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Rohan P May 2019
They are strings of letters unset
from their horizons.
Swollen ink smearing
in air;
their little stalks, serene, suffocated,
like pockets of dust, attended
but in passing. Pieces
of you—agile, remiss—
spark notes in shattered
melody. The dying refrain
flutters;
only the echoes are staining. She
is like a tumbling highway,
still tumbling through full-stop.
Decay of sibilance;
Varying structural emphases;
Enjambment as emphasis;
Change in reference pronoun;
Line break with em-dash to de-emphasise the natural chiastic connotation of that device.
mio Feb 2021
orange sweater with wrinkled sleeves
it fits you perfectly. it looks like it was taylored to your measurements perfectly
i bought it about a year ago
let you wear a part of me i felt safe in
worn proudly you are the boy that i thought would never
i painted a picture of you in my head in which you were perfect
i had sculpted each pore perfectly
placed each thread of your hair on your head but
i guess i must have done something to mess up because the perfect picture i painted
dripped with wet unset paint
on top of me suffocating, i couldn’t move
i could only see your chest covered in the stupid orange sweater
tongue deep down my throat with your hand on my neck
your face is dripping on mine this wasn’t who you were supposed to be
it hasn’t been longer than a week but the days drag on years and pull on gods ears and beg for more time to pass but less and less goes by
never ending i feel like i’m stuck
im in an artblock
your face is gone but it was just there i must have misplaced the brush that i drew your short eyelashes with
whimpering you are but why, was it something i did?
my paint brushes are all intact and my workspace is clean
how could i have messed up
the painting with the orange sweater delicate brown eyes and thick bleach hair is dripping
off the canvas
i haven’t done much other than wait for you to dry our before i can add more on to you
but you won’t dry and you’re on top of me
my neck is wet with the saliva you won’t stop touching me
no i said i would take a break from this canvas but it’s encasing me i cannot leave
i messed up havent i
wonder why i did to deserve this
im using my fingers to put your streaky smile back in place don’t look at me like that please
i have to ask for you to leave i cannot stand the shade of orange you’re wearing being on top of me
please leave
im letting you out to dry

in the same position i can’t move
my neck is casted by guilt i must have done something wrong
looking back that couldn’t have been you
it must have been the wrong medium
your acrylic is dry and patched you couldn’t have torn me down like the thin canvas dripping with trauma filled sweat
no because you would never let yourself wear something mine while you took myself from my own body
right?
youre the boy i painted over and over in my head just to get you right
hold my hand let’s go for a walk hold me tight because the wind against my cheek causes a shiver down my spin
lift my head up to glance at the intentional light because you know i’m scared of looking down at the petrifying dark
but you burned my eyes and i am no longer mine the painting is ruined and i can’t fix it
but that’s not who i planned for you to be you would never do that because i don’t mess up the watercolor goes on thick paper while you go on premeditated canvas
was it me?
have i misread but i do not misread i am not an idiot it’s not my fault you chose to do this yet i cant not feel this in my chest
im a failed artist with a body stolen in disgust
i want my orange sweater with wrinkled sleeves back
Owen J Henahan Aug 2018
On an Ohio vacation, we got the call.
Dressed in a navy t-shirt, and stiff boating shorts
(plucked fresh off a J. Crew shelf just earlier that morning –
        I wanted a darker grey)
My mother and I parked by the open grave.

The visitation was packed with strangers.
Stuffy, suffocating almost – I tugged at the new shorts,
coarse, rough-feeling, no time to break in yet –
        fibers still unset –
My back hugs peeling wallpaper.

My mother's tears stain my shirt, the salt stiffening fresh fabric –
Baptism. Each tear carves fresh wrinkles, crossing her face like rivers,
slicing into her like canyons. Her hands are childlike upon my shirt,
grasping blindly for anything, her vision blurred, her breath short,
her heart broken.

