the electricity runs through our veins
and past the street signs we rumble by
in the car you stole, we go fifty above the speed limit,
the roof of the car is the noir sky above
and the midnight rain pelts our upturned faces
the dancing drops of water drip onto our smiling lips
the sound of the sky collapsing
echoes the flashes that streak the sky,
the flickering light casts paved roads with a brief brightness
(as if god were wearing light up sketchers)
the lacy brallette that wears me
gives me the bravery to stand up in the speeding car
the velvet pants that ripple with the wind
drink up the nighttime rain
and the rare headlights race past us,
heading into homes and hearts
the mellow playlist that connects the aux cord to our ears blasts
so loud, we can no longer hear our insecurity
the mascara that once clung to my eyelashes
now streams down my face.
on a two way street,
we drive down the middle
unafraid in the face of direct dangers
so unaware of the towering empty skyscrapers
and instead highly exhilarated
from the street signs we drive by
too fast to read the blocky lettering
the road signs glint, smiling as we wave and reach towards them
the cigarettes you smoked are thrown through the open window,
still smothering slightly.
i can still taste the smoke on your lips
and your hand tucks my hair behind my ear
and as the wind objects and inhales
unreal in the hazy a.m. car trip
the tunnel rushes towards us,
and we both hold our breaths,
as if breathing would contaminate us.
the lights that glint, cast a yellow-white glow
and for once, i see you for who you are
a boy too buzzed to feel
a kid who only felt "sort of"
a person who couldn't heal
and a lover who could never give love

There is no need to dwell on the exterior cliche of an injured soldier, the propaganda is superficial. Civilians have only plastic green men, heavy dusty movie set costumes, and Army-of-One heroes to populate stereotypes. Keep your images larger than life, no use touching up a paint-by-number. Mine was banal, foolish, and 19; enough said.

One fence is the fraternity itself, the next is brain injury. No other way to understand but be there. A Solid-American-Made-Dashboard cracked my forehead at 45mph.
Crumpling into the footwell,
unaware that the flatbed's rear bumper
was smashing thru the passenger windshield above me
the frame stopped just shy of decapitating my luckily unoccupied seat.
Our vehicle's monstrous hood had attempted to murderously bury us under,
but the axle stopped momentum's fate and ended the carnage under dark iron.
Shards of my identity joined the slow, pulverized, airborn chaos.
Back, Deep, Gone.

Unconsciousness is the brain's frantic attempt to re-wire neurons, jury rig broken connections, the doctor's desperate attempt to re-attach, stand back and say, good enough. Essential systems limply functioned, but unessential ones were ditched. Years later a military doctor diagnosed an eventual triage: Hypothalimus disconnected from the Pituitary Gland, Executive Function damaged, long pathways for emotional regulation interrupted.

I woke up still kinda bleeding, crusty blood in my hair, a line of frankenstein stitches wandering across my forehead.   My sense of self had literally dissolved into morning dust floating in a sterile hospital sunbeam.  My name was down the hall, words and the desire to speak were on a different floor.  Life became me and also a separate me under constant renovation, a wrecking ball on one half, scaffolding and raw 2x4's the other.

Waking up in the hospital, I realized I needed help to get the blood cleaned up.   A nurse came in, largely glared at me in disregard, and quickly left… for an hour.   She returned and brusquely dropped a useless ace comb and gauze on the blanket over my feet and abandoned me again.  This was my introduction to the shame of a VA hospital.  I minced my way to the bathroom, objectively examined my face in the mirror with shocking stitches above one swollen eye.  Gingerly rinsing my hair, the water ran pink in white porcelain.  I remembered the sound in my skull between my ears when a doctor scraped a metal tool across my skull, cleaning debris before stitching.  I recalled that in the ER I was asking Is he ok, repeating it like a broken record, knowing I should stop but I couldn’t.  There was also perhaps a joke about an Excedrin headache.

It was morning, and since there was no such thing as time or purpose or feelings anymore, I wandered to the hall with my only companion, the IV pole. One side was a wall of windows, and I was, what, 10 or 12 stories up from the streets of a much larger city than where I crashed.  The hall was warm and sunny.  I wheeled my companion to a blocky square vinyl chair to sit next to a pay phone.  I didn’t have any thoughts at all, or care about it.   After about an hour my first name floated up from the void, then with some effort my last name.  It took the rest of the morning to remember I had a brother.  After lunch we resumed our post, and I spent the afternoon in concentration piecing together his phone number.  God had pushed the reset button.

