Barnum staged the first modern American pageant in 1854,           his beauty contest closed down after public protest; However beauty contests became popular in the 1880s;     In 1888 the title of _'beauty queen'_ was awarded to an 18-year-old Creole contestant at a pageant in Spa, Belgium. All participants had to supply a photograph & a short description of themselves to be eligible to enter; a final selection of 21 judged by a formal panel. Such events were not regarded as respectable; But beauty contests came to be considered more respectable with the first modern _"Miss America"_            contest held in 1921; Still the oldest pageant in operation,   the Miss America pageant was organized in 1921 by a local businessman as a means to entice tourists to Atlantic City, New Jersey; The pageant hosted the winners of local             newspaper beauty contests in the _Inter-City Beauty Contest_ & was attended     by over one hundred thousand people; _Sixteen-year-old Margaret Gorman of Washington, D.C. was crowned Miss America 1921, having won both the popularity and beauty contests, and was awarded $100_
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49
She's a star-charged satellite see how she orbits her restricted space. Uncountable revolutions so precise her ambition could burn a toe-sized hole in the boards. She never misses the point, if she did, her trajectory would send her way off course toppling  supporting roles, crashing into the wings to a ruffle of tutus, unfurling her celebrated petals from a tangle of tulle. But imagined misfortune will not befall her, she's perfection to the point of exhaustion and the likelihood of crashing is a million curtain-calls away. Her performance is flawless and the only impact will be on her enraptured audience. copyright © Caroline Grace 2011
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Sep 14, 2011
Sep 14, 2011 at 12:50 PM UTC
Prima Ballerina.
This year, Spring has been stopped in its tracks. Incessant rain has driven life underground, so as a diversion, we're putting on a play. It's not the real world, rather a representation of it. The director is a control freak, so her role is perfect- she can dictate without having to act. Rehearsals take place in the Philharmonic Hall where the local band used to practice. But the young have all gone to the city looking for work, so the drum kit in the corner stays shrouded in a black cloth and the unplayed snooker table supports our props. On the stage, the backdrop is dominated by a church. Its steeple points to God only knows where, aiming to instill pure thoughts. Impossible to believe, its true aim is to inject fear into its people- depending on your point of view. The main player likes to be different. He turns up. A vain attempt to give some structure to his life. Late as usual, he's unshaven, and drowsy with wine. No one can decide whether he's in character or himself. Waiting for our cue, we stand on the narrow balcony, flicking damp cigarettes into the river of rain below. Eventually, we all change, put on our monstrous armour, become the same curious creatures following the same script.   Except one.... who refuses to change, deciding in his own mind where he will play his part. So he pulls on his proofed coat and heads out for the bar. Outside, the power is off. The streets are silent. Even the cafes have closed earlier than usual, tables and chairs left out in the rain chained together, like prisoners crying for release. He slips along the cobbled streets, chanting his lines in time with his own footsteps: 'There are more dead people than living....the living are getting rarer.' Even he's not sure if he's quite himself or still in character. Briefly, the clouds part to reveal the cold light of the moon, the only thing in which he has absolute faith to guide him on his way. copyright © Caroline Grace 2013
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Apr 26, 2013
Apr 26, 2013 at 1:07 PM UTC
Rhinoceros ( a tribute to Eugene Onesco)
This year, Spring has been stopped in its tracks. Incessant rain has driven life underground, so as a diversion, we're putting on a play. It's not the real world, rather a representation of it. The director is a control freak, so her role is perfect- she can dictate without having to act. Rehearsals take place in the Philharmonic Hall where the local band used to practice. But the young have all gone to the city looking for work, so the drum kit in the corner stays shrouded in a black cloth and the unplayed snooker table supports our props. On the stage, the backdrop is dominated by a church. Its steeple points to God only knows where, aiming to instill pure thoughts. Impossible to believe, its true aim is to inject fear into its people- depending on your point of view. The main player likes to be different. He turns up. A vain attempt to give some structure to his life. Late as usual, he's unshaven, and drowsy with wine. No one can decide whether he's in character or himself. Waiting for our cue, we stand on the narrow balcony, flicking damp cigarettes into the river of rain below. Eventually, we all change, put on our monstrous armour, become the same curious creatures following the same script.   Except one.... who refuses to change, deciding in his own mind where he will play his part. So he pulls on his proofed coat and heads out for the bar. Outside, the power is off. The streets are silent. Even the cafes have closed earlier than usual, tables and chairs left out in the rain chained together, like prisoners crying for release. He slips along the cobbled streets, chanting his lines in time with his own footsteps: 'There are more dead people than living....the living are getting rarer.' Even he's not sure if he's quite himself or still in character. Briefly, the clouds part to reveal the cold light of the moon, the only thing in which he has absolute faith to guide him on his way. copyright © Caroline Grace 2013
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35
I sat chatting to Alison of what I can't recall. Why she was here I had no idea at all. Ian laughed and made a reference to Cruella De Ville, a pet name for my ex that makes him giggle still. Then she entered, seemingly frantic, papers dropped floating like feathers. Her hair trailed as though chasing to catch her as she raced through the world. But no man could catch her as there was no race she was not even there but visiting the same. She spoke loudly, her words echoed of Edgar Allen Poe. Deep and mysterious, soft in reference to my very thoughts. She seemed familiar, yet not, oh how could that be? Real and not there, I thought I had met her. But probably not yet? She opened a book and said listen to me she spoke so softley I just agreed. I can't remember a word that she said only Alisons laughter and Ians nodding head. They sat next to us but faded away I was losing reality but needed to stay! The librarian rebuked them and I turned away, then I realised it was Caroline who was sat at the desk. She turned and smiled and started to say Hi I'm.... Before she could speak I said "Caroline" I know She smiled and leaned towards me, then I woke The dream blown to infinity. The library gone.
