You can bleach your hair
Or cut it off with a butcher knife
All of this done by candle light,
In the middle of the night

Get him just drunk enough
On perfume liquors in the backyard
And whisper little things about
The parts of you made of glass

Trace his name across
Your open veins in vibrant reds
Mailing him dim lit photos
Of  scar tissue evidence

Crash your car into the drive-in movie screen
Think about how things could have been
If you never let it slip
That you dreamt of his top lip

What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.

I want to wake up the neighborhood
To hear my screams at dawn
But they do not hear anything,
Do not listen to anything that happens in the morning.
I play my music in the streets,
All my poetry and clichés
But they do not understand anything,
No one understands what happens at dawn.
I walk the streets looking windows,
***** children in their rotten rags
And I cry with those who are hungry,
I do not know who cry or love…
I embrace the poor in spirit
And hear all your stories poor,
These poor and pathetic poor souls
It is my right meeting this cold morning.
I go through the streets and alleys damp and dark
And I hear a child crying…
A repetitive and child crying wretched
What is the worst of all choruses?
I see people and their hurried footsteps
Everywhere, everywhere…
I'm afraid to follow my tracks
And I hasten my steps through this city.
I hear the sirens screaming in the streets
Mixing the sound of nightclubs crowded
And the sound of twisted metal
Creating a new contrast, another type of cry.
I sing with you almost every night
And sometimes I wonder: where are you
He left so early and left me here...
Now I’m alone! I’m alone!
God, I try and cannot understand
Reason to justify this life.
I am a pawn in the game you do not see
Every dawn until dawn.
Something touched my whole being,
Something I do not understand and do not try to understand,
Something that comes up every day when I wake up
And after me until nightfall.
Something happens,
Something moved,
Something incomprehensible,
A new friend?
They say that being is almost live
And living is the limit of what you can want.
In fact, something happens that one wants to be here,
However, not all this desire craves.
Nothing is enough
When no longer feels the aroma of flowers,
When the color no longer thrill
And they cannot be sold to look.
Gave me such rare moments
Feeding the future although at present,
But waking I do in all my steps
Get me the taste of things even in thought.
In my noble and poor land I wander
And I feed the memories of liars,
Get drunk me with joy and gladness
And insistent way in the land of lepers.
In my humble vacant land,
Time is proud, ignorant time.
Hunger is rampant around me,
The flesh is weak and soul idem.
I ask as much as the worst of sinners,
Wasting a time that no longer have,
Not differentiate right from wrong,
Share supper with my detractors.
I do not feel the taste of wine,
I do not recognize a smile,
I do not remember the hugs,
I'm finally alone!
I weigh my conscience in the balance of a butcher
And the butcher tape me with ravenous eyes,
There is no any agreement on the price of the meat,
Nor is the first or second.
God, you who are owner of the ages,
Give me the hours its final minute
And cause the whole world to know
That left miserable after all.
Grant then that desire
And finish time with this work,
Free cities this unfortunate
Who insists on knowing what nobody knows.
When there is fever, it makes no difference,
There are times the blood is poison.
Red is the color of anger and sin:
The poet knows when he is sentenced.
If there is even poetry these avenues
As equal in different cities,
To be recognized
For the sake of pursuing life.
Burial in the deepest memory
The giant concrete towers,
The grotesque glass structures
That mimics a new artery.
A new artery,
A new lifestyle,
A new company
And an early cardiac arrest.
As the cars kissing the avenues
Meeting the perfect companion
That tells me in the ear:
"Accept me as the only one"
Finally, fear runs through my veins
And feeding a forgotten feeling,
An absurd desire to see the next day
And try another outlet.
All the streets are congested.
A whole shantytown has just been set on fire
While some locals try to save
What remains of an entirely bankrupt life?
There is a twist
Around this humble heart,
A carnival,
Almost a provocation.
All veins are old and weak,
There is melancholy at all.
Even without poetry,
Without free will, there is life at all.
This city is just brick,
Metal, sweat, concrete and glass,
Cement stuck to feeling
Often beautiful and often ugly.
This city is sand,
Concrete and feeling,
Sorrows and joys,
Poetry thrown to the wind.
Some people learn early, some not -
Live life day in and day out.
Some dance to the song,
Others are lost before the chorus.
Some are always right, some not -
Many are lost in illusion.
While some running, others sleep
And all seek some direction.
Some dream rock bottom,
Others dream of the river bottom.
Some seek independence,
Others are the exception.
Some people win,
There are people who are lost,
Some people becomes the problem
And others think is the solution.
Digress weather
What about the "types" that encounters in this life.
I lose a second in this lost time
And even with so little sense, how rare is the time!
If you have no idea, nor do I know.
Maybe the hunger that consumes me consumes you too.
Perhaps the addiction that affects equal
Is something that arises only between abnormal?
I addiction with its tapas
And in each sip of his cup,
Each exaggerated affection offered
In exchange for a few bucks.
I ***** me with your lies
And assimilate water from your gutters,
I learn new shortcuts in every way
And erase the traces of my own steps.
I chase you in every church and every home
I swallow my irony,
Visit each elderly
And make friends with the hospice house.
Far reaches thy wickedness
And how many hugs another's grief?
Can evil be so inspired?
The point of the very surprised to be expected?
Life bleeds leaving the left chest
The children of the world that the world does not want,
Spread the news that sadness has hair
And more brown eyes than mine.
I notice refinements of cruelty
In this urban masochism
Where poverty has older
And the lie became just a vanity.
I transform
In all more abhor,
I emerge in the mirror
As my own killer.
I suffocate and tie in the dark of my room
Little souls endangered
And throw in the trash the dreams of those who
He believed devoutly one day be part of reality.
I still feel the skin marked by fire
The brand that hurts the brand of truth
And I pray that one day cease searches
