Submit your work, meet writers and drop the ads. Become a member
George Anthony Aug 2016
my mother calls it being rude,
tends to yell at me for it
as if deluding herself into believing
that i won't yell back. i'm not a *****;
i won't take it
lying down.
i might be her son, but
being the teenager doesn't make me wrong,
and her being the adult doesn't make her right.
she doesn't get that,
doesn't see my side.

my friends call it sassy,
and encourage it,
and laugh, and it's nice
to just snark with them, back and forth
like a steady stream of sarcasm,
cutting quips from sharp tongues,
scathing remarks. it's all
playful, in the end,
like children who squabble over toys
then hug after mere minutes of cool down.

my mother used to call me "mouthpiece"
as a kid. it's funny how
she takes me so seriously when i'm only joking,
then laughs and degrades me
whenever i take something personally,
as if the verbal abuse slipping from her lips
is nothing more than teasing.
she's a hypocrite.
she calls me rude, an "ungrateful little ****",
wishes hell upon me, slaps me round the head
and gets in my face like a threat,
teeth bared like blades

but mother, i'm not scared of bleeding―
got that beaten out of me
so very long ago.
if you could just stop now, shut up,
quit being a mouthpiece, as you call it,
then this will all blow over,
and we can go back to pretending
that each of us doesn't exist to the other
for a couple nights.
we're sort of volatile, you and i
sometimes your words hurt more
than daddy's gripping hands or neglect ever could.

sometimes you make alcoholism tempting,
and wouldn't that be a fine symphony,
"like father, like son"
ringing hollowly in the empty space
between my ribs and my lungs
forgetting how to breathe
without breathing too much.
somebody once called my panic attacks
"attention seeking", but they were so wrong.
i've never wanted to be more invisible
than when i've found myself vulnerable
over a ******* memory, a ******* ghost of all the--

do you know how strange it is
to feel your heart hammering against your bones
with the too-fast flow of blood making your head spin,
when you've been so certain
that you've never had a heart at all?

this heart never got broken, depressingly enough.
it's kind of tragic to want something to hurt bad enough
to make you feel normal, human
but i've kind of been conditioned for disappointment
and solitude, and anger.
i've been so fine-tuned to drum beats
and cold voices,
it's no wonder i'm so closed off and detached.
but hey, at least it saved me some trauma,
no betrayals here, no questions,
no "i thought you loved me". hell,
i'm not even bitter that i never got a chance at a proper family

does that make me lucky?

ah, such a mouthpiece,
always spitting venom, dark humour at my own expense,
warding off any meaningful company
laughing about those times i tried to **** myself
like they're nothing

did you expect any less? how could you expect more?
your worthless son
is as cold and dead on the inside as his daddy.

that bitter symphony,
"like father, like son".
by
Alexander K Opicho

(Eldoret, Kenya;aopicho@yahoo.com)

When I grow up I will seek permission
From my parents, my mother before my father
To travel to Russia the European land of dystopia
that has never known democracy in any tincture
I will beckon the tsar of Russia to open for me
Their classical cipher that Bogy visoky tsa dalyko
I will ask the daughters of Russia to oblivionize my dark skin
***** skin and make love to me the real pre-democratic love
Love that calls for ambers that will claw the fire of revolution,
I will ask my love from the land of Siberia to show me cradle of Rand
The European manger on which Ayn Rand was born during the Leninist census
I will exhume her umbilical cord plus the placenta to link me up
To her dystopian mind that germinated the vice
For shrugging the atlas for we the living ones,
In a full dint of my ***** libido I will ask her
With my African temerarious manner I will bother her
To show me the bronze statues of Alexander Pushkin
I hear it is at ******* of the city of Moscow; Petersburg
I will talk to my brother Pushkin, my fellow African born in Ethiopia
In the family of Godunov only taken to Europe in a slave raid
Ask the Frenchman Henri Troyat who stood with his ***** erected
As he watched an Ethiopian father fertilizing an Ethiopian mother
And child who was born was Dystopian Alexander Pushkin,
I will carry his remains; the bones, the skull and the skeleton in oily
Sisal threads made bag on my broad African shoulders back to Africa
I will re-bury him in the city of Omurate in southern Ethiopia at the buttocks
Of the fish venting beautiful summer waters of Lake Turkana,
I will ask Alexander Pushkin when in a sag on my back to sing for me
His famous poems in praise of thighs of women;

(I loved you: and, it may be, from my soul
The former love has never gone away,
But let it not recall to you my dole;
I wish not sadden you in any way.