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Feb 2, 2014
Feb 2, 2014 at 8:37 PM UTC
Hi I'm Caroline
There are things I did not do. I did not touch you. You died. Without a sound. Your soft brown eyes pierced me. I saw you go in the quiet way you did everything. I knew you were gone but not before I knew sadly, silently that I could not hold you in a final embrace. Closeness had run out so long ago, though we loved until the end, bereft of speech, as we we were bereft of touch. I bowed to your blank stare. I would have died for you if I could have. but I could not save you from this destiny with the Father Who Loved you Caroline Shank 2.2,2023
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Feb 4, 2023
Feb 4, 2023 at 5:32 AM UTC
The Empty Bed
Tedium brought them here. Bored with routine head-counts, museums and man-made landmarks. Impulse told them To flatten the silent fronds, Blindly tear down the hampering vines, Rattle the industrious cities beneath their feet. Curiosity led them To this patch of unkempt squitch, This sacred space littered with clean bones. No words came with them. Only Observation... ... a leaping fire tended by savages Polished teeth strung around their necks, The bark-ridged skin, The supernaturally piercing eyes, Their ashen members grazing the farinaceous earth. At the heart of this sacred place Littered with the clean bones, Condesention covered them with coats, Misinterpreted grins exposing evidential remains. Fear penetrated their too-white skins, Their souls through the sockets of their eyes, Their clattering teeth. All this is true : The scattered bones, The brass buttons blinking through starved ashes, The arrows in a glass case. copyright © Caroline Grace 2012
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Feb 23, 2012
Feb 23, 2012 at 10:27 AM UTC
Tribal Vibes.
A faded photograph Hangs on the wall Evoking memories Of times gone before Transporting me back To younger days Of innocence and dreams Of simpler ways Those vintage times When life was fun With skies of blue Endless days in the sun Carefree years Of summer wine Status Quo on the record player Singing Sweet Caroline "Every Sha la la la Every wo wo wo still shines.." Why can I still remember All the lines Of those songs played Oh, so long ago Across the waves Of my radio? "I think I love you Isn't that what I'm afraid of?.." Lyrics never forgotten 45 rpm statements of love Radio Luxembourg playing Hidden under the covers With melodies about life Betrayal and lovers "You're the best thing That ever happened to me..." Nothing learnt in school recalled So well as lyrics from '73 Dancing Queen was another Vinyl classic joining the mix To enter my subconscious In 1976 I glance in the mirror Expecting to see A reflection of the girl Who used to be me Someone carefree Someone bold Instead, I see an image Of a woman growing old The years have flown For this troubled soul Who's lived a life Which has taken it's toll The eyes are tired The hair's turning grey The heart's battered with scars The wrinkles here to stay Then I think of those songs From the days of my youth Considered classic gems Now I'm long in the tooth They're still being played Still giving pleasure Just like the old girl in the mirror They're vintage treasure Nicki Tilston.
