Submit your work, meet writers and drop the ads. Become a member
RAJ NANDY Apr 2015
Dear Poet Friends, being fond of Art, I wanted to compose on
this topic for a long time in a simplified form! Egyptian Art and
Architecture influenced the Early Greeks, who in turn influenced the Romans and other civilizations! Initially Art and architecture, religion and culture, were all closely inter-related! Real distinction emerged with the Italian Renaissance. Here I have used only a portion of my personal notes. Hope you find this interesting to read! Sorry for the length! Kindly give Comments after you have managed to read the entire portion in your spare time. Thanks, -Raj

INTRODUCTION TO THE STORY
OF WESTERN ART IN VERSE:
          PART ONE
    * BY RAJ NANDY

INTRODUCTION
Art over the centuries has been variously defined,
But an all embracing definition is rather hard to find!
Ayn Rand defined Art as a recreation of reality according to
artist’s values, his view of existence, and choice;
Who recreates by a selective rearrangement of the elements
of reality, and not simply out of a void!
Study of Art History is a study of man’s creative evolution;
A progress of his wakened consciousness, and a restless
striving towards perfection!
The progress of his mind, taste and skill, which has gradually
evolved through past traditions;
Finding ultimate expression in his multi-faceted creations!
I commence this story from its earliest days, and mention those
Ancient Civilizations which influenced Art in many ways.
Art has been greatly influenced by religion, culture and history;
Therefore, knowing these aspects becomes necessary to
fully appreciate this Art Story!

PREHISTORIC STONE AGE ART:
Let us take a ride on the magic carpet of History, down
past millenniums to begin our Art Story;
Right into the ancient Paleolithic, Mesolithic and Neolithic
Eras of the Stone Age,
When early humans left their creative imprints on rock
surfaces and on walls of caves!
Long before the evolution of any proper coherent speech
or communication,
In some 350 caves of France and Spain are seen paintings
of large wild animals like horses, antelopes and bison;
Bearing witness to the story of gradual human evolution!
The cave paintings of Chauvet, Cosquer, and Lascaux, date
between 8000 and 1700 BC,
Drawn by nameless and faceless people who emerged from
an inhospitable Ice Age;
Those nomadic tribes who were hunter-gatherers living in
pre-historic caves!
The Story of Art therefore begins before recorded History,
Pieced together by scholars with the help of science and
archeology!
During the Neolithic Period beginning around 8,000BC,
Ancient man became gradually sedentary, engaging in
agriculture and animal husbandry!
With these nomads settling down in small communities,
Art became mystical and monumental in range;
As seen in the megalithic (large stone) structures of the
famous Stonehenge!
This type of post and lintel structure is also found in ancient
Egyptian architecture, and later in Greece as its special
feature!
Art History spans the entire history of mankind,
Right from the pre-historic days, up to our modern times!
Man’s everlasting quest for immortality lies etched on
rocks and raised stone edifices, defying marauding Time!

MESOPOTAMIAN ART (3500-300BC) :
Let us now travel fast forward on our magic carpet to reach
the Fertile Crescent,
Where the Tigress and the Euphrates Rivers flow, to the
Ancient Civilization of the Sumerians! (3500-2300BC)
The birth of civilization has been traced to Southern
Mesopotamia, where the Sumerians built their first cities,
As the earliest River Valley Civilization around 3500 BC!
It was a period when writing got invented in its earliest
Cuneiform form;  (around 3400 BC)
When Patriarch Abraham established the worship of a Single
God, in a revolutionary religious reform! (Judaism)
Mesopotamian Civilization as the source of our earliest
surviving Art dates back to 3500BC;
When major civilizations like the Sumerian, Akkadian,
Babylonian, Hitties, Assyrian, and the Persians, in this
chronological sequence, contributed to Art History!
Mesopotamian Art in general glorified their powerful rulers
and their connection with divinity;
Reflected on their city gates, palace complexes and ziggurats,

