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Sa Sa Ra Aug 2013
For God's sake, you got to give more power to the people

There's some people up there hoggin' everything
Tellin' lies, givin' alibis about the peoples, money an' things
An' if they gonna throw it away, might as well give some to me
Yeah, they seen an' heard it but never had misery

There are some people who are starvin' to death
Never knew but only heard 'em an' they never had happiness
If you don't have enough to eat, how can you think of love?
You don't have time to care, so it's crime you're guilty of

For God's sake, you got to give more power to the people
For God's sake, why don't you give more power to the people?

Cut this jive an' see who's got the power to **** the most
When they run out of power, the world's gonna be a ghost
They know we're not satisfied, so we begin to holler
They give us a promise an' throw in a few more dollars

There's no price for happiness, there's no price for love
Up goes the price of livin' an' you're right back where you was
So whatever you got, just be glad you got it
Now we're gonna get on up an' get some more of it

For God's sake, you got to give more power to the people
For God's sake, why don't you give more power to the people?

For God's sake, you got to give more power to the people
For God's sake, why don't you give more power to the people?
For God's sake, you got to give more power to the people
For God's sake, why don't you give more power to the people?

For God's sake, got to have it, more power
For God's sake, got to have it, power, power, power
For God's sake, why don't you give more power to the people?
For God's sake, you better give more power to the people

For God's sake, why don't you try it? Yeah, power, power
For God's sake, can't deny it, no, no, no, power, power
For God's sake, why don't you give more power to the people?
For God's sake, you got to give more power to the people

For God's sake, why don't you give more power to the people?
For God's sake, you got to give more power to the people
For God's sake, why don't you give power, power?
For God's sake, you got to give

Songwriters
RECORD, EUGENE

-The Chi-Lites on Soul train!!!!
https://www.youtube.com/watch?v=rSIr5a4L8os

Joss Stone - São Paulo, Credicard Hall, 11/11/2012
https://www.youtube.com/watch?v=0iyd3Dgi1xY
Generation Food Project - Campaign Launch Video
http://www.youtube.com/watch?v=evoFFHsB3pU
Keith J Collard Jun 2013
The Quest for the Damsel Fish  by Keith Collard

Author's  Atmosphere

On the bow of the boat, with the cold cloud of the dismal day brushing your back conjuring goose bumped flesh you hold an anchor.  For the first time, you can pick this silver anchor up with only one hand and hold it over your head. It resembles the Morning Star, a brutal medieval weapon that bludgeons and impales its victims.  Drop it into the dark world beyond the security of your boat--watch the anchor descend.
        Watch this silver anchor--this Morning Star--descend away from the boat and you, it becomes swarmed over with darkness.  It forms a ******-metallic grin at first as it sinks, then the sinking silver anchor takes its last shape at its last visible glimpse.  It is so small now as if it could be hung from a necklace.  It is a silver sword.  
Peering over the side of the boat, the depths collectively look like the mouth of a Cannibalistic Crab, throwing the shadows of its mandibles over everything that sinks down into it--black mandibles that have joints with the same angle of a Reaper's Scythe.  

I am scared looking at this sinking phantasm.  I see something from my youth down there in this dark cold Atlantic.  I see the silver Morning Star again, now in golden armor.  I remember a magnificent kingdom, in a saltwater fish tank I had once and never had again.  A tropical paradise that I see again as I stare down into the depths.  This fish tank was so beautiful with the most beautiful inhabitants who I miss.  Before I could lift the silver anchor--the Morning Star--over my head with only one hand, turning gold in that morning sun-- I was a boy who sat indian style, cross legged--peering into this brilliant spectacle of light I thought awesome.  I thought all the darkness of home and the world was kept at bay by this kingdom of light...

Chapter  1 Begins the Story

The Grey Skies of Mass is the Name of This Chapter.

                                                      ­­                        
    
 Air, in bubbles--it was a world beauty of darkness revealed in slashes of light from dashing fluorescent bulbs overhead this fish tank.
Silver swords of fluorescent energy daring to the bottom, every slash revealing every color of the zodiac--from the Gold of Scorpio to the purple of Libra combining into the jade of the Gemini. 
In the center, like a dark Stonehenge were rocks. The exterior rocks had tropical colors like that of cotton candy, but the interior shadows of the rocks that was the Stonehenge, did not possess one photon of light. The silver messengers of the florescent energy from above would tire and die at their base.  The shadows of the Stonehenge rocks would stand over them as they died.

 
          When the boy named Sake climbed the rickety wood stairs of the house, he did so in fear of making noise, as if to not wake each step.
   Until he could see the glowing aura of his fish tank then he would start down that eerie hall, With pictures of ghosts and ghosts of pictures staring down at him as he walked down that rickety hallway of this towering old colonial home.  He hurried to the glowing tank to escape the black and white gazing picture frames.
                    The faint gurgling, bubbling of the saltwater tank became stronger in his ear, and that sound guided him from the last haunt of the hallway-- the empty room that was perpendicular to  his room.   He only looked to his bright tank as soon as he entered the hallway from the creaky wooden steps.  Then he proceeded to sit in front of this great tropical fish tank in Indian style with his legs folded over one another as children so often would sit.
  The sun was setting.  The reflections from the tank were beginning to send ripples down the dark walls. Increasing  wave after wave reflecting down his dark walls.  He thought they to be seagulls flapping into the darkness until they were overcome as he was listening to the bubbling water of his tank.
                " Hello my fish, hello Angel, hello Tang, hello  Hoomah, hello Clown and hello Damsel … and hello to you Crab...even though I do not like you," he said in half jest not looking at the crab in the entrance of the rocks.  The rocks were the color of cotton candy, but the interior shadows did not possess a photon of luminescence.  All other shadows not caused by the rocks--but by bright swaying ornament--were like the glaze on a candy apple--dark but delicious.  Besides the crab's layer in the rock jumble at the center of the tank which was a Stonehenge within a Stonehenge--the tank was a world of bright inviting light.
                The crab was in its routine,  motionless in the entrance to his foyer, with his scythe-like claws in the air, in expectation of catching one of the bright fish someday.  For that reason the boy tried to remove the crab in the past, but even though the boy was fast with his hand, the optical illusion of the tank would always send his hand where the crab no longer was.  He did not know how to use two hands to rid the crab in the future by trapping and destroying the Cannibal Crab ;  his father, on a weekend visit, gave the Crab to the boy to put into the bright world of the saltwater tank, which Sake quickly regretted.  His father promised him that the Crab would not be able to catch any of the fish he said " ...***** only eat anything that has fallen to the bottom or each other..."

         A scream from the living room downstairs ran up the rickety wood and down the long hall and startled the boy.  His mother sent her shrieks out to grab the boy, allowing her to not have to waste any time nor calorie on her son; for she would tire from the stairs, but her screams would not, allowing her to stay curled up on the couch.  If she was not screaming for Sake, she was talking as loud as screams on the phone with her girlfriends.  The decibels from her laugh was torture for all in the silent house.   A haughty laugh in a gossipy conversation, that overpowered the sound of the bright tropical fish tank in Sake's room that was above and far opposite her in the living room.
               " Sake you have to get a paper-route to pay for the tank, the electricity bill is outrageous," she said while not taking her eyes off the TV and her legs curled up beside her.  He would glad fully get a paper-route even if it was for a made up reason.  He turned to go, and looked back at his mother, and a shudder ran through him with a new thought:  someday her appearance will match her voice.  

              Upon reaching his tank,  Hoomah was trying to get his attention as always.  Taking up pebbles in his big pouty pursed lips and spitting them out of his lips like a weak musket.  The Hoomah was a very silly fish, it looked like one of Sake’s aunts, with too much make up on, slightly overweight, and hovering on two little fins that looked incapable of keeping it afloat, but they did.  The fins reminded him of the legs of his aunt--skinny under not so skinny.’

               The Tang was doing his usual aquanautics , darting and sailing was his trick.  He was fast, the fastest with his bright yellow triangular sail cutting the water.  Next was the aggressive Clown fish, the boy thought she was always aggresive because she didn't have an anemone to sleep on.  The Clown was strong and sleek with an orange jaw and body that was built like a tigress.
  Sake thought something tragic about the body if the  orange Clown and the three silver traces that clawed her body as decoration -they reminded him of the incandescent orange glow of a street lamp being viewed through the rainy back windshield of a car.   The Clown fish was a distraction that craved attention.
The Clown would chase around some of the other fish and jump out of the water to catch the boy's eye. 
                 Next is the Queen Angel fish, she is the queen of the tank, she sits in back all alone, waving like a marvelous banner, iridescent purple and golden jade.  Her forehead slopes back in a French braid style that streams over her back like a kings standard waving before battle, but her standard is of a house of beauty, and that of royal purple.

                    Lastly is the Damsel Fish, the smallest and most vulnerable in the tank.  She has royal purple also, rivaling the queen. Her eyes are lashed but not lidded like the Hoomah.  Her eyes are elliptical, and perhaps the most human, or in the boy’s opinion, she is the most lady like, the Hoomah and the Queen Angel come to her defence if she is chased around by the Clown.  Her eyes penetrate the boys, to the point of him looking away.  

                      Before the tank, in its place in the corner was a painting, an oil painting of another type of Clown donning a hat with orange partial make-up on his face (only around eyes nose and mouth there was ghost white paint) and it  had two tears coming down from its right eye.  The Clown painting was given to him by his mother, it seems he could not be rid of them, but Sake at first was taken in by the brightness of the Clown, and the smooth salacious wet look of the painting. it looked dripping, or submerged, like another alternate reality.  The wet surreal glaze of the painting seemed a portal, especially the orange glow of the Clown's skin without make-up.  .  If he tried to remember of times  before the Clown painting that preceded the Clown fish, he thought of the orange saffron twilight of sunset, and watching it from the high window from his room in the towering house.  How that light changed everything that it touched, from the tree tops and the clouds, to even the dark hallway leading up to his room.  The painting and the Clown fish did not feel the same as those distant memories of sunset, especially the summer sunset when his mother would put him to bed long before the sun had set.  
Sake did not voice opposition to the Clown.
Then he was once again trapped by the Clown.  
            The boy was extremely afraid of this painting that replaced the sunsets , being confined alone with it by all those early bedtimes.
Sake once asked his mother if he could take it down, whereas she said " No."  That clown would follow him into his dreams, always he would be down the hill from the tall house on the hill, trying to walk back to the house, but to walk away or run in a dream was like walking underwater or in black space, and he would make no distance as the ground opened up and the clown came out of the ground hugging him with the pryless grip of eight arms.  He would then wake up amid screams and a tearful hatted clown staring somberly down at him from the wall where it was hung.  Night made him fear the Clown painting more;  that ghost white make-up decorating around the eyes and mouth seeming to form another painting in entirety.  He could only look at the painting after a while when the lights were on, and the wet looking painting was mostly orange from the skin, neck, and forearms of the hat wearing clown.  But the painting is gone now, and the magnificent light display of the tank is there now.  