I peer at the uncovered casket and look at the woman's face.
Thin halo of white hair, skin pale like alabaster –
She is stiff. Eyes fixed, blood cold. Her hands clasp tightly.
Her black cardigan holds her like a piece of glass,
stiff, hard, yet so fragile, threatening each second to crack,

and the sounds of its breaking my mother's muffled cries,
and my hand's rhythmless consoling pats upon her back.
This poem is inspired by the death of a very prominent woman in my mother's upbringing, who she in turn referred to as her second mother. I had never met her before, or if I had, I have no recollection of it.

I could feel my mother's profound sense of loss, flowing off of her like waves, washing over me. I felt an emptiness, a lack of emotion, and this combination of empathy and indifference struck an interesting chord indeed.
Yule  Nov 2018
Hopes
Yule Nov 2018
Should I give up
on a chance that cannot be
To our story
that never even began
Am I just being petty?
We have not even started yet
Did I just leave the pages unset?
It’s just starting to unfold
Or have I really loss it? I believe
We haven't even given a chance
To our story that only has a page
180920; 6:34 PM
In darkened dream, my walk was halted,
confronted by a tree,
It stood upright, a branch outstretched
and blocked the path on me.

In circumventing sideways dance
I edged in grass quite slow,
but a craggy root handcuffed me,
and would not let me go.

I stood in shocked drawn silent gaze,
unsure of where to turn,
This tree had pulled me tighter now,
it fought my urge to run.

But then it spoke in ancient voice,
in tones of guttural flow.
Dark words in wood translation,
spoke of a poisoned stream below.

The leaf on every branch now shivered,
in worried recounted tale,
as it described through words so clear
what caused its bark to fail.

A darkened tale of toxic waste,
a legacy untold.
of man's destructive story,
where greed and fear unfold.

Water table now unset
In (fractured gas) halation.
Land is sold and cracked
in tempted cash flirtation

War for oil in scarlet lands,
where majors lived at base.
The youth in pointless sacrifice,
to save the political face.

Where poverty prevailed amid
abundant arable nations.
and the silent cries of children
skewed charitable donations.

Air of grey, fermented
with pollen soft pollution.
Chokes of spluttered ash,
cast doubt on evolution

This tale of woe recounted
by nature's mother-tree
with roots now losing hold
while balanced grip on me.

Swaying branch quite dangerously
in forgotten leafy youth.
this once majestic elder falls,
unburdened by this truth.

It died in pain where it had grown
drowned slow in poisoned stream.
a fading track on reddened skin
where its handcuffed branch had been.

I straightened up and stumbled on
relieved it had let me go.
My eyes in shock, slowly adjusted
To wood in flat plateau.

I cast my eyes in horizoned view
not believing what I'd seen.
The wood in matchsticked pattern
where once proud kings had been.


The landscape now lay barren,
with wood strewn all around.
The stench of rot erupted
from muddy blackened ground.

I wandered off to tell the tale,
of being confronted by this tree,
unsure of what just happened
or why it had chosen me.

I walked for miles in desolate,
through air starved atmosphere.
but met no one along this road,
a winding ***-holed frontier.

I walked until I finally woke.
in spluttered inhalation.
Confused, I feared this reality,
of earth's final damnation.

In darkened dream, my walk was halted,
confronted by a tree,
Awoke, its tale will linger,
forever haunting me
Mike Finney Dec 2011
GLUTTONY


Go ahead and gorge yourself upon gallons of gaudy garments,
Gaining more weight got by galling garish goods I guess won’t
Ground

Let loose to the luscious luxuries of lackluster lemon and
Lots of lulling bedtime letters that will surely let at bay the
Ladies

Unravel your unctuous mind and unwrap the unstoppable urge
That undeniably lives under unruly layers of
Unproductive

Together bring the talk of taking another tackle to your taciturn tally,
Taller the score and take down the tormenting tickling
Tack

Over and over in obscure ovals until objective becomes apparent
Only leaving orbs of former obliqueness’ obliging to
Object