are scenes of both victorious wars and their prosperity!
Art was then highly functional and repetitive; depicting
love of beauty, a sense of order, and power of hierarchy,
- in their sculptures and motifs.
However, no signatures were ever found bearing the name
of the Artist!
It is interesting to note that both the potter’s wheel and the
cart wheel, made their first appearance around 3500 BC
and 3200 BC respectively;
With the Sumerians contributing to art and culture, and the
progress of Human Civilization immensely!
(Ziggurats are semi-pyramid like structures with steps, a temple complex located in the center of all ancient Sumerian cities-states! Saragon the Great of Akkad from the North, defeated the Sumerians in the South, & united entire Mesopotamia around 2300 BC, for the first time in Mesopotamian History, & they ruled for 200 years.)

ANCIENT EGYPTIAN ART :(3000 BC -500BC)
Next we travel to an isolated area of north-east Africa,
Where the White Nile flows down from Lake Victoria.
The Nile enters Upper Egypt traveling through Sudan,
Is joined by the Blue Nile at Khartoum to become one!
Continues its flow north through Egypt Lower, flowing
into the Mediterranean as the World’s longest river!
Historian Herodotus had called Egypt ‘the gift of the Nile’;
Ancient Egypt became a rich treasure trove of art and
architecture for all times!
The Nile valley area was protected by the desert on its
east and the west;
In the north by the Mediterranean, and towards the
south by a rugged mountainous terrain!
Annual flooding of the Nile along with an effective
irrigational network,
Ensured Egypt’s prosperous stability, congenial for her
many innovative architectures and art works!
Egyptian Art got shaped by her geography, mythology
and her polytheistic religion;
Also by their preoccupation with after-life and belief in  
the immortal soul’s continuation;
Thus elaborate funeral rites were performed by priests for  
the body’s preservation by mummification! *
(
’KA’= was a real astral twin or stellar double of an Individual, which continued to exist even after death, requiring the same sustenance as the humans, so food offerings were made in the coffins! ‘BA’= shaped like a human-headed bird, composed of non-physical attributes of an Individual. ‘BA’ collected the deceased’s personality after death from the mummified remains & united it with the ‘KA’, making a person complete; thereby making it possible for the person to be reborn as ‘AKH’ (Star), - in its ultimate unchanging form, to join Osiris in the ‘Happy Fields’! Since this journey to the next world was fraught with danger, magical funerary spells & rites were performed by the priests, with incantations from the ‘Book of the Dead’, inside the funeral chamber of the Pyramid!)

Art During Old, Middle, and New Kingdom Period:
Egyptian Art was concerned with ensuring continuity of the
universe, their Gods, the King and the people;
A projection into eternity a version of reality pure and free
from all earthly evil!
Therefore in ancient Egyptian society, conformity over
individuality was always encouraged;
Artists worked in groups with conservative adherence to
rules, order and form,
And all individual artistic initiatives strictly discouraged !
Their earliest pyramids the Mastaba, the Step, and the Bent
Pyramids were all prototypes;
While the Great Pyramid of Giza built for Pharaoh Kufu,
- was the first true pyramid which still survives!
Art comes down to us as ‘funerary art’ designed for the tombs,
Which was to accompany the royalty in their journey to an
afterlife, with its symbolic forms!
This symbolism is seen in their paintings, statues and architecture;
In vibrant color codes of their paintings as a special feature!
Where White was the symbol of purity, Black for death and night;
Green for vegetation or new life, Blue for water and the sky;
Red for life and victory, and Yellow like Gold as the flesh of the
Gods and also the Sun God ruling the sky!
Thanks to Jean-Francois Champollion’s translation of the Rosetta
Stone, (1822)
We are able to decipher many mysteries of the Ancient Egyptian
with the cracking of the Hieroglyphic Code!
Larger than life statues with poise and austere harmony at the
Luxor Temple complex survive;
Symbolic of the individual’s status, while creating zones of
strangeness for imagination to thrive!
(
’Matsaba’= Egyptian for ‘bench’, referred to bench shaped pyramids;
“Step Pyramids” = were like benches placed one on top of the other in
a tapering form going up vertically!)