Thirty years ago the doctors didn't understand head injuries; they only recognized the physical symptoms. At first there was good reason to be permanently admitted to the hospital.  My blood pressure was unstable, sometimes so low that drawing blood for tests caused my veins to collapse even with baby needles.  My thyroid had shut down completely, only jump-started again with six months of Synthroid.  I had to learn to live with crashing blood sugar and fluctuating appetite.  For years afterwards, any stress would cause arrhythmias, my heart filling and skipping out of sync, blood pressure popping my skull.  Will the clock stop this time?  

There is always at least one momentous event in every person’s life that becomes punctuation, before and after.  The other side of Before the accident truly was a different me.  I have a vague recollection of who that person may have been, and occasionally get reminders.   Before, I was getting recruiting letters from Ivy League colleges and MIT, a high school senior at sixteen.  After, I couldn’t balance a checkbook or even care about a savings account in the first place.  Before, I had aced the military entrance exam only missing one question, even including the speed math section.  They told me I could chose any rating I wanted, so I chose Air Traffic Control.  Twenty years later, I thumbed through old high school yearbooks at a reunion.   I saw a picture of me in the Shakespeare Club, not recalling what that could have been about.   On finding a picture of me in the Ski Club I thought, Wow, I guess I know how to ski.   A yellowed small-town newspaper article noted I was one of two National Merit Scholars; and in another there’s a mention of a part in the High School Musical.  

This side of After, I kept mixing right with left, was dyslexic with numbers, and occasionally stuttered with word soup.  Focus became separated from willpower, concentration was like herding cats.  The world had become intense.

(chapter 1 continues in memoir)

A NEW GAME OF BLOCKS AND MINING,
I STAND ON A SHORE OF SAND.
I LIKE IT; IT DOESN'T GET IN MY SQAURE FEET.

I LOOK THROUGH PIXAL EYES
AROUND AT MY SURROUNDINGS;
THERE'S AN OCEAN OF UNMOVING BLUE,
A MOUNTAIN OF STONE AND CAVES
BEYOND A FOREST OF BUMPY GREEN.

I THEN TURN AND THEN,
I SMACK A TREE WITH MY SQUARE HAND.
I EXPECT PAIN BUT THERE IS NONE
AND THE RESULT IS A TINY BLOCK OF DARK WOOD
FLOATING A GAP IN THE TREE IT ONCE FILLED.

I STEP FORWARD TO COLLECT IT,
BUT IT FLIES TOWARD ME AND INTO ME;
I WILL IT TO APPEAR IN MY HAND AND IT DOES.

MY EYES GROW BIGGER AND MY BLOCKY SMILE GROWS
BIGGER THAN THE PIXELS THAT MAKE UP MY FACE.

I RUN AROUND, COLLECTING WOOD
AND LAUGHING WITH A CRAZED FACE.

AS I CATCH MY BREATH, I NOTICE IT'D GETTING DARK
AND I TURN TO SEE A HORRIBLE FACE OF GREEN
AND I HEAR A HISSING NOISE.

I CAN ONLY CRY OUT AS THE THING EXPLODES,
WITH A SICKING EXPLOSION AND A LOOK
ON MY CUBE HEAD THAT SAYS
“F* YOU, CREEPER!”

Who’s to say how
He might come back for a second
inhumanely heaped-up helping,
if we grant that immensity
of our assumption He did come
kingly first into this inside-
out size from a do-you-miss-me-
yet’s mirthfully mythical realm

I have seen Him
lurking in a particle-board fine
finish on the thin outer membranes
of our estranged and better faces;
He’s Higgs-boson omnipresent,
but far too theoretical
for our broadly practical, turned-
away gazes to rediscover

There He is now
rising in the favela’s gap-
toothed grins with fabulously naughty
corners this glee-pawed grandpa twists
using cur jests his ***** charges
imagine as flightless quarrels
grey-hooded pigeons would gaggle
were they over-stuffed on golden grain

And there again
on a Calcutta mound’s cluttered
conic end, smog-like He slowly lifts
with the crust-gnawed, razor-wire crimps
of a soup-can’s unconsummated lid
as dainty fingers crawl in toward
a gelatinous glob still clinging
to the powerful pretense it’s meat

And there once more,
conceding oms, He restless flickers
at the margins of blocky beige
Beijing screens as crisply clicked clacks
circumnavigate the darkling
smooth patches and spit-spark a few
conscious drips to squiggle out from
the babble of noxious red seas

Emerged, this welp
won’t toddle off to dribble-stain
the dressy linens of a made-up
nanny’s well-mannered and ornate
evil; it will curl up instead,
a swaddled yawn with no yearn to
suckle under His real mother’s
gaping wide and grungy bloused best

Hard to swallow:

When they see you,
stretched languidly across the page,
frivolous in your expenditure of letters,
This is what you are to them.