And everything becomes futile.
The happiness of fuel
Corrode and fades away slowly
Gradually me satisfaction
With the balance that sustains me.
When I look at my own face, it hurts.
I exhale the body the rest of fear
And I try not to see how strange the line of truth -
Seeking the path that leads to freedom.
Disguise my desires
And repress my absurd,
Hug each nightmare
And hide my darker side.
I try to see something beyond the abyss,
Find something else beyond the walls,
Transcribe all longings
Hidden behind every dream.
I am eternal,
Sinister,
Land and fraternal
While the world lasts.
There is this chest a divided heart
Created almost between two worlds,
The world is inside the abyss
And what one sees behind the walls.
My corner is stumped
As well as the small voice and uncertain
From the little that is hidden on the other side,
My other side of that wall.
What have other corners?
They also have these sides
But what counts in these corners
Also rhyme in other valleys.
Bright lights bother many people.
Darkness feeds inconsequential.
High walls with brass railings gleaming
Are contrasts in painting a colorless screen?
Urban flowers are so amazing
And this depression is so exciting.
Smiles are bitter and needy
And the pain married to vows of love.
These buildings are so interesting,
Where the wet streets at night shine like diamonds,
Where transiting the fair and honest
Munching vanity and rancor.
The cars pass and illuminate so many people,
Whites, blacks and children without color.
Poets are so tucked the irreverent
Assimilating the pain and all that is.
I see lives that trace the same plane,
joy of generations by mistake ,
Marks of time that are pure desperation
Charting together a colorless future.
I see faces full of hope
Burning in public because of their color,
Those who live without even realizing it,
A cold paint drips without why.
Bodies dancing high parapets
Almost always go so early
Challenging theories and concepts
And ignoring all kinds of love.
My steps are so slow
And so intense movements,
The faces are always the same
And I hope again the sunset.
Justice who is in charge of giving clemency
The presumed innocent
Transiting the streets
Spreading hope and love.
I want to have a chance to see the birth of Venus
And the annunciation in the middle of spring,
I want to be like St. Augustine
And read the scriptures by candlelight.
I want to be like Van Gogh and paint sunflowers
Even in December the ink is red.
I want to have new flower garden in the backyard
And the kiss out of my lips is never accidental.
Just want something passionately
Even being so blind and alone?
That goodbye is worthy
And everything to return finally to dust.
The idea comes suddenly
To celebrate as an illiterate,
Prepare a table and invite
Only those who are hungry.
All this turmoil,
All this protest,
All thefts
This legion inside me...
Melancholy has always had its place,
Love, sadness and bitter returns,
Feeling alone and be like shadow in the crowd
And embrace the darkness itself.
Find it romantic suffer
For pain that recognizes pain that always sees
It is more than a disease, it is a love affair
For all that hurts and causes pain.
I let them think I was defeated
With the unexpected attacks
Of those who cry shouts of victory
And they forgot to be buried.
I leave them to play in my back
The guilt of all blame,
Let it burn my entire story,
It does not matter that much.
My lips run on search words
And my eyes run in search of beauty,
Drawing liar’s feelings
That shut all the bells around.
Words come out like blades
In hoarse voice coming out of my mouth
This other me who hates me so much
And all challenges at first.
In the spring mornings leaves dance
Rehearsing his ballets from the rising of the day,
Is this life?
It’s this they call life?
I want to find the lost word
Among the tasks of the day to day
What is so profane?
The prohibited!
I want to meet a new season
Bring me a sense of relief,
Find what they call happiness
And maybe learn what it is.
An epidemic,
Leukemia,
Rimes illustrating
An eternal melodrama.
You cannot have everything!
Not always beautiful are our days
And we keep waking up.
Roses do not speak, but are also alive.
There is hunger for love!
There is hunger and what will?
There is hunger in this home?
If there is hunger, then there.
There is time for everything!
There is time to smile,
No time to cry,
There is time to leave.
I want to run away from home without a warning,
Running between the wheat fields
And let all afflicted
Trying to understand what had happened.
I want to cause confusion,
The same kind that I bring in my heart.
I want water all around
With the storm inside me.
I want to wake up the sleeping
And those who never agreed,
I want to find out who they are
And spread about us.
Lovers of this pain,
Thirsty without knowing
Where else to enjoy,
Where else to call "home".
I shift my gaze
With all the hatred of this world
Of all the ragamuffins and vagabonds
Who recognize me in a second?
I want to break these chains,
Scratching walls,
Promote anarchy
And imprison noon.
I want rain penknives
While tear my clothes,
I cut my wrists
And count all the drops.
A day can be
Something happens
And make to cease this endless grief
And everything changes, anyway.
So lose the naivety
What remains this morning?
I envision the absurdity that all I see
Is still something to be remembered?
Maybe one day
Poetry is done singing
And the light breeze the corner
Everywhere!
I want to get a perfect world,
I want to love what is defective,
I want to explore my own room,
Make another deal.
I want to shake you violently that coffin
And show where all the mice,
Ignite old blankets
Which now they were pretty.
I want to show you I love you
And I hate you,
I can live alone,
But also not live without you.
My madness is productive
At the same time, destructive:
It satisfies the crowd inside.
I refuse to be part of the pack
Strolling in supermarkets,
Feigning patience as immoderate
The suffered.
I like debris,
I collect dust,
Make enemies,
Cultivation dreams.
I constantly change identity
And lose track of reality,
My state is ill
And I'm terminal and disposable.
I participate in this game,
This novel in decline
This disgusting theater of horrors
Where only the blind are honest.
I am thoroughly enslaved
While deprive me of the privilege of choice,
Burying our will
In the deepest pit.
The wall that separates us is low
And we walked jumping from one side to the other,
Often both exist
And others, only I exist.
We are a nun and a *****
Plotting an eternal dispute
Between the two sides of the coin
To decide who runs and who fight.


