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Lucius Furius Dec 2018
This desert is our life.
From the dry earth we gather roots and melons.
Over the endless sands we hunt the gemsbok and the springbok.
  
Sometimes the ga roots are shriveled and bitter.
Sometimes men are sick with thirst and hunger.
  
When there is water we drink and sing and clap our hands.
When there is food we eat and dance and clap our hands.
  
The eland does not come to us and ask to be eaten --
one must know how to make the arrow and poison it
and where to look and how to hide and shoot. . . .
  
What man is so foolish as to expect more? To expect
the rain to be always falling, his eggs full of water and
his stomach full of meat?
  
You have strong animals to carry you.
You have much food and water.
Your digging sticks are hard and sharp.
Your shooting-sticks are like lightning.
  
You are a powerful man and a good man.
I can see that in your eyes.

But what you offer is a dream.
  
You can give us water and meat.
You can fill our hands with tobacco and perfect beads.

But you cannot give us happiness.

  
A man can only drink so much and then he is full.
If a man is always eating honey, he tires of it and becomes sick.
  
And even if all life were sweet --
what man is not food for lions and dogs?
A man who has tasted in his life no bitterness will find death very bitter.
  
My mouth longs for sweetness
but sweetness brings bitterness
and in the end they are one.
  
So I ask you:
Take your digging sticks and your shooting-sticks.
And do not leave them behind.
Go to the green lands you came from.
We shall walk in this desert as we always have.
(The occasion for this speech is the arrival of an expedition
headed by a European in a Bushman werf around the year 1900.)

Hear Lucius/Jerry read the poem: humanist-art.org/old-site/audio/SoF_007_bushman.MP3 .
Note: This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Lucius Furius Sep 2017
[by Edna St. Vincent Millay]*
Forever over now, forever, forever gone
That day. Clear and diminished like a scene
Carven in Cameo, the lighthouse, and the cove between
The sandy cliffs, and the boat drawn up on the beach;
And the long skirt of a lady innocent and young,
Her hand resting on her *****, her head hung;
And the figure of a man in earnest speech.
Clear and diminished like a scene cut in cameo
The lighthouse, and the boat on the beach, and the two shapes
Of the woman and the man; lost like the lost day
Are the words that passed, and the pain,-discarded, cut away
From the stone, as from the memory the heat of the tears escapes.
O troubled forms, O early love unfortunate and hard,
Time has estranged you into a jewel cold and pure;
From the action of the waves and from the action of sorrow forever secure,
White against a ruddy cliff you stand, chalcedony on sard.
Edna Millay fits in so well with the spirit of Hello Poetry:  a strong passionate woman, expressing her feelings so perfectly in verse!   This is the third of ten or so of her poems I'll be posting....
Lucius Furius Jul 2017
"23: July 24"
"24: October 5"
"25: February 19"
"26: December 14"
  
The words went right to the pit of my stomach.
All doubt was gone.
I'd graduate/be drafted in June.
By September
I'd be in Vietnam.
  
My high school gym teacher had been an Army sergeant.
He stepped on our stomachs as we did sit-ups,
"toughening us up".
I've had a problem with authority
(unsuited, temperamentally,
to obeying unconditionally).
I'd be a poor soldier in the best of wars.
  
But if a job required some independence/ingenuity --
a pilot or a spy, say --
and if the cause was right
(World War II, for instance),
I could fight as well as another guy.
  
I don't like fighting,
but I'm not so naive as to think it's never a necessity.
There's always someone who, given the chance,
will take our possessions and make us their slaves.
So who should decide
if a particular war is justified?
This seemed to be my own responsibility.
  
Vietnam? I decided it wasn't.
Weren't we protecting a democracy?
No. Thieu lacked popular support.
Wouldn't Thailand and India fall?
No. The domino theory was questionable at best.
Weren't our national interests at stake?
No, not really.
I'd decided I shouldn't fight;
They'd decided to make me fight.

The physical was set for March.
Unless I failed,
I'd go to Vietnam,
go to jail for seven years,
or go to Canada for the rest of my life.
  
In studying Army regulations,
I found a fascinating chart.
It showed for each particular height
the greatest and the smallest weight
the Army would accept.
I'd heard of people who'd gotten out
by injuring themselves intentionally.
Some exaggerated a minor back pain.
Others faked insanity.
Losing weight seemed nobler;
lying/mutilation, not required.
  