Long and polysyllabic,
a frustrating combination of strange, small word-parts
And that Y (such an indecisive letter!):
flung in there so gracelessly.

You are repulsive to them;
You have broken their rhythm
of short, blocky words that trip off the tongue
with your sudden and awkward out-of-place-ness.

You are abhorrent to them;
You have blurred their strict margins
of male and female roles,
of pants and skirts,
with your little blip of existence,
mucking about in the wrong side of the clothes store.

You are an anomaly, a mistake, a mystery to them;
You are a *** to be located
A term to be defined
A word to be pronounced
A gender to be assigned

But I like you.

I like how your letters sprawl,
confident and self-sure.

I like how your attire causes others to gawk
and reorder their worlds.

I like how your legs look in that tux,
your eyes in that dress.

How the long swoops of your g and your y
echo the way the ends of your undone tie drape from your collar:

Elegantly.

Doing laundry at night
A place down the street from me
In between a liquor store and a save-a-lot foods
Eyes buried in a new poetry book
and the washing machine’s timer
In my periphery
A little blonde girl sits next to me
And says very clearly,

“I wish someone had a quarter
For some candy”

She opens every metal spout
Tries every blocky butterfly key
Repeats herself, repeats herself, repeats herself,

She is with two men who keep calling her over
Until they don’t notice
And she comes to me again

This time her hand to her ear
Whether there really is a phone there
I can’t tell

She says,
“Yeah mommy
I really just want a quarter for some candy
Uncle J won’t give me one
And daddy isn’t listening
I wish you could have stayed in San Diego longer
I miss you already
Can you tell daddy to give me a quarter?
Are you coming back soon?
Mommy
I still want to talk to you
Just a quarter
Just a minute
Don’t hang up
K?”

I know this is barely halfway between Halloween and Christmas
I also know how long that sweetness really lasts
Not nearly long enough
And as supplies dwindle
It all becomes bitter

I leave a few quarters on the bench where I was sitting
Act like I don’t notice they fell out of my pocket
She acts like she doesn’t notice them there
We watch each other like adults watch the washing machine timers
So no one steals their property when they ding

I leave
And she does whatever she does
And that sweetness
Never lasts

Gone unto Heaven

Unto the Heavens she hath gone
Leaving me with an only bun
My mother has passed away
So got no more time to work on clay
With her death, time recalled all hert past
While I sailed alone in a boat with one mast
I remembered all what she didwithout a fee
And how much she eagerly wished to see me
Her words are still alive in my mind
A lady like her is so hard to find
So mother rest in peace
We all miss you even my niece

Sam Burton


Today is Friday, Oct. 3, the 275th day of 2014 with 90 to follow.

The moon is waning. Morning stars are Jupiter, Mars and Uranus. Evening stars are Mercury, Neptune, Saturn and Venus.f



In 1950, the Peanuts comic strip by Charles M. Schulz was published for the first time.

In 1959, The Twilight Zone, with host Rod Serling, premiered on U.S. television.

In 1967, Thurgood Marshall was sworn in as the first African-American justice of the U.S. Supreme Court.



A thought for the day:



The upward course of a nation's history is due in the long run to the soundness of heart of its average men and women. -- Queen Elizabeth II





Quotes for the day:



A black cat crossing your path signifies that the animal is going somewhere.

------------------------

A child of five would understand this. Send someone to fetch a child of five.

------------------------

A hospital bed is a parked taxi with the meter running.



J. Marx





Every instance of heartbreak can teach us powerful lessons about creating the kind of love we really want.

Martha Beck





"With the exception of women, there is nothing on earth so agreeable or necessary to the comfort of man as the dog."



Edward Jesse



"Efforts and courage are not enough without purpose and direction."



John F. Kennedy



"All you need is the plan, the road map, and the courage to press on to your destination."