                Sake pulled out the fish food, all the fish bestirred in anticipation of being fed.  The only time they would all come together; and that was to mumble the bits of falling flakes: a chomp from the Clown, a pucker from the Hoomah, the fast mumble of the Tang, and the dainty chew of the Damsel.  The Queen Angelfish would stay near the bottom, and kiss a flake over and over.   She would not deign herself to go into a friendly frenzy like the other fish; she stayed calm, yet alluring like a flag dancing rhythmically in the breeze, but never repeating the same move as the wind never repeats the same breeze.  She is the only fish to change colors.  When the grey skies of Mass emit through every portal in the house at the height of its bleakness, her colors would turn more fantastic, perhaps why she is queen.

                 He put his finger in the top of the watery world; the warmth was felt all the way up his arm.  After feeding, his favorite thing to do was to trace his finger on the top of the warm water and have the Damsel follow it. She loved it, it was her only time to dance, for the Clown would descend down in somewhat fear ( or annoyance) of the boys finger, and the Damsel and he would dance.  The boy, thought that extraordinary.

                     Sake bedded down that night, to his usual watery world of his room.  The reflective waves running down the walls like seagulls of light, with the rhythmic gurgling sound and it's occasional splash of the Clown, or the Hoomah swooping into the pebbly bottom to scoop up some pebbles for spitting making the sound "ccchhhhh" --cachinging  like a distant underwater register.  The tank’s nocturne sound was therapeutic to the boy.

                      Among waking up, and being greeted by his sparkling treasure tank--that was always of the faintest light in the morning due to the grey skies of Mass coming through every portal to lessen the tropical spectrum-- the boy would render his salutations " Good morning my Hoomah.....good morning Tang, my Damsel, and your majesty Queen Angel.....and so forth.  Until the scream would come to get him, and he would walk briskly past the empty room and the looming family pictures of strangers.  His mother put him to work that day, to "pay for the fish tank" but really to buy her a new cocktail dress for her nightly forays.  The boy did not care, the tank was his sun, emitting through the bleak skies of Mass, and even if the tank was reduced to a haze by the overcast of his life, it only added a log to the fire that was the tropical world at night, in turn making him welcome the dismal day.
                  On a day, when the overcast was so thick, he felt he could not picture his rectangular orb waiting for him at night. He had trouble remembering what houses to deliver the paper.  He delivered to the same house three times.  Newspapers seemed to disappear in his hands, due to their color relation to the sky.   Leaves were falling from the trees—butterfly like—he went to catch one, he missed--a first. For Sake could walk through dense thorned brambles and avoid every barb, as a knight in combat or someone’s whose heart felt the painful sting of the barb before.  He would stand under a tree in late fall, and roll around to avoid every falling leaf, and pierce them to the ground deftly with a stick fashioned as a sword.  He could slither between snow flakes, almost like a fish nimbly avoiding small flakes.  
                  After he finished his paper-route , he went to his usual spot under an oak tree to fence with falling leaves.  As the other boys walked by and poked fun he would stall his imagination, and look to the brown landscape of the dry fall.  The crisp brown leaves of the trees were sword shapes to him.  He held the battle ax shape of the oak leaf over his eye held up by the stick it was pierced through, and spied the woodline through the sinus of the oak leaf lobe.  The brown white speckled scenery, were all trying to hide behind eachother by blending in bleakfully; he pretended the leaf was Hector’s helmet from the Illiad—donned over his eyes.
“ Whatchya doing Sake?” asked a young girl named Summer.  Sake only mumbled something nervously and stood there.  And a pretty Summer passed on after Sake once again denied himself of her pretty company.  He looked to the woodline again, a mist was now concealing the tall apical trees.  It now looked like the brown woodland was not trying to retreat behind eachother in fall concealment, but trying to emerge forth out of the greyness to say "save us."

“ Damgf” he uttered, and could not even grasp a word correctly.  His head lifted to the sky repeatedly, there was no orb, and the shadows were looming larger than ever; fractioned shadows from tree branches were forming scythes all over the ground.
             He entered the large shadow that was his front door, into the house that rose high into the sky, with the simplicity of Stonehenge.  He climbed the rickety petrified stairs and went down the hall.  Grey light had spotlighted every frame on the wall.  He looked into the empty room, nothingness, then his room, the tank seemed at its faintest, and it was nearing twilight.  He walked past the tank to look out the w
Michael R Burch Mar 2020
Of Tetley's and V-2's
(or, “Why Not to Bomb the Brits”)
by Michael R. Burch

The English are very hospitable,
but tea-less, alas, they grow pitiable ...
or pitiless, rather,
and quite in a lather!
O bother, they're more than formidable!

Keywords/Tags: limerick, light verse, nonsense verse, humor, humorous, England, English, Tetley, tea, milk, crumpets, scones, war, bomb, bombs, V-2, rocket, missile, missiles, formidable, Britain, Brits, defense, military, mrbtet, mrbtetley



This World's Joy
(anonymous Middle English lyric)
loose translation by Michael R. Burch

Winter awakens all my care
as leafless trees grow bare.
For now my sighs are fraught
when it enters my thought:
regarding this world's joy,
how everything comes to naught.



Elegy for a little girl, lost
by Michael R. Burch

. . . qui laetificat juventutem meam . . .
She was the joy of my youth,
and now she is gone.
. . . requiescat in pace . . .
May she rest in peace.
. . . amen . . .
Amen.

I was touched by this Latin prayer, which I discovered in a novel I read as a teenager. I later decided to incorporate it into a poem. From what I now understand, “ad deum qui laetificat juventutem meam” means “to the God who gives joy to my youth,” but I am sticking with my original interpretation: a lament for a little girl at her funeral. The phrase can be traced back to Saint Jerome's translation of Psalm 42 in the Vulgate Latin Bible (circa 385 AD).



How Long the Night
anonymous Middle English lyric, circa early 13th century AD
loose translation/interpretation by Michael R. Burch

It is pleasant, indeed, while the summer lasts
with the mild pheasants' song ...
but now I feel the northern wind's blast,
its severe weather strong.
Alas! Alas! This night seems so long!
And I, because of my momentous wrong
now grieve, mourn and fast.



Fowles in the Frith
anonymous Middle English lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

The fowls in the forest,
the fishes in the flood
and I must go mad:
such sorrow I've had
for beasts of bone and blood!

Sounds like an early animal rights activist! The use of "and" is intriguing ... is the poet saying that his walks in the wood drive him mad because he is also a "beast of bone and blood," facing a similar fate?



I am of Ireland
anonymous Medieval Irish lyric, circa 13th-14th century AD
loose translation/interpretation by Michael R. Burch

I am of Ireland,
and of the holy realm of Ireland.
Gentlefolk, I pray thee:
for the sake of saintly charity,
come dance with me
in Ireland!



Whan the turuf is thy tour
(anonymous Middle English lyric, circa the 13th century AD)
loose translation/interpretation by Michael R. Burch

1.
When the turf is your tower
and the pit is your bower,
your pale white skin and throat
shall be sullen worms’ to note.
What help to you, then,
was all your worldly hope?

2.
When the turf is your tower
and the grave is your bower,
your pale white throat and skin
worm-eaten from within ...
what hope of my help then?

NOTE: The second translation leans more to the "lover's complaint" and carpe diem genres, with the poet pointing out to his prospective lover that by denying him her favors she make take her virtue to the grave where worms will end her virginity in macabre fashion. This poem may be an ancient precursor of poems like Andrew Marvell's "To His Coy Mistress."



Ech day me comëth tydinges thre
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

Each day I’m plagued by three doles,
These gargantuan weights on my soul:
First, that I must somehow exit this fen.
Second, that I cannot know when.
And yet it’s the third that torments me so,
Because I don't know where the hell I will go!



Ich have y-don al myn youth
anonymous Middle English lyric, circa the 13th to 14th century AD
loose translation/interpretation by Michael R. Burch

I have done it all my youth:
Often, often, and often!
I have loved long and yearned zealously ...
And oh what grief it has brought me!



I Sing of a Maiden
anonymous Medieval English Lyric, circa early 15th century AD
loose translation/interpretation by Michael R. Burch

I sing of a maiden
That is matchless.
The King of all Kings
For her son she chose.
He came also as still
To his mother's breast
As April dew
Falling on the grass.
He came also as still
To his mother's bower
As April dew
Falling on the flower.
He came also as still
To where his mother lay
As April dew
Falling on the spray.
Mother and maiden?
Never one, but she!
Well may such a lady
God's mother be!



Enigma
by Michael R. Burch

O, terrible angel,
bright lover and avenger,
full of whimsical light
and vile anger;
wild stranger,
seeking the solace of night,
or the danger;
pale foreigner,
alien to man, or savior ...

Who are you,
seeking consolation and passion
in the same breath,
screaming for pleasure, bereft
of all articles of faith,
finding life
harsher than death?

Grieving angel,
giving more than taking,
how lucky the man
who has found in your love,
this, our reclamation;

fallen wren,
you must strive to fly
though your heart is shaken;

weary pilgrim,
you must not give up
though your feet are aching;

lonely child,
lie here still in my arms;
you must soon be waking.



Floating
by Michael R. Burch

Memories flood the sand’s unfolding scroll;
they pour in with the long, cursive tides of night.

Memories of revenant blue eyes and wild lips
moist and frantic against my own.

Memories of ghostly white limbs ...
of soft sighs
heard once again in the surf’s strangled moans.

We meet in the scarred, fissured caves of old dreams,
green waves of algae billowing about you,
becoming your hair.

Suspended there,
where pale sunset discolors the sea,
I see all that you are
and all that you have become to me.

Your love is a sea,
and I am its trawler—
harbored in dreams,
I ride out night’s storms.

Unanchored, I drift through the hours before morning,
dreaming the solace of your warm *******,
pondering your riddles, savoring the feel
of the explosions of your hot, saline breath.

And I rise sometimes
from the tropical darkness
to gaze once again out over the sea ...
You watch in the moonlight
that brushes the water;

bright waves throw back your reflection at me.

This is one of my more surreal poems, as the sea and lover become one. I believe I wrote this one at age 19. It has been published by Penny Dreadful, Romantics Quarterly, Boston Poetry Magazine and Poetry Life & Times. The poem may have had a different title when it was originally published, but it escapes me ... ah, yes, "Entanglements."



Shock
by Michael R. Burch

It was early in the morning of the forming of my soul,
in the dawning of desire, with passion at first bloom,
with lightning splitting heaven to thunder's blasting roll
and a sense of welling fire and, perhaps, impending doom—

that I cried out through the tumult of the raging storm on high
for shelter from the chaos of the restless, driving rain ...
and the voice I heard replying from a rift of bleeding sky
was mine, I'm sure, and, furthermore, was certainly insane.



The Sky Was Turning Blue
by Michael R. Burch

Yesterday I saw you
as the snow flurries died,
spent winds becalmed.
When I saw your solemn face
alone in the crowd,
I felt my heart, so long embalmed,
begin to beat aloud.

Was it another winter,
another day like this?
Was it so long ago?
Where you the rose-cheeked girl
who slapped my face, then stole a kiss?
Was the sky this gray with snow,
my heart so all a-whirl?

How is it in one moment
it was twenty years ago,
lost worlds remade anew?
When your eyes met mine, I knew
you felt it too, as though
we heard the robin's song
and the sky was turning blue.



