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Amitav Radiance Jul 2014
Honey bee collects nectar
Honeycombs with honey
Intruders get stung
Honey still tastes sweet
Sitting at my little desk
cluttered up with nothing real
so it looks like I have work
a little heater on my feet
epitome of luxury - warm feet
how time drags away today
so much behind to do at home
alone inside this little room
where photos line the wall
with other people’s happy day
would it be sacrilege
to ever put a sad pose
in the frame that
held such shining joy
≈≈≈
another wall is cabinets
with everything that
I might need for anything
but where is the band-aid
for today and the
cure-all for tomorrow
as I sit and wish that I was gone
to any place but here
≈≈≈
narcolepsy goose-steps in
battalions of its troops-
a war I must not lose
I cannot leave and
beat retreat
I must stand firm and fight
until the razor
hands of time
cut through the bars
that keep me here
unwilling but required
≈≈≈
for I support the camping trip
that we call daily life and there
are hungry mouths to feed
with names like heat and light and
shelter from the winter
they bring their cousins
food and clothes and
go juice for the car
to stand in line
on my front porch
with hands outstretched
demanding
≈≈≈
sometimes I muse
on what would happen
if i just turned out the lights
and locked the door
against intruders
and tap danced away
would there be a net
to catch me
if i jump too high
or dance along
the precipice
without my contact lenses
≈≈≈
now I recall
the words my mother said
when I would dream out loud
“wish in one hand
spit in the other
and see which one
gets full first”
good ole hillbilly philosophy
≈≈≈
so here I stay with a frozen clock
an antique desk
with a vase of crimson
bougainvillea I snipped
off the hedge
across the parking lot
I must have flowers
on my desk and
in my home
my very soul demands it
but never if I buy them
it requires the vaunted
ingenuity my mother
preached to me  
to keep the vases full
≈≈≈
what ceramic vase
 would I fit in
I’m neither rose
nor orchid
would I be
a whole bouquet
or just a single daisy
silliness to ponder
fourteen kinds of nonsense
≈≈≈
still the pen
stays wedded
to my finger
not yet done
with nonsense rambling
though I’ve said
most everything
I need to say
≈≈≈
I’m over half the
way to freedom
looking for a coin
to buy away
the final hundred minutes
will it be the radio
a game of solitaire
or just more
claptrap from this pen
≈≈≈
the usual fall back
crossword puzzle
points up my aphasia
and I’m in no mood
to face humiliation
once again
≈≈≈
how slowly can I nibble on
the sandwich
left from lunch and still the time
procrastinates
my mind at last is blank
And now is the acceptance
I can’t scribble on forever
it’s time to
put away the pen
and hide this diatribe
out of the public eye
And head at last for home.
                ljm
I have to put in 20 hrs. a week at my church office whether there's anything for me to do or not.  All the real work gets done from my home office phone and computer, but I have to leave that behind to satisfy the 20/20 requirement.  Stupidity unequaled.Christian
shadesoflost Jan 2014
I want to be there when it's 4 AM
and your chest can no longer withstand the weight
of the demons that no one else can see
and you can no longer push them back
long enough to breathe
and the exhales smell of ***** and misery
when your very own fingernails
betray your palms
with blood that looks like it's not even your own
I will bandage your hands
and hold them gently until the demons leave

and when you are afraid
of your own reflection
I will hide all the mirrors
and sit by your side with the lights off and
run my fingers through your hair
as if untangling your hair
could untangle the knots you have inside

I will wait for you
I will not groan when it's three in the morning
and you stumble out of bed
to go sit under the streetlight in the rain
and I will wait inside
with tea in your favorite mug
when you say you must go alone

when your eyes are vacant;
a winter house
with no footprints in the snow
and newspapers piling up in the driveway
the lights left on to scare away intruders
I will be there when you come back

I just need to know you'll come back
Mikayla McGarvey Apr 2017
You have become an all to familiar presence in my life. From the wave of incompetence that often washes over me as soon as I wake up, to the heavy ache that nuzzles itself beside me as I sleep – you are the unwanted intruders that force themselves into the comfort of my being.  You haunt me with my own thoughts, and use my fears and insecurities against me.  Time and time again you feed me lies by telling me that I am not worthy  - that I am not good enough for success or deserving of love.  Sometimes you even tease me by leaving for a short while, giving me a small glimpse of freedom - only to quickly return with new and more powerful tricks up your sleeve.