Earl Nightingale





Poetry


PLAYBACK



Lauren Camp



Let there be footfall and car door. Let me
be finished with fire. Let
the man get on a plane for his morning
departure, erasing each reverie. Soon
there will be only daylight,
maybe a blue envelope, torn. Maybe bracelets
of color from the petunias. I will need
to know how to recover
the familiar, how to open the door
in the evening. How to again lock it.
Almost everything about me goes unspoken,
but commas and colons. I live with this
heart rate, multiple times, its direction,
its tempo: my 4/4 with acceleration, sometimes
tuned to an alternate signature. Think of Brubeck's
"Take Five." Those blocky chords were the result
of an accident-dead on arrival, they said,
after he smashed to the surf. Think how
he switched it around, made his hands
do what he wanted to hear, and forgive me
for the analogy. May I never
rush a surge for a better experience.
Every Sunday all over the country,
apologies gather. When I'm not in this
small cottage, unreacting, I cascade sound
and a few sentences from a cramped
room to whoever will listen. I know some
people think it is sinful to love such temptations,
but I stay with my face soft against
microphone, announcing my moral
directions. Sometimes, I'm convinced my blood
needs all those crossings. I'm not after
absolution. The man I love taught me to want
without lyrics. Remember I haven't
gone anywhere. I'm in a thirsty way
sort of possessive. I shouldn't show you this
side of myself. Try to remember I'm also praised
for my kindness. We each need to learn
to turn off some dreams so we can play
hours without creases.


About this poem


"Sometimes my poems are clearly focused on a single topic, but more and more they seem to need to be about many things because that's how I experience the w orld-so much going on all the time. Given the chance, I'll always try to make c onnections-in this case between jazz, love, humanity and potential error."
-Lauren Camp

About Lauren Camp


Lauren Camp is the author of "The Dailiness" (Edwin E. Smith Publishing, 2 013). She hosts "Audio Saucepan," a global music/poetry program on Santa Fe Public R adio, and lives in Santa Fe, New Mexico.

*
The Academy of American Poets is a nonprofit, mission-driven organization, whose aim is to make poetry available to a wider audience.


(c) 2014 Lauren Camp.
Distributed by King Features Syndicate




Health and Beauty Tip



No matter what kind of ****** cleanser you use, check what kind of water you have access to. Hard water can be just as detrimental to skin as plain soap, and can dry it out.



JOKES



Toddler Property Laws



1. If I like it, it's mine.

2. If it's in my hand, it's mine.

3. If I can take it from you, it's mine.

4. If I had it a little while ago, it's mine.

5. If it's mine, it must never appear to be yours in any way.

6. If I'm doing or building something, all the pieces are mine.

7. If it looks just like mine, it's mine.

8. If I think it's mine, it's mine.

9. If I... Oops! I'm sorry, I goofed! Instead of typing in the Toddler Property Laws, I've been typing in Bill Gates' primary business plan.





Phone Call



A young boy answers the phone.

A man says, "Hello is your dad around?"

The boy whispers, "Yes."

The man then asks if he can talk to him.

"He's busy at the moment," the boy whispers.

"Then is your mom there?"

"Yes" the boy whispers.

"Can I talk to her?"

"No, she's busy," the boy whispers.

"Is there anyone else there?"

"Yes" whispered the boy.

"Who?" the man asked.

"A policeman," came the whispered reply.

"Well, can I talk to him?"

"He's busy too," the boy whispered.

"Is there anyone else there then?"

"Yes" whispered the boy.

"Who then?" the man asked.

"A fireman," the boy whispered.

"Can I talk to him?"

"No," the boy whispered, "he's busy."

Annoyed, the man asked what they were all doing.

"Looking for me." the boy whispered.





Hard Working?



A business owner decides to take a tour around his business and see how things are going. He goes down to the shipping docks and sees a young man leaning against the wall doing nothing.

The owner walks up to the young man and says, "Son, how much do you make a day?"

The guy replies, "150 dollars."

The owner pulls out his wallet, gives him $150, and tells him to get out and never come back.

A few minutes later the shipping clerk says to the boss, "Have you seen that UPS driver? I left him standing around here?"



Presidential Quotes



"If Lincoln were alive today he'd roll over in his grave." --Gerald Ford (president, 1974-77)

---

"A friend of mine was asked to a costume ball a while ago. He slapped some egg on his face and went as a liberal economist." --Ronald Reagan

---

"I want to make sure everybody who has a job wants a job." --George Bush





Football and Confession



Years ago, the chaplain of the football team at Notre Dame was a beloved old Irish priest.

At confession one day, a football player told the priest that he had acted in an unsportsmanlike manner at a recent football game. "I lost my temper and said some bad words to one of my opponents." "Ahhh, that's a terrible thing for a Notre Dame lad to be doin'," the priest said. He took a piece of chalk and drew a mark across the sleeve of his coat.