Never again nourish the need to negate the null to nonsense,
Leave behind the knots of then and live the neat of
Now

Yesterday was yellow in yielding to yearning and
Today is your yet to the question of no or
Yes











GREED



Gradualy every great thing grounded in your gaudy life will grain,
Falling from grander to
Greed

Run away you realize will render you ridiculously reeled
Be the regal recall of natures
Ranting

Even then elude the everlasting elasticity of your sins
Only to elect your own faults and
edict

Evermore entrapped in the entity of your greed which eels
Its way through your
Etiquettes

****** to depths of hell’s dungeons you will go down
If you never fix your
Deeds.







WRATH



Wound so tightly your will won’t save you when the
Day weans of light to
Wear

Repent all you require if you really must, no reprise
Will be your
Reward

Again and again you’ve all but alleged all of your agitations
And now do you
Abject

Too many you take to the top and through to the terrible
Tale of
Tartaras

How do you have your hallowed hot-headed hate now
Had by all you
hocked







SLOTH



Silently slithering fangs strike and pierce into your supple skin
The serpent of Hades himself forcing you to succumb to
your sloth

Legs let leave your longing to linger standing
The lull of the luscious leisure of laziness
Calling you

Over and over you omit the need to oblige
Object the obscurities and overcompensate the
obligation

Though it takes away tell of your toes, stunning your talk
Teathering you to a tree and leaving you to the
terrors

However hollow the halo, the hearth of hasty hearts, may be,
you cannot halt it before is has you in its hold
sleep








LUST


Linger in line a little longer until your litenous lust
lessens to lethargic
larceny

Undone and unset you undermind your unity
and uncite all uncertainty, understand to this
ulcer

Slung across a slat singing sultry in your stipple,
you slew to sound off your
sanity

Taught thoughtless logic tenderly apply topical treatment
to tape together the tatters, tonight a temporary
Tylenol








ENVY



Eject and exact illusions of elected goals eluding your reason
So eject them for
Ever

Never return, never negate the negligence of this nuisance,
Need it
Not

Vanquish your venomous vicarious visions so vivid
I assure you not very
Vivid

Yearn no more and yearn by years how yellow
Can yell the
Yetti








PRIDE



Perniciously palpable pigs of pride that so prate way their progress,
Putting all but prosperity in their own
Propensity

Ridiculously cold rendering the most righteous of realist,
Even relenting to the racketeering of a
Rider

I too see an iota of insolence in intemperate impostors
Of what internal instances tell us is
Intimidating

Down the street dally a day and discover how detrimental
Such a disease dilutes the delineation of our past
Delegation

Even if one ever eludes the elasticizes of this eccentric extortionist
Eventually another will emit it upon to you again
entirely
Jordan Chacon May 2014
"What Will Happen!!!"
How do I know there is anyone else
how can I be sure what will come
how do I know that you really feel that way
what will I do if I fall again
that's the answer I don't know
I don't know what I would do it
you tear my heart in two again
that will be the end
the end of my humanity
the end of my sanity
the end of this whole place
I will challenge someone to fear combat
just to end it there
If I go on like the way I would
I would be a soul
with no meaning or no heart
I would be the man of a shadow that used to be
the man that has to smoke **** to feel free
the man that won't give a crap what you think
that man that you will learn to fear
or gets unset over every little thing
this is what will happen if
you break the heart in me
There's no straight lines from A to B

No compass does it show

It shows my life as it has been

It doesn't show me where to go

As time goes by the pages fade

Just memories of past times

At times the present's blurry too

There's just so many criss crossed lines

No pages show my future

Just blank, unfilled, unset

You can not have a road map

To things that have not happened yet

Some roads it shows are darker

Roads you'll want to use once more

And on other pages, blankness

You don't know what they were for

The map is everchanging

It's not always the same

You can blame the old mapmaker

It's your mind that is to blame

You trigger things with songs and sounds

And others you might lose

It's a map that should show where you've been

But it's no good without clues

A compass in the corner

Doesn't point which way to go

It's your life, there is no answers

You get to choose which row you ***.