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Jun 18, 2015
Jun 18, 2015 at 8:26 AM UTC
Vintage Treasure
Four white walls adorned with posters. Jimi Hendrix, Pink Floyd and an odd cluster of animals and dinosaurs. and a strange man relaxing his pores. I could learn something from this The wall space around Van Gogh is lined with empty cigarette boxes. A constant reminder of life shortening though they encircle the skull like rabid foxes. I've lost count of how many I've smoked The carpet is littered with stains. A reminder of past strains. Even industrial shampoo will not fade the marks scarred into. I've been here too long The drawers are a symbol of a cluttered mind. Nothing is organized. but anything is an easy find. Random thoughts make the air stale. Only freshened by the 3pm arrival. Its just junk and coupons Its difficult to balance all these things out without a feminine touch to soothe. A soft laughter to rile the doubts. Another pair to line with my shoes. I'll be with you one day Caroline
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Nov 26, 2012
Nov 26, 2012 at 4:58 AM UTC
Equilibrium
i’m drowning in new york city. i want to die, again. always! why is it like this? i hate everyone; i want my ****** dramatic burlington life and friends back. her, him, those two, even them… i want it back. i wanna be no one. i wanna be everyone. i;m full of emotions that i don’t want because everything is so different except for them. no matter what i do the doom and gloom is always there. i wanna change my name i wanna get a dog—auggie or esme, a red border collie—and flee to the south. I WANNA DRINK MYSELF TO DEATH. i see these visions of a stable, happy, healthy version of myself but i also see these visions of me literally not making it past age 21. i’m eternally stuck on self destructing. but why? why! everything is good but it’s never enough. i’m never enough, it’s never enough, he’s never enough (whoever he is at any given moment) sam says he’ll fly me back to santa cruz and my insanity says do it but the small semblance of “morals” i still possess tell me not to… only because of my parents. because of joe. i don’t want to hurt them. i don’t want to hurt anyone. but i’m hurting. always. forever. unless i’m drunk. no, wait…even when i’m drunk. i learned that the hard time this last run. but life is meaningless (words are meaningless and forgettable) and time is a flat circle blah blah blah i’ve been here before i’ll be here again everything i do i’ll do over and over til i die. if i don’t get drunk anytime soon i will eventually. eternal return; the emo version of destiny. remember when caroline myss’ book told me my highest potential was “victim”? i’ll be drowning forever. i’d rather be drowning in absinthe than drowning in aa meeting coffee. i ache at the beauty of the world; the beauty which i will never achieve or be a part of. i cry and i cry and i cry. i want to be beautiful and pure but it’s all so dark. all the people i’ve loved and who love me…i weep and i weep and i weep. i can’t breathe fully; why do i wish i could not breathe at all? i look back at all my pasts as if they were yesterday, and yet they all feel as if i’d made them up entirely. disconnected and yet fully involved with each and every era of my evolution… and yet i swear, i haven’t truly changed a bit. the details change—the scenery, the faces, the dreams… but all the emotions…all the thoughts…they stay the same. “i won’t change, i’ll stay the same—darling, fade away…” fading & falling & then blooming for a single lovely night time is a flat circle. i ache, i weep, i cry. i naively hold onto the hope that someday…someday i’ll be okay. please, god. i have to be okay. i have to turn off the bon iver. i’m just trying to breathe. maybe someday.
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Jul 30, 2018
Jul 30, 2018 at 1:27 PM UTC
maybe...
i’m drowning in new york city. i want to die, again. always! why is it like this? i hate everyone; i want my ****** dramatic burlington life and friends back. her, him, those two, even them… i want it back. i wanna be no one. i wanna be everyone. i;m full of emotions that i don’t want because everything is so different except for them. no matter what i do the doom and gloom is always there. i wanna change my name i wanna get a dog—auggie or esme, a red border collie—and flee to the south. I WANNA DRINK MYSELF TO DEATH. i see these visions of a stable, happy, healthy version of myself but i also see these visions of me literally not making it past age 21. i’m eternally stuck on self destructing. but why? why! everything is good but it’s never enough. i’m never enough, it’s never enough, he’s never enough (whoever he is at any given moment) sam says he’ll fly me back to santa cruz and my insanity says do it but the small semblance of “morals” i still possess tell me not to… only because of my parents. because of joe. i don’t want to hurt them. i don’t want to hurt anyone. but i’m hurting. always. forever. unless i’m drunk. no, wait…even when i’m drunk. i learned that the hard time this last run. but life is meaningless (words are meaningless and forgettable) and time is a flat circle blah blah blah i’ve been here before i’ll be here again everything i do i’ll do over and over til i die. if i don’t get drunk anytime soon i will eventually. eternal return; the emo version of destiny. remember when caroline myss’ book told me my highest potential was “victim”? i’ll be drowning forever. i’d rather be drowning in absinthe than drowning in aa meeting coffee. i ache at the beauty of the world; the beauty which i will never achieve or be a part of. i cry and i cry and i cry. i want to be beautiful and pure but it’s all so dark. all the people i’ve loved and who love me…i weep and i weep and i weep. i can’t breathe fully; why do i wish i could not breathe at all? i look back at all my pasts as if they were yesterday, and yet they all feel as if i’d made them up entirely. disconnected and yet fully involved with each and every era of my evolution… and yet i swear, i haven’t truly changed a bit. the details change—the scenery, the faces, the dreams… but all the emotions…all the thoughts…they stay the same. “i won’t change, i’ll stay the same—darling, fade away…” fading & falling & then blooming for a single lovely night time is a flat circle. i ache, i weep, i cry. i naively hold onto the hope that someday…someday i’ll be okay. please, god. i have to be okay. i have to turn off the bon iver. i’m just trying to breathe. maybe someday.
