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Aqua white, in a glacial vanity cabinet
of pan cake foundation, pure like progeny,

The wind sings the squirrels to sleep
in this acreage of dreams. The lunar reflection

Off the snow shows one how they will die, peaceful
thought broken by a sudden clamor of crunching

One can sense under imagined steps
like the sun on your shoulder one perfect day,

It feels like memories past. An undulation of swift muscle
appears from the void into the moon glow cream,

Moving through the scape like the ocean foaming,
without direction, yet perfectly on path.

Peace not broken, rather fastened by the past,
the present, an no necessary future,

Here in the snow, where squirrels can be caught thinking
and the deer gambol with the timeless winds.
Barton D Smock May 2013
the outhouse, and the woman in it, gone.

father’s
praying
place.

if beside it
I could see
the open empty toolbox

I knew to yank the dog homeward.
I was doing what anyway.    

in mother’s voice.  in brother’s
untucked
shirt.

messing around with our neighbor, the messiah.
Tom McCone Jan 2016
dug up my own bones, what
a shock, from the soil. found
myself amidst the roots and
stones, tangled up, not an act
of fiction or faith. just position.

and, so, turned to the wrought
ligaments of my jaw, i asked
"why were we buried so
shallow?". but, bones don't speak.
history is nameless and without
sight. we stand on the precipice
of a crumbling tower, and, down
in the cellar, ferment languages
unspoken. hands in pockets,
well, i wandered down,
expressionless, steps ringing
hollow on the uncatalogued
leaves of stairs, and drank deep
of tongues untouched. and such
are all knowings. and god knows
i learnt next to nothing, but that the
sun always rose. that lovers spurned
each twilight, waiting.

and for all of the square meters
grown up in glades everlasting,
for all the soil tilled and grass
come back brighter, my shoes
were all the muddier, my eyes
were full of eternal shine, my
****** heart was healin'. the
sky was only blue.
I took a room on the second floor
Of a building lost in time,
Nobody knew just when it was built
By way of its weird design.
It once had stood on an acreage
Of woods, and lakes and sky,
But now it stood in a fifth rate slum
And the world had passed it by.

Its red-brick frontage streaked with soot,
Its columns black with grime,
The marble floor with ancient foot
Was scored, and past its prime,
But any roof was a comfort then
For my life had lost its way,
And I couldn’t face the future then,
Nor yet, the light of day.

The janitor was an ugly man
And he had but one good eye,
He’d only let to the down-and-outs
And tramps that were passing by,
He made the rules for the ancient place
And he said, ‘Just you beware,
Don’t ever go to the back of the house
Or use the winding stair.’

He knew I’d agree to anything
For I had nowhere to go,
Since ever my wife had turned me out
For a butcher, name of Joe.
The years we’d spent were meaningless
Once she’d set her sights on him,
So I left without a word or a prayer
But kept my feelings in.

Up above was another floor
That was empty all the time,
The janitor said, ‘it’s not in use,
It’s just too hard to climb.’
And above that floor was another room
With the windows painted black,
And accessed by the winding stair
I’d been warned about, out back.

It was lonely there on the second floor
It was quiet as the tomb,
I got to wondering what was there
Upstairs in the topmost room,
There were noises, scuffles and fumblings,
At times in the early hours,
But when I asked the janitor why,
All that I got were glowers.

‘This house has plenty of secrets but
It keeps them to itself,
As you’d be better to keep to yours,
Rather than dig and delve,
I trust that you’ll never get the urge
To leave the second floor,
If ever I catch you out, my friend
I’ll see you out the door.’

His threats were making me curious
So I listened, quite intent,
At two or three in the morning when
Some noise was evident,
I climbed one night to the floor above
And I saw the winding stair,
And what was coming and going sent
A shock through my greying hair.

There were figures in shiny silver suits
Came in and out from the street,
Carrying cats and rats and dogs
Like specimens, all asleep,
And a terrible growl from the topmost room
Rang out when they opened the door,
And sent a shiver like ice along
My spine, from the upper floor.

And down the stairway creatures came
That I’d only seen in books,
Handed to strangers down below
With a nod, or merely a look,
They’d been extinct for a million years
Or had in the books I’d read,
But not a one of them lived or breathed,
They seemed to be newly dead.

I got back down to my room again
Shivered, and closed the door,
Sat in a quivering heap of dread
But I knew that I wanted more,
They must have come from a future time
And delved way into the past,
Why would they want our cats and dogs,
Had they lost their own, at last?

I went again on succeeding nights
The traffic was still the same,
For men of science and drunken girls
And still the strangers came,
But then a bellow from in that room
And a crunching, crashing sound,
With voices raised in the midnight gloom,
The janitor came, and frowned.

‘You’ve seen too much, now you’ll have to stay,’
He growled, and pointed a gun,
Prodded me up the winding stair
‘Til we saw what was going on,
The door to the topmost room was blocked
By an animal, tightly jammed,
‘My god, we’ll have to get out of here,
This never was part of the plan.’

Two giant tusks blocked the winding stair
As I looked in its evil eye,
Its head and shoulders had blocked the door
With no way of getting by,
It let out a giant trumpet blast
Of pain, as I turned to run,
This was no elephant, that I knew,
But a giant Mastodon.