It's not an easy map to follow

Hills and valleys all around

But, somewhere there's a spot that

Is where your best can be found

A page that now sits empty

Tomorrow, will be mapped and show the way

But, it won't show you where you're off to

It'll show where you were today

So, enjoy the roads you've travelled

And the experience so far

For this is not a map you'll ever

Find inside of any car

As I said, it changes daily

There's only so much room for stuff to stay

So, remember just what's important

And make the bad stuff go away

It's not a map that can be folded

It doesn't show you where to start

But when you go and look back at it

You'll see your life was full of heart.
.
Tearani C Mar 2012
My intuition flashes like a hot flair shot desperately into an empty sky
Where no one cast a seeing eye and I myself can only smell,
The charade a supernova a chemical shimmering sun
What seems to me to be the bitter sweet vapors of the powder of a gun
An empty thrill that builds atop  unspoken words that usher.
Beneath the glare and a quickened stare I take a liking
to the lightning striking, a sharp spike on the wrong side
of the mountain we’ve been hiking, to get that
Panoramic view of you I’ve been lusting so long after,
a ****** addiction for your airy laughter like
the parched summer air with wide banks cradling sensual water
Lapping at the sand, the firm grasp of a hot hand.
You still stand eyes blinking kiss me, mouth unmoving murmur miss me,
Heartbeat quaking behind the curtain of your chest yelling at me
To take a chance. Wearing silence so inviting I sense,
You’re a trap unset to catch, but you don’t know
You’ll love me yet. You step through the doorway,
I turn my head to my feet, I don’t need to see to feel
My intuition flashing like a hot flair shot desperately into an empty sky
Where no one cast a seeing eye and I myself can only smell,
the charade a supernova a chemical shimmering sun
What seems to me to be the bitter sweet vapors of the powder of a gun
An empty thrill that builds atop unspoken words that usher
Beneath the glare and a quickened stare I take a liking
to the lightning striking, a sharp spike on the inside of every vain
You’ve not a word spoken, and yet I know I will never be the same.
AP Vrdoljak  Sep 2023
A Song
AP Vrdoljak Sep 2023
Is a poem not just a song
with rhyming verse
that’s not yet sung?

With repeated chorus
not yet stuck
inside one’s head,
amongst the muck?

Is a poem not just a song?
A daisy chain of verse
not yet strum

around a fire
among some friends
deep in the woods
on away weekends.

Is a poem not just a song
not yet proclaimed
by a choir’s tongue?

But uttered silently
in a bed-lamp’s light
at early hours
of the night.

Is a poem not just a song
that peacefully rests
in black ink upon

a white page
inside a book,
upon a library shelf
until it’s took?

Is a poem not just a song
quietly set to lips
that read along

on a train,
on the way back home
from visiting gran
for tea and a scone?

Is a poem not just a song
unset to keys
and not yet begun?

Not yet major,
and not yet minor.
Just metered in beats
and little other.

Is a poem not just a song?
I suppose it could be
but not this one.
But wherefore do not you a mightier way
Make war upon this ****** tyrant, Time,
And fortify your self in your decay
With means more blessèd than my barren rhyme?
Now stand you on the top of happy hours,
And many maiden gardens yet unset,
With virtuous wish would bear you living flowers,
Much liker than your painted counterfeit:
So should the lines of life that life repair
Which this, Time’s pencil, or my pupil pen
Neither in inward worth nor outward fair
Can make you live your self in eyes of men.
    To give away your self keeps your self still,
    And you must live drawn by your own sweet skill.
Grahame Jun 2014
“My Lady! My Lady! Arise from your bower,
    I’d show you something, come down from your tower!”
The maid into the Lady’s chamber goes,
    she is intent on telling her news.

“My handmaid, my handmaid, what’s all the row?
    Don’t you know I’ve been asleep until now?
I am in my bed, in nightclothes I’m dressed,
    so please impart to me, that which you feel pressed.”