As simple as saying your name
Spell out the pieces of your body.
I want to understand what God's grace
If your body will never be only yours.
Your body exudes the morning sweat,
Clouds hid the principle of pain,
Pain discovers a new form of pleasure
And the pleasure is expensive to you.
Your blood runs nearly everywhere
And a new world opens up suddenly,
Frighten the fleeting pain
And wait with his only love the sunrise.
I wipe the sweat oozes from you,
You wipe the tears falling from me,
If you can be in the world some endless love
The only certainty is that there was never before such love.


I want to wake you up
To hear my screams at dawn,
Show you what genuine despondency is
And not left me anymore.
I want to recognize me
And take me to your bed,
Not left with nothing
In addition to beating in his chest.
I want to be part of its history
And I want to be a constant presence in my,
The world spit their prejudices
And the fire that also burns in the heat.
I want to break the mirrors
And heal our sickness,
Assaulting what kills us
Every day, forever.
Serene and calm give you what remains
With my last breath,
What's best in me now rests
And rest my mind.
My sweat is true
It is also all the pain.
Blood is final
And it goes to the last vows of love.
The entire storm inside me
Now relax my heart,
Soothes My Soul
And feeds the reason.
I walk by this peaceful land
And growing a new crop of wheat,
I do a incognita a new partner
And the fear is not definitive.
I harvest hope
Where before there was only bitterness.
I am ashamed
And regret.
I accept the entire cross
And fight against the serpent.
I heal my wounds.
And my success is violent.
Time is short
And I want to scream that entire plan,
There is still a flame inside
And only her surrender.
What was misery,
What was despair,
What was hungry,
What was fear…
What was pain,
What was love,
What it had value
And when there was time…
What is born of this land?
Nothing is born,
Nothing grows
In this desolate land.


What is born on this land?
What grows in this land?
Nothing is born on this land,
My private wasteland.

Won't you walk with me on a silvery moon
some clear night
down by the ocean, feet in the sand
some starry light
Won't you dance with me in a field of flowers
some sunny day
twirling and laughing, hair trussled up
some lovely way
Won't you wrestle me down to the carpeted floor
some rainy eve
gab me by the hair, throw me down naked
some body weave
Won't you ride out into the meadow with me
some misty noon
ya hah, ya hah, race, pace, lofty trot
some summer June
Won't you cook with me on the butcher block
some purple dusk
chop the carrots, slice the onions
some night of love
Won't you read poetry on my bed pillow
some warm spring
eyes dewey, all comfy, debating
some philosophy
Won't you cozy up to the fire in a bareskin rug
some cold winter
with me snuggling close, soul talking
some passion to stir
Won't you tube, fish, and boat with me
some summer heat
water splashing, laughing, and smiles
some fun upbeat
Won't you stay with me steady and strong
some all weather
doing everyghing all the time
some forever?

I took a room on the second floor
Of a building lost in time,
Nobody knew just when it was built
By way of its weird design.
It once had stood on an acreage
Of woods, and lakes and sky,
But now it stood in a fifth rate slum
And the world had passed it by.

Its red-brick frontage streaked with soot,
Its columns black with grime,
The marble floor with ancient foot
Was scored, and past its prime,
But any roof was a comfort then
For my life had lost its way,
And I couldn’t face the future then,
Nor yet, the light of day.

The janitor was an ugly man
And he had but one good eye,
He’d only let to the down-and-outs
And tramps that were passing by,
He made the rules for the ancient place
And he said, ‘Just you beware,
Don’t ever go to the back of the house
Or use the winding stair.’

He knew I’d agree to anything
For I had nowhere to go,
Since ever my wife had turned me out
For a butcher, name of Joe.
The years we’d spent were meaningless
Once she’d set her sights on him,
So I left without a word or a prayer
But kept my feelings in.

Up above was another floor
That was empty all the time,
The janitor said, ‘it’s not in use,
It’s just too hard to climb.’
And above that floor was another room
With the windows painted black,
And accessed by the winding stair
I’d been warned about, out back.

It was lonely there on the second floor
It was quiet as the tomb,
I got to wondering what was there
Upstairs in the topmost room,
There were noises, scuffles and fumblings,
At times in the early hours,
But when I asked the janitor why,
All that I got were glowers.

‘This house has plenty of secrets but
It keeps them to itself,
As you’d be better to keep to yours,
Rather than dig and delve,
I trust that you’ll never get the urge
To leave the second floor,
If ever I catch you out, my friend
I’ll see you out the door.’

His threats were making me curious
So I listened, quite intent,
At two or three in the morning when
Some noise was evident,
I climbed one night to the floor above
And I saw the winding stair,
And what was coming and going sent
A shock through my greying hair.