I loved you silently, without hope, fully,
In diffidence, in jealousy, in pain;
I loved you so tenderly and truly,
As let you else be loved by any man.
I loved you because of your smooth thighs
They put my heart on fire like amber in gasoline)

I will leave the bronze statue of Alexander Pushkin in Moscow
For Lenin to look at, he will assign Mayakovski to guard it
Day and night as he sings for it the cacotopian
Poems of a slap in the face of public taste;

(I know the power of words, I know words' tocsin.
They're not the kind applauded by the boxes.
From words like these coffins burst from the earth
and on their own four oaken legs stride forth.
It happens they reject you, unpublished, unprinted.
But saddle-girths tightening words gallop ahead.
See how the centuries ring and trains crawl
to lick poetry's calloused hands.
I know the power of words. Seeming trifles that fall
like petals beneath the heel-taps of dance.
But man with his soul, his lips, his bones.)

I will come along to African city of Omurate
With the pedagogue of the thespic poet
The teacher of the poets, the teacher who taught
Alexander Sergeyvich Pushkin; I know his name
The name is Nikolai Vasileyvitch Gogol
I will caution him to carry only two books
From which he will teach the re-Africanized Pushkin
The first book is the Cloak and second book will be
The voluminous dead souls that have two sharp children of Russian dystopia;
The cactopia of Nosdrezv in his sadistic cult of betrayal
And utopia of Chichikov in his paranoid ownership of dead souls
Of the Russian peasants, muzhiks and serfs,
I will caution him not to carry the government inspector incognito
We don’t want the inspector general in the African city of Omurate
He will leave it behind for Lenin to read because he needs to know
What is to be done.
I don’t like the extreme badness of owning the dead souls
Let me run away to the city of Paris, where romance and poetry
Are utopian commanders of the dystopian orchestra
In which Victor Marie Hugo is haunted by
The ghost of Jean Val Jean; Le Miserable,
I will implore Hugo to take me to the Corsican Island
And chant for me one **** song of the French revolution;


       (  take heed of this small child of earth;
He is great; he hath in him God most high.
Children before their fleshly birth
Are lights alive in the blue sky.
  
In our light bitter world of wrong
They come; God gives us them awhile.
His speech is in their stammering tongue,
And his forgiveness in their smile.
  
Their sweet light rests upon our eyes.
Alas! their right to joy is plain.
If they are hungry Paradise
Weeps, and, if cold, Heaven thrills with pain.
  
The want that saps their sinless flower
Speaks judgment on sin's ministers.
Man holds an angel in his power.
Ah! deep in Heaven what thunder stirs,
  
When God seeks out these tender things
Whom in the shadow where we sleep
He sends us clothed about with wings,
And finds them ragged babes that we)

 From the Corsican I won’t go back to Paris
Because Napoleon Bonaparte and the proletariat
Has already taken over the municipal of Paris
I will dodge this city and maneuver my ways
Through Alsace and Lorraine
The Miginko islands of Europe
And cross the boundaries in to bundeslander
Into Germany, I will go to Berlin and beg the Gestapo
The State police not to shoot me as I climb the Berlin wall
I will balance dramatically on the top of Berlin wall
Like Eshu the Nigerian god of fate
With East Germany on my right; Die ossie
And West Germany on my left; Die wessie
Then like Jesus balancing and walking
On the waters of Lake Galilee
I will balance on Berlin wall
And call one of my faithful followers from Germany
The strong hearted Friedrich von Schiller
To climb the Berlin wall with me
So that we can sing his dystopic Cassandra as a duet
We shall sing and balance on the wall of Berlin
Schiller’s beauteous song of Cassandra;

(Mirth the halls of Troy was filling,
Ere its lofty ramparts fell;
From the golden lute so thrilling
Hymns of joy were heard to swell.
From the sad and tearful slaughter
All had laid their arms aside,
For Pelides Priam's daughter
Claimed then as his own fair bride.