Then up above was a steady whine
Like a jet that was winding up,
‘Don’t leave me here,’ cried the janitor,
‘I have to get back, just stop!’
But the roof of the house was lifting up
And the bricks were falling away,
I caught a glimpse of a saucer shape
As this thing took off that day.

The winding stair came crashing down
With nothing to stop its fall,
I landed down in the basement, found
Myself by a Roman wall,
The janitor, not so fortunate
Was crushed by the falling beast,
Killed by a thing, so long extinct,
By a million years, at least.

I didn’t wait for the powers that be
But took myself on the road,
Looking for somewhere else to stay
To hide away from the cold,
I found me a mansion, streaked with soot
With its columns, black with grime,
And thought, as I took a second look,
It seemed to be lost in time!

David Lewis Paget
Sarina Jan 2013
The man I fell in love with is tall and dark.
I want to center jewelry on his neck and fingers,
lace it between edges, pits. He is tall so
my lover has more acreage than I ever will –
I can hide my secrets in his head. I
can wrap my veins around his wrists, I can love
the scars in place of where a child once bit.
I will even show him where I am most
pink to make sure he knows what brightness is.
Third Eye Candy Oct 2012
however i choose
to abuse these loose reigns
to gain whatever gallops may overtake
to overrun the rampant jade
in summer's plum, my teeth in no shade
but the plump flesh
of a ****** day; brightly at heel
of my toes, bejeweled
in ocean spray
fresh cut lawns with diamond dew, disarranged
sprinkler cast before midday
to cheat the sun,  a sip or two -
and slake the thirst
of emeralds
i would soon delight
to cantor through.
to roam
with eyes too wide
to choose
a culdesac ... to dread-
or view. Perhaps
a glance at crates
and crude cadavers of a life
removed -
from every thing i worship twice !
while prancing, ever-prancing -
through
the manicure
that has ' no cure '
for Nature's way
of tending too the over-groped
and fussy plucked,
some Charter barks
you have to do; What Art dispels
what man has framed ?
what power drapes
the Land more true ? A dozen Elves ?
Prayer in school ?
what genius
never fails to ask -
the question that reveals the fruit ?
or listens .... to the loamy grass ?

a very
few, if any who -
would
do
the same; the
mortgage and a
landscape, paid;
' in-full.'  [ The first ]

with love, the glade ?

The Earth
is all i know,
would do
for nothing,
all...  Spite all -
we do.
however we blockade
or stake
the acreage
we have papers prove-
belong to every
dispossessed
with keys to doors
that lead to
rooms -
that seldom have the sun
inside the red Redwood
the old thing died
too raise your roof
under god's blue
sky.

To shelter
men from other
men,
who covet what
you keep in
them.

a 1000 yrs of Life, undone  
to build our vapid
ornaments.
a forgery
of hearths; and hardly worth
the vasty parlors
lost.

we parcel, carve
and auction
off
our petty Lots of
*******...

the empty ones we polish
while our homeless
remain home-
less

the echoes of a simpler time
too weak to even haunt them.

our shame intact, we slash
and burn, for coffers have
no conscience.

our charity is scarcely more than earplugs
for a blindness; a band-aid for an Apathy
a thimble and
a wine list
etched inside the hollow
just below the milk of kindness
that soured
in a palsy hand
that brought a drop
and spilled it.


However
I have chosen more
than fiberglass and
fountains
my habit is to wander off
the beaten path
to mountains.
To slopes
of avid avalanche
and quiet shouts
of Silence -
that echo and return
as if to soothe
my withers'
finally...

an
ache
to meadowlark and leap
for leagues without a harness
without
a gate to keep
the lush pavilions
at a distance

nothing
to contain
the gift
and no one
there to
name
it.

nothing but the wind to kiss
and no books to
explain
it.
Rose May 2016
sticks and stones
a world alone
made blue by my perspective
a field of mice?
well that's alright

you do know that you're bigger
... right?
Third Eye Candy Nov 2012
at dusk above,
clouds scud like loose teeth in upper gums
purple-pink in twilight. a deep night, seemingly ' on pause '
as all dust tumbles from bare skin
into the naked cause... our minds defunct. our minds undone.
our soul's law
at the very heart
like all
gods

where the birch and elm keep
lean rabbits, and stab at thee with long shadows with ashy knees
and bramble rabble; a riotous acreage of predation and escapeful providence
far beyond fences and subdivisions
where men add
by dividing
and knit with schisms...
where the earth has fangs in the ocean
and long nights.

your
answer is sovereign
and hunts
foxes
with your
eyes
Jonathan Witte Oct 2016
Our road trip memories align
as we pass a Farmall tractor,
fire engine red and rooted
roadside in a field of alfalfa,
a relic washed by cloudburst,
a workhorse dried in sunshine,
arrested air stack,
rusted crank case,
supple spider webs
in chaste wheel wells—
immutable old machine
somehow extinguishing
in the reflected acreage
of the rear view mirror.
Jonathan Witte Feb 2017
We gathered our water
and packs at daybreak
to hike hand in hand
toward the distant ruin—
a tall stone chimney planted
on otherwise empty acreage,
a kudzu-covered tower,
the ghost of a farmhouse
now a home to field mice,
black beetles and bats,
with bricks the color
of weathered blood,
vertebrae stacked
a century and a half ago
by a stonemason’s craft,
still solid and bonded
despite the slow decay
of arthritic mortar.