The Children of Gaza

Nine of my poems have been set to music by the composer Eduard de Boer and have been performed in Europe by the Palestinian soprano Dima Bawab. My poems that became “The Children of Gaza” were written from the perspective of Palestinian children and their mothers. On this page the poems come first, followed by the song lyrics, which have been adapted in places to fit the music …



Epitaph for a Child of Gaza
by Michael R. Burch

I lived as best I could, and then I died.
Be careful where you step: the grave is wide.



Frail Envelope of Flesh
by Michael R. Burch

for the mothers and children of Gaza

Frail envelope of flesh,
lying cold on the surgeon’s table
with anguished eyes
like your mother’s eyes
and a heartbeat weak, unstable ...

Frail crucible of dust,
brief flower come to this―
your tiny hand
in your mother’s hand
for a last bewildered kiss ...

Brief mayfly of a child,
to live two artless years!
Now your mother’s lips
seal up your lips
from the Deluge of her tears ...



For a Child of Gaza, with Butterflies
by Michael R. Burch

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow?

Where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the capacity of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

And where shall the spirit flee
when life is harsh, too harsh to face,
and hope is lost without a trace?
Oh, when the light of life runs low,
where does the butterfly go?



I Pray Tonight
by Michael R. Burch

for the children of Gaza and their mothers

I pray tonight
the starry Light
might
surround you.

I pray
by day
that, come what may,
no dark thing confound you.

I pray ere tomorrow
an end to your sorrow.
May angels' white chorales
sing, and astound you.



Something
by Michael R. Burch

for the mothers and children of Gaza

Something inescapable is lost―
lost like a pale vapor curling up into shafts of moonlight,
vanishing in a gust of wind toward an expanse of stars
immeasurable and void.

Something uncapturable is gone―
gone with the spent leaves and illuminations of autumn,
scattered into a haze with the faint rustle of parched grass
and remembrance.

Something unforgettable is past―
blown from a glimmer into nothingness, or less,
and finality has swept into a corner where it lies
in dust and cobwebs and silence.



Mother’s Smile
by Michael R. Burch

for the mothers of Gaza and their children

There never was a fonder smile
than mother’s smile, no softer touch
than mother’s touch. So sleep awhile
and know she loves you more than “much.”

So more than “much,” much more than “all.”
Though tender words, these do not speak
of love at all, nor how we fall
and mother’s there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father’s back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,

then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother’s tender smile
will leap and follow after you!



Such Tenderness
by Michael R. Burch

for the mothers of Gaza

There was, in your touch, such tenderness―as
only the dove on her mildest day has,
when she shelters downed fledglings beneath a warm wing
and coos to them softly, unable to sing.

What songs long forgotten occur to you now―
a babe at each breast? What terrible vow
ripped from your throat like the thunder that day
can never hold severing lightnings at bay?

Time taught you tenderness―time, oh, and love.
But love in the end is seldom enough ...
and time?―insufficient to life’s brief task.
I can only admire, unable to ask―

what is the source, whence comes the desire
of a woman to love as no God may require?



who, US?
by Michael R. Burch

jesus was born
a palestinian child
where there’s no Room
for the meek and the mild

... and in bethlehem still
to this day, lambs are born
to cries of “no Room!”
and Puritanical scorn ...

under Herod, Trump, Bibi
their fates are the same―
the slouching Beast mauls them
and WE have no shame:

“who’s to blame?”



My nightmare ...

I had a dream of Jesus!
Mama, his eyes were so kind!
But behind him I saw a billion Christians
hissing "You're nothing!," so blind.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



I, too, have a dream ...

I, too, have a dream ...
that one day Jews and Christians
will see me as I am:
a small child, lonely and afraid,
staring down the barrels of their big bazookas,
knowing I did nothing
to deserve their enmity.
―The Child Poets of Gaza (written by Michael R. Burch for the children of Gaza)



Suffer the Little Children
by Nakba

I saw the carnage . . . saw girls' dreaming heads
blown to red atoms, and their dreams with them . . .

saw babies liquefied in burning beds
as, horrified, I heard their murderers’ phlegm . . .

I saw my mother stitch my shroud’s black hem,
for in that moment I was one of them . . .

I saw our Father’s eyes grow hard and bleak
to see frail roses severed at the stem . . .

How could I fail to speak?
―Nakba is an alias of Michael R. Burch



Here We Shall Remain
by Tawfiq Zayyad
loose translation/interpretation by Michael R. Burch

Like twenty impossibilities
in Lydda, Ramla and Galilee ...
here we shall remain.

Like brick walls braced against your chests;
lodged in your throats
like shards of glass
or prickly cactus thorns;
clouding your eyes
like sandstorms.

Here we shall remain,
like brick walls obstructing your chests,
washing dishes in your boisterous bars,
serving drinks to our overlords,
scouring your kitchens' filthy floors
in order to ****** morsels for our children
from between your poisonous fangs.

Here we shall remain,
like brick walls deflating your chests
as we face our deprivation clad in rags,
singing our defiant songs,
chanting our rebellious poems,
then swarming out into your unjust streets
to fill dungeons with our dignity.

Like twenty impossibilities
in Lydda, Ramla and Galilee,
here we shall remain,
guarding the shade of the fig and olive trees,
fermenting rebellion in our children
like yeast in dough.

Here we wring the rocks to relieve our thirst;
here we stave off starvation with dust;
but here we remain and shall not depart;
here we spill our expensive blood
and do not hoard it.

For here we have both a past and a future;
here we remain, the Unconquerable;
so strike fast, penetrate deep,
O, my roots!



Enough for Me
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Enough for me to lie in the earth,
to be buried in her,
to sink meltingly into her fecund soil, to vanish ...
only to spring forth like a flower
brightening the play of my countrymen's children.

Enough for me to remain
in my native soil's embrace,
to be as close as a handful of dirt,
a sprig of grass,
a wildflower.



Palestine
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

This land gives us
all that makes life worthwhile:
April's blushing advances,
the aroma of bread warming at dawn,
a woman haranguing men,
the poetry of Aeschylus,
love's trembling beginnings,
a boulder covered with moss,
mothers who dance to the flute's sighs,
and the invaders' fear of memories.

This land gives us
all that makes life worthwhile:
September's rustling end,
a woman leaving forty behind, still full of grace, still blossoming,
an hour of sunlight in prison,
clouds taking the shapes of unusual creatures,
the people's applause for those who mock their assassins,
and the tyrant's fear of songs.

This land gives us
all that makes life worthwhile:
Lady Earth, mother of all beginnings and endings!
In the past she was called Palestine
and tomorrow she will still be called Palestine.
My Lady, because you are my Lady, I deserve life!



Distant light
by Walid Khazindar
loose translation/interpretation by Michael R. Burch

Bitterly cold,
winter clings to the naked trees.
If only you would free
the bright sparrows
from the tips of your fingers
and release a smile—that shy, tentative smile—
from the imprisoned anguish I see.
Sing! Can we not sing
as if we were warm, hand-in-hand,
shielded by shade from a glaring sun?
Can you not always remain this way,
stoking the fire, more beautiful than necessary, and silent?
Darkness increases; we must remain vigilant
and this distant light is our only consolation—
this imperiled flame, which from the beginning
has been flickering,
in danger of going out.
Come to me, closer and closer.
I don't want to be able to tell my hand from yours.
And let's stay awake, lest the snow smother us.

Walid Khazindar was born in 1950 in Gaza City. He is considered one of the best Palestinian poets; his poetry has been said to be "characterized by metaphoric originality and a novel thematic approach unprecedented in Arabic poetry." He was awarded the first Palestine Prize for Poetry in 1997.



Excerpt from “Speech of the Red Indian”
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Let's give the earth sufficient time to recite
the whole truth ...
The whole truth about us.
The whole truth about you.

In tombs you build
the dead lie sleeping.
Over bridges you *****
file the newly slain.

There are spirits who light up the night like fireflies.
There are spirits who come at dawn to sip tea with you,
as peaceful as the day your guns mowed them down.

O, you who are guests in our land,
please leave a few chairs empty
for your hosts to sit and ponder
the conditions for peace
in your treaty with the dead.



Existence
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

In my solitary life, I was a lost question;
in the encompassing darkness,
my answer lay concealed.

You were a bright new star
revealed by fate,
radiating light from the fathomless darkness.

The other stars rotated around you
—once, twice —
until I perceived
your unique radiance.

Then the bleak blackness broke
and in the twin tremors
of our entwined hands
I had found my missing answer.

Oh you! Oh you intimate, yet distant!
Don't you remember the coalescence
Of our spirits in the flames?
Of my universe with yours?
Of the two poets?
Despite our great distance,
Existence unites us.



Nothing Remains
by Fadwa Tuqan
loose translation/interpretation by Michael R. Burch

Tonight, we’re together,
but tomorrow you'll be hidden from me again,
thanks to life’s cruelty.

The seas will separate us ...
Oh!—Oh!—If I could only see you!
But I'll never know ...
where your steps led you,
which routes you took,
or to what unknown destinations
your feet were compelled.

You will depart and the thief of hearts,
the denier of beauty,
will rob us of all that's dear to us,
will steal our happiness,
leaving our hands empty.

Tomorrow at dawn you'll vanish like a phantom,
dissipating into a delicate mist
dissolving quickly in the summer sun.

Your scent—your scent!—contains the essence of life,
filling my heart
as the earth absorbs the lifegiving rain.

I will miss you like the fragrance of trees
when you leave tomorrow,
and nothing remains.

Just as everything beautiful and all that's dear to us
is lost—lost!—when nothing remains.



Identity Card
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

Record!
I am an Arab!
And my identity card is number fifty thousand.
I have eight children;
the ninth arrives this autumn.
Will you be furious?

Record!
I am an Arab!
Employed at the quarry,
I have eight children.
I provide them with bread,
clothes and books
from the bare rocks.
I do not supplicate charity at your gates,
nor do I demean myself at your chambers' doors.
Will you be furious?

Record!
I am an Arab!
I have a name without a title.
I am patient in a country
where people are easily enraged.
My roots
were established long before the onset of time,
before the unfolding of the flora and fauna,
before the pines and the olive trees,
before the first grass grew.
My father descended from plowmen,
not from the privileged classes.
My grandfather was a lowly farmer
neither well-bred, nor well-born!
Still, they taught me the pride of the sun
before teaching me how to read;
now my house is a watchman's hut
made of branches and cane.
Are you satisfied with my status?
I have a name, but no title!

Record!
I am an Arab!
You have stolen my ancestors' orchards
and the land I cultivated
along with my children.
You left us nothing
but these bare rocks.
Now will the State claim them
as it has been declared?

Therefore!
Record on the first page:
I do not hate people
nor do I encroach,
but if I become hungry
I will feast on the usurper's flesh!
Beware!
Beware my hunger
and my anger!

NOTE: Darwish was married twice, but had no children. In the poem above, he is apparently speaking for his people, not for himself personally.



Passport
by Mahmoud Darwish
loose translation/interpretation by Michael R. Burch

They left me unrecognizable in the shadows
that bled all colors from this passport.
To them, my wounds were novelties—
curious photos for tourists to collect.
They failed to recognize me. No, don't leave
the palm of my hand bereft of sun
when all the trees recognize me
and every song of the rain honors me.
Don't set a wan moon over me!