"That's not all, Father. I got mad and punched one of my opponents."

"Saints preserve us!" the priest said, making another chalk mark.

"There's more. As I got out of a pileup, I kicked two of the other team's players in the . . . in a sensitive area."

"Oh, goodness me!" the priest wailed, making two more chalk marks on his sleeve. "Who in the world were we playin' when you did these awful things?"

"Southern Methodist."

"Ah, well," said the priest, wiping his sleeve, "boys will be boys."




Have a super nice Friday and a very dazzling weekend!

Sonnets and ballads
Same length sentences
And blocky form
Used to describe you
Is like creating the Sistine Chapel
With paint by numbers

You fit no form, no pentameter
And while hips rhymes with lips
And yours are gorgeous
There no rhyme nor reason to Love

Sonnets and ballads are beautiful
In the way any SoCal girl is
Bleached blonds with big *****
Fit the paper definition of beauty
But paper wilts and crumbles
My Woman Stands strong
They can have their silicone, their plastic
Because when we touch, I feel something real

Remember I Love You, I whisper
Like You needed the reminder
But the smile tells me
The words hit home

And as meaningful as words can be
When we’re together
It’s the absence of them that’s beautiful
Lips are for kissing
Touches and caresses
And looks and smiles
Are what tell You
I Love You

Down the lawn's decrescendo,
on the curb, a blocky Mercedes,
older than sound. I pull behind it, drop my things
like kick drums to the ground. The door
opens: a chorus of
can I help, what can I take?
And the quarter-rests of a fight
interrupted. The whole affair like
a sore wrist.

He has a violinist's chin, soft but
pallid, pocked, from losing
a battle with teenage skin, and
here is the ochre noise of his voice
a can on rocks; my father's was a stone in
a guitar.

So this is the new arrangement.
A leitmotif that trails at her heel, that tears at
every quiet measure; the whole hall
hears her uneasy with the next note.
This is no melody, I know,
but it is the new arrangement.

When she is old and failed,
her conductor's elbow fallen mutely to her side,
what will she think of
the first song she ever made?

I
Your friends here think you have it all:
and on a secret-sometimes
(mornings when the wind is
blowing the perfect amount
of sea-spun and menthol crush-)
you might agree.

You’re smart; if domineering,
and funny; if a bit cruel.
You throw your body against doors,
announcing yourself to whole
buildings with small heaves and breathy hellos;
always dumbly surprised by the hollowed out fiber
of your upper arms but refusing to acknowledge
the irony that in the months since your muscles
quit feasting on themselves
you have only grown weaker.

These friends let you talk.
You talk and talk.
They marvel at the stampede of your
stories; unnerved by the way your voice digs
into the room like a charging foal and
spins dust rising across the tabletop.
With struck lids and no warning
they blink stinging eyes clean
while stacking your bolting, blocky words
straight to the ceiling,
a reverse game of jenga.
You don’t make sense,
Alone you built a tower of babble.

II
In class you learn to speak like it’s the first time;
you chew on diphthongs and expel plosive consonants.
You pitch crude phrases high across the room
and discover the implications of each single breath.

In trucks and diners you learn to love like it’s the first time;
you kiss with your eyes closed and let fingers wander.
Your hands have a habit of tangling into his and you throw
your head back when you laugh,
(your palms are sweating
but you’re dauntless in this twilight-
go ahead; bare your throat.)
When he suddenly; fiercely,
lifts your body off the ground and into his
you no longer apologize for the weight of it.
You’re pretending to have made peace with gravity.

III
You’re the girl who seems to exist as an anecdote.
You are bits and pieces of a weird,
rambling journey assembled into a crinkle-*****
Raggedy-anne body who has giggled in a thousand accents
and crushed a million cigarettes butts
into the earth between a handful of
state lines and boot soles.

You’ve become an idea that people like;
a girl who is endlessly creating and curetting,
exploring and groping bits of everything across
years and maps and daydreams.
Her resume impresses-
she has no roots.

And you too like the idea of her-
She walks lightly and smiles.
She marvels and hums,
she is quick downplay
her own electricity.

She’s all short dresses and motorcycle boots.
She tumbles into splits down the hallway,
she’s long hair flowing behind a gush of
dark humor and kind words.
She feels it all and deeply
but the way she lays with hurt
isn’t sticky or scalding,
She simmers quietly. She ***** in her cheeks
and gnaws at her fingernails; grinning.