There were figures in shiny silver suits
Came in and out from the street,
Carrying cats and rats and dogs
Like specimens, all asleep,
And a terrible growl from the topmost room
Rang out when they opened the door,
And sent a shiver like ice along
My spine, from the upper floor.

And down the stairway creatures came
That I’d only seen in books,
Handed to strangers down below
With a nod, or merely a look,
They’d been extinct for a million years
Or had in the books I’d read,
But not a one of them lived or breathed,
They seemed to be newly dead.

I got back down to my room again
Shivered, and closed the door,
Sat in a quivering heap of dread
But I knew that I wanted more,
They must have come from a future time
And delved way into the past,
Why would they want our cats and dogs,
Had they lost their own, at last?

I went again on succeeding nights
The traffic was still the same,
For men of science and drunken girls
And still the strangers came,
But then a bellow from in that room
And a crunching, crashing sound,
With voices raised in the midnight gloom,
The janitor came, and frowned.

‘You’ve seen too much, now you’ll have to stay,’
He growled, and pointed a gun,
Prodded me up the winding stair
‘Til we saw what was going on,
The door to the topmost room was blocked
By an animal, tightly jammed,
‘My god, we’ll have to get out of here,
This never was part of the plan.’

Two giant tusks blocked the winding stair
As I looked in its evil eye,
Its head and shoulders had blocked the door
With no way of getting by,
It let out a giant trumpet blast
Of pain, as I turned to run,
This was no elephant, that I knew,
But a giant Mastodon.

Then up above was a steady whine
Like a jet that was winding up,
‘Don’t leave me here,’ cried the janitor,
‘I have to get back, just stop!’
But the roof of the house was lifting up
And the bricks were falling away,
I caught a glimpse of a saucer shape
As this thing took off that day.

The winding stair came crashing down
With nothing to stop its fall,
I landed down in the basement, found
Myself by a Roman wall,
The janitor, not so fortunate
Was crushed by the falling beast,
Killed by a thing, so long extinct,
By a million years, at least.

I didn’t wait for the powers that be
But took myself on the road,
Looking for somewhere else to stay
To hide away from the cold,
I found me a mansion, streaked with soot
With its columns, black with grime,
And thought, as I took a second look,
It seemed to be lost in time!

David Lewis Paget

PART I: Midlife Crisis
She said:
Do not protest another year of life
as year on year into each other run,
mark not the dusk as a dying of the sun,
nor let the twilight cause unquiet strife.
Though in the deepening night lie shadows rife,
do not believe your cheer this year is done.
When webs of pain about your joints are spun,
do not protest another year of life.
Yet let this time be summer of your years;
It is this time that is compared to gold;
Your back is yet unbowed with care and fears
and still your spirit shines forth true and bold.
We – grey hair and aching joints all belie  –
will find our youth within each other’s eye.

PART II:  Suspicion
It’s not the way that silence cloaks the rooms;
he sits and sighs; she lives within her books;
she speaks;  he doesn’t hear nor even looks,
she reads and tries to block out strange perfumes
while deep inside her, knowledge slowly blooms.
He works too late to eat the love she cooks.
His temper short, she walks on tender-hooks;
Within their walls a confrontation looms.
There’s nothing worse than knowing she’s ignored,
that maybe someone else has his regard
She’s hiding from the truth, resentment stored
and building to the crux; true trust dies hard.
One day he comes home reeking of cologne,
“Nice try,” she whispers, and the seed is sown.




PART III:  Discovery
She lived with stale deceit and loathsome lies,
a dull and dispirited songbird of the night;
a speechless Lavinia hiding from sight
of he who threw away the marriage ties.
In the garden of lies and false intent
were harridans who in that marriage saw
stray bits and pieces that they stole and rent;
with laughter salted unfelt wounds more raw.
If she again finds love within his eyes,
offers her heart to he who laid it waste-
she prays that his integrity will rise,
discern her jewel- discard his pets of paste.
At home amidst the mercy she has rife
his heart will then lie naked for her knife.


PART IV:  Leaving
Her nature cries to leave this hostile land,
This cactus-ridden rock where she’s been kept:
Riding into what looked like a sunset,
Instead dusk ended in this hell of sand.
The lies have formed an ever tightening band
Across her chest and head, her heart is reft
of love, hate, anger; she is berefit -
Eat too much crow and talons grow on hands.
Yet there are conduits she still will not swim;
What’s left to them now?  Only bone and scrap.
The curtains close and all the lights are dimmed,
Call out the butcher, tell him it’s a wrap;
The heart exists only to drain blood;
Rain in the desert still is only mud.

PART V:  Forgiveness**
This she knew, all beauty soon becomes lost,
love and trust simply carts for grief and pain,
the buds that promised blossoms in the rain
grew black and shriveled at too great a cost.
The marriage ties too soon became encrossed
with kids, in-laws, resentment unrestrained;
this she knew, that nothing gold could stay
and all she gained would soon degrade to loss.
Self-fulfilling, of course the love would end,
her trust like glass lay shattered and deformed.
But in his tears she felt the moment bend
and like a barren tree out in a storm
she felt the glimmer of another life
Storm-wrecked, sure, but still as man and wife.