How long have we
walked together?

The morning
is all we have
left to ponder.
We walk for hours;
the chimney grows
larger at our approach.
I want to ask you
a question about
the night we met,
what you said
just before I held
you for the first time,
but then I catch sight
of my hand and realize
I am walking alone,
moving inexorably
toward a ruination
of my own making.
How could I have been
so careless? Unable
to stop, every step
strips something away:
my hair thins and falls,
as white and weak
as sickled wiregrass;
another step and my
body atomizes into
the stuff of stars,
pollen scattered
on a rising wind.

So this is what it
feels like to decay.

By the time I reach
the ruin I am mostly
cinder and ash,
a sorry vestige
sown in a quiet field,
a forgotten landmark
that strangers will visit,
if only to contemplate
how the evening fog
spindles like smoke
along the enduring
column of my spine.
Wild onion giving the wind away , a rebellious occidental gust ever so
slightly ringing the farm bell today ...Pie pans throwing sun lit reflections over untilled plats of earth , pine tree music with every ****** of air , every tantalizing breath .. The blue eye with contrails , the scraggily hair of a stray dog in every direction , walking coarse skin , high stepping all manner of human corruption and dander , feeling a bit parasitic about the whole encounter . Mans tug on the world , his greedy self proclaimed domineering attitude , the forest of March will prove to be a glimpse of July in a world of unchecked destruction and denial ..A Red Hawk passionately concurred with my write as I left the pine grove for home this night ..
Copyright March 1 , 2016 by Randolph L Wilson * All Rights Reserved
JRBarclay Mar 2012
We all know the impending, ominous, zombie apocalypse is ever present, here are some  guidelines I suggest we all follow, at all times:

1) Know you friends and enemies. Who can you trust? When the moment strikes, know who you will want by your side and who is expendable.

2) Assess your surroundings.
      a. Know your exits and any strategy involved.
      b. Be aware of any weapons that can be made available and remember their location.
      c. Make note of any abundant water sources/food/supplies, etc.

3) Cell phones be ******! ALWAYS carry with you these things:  pocket knife, lighter (more than one is never frowned upon, FIRE is essential!), matches, extra clothing esp. sox, underwear, long sleeves, etc.

4) Always have a means of fire. Quite possibly the most important thing.

5) Own a gun. Even if you think guns are bad. Get one anyway. When the **** hits the fan you'll be happy you have one, trust me.  Oh yeah, and plenty of ammo.

6) Be a mechanic. Learn how to hot-wire a vehicle. Learn how engines work and how to maintain one. Any handyman skill you can acquire will be well used I assure you.

7) Find a good place to grow produce. Any sort of green house your can Jerry Rig or acreage with rich topsoil you can find will come quite handy! ... when you're starving...

8) Generally, "safety in numbers" is a good rule to follow. However, in a zombie apocalypse, anything can happen. In my opinion, you're better off with a fewer number of people. That way you have less of a chance of exposure :)

9) Find armor. Anything you can use to avoid a bite to the neck, arm, leg, etc...

10) If someone is bitten, especially a loved one, **** THEM IMMEDIATELY!!

11) Don't seek out an island for solace. You'll only become trapped.

12) Don't seek high ground. You'll only become trapped.

13) Don't seek sewers. You'll only become trapped.

14) Stick and move. Float like a butterfly, sting like a bee.

15) Know that NO ONE wants to become a zombie and that means they will go to extreme lengths the avoid zombification. Ergo, NO ONE can be trusted.

16) Establish a bunker or Safehouse of some kind. Keep it stocked with water, food, weapons and ammunition. You can use coals from a fire to filter any ***** water. Plus, obviously, with fire, food can be cooked.

17) At all times, be prepared to evacuate the bunker or Safehouse if necessary. Keep all valuable items close at hand and easily obtainable.

18)  Have a secondary, less obvious bunker or Safehouse that you can flee to, at any time. Also well stocked.

19) Please, if you have children, make sure they're aware of the situation.
                  a. Don't lie to them about the fact that there are humans coming back to life to eat you.
                  b. Teach them how to use a weapon to defend themselves.
                  c. Just because there are zombies about doesn't mean they can't read or educate themselves.

20) Don't be a fool. We've all seen that boarding up windows and doors doesn't work for the hero. Don't bother, get the **** outa there!

21) Blend in. If you can do a good zombie impression, like those guys from "Shaun of the Dead" then I think you're golden!  OR, You could cover yourself in human guts and blood like in "Walking Dead". Either way, blending into the zombie environment is crucial.

