Praise be punctuation
At the end of sentences
At least you could do
Something
To give us a break
Would be so kind
If you wouldn’t mind
Split up a series
To parse makes us weary
Appositives pop
Exclamations fly
In the face of
The moon
There’s one good eye
Lash
Us with parentheses
Make a bludgeon
Of the question
Of intended meaning
Must we wonder
How rhythm suffers

Praise be, punctuation!
At the end of sentences,
At least, you could do
Something.
To give us a break,
Would be so kind.
If you wouldn’t mind,
Split up a series.
To parse, makes us weary.
Appositives pop.
Exclamations fly!
In the face of
The moon,
There’s one good eye.
Lash
Us with parentheses!
Make a bludgeon
Of the question.
Of intended meaning,
Must we wonder?
How rhythm suffers!

(a holiday vignette)

I’m taking a chunk of my holi-days to work on my thesis (So is Lisa). Without classes we can fully devote our minds to them.
My senior thesis hangs over me, I can’t ignore it.

I banged my funny bone - what even IS a funny bone? My entire arm is tingly and numb.
This song is playing → ’Talk talk featuring troye sivan by Charli xcx & Troye Sivan” I’m feeling so happy—it’s electric—peridot—it’s good.

I’ve got a buffalo. (a buffalo is a cool, high or positive event)
It’s really not that much of a story.
Lisa and I were walking down 5th avenue and there was like, this old man, who was standing out by the curb with a camera—in kind of an adorable way—looking for things to take pictures of—so I smiled as we walked by. Not Lisa though, she’s from Manhattan. Manhattan girls don’t smile on the street.

Then he was like, “Stop, STOP! Stop right there!” I stopped, Lisa walked on a step or two.
“I take street photos, and I want YOU TWO to model in them.”
I was like, “OH, oh NOOO, I don’t know about that.” I looked to Lisa, who looked aghast.
“I use the pictures for street fashion layouts - have you seen New York Magazine’s ‘Street Style?’
“What are you stopping for?” Lisa whispered to me exasperatedly.” She has a horror of modeling.
“He’s kind of adorable, don’t you think?” I asked in a ‘come on,’ pleading voice.
“Most of the time they don’t even use the faces—and I can give you one if you’d like,” he said.
He handed me a New York Magazine business card, he’s on Insta, so he wasn’t some crazy homeless guy.
“Ok, I said,” after a moment, shruggingly. He smiled and backed off several feet, getting ready.
"Anais!" Lisa said, shocked at my ‘out of towner’ naiveite, “I’m not,” she shorthanded, stepping away.

So, for a couple of minutes he took a potpourri of pix, posing me with comments like “turn sideways, pout, pop your waist,” and “look bored.” Now it was cool and windy, I was wearing a hoodie and jeans, and he was never creepy or anything, but I thought, ‘how do you pop your hip in a hoodie?’

As we walked away, Lisa said, “Why’d you agree to do that?”
“Charles is here,” I said defensively, “he had a card and book,” I shrugged. If anything, Charles was amused.
He gave me a couple of pics - cringy and un-model-ly. I think he really wanted Lisa (duh). Anyway, that was my New Year’s Day buffalo. I felt glamorous—for a minute.
Then we went for apple-brandy slushies—which were pretty buffalo too.
.
.
Songs for this:
Glamour Girl by Louie Austen
Street Life by Randy Crawford
Talk talk featuring troye sivan by Charli xcx & Troye Sivan

"Birth, and copulation, and death.
That’s all the facts when you come to brass tacks:  
Birth, and copulation, and death.”*

But though he repeated them twice,
Those aren’t all the facts when you
 come to brass tacks,
Eliot left out a line:

Somewhere between copulation and death,
When you’re well along, but not near
  your last breath,
You find that the facts when you come to brass tacks are
Ice, ibuprofen and time,
My friend,
Ice, ibuprofen and time.

               


*T.S. Eliot, from Sweeney Agonistes.

A bluebird came streaking violently out of Central Park,
it blurred over the lanes of traffic towards 220.
I flinched in anticipation of the impact,
but at the last second it darted directly up,
as if caught in a sudden wind current.
“Did you see that?” I asked Lisa.
She didn’t, her phone was jiggling.

My boyfriend left yesterday
He had to leave before New Year’s eve!
he has to work and cannot play
he finally gets to run the hadron collider
go get em’ tiger
but I’ve decided
you can’t fight the zeitgeist
that when the cats away
the girls will have their day.

Someone start the music please,
because it’s NEW YEARS Eve!

Happy New Year’s Eve everyone!
.
.
Songs for this:
There goes my baby by Kelly Jones
Back on the chain gang by the pretenders

I see them in reflections - the orange juice glass at breakfast or my iPhone where they can pop-up, like notifications - I keep my phone face down.