Together you are the dichotomy that makes it absolutely impossible to get through even the most remedial of tasks.  Anxiety, you keep me awake at night by preying on my paranoia, causing me to obsess over every stupid mistake I have ever made, and reminding me of all the things that I have not done.  All the while, Depression you cast your cloud upon me by keeping me in bed all day, and telling me that nothing matters anyway.  This unrelenting battle in my mind puts me in a state of frantic melancholy – constantly sending me to the brink of madness.  Learning to understand how to live with you is like learning how to live in a body that is not mine.

You are the wildfire that will stop at nothing to destroy every sign of life within its path, and I am the blackened remnant of a forest.  Gasping for breath in oxygen depleted air – I desperately cling onto the slightest bit of life I can find.  I fight to gain control over this insanity.  I will not let you win.

I will not let you win because you do not get to define how I live.  You seek to **** quietly and without notice but I will no longer sit in silence.  I will speak up, because I am tired of feeling trapped within the confines of my own mind. I am tired of putting on this happy face, and pretending like I am okay.  


But you know what?

It is in those moments where you make me feel helpless that I will continue to push forward and fight, because no matter how tight your grasp, how loud your screams, or how hard your scratches may be, I know that I am growing.  Just like the flowers die in Winter and learn to bloom again with Spring, my soul is learning how to rejuvenate amidst this storm.

It is in those moments when I begin to retreat back into the darkness of isolation, where despite my cries for help, I find familiarity in pushing away those around me -that I will write and I will create. I will expose your haunting thoughts, and the debilitating lies that you feed me because contrary to how you make me feel, I am NOT alone in this.

It is in those moments when I start to feel myself slipping into your fatal complacency, when I feel suffocated by the inner workings of my own brain that I will CHOOSE to be joyful. I will CHOOSE to be inspired rather than to be defeated.  I will CHOOSE to be kind to myself. I will CHOOSE to love on those around me, and I will CHOOSE to put my hope and my identity in my God.  

I know that it won’t be easy, and I know that some days will be harder than others, but it is in this simple declaration where a new page will be turned. This is me reclaiming my body, my mind, and my spirit.  This is me CHOOSING to no longer be a prisoner to you.  This is me beginning to set myself free.
SP Blackwell  Mar 2013
Wet Cement
SP Blackwell Mar 2013
I am sitting on a broken branch

under the drug addled canopy of insecurities and lies.

I am feeling the steady sway of an oxycontin daze.

Walking slowly through a ketamine daydream that pulls at my core

like a phantom puppet master controlling my limbs.

It crashes into my brain like the breaking waves on the shore.

Breathing in nicotine filtered filth as I wait to catch a breath of fresh air.

Lungs filled with recycled tar that prevents me from gasping.

In darkened corners where lies sleep and rumors are hidden,

I wait.

I dance on a tightrope between conscious and subconscious

that is held by reality and dreams.

Dark sunglasses on to avoid

the blinding stinging light of what is real.

Mirrored glasses are reflecting the reflections back at intruders.

Deflecting glances, shifty eyes, and dilated pupils

searching for a focus point of truth  

in a neon technicoloured blur of hypocrisy.

The background blaring horns blended with a steady bass line

mimics my heartbeat.

Thump thump. Thump thump.

The fading noises pass quickly,

highlighted with insults and curses of hate and gossip

that are forgotten before you can make them out.

Spun truths turned into lies

intermixed with resin

left from yesterday.

The litter paved streets break under my heels.

Click clack. Click clack.

Broken and cracked

like the false promises

And hopes

And dreams

of those who have walked here before.

The monotonous pace is repeated

only pausing to notice the gum under the stiletto

that fails to hold her in place

as she runs towards the wet cement that has replaced

another sheet of cracked concrete.

The wet cement that has covered another lie

in order to show the simplicity of fake appearances.

A reminder of how easy it is to replace and mask

the hate filled holes that get trampled on.