“My Lady! My Lady! Please get out of bed!
    it needs to be shown you, it can’t just be said.
In your private garden is something to see,
    you wouldn’t believe it if you heard it from me.”

The Lady arises, and in her clothes dight,
    descends from the tower in the still of the night.
“Hurry, please hurry,” the handmaiden said,
    “lest what I would show you has already fled.”

They reach the tower’s base, both breathing hard,
    go out of the tower, and into the yard
That they walk across, right up to the gate,
    which the Lady unlocks, though the hour is late.

This garden is private, the demesne of the Lady,
    hedged and bowered, everywhere shady.
With windy gravel paths, carefully laid,
    and only attended by the Lady and maid.

This is her refuge, her own privy lair,
    where she’d repair, far from the care
Of running the castle, looking after the keep,
    which often oppressed her, until she could weep.

Her husband, the Lord, is oft-times away,
    in ‘The Field of Mars’, in the thick of the fray,
Leaving the Lady in the castle alone,
    who, for a pastime’s made the garden her own.

She lovingly tends the plants and the trees,
    which were chosen to tempt birds, butterflies and bees.
And, by selecting ones with strong scent,
    she could know, by smelling, at night where she went.

She now knows this garden like the back of her hand,
    and loves to walk through it, or simply to stand
Admiring the vistas, or taking the air,
    now, lead by the maid, she follows to where
A unicorn lies, wounded with a spear,
    stretched out in an arbour, showing no fear.

The Lady and maid, now hand-in-hand
    slowly approach, and before it do stand.
“My Lady, my Lady, now do you see why
    to observe it yourself I have brought you nigh?
If I’d said, in your garden was a unicorn,
    I fear you would have treated my words with scorn.”

“My handmaid, my handmaid, yes, you’ve done right,
    to bring me here, to show me this sight.
And now, we must help with this poor creature’s plight.
    We’ll pull out the spear, I hope that’ll be right.”

“Return to the castle and fetch water hot,
    and cloths to clean, and what simples we’ve got,
And needle and thread to mend this wound.
    Hurry! Go now! Don’t just stound!”

Back to the castle the maid does hurry,
    while, for the Lady, she does worry.
They’ve neither seen such a creature before,
    and know not if a grudge it bore.

Slowly the Lady approaches the beast,
    cinching her kirtle around her waist.
By its side on the ground she kneels,
    and slowly reaching out, she feels
The unicorn’s flank, to try to decide
    how far the spear has pierced its side,
While the unicorn, with lugubrious eyes,
    gazes at her face as still it lies.

Soon the maid returns with the gear,
    which she lays on the ground, conveniently near
To where the Lady is stroking the creature,
    staring in wonder at each feature.

Two brown eyes, limpid and large,
    a spiralling horn crowns its visage,
Muzzle and feet, all black as jet,
    hide as white as milk, unset.

Ears pricked up, alert and keen,
    tail and mane both long and sheyne.
They know not how long there it has lain,
    with open mouth, panting in pain.

The maid hands the Lady a dampened cloth,
    which she uses to mop up the blood, then doth
Grasp the shaft of the piercing spear,
    and with one pull, draws it clear.

The unicorn gives just one start,
    then lies there, still, although alert.
From the wound comes forth a little blood,
    which the Lady staunches as best she could.

The Lady does the wound clean and dress,
    and stitches the edges, neat as a seamstress.
She wipes the unicorn’s fevered brow,
    then she and the maid wonder what to do now.

The sun’s rays over the garden wall creep,
    So the arbour, still in shadow deep
Slowly brightens up, and then
    the beams light up the unicorn, when
A flash of light blinds their eyes,
    and when they can see, to their surprise,
At the place where lay the unicorn
    there’s now a girl lying, looking forlorn.

Amazed, the Lady and handmaid stare
    at the girl, with a stitched wound, lying there.
Seeing her naked, exposed to their sight,
    they cover her form with a length of samite.

