Take my fetus and go
Through and through the mighty seas,
Cleft of stubborn knocks and the bayonets
Rocking through and through the eves. Whose pirouettes and epilepsy crooked, Asunder, blessing the attenuated biology of Say, a field mouse or the hummingbird. What nuisance it transcends itself into. How It has marred even the plight to lock oneself In that windowless box of time. The Atemporal box featuring those curious amaranthine engravings about its sides, upon its top. Though the blood may not spill from side to side, and while the nellypot may collywaddle, there is an immense sincerity akin, fused afore to the intimacy of an authenticated orphic boketto.

LIGHT, dreary light, on a plaza, surrounded by
unexpectedly hopeless hope. And you, stubborn man.

This plaza is a placenta. And we are
the fetus that can never get out of
there. The maturity of pregnancy, and we
are not ever dare to actually be born.

If our mother dies, dry the umbilical cord.

He like her an art
was a nether from the start
that noodle never plunder
this message from his splendor
and virtual ****** in time  
that relish his heredity  
an embryonic boy wonder.

An eye within my eye
like a fetus in a womb
It cannot see what I see
for it was created
not for sight but, for lies
like a special child
it was an exceptional eye
like an eye that will stay awake
until the end of time
the time, that is mine
and this time, only mine

-Kaya

A hymn to paired planethood: Venus hits Pluto
as death, in cold orbit, collides with biology
smashing to fragments: demonic astrology
(more a black hole than a love-star, it’s true though).
Cynical cure for Eve’s womanly grievance
Concupiscent consequence: lust’s bitter fruit –
ah the thought… changing Sin into mere inconvenience.

Margaret sang her seductive refrain
about weeding the garden and progress and light.
Her sisters should view her with scornful disdain
but instead have adopted her murderous rite.
With sang-froid she promoted her racist eugenics
(as if she had never herself been a fetus),
condemning her heirs to postmodern polemics
while nurturing ardent desires to defeat us.

Suppressing the lives that she flushed down the drain
she would liberate Death – and resistance was vain.
As a midwife to modern life (though on the “anti” side)
Old Matron Margie racked up quite a legacy
singing the praises of sanctioned infanticide
calling the shots for the coming sick century.
Planning, quite calmly, to “cleanse” certain races
her zeal was empowered by murderous graces.
She labored to bring us such pearls of subduction:
“dilation and curettage”, “women’s autonomy”
“viable fetus”, “procedure”, a “suction”
Hippocrates retches to hear the taxonomy;
words that turn Life into mere reproduction.

She enters the realms of the ****** and the motherless
roundly condemned by her feminine otherness.
Man’s first protection: the God-given womb
which no infant should have to regard as their tomb.

Dismembered dark cherubs, assembling, greet her
as demons (in scrubs) holding baby-parts meet her.
Long may she burn with the medical cynics
this mother of Moloch, this founder of clinics.
Convenience is king when abortion’s the Queen
and the profits swell big with each nubile teen…
yet the fruit of such carnage remains to be seen.

I send her this song as a funeral wreath
and a card inked in blood. You may read what is there:
“To the Matrix Supreme of our culture of death
from the souls of the infants you slew on the earth.
May your torment increase with the children you bear.”

It feeds and grows within the host;
It stretches the skin and swells the belly;
It dwells as warm as buttered toast,—
This toothless pulp of genes and jelly.
It soils the lair in which it lives
And wallows there within the waste;
And not a single **** it gives
That *** is an ever-present taste.
It sickens her and spends her strength
And causes her, the host, dismay,
Till it outgrows its den at length
And exits in a dreadful way.
And where the creature takes its leave
Is almost too terrible to believe.

O.O