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53
I knew you from another time, another country, watched you flicker between the shrill squeals of children's voices, trace crystal on reflective faces. Long forgotten, you followed me here to dance your brittle death over my body's contours, startling me into submissive white. My skin shudders. Your cold hands surprise me, long bones flecked with almost-snow shrivel my seed to a dry husk, my fruit to rotten pulp. You are alien here. Like a thief you fling back my golden quilt, steal the colour from my cheeks, reduce my indigenous offspring to a spineless slaver of translucent gel, terrified milk running to ground. After of a night of white terror you sigh over me, roll your eyes over my corpse leaving the whole withered, impartial to my wailing on account of your ungovernable nature. copyright © Caroline Grace 2012
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Mar 23, 2012
Mar 23, 2012 at 10:10 AM UTC
Night Stalker.
I'm from Sister Shubert's rolls and homemade chicken and dumplings From bowling late on Thanksgiving night to trying to be the first one to find the pickle in the Christmas tree I'm from the smell of my mom's famous pies (pecan, chocolate peanut butter and Kentucky derby fresh from the oven) From "Sweet Caroline" and "Oh Happy Day" I'm from the macaroni and cheese I never realized was good From "Dance with the cow in a patch of clover" and puzzles on Nana's steps I'm from Rook parallel to the bathtub From my three favorite windows in the whole house and crazy surprises in my lunchbox I'm from reading dad's sermons over his shoulder early on Sunday mornings From lightning bugs and fried okra to the quote board and pickle pancakes I'm from biscuits with honey for breakfast every Saturday From McDonald's delicious chocolate birthday cakes I'm from ***** feet and a pitch black washcloth And that's the only way I'd want it
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Aug 9, 2013
Aug 9, 2013 at 4:47 PM UTC
Nostalgia
You will know the house, Caught up in a spell of tales played out for a century or more Within earshot of whispering catacombs *** mortuis in lingua mortua’ You can’t miss it – Architecturally complex, ornate with ormolu, Elevated, enigmatic, a work of art. You’ll be enchanted But take heed, its façade will beguile you. There is no sweetness of honeysuckle, No singing of ascending larks to embolden the heart. The plot is strewn with hen-bane, stinging nettles, snakeroot. Generations tell of a skinny hag feeding on innocence, A path scattered with ashes of children Whisked away with a broom of silver. Don’t dare to stray beyond its palisade of porous bones. Don’t bide your time admiring its guilded thistle. Appreciate if you will, this well-crafted masterpiece from several angles, then make a hasty escape to Viktor’s Great Gate at the end of the walk. copyright © Caroline Grace 2011
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Jul 16, 2011
Jul 16, 2011 at 8:56 AM UTC
The House on Hens Feet
At an angle of ninety degrees, two trees share the same plot. This one grazes the eaves, seeking vain attention in the window glass. The other, its grey ghost lazes prostrate on the herb garden, reveling in secrets of lemon balsm and thyme. At night, the first becomes demonic, obliterates the universe, branches scraping the pane, scratching like fingernails on slate, its coppery leaves trying to get in. Its partner slinks to earth, seeking solace, wringing conterminous roots till sunrise. I've had my fill of these unrested moments fighting the pillow, not settling. There is no joy in seeking stolen stars. My dilemma grows horns. I half dream of ****** at least amputation. But even the dimmest light shines in the dark - I consider its tormented destiny. At daybreak, like a ****** I scale its gnarled branches ridiculously one-handed, the other a keen-toothed weapon. I am an agile goat shinning upwards feeding on dreams of peace. Lost in the sky, I become sap, melt into its arms, (a vertiginous release) I become a curved branch. (There's someone standing in my elbow!) Leaves helix down, settling on autumn crocus. “Look!  Gold on gold!" The grey ghost yawns, grows its shadow, waves its arms demanding justice. I wave back. Suddenly terrified, I secrete an invisible scent. The branches contract, tense as ligaments. My heart plummets, rolls out recumbent, presses heavily on the earth listening to fleshy roots recede. A few deft cuts...... Sun gutters through bereft spaces, striking the window. Both trees a shade lighter, a lighter shade. Tonight I will dream under visible stars, feel the moon's half-light slide over me. copyright © Caroline Grace 2012
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Mar 2, 2012