**** near me
with perfection talking blues,
caressing crystal drinks,
promising future sneak,
and blanketed romance,
**** near me
with hissing tape violence,
milking the moment,
snagging the attention of the suit
and the tie,
**** near me
blowing every ambition in the room,
plunging into whiskey,
head first and lonely,
**** near me
sha-la-las and oooh-la-las
slither into my forked crypt,
staining my funeral garb,
plastering my cask,
**** near me
brothers looking for to see,
while sister ***** the poison,
I dare her to keep pushing,
**** near me
the kissing and the clowning,
the nightgowning I soon to go a' drowning,
cockroach in the corner,
**** near me
Miranda owes me fifty,
the filthy ******* creature,
draining me of chatter,
**** near me
hustling for the saddest rent,
sleeping with the butcher,
under Martha's tent,
**** near me
the crows collect seed,
the know-hows bashfully reread,
while I **** near wearied, worried;
bleed.

I met a lovely butcher,

His shop was such a treat,

He joked and smiled and all the while,

Cut up some chunks of meat.

Oh succulent mushrooms
how I do love you!
Such a little hafling I am
eating my mushrooms
as though I too had hairy feet
Why anyone would you think
that you smell or taste like death
is beyond me
For in my experience
what tastes like death
often has that in its happening
meat cut up by the butcher's knife
The essence of the smell
and the best of all its scents, to be sure
I have smelled death, and the dead
And not just those perfumed in parlors
covered in the sweet-smelling powders
That is not death, it is a lie
death smells like shame and fear
of things that happened which I cannot imagine
death does not smell like earth
it never smells like life
mushrooms are of the dirt
and scent as such and more
of loam and forests and creatures alive
it smells like childhood and mud
mushrooms are not like death at all
death roams the light, taking and giving
with impunity
mushrooms are things of the dark
growing in the dampness of life
like little umbrellas against the world.

once upon a time, he called me Jasmine. princess,
rub my lamp to see all your wishes
come true.
i had red nails, they stained the walls as he kept saying
"you’re so lovely, you’re divine".
drown me until i fill myself with
waste and
melted snow.
maybe i am the ***** you always thought.
i walk among foggy sidewalks, breached with beer
and lust. i was once a girl who wanted it all.
now i just want a drink in one hand, yours in another,
neon lights penetrating, entering,
and you calling my name until i cannot hear anything
else.
i have demons, ghosts, parasites.
i drive them away with butcher knives and spider mascara.
won’t you stay a while,
darling?

There once was a young man named Feste, and he was not a very good young man.
He was a thief, and a sneaky one at that. He would go to all of the stores in the market and steal anything that he pleased.
He loved to steal from the baker and the butcher especially.
He would go to his hiding place in the forest after his deviousness and eat away his stolen treasures, brooding on what a “clever little boy” he was.
The baker and the butcher knew though. They noticed him coming in most days and leaving in quite a hurry. They could not actually catch him in the act, but they knew beyond a doubt what he was doing. They were having drinks together one night though when they devised a clever scheme to stop him from stealing ever again. The butcher carved up a juicy ham, and the baker baked up a delicious pie, but they added a little something extra to it…

The butcher made sure to quite a bit of alcohol into the ham, and the baker did the same with his pie. They both set their two traps in the store, right when the spoiled thief Feste came strolling into the market with his eyes gleaming.
The baker watched him walk into his shop,the pie disappeared.
The butcher watched him walk into his shop, the ham disappeared.
They both smiled and went about their work.
Feste rushed to his hiding place and devoured his stolen goodies so fast that he didn’t even realize how peculiar it seemed to taste...
Not long after, he started to feel strange. Numb and stupid. He ran towards the village, acting a buffoon. The villagers stared and laughed at Feste acting so odd. His mother found him though and brought down the fury.

“Feste! Why are you acting like a **** fool?" She demanded.
He threw out a few words in a drunken stupor and swayed in place.
"Wait.. have you been drinking!?” She screamed.

“Noe maum! Allll Ie had todae is pie and haam!” He stammered in a drunken sway.

“And where exactly did you get those!?” She inquired.

Feste had a look of terror on his face and grew silent.
He was found out to be the no good thief and was punished severely, because his mother thought he stole the alcohol as well as the pie and ham, and he couldn’t prove otherwise.
Feste never stole again and he even apologized to the butcher and baker, though they still do have a laugh now and then…

The End

On the third day
of the holidays
you met Janice

half way up Bath Terrace
at the entrance to the flats
where she lived with her gran

she was dressed in her red beret
yellow flowered cotton dress
white socks and brown sandals

she smiled when she saw you
and said
feared you might not show

I told you I’d be here
you said
she looked at you

and said
I know
but some people say things

but don’t show
I’m not some people
if I say I’ll be here

I’ll be here
you said
glad you’re here

she said
Gran doesn’t like me
going out alone

she says there are strange men
out there who take kids off
and do things to them

and ****** them
yes
you said

I read about that boy
they found murdered
near here

she looked concerned
don’t worry
you’re with me

my mum told me
where to kick them
if they try anything on

oh
Janice said as you both
walked up to the top

of the terrace
to Harper Road  
where’re we going?

she asked
a bombed out
butcher’s shop

you replied
isn’t that dangerous?
she asked

not if we’re careful
where we tread
you said

isn’t that breaking
and entering?
she asked

no we don’t break in
you said
we walk in

the back gate
it’s not locked
oh

she said
looking concerned
we won’t get into trouble

will we? Gran said
she’d tan my backside
if I got into trouble

would I get you into trouble?
you asked
guess not

she said softly
you crossed
Harper Road

and went round the back
of the bombed out
butcher’s shop

and opened the gate
and entered
into an empty yard

you shut the gate
after you
and she stood gaping

at the back of the shop
you showed her
the large walk in freezer

where meat had once
been kept
now empty

smelling of ****
and damp
what if you got locked in?