Laurel branches with them bearing,
Troop on troop in bright array
To the temples were repairing,
Owning Thymbrius' sovereign sway.
Through the streets, with frantic measure,
Danced the bacchanal mad round,
And, amid the radiant pleasure,
Only one sad breast was found.

Joyless in the midst of gladness,
None to heed her, none to love,
Roamed Cassandra, plunged in sadness,
To Apollo's laurel grove.
To its dark and deep recesses
Swift the sorrowing priestess hied,
And from off her flowing tresses
Tore the sacred band, and cried:

"All around with joy is beaming,
Ev'ry heart is happy now,
And my sire is fondly dreaming,
Wreathed with flowers my sister's brow
I alone am doomed to wailing,
That sweet vision flies from me;
In my mind, these walls assailing,
Fierce destruction I can see."

"Though a torch I see all-glowing,
Yet 'tis not in *****'s hand;
Smoke across the skies is blowing,
Yet 'tis from no votive brand.
Yonder see I feasts entrancing,
But in my prophetic soul,
Hear I now the God advancing,
Who will steep in tears the bowl!"

"And they blame my lamentation,
And they laugh my grief to scorn;
To the haunts of desolation
I must bear my woes forlorn.
All who happy are, now shun me,
And my tears with laughter see;
Heavy lies thy hand upon me,
Cruel Pythian deity!"

"Thy divine decrees foretelling,
Wherefore hast thou thrown me here,
Where the ever-blind are dwelling,
With a mind, alas, too clear?
Wherefore hast thou power thus given,
What must needs occur to know?
Wrought must be the will of Heaven--
Onward come the hour of woe!"

"When impending fate strikes terror,
Why remove the covering?
Life we have alone in error,
Knowledge with it death must bring.
Take away this prescience tearful,
Take this sight of woe from me;
Of thy truths, alas! how fearful
'Tis the mouthpiece frail to be!"

"Veil my mind once more in slumbers
Let me heedlessly rejoice;
Never have I sung glad numbers
Since I've been thy chosen voice.
Knowledge of the future giving,
Thou hast stolen the present day,
Stolen the moment's joyous living,--
Take thy false gift, then, away!"

"Ne'er with bridal train around me,
Have I wreathed my radiant brow,
Since to serve thy fane I bound me--
Bound me with a solemn vow.
Evermore in grief I languish--
All my youth in tears was spent;
And with thoughts of bitter anguish
My too-feeling heart is rent."

"Joyously my friends are playing,
All around are blest and glad,
In the paths of pleasure straying,--
My poor heart alone is sad.
Spring in vain unfolds each treasure,
Filling all the earth with bliss;
Who in life can e'er take pleasure,
When is seen its dark abyss?"

"With her heart in vision burning,
Truly blest is Polyxene,
As a bride to clasp him yearning.
Him, the noblest, best Hellene!
And her breast with rapture swelling,
All its bliss can scarcely know;
E'en the Gods in heavenly dwelling
Envying not, when dreaming so."

"He to whom my heart is plighted
Stood before my ravished eye,
And his look, by passion lighted,
Toward me turned imploringly.
With the loved one, oh, how gladly
Homeward would I take my flight
But a Stygian shadow sadly
Steps between us every night."

"Cruel Proserpine is sending
All her spectres pale to me;
Ever on my steps attending
Those dread shadowy forms I see.
Though I seek, in mirth and laughter
Refuge from that ghastly train,
Still I see them hastening after,--
Ne'er shall I know joy again."

"And I see the death-steel glancing,
And the eye of ****** glare;
On, with hasty strides advancing,
Terror haunts me everywhere.
Vain I seek alleviation;--
Knowing, seeing, suffering all,
I must wait the consummation,
In a foreign land must fall."