The Old Kingdom Period covers a five hundred years span
of Ancient Egyptian History, (2686-2181BC)
Known as the ‘Age of Pyramids’, with Pharaohs from the
Third to the Sixth Dynasty!
“The World fear Time, but Time fears only the Pyramids”,
- is an Ancient Egyptian Proverb;
Whose ‘heterogeneous structure’ made it earthquake
proof, making Time to reluctantly serve! #
Here we find formalized figures with long slender bodies,
idealized proportions and large staring eyes;
Where Kufu’s Great Pyramid of Giza raises its mighty head
as the highest, on the west bank of the Nile;
And the mighty Sphinx guard the entrance to those ancient
royal tombs, though defaced, still survive!
These pyramids were like Pharaoh’s getaways to eternity,
An insurance to an afterlife of peace and prosperity!
(# Pyramids with stone blocks of different sizes & shapes made them
Earthquake resistant; & use of pink granite in the inner chambers
made them erosion resistant against Time!)

The Middle Kingdom Period (2040-1650 BC) :
Following 150 years of civil disorder Theban ruler Mentuhotep
the Second, reunified Egypt and ruled up to Nubia, (Sudan)
And began the Classical Era when Block Statues appear,
indicating political stability;
When artisans worked with bronze and copper alloys, designing
exquisite jewelry!
Kings now preferred to be buried in secret tombs, Pyramids
having lost their appeal,
And work began on the west bank of the Nile, in the Valley of
Kings!
(
Inside those rock cut ‘funerary temples’ on the East bank of the
Nile, opposite Ancient Kingdom of Thebes ; Pharaohs from the
Early and Late New Kingdom Periods were buried, including
Tutemkhamen.)

Early New Kingdom Period (1550 -1295 BC):
Between the Middle Kingdom and this Era, Art remained
static for almost a hundred years,
When the Hyksos from the Near East fought the weak Theban
Rulers!
In 1550 BC Theban Prince Ahmose reunited Egypt, and was
succeeded by able rulers, who ushered in the Golden Age!
Art works continued to maintain its basic traditional style,
With successive Kings from the 18th Dynasty consolidating
their kingdom’s wealth and power all the while!
But Egypt witnessed a change with an innovative style in Art,
When Amenhotep IV in 1353 BC became King, initiating a
fresh start!
This king changed his name to ‘Akhenaten’, the spirit of Aten,
-- ‘The disk of the Sun’;
Abandoned the pantheons of Gods with Aten as the ‘sole God’,
and a religious revolution had begun!
His new capital city of Amarna, 200 miles north of Thebes,
Got decorated with a new kind of art work to make it complete!
The statues now appear more realistic displaying emotions,
With fluidity of movement, unlike those rigid earlier creations!
The artistic talent of this Amarna Period gets best exemplified,
In the exquisite bust of Nefertiti, Akhenaten’s Great Royal Wife!
Regarded as ‘icon of international beauty’, a great archeological
find ! **
(
Discovered by a German team of Archeologists in 1912 at Amarna! This 19 inch long limestone Nefertiti statue weighs around 20 kg, now housed in Berlin Museum; comparable only to the artistic Golden Mask of Tutankhamen!)

King Tutankhamen (1336-1327 BC):
Akhenaten’s unpopular rule was short-lived, with those humiliated
Theban priests calling him the ‘Heretic King’!
A nine year old boy Tutankhamen (‘The living image of Amun’),
was next to succeed him!
King Tut restored the worship of Amun, in a back-lash against
Akhenaten;
Shifted the royal palace back to Thebes, with the religious center
at Karnak once again!
King Tut’s short ten year’s rule remained buried in 3000 year’s
of Egyptian History,
Till Howard Carter found his richly laden intact tomb, in the
Valley of the Kings! (1922)
King Tut’s priceless and exquisitely carved golden face mask,
reflected the exalted standard of art work;
Weighing ten kilos, inlaid with semi-precious stones, and eyes
made of obsidian and quarts!
With the King’s early death, the 18th Dynasty of Pharaohs came
to an abrupt end,
And the 19th and 20th Dynasties of the Late Kingdom Period
commenced!
The famous rock temple of Abu Simbel now got built, under the
warrior and builder Ramses II, one of Egypt’s greatest Kings!