she said
the lock’s busted
you said

oh I see
she replied
her eyes large

and her mouth open
in wonder
you took her into

the shop now empty
apart from a large table
with a marble top

where meat
had once been cut
and chopped up

it stinks
she said
yes tramps get in

sometime and shelter
for the night
are they here now?

she asked nervously
no they go off
in the day

you said
giving her
a smile

you took her up
the creaking stairs
to the upper landing

where the sky
shone through the roof
where a bomb

had fallen in
gosh
she said

how weird
one of the rooms
had an old bed frame

pushed in a corner
and the roof
was still there

except where a few tiles
had gone
someone slept there once

she said
and now
they’re probably dead

you took her hand
and walked her
to the window

and looked out
on Harper Road
people would have looked out

of this window too
you said
sad isn’t it

she said
and you sensed
her lay

on your shoulder
her fair haired
red bereted head.

The silence between the abomination of your voice
Speaks it all, says it all
And it’s all been said before
By better minds and better tongues
In better ways than I could ever describe
I’ve heard the words that you spill so hazardly
From your dry rotted lips
Flapping and gumming opinions
Like your opinions are the only opinions that matter
You should go into politics
And spread your misinformation to the masses
Regurgitate all the those old aphorisms
Into new phrases and praises
Your mind spills uselessness
Coagulating on the floor like spilled milk
I don’t want to know what’s on your mind
I won’t want to listen to you butcher the air anymore
With the putrid smell of your lexis
Watching your scathing irritability rise and decay
Like your chopping on thick slices of grade A meat
I don’t want to know what it is that you see
I don’t want to hear you flail your jaw anymore
I want to be the one to be there when you bleed
I just want this to be over
Your conversation skills are lacking
And you should quit while you’re ahead
But then you would have never said a word
Never would have opened your mouth
And never would have had the chance to end up dead

Who said you will be died at Israel?
The Holly land,
you made a frictional movie of Hollywood

You are a fake to your children
Cut off pen of peace,
Your homemade cluster bombs,
Killed humanity

The children of Gaza, Innocent pale petals
Euphoric face of prophet
And they only depends on the Allah -

And after Jesus
WE said
to the Children of Israel,
Dwell Ye in the Promised Land; and
when the time of the promise
of the Latter Days come,
WE shall bring you together
out of various people

@ Musfiq us shaleheen

More towers must yet be built--more towers destroyed--
Great rocks hoisted in air;
And he must seek his bread in high pale sunlight
With gulls about him, and clouds just over his eyes . . .
And so he did not mention his dream of falling
But drank his coffee in silence, and heard in his ears
That horrible whistle of wind, and felt his breath
****** out of him, and saw the tower flash by
And the small tree swell beneath him . . .
He patted his boy on the head, and kissed his wife,
Looked quickly around the room, to remember it,--
And so went out . . .  For once, he forgot his pail.

Something had changed--but it was not the street--
The street was just the same--it was himself.
Puddles flashed in the sun.  In the pawn-shop door
The same old black cat winked green amber eyes;
The butcher stood by his window tying his apron;
The same men walked beside him, smoking pipes,
Reading the morning paper . . .

He would not yield, he thought, and walk more slowly,
As if he knew for certain he walked to death:
But with his usual pace,--deliberate, firm,
Looking about him calmly, watching the world,
Taking his ease . . .  Yet, when he thought again
Of the same dream, now dreamed three separate times,
Always the same, and heard that whistling wind,
And saw the windows flashing upward past him,--
He slowed his pace a little, and thought with horror
How monstrously that small tree ****** to meet him! . . .
He slowed his pace a little and remembered his wife.

Was forty, then, too old for work like this?
Why should it be?  He'd never been afraid--
His eye was sure, his hand was steady . . .
But dreams had meanings.
He walked more slowly, and looked along the roofs,
All built by men, and saw the pale blue sky;
And suddenly he was dizzy with looking at it,
It seemed to whirl and swim,
It seemed the color of terror, of speed, of death . . .
He lowered his eyes to the stones, he walked more slowly;
His thoughts were blown and scattered like leaves;
He thought of the pail . . . Why, then, was it forgotten?
Because he would not need it?

Then, just as he was grouping his thoughts again
About that drug-store corner, under an arc-lamp,
Where first he met the girl whom he would marry,--
That blue-eyed innocent girl, in a soft blouse,--
He waved his hand for signal, and up he went
In the dusty chute that hugged the wall;
Above the tree; from girdered floor to floor;
Above the flattening roofs, until the sea
Lay wide and waved before him . . . And then he stepped
Giddily out, from that security,
To the red rib of iron against the sky,
And walked along it, feeling it sing and tremble;
And looking down one instant, saw the tree
Just as he dreamed it was; and looked away,
And up again, feeling his blood go wild.

He gave the signal; the long girder swung
Closer to him, dropped clanging into place,
Almost pushing him off.  Pneumatic hammers
Began their madhouse clatter, the white-hot rivets
Were tossed from below and deftly caught in pails;
He signalled again, and wiped his mouth, and thought
A place so high in the air should be more quiet.
The tree, far down below, teased at his eyes,
Teased at the corners of them, until he looked,
And felt his body go suddenly small and light;
Felt his brain float off like a dwindling vapor;
And heard a whistle of wind, and saw a tree
Come plunging up to him, and thought to himself,
'By God--I'm done for now, the dream was right . . .'