The flicker of hope is suddenly unseen

like the street light lined alley that is now dark.

The stench of garbage, decay, and rotting flesh

is mixed with expensive perfume, sweat, make-up, and spilled *****.

Garbage cans are filled with the leftovers of last night.

A *** stained dress with no owner draws no attention

as the sound of snapping latex is muffled

by the screams of ecstasy that rapidly fade

like the fleeting feeling of MDMA.

Thick white ****** fluid oozes out like human glue

in an attempt to mend the lack of connection.

Strangers intertwined in hasty conversations

waiting for human contact to forget

that they are in dark alleys.

To forget

that they live in dark places

where no one lays down wet cement.

The distorted reality of alleys deceive passer bys

into thinking that they are not menacing

has been weaved like a web by street sweepers and garbage men.

The pressing sense of the need to avoid the sweepers

is unsaid but felt.

They falsely clean what will always be *****.

The *** filled backstreets yearn for love

like the treacherous woman guarding its corner.

Daddy issue lined dresses are asking to be undone

just like her lost innocence that can never be mended.

The issues and clothing that can never be fixed

abandoned on top of garbage cans for someone else to pick up.

Patches of dead grass are left

untended, unwatered, and unwanted

waiting to be replaced by wet cement.

Wet cement that soon enough will crack and break

under the heavy heated pressure of the stomping heels

of lost Girls in a desolate city.

Blood trickled trails are left behind

that have dried into the cigarette lined streets that lead nowhere.

The injured egos of men are left to linger at back doors

that will never be opened.

******* induced insanity whirls around a flurry

of whispers and paranoia wanting to here the Truth

between the spewed anger and rage of the low toned hushed voices

that wish not to be heard.

Whiskey hinted murmurs pressing on the sidewalk cracks

knowing that they will never be heard.

Looking into the dark where

Truth will never be seen.

The constant beat of narcotic users searching

for salvation in pre-packed bags of white powder,

digging for redemption in empty bottles of multi-colored pills.

Screaming through the silence,

They are not heard.

The desperation can be heard through the whining moans

of the junkies that are tethered to addiction.

The over whelming sound of

Want and Need and Lust

move through the streets like the overflowing gutter water.

Heartbeats are replaced with the impatient pacing of

her stilettos waiting for her pain to cease.

Stilettos stomping on broken dreams

waiting to cross broken streets.

She gazes at the other side as if it is different.

Stilettos tapping on the street

waiting for the firm grasp of a sweaty hand to distract her from reality.

Waiting to be touched

And grabbed

And ******

                                              In hopes that love will arise from ****** ****** encounter with

strange men in uncomfortable places.

Clothes are feverishly removed with the promise of

flesh on flesh enveloped in a hazy cloud of body heat

that warns off the internal coldness.

Heavy breath and touch and kiss release chemicals

to replace the drug depleted emptiness.

The rhythmic sound of rubbing flesh mingles with

the moaning of the streets.

It fuses with the short lived pleasure laden moans of

lonely people and un-climatic *******.

Awkward silences are brief as the sound of her heels owns the street.

Click clack. Click clack.

The sound of stilettos on cement hurriedly walking away when there is

no longer a need for his body heat.

That unmistakable click clack click clack

on uneven, *****, dangerous streets.

Red lipstick smeared stains are the only trace of her that is.

That is the only trace of me that is left.

Click clack steady on the street.

Steady like mimicking bass line

Click clack heartbeat.

The crunch of broken glass under the stiletto

echoes her broken dreams.

Click clack.

Head held high never looking at the ground as she walks forward.

Click clack. Click clack.

Click clack.

The urban mud of

Wet cement goes

Squish!

under her stiletto.



V.Mata
sabrina flowers Jul 2017
I've never been good at
Being touched.

Though the fingers
Of endless suitors
Have traced incomparable
Lines of affection,
They all stroke
The same wounds.

New hands feel like
Recycled lullabies,
Humming promises
Of a new melody,
Singing a remedy for
My impassivity.

Whether words fall
Passionate or
Fearful,
Endearment lines my lips
With an expiration
Long enough to convince me,
But short enough to leave me.