Pharaoh Ramses-II of the Late Kingdom Period :
Here I sweep across centuries of Egyptian History, to mention
King Ramses-II’s contribution to our Art Story!
In Shelly’s famous poem titled “Ozymandias of Egypt” he is
immortalized; (Greeks called Ramses-II “Ozymandias”!)
And as the Pharaoh associated with Moses in the movie “The
Ten Commandments”, he is popularized!
Egyptian Art is intrinsically bound with its religion, pyramids,
hieroglyphs, and architecture;
With a concentrated focus on ‘afterlife’ as its special feature!
In 1270 BC young Ramses took over from Seti the First,
And his rule for a period of 66 long years did last!
As the third Pharaoh of the 19th Dynasty, he had ruled with a
firm hand;
Recovered lost territories from the Hittites and the Nubians,
- earlier captured Egyptian lands!
He enlarged the territories of Egypt ensuring prosperity and
stability;
Became renowned as the famous Warrior and Builder King
of Ancient Egyptian History!
Ramses-II had expanded most of the temples, as recorded in
the artistic motifs and hieroglyphic symbols;
Here a special mention must be made of the Temples of Luxor,
Karnak, and Abu Simbel !

Temples of Luxor and Karnak in Ancient Thebes:
Ancient Thebes was located on the eastern bank of the Nile,
where the modern City of Luxor stands;
Thebes was once the capital of the 11th and 18th Dynasties,
And the power and religious center of all Egyptian land!
Gets mentioned in the 9th Book of Homer’s ‘Iliad’ where “heaps
of precious ingots gleam, the hundred-gated Thebes”!
Excavation work began in Thebes during the late 19th century;
And the gradual unearthing of the Temples of Luxor and
Karnak, added a new dimension to Egypt’s Art Story!
It must be remembered always, that the Ancient Egyptians in
those early days,
Structured their temple architecture to the point of ‘Sacred Art’!
With their knowledge of astronomy and geometry, they
aligned their temples so perfectly,
That the light of the rising sun fell on the temple’s innermost
sanctuary! (Temple of Abu Simbel is a great example,)
Where the Egyptian priests, who were also the artists, healers,
mathematicians, astronomers and scribes;
In dimly lit incense-filled sanctuaries performed the sacred rites!
The temples symbolized the cross roads of the cosmos, where
the divine and the mortal met in perpetual harmony!
These divine scenes were integrated into the very fabric of the
Egyptian society through chants and rituals;
With cosmological symbols of magical hieroglyphs, which
priests alone could transcribe in those days!
(
Thebes began to decline rapidly after Alexander the Great
established the port-city of Alexandria as Egypt’s new Capital
around 332 BC !)