22) Be hypersensitive to other peoples' feelings. Everyone will crack at a certain stress point. Some sooner than others. It will be those individuals that crack that will mean life or death.
all over New South Wales
the rural picture is grave
lands haven't been bathed
in rain's sating lave

the big dry continues
to drastically parch
every inch of countryside
gripped by its march

skeletal like livestock
graze the dusty fields
no vital blades of grass
are seen in their wields

we've not encountered
a drought this long of stretch
since the nineteen sixty
five's arid sketch

clouds of promising grace
are required real soon
as the situation has reached
a point of high noon

farming communities
desperately await
the opening of a well
sodden acreage's gate
Sam Temple Jan 2015
reconnected images
toes in rich soil
toiling under the yoke
spatially
fleeting fancy of freedom
fades
pages turn
returning me to the ground
I roamed as a child –
forgotten foothills
beacon
as property brokering
binds me to the earth
monetarily
owning my homeland
by the acreage –
white privilege escapist
seeking grid-less domain
sustainability with a suntan
in the cool Oregon rain
draining the infrastructure
through government backed loans
forever indebted
as the backs of my fellow countrymen
are buying my dream in America –
wrecked inspectors trek Tibet
for the almighty dolla dolla bill ya’ll
signing off on trash
commission driven misgivings
serving up dry rot and mold spots
on a flooded lot
I shield myself against the tide of *******
seeking information
in the age
namesake
heartbroken realtors
dot the horizon
holding contractual obligation
waving it frantically
begging –
seeking perfection
sneaking suspect-tion
any direction
needing contraception
fleeting misconception
leading to direct loans
hearing the same groans
as she is reading the next home
listing……..
throwing fists into the air
I swear
if I didn’t care so much
to handle the deed
I would rent
for
life –
Where honeybees work Pineapple Sage , where the Cattails stand proud
in the lyrical winds ...
At the terra cotta crossroad where timeless love and friendships have coalesced ....
Down the hillside toward hospitable , glistening , green bottom lands ...
Across the grassy divide into sunny , well kept acreage ...
Forever walking the field road to the Old Starr Dairy ......
Copyright February 21 , 2016 by Randolph L Wilson * All Rights Reserved
David Barr Jun 2014
The wheat harvest is Magickal, and you have always invited me into your damp crypt.
Apples are ripe when Demeter searches for her lost offspring, amidst shades of nocturnal eroticism.
Therefore, let us now bake bread with feminine or masculine features in the name of Southern rhythms where the hunt takes place upon acreage of the aristocracy.
Do you have any regrets or farewells in this season?
Let it flow like a bubbling brook through woodlands of this recollected netherworld.
John F McCullagh Aug 2014
Detroit is a mess, eighteen billion in debt
But you can’t stop a loser from a double down bet.
The transit she has runs deep in the red
Half her acreage is vacant and her tax base has fled.
So now they plan a streetcar, the M-1 light rail
They boldly go forward with a plan doomed to fail.
Detroit’s busted budget is out of control
Their schools are the worst, spending’s out of control.
But if we build a streetcar then all will be well?
More cash down the rat hole! Don’t ask and don’t tell.
Three billion dollars it’s projected to cost-
half for the rail line and half for the Boss.
My take on the light rail project that is planned for Detroit
Kassel D Feb 2013
your elegance provokes me
so clear in the distance
like the wheat fields in the summer breeze
golden and fragrant
nearer to your acreage
accompanied by your freckled ambition
deflated lungs
breathless at the sight of you
wild heart in your vines
struggling to escape their grip
but i remain wrapped in your strength
unharmed and safe
unknowing to the state of my weary heart
i know not why i fight
for you hold no threat
fragile bird
why do you not spread your wings
and escape the cage of me?
for unlike you, i am not a haven
mist fills my forest and covers its lakes
haunting the stability that you possess
the fire of your paper chest
creating ashes for your footprints
that lead to me
drowning in my lake
and with the absence of terror
you quietly step into the waves
and sooth the burns in my elemental arms
the raw connection sustains us
and as i relieve you of my torture
i see again the golden fields at dawn
washed away by my water
soothed across your chest
© 2013
At the outset of a variable weather day
Sunlight spangles danced in the skies above
Was such a brilliance of radiant beams
As mid afternoon drew closer a change did arrive
In the grey smudged clouds rolled
Replacing the bright morn's festival

Whereupon came a moistening festival
Raindrops fell for the rest of the day
Down the damp quenching rolled
The billows unloading from high above
Which farmers were gladdened to see arrive
Their worried brows begat more calming beams

Fields lush in verdant vibrant green beams
The wetting so joyous of a happy festival
Dutiful was the timely drink's arrive
A difference made within a single day
Welcome were the heavy showers gifted above
Pasture lands looking minted and gold rolled

The reverse clime's dices had been rolled
Water storages filled with streaming beams
Such a gracious endowment up above
Unto landholders giving a grand festival
Altering the complexion of the day
Providence surrendered on needed arrive

A goodly amount of thirst saving did arrive
On the dark masses prospect being rolled
There was an improved outlook to the day
Ever men of acreage seek hopeful beams
So they can enjoy a precipitation festival
Wishing upon the receipt in clouds above

In their thoughts what is happening above
When will the heaven's bestowments arrive
Always championing the dowsing's festival
Then for them soils ideally bank rolled
On conditions being sated so nicely of beams
Will the soaking occur on this day

Festival glee awaited in the atmosphere above
Day did dawn with a dazzling sun's arrive
Rolled by the promise of eve's drenching beams
brandon nagley Jun 2015
Province acreage dies for one to tilleth its deserted range
Wherein cement meets the grain
It's love wants to be an emblem upon the world's and celestial's mapped blueprint........