They usually want to tell you something - how it was for them - their history. I discount these emotional messages - they come with the jester's assumption that I care - that I need the performance and will get involved.

“What are you doing?” My mom asks, as I’m taking all the shiny, mirror-like ornaments off the Christmas tree.
“The glare gives me a headache” I say, without stopping.
“Your Grandma does that too”, she says, wiping her hands on a Santa-themed dishtowel.
“Really?” I say, but I know that, and I know why.

I started having nightmares, when I was in first grade. My mom thought I had an overactive imagination but when she described it to my grandma, she soon showed up for a visit.

Over the next few weeks my Grandma told me about our “gift”. About how we were both born on the same day, under a waning third moon, in Autumn. That we're both “Yins,” doxies (sweethearts) of the dead and that we could, at times, see and hear people who were between stops on their way to their afterlives.

That’s why the dead parachute into my unused moments from reflective surfaces. They can be anxious or in despair - when their deaths were cruel or sudden - but I'm barely an adult - I'm in school - what can I do??

The presence of water discourages them - which is perfect - can you imagine seeing spirits in the reflections of your bath? EEUUUWWW!  
You’ll hardly ever see me without a water bottle or polarized sunglasses - which seem to break up the images. I'll not be smothered in other people's afterlives.

a ;
a .
a ?
some - – —
an ‘
some ( )
a ,
an _
a few ‘ ’ " "
the rare *
the gaping ...
some [ ]
some { }
some !!!
and a healthy :

there you go,
you can write a poem now.

Always be just fine.
Stay out of trouble.
Get back in the line.
Build you a bubble.

Don’t ever gamble.
Give up your dreaming.
Best not to ramble.
***** out your scheming.

Never should you rave.
Don’t you take a risk.
Always best to cave.
Abide the tsk tsk tsk.

Start with something casual:
“I miss you” is a good opener,
but don’t forget the twist—
throw in a parenthetical like
“(but not enough to beg)”
just to keep him guessing.

Follow up with a double text,
something vaguely existential.
Maybe:
“Do you ever think about
the weight of your own cowardice?”
And when he doesn’t respond,
add:
“Haha jk, how’s your sciatica?”

Text three should be a song lyric—
not one he knows,
but something obscure and devastating,
like:
“And the skeletons in both our closets
plotted hard to **** this up.”
Don’t explain it.
Let him Google it at 2 a.m.
and spiral in silence.

For text four,
go for the jugular:
“Do you think you’ll ever stop
mistaking fear for wisdom?”
Pause.
Then send:
“Nvm, that was mean.
What’s your comfort show again?
Mine’s Parks and Rec.”

By text five, he’ll start to crack.
He might reply with something cautious,
like:
“Are you okay?”
This is your chance.
Answer with:
“Define okay.”
Then immediately change the subject—
“Wait, what’s your zodiac rising?”

Text six is where you plant the seed of doubt:
“Sometimes I think we’d have worked out
if I didn’t know you so well.”
Wait exactly four minutes,
then follow up with:
“Or maybe if you knew yourself better.”

For text seven, go full cryptic:
“You remind me of that one painting—
you know, the one they had to repaint
because it was falling apart.”
Let him sit with that one.

By text eight,
he’ll either call or give up.
If he calls, ignore it.
If he doesn’t,
send:
“Anyway, good talk.
Hope life’s treating you
as kindly as you deserve.
Interpret that how you will.”

Text nine is optional,
but it’s my favorite:
“Do you even notice the silence
when it’s not yours?”

Text ten is the finale.
Simple, clean, devastating:
“I hope you finally stop running,
and when you do,
I hope it’s too late
for anyone to catch you.”

It’s a broken world
we need imperfect solutions
and there are plenty of questions

is it even possible to correct systemic
problems with individual solutions?

I recycle, so everything’s ok, ya?

some would usher in a revolution
while others would stand pat, thinking
they can marginally beat the house

the young believe the old are problematic,
out of touch and largely to blame for the world
the old push back on youthful, impractical,
self-indulgent and self-righteous idealisms

both groups must eventually wrestle with thorny questions

I doubt we could all agree on a short manifesto
or even a pithy rallying cry.
How about something brutal, almost offensive?

Dylan Thomas suggested we rage against the dying of the light,
but then again, it seems that's all we do these days—rage.

There’s a Korean concept called hwabyung,
or “burning sickness”—an intense, suppressed rage
that can blind and destroy us if we’re not careful

Science says we face a direct and bludgeoning future,
that we must be tenacious with the next phase of our evolution
—but must we be adults? Science is so 2014, and we’re all so smart.
.
.
Songs for this:
Dance the Night Away by The Mavericks
I Hope You Dance by Lee Ann Womack