Luxor Temple built by Amenhotep-III, was dedicated to God
Amun, his wife Mut and son Khonsu, - the Theban Triad;
Tutankhamen and Ramses-II expanding the temple during the
New Kingdom Period!
Creator God Amun became assimilated with the Sun God Re;
Was worshipped in Thebes, and in the cult centers of Luxor and
Karnak, - as Amun-Re!
The walls and columns of these cult temples were decorated
with carved and painted relief,
Depicting the interaction with Gods, and military exploits of
Egyptian Pharaohs and Kings!
The sun temple of Amenhotep-III at Luxor has many columns
resembling papyrus bundles,
Symbolic of the primeval marsh from where Creation was
believed to have unfolded !
A Sphinx Alley excavated between Luxor an
Brian Ellingboe Jul 2015
Love will **** you
It'll bend you, break you, throw you around.
It's like a tsunami:
consuming, powerful, inescapable.
You and tsunamis are pretty similar.
When I saw you I felt you in the deepest parts of my being, smashing around and displacing my insides.
And when you left, you took away parts of me I can never retrieve. Like a wave returning to the sea, taking with it all in it's path.
You and tsunamis aten't that different after all.
Tsunamis cause damage by two mechanisms: the smashing force of a wall of water travelling at high speed, and the destructive power of a large volume of water draining off the land and carrying a large amount of debris with it, even with waves that do not appear to be large.
VasudevanK Mar 2021
I am the new divine
Aten, I rise and shine.
My thoughts were rattling
dangerous and I was battling
the odds. I have overcome
the big battle of the asylum.
Things change as well as the water
under the bridge, and the slaughter
of my demons isn't hard anymore.
I am stronger than ever before.
kainat rasheed Oct 2017
Translation




Woi To Hai Jo Nizam-e-Hasti Chala Raha Hai

ko’ii to hai jo nizaam-e-hastii chalaa rahaa hai
vohii Khudaa hai, vohii Khudaa hai, vohii Khudaa hai
dikha’ii bhii jo na de nazar bhii jo aa rahaa hai
vohii Khudaa hai, vohii Khudaa hai, vohii Khudaa hai

(Someone is there who is managing the order of life
He is God, He is God, He is God
He is invisible still He can be seen
He is God, He is God, He is God)

nazar bhii rakhe sama’ateN bhii, vo jaan letaa hai niyyateN bhii
jo Khaana-e-laa-shauur meN jagmagaa rahaa hai, vohii Khudaa hai
vohii Khudaa hai, vohii Khudaa hai, vohii Khudaa hai

(He keep eyes and ears too, He knows even the intentions
The one who is illuminated in our subconscious minds
He is God, He is God, He is God)

talaash us ko na kar butoN meN, vo hai badaltii hu’ii rutoN meN
jo din ko raat aur raat ko din banaa rahaa hai, vohii Khudaa hai
vohii Khudaa hai, vohii Khudaa hai, vohii Khudaa hai

(Do not search for Him in the idols, He is in the changing seasons
The one who is changing day to night and night to day
He is God, He is God, He is God)





You are clay . I am clay
Earlier I didn't believe in the God or any powers and miracles...
But when I thought that we are so advanced and we have reached the skies in Science and Technology...but still Scientists are unable to create us, to create humans..Then there must be a superpower who creates us..though I try to connect everything with Science.and not with miracles even now..but I'm changing..( with the efforts of poems created by Great persons like you).
THANK YOU SO MUCH
GOOD WRITE
Nazar bhi rakhe, samaartein bhi

Woh jaan leta hai, neeatein bhi Jo Khana-e-Lella, Shioon mein jagmaga raha hai Wohi Khuda hai, Wohi khudaa hai Wohi khudaa hai, Wohi khudaa hai Talash uss ko, na kar buttoun mein woh hai badalti hui ruttoun mein Jo din ko raat aur raat ko din bana raha hai, Wohi Khuda hai Wohi Khuda hai, Wohi khudaa hai Wohi khudaa hai...

Koi to hai jo, nizaam-e-hasti

chala raha hai, Wohi Khuda hai Dikhayi bhi jo na de nazar bhi Jo aa raha hai, Wohi Khuda hai Wohi Khuda hai, Wohi Khuda hai
B Young Dec 2016
In Brook Glenn
Again
The Psych Ward
Writing in the Psych Ward.
On Thanksgiving
Yet,
I am still thankful
For life
For breath
For a love on the horizon

Mental illness is one hell of a drug.