I've written far too many endings to have any decent beginnings.
The flowers I've planted died,
The petals falling onto the soil, slowly decaying.
Why is it that life resembles death,
Whenever my fingers skim the edges?
There's this need to create and contain,
To possess and obsess,
To protect,
And yet still,
The hurt remains, gaping
Eating me alive.
Biting and nibbling at those that I love.
Life, never expects you to live with a smile plastered onto your face.
It never guarantees you an easy access.
There are no manuals on, 'how to live a good life',
Just a sign posted at the start line saying,
Try.
You try to live a good life,
Through the heartaches,
Through the happiness.
You try and try, no matter how many times you fall onto your knees, resulting in bruises or broken bones,
You stand up and make way for the experiences to shift and transform you into who you're meant to be.
No matter how many endings I've written,
The beginnings seem far worse,
Because maybe,
Just maybe,
It's the first step into leading and living a good life,
And I so desperately,
Do NOT want to butcher that,
Leaving reminants of blood smothered on the floor I call,
My
Life

sharp knives
of alien family systems
cut my emotions
to pieces
and hang them
on hooks inside of me
to rot.

A decade on from creating the hit Galaxy dress that became a defining look of the noughties, Roland Mouret has celebrated the 20th anniversary of his label by bringing his catwalk show home from Paris to London for fashion week.

And that dress was back, too – in spirit, at least. “When I think about the Galaxy dress now, I see that it was all about the women who wanted to wear it,” Mouret said backstage after the show at the National Theatre on Sunday, referring to the curvy, back-zipped dresses that made him a star.

“It wasn’t the dress that said anything, it was the women who wore that dress who had something to say. It was a dress for a woman who knows her body. A woman who is in a relationship with a man but who also goes out into the world and has a life outside of that relationship, too. That inner woman is the icon, not the dress.”

The anniversary show – his first in London after 10 years of showing his collections in Paris – was a celebratory affair, with the foyer of the National Theatre turned into a catwalk. It provided a suitably theatrical atmosphere for the wearing of high-voltage dresses on a grey Sunday morning, and an appropriate setting for a designer who rivals Stella McCartney as one of Britain’s foremost names in red-carpet fashion. At last week’s Bafta awards, the author JK Rowling and the Star Wars actor Daisy Ridley both wore Roland Mouret.

The Galaxy elements on this catwalk were updated for 2017. The cleavage that was an essential part of the dress when it was worn a decade ago by everyone from Cameron Diaz to Carol Vorderman is now out of fashion, so the distinctive origami folds of the neckline were raised several inches higher and instead of framing a balcony-hoisted decollete, they accentuated bare shoulders.

The full-length back zip was present and correct, made even more steamy by being emphasised with a small keyhole of cut-out fabric in the small of the back. The fabric has also moved with the times, from stretch crepe to wool knit and velvet, which give the shape of the body a less stark frame.

Mouret was born in Lourdes, south-west France, where his father was a butcher, but now lives between London and Suffolk. His UK-based company employs 75 people, and has been a champion of British manufacturing.

Sunday’s show, which was attended by about 100 of Mouret’s best customers, as well as editors and retailers, was set to a ***** soundtrack that began with Burt Bacharach’s The Look of Love and ended with Leonard Cohen’s I’m Your Man. It was followed by a champagne trunk show at which orders were being taken for delivery in a few months’ time.

The only archive design Mouret resurrected faithfully was a dress from his pre-Galaxy days, of which no pattern existed because “in those days, I just draped and sewed the dresses on to the girls”.Read more at:http://www.marieaustralia.com/evening-dresses | www.marieaustralia.com/formal-dresses-2017

The engine is killing the track, the track is silver,
It stretches into the distance. It will be eaten nevertheless.

Its running is useless.
At nightfall there is the beauty of drowned fields,

Dawn gilds the farmers like pigs,
Swaying slightly in their thick suits,

White towers of Smithfield ahead,
Fat haunches and blood on their minds.

There is no mercy in the glitter of cleavers,
The butcher's guillotine that whispers: 'How's this, how's this?'

In the bowl the hare is aborted,
Its baby head out of the way, embalmed in spice,

Flayed of fur and humanity.
Let us eat it like Plato's afterbirth,

Let us eat it like Christ.
These are the people that were important ----

Their round eyes, their teeth, their grimaces
On a stick that rattles and clicks, a counterfeit snake.

Shall the hood of the cobra appall me ----
The loneliness of its eye, the eye of the mountains

Through which the sky eternally threads itself?
The world is blood-hot and personal

Dawn says, with its blood-flush.
There is no terminus, only suitcases

Out of which the same self unfolds like a suit
Bald and shiny, with pockets of wishes,

Notions and tickets, short circuits and folding mirrors.
I am mad, calls the spider, waving its many arms.

And in truth it is terrible,
Multiplied in the eyes of the flies.

They buzz like blue children
In nets of the infinite,

Roped in at the end by the one
Death with its many sticks.