IV
She is an enigma;
the salty girl, eyes raw, with the pocketful of poems.
She's the girl who takes her dark days and catalogues
them into sepia stanzas. She soaks them in
hindsight and hangs them up to dry
along a string of Christmas-light-twinkling
words and confessions. She watches closely
as they develop into something she can begin
to understand. She waits expectantly
as they bloom into a blurry portrait
of who she might really be.

Because the girl you’re left with when the
people who like you so much have gone home
and your poetry has receded from the homepage
of publications to dusty archives-
this girl isn’t so definite.

V
You vaguely know her.
You haved walked together. You sometimes nap inside her.
She likes to wear your face.
You’re working up the courage to introduce yourself.
You don’t mind knowing this girl, she’s fine. She’s trying.
and maybe one day you’ll start to let other people know her too.
I mean, we’re all just trying.

Sonnets and ballads
Same length sentences
And blocky form
Used to describe you
Is like creating the Sistine Chapel
With paint by numbers

You fit no form, no pentameter
And while hips rhymes with lips
And yours are gorgeous
There no rhyme nor reason to Love

Sonnets and ballads are beautiful
In the way any SoCal girl is
Bleached blonds with big *****
Fit the paper definition of beauty
But paper wilts and crumbles
My Woman Stands strong
They can have their silicone, their plastic
Because when we touch, I feel something real

Remember I Love You, I whisper
Like You needed the reminder
But the smile tells me
The words hit home

And as meaningful as words can be
When we’re together
It’s the absence of them that’s beautiful
Lips are for kissing
Touches and caresses
And looks and smiles
Are what tell You
I Love You

Destiny

i think I’m in love with you
your freckles placed in all the perfect places
i have never laid eyes on anyone as beautiful as you
your belly, your kisses,
i want to make you my mrs.
everything about you radiates like sunlight,
bright, the light of my life

maybe i knew i was in love with you
when we snuck into the city pool
the different evening hues of blues reflected
onto the most beautiful face God ever created
tomboy, you exude confidence
you’re my destiny
my excellence, my queen my princess
your eyes, sea specked emerald
your hair, damp and curly
you.
your culture, you represent
your skin, you take pride in
you.
your tattoos, like braille under my fingertips
goddess of the moon
i love you, i belong to you

maybe i knew i loved you
when we baked apple pies to have a picnic,
(i still have your floral blouse,)
and you rowed us out to the rivers
between the mountains behind your house
when we were boating, floating, breath holding,
you need love to feel alive
and i need you to love being alive
you are so free, a butterfly, the wind, my high

maybe i knew when we stayed up watching Pokemon
on an ancient glowing box, the ones that have VHS slots
not quite a television
the ones that say play in blocky letters
where we would sit and watch in nothing but our oversized sweaters
your energy,
your hands between my thighs
the days we would eat fries, through the window,
watching the sky pass by
there are many things about you,
you are unapologetic, i admire that
you have me under your spell, witchcraft

maybe i knew when we clung to the end of the train
instead of paying two fifty for a ticket,
the wind whipping, slapping the hair into our faces, onto our lips
everyday we were together was an eclipse
our hearts practically mended into one
you were the most splendid, the most fun

maybe then i knew
ripped denim jeans, black belt
you’re my Calvin model
with a brush of your fingertips,
you could make me melt
the comic books spread messily but aesthetically
across the white bedsheets we lay on, unmovingly
in each others arms for days,
we had no price to pay
you are the most fabulous ***** in the room, i agree
no other could have what you have, you are someone i need

maybe i knew i loved you when the sun set,
as we watched on the roof tops of the endless new york skylines
you are a gorgeous woman, i agree
our chemistry,
the way you walk
your personality, i need to pause just thinking about you
your voice, your accent,
our matching checkered vans, our matching tattoos
i love you.

She noted, grimly cognizant of though unamused by the irony,
That her likeness, or something akin to that,
Appeared on the poster—a gray-clad strong and vibrant woman
Reaching, in concert with her comrades
(One woman in a white coat, a man in overalls and requisite cap,
Still another androgynous figure in a futuristic ensemble
Resembling some cross of a Western science fiction movie
And some cheap Petrograd-made tin foil)
Toward a hammer-and-sickle adorned moon
Soon to be conquered by a similarly festooned rocket ship.
She is no scientific apparatchik, no technically gifted party functionary;
It is her job to feed the canine occupant of this mission to the cosmos
(Two mutts from the Moscow streets, she confides to Ilysa,
One of the few co-workers who can be trusted with such a statement.)
The dog, she notes without any trace of rancor, eats quite well,
Better than she does in truth,
But it is a series of last meals for the condemned,
For there is no secret as to the dog’s eventual fate
(Poor cur, he has no idea he is doomed,
One of the scientists clucks sadly,
Though she simply shrugs in reply,
Knowing a test or a trap when she sees it,
Though she thinks to herself He is far from alone)
And, after she has cleaned up the remnants of the dog’s dinner,
She heads back to her one-room flat on the Yaseneavaya Boulevard,
Noting ruefully, as she ascends the crumbling, unsteady steps
Leading to her blocky, faceless building,
That the omnipresent klieg lighting of the street lamps
Serves to obscure any trace of the heavens in the night sky.