Sick of nothing
Infirmed by zich
Swabbed by heartache
Taping its own stitch...    

Just another moorland
Who Gaveth all
Lost to
Hopeless romance merry....

Depletedness licketh...  


Deprived
Scanting
Panting its last sad hopeful breathe!!!!

Tis
All it hath left
As its been pruned
And left for rocks to corrode...

Sold its soul.....


One of old,
Superannuated doppelganger.....



An obsolete antediluvian
One not meant
For loam inanimate's.....



By me( Brandon nagley) - ( lonesome poets poetry)
Hank Helman Aug 2016
When Hector and Virginia moved onto the acreage,
Beneath and hidden under
The broad smile of a couple who had finally made it,
They felt the shadow of disappointment,
That always comes with the realization of a dream.

Of course at first,
There was the excitement.
Small explosions of rat-ta-tat conversation,
As they walked the outline of a house with a big back porch,
The back and forth as they
Chose a spot and then another and another
For the dog’s kennel,
The smile and sigh
As they scooped up the black earth
And dirtied their city hands and manicured fingernails,
Imagining a real garden with six foot corn.

And now, Hector couldn’t keep his hands off her.
On the day the sale closed he seduced her in the van,
While parked at Safeway,
The security guard had to ask them to leave,
And Virginia couldn’t resist flashing him her ***** and a smile,
Which the guard nervously thanked her for.  

When on their first visit to their new land,
Virginia suggested a lover’s hammock with a view of the valley,
Hector embraced her standing up,
Her hands raw against the rough bark of the big oak,
The wild approval of coyote howls as their pheromones
Announced a new predator had arrived, a new competitor in play.

He was constantly feeling her up outdoors,
Begging her to go *******,
Mostly so he could lather the sunscreen,
Over her *******,
Arousing in her some Paleolithic urge,
That made her brazenly offer herself on all fours.

An unspoken ' wanna’ from either one of them,
Just a look really,
Sometimes right in the middle
Of some earnest discussion about money or bylaws
And they’d make for the mattress in the trailer.
Their performance loud and operatic,
Jesus, they could have used bull horns
And not disturbed a neighbour or a passerby.

So it was hard to understand the dark border
That discoloured the edge and frame of their beautiful dream.
It was everything they wanted,
But getting it,
Left a tiny bubble of disappointment
That neither of them,
Could understand or accurately describe.

The house got built; the dogs loved the smells of danger and freedom,
The vegetables grew with astonishing speed and ease.
The *** was daily if not twice
And Hector became a pro at going down on her,
Licking her to multiple *******
In the unlikeliest of places and at the most unusual of times.

What is it, Virginia asked him one day.
I’m not sure, Hector replied and began to pull gently on his ear lobe,
A sure sign he was holding back,
I’m restless he finally admitted and I don’t like it.
I get it, Virginia replied,
We found paradise and we‘re getting bored with it.

What the hell is wrong with us, Hector asked and let go of his earlobe.
We die no matter what we achieve, Virginia replied,
And I think it is this unforgettable realization,
This Garden of Eden knowledge,
That it all ends no matter what.
That everyone dies and disappears
Means death will always undermine happiness, she said.

So what do we do, Hector was mentally ******* her again.
**** as often as we can, she said
And accept sadness as our most natural state of mind.
To be sad is to be normal, Hector asked.
To be sad is inevitable, Virginia responded, it cannot be avoided,  
And she knelt down in front him.
****** is evolution's greatest gift. Have them often. Have them repeatedly, have them with everyone you possibly can. Free the ****** from religious guilt and modern bigotry. Have one right now. Have one while you eat toast and read the news. Have one Sunday morning before church, have one outdoors, have one while watching Donald Trump lie cheat and steal, have one with Jesus watching-- he would approve.
Kassel D Feb 2013
cast down by lightning
shadows in mist
behind twisted trees
and through tall grass
i seek the heart of an immaculate noble
grazed by frequent arrows
but none strike true
for i am not whole
clear target, without a mark
i strowed my essence over the land
but unable to collect them again
i must seek a replacement
before i disappear
offset by your charm am i
for i am faded
in likeness to the desolate acreage
removed slowly by people
here, in the alcove of my chest
lie my forgotten sentiments
that lead as a stepping stone
into this solitary cavern
caught in your unrest
at the sight of my lightless tower were you
so i caged the generated aggression
and burned for your light, an example
now, quell your swollen heart
with remedies of restful eyes
safe, beneath the sheltered forest
as i fade to my foundation
© 2012
Across the reflective fields of Hill Country grass begins to escape its icy enclosure ..Black Angus leave red clay impressions bound for green pastures ..Mourning doves wail their somber retreat as first light exposes the prequel to Heaven .. Blackbirds and smoke from morning bonfires alight , the promise of daylight is scented with Oak and Hickory as fields of cotton appear to ignite . Tin roofs begin to glow , church bells awake villages on the horizon . Golden waves pan Eastern skies , Sycamores sequester abundant sunshine ..Sparrows , Chickadees and Finches gossip without end , Bluejays and Brown thrashers command the fence line once again .
Barbed wire enclosures divide the landscapes , dancing scrub Pines act as reeds , filtering the breeze with the music of natures continuity ..
Blacktop drives ribbon the lonesome acreage , goat herds graze the property frontage . Quarter , Morgan and Appaloosas quietly graze against the backdrop of nineteenth century farm houses .. White silos and red barns , gourd birdhouses , dug wells and smokehouses ..Bantam roosters and hens sift through acorns beneath two hundred year old Water Oaks ..
Copyright January 12 , 2016 by Randolph L Wilson * All Rights Reserved
Chris Apr 2015
_

