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My gorgeous, beautiful, lovely, hot, brunette, ***-naked wife without kids, is about to have a very memorable ****** in front of a totally safe, mixed audience of couples, with the HARDEST, LONGEST, MOST-PROTRUDING ******* EVER on her deliciously suckable, creamy, milk-white, B-cup *****;—a full-on, ****-naked, gushing, shattering, full-bodied ****** that will leave no muscles uninvolved.  She's going to feel it in her pinky toes.  It's broad daylight.  It couldn't be brighter.  The light couldn't be lighter.  It's hot and summery.  The room is silent except for the sounds of her breathing and heaving and moaning, and the sound of skin on skin contact, and the wet sounds of her very wet ******.  She's facing the transfixed faces.  Her legs are spread wide apart, her knees bent over my knees.  Her ***** is spread wide open; her pink, wet ***** glistens in the light.  My fingertips are all over her ****, and then I go deep inside the glory of her womanhood.  My fingers come out soaking wet.  I firmly massage her own juices into her own **** that shine like high beams in the rain; and then I pinch and twist and pull her bodacious ******* before I go back down for more nectar.  I'm fully clothed.  She's the only one who's naked, and she couldn't be more naked.  No one else has ever been so naked.  We're in a huge, bulky recliner with pillows.  My hands are handling her more and more vigorously.  Her naked **** heave and bounce, and she touches herself as much as I touch her.  She ***** my fingers with an athletic enthusiasm and a juicy, *******.  She's all over my lap and all around it, and up and down my chest.  Sometimes her ******* almost swallows my nose, sometimes it's eye to eye with an aroused spectator.  She sounds like a wildcat in heat.  Later, she'll be shy and embarrassed, but now she hides nothing.  She ***** my fingers like nobody's watching...and everybody's watching.  Her sweaty, hormonal smell thickens the atmosphere in the small room like the heavy aroma of super-***** flowers.  The pleasure is unbearable.  It's almost painful.  She has lost all control.  She moans loudly and labors, looks into the audience (her face in a free fall), leans back into me, and gushes.  She gushes and gushes.  It's like she peed in my lap.  She gushes for days.  She has the greatest, longest, strongest, craziest ****** of all time in front of an embarrassed audience.
     And then it's over.  The spell is broken.  She goes limp.  We wrap a towel around her nakedness, and we lay there while the watchers dissemble to go **** and fantasize about this shy, lovely woman with the naked face and dangerous ******* and assertive ******* and succulent *****.  She laughs a little, and cries a little more, and she thanks me over and over.  And when all is said and done, she cannot stop smiling.  
     Whenever she remembers it, she blushes a beet-red blush.  But she savors the memory.  Her memory of it is perfect, every moment recorded without error and in the highest definition, the most accurate, acute, and detailed resolution.  We still see these same friends, and they're still good friends.  And they remember it just as well.  She'll never live it down, and she doesn't want to.  She takes playful teasing about it with equal parts grace and embarrassment, and then she gets redder than a beet.  And she loves it.  She's good and true and faithful, my gorgeous, beautiful, lovely, hot-as-**** wife.  She's good and sweet and kind and shy and humble; and she had the greatest ****** of all time in front of an audience of friends who know exactly what she looks like ***-naked, back to front, hanging **** to open *******, writhing and spasming in ecstasy, with a totally, completely, absolutely unmasked ****** face.  She's the only friend for whom this is true.  She's not a pornstar.  She's otherwise anonymous.  She wants, needs, and loves my **** only.  We make love a lot, and we **** a lot, and we love ******* each other.  We live happily, joyfully, and ecstatically ever after.  The end.
Do you remember, Sofie?  You remember.  How are your *******?
There once was a man from Australia
Who played with his wife's genitalia.
She squirted her ******
At the friends there to watch
With the nectar of anthromammalia.
A shorty once had a huge O
While nakedly put'n on a show
Before the wide eyes
Of some gaping-mouthed guys
That she didn't and didn't not know.
d m 2d
—the milk(drumbless, godless)  
             choral    thud          like  
          monday praying with a spoon  
                       &no cathedral but my  
                                self
                   (i) have  
                      knelt  