On-Hands

My hands have taught me so much
Scarred with experience
Callused, cracked and dry.

Strong,
Blocky in structure
Capable of destruction, but used for
Learning.  The blind ***** protecting
My hands does much seeing, indeed.

They have a mind of their own.
Sometimes I have control, and
Other times I let them finger
Things out on their own.

I asked my hands: “Who
Are you to intend?”
And the hands spoke thus:
“You should have read the
Manual.”

Crunch of gravel, conveying a mixed beat
Of some brisk and some merely wandering feet,
Rushing fountain in the distance
Gliding cool water slips silently beneath.

I lounge comfortably under this tree,
Gaze wand’ring from blocky buildings to sky,
Wearing playful cologne and expensive shoes,
Completely invisible to the passerby.

A muted flush of cherry-blossom clouds,
Reminds me of a time not so long ago,
Of wishing you were here to walk with me in this lovers’ park
Yet once again finding myself here alone.

They sit in the humblest of frames,
Faux wood-grained plastic grotesqueries
Purchased long ago from some doomed Grants or Bradlees,
Though one or two enjoy something nicer,
Left behind by some long-timer taking a buyout
Or a sympathetic youngster denied tenure
(She has, for the better part of three decades,
Cleaned up the detritus of middle-school children,
A bit stooped from the work,
Not to mention the burden
Of any number of she’s just  or she’s only
Tossed like so much bric-a-brac in her direction.)
The approximations of old masters equally eclectic in origin:
One or two gallery-quality reproductions
Blithely abandoned by some haughty faculty matron
Mentoring children through noblesse oblige,
The odd promotional piece from a scholastic publisher,
Mostly things she has cut from magazines or discarded texts.
She studiously avoids pieces tending to the dark or muted,
No Stuart portraiture or pensive Vermeers;
She has a strong predilection for bold, boisterous Gaugins,
Mad cubist Picassos, lush Cezanne still-lifes,
Even the odd blocky *******.
If you pressed her to explain her fetish
For the brightest of the great masters,
She would likely be at a loss to explain,
Having no academic bent for such things
(Though she has been known to curse the shortcomings
Of lithographers and pressmen under her breath)
And, as she freely admits, I’m not much good with words.
There would be the uncharitable suggestion
That their purpose is to mask cracks and pockmarks in her walls
(She has, to be sure, lived in a long series of such places)
But she has never, consciously or otherwise,
Used them for such pedestrian and utilitarian purposes;
They are, to her anyway, beautiful, and that is all they need be.

Beyond the veil
Pale wisps, shadows
You move, you fall
Parts are lost
Bowels loosen
But nothing comes out
Why the Silence?

You're a doll
In pieces
Blocky arms
Creaky hinges
You have no control
Keep Quiet
Breathe

Once

The windows
are covered.
Get up!
Collapse

Scattered
jacks
rattle
bones

Lost

Are my feet too big for my body?
Because I feel that the gravitational force on it
Centers me too hard to the ground
And it’s hard to lift either one to progress

Are my hands unilateral of each other?
Because it feels like every time that I reach for yours
The other one reaches for an object to grab hold of behind me
Just to keep me anchored

Are my eyes too wide for my blocky head?
Because I feel like whenever I have a goal and a focus
My limbs swing wildly at everything else
Grasping for distraction on anything of interest

If you shatter me you could see right threw me.

If you cared to look, you would find
The decay of my heart manifesting on the floor.

If you cared to look you would see my hands,
Drawn thin and white knuckled

Grasping

Grasping for you

---

A nest of small tinder laying in a blackened pit,
Surrounded by large blocky logs

A small spark-
So small even the tinder barely feels it,
Prods itself deep into the nest.

It grows it's own angry roots,
It flickers them up the pile,
It consumes the nest in its
Small chance of survival.

It is overbearing.