Is this what the Egyptians called Maat
or
The divine right order?

the Nile flows
the Nile flows

The sun god shines from Aten
And
i am cursing Akhenaten

But

Motion is relative.
Parker Louis Jan 2015
Today I met Jack Frost
He talked to me and made me lost
He even tried to flirt
He beat me till it hurt
I felt so cold and thin
And in the end I let him win


Today I met  Poseidon
And there was no use in hidin'
He showed me this anchor ?
It was heavy as a tanker
I tried to swim away with his crown
But in the end he dragged me down


Today I met Satan
It looked like he hadn't aten
He invited me to a bonfire
I didn't know it was so dire
He thew a burger on a barbecue
And then he threw me on too


Today I met my aunt
They enticed me with a present
They  kinda bugged me
They bit me when they hugged me
The present was just a crumb
Then they crushed me under their thumb

Today I met Smith
You'll never guess who he was with
His friend was named Wesson
And they taught me a valuable lesson
Make sure it's unloaded
Unlike what I did


Today I met my Doctor
He was getting smarter
I felt quite Ill
He gave me a certain pill
He told me how much to take
But I took them until they stopped the ache


Today I turned fifteen
But with all the blood I've seen
I think I might be
At least fifty three
I gave it a shot
And look at all the death it brought


Today I met a bartender
And I went on a ******
I drank so much *****
If you asked how much I couldn't have told ya
I put my keys in the ignition
And now now I'll never again be in that position


Today I met a thirst
And it was the last and first
I couldn't find any water
And I thought why bother
I just layed there
And you can bet I stayed there


Today I met my acceptance
And it snapped me out my trance
I don't wanna pass away
At least not today
And I've,
never felt so alive
7/10/2013
Liana Veteto Apr 2013
It is hard to keep my head up
When it is home to my heavy heart
And my back
Can only carry so much.

How can you say
I am not the center of the world
When yours so clearly revolves around me,
Pretending it is hers.

You say when I cry
The tears eclipse the sun
Because my eyes reflect
Aten's brilliant beams.

Well let him drown.
As I shed these tears,
So I shed you
And only the memories linger.

This is not sadness
This letting her be happy
And letting myself find happiness
At least I can enjoy the search.
Jamie L Cantore Feb 2017
I awakened early, dark of morn.
I aten my Kellogg flakes of corn.

I was thinking of how it rained
Literally last night on my parade.

But hey, upon us all
A lil rain
                  Must fall.

                          Today is another day.
Smile, please. May it be a better one.
Mateuš Conrad Jan 2018
pierdole, jade do Turka, bo inaczej ni-ma rady: pospolicie, czyli na pszysięge: klnąć! nad to:  ścisk ‘zora, o! tyle! gleba!  ścisk - tym ‘zorem siekać, i u-ci-sss-kać! no to dopić: pod ten brak  šatana - tego Ukrainskiego atamana - brak mu ręki - bo na ścisk - jak to mówie: cisza - szmer i śmiech! a to wiadomo czemu tak auto-matem iota ma główke - czemu nie ćιsza, jeno cisza? a no, dla tego! ja nie prosie by tak prosić na gotowe! a tu wysłane! cygan z dywanem perskim, a i tak nie wygoda! bo czemu kropka nad ι‘otą? a bo sie czyta Spinoze i sie pyta: nad literami grawituje tym pytaniem. - to też znaczy: poza lewą nie wie co prawa ręka robi - bo to oczy czytem jedno, a zór lepi drugie - kto by domyślił sie inno turkie ğ to jak ‘glika ha, ha gag - ab surd! grav’ niet kā’ron! bo i tak: śmierć metafizyki jest nowo-narodzonym szczylem (ščylem) ortografii - czyli dwa razy po krótkie i - jakby jota - głucho puste widzi-mi-sie (brakujący ogon, czytem: diabł ma rogi - a zatem: pytń  o ‘gon... jom ci pszepisze Ajrysza Finnegans Wake, tym bogatszy, a przy tym powiem: pierwsza cegła pod ten mur: al-buraq - czyli ten burak - czyli, die rotebeetemauer - jebaniec poniemiecki, jeszcze mu mało pożyczonych słowików... cirp ci kuźwa dam’nom, bedzie bi-da! bi-da! kozmopolitan tylko górali i szkocki akcent bawi na lublu... to cie kurwa zabawi, prędzej dziób pingwina skryje sie w moim łokciu, jak i dąb na tle mojej dłoni! pije, pali, konia wali... w imie ojca i syna, i duchownictwa szarańczy. post / pre scriptum: wolno myślący człowiek nie ma teorii ego, jeno mape, nie algebre o ten niedosyt znaka X - dawym imie - dycha! co pincet znaczeń, dycha! nie nie, aby podpis analfabety - tzn. X i ego, ** i superego, *** i id - tzn. to tamto, owanto. wu czy u - czy wiem i nie wiem, czy: kiedy piszesz i wydalasz cieć klaustrofobii - czyli: chłopie nie pisz jak plotnik fobii jesteś - ad abstractum - od nowa: Zyd na Gestapo - pewnikiem nie żaden: Brzeczyszczykiewicz - schusza - jakby odwrót: syty - szyschkami - šon - ko-kurwa-konery! jebudjed; budujem? da da... ja ni kocham tybi ty ni koi me. a to co? działa NA-WA-RO-NE-SO-LA-TI-DO. ponownie - sprość: ğnome - ğnostic - cisza nad gje.*