Mar 2, 2012 at 12:12 PM UTC
Sky Climbing
At an angle of ninety degrees, two trees share the same plot. This one grazes the eaves, seeking vain attention in the window glass. The other, its grey ghost lazes prostrate on the herb garden, reveling in secrets of lemon balsm and thyme. At night, the first becomes demonic, obliterates the universe, branches scraping the pane, scratching like fingernails on slate, its coppery leaves trying to get in. Its partner slinks to earth, seeking solace, wringing conterminous roots till sunrise. I've had my fill of these unrested moments fighting the pillow, not settling. There is no joy in seeking stolen stars. My dilemma grows horns. I half dream of ****** at least amputation. But even the dimmest light shines in the dark - I consider its tormented destiny. At daybreak, like a ****** I scale its gnarled branches ridiculously one-handed, the other a keen-toothed weapon. I am an agile goat shinning upwards feeding on dreams of peace. Lost in the sky, I become sap, melt into its arms, (a vertiginous release) I become a curved branch. (There's someone standing in my elbow!) Leaves helix down, settling on autumn crocus. “Look!  Gold on gold!" The grey ghost yawns, grows its shadow, waves its arms demanding justice. I wave back. Suddenly terrified, I secrete an invisible scent. The branches contract, tense as ligaments. My heart plummets, rolls out recumbent, presses heavily on the earth listening to fleshy roots recede. A few deft cuts...... Sun gutters through bereft spaces, striking the window. Both trees a shade lighter, a lighter shade. Tonight I will dream under visible stars, feel the moon's half-light slide over me. copyright © Caroline Grace 2012
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50
Billy Wynne Veracruz best baseball pitcher ever Me Mestizo beloved by the shore a teen a wannabe Mom wannabe wife. Within his theme songs In beautiful mystic Vera-cruz. From the Shaks restaurant my cashiering job Pitcher asked to walk by the ocean hand in hand. Baseball players eyes glared so sea-sky blue. Tallest Knight touching hands. Handsome king of hearts "Sweet Caroline song blasted on pitchers radio cassette player and " The great Pretender,* The hours long. Smooth all passion seed withheld and me fire firefly flew away.. ~~~ Kings like you ought to have many wives and many babies Your kind are the crown jewels of fatherhood and motherhood best super human seeds divine Your legacy rules Earth. ~~~ I found my own reign, great treasures my king heart of gold like mine, called me beauty himself Beast. Loved to be a one woman man for a one man woman like me his rddbba-Ginny. We fell in love at first sight my true love my handsome American. Such elite chose me to change Earth he was the bridge and me his worldbringer portal to heaven his star seed. My once upon a time my twin soul, twin flame King of hearts, became my imaginary best friend my owl of wisdom my everything. Our theme songs were Spill your heart to me, and what a wonderful world by Armstrong L. We were also beauty and the Beast. The memory of my knight my king lover, my true love my companion, keeps me safe and sound. ~~~~ By: Mr. and Mrs. Andrews. Honoring Karijinbba
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Jun 23, 2023
Jun 23, 2023 at 8:35 AM UTC
Wynne Pitcher & Ginny lamp
When I hear you express an affection so warm, Ne’er think, my belov’d, that I do not believe; For your lip would the soul of suspicion disarm, And your eye beams a ray which can never deceive. Yet still, this fond ***** regrets, while adoring, That love, like the leaf, must fall into the sear, That Age will come on, when Remembrance, deploring, Contemplates the scenes of her youth, with a tear; That the time must arrive, when, no longer retaining Their auburn, those locks must wave thin to the breeze, When a few silver hairs of those tresses remaining, Prove nature a prey to decay and disease. Tis this, my belov’d, which spreads gloom o’er my features, Though I ne’er shall presume to arraign the decree Which God has proclaim’d as the fate of his creatures, In the death which one day will deprive you of me. Mistake not, sweet sceptic, the cause of emotion, No doubt can the mind of your lover invade; He worships each look with such faithful devotion, A smile can enchant, or a tear can dissuade. But as death, my belov’d, soon or late shall o’ertake us, And our ******* which alive with such sympathy glow, Will sleep in the grave, till the blast shall awake us, When calling the dead, in Earth’s ***** laid low. Oh! then let us drain, while we may, draughts of pleasure, Which from passion, like ours, must unceasingly flow; Let us pass round the cup of Love’s bliss in full measure, And quaff the contents as our nectar below.