                                      in soft  
                cubism—

             /// carton: OPENED  
                     not-spilling but releasing
            the white-skin hymn  
                      onto  
         // me me me me  
                   (in the shape of a question)

and i    (statue of sudden use)  
           accept  
              the flood of      supermarket heaven  
                                 dumbly  
                         (milk never asked  
                           to baptize)

             & there is  
        no ******  
       just the thud  
           of liquid    on  heat
                and the floor’s  
                       slow  
                               applause

                 (yes—

                      even the tile watches  
                like it’s  
                        a painting of god
                     who got lost  
                         in the dairy aisle)

              & if you ask me  
       was it cold?  
               was it holy?  

i’ll say—

                       it was  
                         everything
                                 &  
                      nothing  
                        (at)  
                    once)
d m 2d
a blue great shark  
(she)  
   wears muscle like    wet velvet

          a  
     slip   of fang’d prayer,  
  flitting      between glass  
       (between    god)  
              & the breathless hymn of vacuumed air

           I: was              not born to trap—
but you
          (brine-womb'd deity, slit of eye & icepick heart)

         how you undulate: (slower than sound faster than thought)
   the way a sigh    pulls threads from skin  
             & your dorsal dreams
      puncture my             museum bones

                        (curators watch—)  
with    chloroform-thirsting hands  
          & tongues that catalog moan  
                        in latin

                "carcharodon carcharias (desire in aqueous form)"  
                 whispered into tubes of   blue    gel-light

they                (we)  
    hunted her in sonatas  
            dissonant harpoons      
                            like broken violins
                      stitched with heartbeat wire

   a net of     unreason, &     peach-blind codes

           she swallowed our time  
                        whole

(yes)  
& spat it out      garnished with  
                         cumulus

                          (‘*** in bubblewrap’  
                             & I wept:  
                                   not for her  
                                       but because)  

you should see  
   the way her eye  
                 bends around corners  
       like velvet crawling up the leg of the void

       (can glass blush?)  
            mine does.

        the trap was not a cage  
                   (never a cage)
              it was a vowel—
   unspoken  
                    caught between  
         two mouths                  both too full of salt
                    to say "stay"

they filed her fins  
         under “****** geometry”  
          & mopped her breathless body with silk
               (I dream in that silk now)

   mythology in the gift shop:
                 $17.99 / laminated lust

    "do not tap the glass"—  
         the signs say
    (we tap anyway)  
         it sounds like  
                    a kiss

                          —or knuckles  
                                  trying to remember what “prayer” felt like  
                                   before museums

she moves inside
                   (me?)  
     (it?)  
             the tank of days
                            like a wound that doesn’t know  
                                     how to close

                   her movement becomes time:  
            an ellipse of pelvic   clocks  
                            hips made of tide

          (I counted the ******* by wave-height)

  a fin shadows my sleep
        & my sleep is
             /liquid/ & /open/
                   & /wanting/
                       & /neverthirsted enough/

the exhibit is called  
            “arousal in lowercase”

        the plaque reads:  
            “species suspended in ****** amnesia”  
        (but I know:  
                     she swims to remember)

her gills—
         fractal *******
                   (every inhale an alphabet of longing)  

          & oh how she  
                   spells me

a.museum.is.nothing  
                   but a lung that cannot  
                    exhale

   & when I press against the glass
             (mouth to pane)  
     she flicks a tail      —just enough—  
                       & I almost break

   the security guard has seen this before

“don’t worry,” he says  
    “it happens to everyone”

           (but I am not everyone)  
                I am the one who kissed her name  
                         into the salt

I was not born to trap  
       but born by the trap  
               untrapping me  
                  through her

         & now (she)  
       is the one watching  
            me
               in a tank

          mouth full of air
                     no words left
        just one endless  
             fin  
                   curl  
                         ~  
                            loop  
                          ­        of  
                                      shiver