i to prawda,
   ta Grecja...
       kołyska zachodniej
cywilizacji -
   tzn. bahory,
      młode gówna:
   kakaшki -
lecz! Virgil i co Turek dobrze
wie... Grecja? nuda
i szambo murmur
w Edenie pirackim zwanym
Loon-dyn...
       bo ci powiem co ci powiem
a ci powiem jak Zagłoba -
   tym bardziej kochać
jak czerni syn w pieśń nad góry ‘niem:
   Bo-***! mój to ulubieniec.
           pisz wiersz ‘ciupki -
maciupki paniczku -
   pisz wiersz po każdej
książce...
              a co w Polsce?
meandry uczuć!
   tak, tak, z babcią ci powiem
nie o Greckiej piekności -
powiem ci o Turkeckiej -
    - co, za... SIKSA!
- i sam bym głowe w ogniste dupsko
diabła wsadził po modłach przed
ołtarzem nie jednej iskry Aten
                          blednącej -
   w tamtą strone jedzie w czern
ubrana żałobą piękna -
w pół kroi sie Ukraina i Grecja...
a tam, tam w post scriptum
Byzantina - siedzi wicher serca
cerkiew i meczet cukrzynka -
martwe to morze, morze,
martwe, lecz nie sól inno cukrem
lśniące błoto, jakby
   z Szanghaju *** świnski -
   córa dla starego i młodego -
Sühan - Sühan - Sühan Tuğba -
     po nią znów 100,000 łajb płynie -
dawna Troja -
  bo ci powiem co ci powiem -
     Turk nie Muzułman -
po Alim drugi - godny sfat Pers'a -
bo jak nie - Turk u progu Europy -
nawet i ja na podziw przed
    obchodem Kaab'y siedem razy
motłochu wart ogląd szkarabu -
i ten słodki adhan -
           bo dla szczoła śpiwać to
na marnie -
     boli też pruch po tych starych
bakach pośmiewiska papistwa...
   jebana kurwa mać w koło to samo -
nie wiem jak, ale
    wolałbym zdradzić chrzest
niż go przyjąć -
           ponownie -
ale jeno pod chorągwięm Turka -
jako janczar -
         chociaż tam jest: śpiew!
a nie, dzwon, dzwon w głąb 'pusciany!
czy też krokiem: kra kra krasnoludy!
fu!
     gorzkość i brzydota!
          mówie! Turek po łacinie
zacina? zacina - alfa-kurwa-becik
po jakiemu? nie po Ł'cinie
godnym Lwowa?
           z Turkiem moge, bo sie
chce, on i tak już lizał Bałkan
   i prawie zawstydził Wiedeń!
    ale to ciwilizowany Pan,
         bo umnie ubrać i nawet
pozwoli wypiç kiedy kości wychodzą
z ciała ogrzać cień!
     o tyle lepszy -
jaki przy Turku z Troją w ręku
i przy Perskim stygnięciu jest
ten prostak Arab...
     a jak im sie skończy czarny glut
to będa eksportować pioch!
    już wiem gdzie,
         na plaże Albionu!
             i tyle powiem -
   o Turka warto byłoby zdradzić -
bo skąd inne, piękniejsze od
  Greczynek niż ciup-ciup pijące
         wróbelki z nad Bosforu?
   Turek drugi Ali i trzeci podział
Izlamu - bo wkręt Ł'ciny -
             i tym też -
               sfoboda -
                 tym też dawny Byzan -
i Troja - i co jak nie Rzym -
        ostatni kalif -
                    i tym Arab w świecie
jak Żyd -
          ale o tym mniej od Żyda -
bo to bogacz na wielblądzie który
nie tylko nie może sie zmieścić przez
oko igły, a co też nie może
zmieścić sie w swe portki!
My Beloved