Upon this elevated perch I sit
Jagged rock and nature’s bleed
Looking out beyond my sight
Knees and hands of weathered seed

Straddling an outward view
Clinging tight to breathless cries
Clouds now form of smoky fill
Cracks evolve of southern skies

Down below the valley sleeps
Curtains closed and bolted doors
Green between the acreage spills
Crumbs are swept from hollow floors

When an anguished howl is heard
Bounding far and chilling wide
Makes me stand, unsure of foot
Destinations run and hide

Dark precedes a warning moon
When two eyes of crimson glare
Break the glass in shards of fear
As my aching eyes do stare

Razor quick and fired flames
Out of breath my thoughts to run
Lightening strikes at where I cringe
Burning skin of tortured sun

Death does come, but eyes still see
Weary as of this forlorn
Tattered dreams long past their prime
When deep beyond a reason born

Still I sit on broken stone
High above the slumbered lanes
So frightened of horizon’s fall
And the light delivered pains

Now many nights and many days
Have crawled amidst my destiny
For when embarks a moon so full
This anguished howl now heard is me
Yes, it is a little dark. I was inspired by a poem read on this site.
JR Morse Oct 2012
I.    Parting The Seas
      With Their Acid Tongues


Have you seen the herd
Their disparaging words
Ever felt their burn
Their teeth newly
straightened
Their letters
capped boldly
And augered in -

Never ?

Parting the seas
With their acid tongues
Overzealous murderers
Twirling their guns
Finger painting
In puddles of blood
Far and above
The multitudes,
Fainting  -

Prose, my love ?

They're but disgraced mystics
Moneyed for nothing
Soon to face their own
Caustic hmmmmm,
Hatred's vast acreage.
For an ill wind
Blows no one good -

You don't say -

Ask anyone.
Or haven't you heard
Page Six -
This is the way
Come
Inside !




James R. Morse, NYC 2012.
All Rights Reserved.
Media at the expense of human frailty.

Referencing to :
"Atrocity Exhibition"   Ian Curtis, Joy Division.
Morgan Paige Nov 2014
This poem is called Boys are Curious.
Because that's what you told me that day.
And if boys are curious,
My body is a treasure map.

I was an atlas for trespassers.
I had a horizon of hope in these eyes,
And my forest hid lust & mystery like it wanted to be found.
My acreage was pure and undiscovered.

If I hadn't scared you away yet,
I've heard that there was passion locked somewhere.

But because boys are curious,
My edges are creased and torn.
The sun has left me shaking in the cold.
I have been sought by the hands of greed enough times,
I've forgotten where I've hidden my treasure.

So, boys are curious.
He left me a field landmines.
Sam Temple Jun 2015
you think I don’t live
hip hop
in my drop top
boy, I’ll slap a cop
for messin wit my
organic crop
I got’s hogs to slop
fruit is starting to drop
rabbits ears are lopped
still, I got time to rock
see I
write rhymes all the time
mostly in my mind
helps me to unwind
when I smoke the kind
like a real balla
dog don’t need a
shock colla
he listens when I holla
I like to gives the bums a dolla
that **** makes me feel bangin
while my ******* swangin
Am I entertaining? –

Cause I‘ll never be mainstream
never learned to silk screen
5th wheel, Slipstream
Pajamas on, a *******
I’ll never be mainstream –

See I
don’t own a gun
shoot my mouth off
just for fun
never eat a wheat bun
not a celiac,
just don’t want none
****’s come undone
solar flare
from the sun
life weighin like a ton
smashed flat on the ground, son
but I
get back up ya’ll
no time to fall
harvest in the Fall
watch the water-fall
like the politicians ya’ll –

I will never be mainstream
wont listen to yo kids scream
buy those ******* ice cream
all up in the sun beam
I’m never bein mainstream –

Ya’ll, I cant wait to own
acreage and a home
space for my dogs to roam
hide those muthafukka’s bones
or maybe I will buy a cow
work with a horse and plow
homeboy’s, the time is now
gotta get a loan somehow
so I pay off all my back debt
save some cash for
a down pay-ment
so I don’t got’s to pay no rent
life will be so different --

and I will never be mainstream
create power with my own stream
use my cow to get milk and cream
this **** isn’t just a dream
boy, I will never be mainstream --
Mike Hauser May 2016
You look like one big freckle
The way that you are covered
From your head down to your toes
One end to the other