Reminding me:
The disintegration of
Indifference
Remains
My prerequisite
For destruction.

So before you
Touch me with
Promises of a new
Orchestration,
I'm already marking the
Days until you leave.

Because my skin
Is tired of
Intruders hidden
Behind momentary
Infatuation.

So keep your hands to yourself.
stéphane noir  Aug 2014
Job 3:14
stéphane noir Aug 2014
you are beautiful.
you are tragically beautiful.
you are notre dame
at night.
you are the eiffel tower
amidst bombshells.
you are the house of commons
and the house of lords.
you are the lone beam
standing after Katrina.
you are the one baby sea turtle
who makes it off the beach.
you are the dark side of the moon.
you are the patch of sand
struck by lightning.
you are the remains discovered
after the plane goes down.
you're a smooth puddle in a parking lot.
you are the creaky stair
that warns of intruders.
you are all of the red skittles.
you are Job 3:14.
K Balachandran Jul 2013
A forest adventure-we didn't plan it that way at all,
the call of the wild prompted us, is all I can now guess
hand in hand in to the woods we ventured like two possessed,
magical, it felt, we soon disappeared, from the eyes of curious intruders.

erogenous scent of damp earth, after the first sprinkling of monsoon clouds,
pepped up our interest in hunting mushrooms
popping up everywhere, like fragments of white clouds descended,
we pulled out, egg shaped mushrooms that came in to our view
the frenzy we fell in to,  possessed us in total,
after all we we are also young and hot blooded,

We competed like hounds in hot pursuit,
ran, collided with each other, fell down,
with a gentle thud, upon each other.
She did lay flat, face down on my chest,
I smelt,musk on her neck a slow intoxicant
and mushrooms hidden in her both armpits,
which I pursued and found out,we were getting hot,
in pursuit of each other's secrets.
the world, we had forgotten completely for long!!

We didn't see evening light melt and
darkness spread stealthily over the woods
that engages the robust body of the night,
from the rendezvous, of these secret lovers,
we sneaked out and saw lighted torches,
approach us from all four directions.

they zeroed in on us,"Who goes there?"
a harsh voice asked,
"This, do you know, is the holy grove,
of mother goddess, strictly  watched
for not to be get desecrated
by people who seek some sort of adventure,
such an act never goes unpunished,
we'll search you and find what you did"

We held out mushrooms before them,
and I saw each face turning  a lotus!
"where did you get this,? Oh! so much!,
Those are so rare and any one is able to pluck it,
only if mother goddess is pleased"

And then we realized this,
in that forbidden sacred wood,
between us a miracle has happened!
that pleased the mother goddess
of the woods,  the blessed presence,
aren't we then  the chosen ones?







,
Lexi Cairns Dec 2015
You have been told that rapists were men in black hoodies
hidden in twisting shadows and dark alleyways.
****** offenders were always leering old men in rags;
never blonde haired and blue eyed and always smiling-
not once did you think to question the intentions
of his warm and familiar fingertips.
When you find yourself locked in his claws
and he tells you
that you must want it
don’t be a tease.
Look at what you’re wearing.
A sliver of skin mistaken for an invitation.
Do not be surprised when your mother
also asks you what you were wearing-
but do not forget.
Remember this for the next time.
You will also try to convince yourself that you asked him to,
but the scars on your sister
and the tribe of women with cut out tongues and pleading eyes
who stare back at you from your reflection
tell another story.
Tell your mother that no matter how many flowers she throws over the mass grave
she cannot hide the stench of rotting corpses,
do not pretend that you are okay when you feel all the lights inside of you begin to shut off
because your body has grown tired of sounding alarms and raising knives
against intruders who wield toxic gas and atomic bombs.
You have been taught to hold your tongue and to smile like nothing is wrong
but now your mouth is filled with your own bite marks and it is hard to hide the blood.
You should not have to.
Your words can crumble empires
and redeem centuries of trauma embedded in bleeding wombs.
It is time you used them to stand up for yourself.
This is a poem I wrote for my creative writing course at school and is a revised version of one of the spoken word pieces I posted here previously.
onlylovepoetry Apr 2019
don’t leave me!
(the leaving is in the writing)