The sun does slowly the arbour warm,
    and they think she’ll now be safe from harm,
Then gradually, she opens her eyes,
    looks at them, and then she cries.

Her whole body with her sorrow shakes,
    the arbour echoes with the sobs she makes,
She appears so fragile and delicate,
    and seems to be inconsolate.

The Lady, sitting by the girl’s side,
    is concerned that the wound might open wide.
So violent is the girl’s paroxysm,
    that she fears it might cause the suture to schism.

So taking the young girl in her arms,
    she cuddles her closely, to soothe her alarms,
And with gentle rocking to and fro,
    the girl, exhausted, to sleep does go.

Later, the Lady feels the girl’s hot,
    and realises she a fever has got.
From the simples she makes a febrifuge,
    which she administers in the arbour refuge.

The sun is almost overhead,
    so fleetingly the time has sped.
The arbour now is cool with shade,
    while the Lady continues administering aid.

The samite cloth is soaking wet,
    so some of the Lady’s clothes does the maid get.
Also fresh water, because she does think
    the girl might like a cooling drink.

She sees the girl is sitting up,
    so offers her water in a cup,
And then offers her a silken gown,
    though wonders if she can dress on her own.

The Lady asks, “Can you put this dress on?”
    Weakly, the girls says, “I’ll try anon.”
Although, when she tries, she cannot stand,
    so the maid offers to give her a hand.

With the help of the Lady and the maid,
    in the dress, the girl is arrayed.
And then she says, still seeming dismayed,
    “Thank you for your help, I’ve been so afraid.
And if you’ll continue sitting near,
    I’ll discover to you just why I am here.”

“My stepmother did me cruelly treat,
    though when with my father, she seemed so sweet,
And because his love, he between us divided,
    to separate us, she then decided”

“She semblanced gaity by day,
    while always looking for a way
To make me seem as a fool, or worse,
    and to appear in all things as perverse.”

“At night she magic studiéd,
    while my father, drugged, lay asleep in bed.
I tried to tell him of her deceit,
    though he always maintained she would not cheat.”

“Eventually, she found a way
    of letting me stay a fille by day
While becoming a unicorn filly at night.
    Against her magic I could not fight.”

“I knew it would break my father’s heart
    to discover his wife had used black art,
And so I thought it a kinder way
    to pretend to go on holiday.”

“I forged a letter from a friend
    inviting me to go and spend
A few weeks visiting her home,
    and took the chance to distantly roam.
And that is why I happened to come
    into these woods, near your home.”

“Because I’m a unicorn at night,
    I live in the woods, like an eremite.
I try to keep to my cave by day.
    I have found this is the best way.”

“As a lady in the wood,
    it’s difficult to find any food.
My clothes are ragged and all torn,
    I’m better off as a unicorn.”

“As a unicorn, I’m able to eat.
    There’s grass all around, and shoots so sweet.
There are ponds and streams where I can drink,
    and this is my best chance I think.”

“I left my cave early last night,
    however, there was still some light.
The sun had only just then set,
    and I, some grass, was eager to eat.”

“It was then I did realise
    I wasn’t alone. To my surprise
A band of hunters, going home,
    by chance through your woods did come.”

“They, straightway, their horns did sound,
    and then let slip their pack of hounds.
I desperately fled away,
    and from my cave was forced to stray.”

“I managed, in front of the pack, to keep,
    meanwhile, my strength, did slowly seep.
On reaching a river that did rapidly flow,
    I desperately leapt it, and over did go.”

“Just as I landed on the further bank,
    I felt a sharp pain in my flank.
A huntsman had chanced a spear to throw;
    I thought I’d been given a mortal blow.
Because the hounds couldn’t the river cross,
    they had to reckon me as a loss.”

“I carried on, full of fear,
    until, to the castle wall I came near.
Then seeing a garden gate open wide,
    I managed, painfully, to struggle inside.”