In the tint, shade, and color
Blending perfectly
Pink in pigmentation
All points in between

You look like you're from Florida
Sporting the finest tan
With not an inch of acreage left
In epidermis land

If freckles told a story
In all their sun drenched glory
You would be the greatest read
Of that you have no worries
Jordan Harris Jun 2014
I gazed out across the Black Hills of South Dakota: a lone, ominously dark mountain range isolated in the Great Plains of the north. Here, granite is muscle and pine is skin. Obscurity blankets the cliffs in a perpetual dusk, and beauty is present in a chaotic peace. A quilt of poison needles cloaks the landscape, but has no intent on bringing warmth. Instead, the blanket shrouds the world’s bouldered bones with a somber complexion. Euphoric tears of the firmament gather in great pools composing mirrored utopias between the cupped fingers of ancient, frozen magma. Vertebrae arch skyward like a great cat ending a reticent vigil and eroded claws grasp and scrape the sky. In the daylight, this Empyrean burns azure, roasting the land in an elemental fire of plenty, but when such luminous blaze is absent, the cosmos beams down at the minuscule fragment of terrestrial acreage in awe. And yet, for all the pure wonder I presently envision from even the dullest of memoirs, my eyes as of then were sealed.
Jim Davis Aug 2019
I’ve got my acreage
I’ve got my kids
I’ve got my wife
I’ve got my life
**** well
Best leave me alone