she whispers in his ear,
after they’ve climbed into bed,
their tiring bodies both embraced,
soft sunken into, by, a familiar mattress,
after a sophisticates city night out seeing stars,
stars, human and astral,
city lights dusk heightened the vocal sparking,
singers singing songs of love from
radio days long ago

don’t leave me

she intones, a prayerful demand,
equally a command and a begging behest,
puzzling what prompted this pressed request,
spoken with urgency born in her breast

don’t leave me
drifting off and into his thin place,
but tugged back by this cri du coeur,
unsponsored and unwarranted,
nothing recalled that justly provoked,
a statement topping of anguish and fear

don’t leave me
he repeats in a rising questioning inflecting
puzzling riddling unbefitting a mellow-toning sleepy ingredient,
whatever do you mean, I leave you only
to dream, to purify, refresh and deep rest reset,
and return come morning with new poems,
what angst comes to stir this asking,
delaying my adventure to nightly restoration?

don’t leave me
repeated and repeated, dressed in urgency,
for I see the little things,
the wavering walk, the slowing of the thinking,
the walls, black n’ blue, whining about your into bumping,
the instant eagerness with which your body accepts
your voyage to dream places where
one goes and gone and must go unaccompanied,
some who are chosen and some who choose, not to return

don’t leave me
for the signs are ample, a certain weariness
dresses your face and crowns thy graying mane,
the slight labored breathing from steps once
bounded and leapt, the seeing and the hearing,
each slightly weakening, two orchestral instruments,
together off key and lessened in their triumphal vigor,
these words of mine, a royal guard,
keep them in your dreams

don’t leave me
minor missteps in the elongated negated of dying gracefully,
my tuning forks are sensitized,
and any slowing motion
both visible and hearable, and filed under inevitable

I will not leave you tonight,
my body warming as per usual,
your cold feet intruders indicate it’s you have left
for your own nightly visitors, occasional terrors,
you’ve woken me from my allotted sleep hours,
many poems now retrieving and in need of scribing,
while the fingertip digit flys across the digital keyboard,

I am more alive than I have ever been;
the leaving is in the writing,
each poem a steppingstone,

but the poems come fast and furious,
sometimes two at a time, the muses are bemused,
the prognosis is for thousands more and warn:

do not wear out your olive oil anointed forefinger,
the lubricated pointer of the way, wherein is contained

through that index
finger,
your body of works in the
“yet to arrive, yet untaxed filling station,”,
must be seen to fruition,
for it is only then that,
only love poetry
is ready for long lasting
eternal realization





5:36am 12th April, two thousand nineteen
Haley Harrison  Sep 2020
Scars
Haley Harrison Sep 2020
My lover has a scar
Just above her hipbone;
It's not a small ****,
a forgotten accident.
They're words -
Straight lines she etched
Deliberately,
Slowly,
Painfully.

I trace my fingers softly,
Not to wake my love,
But I can't soften their bite.
Words of cruel warning,
An order, imperative.
Commanding, even faded,
Echo a silent scream.

They mock me, mock us,
For they still have a hold:
She is only half mine.
They hurt me, cold,
Like unblinking eyes,
Knowing that she stares back
Every day.

I barely brush them,
Intruders on soft skin,
Indelible scripture
Of darkness within.

And they keep whispering:
don't eat.
25.09.2020.
Kendall Mallon Jan 2014
§
Battle of New Britain

Lieutenant Jim G Paulos led elements
of G Company in a savage counterattack
that ousted the intruders supported
by Lieutenant James R Mallon’s improvised
platoon of H/11, which remained
to help man casualty-depleted line.