I've loved You for Eternity
In the Temple of Thebes,
Courts of Cairo
standing on the red horizon
Your golden arms
embraced me
as You rose from Your
starry bed

Aten... Aten

My Soul still remembers
that darling blue boy
with peacock plumes
and heavenly doe eyes
playing hide and seek
over the rustic shamrock
green hills of Brindavin

Krishna... Krishna

My Beloved

Though You've donned
a thousand trillion forms
like a bright star falling
onto the earth
I'd know Your face, those eyes
anywhere

O My Dearest

there is no place
in heaven or on earth
that I'd rather be
than with You
Forever
Morning dove light peeps
through satin, white window curtains
gently caressing my face
with long amber fingers of Aten

Eyelashes flutter, tiny black feathers
spread their wings
my eyes, twin suns rise
in splendor

I watch from an ancient throne
suddenly realizing:
I AM HERE

Shimmering peacock hues
ripple across the iridescent atmosphere
succulent flavors of a new day overwhelm
my palate as I gulp down each raw, fresh
insatiable experience
bursting forth in plumes of color,
scents and sensation

Yet in the midst of it all like a
clarion bell ringing from a Buddhist temple
Clearly I observe:
I AM HERE

My lover clasps me
to his burning breast
I feel warm breath in my ears
and a warm teardrop splashes
against my ruby cheek
"O sweet boy will you love me forever?"

Spring rains flow into Summer vacations
Winter snow buries Autumn petals
Unaffected My Soul calmly declares
I AM HERE

My breath is shallow
the bubbly stream of life
has dammed up
heavy black velvet drapes
slowly close over a starry landscape
you grip my cold, steel blue hands
and stare into my faraway eyes
your words fall on a distant shore
where roaring tiger waves
pull me out to sea

And although all appears lost and forgotten
Undiminished I remember:
I AM HERE
carmel May 2020
No te enamores de una mujer como yo, que soy de esas que llaman "locas", que no quiero cuerdas por que no me gusta que me aten, que yo no quiero atar a nadie, que  si me atas, átame a la cama.

Si me atas que sea para levantarme hasta el cielo, que si me das cuerda sea para llegar mas alto o ir mas lejos, que las locas como yo ven esta vida para amar con todo lo que vibra en mi, que las locas como yo no llevamos corazónes, llevamos soles!
Que alumbran la noche en esos callejones oscuros, que el miedo se vuelve amor, y que la compañía se vuelve amistad, que el dolor se vuelven aprendizajes, que la vida se vuelve amor.

No te enamores de una loca poeta, como yo, que que si me lastimas, te dejo en el olvido lentamente te vuelves un recuerdo te voy destrozando con letras, entre las lineas de poesía en mi libreta, que las locas como yo amamos con locura, vivimos con locura, todo a limite que nos vaya llevando a la lejanía de la cordura y que soy de esas locas que si te quedas te puedo prometer una vida entera.

— The End —