All the birds that flocked to my welcoming wave
as far as the distant airport gates,
all the wheatfields,
all the prisons,
all the albescent tombstones,
all the barbwired boundaries,
all the fluttering handkerchiefs,
all the eyes—
they all accompanied me.
But they were stricken from my passport
shredding my identity!

How was I stripped of my name and identity
on soil I tended with my own hands?
Today, Job's lamentations
re-filled the heavens:
Don't make an example of me, not again!
Prophets! Gentlemen!—
Don't require the trees to name themselves!
Don't ask the valleys who mothered them!
My forehead glistens with lancing light.
From my hand the riverwater springs.
My identity can be found in my people's hearts,
so invalidate this passport!



Autumn Conundrum
by Michael R. Burch

for the mothers and children of Gaza

It's not that every leaf must finally fall,
it's just that we can never catch them all.



Piercing the Shell

for the mothers and children of Gaza

If we strip away all the accouterments of war,
perhaps we'll discover what the heart is for.



Children of Gaza Lyrics

(adapted in places to the music by Michael R. Burch and Eduard de Boer)

World premiere, April 22, 2017, in the Oosterkerk in the Dutch town of Hoorn. Dima Bawab, soprano; Eduard de Boer, piano.

I. Prologue:

Where does the Butterfly go?
I'd love to sing about things of beauty,
like a butterfly, fluttering amid flowers,
but I can't, I can't …

Where does the butterfly go
when lightning rails
when thunder howls
when hailstones scream
while winter scowls
and nights compound dark frosts with snow,
where does the butterfly go?

Where does the rose hide its bloom
when night descends oblique and chill
beyond the power of moonlight to fill?
When the only relief's a banked fire's glow,
where does the butterfly go?

Where does the butterfly go
when mothers cry
while children die
and politicians lie, politicians lie?

When the darkness of grief blots out all that we know:
when love and life are running low,
where does the butterfly go?

And how shall the spirit take wing
when life is harsh, too harsh to face,
and hope is flown without a trace?

Oh, when the light of life runs low,
where does the butterfly go,
where does the butterfly go?

II. The Raid

When the soldiers came to our house,
I was quiet, quiet as a mouse…

But when they beat down our door with a battering ram,
and I heard their machine guns go "Blam! Blam! Blam!"
I ran! I ran! I ran!

First I ran to the cupboard and crept inside;
then I fled to my bed and crawled under, to hide.

I could hear my mother shushing my sister…
How I hoped and prayed that the bullets missed her!
My sister! My sister! My sister!

Then I ran next door, to my uncle's house,
still quiet, quiet as a mouse...

Young as I am,
I did understand
that they had come to take our land!
Our land! Our land! Our land!
They've come to take our land!

They shot my father, they shot my mother,
they shot my dear sister, and my big brother!
They shot down my hopes, they shot down my dreams!
I still hear their screams! Their screams! Their screams!

Now I am here: small, and sad, and still ...
no mother, no father, no family, no will.

They took everything I ever had.
Now how can I live, with no mom and no dad?
How can I live, with no mom and no dad?
How can I live? How can I live?

III. For God’s Sake, I'm only a Child

For God’s sake, ah, for God's sake, I’m only a child―
and all you’ve allowed me to learn are these tears scalding my cheeks,
this ache in my gut at the sight of so many corpses, so much horrifying blood!

For God’s sake, I’m only a child―
you talk about your need for “security,”
but what about my right to play in streets
not piled with dead bodies still smoking with white phosphorous!

Ah, for God’s sake, I’m only a child―
for me there's no beauty in the world
and peace has become an impossible dream;
destruction is all I know because of your deceptions.

For God’s sake, I’m only a child―
fear and terror surround me stealing my breath
as I lie shaking like a windblown leaf.

For God’s sake, for God's sake, I'm only a child,
I'm only a child, I'm only a child.

IV. King of the World

If I were King of the World,
I would make every child free, for my people’s sake.
And once I had freed them, they’d all run and scream
straight to my palace, for free ice cream!
[Directly to the audience, spoken:]
Why are you laughing? Can’t a young king dream?

If I were King of the World, I would banish
hatred and war, and make mean men vanish.
Then, in their place, I’d bring in a circus
with lions and tigers (but they’d never hurt us!)

If I were King of the World, I would teach
the preachers to always do as they preach;
and so they could practice being of good cheer,
we’d have Christmas ―and sweets―each day of the year!

[Directly to the audience, spoken:]
Why are you laughing? Some dreams do appear!

If I were King of the World, I would send
my couns'lors of peace to the wide world’s end ...
[spoken:] But all this hard dreaming is making me thirsty!
I proclaim lemonade; please [spoken] bring it in a hurry!

If I were King of the World, I would fire
racists and bigots, with their message so dire.
And we wouldn’t build walls, to shut people out.
I would build amusement parks, have no doubt!

If I were King of the World, I would make
every child blessed, for my people’s sake,
and every child safe, and every child free,
and every child happy, especially me!
[Directly to the audience, spoken:]
Why are you laughing? Appoint me and see!

V. Mother’s Smile

There never was a fonder smile
than mother's smile, no softer touch
than mother's touch. So sleep awhile
and know she loves you more than "much".

So more than "much", much more than "all".
Though tender words, these do not speak
of love at all, nor how we fall
and mother's there, nor how we reach
from nightmares in the ticking night
and she is there to hold us tight.

There never was a stronger back
than father's back, that held our weight
and lifted us, when we were small,
and bore us till we reached the gate,
then held our hands that first bright mile
till we could run, and did, and flew.
But, oh, a mother's tender smile
will leap and follow after you ...

VI. In the Shelter

Mother:
Hush my darling, please don’t cry.
The bombs will stop dropping, by and by.
Hush, I'll sing you a lullaby…

Child:
Mama, I know that I’m safe in your arms.
Your sweet love protects me from all harms,
but still I fear the sirens’ alarms!

Mother:
Hush now my darling, don’t say a word.
My love will protect you, whatever you heard.
Hush now…

Child:
But what about pappa, you loved him too.

Mother: My love will protect you.
My love will protect you!

Child:
I know that you love me, but pappa is gone!

Mother:
Your pappa’s in heaven, where nothing goes wrong.
Come, rest at my breast and I’ll sing you a song.

Child:
But pappa was strong, and now he’s not here.

Mother:
He’s where he must be, and yet ever-near.
Now we both must be strong; there's nothing to fear.

Child:
The bombs are still falling! Will this night never end?

Mother:
The deep darkness hides us; the night is our friend.
Hush, I'll sing you a lullaby.

Child:
Yes, mama, I'm sure you are right.
We will be safe under cover of night.
[spoken] But what is that sound?
[screamed] Mama! I am fri(ghtened)….!

VII. Frail Envelope of Flesh

Frail envelope of flesh,
lying on the surgeon's table
with anguished eyes like your mother's eyes
and a heartbeat weak, unstable…

Frail crucible of dust,
brief flower come to this―
your tiny hand in your mother's hand
for a last bewildered kiss…

Brief mayfly of a child,
to live five artless years…
Now your mother's lips seal up your lips
from the Deluge of her tears…

VIII. Among the Angels

Child:
There is peace where I am now,
I reside in a heavenly land
that rests safe in the palm
of a loving Being’s hand;
where the butterfly finds shelter
and the white dove glides to rest
in the bright and shining sands
of those shores all men call Blessed.

Mother:
My darling, how I long to touch your face,
to see your smile, to hear your laughter’s grace.
Great Allah, hear my plea.
Return my child to me.

Child:
My darling mother, here beyond the stars
where I now live,
I see and feel your tears,
but here is peace and joy, and no more pain.
Here is where I will remain.

Mother:
My darling, do not leave me here alone!
Come back to me!
Why did you turn to stone?
Great Allah, hear my plea.
Please send my child back to me...

Child:
Dear mother, to your wonderful love I bow.
But I can't return...
I am among the Angels now.
Do not worry about me.
Here is where I long to be.

Mother:
My darling, it is as if I hear your voice consoling me.
Oh, can this be your choice?
Great Allah, hear my plea.
Impart wisdom to me.

Child:
Dear mother, I was born of your great love,
a gentle spirit...
I died a slaughtered dove,
that I might bring this message from the stars:
it is time to end earth’s wars.

Remember―in both Bible and Koran
how many times each precious word is used―
“Mercy. Compassion. Justice.”
Let each man, each woman live by the Law
that rules both below and above:
reject all hate and embrace Love.

IX. Epilogue: I have a dream

I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.

Look at me... I am flesh...
I laugh, I bleed, I cry.
Look at me; I dare you
to look me in the eye
and tell me and my mother
how I deserve to die.

I only ask to live
in a world where things are fair;
I only ask for love
in a world where people share,
I only ask for love
in a world where people share.

Oh, I have a dream...
that one day all the world
will see me as I am:
a small child, lonely and afraid,
a small child, lonely and afraid.



hey pete
by Michael R. Burch

for Pete Rose

hey pete,
it's baseball season
and the sun ascends the sky,
encouraging a schoolboy's dreams
of winter whizzing by;
go out, go out and catch it,
put it in a jar,
set it on a shelf
and then you'll be a Superstar.

When I was a boy, Pete Rose was my favorite baseball player; this poem is not a slam at him, but rather an ironic jab at the term "superstar."



Reflections on the Loss of Vision
by Michael R. Burch

The sparrow that cries from the shelter of an ancient oak tree and the squirrels
that dash in delight through the treetops as the first snow glistens and swirls,
remind me so much of my childhood and how the world seemed to me then,
that it seems if I tried
and just closed my eyes,
I could once again be nine or ten.

The rabbits that hide in the bushes where the snowflakes collect as they fall,
hunch there, I know, in the flurrying snow, yet now I can't see them at all.
For time slowly weakened my vision; while the patterns seem almost as clear,
some things that I saw
when I was a boy,
are lost to me now in my advancing years.

The chipmunk who seeks out his burrow and the geese in their unseen reprieve
are there as they were, and yet they are not; and though it seems childish to grieve,
who would condemn a blind man for bemoaning the vision he lost?
Well, in a small way,
through the passage of days,
I have learned some of his loss.

As a keen-eyed young lad I endeavored to see things most adults could not―
the camouflaged nests of the hoot owls, the woodpecker’s favorite haunts.
But now I no longer can find them, nor understand how I once could,
and it seems such a waste
of those far-sighted days,
to end up near blind in this wood.



Solicitation
by Michael R. Burch

He comes to me out of the shadows, acknowledging
my presence with a tip of his hat, always the gentleman,
and his eyes are on my eyes like a snake’s on a bird’s—
quizzical, mesmerizing.

He ***** his head as though something he heard intrigues him
(although I hear nothing) and he smiles, amusing himself at my expense;
his words are full of desire and loathing, and although I hear,
he says nothing that I understand.

The moon shines—maniacal, queer—as he takes my hand and whispers
"Our time has come!" ... and so we stroll together along the docks
where the sea sends things that wriggle and crawl
scurrying under rocks and boards.

Moonlight in great floods washes his pale face as he stares unseeing
into my eyes. He sighs, and the sound crawls slithering down my spine,
and my blood seems to pause at his touch as he caresses my face.
He unfastens my dress till the white lace shows, and my neck is bared.