Improvise (OED):
One: to compose on spur
of the moment; to utter
or perform extempore

two: to bring about or get up
on the spur of the moment;
to provide for the occasion

Three: […] hence to do anything
On the spur of the moment

Improvised platoon
Df James R Mallon:

When most of your platoon
lies dead in the pumice sands
of the South Pacific-Japanese
bushido bullets tear flesh and spirit
out of the corporeal—husks of limp
limbs you fought to defend and they you
Japanese mortar fire, machine and small-gun fire
fifteen yards in advance of the wire
how do you bring about or get up
the courage to grab whoever—
the nearest marine
talk through ears drums burst by mortar succeeding shockwaves
forget for the time the men
you spent months training
sipping beers in Australia
laughing over bar stool drunken jokes
men you shared your dreams about after
away from the mosquitoes
away from the constant moisture
rain rain rain day and night
soaking through fatigues through skin through bone
never enough sun to dry out
air already saturated
sweat or seawater—it is all the same
now you must find new men—men you have seen,
but do not know the same as your own platoon
their life and yours in each others hands
alone in a group of stranger-brothers
always faithful
keep composure in the face
your buddy’s entrails pouring into the pumice sand
hence to do anything
on the spur kicked into your side
to block what no man should ever be asked to see
and do what you can in the moment
to save your division from enemy fire.

§
Cyclops Black Eyes

One summer e’ening drunk to hell
He stood there nearly lifeless
A gal sat in the corner
And it’s how are ye ma’am and what’s yer name
And would ye like a drink?
She looked at him, he at her
All she could do was accept one

And rovin’ a rovin’ a rovin’ she’ll go
Through his pair of blue eyes

She knew not the pumice beaches and streams
Sometimes walking sometime crawling
amongst blood and death ‘neath a screaming sky
Where Cyclops black eyes waited for him
Was it birds whistling in the trees?
Always the Cyclops black eyes waiting for them
So they give the wind a talkin’

And a rovin’ a rovin’ a rovin’ he’ll go
Away from those Cyclops black eyes

And the arms and legs of other men
Were scattered all around
Some cursed, some prayed, some prayed then cursed
Then prayed and bled some more
All he could see were Cyclops black eyes looking at him

No Cyclops black eyes waiting for her
And a rovin’ a rovin’ a rovin’ she’ll go
And never know what saw his pair of blue eyes

Could she forsee in that pair of blue eyes
Decades he’d spend drunk to hell?
Sometimes walking sometime crawling
Rovin’ and rovin’ away from those Cyclops black eyes

§
Colt 1911**

I was nineteen when I learned
my Dad his father’s Colt 1911 pistol

when Dad was young he
and his brother found
the gun—hidden in the rafters
of the cinderblock basement
their father built; magazine bullets and pistol
on one rafter—separate, except
the bullets lived in the magazine

my dad and uncle, like any
young boy, were fascinated
by the pistol; though too young
to feel and know the power
and danger in the cold blue metal

when their father and mother were
away—home alone they snuck
to the hand-laid basement
reached around the rafters
through years of dust and darkness
feeling for the colt and mag
scrape-click-pop—ca-chick
round in the chamber—“freeze!”

so played boyhood fantasies
cowboys & Indians
cops & robbers
with a lethal toy


so my dad kept it a secret
locked in a tarnished steel box
locked through the trigger guard
magazine separate
four silver, dimpled, bullets rolled round between
their queue and releaser

I was struck by the weight—heavier than I expected—I felt the years of use polished into the wood grips—thick hand grease sweat blood humidity sand saltwater gun oil mud tears life saved and taken.
At the bottom of the wood grips ticked notches deep in the grain—both sides—different numbers; “What are these?” I asked running my finger across the nocth-ticks feeling their depths their absence consciously carved with his next best tool—kabar: workhorse that can baton through five inch diameter logs, machete through two-finger branches, dig a hole to burrow while machinegun fire mows down jungle; easy to sharpen, keeps an edge; full tang to hammer temples or tent posts

“I don’t know; the only thing we have is the lore.”

fI counted seven
the number the magazine carries
eight total, if you have one in the chamber

You have to commit to fire
a 1911, the cliché: don’t pull
the trigger—squeeze
is how the 1911 fires—a button
fits the crotch of the thumb and index finger
opposite the trigger on the handle;
to unleash the hammer then
lead, squeeze the two—firm
tight at the target; no shot fired
by accident—no Marvins with the 1911.
I am trying a new form of poetry called 'documentary poetry'. This is the story of my grandfather who fought five campaigns in the Pacific Theatre of WWII for the United State Marine Corps. (This is a work in progress)

— The End —