So let me dash the fire with my fist-
Inhale the aroma of a chance-
Burn myself upon my hope.

---

A lost boy wanders in the woods,
Hoplessly lost without a clue what to do
He wanders eternally.

---

A young woman is curled upon her run down sofa,
Numbly wondering why his name can't get out of her head

She likes him
A lot
She just can't bring herself to spark a fire
She won't call his name
She closed herself off...
Again
-

A young man sits dumbfounded on the floor in the center of his room.
He can't understand why,
Why she won't feel the same

His passion is tender and transparent and his hope is ever-grasping

His soul is lost without guidance
His heart is lost without love.

-

So why must our love be broken my sweet...

I had been, through much of my youth,
Under the care and tutelage of my Uncle Virgil,
He being the sole remainder of my father and his brothers,
The rest taken by life’s wind and wuthering,
Anzio and clogged arteries, sneak attacks and suicides.
The final remnant of my patrimony
(But an anomaly among them,
Squat and blocky where his brothers had been all willowy height,
Bestowed a high reedy voice among a half-dozen baritones)
The one entrusted, due to attrition as well as temperament,
With the shepherding of the family farm
Through another generation
(The original design involved my father taking the reins,
But, though he came to the plowed rows, scrubby old apple trees
And lumpy moguls of the place with the hopes and misigivings
Of a soon-to-be- jilted suitor,
He was a dreamer, a man of little to no pragmatism,
Ill-suited to the grinding and unromantic nature
Of cutting dead cows from stanchions
And bringing order to barbed wire,
The mantle then falling to the youngest brother,
But he proved too easily enveloped in life’s minutiae,
And he departed with a locked garage door and idling engine,
The official version being terminal absentmindedness
While giving his antiquarian Buick a tune-up.)

I had come over to help out with the haying,
Its timing, even by small-farm standards,
Subject to Nature’s whims and caprices,
Process needing to be completed in narrow windows of time
When the tall grasses were just-so dry enough to cut,
Requiring marshaling the forces for attack
At a feverish pace before the next thunderstorm
Marched over the hills and ancient glacial moraines,
Leaving ill-timed efforts all for naught
(My contributions to the cause a hit-and-miss thing,
I being my father’s son after all.)
We’d finished up with some daylight to spare,
A thing to be celebrated,
My uncle and I repairing to the porch for beer and small talk.
In the course of ruminations upon things great and small,
I’d mentioned how I’d changed my considerations
On the ostensibly unchanging hillsides,
How they were once foreboding, claustrophobic things,
Walls to be surmounted like some pine-topped Maginot Line,
But now comforting, benign things,
Cradling me gently, almost imperceptibly yet lovingly.
Uncle Virg took a pull from the bottle and slowly shook his head,
What those hills are, boy, is dirt, just a bunch of **** rock
Ground up by the big ice, and it would have been nice
If they’d made a better job of it,
Not that they gave a tinker’s **** about us then or now.
Son, I listen to you talk, and I despair of you.
Why, what would your father say?
He took another drink, then laughed softly.
Oh, hell, never mind. I know what your father would have said,
We drank more or less in silence after that,
The sun making various sherbert pastels
Of reds and oranges and purples,
Though I thought it perhaps for the best
Not to comment upon that particular phenomenon.

I miss my old childhood room. With its dim lights and creaky bed. Turning off the lights and opening my old macbook. The fan inside it blowing hard and much too loud for two in the morning. I miss loading up a blocky game that lagged a little too much. Calling my friends on my phone and speaking in hushed shouts. Sneaking downstairs to grab a few cookies, making sure not to step on the fourth step (that's the one that creaked) and making sure not to crinkle the cookie package too much. Returning back to my room, placing both hands on the keys and forgetting about tomorrow. Playing that game with my friends until I finally noticed the sun peaking through my blinds and the warmth returning to the room. Hanging up the phone before my parents awoke and finally climbing under the covers. I miss my old childhood room and all the memories encased in its walls.

Oh, cheese how I love you!
swiss, mozzarella, cheddar, or blue
stringy, blocky, or holey
you're the only delicacy for me

I love to sit and savor you
appreciating your taste as I chew
on a roller coaster my tastebuds you take
if I went without you my heart would break

And when I'm down to your last bite
my empty plate a horrific sight
I grab my keys and head to the store
needing just a little more

I have a tattoo
On my arm
That reads “Love unity honesty”
In my own handwriting
Blocky and straight.
But
I was lying again
when I wrote it
Because
I curl the tails of my “y’s”