Every note bleak here
Not a one is real
Each new mirror eviler
Dead end looking superior
Each and every day
With each new form learned
I get sleepier, more weary of the earth
A place where life is weepier
And death is just a church
No answers giving, no people neither
Negatives in all but me
Surrounded by the unclean
Cloaked in many toilettes
No end but waste,
To breathe is an offense
To God and to taste
And God Himself a waste
Of breath on the tongue
In the heart or the mind
An empty vessel
Just like his sheep
All've been fleeced
And everyone's a thieve
The only answer is in me
The rest of you are feces
It's obvious before our face
You've never did a **** thing
Real or lasting for the race
All you have is stink and smoke
And all the things you've killed
Pretending to love
Feigning to weep
You have no heart
Just gametes and cheeks
Like an animal farm
You deserve your pen
I'll never love you
Not again
That lesson I've learned
Of my own accord
No thanks to you
I've cut the cord
We don't thank vermin
For the pain they've given
The difference between devils
And angels is we're forgiven
What was the point
Of giving all this blood
To a world of pigs without love
But to self-reflect and -respect
And to learn a few rhymes
And how to butcher
And be immune to
Every unclean thing
Under the sun
My Father isnt solid
He was never really there
I am the son
I created him
I found me
I farted you out
And I'll flush you soon
With rains, with tornadoes
Fire and fear
What use are you now?
When all your lessons were what not to be
Oh inverted souls
My ******* is more reliable than you
No, let's change that, it's something I can count on
I won't mention you again
Give glory to what's good in me instead
Focus on what's right and real
Not the nots that are not to mention
Nothing to me now
The truest accomplishment
To give up on what is nothing
To focus on what's real
Something everlasting
Something that doesn't steal
I only need me
And eternity
She's my girl now
The only real girl
And im the only one she's inviting in
The only one who's real

The body lay in a mound of hay
That was all piled up by the forge,
He took one look at the butcher’s hook
And the sick rose up in his gorge,
He peered on down at the bloodied face
There was nothing that could be done,
But held his breath when he saw that death
Had taken the blacksmith’s son.

He looked around for a sign of life
But the shop and the forge were cold,
The blacksmith Kirk hadn’t come to work
Though he’d seen him, out in the fold,
And darling Kate would be calling in,
His fate whirled round in his head,
What would she think when she found him there
With the love of her life stone dead?

The villagers knew no love was lost,
They’d fought at the village fete,
All over the hand of the pretty one,
The hand of their darling Kate,
But George was on an apprenticeship
For his father had owned the forge,
While Faber was a farm labourer,
So Kate had gone off with George.

But now George lay in a pile of hay
And he wouldn’t be dating Kate,
So Faber thought that he shouldn’t stay
Though he’d left it a little late.
He didn’t know if they’d seen him come,
He couldn’t be seen to go,
They’d think that he was the only one
To deliver the killer blow.

He heard a rustle within the store
And the sweat broke out on his head,
He knew if somebody found him there
That he’d be better off dead.
He peered silently through the door
And into the corner gloom,
And Kate was sobbing, there on the floor
In the darkest part of the room.

Her bouffant hair was a tangled mess
Her dress was tattered and frayed,
It didn’t take but a single guess
To see the part that she’d played,
For blood was mingling with her tears
Her bodice was stained deep red,
‘He stole my innocence,’ she exclaimed,
‘I hit him just once,’ she said.

Now Faber sits in a darkened cell
To wait for the hangman’s rope,
The Judge had asked, but he wouldn’t tell
So now he’s bereft of hope.
He’d told the court that he’d stumbled in
On the blacksmith’s son, and ****,
And hit him once with a butcher’s hook
For the sake of the darling Kate.

But Kate was strolling with someone new
On the day that they pinned his hands,
And led him up to the gallows floor
To pay for the court’s demands,
She never gave him a thought that day
Though the blacksmith thought he knew,
And lay in wait with a butcher’s hook
As Kate was passing through.

David Lewis Paget

Goodbye kiss to the day I'll miss.
Put headphones on and select a song.
Down the cobblestones until further decision.
Division like the very fabric of football.
Could choose my normal route to The Square,
just four corners to take - a simple shape -
see proud flags made of organic thread,
all the colours I like will be on display. Although,
what if I head down Butcher Row instead?
Sure it's steeper down the shuts but
I fancy my luck out there today.

Before the leap, I see a wall
so opposite to my position, it's hostile.
How long have these concrete eyes watched on?
I'm terrified and contemplate calling in sick,
return to rich address and don't overthink.
Then in each direction, groups meet at the centre.
There's pointing and shouting and spit flying
into hair that's in flames and ignites more people
to march out deluxe doors left ajar
as kids peer through windows
above the obscenity.
Hesitate to whisper,
future back in that house,
until I see bricks change angle.

Thinking in pink.
Shout loud about my background.
Grab the handle of both sides.
Point my crooked nose at the stone:
'Let's climb this together.'
'Peace and love forever.'
Those at the back can't hear my speech.
But those really listening cheer and preach.
Reach for ladders or offer cupped palms.
Touch the top layer but get knocked off
by a flare thrown from out of nowhere.
Hunt the culprit while the victim burns.
Bodies clamber to sample some action
like a mound of sugar infested with ants.
Look back at my house in a peaceful daze.
Turn to the melee and see a knife in my face.

As the butcher writes “sale” with his chalk
The shoppers watch with eyes like a hawk
In a queue
They all flew
To get their half price special buy pork

The skeletons in her closet
are clawing to get out.
The scratching sound scares sleep
and she is not prepared for them,
it’s not Halloween.
Inquiringness invites her
to crack the closet door.
The bones butcher beatitude,
the framework forays her future.
Subsequently the spine-chilling skeletons
withdraw to the wardrobe
until she consigns them to oblivion.  
Then they claw to get out.