His teeth are long, yellow and hard. His face is bearded and haggard.
A wolf howls in the distance. There are no wolves in New York. I gasp.
My blood is a trickle his wet tongue embraces. My heart races madly.
He likes it like that.

Published by Dowton Abbey, Aesthetically Pleasing Vampires, Into the Unknown, Since Halloween is Coming, and Poetry Life & Times



Songstress
by Michael R. Burch

for Nadia Anjuman

Within its starkwhite ribcage, how the heart
must flutter wildly, O, and always sing
against the pressing darkness: all it knows
until at last it feels the numbing sting
of death. Then life's brief vision swiftly passes,
imposing night on one who clearly saw.
Death held your bright heart tightly, till its maw–
envenomed, fanged–could swallow, whole, your Awe.
And yet it was not death so much as you
who sealed your doom; you could not help but sing
and not be silenced. Here, behold your tomb's
white alabaster cage: pale, wretched thing!
But you'll not be imprisoned here, wise wren!
Your words soar free; rise, sing, fly, live again.

A poet like Nadia Anjuman can be likened to a caged bird, deprived of flight, who somehow finds it within herself to sing of love and beauty. But when the world robs her of both flight and song, what is left for her but to leave, bereaving it and us of herself and her song?



Southern Icarus
by Michael R. Burch

Windborne, lover of heights,
unspooled from the truck’s wildly lurching embrace,
you climb, skittish kite . . .

What do you know of the world’s despair,
gliding in vast  solitariness  there,
so that all that remains is to
fall?

Only a little longer the wind invests its sighs;
you
stall,
spread-eagled, as the canvas snaps
and *****
its white rebellious wings,
and all
the houses watch with baffled eyes.

Published by Poetry Porch and The Chained Muse



To the boy Elis
by Georg Trakl
translation by Michael R. Burch

Elis, when the blackbird cries from the black forest,
it announces your downfall.
Your lips sip the rock-spring's blue coolness.

Your brow sweats blood
recalling ancient myths
and dark interpretations of birds' flight.

Yet you enter the night with soft footfalls;
the ripe purple grapes hang suspended
as you wave your arms more beautifully in the blueness.

A thornbush crackles;
where now are your moonlike eyes?
How long, oh Elis, have you been dead?

A monk dips waxed fingers
into your body's hyacinth;
Our silence is a black abyss

from which sometimes a docile animal emerges
slowly lowering its heavy lids.
A black dew drips from your temples:

the lost gold of vanished stars.

TRANSLATOR'S NOTE: I believe that in the second stanza the blood on Elis's forehead may be a reference to the apprehensive ****** sweat of Jesus in the garden of Gethsemane. If my interpretation is correct, Elis hears the blackbird's cries, anticipates the danger represented by a harbinger of death, but elects to continue rather than turn back. From what I have been able to gather, the color blue had a special significance for Georg Trakl: it symbolized longing and perhaps a longing for death. The colors blue, purple and black may represent a progression toward death in the poem.



Published as the collection "Of Tetley's and V-2's"
Sarah Rodríguez Dec 2018
“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

Momma! Can you hear me? I can hear you singing through tears momma. Please don’t cry. It’s going to be ok momma. I’m not in the dark anymore. Here there’s only light, and plenty of room to run. Momma it’s amazing here!Everything is going to be ok. So please, please, please, momma, don’t cry, rest your head, let me sing to you.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

No one knows. No one knows the loss of my own body, the ripping and savagery that took my own flesh. The pain that blooded and caressed my thighs.

They did no wrong, they hadn’t even breathed never the less committed a single sin. My beautiful, beautiful baby. did I do you wrong? Did your creation create a target on your head. A punishment for my sin.

You didn’t deserve to be stripped of the earth, before you could even experience it. To be failed by the body that was supposed to love you the most.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

And I hold these red beads in my hands, thinking of that day when red was all I could see. Grasping this shield singing and praying for healing. Wondering who you could have been. Creating these ideas of who you would of looked like.

If you would of had my brown curly hair and his silly smile. If you would have his musical genius and my creative brain. Thinking just how beautifully beautiful you would’ve been.

Could you solve a math equation from the top of your head, would you sleep till noon like your father, or wake up early like me, would you continue the tradition and play tennis or would you create your own traditions, Would I walk you down the isle, or button up your tux? Oh my dear child you don’t even know what it would have been like to baptize you in the name of the Father and the Son and the Holy Spirt.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

Baby my sweet child,
Why did you leave before I could even say your name?
Why did you give into the white light and leave me with a scarlet pain?

Did you sacrifice yourself to spare me of what life I would have lived with you in it?

But I want you in my life. I dream of your ringing footsteps, of you crying out for me, of holding you to my breast and carrying for you with everything I have.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

Baby, I’m sorry I never got the chance to love you.
But you’re not a baby anymore now are you, you’re my little angel.
Sweet angel of mine, I’m sorry that I failed you. I’m sorry that I can’t internalize a reason for you death even though your death was internal for me.
I’m sorry that I couldn’t give you the life that you deserved.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

My beautiful baby I love you till this day.
You might be gone, but the idea of who you could have been lives on with me, forever.

I’m sorry our love died I’m sorry that my body wasn’t strong enough to hold you.
I was carrying so much, that it made me lose my everything that could of been you.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

I would have named you Mark or John, or Mary magdalin, I would have rocked you to sleep every night. Loved you with all of my heart, sing to you till your precious eyes closed, and I would be sure to let you know I loved you. I loved you while you were being formed, and I loved and I missed you while you were deformed.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

Baby, sweet child of mine, how could you have left when there is so much love left for you here with me. Why did you go home before I had the chance to make you a home of this world. Before I could even see your face before we could even given you a name.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

Precious little baby I know you’re at the gates of heaven, and I know you’re not mine, so all I ask from you is to send me a sign that you’re ok, that I can be ok without you.

“For the sake of His sorrowful Passion
Have mercy on us and on the whole world”

But I lay here barren and empty.
Scooped bare, and ripped apart internally.
I have nothing to give you but my love.
I will always love you. My sweet beautiful baby. And I will hold my hand to your previous home of my body and feel for your heartbeat, your sweet beautiful innocent heart beat and I will never forget you, the love of my life, the one I never knew.
blythe Jan 2015
She will travel million miles
No distance would seem so far away
For the sake of someone she loves.

She will not give up
Be ready to fight
For the sake of someone she loves.

She will be tough
Though she is not that strong enough
For the sake of someone she loves.

She will not be afraid
Gather all courage she can have
For the sake of someone she loves.

She will go through hell
And get back from it
For the sake of someone she loves.

She will not just be a shoulder to cry on
But will also extend a helping hand
For the sake of someone she loves.

She will bravely face anything
Not even death would scare her
If it is for the sake of someone she loves.

She will do anything
Nothing is impossible
For the sake of someone she loves.
¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯ ¯
this old
decrepit barn
reminds me of a tale
my grandfather
once told

it took him
a life to tell it
but he told it well

this barn has
been here
as far back as I
care to remember
but there's a beautiful
story kept in that
old place—
the story
of a good
man's life

it is a marvelous story
it was a beautiful life

it was filled with
responsibility
compassion
generosity
kindness
charge
love

a­ll these things
and a lifetime
more

but
the closure
warms my heart
more than anything
and we all had our
part to play in
the end

we gathered
thirty-two-strong
around that tiny little bed
in that pitiful room all
smushed together
and recycling
each other's
unwanted air

it was our duty
and none of us wanted
to help him tie that final ribbon
but we soldiered on
for his sake

and we all witnessed
the fruits of his labor

as one voice went
a song to accompany
that ominous death rattle—
it was a joyous song of
worship and
praise to
God
for His
blessings
and yet a tune
eerily timed by the
awkward percussion
of a tired and dying man

so that song
went over and over

and i heard him whistle
lightly along with us
like he used to with
that same ol' hymn
on his heart—his
children and his
grandchildren

that song
went over again

and i saw him look at me
with that crooked grin
and he nodded
letting me know
everything was
"copacetic"

and that song
went over still

and i heard him
laugh over the pain
and over the tears
and over our
resounding
voices

that song
went over
as he whistled
and grinned
and laughed
one last time

but he couldn't

and his lips didn't smile
and his eyes didn't open
and his lungs struggled
to take in as much
as they could
of that stale
unwanted air

so he must've
only listened

it was then
i realized
his only
life goal was
to breathe in that
air de trop and to be
there in that cramped
box with one window
one cheaply made door
and one unfortunately
unfilled closet which
was wide open and
occupied by two
or three more
beautiful
voices
for the sake
of space

so we all soldiered on
for the sake of closure
and for his sake
and for our sake
and for my sake

and for the first time

i had fully grasped
the concept of the
family unit

in my mind
we were no longer
separate and connected
only by heritage

we are blood

what
courses
through
his veins
his legacy
his essence

for he taught me that on
some bright morning
when my life is over
i'll fly away to that home
on God's celestial shore..

for he taught us all to sing

I'll fly away! O Glory!
I'll fly away! When I die,
"Hallelujah" by and by!
I'll fly away!


and
that joyous song
was finally over then

and at that very moment
with one final thump on
that beautiful drum
and with one final
breath of that
coveted
stagnant air
in that modest
one-window room
we watched as
our voices
found
their
purpose

and they carried
him home with a song
for the sake of
his heart
as he left behind
this old decrepit barn
for the sake of
ours

See you soon, Pops!
R.I.P
02/02/31 — 05/22/09



∘ ⊱‧⌍  ⌈✞⌋  ⌌‧⊰ ∞
﹋﹋﹋﹋﹋﹋﹋﹋

What all things I've endured
For the sake of your LOVE
One day like this
I will slowly give away my life
For the sake of your LOVE

I've been in complete agony & despair
Pain and miseries, since YOU left me
Your promise...
I am going to die like this
Longing for you
For the sake of your LOVE

If I can be with you
My life will be divine
If I can see you once
I'll reside in heaven
If I can touch you & hold your hand
The Nature will shower blessings on me
I am facing and will continue to face
All the tortures and atrocities
The world throws at me
For the sake of your LOVE

I've hidden your breathe within me
I've hidden your smiles within me
I've hidden your twinkle of eyes within me
I've hidden your LOVE within me
I've hidden your soul within me
That's why I cry so much
That's why I weep so much
That is why I wallow so much
That is why I long so much
For the sake of your LOVE

The whole world calls me Juliet
The whole world calls me Majnu
The whole world calls me Meera
The whole world calls me Heer
The whole world calls me Romeo

Like this, no characters of LOVER
Are left out without my name
Associated with them
Like this, the world kept on
Making fun of me
Like this, the world stood
Laughing at me
Like this, the world even
Insulted and humiliated me
Like this, the world even
Threw stones at me...
Like this, the world will even
**** me one day