The low for me was 118;
lose twenty pounds and I'd be out.
(At 5'10", that's pretty thin.
Could I do it and not get sick?)
My parents thought for sure I'd die.
  
Help from doctors was out of the question;
on my own I studied nutrition.
Cut down on calories,
maintain needed nutrients
(protein, essential fats, vitamins, and minerals).
Once I found a working combination,
I stuck to it without exception.
Cottage cheese, wheat germ, and fish were staples.
Bored fat cells chose self-immolation.
My weight dropped to one hundred and twenty.

In cases where the weight was close
I'd heard the Army sometimes winked:
("Oh we'll fatten this guy up").
I decided to lose to one hundred and ten.
  
Contrary to my parents' fears --
though vigorous exercise made me dizzy --
I really wasn't sick at all.

The Army sent a special bus
to take us to the physical.
Once there, we stripped to underpants,
moved like cattle from each room to the next.
I weighed 110.
They classified me 1-Y
(examine again in a year;
if still unfit, reject).
Losing again would be inconvenient,
but free of worry since I knew that it worked.
  
I'd brought some food.
I drank and ate it ravenously.
  
So what did I feel on that bus heading home?
Triumph? Elation? No.
Relief, sadness, and guilt.
Relief because finally I was free of this mess.
Sadness and guilt because someone else
would be made to go and fight in my place.
It's true this person, on some level,
had chosen not to escape --
but maybe he just hadn't thought it through. . . .
  
Now for a bold statement from a slimy ex-draft-dodger --
I'm sure you'll think this hypocritical -- :
Each of us must be ready to serve.
Responsibility for protecting things we love
can not lie solely with the professional military.
(Future wars could overwhelm them.)
  
Service isn't always guns.
Service might be joining the Peace Corps
or electing leaders who effectively distinguish
false threats from real ones -- and pre-empt war.
  
Wars should be rare, ****** upon us.
No more propping up tottering dictators.
No more shoving "Democracy" down people's throats.
No more sacrificing 10,000 soldiers so we can pay a
      quarter less for gasoline.
  
Wars should be necessary and just;
everyone should serve.
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_025_draft.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Lucius Furius Dec 2021
"Janice, I sat next to you in Latin.
We were sophomores.
You were a cheerleader
but smart too.
The excitement was unbearable
(Cicero; the shape of your sweater . . . ).
I asked you to play tennis."
"You did never."
"Yes, I did."
"I suppose I didn't want to get sweaty."
"So then you would have gone with me to a movie?"
"No, I doubt it. . . . I was a brat."
"You were divine.
I wrote a poem for you in Latin."
  
"Lynda, we met at The Three Penny Opera.
You were an usher.
I was a college student; you were in high school."
"Yes, a 'townie'."
"I put my arm around you.
I stroked your hair.
When I tried to kiss you on the forehead our noses collided."
"I was expecting a lip kiss."
"It was a powerful attraction,
but it wouldn't have worked."
"No, we could have made great love,
but it wouldn't have lasted."
  
"Gina, you lived on that 'hippie farm'
at the edge of town.
I was the 'knowing elder',
the one who'd worked on a real farm.
You were so high-energy, so alluring.
Guys flocked to you:
William and Michael; Davy, back home;
sexually involved with all of them."
"Not Michael really."
"You seduced me--
I think you wanted to make William jealous--
not that I was unwilling. . . .
I was, however, impotent."
"I wanted adventure and, yes, I suppose I did want to make
       William jealous."
"Our intimacy awakened me.
I realized what I'd been missing.
Your rejection was devastating."
"I didn't mean to hurt you.
I didn't know you were so fragile."
  
"Carla, I loved you in your apartment.
It was all softness and warmth;
**** carpet, soft bed,
Carole King on the stereo. . . .
We slept together, showered together."
"I really listened to Carole King?"
"Your parents were divorcing.
You didn't have time for a relationship."
"I don't think I was ready."
"Just as I was overcoming my impotency. . . ."
  
"Sarah, I loved you on a camping trip.
We kissed at dusk in the Great Smoky Mountains."
"I remember."
"I felt so connected--
physically, intellectually, emotionally.
You smiled with your whole face, with your whole being.
I wanted to be with you steadily.
You said it wouldn't work.
I guess you were right:
I couldn't love someone who couldn't love me completely.
When we parted,
I cried uncontrollably."
"Yes,
I remember."
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_037_former.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Lucius Furius May 2018
How quick we move from labor nurses' hands,
wrapping us in a diaper, to taxidermists',
artfully arranging our limbs in the casket.....
What matters in this moment, this
one great blink of God's eye,*
is not what we own or've done
but the press of flesh upon our flesh;
the feeling; our Communion.
* The lifetime of a human (70 years) is to the lifetime of the universe (14 billion years, so far) as 10 seconds are to the lifetime of a human (2 billion seconds).

Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_072_blink.MP3 .
This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Lucius Furius Jul 2017
I would have given you a perfect faith,
belief, unassailable and absolute;
joy's well-spring.
  
I offer only a substitute -- these poems,
disparate, contradictory,
tempered in truest love and despair.
Use them.
Hear Lucius/Jerry read the poem: humanist-art.org/old-site/audio/SoF_004_son.MP3 .
Lucius Furius Jan 2018
Do we ever really fall out of love?
No matter how badly the affair ended
some tender moment dominates the memory;
a high-water-mark of our feeling.

It's love's flood that we remember,
not low boredom, tedium, or anger.
Hear Lucius/Jerry read the poem: https://humanist-art.org/old-site/audio/SoF_085_remember.MP3 .
This poem is part of the Scraps of Faith collection of poems ( humanist-art.org/scrapsoffaith.htm )
Lucius Furius Aug 2017
God waited for Abraham's arm to be actually starting down, the biceps fully tensed.

Nothing short would do; in extremity, we learn what's true.

With a good job, a good marriage, a fine son, I had everything one could expect.  
And yet there was a lingering dissatisfaction; a malaise.
It seemed, deep down, that I didn't really feel or believe in anything.

.........                                             ­                                 
On Saturday morning, August 11, 1990, my three-year-old son and I rounded the corner at the south end of the block where we live.  We were out for a walk.  (He had been born through in-vitro fertilization, everything else had failed -- including several previous in-vitro attempts.)  He was riding his tricycle -- it's amazing how fast a three-year-old can go on a tricycle with big wheels. . . .  The house next to the corner had tall bushes growing right out to the sidewalk.  As we passed the house, my son speeded up.  My attention was diverted to men working across the street trimming trees.  Their chainsaws drowned out the sound of a car backing out of the driveway next to the house with the bushes.  The car was moving slowly and I can see in the slowest of slow motion -- I screamed, but I'm not sure just when (there's no sound track to this movie) -- the car backing into the left handlebar of the tricycle, tilting it over to the right, my son breaking his fall with his right hand.   (As low to the ground as he and the tricycle were, they could not be visible in the driver's rearview mirror at this point.)  And, then, the car stopping.  Did the car stop because of my scream?  Or had the old man driving the car seen my son at the last second before he disappeared behind the car?
.......

I learned instantly with the terrible weight of that tire inches from my son's head, that I wanted with a giant, horrible wanting for this boy to grow up healthy and to have children of his own who would, in turn, have children of their own, and that having my wife hate me for losing him would be unbearable.

All the unfairnesses I had suffered in life -- ALL of them --
instantly became meaningless. Everything was clear.
This is what I wanted; this is what I believed.
Hear Lucius/Jerry read the poem: humanist-art.org/old-site/audio/SoF_062_true.MP3 .  This poem is part of the Scraps of Faith collection of poems ( https://humanist-art.org/scrapsoffaith.htm )
Lucius Furius Aug 2017
It's not any great tragedy but the mundane,
the quotidian, which taxes me:
haircuts, shaving, the mowing of lawns;
leaf-raking, tooth-brushing, driving to work;
taking out the garbage, matching socks;
flossing, timesheets, getting gas for the car....

I long to be forced to flee at night,
all wits and energy required just to survive.
Hear Lucius/Jerry read the poem:  humanist-art.org/old-site/audio/SoF_078_taxes.MP3 .
Lucius Furius Sep 2017
[by Edna St. Vincent Millay]*
When you are dead, and your disturbing eyes
No more as now their stormy lashes lift
To lance me through...as in the morning skies
One moment, plainly visible in a rift
Of cloud, two splendid planets may appear
And purely blaze, and are at once withdrawn,
What time the watcher in desire and fear
Leans From this chilly window in the dawn...
Shall I be free, shall I be once again
As others are, and count your loss no care?
Oh, never more, till my dissolving brain
Be powerless to evoke you out of air,
Remembered morning stars, more fiercely bright
Than all the Alphas of the actual night!
I just love "your disturbing eyes"!....  This is the sixth of ten or so of her poems I'll be posting....

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