While her solemn words are ringing,
Hark! a dull and wailing tone
From the temple's gate upspringing,--
Dead lies Thetis' mighty son!
Eris shakes her snake-locks hated,
Swiftly flies each deity,
And o'er Ilion's walls ill-fated
Thunder-clouds loom heavily!)

When the Gestapoes get impatient
We shall not climb down to walk on earth
Because by this time  of utopia
Thespis and Muse the gods of poetry
Would have given us the wings to fly
To fly high over England, I and schiller
We shall not land any where in London
Nor perch to any of the English tree
Wales, Scotland, Ireland and Thales
We shall not land there in these lands
The waters of river Thames we shall not drink
We shall fly higher over England
The queen of England we shall not commune
For she is my lender; has lend me the language
English language in which I am chanting
My dystopic songs, poor me! What a cacotopia!
If she takes her language away from
I will remain poetically dead
In the Universe of art and culture
I will form a huge palimpsest of African poetry
Friedrich son of schiller please understand me
Let us not land in England lest I loose
My borrowed tools of worker back to the owner,
But instead let us fly higher in to the azure
The zenith of the sky where the eagles never dare
And call the English bard
through  our high shrilled eagle’s contralto
William Shakespeare to come up
In the English sky; to our treat of poetic blitzkrieg
Please dear schiller we shall tell the bard of London
To come up with his three Luftwaffe
These will be; the deer he stole from the rich farmer
Once when he was a lad in the rural house of john the father,
Second in order is the Hamlet the price of Denmark
Thirdly is  his beautiful song of the **** of lucrece,
We shall ask the bard to return back the deer to the owner
Three of ourselves shall enjoy together dystopia in Hamlet
And ask Shakespeare to sing for us his song
In which he saw a man **** Lucrece; the **** of Lucrece;

( From the besieged Ardea all in post,
Borne by the trustless wings of false desire,
Lust-breathed Tarquin leaves the Roman host,
And to Collatium bears the lightless fire
Which, in pale embers hid, lurks to aspire
  And girdle with embracing flames the waist
  Of Collatine's fair love, Lucrece the chaste.

Haply that name of chaste unhapp'ly set
This bateless edge on his keen appetite;
When Collatine unwisely did not let
To praise the clear unmatched red and white
Which triumph'd in that sky of his delight,
  Where mortal stars, as bright as heaven's beauties,
  With pure aspects did him peculiar duties.

For he the night before, in Tarquin's tent,
Unlock'd the treasure of his happy state;
What priceless wealth the heavens had him lent
In the possession of his beauteous mate;
Reckoning his fortune at such high-proud rate,
  That kings might be espoused to more fame,
  But king nor peer to such a peerless dame.

O happiness enjoy'd but of a few!
And, if possess'd, as soon decay'd and done
As is the morning's silver-melting dew
Against the golden splendour of the sun!
An expir'd date, cancell'd ere well begun:
  Honour and beauty, in the owner's arms,
  Are weakly fortress'd from a world of harms.

Beauty itself doth of itself persuade
The eyes of men without an orator;
What needeth then apologies be made,
To set forth that which is so singular?
Or why is Collatine the publisher
  Of that rich jewel he should keep unknown
  From thievish ears, because it is his own?

Perchance his boast of Lucrece' sovereignty
Suggested this proud issue of a king;
For by our ears our hearts oft tainted be:
Perchance that envy of so rich a thing,
Braving compare, disdainfully did sting
  His high-pitch'd thoughts, that meaner men should vaunt
  That golden hap which their superiors want)

  
I and Schiller we shall be the audience
When Shakespeare will echo
The enemies of beauty as
It is weakly protected in the arms of Othello.