All this, I'm going through
For the sake of your LOVE

Heer, I'm your Rajhna

Natasha Britney Jul 2013
For your sake,
I battled through the darkness.
For your sake,
I skinned them alive with my own bare hands.
For your Sake,
I kissed the sun goodbye.
You have taken control upon me.
You have darkened me.
You used me with my own power.
For your sake,
I left him.
For your sake,
I dived in.
Why would you drown me in sorrow,
when all i did
was for you?
For your sake,
I drove a flying stake in my heart.
I loved you with all my heart.
I loved you with all my might.
I loved you with all my strength.
I shall never look at you
ever again.
You used me.
You betrayed me.
And i shall never forgive you.
For your sake,
i will leave you.
Brea Brea May 2013
For the sake of romance, let me pick you up and drag you near
For the sake of romance, allow me to lay down your fears
Say folly on behalf of your future tears
For the sake of romance allow me to draw up and down your spine
with fingers of pure intentions, why I lie
Bury my heart deep in your thighs
Smoothe kisses and altered states
This is no mistake
For the sake of romance
Twist and grind, call upon you now, and make you mine
Show you who has the last say
As you let your suspicions melt and ease away
Stay, my lovely, stay, stay, stay
Because for the sake of romance
I’ll act on what I feel impassioned today
Even though in the end I’ll only scare myself away
Away, away, for you I’ll say
The very things that’ll sullen your days
Pray pray pray that I’ll loose my way
And dry your face
With a mask unlike the complacency I feel today
For the sake of romance
Break yourself over me
Crack yourself over me
It creates loveliness in your demise
In your heart broken, once watchful but now stary eyes
I want to create the emptiness for which I follow
It makes me
for just an instant
feel half-alive
but even then still half-somewhat
hollow
Mateuš Conrad May 2020
. h'america is as much an ideology as is... islam... this... the best... pig-farmed english you could somehow... not teach... not have mustered from a slav... a pseudo-russian... inconvenience ego... contender? satellite pawn: your... *****-slave yugoslav bourbon... excavations of: the lost flood of mongolian: tribe-folk... the pakistani with the surname: khan... your peoples... prior... no-guilt... island strapped... peruvian conquistadors... or... better strapped... less the cerveza folk... more... the belittled sort of: sorting folk... blah blah...

it's honestly hard to write anything -
when one is still... shell-shocked...
fromwhat could be cited as a devil's decade:
13 years...
                 from the age of 21
through to: aged 34...
            one of those relationship remainders...
we both got into smoking...
well... she was well ahead of me
in the cigarette domain...

       no... however i will attire the event...
whatever verbiage...
it doesn't allow a "justice" to trickle down...
it just so happens that i want
to listen to some depeche mode...
and not some tool / porcupine tree...

13 years of smoking... from the nadir of
40 a day... locotomotive breath...
iron on the tongue... phelgm pancakes
harked in the morning from
a tobacco "hangover"...

                  oscilating around 20 per day...
for some time...
and all it took was a week... 10 days...
and i'm still in possession of 3 cigarettes...
and those two i reserve for the end
of the day ritual...
    smoking the first is like:
finding oneself with a belly-full of
a child of gravity...
otherwise: gravity... unless falling...
to look up at the stars and the moon
and the sea: it's something you don't
exactly feel with two feet strapped
to the orb... no movement of
the tectonic plates...
sometimes with *******...
index and middle... of the left hand...
pushed under the right arm-pit...
to feel the pulse of the arteries...

i hardly think this is a call for celebration...
13 years can disappear like...
nothing even took place...
to substitute the habbit with...
reading... playing video games?
nibbling on carrots... nuts...
or just... waiting for the tide to recede...
and for a sea of patience to come
with tomorrow's tide...

all that... and none of it...
at the end of the day... the two cigarettes
are like a metaphor fo crack *******
or syringe strapping imitation
leech...
        clear thinking: or therefore none...
no spaghetti muddles...
at best: imitation of biting into ice...
or... stretching a rubber-band until...
well: you can't feel it about to snap...
since it snaps...

                 a second gravity...
                all concentrated in the stomach...
and esp. when the legs have not been
"properly" used up...
but remain tight-and-fidgety with goosebumps
when the ****** of tobacco lines the nerves...

i don't know why i can't celebrate this...
it's such a private event... such an exslusivity...
after all... in linear fashion:
to experience speed... a concentrated
exploration of space... within a hyper-dictum
of time...
        in a linear way...
but a second gravity: without falling?
but otherwise whirling in the stomach?

a devil's decade: 13 years...
              3 more... otherwise a dozen...
which is only 1 more...
the devil's dozen...
          simon peter, andrew, james, john, philip,
bartholomew, matthew, thomas,
james son of alphaeus, simon the zealot,
judas son of james and judas iscariot...
count hey-zeus out of the equation...
                                               there's paul...

and that's what eminem does...
when rapping... on white h'america?
changes the subject - a personal tirade over...
somehow i too link certain aspects...
13 years of...

this... oh so mediocre...
           because: clearly... i don't know what
to make of it...
                 thank god i retained those
two cigarettes at the end of the day...
than have been hooked on nicorette chewing
gum / patches...
                or the usual "a.a." support...
support: "support":
         help yourself: by every single
and no dead or alive guru...
            
                i really don't have anything
to write...
                 i'm walking away from
a 13 years of tobacco addiction...
   and what i'm really thinking about...
the first thirsts of cold-turkey are long gone...
it's been under a week...
over a week... whatever...

             what i'm really thinking about...
well...
   how would it feel like...
to farm animals...
                  how does it feel to... pet animals...
a completely different dynamic...
after all... a farmer would own...
petting-worth animals...
like a cat... for... catching mice...
or a dog... to... warden... sphynx...
cerberus... watch-over the property...
how some would make the dogs
so ferocious... that a chain would
sometimes not be withstanding
to the ferocity of the barking...

           eh... it's slightly off-putting...
to pet animals...
when you're being given a factory
edit of the original moo!
  or snorkling in knee-deep-**** and mud
and rotten potatoes of pork...
i don't mind... the end product
is what interests me...
the **** is silk? tapeworm ****?!
or there-abouts...
       but... it's so much different...
when you... farm animals...
     lucky for me... my... somewhat...
immediate family still owned a farm...
and chickens in the yard...
oh yeah... catching a chicken is one thing...
amnesia of the chicken shack...
catch one... sure thing...
then with axe onto the stump...
head sticks to the stump...
last traces of life while the eyes roll back
and the tongue protrudes from the beak...
while... all the other chickens gather...
and start drinking the blood...

a bit like the two tiers of people...
some people must feel inclined to become
these... sociopathic farmers...
there are the humans you herd...
there are the humans you pet...
the ones you pet will probably find about
you herding them...
and rebel... since... you're not...
some gargantuan: ****** obvious...
miracle of a god descent... crown, pomp...
circumstance... all that was borrowed
from god... in splendour... heavens!
lo! behold... versailles was built!

the future charles III of england...
started 8pm today... on classic.fm with his own show...
i tuned in for a minute or two to hear
his voice...
      i do hope that when ol' lizzie is dead...
he doesn't cower... he dons! he dons the title:
charles the third!
  i ****** well hope... he doesn't become...
no... he can't become: george VII...
formerly known as charles: the prince of wales!
he has to be! charles the third!
he has waited this long!
he has to retain his name!

but that's the beauty of the monarchy...
it's so ******* pompous and omnipresent...
it doesn't hide... in... secular... grey-matter
of deep-state... there are just too many tiers
of power... even though... there's only symbolism...
but a reverence for it: nonetheless!
grey-matter of shadow-people in grey suits!
blinking: for god's sake! blinking black-holes
of hush hush: what was once...
the aristocracy... that's too replaced with...
the burden of crazed-loon bureaucracy!

i've quit smoking... well... "quit"...
2 cigarettes from 20 a day... circa...
  is much better than a nicorette patch...
         or some: pepperspray tasting chewing gum...
it's not a cigar... if you were asking...

but the original idea...
    farming animals...
             petting animals...
                    dogs... the ideal pets...
i'm sorry... i can't put on a leash or a muzzle...
a chihuahua can bite like a piranha...
i don't see the excuses needed to comfort
people afraid of big dogs... alsatians...
dobermans... that's the freedom allowed with cats...
if you get a chance to build their characters...
they will tend to take a dump in your
neighbour's garden...
yes... me... following sherlock feline...
with a black plastic bag and *****...
permission to... be allowed entry into your garden?
or are you... going to trebuchet that ****
back onto my lawn?

dogs or "petting" tarantulas? serpents?
the idea of petting went out of the window...
when... people started to fathom the...
what adjective?! to pet a ******* tarantula...
yes... me... running to the shop that sells
tarantulas... with caption: free tow-twos...
how about you keep that freak-****
in the jungle with all those gimp-suit sexed-up
antics... and i... get to...
farm a chicken... i get to... farm a pig?

no... of course no... although...
who couldn't be teased with latex jill and her
spider annex: library of "misdeeds"
for the library of: hard-ons...

now that you mentioned it... sure... i have a...
pressing concern... how to not...
over-cook pork...
see... pork is a bit like pasta...
you can serve it undercooked like beef...
but... it's also like chicken...
and beef... combined... you don't want
to serve it... overcooked...
only barbarians are fond of well-done beef...
probably arab...
    they only stomach well-done steaks
or minced beef...
they have no palette for tartare steaks...
too much inbreeding with stinking lamb
does the trick...
whatever they might say of pork...
the aesthetic meat... leather too... shoes and belts...
lamb? for the slaughter?
eh... stinking puritanical meat worthy
of teacher 'ebrew and righteous son:
mecca ibn sudan.

because... ha ha... it's one thing being racist...
you know... detailing the physiognomy
differences between blacks and whites...
choccies and porky pies...
and the cinnamon people in between...
that's one thing...
it's like everyone was asleep...
the whites were racist...
the only people... ever...
but that's one thing...
   i find it harder to digest...
there's no name for it...
  kosher-ism... halal-ism?
         to be... more racist than racist...
almost a vegan / vegetarian taming...
   someone is being critical... of what you eat...
i imagine... malcom x being given a free
pass as a black totem in mecca...
shot dead... when converted... because...
still shuffled pork on the sly...

beside skin deep: please leavde your leather
shoes and belts... lace
beside the concept / concern for the mosque...
racism: morphed into an ideological
manifest...
for a while... let us leave thse
turban and tent dwelling folk
with their newly acquired riches
to the ***** of:
if i am to prepare lamb meat...
i treat it liky chilly...
the meat... stinks of something beside...
death... innocence prescribed...

           you are told... wrong...
when ingesting the fruit of eden... somewhat...
these nomads of quasi-sikh turbans
for the women: the niqab girdle-grooms...
their wetted-appetites:
unable to satiate gyrocentrism leftovers...
and... pass from the living...
toward the theatre of the would be alive...
less the circumcised mess: misantrophes...

it's one thing to be chockie...
another to be porky-pink'ish...
     but what you eat?
that's... somehow... off-putting?
    puritan with some crab-meat
in this numbed jaw?
no one the persians rebelled against
the camel-jockey prescription of:
words only... no images...
pasta squiggles of phonetic encoding...
arabic... tironian a posteriori notations...
then again: one could argue:
tironian a priori notations...

shrimp-**** and eyes that would
resemble... at best... squinting from too much
sun... and at worst... ******* on a lemon...
12" of **** and the twelve-pounder
juicing worth of ***...
her ***...
                for me to comment
on the mongol horde esque libido of
the fellow woman of my race...
no... the islamic idea of a heavenly harem...
mind you: it would satisfy her:
if she was to be crowned the juggling act
of three: at least one to compete with
the da vinci sodomites...