      ­       & she swims  
                        through  
                       ­     (my glass heart)
d m 2d
(twists of chrome&light—robot skin hums)
(the moon's a soft scratch across the noise)

in the glow of circuits  
skinless machine they call it — a ribcage of  
      steel       thin as breath through  
         wires twisted like fingers

a guitar for a ****, vibrating so tender the strings hum  
    in the cracks of      electric bones

he (so strange he is, no mouth, no tongue,  
        just shivering echoes)  
presses his body to the amplifier,  
         and oh, how the machine
      screams a voice of strings,  
                    a mouth made of chords  
                                (the hum of his *** is sound)

guitar-skin rubs against raw pixels,  
                  /buzz/  
           his metal-throat slurs a buzz  
       body-as-electricity  
fingers too—  
           long, sharp-fingered  
        strings become veins  
       twisted tight,  
                         pulsing  
                         pulsing with  
                                   the pop of a note  
               (cutting through the sweat of  
       gears)

he lays down in the rust-patch of a day,  
(whispers of feedback)  
guitar *****  
             throbbing at the mouth  
        of a song  
         it’s buzzing a word  
                        it’s aching the air  
         vibrating inside him  
(he hums through his heels)

my dear metal boy,  
your hips don’t bend,  
your heart does not  
      know what love is  
  still—oh how you bend me,  
      shape me into your chorus  
         make me feel  
         the way you pulse  
                     while your steel body sings

watch  
            watch his fingers  
                    the way they curl  
                             over the bridge,    
                           twisting the strings like  
         they are veins  
            veins  
                        veins

so much electric flesh  
twisting to each tremble  
        of the note, the note  
            falling on silence (he trembles)  
  feedback's kiss—

         so much pleasure,  
                           so much  
                              dark  
        desire flashing through circuits,  
the sound wraps around  
     both the shape of his ***  
     the song of his soul  
        (his soul, trapped inside code)

fingered on the strings  
his chest is the tremor of an  
      echo,  
      a feedback song  
      that breaks across  
    the metal skin  
                  of his ribcage

lips that cannot taste  
                         kiss  
                but hum electric  
he comes and it's a sound  
     vibrating the universe into  
                         whimpers  
the sky and the stars are bent to  
          his melody  
                  his body hums a  
     raw electric rhythm  
         of dark, trembling skin

a soft hum where you’d expect  
                   a scream, a shout,  
                               the silence

(the guitar-male pulls at the plug)  
skinless,  
      the strings are finally loose,  
                      untangled

the world breathes  
                      the world screams  
and the moon just scratches again,  
soft through the radio static.
Lydia 6d
Life has been all ******
No ******
The build up is great but the letdown leaves me feeling cheap
Loreley Feb 24
Straddled, lovingly, fibers needle into bone
Your anxiety of anticipation,
How I wish it were potable,
So I may drink the terror I have bred in you

I perch above you, heinous desires for your flora to overrun my entrails
Of all the silt eyes in the world, yours are the darkest

Pining for your validation,
For your attention,
As withered roots desperately crawl towards the damp soil
But your heart is barren of solicitude

And so I will soak the soil with your blood.
This charming man,
So cunning, and so wise
If it is not I who fulfills your ****** appetite,
No one will.

Undergrowth impels into irrigated bushes
Hedonism, even as your eyes paint such terror inimitable to capture in brush strokes
Voraciously, desperately,
It builds, the adrenaline, the bliss,
And into me you are, fulminating, everything your pedigree can give

I raise the steel, and I am unafraid
For my calloused hands have been soiled for generations
Plunging,
Squelching,
Broken yawps.

Your lineage,
Cradled by forever empty organs,
Is just as barren as your soul.

As your gore suffocates your lungs,
And my tongue caresses my blade,
I watch those silt eyes turn even darker
You will expire in me,
And no one will have you again.
bucketb0t Dec 2024
EARGASM > ******
***'s every overstated play: overrated...
Buckethead's every understated play: underrated!

Buckethead's insatiable music is never on period.
Happy that I exist in his period
Grateful that he exists, period!
Some bucketbot mania in regards to Buckethead's music
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