I and Schiller we don’t know places in Greece
But Shakespeare’s mother comes from Greece
And Shakespeare’s wife comes from Athens
Shakespeare thus knows Greece like Pericles,
We shall not land anywhere on the way
But straight we shall be let
By Shakespeare to Greece
Into the inner chamber of calypso
Lest the Cyclopes eat us whole meal
We want to redeem Homer from the
Love detention camp of calypso
Where he has dallied nine years in the wilderness
Wilderness of love without reaching home
I will ask Homer to introduce me
To Muse, Clio and Thespis
The three spiritualities of poetry
That gave Homer powers to graft the epics
Of Iliad and Odyssey centerpieces of Greece dystopia
I will ask Homer to chant and sing for us the epical
Songs of love, Grecian cradle of utopia
Where Cyclopes thrive on heavyweight cacotopia
Please dear Homer kindly sing for us;
(Thus through the livelong day to the going down of the sun we
feasted our fill on meat and drink, but when the sun went down and
it came on dark, we camped upon the beach. When the child of
morning, rosy-fingered Dawn, appeared, I bade my men on board and
loose the hawsers. Then they took their places and smote the grey
sea with their oars; so we sailed on with sorrow in our hearts, but
glad to have escaped death though we had lost our comrades)
                                  
From Greece to Africa the short route  is via India
The sub continent of India where humanity
Flocks like the oceans of women and men
The land in which Romesh Tulsi
Grafted Ramayana and Mahabharata
The handbook of slavery and caste prejudice
The land in which Gujarat Indian tongue
In the cheeks of Rabidranathe Tagore
Was awarded a Poetical honour
By Alfred Nobel minus any Nemesis
From the land of Scandinavia,
I will implore Tagore to sing for me
The poem which made Nobel to give him a prize
I will ask Tagore to sing in English
The cacotopia and utopia that made India
An oversized dystopia that man has ever seen,
Tagore sing please Tagore sing for me your beggarly heat;

(When the heart is hard and parched up,
come upon me with a shower of mercy.

When grace is lost from life,
come with a burst of song.

When tumultuous work raises its din on all sides shutting me out from
beyond, come to me, my lord of silence, with thy peace and rest.

When my beggarly heart sits crouched, shut up in a corner,
break open the door, my king, and come with the ceremony of a king.

When desire blinds the mind with delusion and dust, O thou holy one,
thou wakeful, come with thy light and thy thunder)



The heart of beggar must be
A hard heart for it to glorify in the art of begging,

I don’t like begging
This is knot my heart suffered
From my childhood experience
I saw my mother
Who am I? What am I?
It's been a while since I cried
Am I a brain on top of a body?
Just processor performing code?
Well, who wrote the code?
Who wrote it?
It's been a while since I was I
I'm not a brain, I have one
I've got hardware put there by Someone else
Who am I?
I'm a computer running software I didn’t write
I'm a soul interacting with a body, a brain
Whose health I neglect on a reg

What am I?
I'm a decaying accumulation of skin
And blood and bone and neurons
I got neurons in my heart
And that's a good place to start
The heart is the mouthpiece of the soul
My identity gets ******* in the whole
Idea of my performance
And my influence
Like if I sing a song badly, my soul takes the hit
And if I lead my partner astray, the whole of me is ****
The whole of me is ****

There's holes in me
But who put them there?
I combust in small increments
My skin flies off in perfect circles
They're fragments
My heart, it's hiding behind these explosions
Hiding behind them because it causes them
Because my mouthpiece is expressing my hate
My lack of love for myself
Hate is just a word we put on the shelf
It's like darkness and coldness
Describing something through absence
Darkness; the absence of light
Coldness; the absence of heat
If hate is the absence of love I might
Just be the one who beats me
Who defeats me
Who carries my heart, my brain, the rest of me
Tied around my neck on a string that I pull through
Like my body is in captivity

I'm privileged to honor this body that I didn’t make
I'm greatly gifted a brain to maintain
My heart, my body, my brain
They shouldn't be strangling me
They shouldn't be dragged through the dirt
They should be a part of me

I am a soul
I have a mouthpiece
My heart is my mouthpiece
My brain is my hardware
That rusts and which I expend

God help me love me
And Who I am
And Who You are

God, make it so apparent to me in my falling out
That I am a part of the three-legged stool
To Love You before all else
To Love everyone else
And to Love myself
Help me see You accurately
God help me
God help this American switch culture
I am not a machine that functions at the flip
Of a switch
I am a soul, a CVT, a cable that climbs up and down
Depending on the speed of the wheels
And decelerating is okay
And (not but) accelerating is wonderful

I do not go 60MPH because I flipped a switch
I go 70MPH because I climb
I climb
God help me climb
And to falter well
And to suffer well
Humble me in my faltering suffering
originally written 4/19/16
Eryri Oct 2018
The idiocy,
Sheer insincerity
Of political apologies.