to be told you can't eat something...
i'm already a bad joke as:
"bweetish" as it comes...
tucked away with the afro-saxon...
the anglo-slav...
                 you just have those lips
that look like full-bloom best:
imitation: floral patterns of a ******...
best equipped for *******...
i swim: you sink...
you run... i start an arithmetic of catching
my breath...
the cinnamon people are...
if they are equipped with a polytheism
of the raj... and are saved with
culinary ambitions...
"we'd" call them the blue indians...
and that's also: to mind...
their elder: sanskrit...
              पअरउत
र - or how the englishman lost the trill:
rattle-snake R: for rolling...
when he... became: the nuanced... keeper...
vanguard... of the Raj...
perhaps... the anthropomorphic genesis
in africa: givenz zee apulus... apex: gorrilolulz...
but... the sribbles and *******?
india the basin... akapit: paragraph:
the tear of sri lanka...

i.e. so much for me succumbing to the anglican:
we'z all wo'z allz: ex afri-ka'ka'kazia...

oh sure... sure... we... the sensible:
secular post-christians of the protestant wealth
of the west...
happy to afford the dumbed-down
congregations of the newly conscripted...
believers of africa and south h'america...
carrot dangling: run donkey! run!
one of your own: a pope! a cardinal!
poland is still running on that...
remark of... the passing of power...
the first pope to be given status of... saint...
john paul II the saint of:
kissing airport tarmac...

             and then of course...
the hyped intricacy of the orthodox branch
of the bureau of hierogylphics and
synonymous litanies...
          the events of the baltic sea:
would never be...
the sort of ****-show...
that... the events of the mediterranean sea...
hell... the events of the black sea...
christianity isn't merely dumb...
it's just... over-hyped...
               the pork the pork... the pork!
who would require...
a criticism of pork and pig and ms. porky
to suit... alliance...
no matter... i'm on the cusp of quitting
smoking...

we can caricature our physiognomy...
but... how do you... caricature...
what you eat... your... sustenance?
you, black... have a pillow for a nose...
me, white... have a death's lack of...
           i don't have a nose...
i have... a death's clench sucker...
       i have a pinch nose...
        so much for over-inflated lips...
and... my missing... elongated...
myth elves: the protruding ears...
like: no body...

                 current / the currency of
the now h'america... and the immediacy
of nostalgia: as a history: moving forward /
anywhere but back...
nietzsche opened up a nostalgia for ancient
greece...
  h'americans... opening up... a nostalgia...
for 1950s h'america...
how can you write a future history...
from a stand-point / stand-off...
of nostalgia...
this... immediacy of nostalgia...
who's who and who isn't citing...
a richard brautigan... or... a frank o'hara?!
because: there's the sucker and no punch
for the next verse of...
****'s sake... walt whitman?!
o captain! my... john keating...
                 no... it's not about glorifying
the original intent... mr. president...
the english teacher...
mr.! thomas! bunce!

               how can any history be written...
when there's... a nostalgia: impediment...
the hsitory of an immediacy
lacklutered by a past...
the past: however framed...
before... the dead are allowed to
turn and grovel in their graves...
i have 'ere... my gobble-whick of...
pretending: no shadows will
ever exist... at noon...
scrathing... timidy bed-fellows...
loitering squat...

we are to grovel for the cousin
imps and apes of: first born:
english born... navajo...
     tortilla...
the old fling of england...
and the spanish...
             the conquistadors...
loose nouns dog **** flinging applause:
i fall asleep in a bed:
i welcome the new day...
most... egregious (archaic)...

  these western lands...
mmm... they're not very much akin
to our flavour...
that they dictate... refurbishment...
unless it's para-english...
alter- proto- welsh...
  kashubian... masovian...
silesian...
                    kres...
                    
ei hhynnal coch.. and it:
pronouns neutral: does... ****-wit...
gender-fluid-retardo: perfecto...

and i too wish i had...
themes of crusader songs...
but... i have none...
these that i marked...
teutonic knights of no order...
       barbarossa being pickled...
livonians... prussians...
lithuanians...
                    i'm sorry...
that i'm too far away from
you to return to europe
from your: hubris...
             in crafting... the...
                conscripts: shikhs...
ask the russians! ask the rush-******-whips!
agony of a tongue: beside their own!
the post-colonial powers
return!
the post-colonial powers! make a return!
so much for those of us...
not having... a colonial past!
are we to pay for... such...
benevolent gracing
of gratitude from the people
"made"... under... colonial... rule?!
from the perspective of the strong...
why... am i... expected to treat
these care-bears with...
the right: equipped
manchester shovel?

          you spike my drink
or am i... to... simply...
take the right, godly ****...
into all the urns...
the rest of you are to drink from?

i see my forehead glee: akin to my elbow...
and i call that phenomenon:
something benevolent of *****....
yep... not s'unni... but... shyte...
****.. persian: rebellion of camel-jockey...
****'ite... macron i...
dot's the worthy due: guillotine...
echo of the baltic sea...
we somehow: managed...
to lessen the romance...
unlike the english...
the romans conquered:
romanced the ******...
the vikings conquered...
romanced the ******...
the mongols never made it...
nor the huns..
so much for "brexit":
with your lineage of currency...
and your status as an island...

glory! vistory! ******* and all!
because: best felt!
in... places... akin to... devon!
a londoner will abhor someone...
with origins in the vicinity of bristol...
like... because...
there's no other?

n'ah... this night is pretty much worth
all the other nights...
it's worth sleeping...
it's not worth... whatever: leftover...
"worth" of...
this... this "apparent"...
yep... leftover... be...
something for the worth of yale
h'american... or...
dignitary president...
              officiated cul de sac executive orders...
it's... such an anglo-saxon fetish for...
*** beside the boudoir...
    dodo, lilac... gimp... latex...
      dickens...
                  liberty at:
i feign to allow myself to have... lapsed...
in what? good question...
even i... do not... attempt to baron
myself: over;
pithy... not pity... me...
you god-sucker...
******* ******* son's of eire...
me good-son...
    term me: years! under...
the tsarina! *******...
new yawn-ker...
       big mouth... no new bullseye...
the same old manchester...
the same ol'...
porky pies...
the same ol' chimneys and:
love's all... at cul de sac:
southend... porky pie munch:
luvvie: ol' guv.

yem: yup... ol' groove.. zzz-tizzle...
smart bruiser:
geezer with a sneeze pops up
at random places and jokes...
retards... lobotomy cruiser...
rhymes like... a cockey...
prior... to... tourettes... the lost...
the last... and what's:
the remains of...
the always... last...
and the worst... told... chalk of joke.
se relationship remainders...
we both got into smoking...
well... she was well ahead of me
in the cigarette domain...

       no... however i will attire the event...
whatever verbiage...
it doesn't allow a "justice" to trickle down...
it just so happens that i want
to listen to some depeche mode...
and not some tool / porcupine tree...

13 years of smoking... from the nadir of
40 a day... locotomotive breath...
iron on the tongue... phelgm pancakes
harked in the morning from
a tobacco "hangover"...

                  oscilating around 20 per day...
for some time...
and all it took was a week... 10 days...
and i'm still in possession of 3 cigarettes...
and those two i reserve for the end
of the day ritual...
    smoking the first is like:
finding oneself with a belly-full of
a child of gravity...
otherwise: gravity... unless falling...
to look up at the stars and the moon
and the sea: it's something you don't
exactly feel with two feet strapped
to the orb... no movement of
the tectonic plates...
sometimes with *******...
index and middle... of the left hand...
pushed under the right arm-pit...
to feel the pulse of the arteries...

i hardly think this is a call for celebration...
13 years can disappear like...
nothing even took place...
to substitute the habbit with...
reading... playing video games?
nibbling on carrots... nuts...
or just... waiting for the tide to recede...
and for a sea of patience to come
with tomorrow's tide...

all that... and none of it...
at the end of the day... the two cigarettes
are like a metaphor fo crack *******
or syringe strapping imitation
leech...
        clear thinking: or therefore none...
no spaghetti muddles...
at best: imitation of biting into ice...
or... stretching a rubber-band until...
well: you can't feel it about to snap...
since it snaps...

                 a second gravity...
                all concentrated in the stomach...
and esp. when the legs have not been
"properly" used up...
but remain tight-and-fidgety with goosebumps
when the ****** of tobacco lines the nerves...

i don't know why i can't celebrate this...
it's such a private event... such an exslusivity...
after all... in linear fashion:
to experience speed... a concentrated
exploration of space... within a hyper-dictum
of time...
        in a linear way...
but a second gravity: without falling?
but otherwise whirling in the stomach?

a devil's decade: 13 years...
              3 more... otherwise a dozen...
which is only 1 more...
the devil's dozen...
          simon peter, andrew, james, john, philip,
bartholomew, matthew, thomas,
james son of alphaeus, simon the zealot,
judas son of james and judas iscariot...
count hey-zeus out of the equation...
                                               there's paul...

and that's what eminem does...
when rapping... on white h'america?
changes the subject - a personal tirade over...
somehow i too link certain aspects...
13 years of...

this... oh so mediocre...
           because: clearly... i don't know what
to make of it...
                 thank god i retained those
two cigarettes at the end of the day...
than have been hooked on nicorette chewing
gum / patches...
                or the usual "a.a." support...
support: "support":
         help yourself: by every single
and no dead or alive guru...
            
                i really don't have anything
to write...
                 i'm walking away from
a 13 years of tobacco addiction...
   and what i'm really thinking about...
the first thirsts of cold-turkey are long gone...
it's been under a week...
over a week... whatever...

             what i'm really thinking about...
well...
   how would it feel like...
to farm animals...
                  how does it feel to... pet animals...
a completely different dynamic...
after all... a farmer would own...
petting-worth animals...
like a cat... for... catching mice...
or a dog... to... warden... sphynx...
cerberus... watch-over the property...
how some would make the dogs
so ferocious... that a chain would
sometimes not be withstanding
to the ferocity of the barking...

           eh... it's slightly off-putting...
to pet animals...
when you're being given a factory
edit of the original moo!
  or snorkling in knee-deep-**** and mud
and rotten potatoes of pork...
i don't mind... the end product
is what interests me...
the **** is silk? tapeworm ****?!
or there-abouts...
       but... it's so much different...
when you... farm animals...
     lucky for me... my... somewhat...
immediate family still owned a farm...
and chickens in the yard...
oh yeah... catching a chicken is one thing...
amnesia of the chicken shack...
catch one... sure thing...
then with axe onto the stump...
head sticks to the stump...
last traces of life while the eyes roll back
and the tongue protrudes from the beak...
while... all the other chickens gather...
and start drinking the blood...

a bit like the two tiers of people...
some people must feel inclined to become
these... sociopathic farmers...
there are the humans you herd...
there are the humans you pet...
the ones you pet will probably find about
you herding them...
and rebel... since... you're not...
some gargantuan: ****** obvious...
miracle of a god descent... crown, pomp...
circumstance... all that was borrowed
from god... in splendour... heavens!
lo! behold... versailles was built!