©  2019 Jim Davis

You know in Texas
you never ask a man
the size of his spread!  
Downright rude, I guess!
Jon Hanlan Aug 2019
Extractor of those awfully embedded times
That traveling memory, hidden in the back of worn suitcases
Brown leather and ties, like no remorse
Those breaths imparted, w/ lasting glare
The smoky windows in beat up wagons
Split lips from the boys on back loan
Wartimes, dragging utter sadness from the porch swing
Lost a tooth, and that made it smooth
Soothe the pain, w/ pints of tipsy water
We watch the sunset, in the field next door
Kissed & dangled, our bust behind us
Tumbled in the meadow, w/ no one else around
The boy I brought home is the same I fought
Every night, we tossed and paddled
Had I known, he would stay w/ me, forever
The girls from Seventh Ave. tickled me
W/ their stunty eyes and elongated dresses
Wishing, for a moment, we were out: the kids, picnic party w/ the club
Pa saw it in my eyes, the mailman and I
Even at the table with the shipped ashes and ol’ rummy
Playing hard to get with nothing but straight chaser
The mirror became such ferment to my frame
I began perturbing every milking like a daily lashing
And soon protruded my perimeters into giant horned gnats
Ground crackling and separated with ceaseless dust storms
Divided, on the fence back in the meadows watching it rain afar
In the familiar fields I laid, now a barbaric, decoded passing
I walk to the cellars every now and again, with my badges
Discreetly pacing the acreage, for a taste of interim regression
Now with no bandages nor luggage to carry my born chores
Frances May 2018
With anvils for feet, the snails may have moved faster, for their noose of anxiety wasn't pulled so tight. They may have covered more than to that of which I see, though the entire existence of their species  may have been as long as I may had been looking. I would shoot arrows of curiosity without knowing where the target be.
  Just as another fairy tale, relief on my feet was seemingly unimaginable, far fetched and unattainable. Like old change, seeds of a variety filled my pockets. The soil and sun were the only things I trusted. Reaping a sow would be a blessing unto me. After years of crawling, discovering, and disappointing wandering with wide eyes, the hills and peaks had shown as a distraction from the lessening softness of my now calloused hands. The necessity of rest was as strong as the need of a newborn baby's mid afternoon nap, but before the seeds are nestled, work mustn't cease. By every stem, petal, fruit, and butterfly, in the center of the valley of a vast bed of wild flowers would I hope to carry this heaviness no more. The desire for this comfort and caress lead me to find a sweet place to rest. For uncountable hours of wandering, only this would be gratification. I came upon a large patch of dirt as dark as midnight. With every handful of soil wriggling of worms graced my hardened palms. Only the ground saw me enchanted by the romance of its potential. The seedlings would be sung; "As you cuddle in the soil, remember that's where your roots will prepare, unto you this watering will fall, as you are all so loyal, I will be loyal to you, the air will give you care, let me lay eyes upon your beautiful hue, as the sun is what you will see, don't leave the soil bare, set yourself free". In the troughs like dried moats, each seed received a adornment of a kiss like that unto a child by their mother. Every hole doused like that of a spring sunflower, and burrowed into the sleeping dusk of dirt with the expectation of an awakening of a blossom. There, as one expects the rising of the sun, I would await the flowers arrival.
I lay suspended by the freedoms of a remote forest. Within the untouched, unadulterated altruistic scene of remoteness, the skepticism let drained. Knowing my skin may not be slaughtered by reaching thorns, I undressed layers of tattered threads. Most of what would freely escape from my lips were the enticement of belief motivated by bliss and enjoyment. Where my skin remained blushed and dewy from the days after the solstice of summer, to the later days of leaves saying good bye to the trees extended arms, and grass frosted by the baker of autumn, like a lightning bolt strikes at random, as did a stagnancy. The seedlings were viewed upon as the old dark witch from the town: cursed. It was as though they had stage fright and the sun was their audience.
I ask, "why, Lord? Has though forsaken my field? What must I bestow?". Concealed, like a feral cat, was the reasoning for this. As ritual as the church goers Sunday excursion, was my ritual of prayer.
Clouding in my mind happened with contemplation of a new pioneering. I knew this to be only a sliver of land off of the plank of fertile country side. Simultaneous  to this fantasy, a shadow danced in the corner of my eyes. Usually trust worthy was my vision, though it became a mystery. Fear not did I, as I turned to follow the darkness, I saw nothing forthright. It's reappearance came as a *****, but as one would in a sword fight, I followed the elusive figure within my eyes. It was as though there was an unsuspecting solar eclipse at high noon. The figure didn't remain hidden, and the dancing ceased. As a knight removes their armor to cradle a loving partner, he opened his cloak to reveal a man with the most poignant essence of freshly mowed grass, smoldering ashes, and a thanksgiving meal. These things were the quintessence of my childhood. His eyes, not beating, but, like a baby's glare, soft and forgiving, unlike the folktales my father told me. Did my eyes deceive me? Ensorcelled, I had succumb to this. Uncontrollably my eyes repeatedly vertically gaze upon him. I met no gaze, but darkness. While the remembrance of evening tide pull you further if not in recognition of its power, without choice, or fight, I had succumb to this. Weighed down by rocks you couldn't see, as though I was called to my knees. His presence eluded to a parental guide. When I lay there, as I become sunk in the soil, He advised me. "This acreage will be your ball and chain for entering this land. With out excavation, Intentions of leaving your possessions have inhibited exiting though you desire continuation. You must water it with your tears". My golden hair became brown with dirt, and my pale skin so dark, as I wept till the sun grew cold, and the moon graced me like a lullaby with soft illumination.
As a once saturated sponge goes dry, by every last drop, drained dry were my eyes, and the ground enriched. After the clock hit twelve for the 10th night, The reaper spoke again. He said "This land was mine. I set it aside, so those who have evil in their heart may not reap what they sow here, so it may not be robbed of its nutrients for something unwholesome. Within it's enchantment, the soil may only be fertile by those who will enrich it with passion. If you wanted to leave you wouldn't be confined, but if your heart remained, as would you. You will stay until you may leave with something beautiful. This priceless soil belonged to me, as this is where my betrothed had lain. The tables have turned because it has been sowed by a someone who has surrendered to me. Your patients serves you. My dear, The wealth is in your heart." His encompassing gratitude, and cherishment remained, as he had left. The grandfather clock sung to the flowers, as did I.
I was always told only the sun could bring beauty in life. I wore a black veil of naive belief. The garden appeared to always have been misted. The sun kissed my plants so gently, their blooms were welcomes to this realm, and the wind would make them frolic together like a colorful oceanic wave, but instead of dolphins peaking the dense surface, you would see the makers of the garden. Relentless pollinators made the perimeter buzz. You could see the twinkle and flutter of every dragonfly, lady bug, butterfly, and bee as their fluorescent wings caught the sun. Almost as though my life depended on it, like a bear in a cave of constant hibernation, I would nestle myself in this secret garden. Leaving here with nothing but flowers intertwined in my hair, and around my heart.
Wk kortas Oct 2018
He nurses his coffee, by himself most days,
Occasionally with the one or two others
Constituting the bulk of the clientele of the diner
(Low-slung building both faceless and nameless
Although those who remember a day
When the village was at least borderline prosperous
Still refer to it as “Kitty’s Place”,
Though its namesake has been dead and gone some two decades)
One of the few going concerns which implausibly remain,
Seemingly through nothing more than sheer inertia,
In the drab little downtown along Canton Street.

He languishes over his cup for as long as the mood hits him,
There being no discernible reason to hurry
(Indeed, the diner itself, once open before sunrise
Now dark and silent until a leisurely seven-thirty or so)
His place not really a working farm these days,
Just a smattering of beef cattle
(Milking and stripping out more than he can manage now)
And what acreage of corn he can get in the ground.
Eventually, he totters out of the front door,
One sleeve of his shirt rolled and pinned up
(Its former occupying member removed
After the incident with the ancient and malevolent corn binder),
Moving toward his truck with an all-but-one-legged gait,
His left-leg jigsaw-puzzled
By an overturned Farmall some time back
(Most days he reckoned he’d tipped the tractor
By failing to shift his balance to accommodate driving one-armed,
Though if he was in a black enough mood he’d put it down
To an old Iroquois curse placed on the entire St. Lawrence valley.)

One could say, if he was a poet
Or some other **** philosophical fool,
That these partial sacrifices served
To ward off some even more awful finality.
He would have none of that, of course—in his own cosmology
The gods and demons most likely have bigger fish to fry,
And, as to the prospect of some inexorable wreck and ruin,
He is of the opinion that what he was given up to this point
Is both ample and sufficient.

— The End —