It WAS meant to offend.

You chose the words carefully.
A dog's-whistle in your mouthpiece.
Your career is your priority.

You are a glorified carnival barker,
With a reputation as an intellect,
But many do detect ******* in your overblown prose
(except those who are equally verbose).

Will your papa be disappointed
If you are never to be anointed?
Your education makes being PM a career choice,
So power for it's own sake should really be a piece of cake.

So how about it, Boris?
Will we hear more Horace?
How much do you want it?
Enough to blow your own Trumpette?
I really wanted to rhyme Bannon and Cannon after the last line.
Dorothy A  Jun 2017
Mouthpiece
Dorothy A Jun 2017
We are writers
And we are all artists
We are a mouthpiece
To add to the voices of the world
We express pain
We express love
We express life
We express disappointment
We express despair
We express hope
It is just that the pen
Is our choice of expression

Violins make their point
When the bow crosses their strings
And the ear is filled with music

We are the collective melodies
That share kinship to their song

Trumpets blare their sounds
As the breath of the player
Makes contact with the instrument

We add our own kind of breeze to the world
zebra  Jun 2018
*Porn
zebra Jun 2018
when i want inspiration to write poetry
i watch a heaving tempest of kisses
they have a better flavor
than cooking shows

what's prettier than pretty pretty
in pigtails
shaking her delicious
derriere whipped Soufflé?

i'm kissing butter princess
witchy **** 
spread lickity splits
eating her
with a big wide **** eating grin
like an open face dagwood

whats more poetic than that hopeful glaring
of
Adonis's plumper in paradise
filling Cleopatra's slathered meringue?

ga-ga-ga-gag me, daddy
merciless, pa-leazze
fluttered big wet talking eyes
like pools of blue honey
getting it zigged zagged
hard against a redraw mouth
throttling fluted gullet
while eager throat gasps
a symphonic music of the spheres
in relentless staccato chokes
lovin her big devil **** splashing
all gym built wonder-boy
a litter of ****** and tongues
licking pig greedy
rapturous milkshake waterfalls

whimpering
mmmmmm
oooh big daddy
oh my ****** god
pillar of colossus
you Tunisian donut you
pierce me like a spoon
through summer guava


who screams like that eating lunch
but a half ate apricot?

better than a football game
I'd rather take her greek
more fun than math or small talk
preferable to a pat on the back at work
or a ridged procession at a funeral

oh beautiful dark fig
squatting crotch candy
bubbling tapioca ***
queen of
spun sugar **** 
all pyrotechnics
and fluttering sinews

if you asked most
do they watch ****
they'd grow smug like a senator
or punch you in the mouth
outwardly high-minded
refusing the blessing of a
video **** parade
of pirouetting vaginas
and glistening areolas
for the glory
of the secret ******* ceremony

the *** moralists
only good for a secret ******
living their lives
with passions submerged
and nothing to confess
except for guilty offerings
as they wander through dreamland shopping malls
wanting to know
Victorias ***** little secret
seduced
but not caressed
by
a mouthpiece for castrated dreams
*** adult
Towela Kams  Oct 2014
A B U S E
Towela Kams Oct 2014
Yesterday, I was on my way to the mall and I decided to use public transport.
There was this odd man in the bus, who spoke in a very peculiar tone.
I heard him speak our local language, shouting, "I beat her yesterday! My wife came home late from work yesterday and I beat her! I slapped her! I ****** her! I kicked her!"
I was sitting in the back, and I thought that maybe this was just a joke. Even still, it was a rather morose "joke".
The man beside him, his friend, exclaimed in heavy laughter saying, "Yes, my friend, that's what we do. They'll learn to respect us. And they'll learn that they should not do just as they please!"
The man replied, "That's true! She must be thankful I brought her from the village and into the city. She shouldn't even be working. She should be home, being a housewife."
At this point in time, the elderly woman beside me shot a glance to the men behind her.
It could've been that she had experienced abuse, too, in her earlier years of marriage.
I knew she was stunned and I knew she wanted to say something, just as I did but didn't know how to structure her words.