the future charles III of england...
started 8pm today... on classic.fm with his own show...
i tuned in for a minute or two to hear
his voice...
      i do hope that when ol' lizzie is dead...
he doesn't cower... he dons! he dons the title:
charles the third!
  i ****** well hope... he doesn't become...
no... he can't become: george VII...
formerly known as charles: the prince of wales!
he has to be! charles the third!
he has waited this long!
he has to retain his name!

but that's the beauty of the monarchy...
it's so ******* pompous and omnipresent...
it doesn't hide... in... secular... grey-matter
of deep-state... there are just too many tiers
of power... even though... there's only symbolism...
but a reverence for it: nonetheless!
grey-matter of shadow-people in grey suits!
blinking: for god's sake! blinking black-holes
of hush hush: what was once...
the aristocracy... that's too replaced with...
the burden of crazed-loon bureaucracy!

i've quit smoking... well... "quit"...
2 cigarettes from 20 a day... circa...
  is much better than a nicorette patch...
         or some: pepperspray tasting chewing gum...
it's not a cigar... if you were asking...

but the original idea...
    farming animals...
             petting animals...
                    dogs... the ideal pets...
i'm sorry... i can't put on a leash or a muzzle...
a chihuahua can bite like a piranha...
i don't see the excuses needed to comfort
people afraid of big dogs... alsatians...
dobermans... that's the freedom allowed with cats...
if you get a chance to build their characters...
they will tend to take a dump in your
neighbour's garden...
yes... me... following sherlock feline...
with a black plastic bag and *****...
permission to... be allowed entry into your garden?
or are you... going to trebuchet that ****
back onto my lawn?

dogs or "petting" tarantulas? serpents?
the idea of petting went out of the window...
when... people started to fathom the...
what adjective?! to pet a ******* tarantula...
yes... me... running to the shop that sells
tarantulas... with caption: free tow-twos...
how about you keep that freak-****
in the jungle with all those gimp-suit sexed-up
antics... and i... get to...
farm a chicken... i get to... farm a pig?

no... of course no... although...
who couldn't be teased with latex jill and her
spider annex: library of "misdeeds"
for the library of: hard-ons...

now that you mentioned it... sure... i have a...
pressing concern... how to not...
over-cook pork...
see... pork is a bit like pasta...
you can serve it undercooked like beef...
but... it's also like chicken...
and beef... combined... you don't want
to serve it... overcooked...
only barbarians are fond of well-done beef...
probably arab...
    they only stomach well-done steaks
or minced beef...
they have no palette for tartare steaks...
too much inbreeding with stinking lamb
does the trick...
whatever they might say of pork...
the aesthetic meat... leather too... shoes and belts...
lamb? for the slaughter?
eh... stinking puritanical meat worthy
of teacher 'ebrew and righteous son:
mecca ibn sudan.

because... ha ha... it's one thing being racist...
you know... detailing the physiognomy
differences between blacks and whites...
choccies and porky pies...
and the cinnamon people in between...
that's one thing...
it's like everyone was asleep...
the whites were racist...
the only people... ever...
but that's one thing...
   i find it harder to digest...
there's no name for it...
  kosher-ism... halal-ism?
         to be... more racist than racist...
almost a vegan / vegetarian taming...
   someone is being critical... of what you eat...
i imagine... malcom x being given a free
pass as a black totem in mecca...
shot dead... when converted... because...
still shuffled pork on the sly...

beside skin deep: please leavde your leather
shoes and belts... lace
beside the concept / concern for the mosque...
racism: morphed into an ideological
manifest...
for a while... let us leave thse
turban and tent dwelling folk
with their newly acquired riches
to the ***** of:
if i am to prepare lamb meat...
i treat it liky chilly...
the meat... stinks of something beside...
death... innocence prescribed...

           you are told... wrong...
when ingesting the fruit of eden... somewhat...
these nomads of quasi-sikh turbans
for the women: the niqab girdle-grooms...
their wetted-appetites:
unable to satiate gyrocentrism leftovers...
and... pass from the living...
toward the theatre of the would be alive...
less the circumcised mess: misantrophes...

it's one thing to be chockie...
another to be porky-pink'ish...
     but what you eat?
that's... somehow... off-putting?
    puritan with some crab-meat
in this numbed jaw?
no one the persians rebelled against
the camel-jockey prescription of:
words only... no images...
pasta squiggles of phonetic encoding...
arabic... tironian a posteriori notations...
then again: one could argue:
tironian a priori notations...

shrimp-**** and eyes that would
resemble... at best... squinting from too much
sun... and at worst... ******* on a lemon...
12" of **** and the twelve-pounder
juicing worth of ***...
her ***...
                for me to comment
on the mongol horde esque libido of
the fellow woman of my race...
no... the islamic idea of a heavenly harem...
mind you: it would satisfy her:
if she was to be crowned the juggling act
of three: at least one to compete with
the da vinci sodomites...

to be told you can't eat something...
i'm already a bad joke as:
"bweetish" as it comes...
tucked away with the afro-saxon...
the anglo-slav...
                 you just have those lips
that look like full-bloom best:
imitation: floral patterns of a ******...
best equipped for *******...
i swim: you sink...
you run... i start an arithmetic of catching
my breath...
the cinnamon people are...
if they are equipped with a polytheism
of the raj... and are saved with
culinary ambitions...
"we'd" call them the blue indians...
and that's also: to mind...
their elder: sanskrit...
              पअरउत
र - or how the englishman lost the trill:
rattle-snake R: for rolling...
when he... became: the nuanced... keeper...
vanguard... of the Raj...
perhaps... the anthropomorphic genesis
in africa: givenz zee apulus... apex: gorrilolulz...
but... the sribbles and *******?
india the basin... akapit: paragraph:
the tear of sri lanka...

i.e. so much for me succumbing to the anglican:
we'z all wo'z allz: ex afri-ka'ka'kazia...

oh sure... sure... we... the sensible:
secular post-christians of the protestant wealth
of the west...
happy to afford the dumbed-down
congregations of the newly conscripted...
believers of africa and south h'america...
carrot dangling: run donkey! run!
one of your own: a pope! a cardinal!
poland is still running on that...
remark of... the passing of power...
the first pope to be given status of... saint...
john paul II the saint of:
kissing airport tarmac...

             and then of course...
the hyped intricacy of the orthodox branch
of the bureau of hierogylphics and
synonymous litanies...
          the events of the baltic sea:
would never be...
the sort of ****-show...
that... the events of the mediterranean sea...
hell... the events of the black sea...
christianity isn't merely dumb...
it's just... over-hyped...
               the pork the pork... the pork!
who would require...
a criticism of pork and pig and ms. porky
to suit... alliance...
no matter... i'm on the cusp of quitting
smoking...

we can caricature our physiognomy...
but... how do you... caricature...
what you eat... your... sustenance?
you, black... have a pillow for a nose...
me, white... have a death's lack of...
           i don't have a nose...
i have... a death's clench sucker...
       i have a pinch nose...
        so much for over-inflated lips...
and... my missing... elongated...
myth elves: the protruding ears...
like: no body...

                 current / the currency of
the now h'america... and the immediacy
of nostalgia: as a history: moving forward /
anywhere but back...
nietzsche opened up a nostalgia for ancient
greece...
  h'americans... opening up... a nostalgia...
for 1950s h'america...
how can you write a future history...
from a stand-point / stand-off...
of nostalgia...
this... immediacy of nostalgia...
who's who and who isn't citing...
a richard brautigan... or... a frank o'hara?!
because: there's the sucker and no punch
for the next verse of...
****'s sake... walt whitman?!
o captain! my... john keating...
                 no... it's not about glorifying
the original intent... mr. president...
the english teacher...
mr.! thomas! bunce!

               how can any history be written...
when there's... a nostalgia: impediment...
the hsitory of an immediacy
lacklutered by a past...
the past: however framed...
before... the dead are allowed to
turn and grovel in their graves...
i have 'ere... my gobble-whick of...
pretending: no shadows will
ever exist... at noon...
scrathing... timidy bed-fellows...
loitering squat...

we are to grovel for the cousin
imps and apes of: first born:
english born... navajo...
     tortilla...
the old fling of england...
and the spanish...
             the conquistadors...
loose nouns dog **** flinging applause:
i fall asleep in a bed:
i welcome the new day...
most... egregious (archaic)...

  these western lands...
mmm... they're not very much akin
to our flavour...
that they dictate... refurbishment...
unless it's para-english...
alter- proto- welsh...
  kashubian... masovian...
silesian...
                    kres...
             ­       
ei hhynnal coch.. and it:
pronouns neutral: does... ****-wit...
gender-fluid-retardo: perfecto...

and i too wish i had...
themes of crusader songs...
but... i have none...
these that i marked...
teutonic knights of no order...
       barbarossa being pickled...
livonians... prussians...
lithuanians...
                    i'm sorry...
that i'm too far away from
you to return to europe
from your: hubris...
             in crafting... the...
                conscripts: shikhs...
ask the russians! ask the rush-******-whips!
agony of a tongue: beside their own!
the post-colonial powers
return!
the post-colonial powers! make a return!
so much for those of us...
not having... a colonial past!
are we to pay for... such...
benevolent gracing
of gratitude from the people
"made"... under... colonial... rule?!
from the perspective of the strong...
why... am i... expected to treat
these care-bears with...
the right: equipped
manchester shovel?

          you spike my drink
or am i... to... simply...
take the right, godly ****...
into all the urns...
the rest of you are to drink from?

i see my forehead glee: akin to my elbow...
and i call that phenomenon:
something benevolent of *****....
yep... not s'unni... but... shyte...
****.. persian: rebellion of camel-jockey...
****'ite... macron i...
dot's the worthy due: guillotine...
echo of the baltic sea...
we somehow: managed...
to lessen the romance...
unlike the english...
the romans conquered:
romanced the ******...
the vikings conquered...
romanced the ******...
the mongols never made it...
nor the huns..
so much for "brexit":
with your lineage of currency...
and your status as an island...

glory! vistory! ******* and all!
because: best felt!
in... places... akin to... devon!
a londoner will abhor someone...
with origins in the vicinity of bristol...
like... because...
there's no other?

n'ah... this night is pretty much worth
all the other nights...
it's worth sleeping...
it's not worth... whatever: leftover...
"worth" of...
this... this "apparent"...
yep... leftover... be...
something for the worth of yale
h'american... or...
dignitary president...
              officiated cul de sac executive orders...
it's... such an anglo-saxon fetish for...
*** beside the boudoir...
    dodo, lilac... gimp... latex...
      dickens...
                  liberty at:
i feign to allow myself to have... lapsed...
in what? good question...
even i... do not... attempt to baron
myself: over.
Grace  May 2016
Just For The Sake
Grace May 2016
I want to kiss you
Just for the sake of your lips
Caressing my lips
Just for the sake
of your God-blessed breath
Breathed into my body

I want to press on you
Just for the sake of your scent
Of sunshine and cream
Just for the sake
of my nose inhaling your neck
Carving you into my mind

I want to be swaddled with you
Blended into blankets
Melted into your skin
Just for the sake
of sipping in your mellowed pulse
Calming my blood

— The End —