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1.7k
To Caroline (IV)
If you kiss me now our eyes will close and we will push against each other like fruit vying for the light, In the nightpain of loving our eyes will slowly open and your face will wilt until its cheeks and crevices dim under the sad symmetry of our public lives. If you kiss me now I will forget the grown repair of skirt alone in the loud sound of memory as it slips ever so gently away. Caroline Shank
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Oct 3, 2021
Oct 3, 2021 at 5:48 PM UTC
If You Kiss Me
Mid October takes its end of season's leap into the solitude of post-tourism autumn. The landscape shows its truer face to celebrate the reassembly of local solidarity. Tat and trim tucked into hibernation, chalkboards erased, scant takings totaled, inflatables deflated. Unsold crafts packed between pages of yesterday's 'Correio de Manha' Shocked freezers stand open-mouthed their diet of ice dwindled to a thin trickle. Sunshades collapse in deep south style, redundant loungers relax supine. Kids slope back to school - a mule-train of shoe-scrapers packed to the hilt dawdles through warming scents of post-salad indulgence, sweet with the street-aroma of 'feijoada', garlic, and  aromatic oregano pot-grown in a back plot, littered with discarded placards and tired bikes. Past men leaning doors, unsure of new routines, idle hands and minds with new time to fill mostly in cold bars for warm camaraderie. Women pick fitfully at quiet-season's crochet squatting to gossip under a white wash slung and pegged, stick-sure against thin bleached facades. Under Planes, old comrades congregate shuffling at a make-shift table, tired eyes set on cards, playing for cents under a limited sky once defined by Salazar. Car parks thin. Beneath the russet canopies street-sweepers scorn a reckless wind, where still sun-crisp leaves gather in gutters, thirstily anticipating the first deluge under autumn's gathering clouds. copyright © Caroline Grace 2011
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Oct 11, 2011
Oct 11, 2011 at 7:13 AM UTC
Closing time.
Trapped in the definition of his interior, he had become an invisible thing. In moods deeper than dark ebony repetitive folding and unfolding of nefarious reasons pushed him to step outside his restricted vision. Lost perhaps? Or provisionally eclipsed? A luminous slash hinged his door, the cicatrice between brooding paralysis and explicit dreams. ............ Here on the ledge, teetering on the cusp of obscurity and mountains blinding peak, his sight catches a net streaming from an open window- billowing freedom. A metalic thread glitters through him, its coppery tang branching across clenched fibres igniting his fingers, his tongue. A mute cloud disperses. He stands in the presence of a revelation. Through the smoke of his eyes he steps off the threshold plunging into burnished sun, his head incandescent with foreign scents. copyright © Caroline Grace 2012
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Feb 17, 2012
Feb 17, 2012 at 6:35 AM UTC
Man on a ledge.
I Found God I found God in a Baptist Church in Milwaukee. Faith, small hands and scratched bibles. Warm cookies. The delicate and the children. Their names in coded words on the skin under my arms. . Dedicate: the day to the great E. Perience. There is a new Age coming. I smoke a cigarette. God arrived in fancy clothes. Women dressed, frown. Still voices in the Wilderness Witness the Beloved baptism of perfumed sinners I smoked for them all. My fee for being previously Apostate. Caroline Shank
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Dec 14, 2021
Dec 14, 2021 at 8:13 PM UTC
I Found God
It's not the shy flowers that beckon it's the distraction of perfume. A predetermined breath designed to confound the senses, drag you to your knees, excite olfactory receptors, jangle neurons, axons, dendrites, wow you with silken notes of milk and honey, no.....musk, no.....warm vanilla, no..... (attempts to translate their fragrance would dumfound a dictionary) Then, Parisienne sabonettes come to mind, in limbic wafts spilled from a half open box. copyright © Caroline Grace 2011
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Oct 1, 2011
Oct 1, 2011 at 7:41 AM UTC
The scent of fresias.