I'm fourteen. And I'm very lucky to be born in modern day where abuse isn't tolerated and education for women is recommended.
It's more than "just" education. It's empowerment.
And that's what a lot of women don't understand.
I won't be quick to blame them for staying in such an abusive relationship.
Not that I'm encouraging that they stay, or anything.
I know that sometimes they stay because they can't leave.
There's their children they can't leave behind
I think it's high time society appreciated women, they go through more than we can imagine
Physical abuse is one thing, emotional abuse is the deadliest
And the scars left on these women's lives is irreversible
They learn to reduce themselves to this HORRENDOUS "lifestyle" that people from long ago accustomed to
Education is the key to success; you best believe that
Over the next few years, I want to hear the story of the girl who witnessed and sometimes endured abuse
And how she used her experience to help fellow girls
And how she further grew up to help empower women
I want that girl to be me
To be the mouthpiece for women
And it all begins today.

As my mother has said before, "If he even ATTEMPTS/THREATENS/ to hit you, LEAVE."
Due to circumstances that abusers usually encounter in their early stages of life, abuse isn't something you can easily rectify. It's not a cycle that can be broken.
So, L E A V E.
Close the door to abuse, open the door to happiness and success. Especially when you have the key to open it; Education - the key to success.

Thank you,
Towela Kams [Future women-advocate]
Unfortunately, I have tons of friends who witness abuse. And it scars them when that abuse is done by someone their mothers really love.
This piece is pretty self-explanatory.
Free Bird Mar 2016
Drive me to the edge of the earth;
You're in control.

I've been reading the dictionary lately,
A little something to pass the time
As I melt into the passenger seat,
With the world just ebbing on by.
Blurs bend the visible light;
We're going the wrong way.

Am I really here at all?
These thoughts are hard to handle.
What happens next I'm not sure,
But I'm willing to take a gamble.

Would you please pass me a needle,
With thread that blends to this flesh of mine.
I've been reading the dictionary lately,
And it turns out to have been a complete waste of time.
Blurs burn all things to white;
We're going the wrong way.

Drive me off the end of the earth;
You're in control.
I shall never get you put together entirely,
Pieced, glued, and properly jointed.
Mule-bray, pig-grunt and ***** cackles
Proceed from your great lips.
It's worse than a barnyard.

Perhaps you consider yourself an oracle,
Mouthpiece of the dead, or of some god or other.
Thirty years now I have labored
To dredge the silt from your throat.
I am none the wiser.

Scaling little ladders with glue pots and pails of Lysol
I crawl like an ant in mourning
Over the weedy acres of your brow
To mend the immense skull-plates and clear
The bald, white tumuli of your eyes.

A blue sky out of the Oresteia
Arches above us. O father, all by yourself
You are pithy and historical as the Roman Forum.
I open my lunch on a hill of black cypress.
Your fluted bones and acanthine hair are littered

In their old anarchy to the horizon-line.
It would take more than a lightning-stroke
To create such a ruin.
Nights, I squat in the cornucopia
Of your left ear, out of the wind,

Counting the red stars and those of plum-color.
The sun rises under the pillar of your tongue.
My hours are married to shadow.
No longer do I listen for the scrape of a keel
On the blank stones of the landing.
Ignatius Hosiana Aug 2016
Death is real...
You can never tell when you breathe your last...
so poems are my will...
**& mouthpiece when i return to mere dust
Mike Arms Jan 2012
In your very pure mouth ( god save it )
clanked metal mouthpiece
by cold water in a strange basement
or perhaps even less

Morning doves catapult
leukemia
Astro goth acid wars
White fire black ****** mania

Could we just kiss
right here this September
not have to wake up
or sleep ever again ?

— The End —