“I staggered into this arbour deep,
    hoping it would me safely keep.
Then, passing close by, walked your maid,
    and I made a noise though I was afraid.”

“I didn’t want to die alone,
    so I made a sound before she was gone.
I only wanted someone to be there,
    I didn’t expect to receive any care.”

“Your maid came in, quite unafraid,
    and saw me, as on the ground I laid.
And from her eye fell down a tear,
    so then I knew I’d naught to fear.”

“I could now die in company,
    except your handmaid said to me,
‘You stay there, some help I’ll get,
    I will not let you die just yet.’”

“So she brought you, and you helped me,
    and for that I’ll always grateful be.
And now, if you’ll kindly open that door,
    I’ll return to my cave and you’ll see me no more.”

The Lady and her maid said, “No!”
    adding, “from here we shall not let you go.
You have still got a crippling wound
    and for it to mend it needs to be bound.”

“My maid can fetch some serving men.
    They’ll carry you to my chamber, and then
We can give to you the care you need.
    With this plan I hope you’ll concede.”

The girl said, “Nay, this I must gainsay,
    I really must now go away.
How do you think you’ll cope with the sight
    of a unicorn in your bedroom at night?”

The Lady and handmaid thought about this.
    Then the Lady said, “I wis!
My old nursemaid lives near the wood.
    We’ll get you to her, I know we could.”

“She has a cottage and a little land,
    a stable and outbuildings round it stand.
For love of me she’ll look after you,
    I think that is the best thing to do.”

“My handmaid, fetch some serving men,
    and ask them to bring my litter, and then
They can carry the girl to my old nursemaid.
    You’ll be safe there, look not afraid.”

The handmaid goes to find some men,
    while the girl and Lady stay snug in their den.
The girl tells the Lady about her life,
    and the struggle to cope with the constant strife
Which arose from the stepmother treating her ill,
    while her father seemed totally bent to her will.

The maid returns with the men and the litter
    and though the girl said she does feel fitter,
They place her on it, and she’s then transported
    carefully to the nurse’s home. All is sorted.

To alert the nurse, the maid goes on ahead,
    and the nurse listens carefully to what is said.
She quickly makes a spare room ready
    to look after the girl, who is so needy.

The girl is gently placed on a cot,
    while the nursemaid, making some water hot,
Gives the girl a sleeping potion,
    and covers the sutured wound with a lotion.

She binds the wound with cloth that’s clean,
    then asks the Lady what it does mean.
The Lady asks her nurse, so dear,
    to keep it secret, which the nurse does swear.

The nurse then listens, quite bemused,
    how the wounded girl’s been so badly used.
And the outcome, really tragic,
    of the stepmother’s evil use of magic.

The nurse says that of course the girl may stay,
    and the garden’s enclosed, so she will not stray
At night, when become a unicorn,
    so she should be quite safe there alone.
And, furthermore, while the girl is there,
    she’ll try to find a way to save her.

The Lady and maid walk back to the tower,
    and start climbing the stairs to the Lady’s bower.
The Lady asks the maid about the gate,
    if she knows why it had been open so late.

The handmaid said, “I must confess,
    I knew the gate was open, yes.
Oh please try not to be angry with me,
    I had unlocked it with my key.”

“Why were you out, my maid, at night?
    Why couldn’t your business wait until light?”

“My Lady, I have made a match,
    a soldier who’s in your night-watch.
His duty’s at night, he sleeps by day,
    so I have managed to find a way
To see him sometimes, if I can,
    Together, we have made a plan.”

“Although he’s always on duty late,
    he’s occasionally stationed by the gate
Of this garden, near the bower,
    and then he lets me know the hour.”

“When he’s there, I use my key,
    to enter the garden secretly.
I go through it, to the gate,
    then open it, for some time with my mate.”

“So I suppose, when late last night,
    I had opened the gate for a sight
Of my leman, I must have forgotten to
    close it tight when to him I did go.”

“Then, later on, when going home
    through the garden, I heard a moan.
And tryi

— The End —