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Nat Lipstadt Jan 2017
Yom Kippur this year was celebrated on Oct. 12th 2016.
Leonard Cohen passed away on November 7, 2016.


~~~

faint knocking at the door to the Tower of Song

the ministering angels, hearing a rhythmic, lyrical rapping,
sigh, thinking the atonement day,
the holiday/holy days, are supposedly over,
the human balancing act, the rush to judgement period,
all tallies totaled, the busy sale season for souls,
at last completed, each fate inscribed & sealed,
in the book of life^

but, always one,
the itinerant straggler, the last reluctant sinner, a judgment resister,
flaunting an expired coupon, trumpeting demands for a recount,
waving it, claiming it, the bearer, entitled to a mercy discount and
an extra 30 days

"who shall we say is calling?"

the Angels are stunned to hear,
a familiar raspy, growling, almost indescribable,
yet, stammeringly, beautiful voice enchanting,
equally asking and answering,  how both,
with a strident humility, "a man in search of answers"

this voice, instantaneous recognizable,
the asking superfluous,
all beating wings now, all in vast excitement,
this psalmist, long awaited, one of His best,
a chosen one, a courtly singer in the Temple of his people,
blessed with the curse of seeing and believing,
the comprehension of beauty of the human superior interior,
never being quiet or quite satisfied,
in capturing, its multifarious variations,
in every language spoken

this is the man who took ten years
to compose just
one song,
one poem,
one word,
Hallelujah,
whose faith was strong,
but still needed proofs,
whose every breath of oxygen inhalation,
brought more questions,
every exhalation, only releasing partial answers,
and yet, still, yes, yes! finding hidden verses inside

a simple, everlasting
hallelujah

the hubbub subsides, the man sings~speaks:
how came I here,
was I one, who by fire?
that fire afeared,  that my finality was spirit consumer?

one voice, answers,
in one voice, the swaying back-up singers answer,
not by fire, not by water, not by stoning or
even drowning
in tea that came from all the way from China

when sing we Angels, the Judgement Day poem,
we alone, on high and above,
we, keepers of the books and records of everyone,
are permitted this to query:

Who by Sufficiency?

you, the sidekick of the creator,
special commissioned by him, anointed to live a life of research,
record in word and song the mysteries of musical gene strings,
that intertwine the skin cells of man and woman,
man and his fellow us-human,
your soul commandeered, ordered, delve deeper,
into the consolable chasm tween divine and mortals,
all those who are poorly constructed
in his image

he, who has earned his place, his best rest,
his works adjudged sufficient,
he, who best answered
this judging,
this calling out,
calling in
incantation,

Who by Sufficiency?

now forward on, write only of answers,
wade in the troubled waters no more,
no more passports, or borders to cross,
no more measuring the days,
the last road trip finale
finished & feted,
fate meted

no more changing thy name, changeling priest,^^
sing songs of solution, salvation,
for the questioning hours of confusion,
the urgency of revolution,
no longer need a hallelujah resolution


                                                    ­| | |
Who By Fire                             Who By Fire, Who By Water:^
(lyrics by Leonard Cohen)     (A Yom Kippur Hebrew Prayer)

who by fire                             How many shall die and      

who by water,                                how many shall born,
Who in the sunshine,                 Who shall live      
who in the night time,                   who shall die,                      
Who by high                                Who at the measure of days,
who by common trial,                    and who before,
Who in your merry                            
                                                          Who by fire
month of May,                                 and who by water
Who by very                                 Who by sword,
slow decay,                                       and who by wild beasts,
And who shall I                      Who by hunger,
say is calling?                              and who by thirst,

And who in her,                           Who by earthquake
lonely slip,                                         and who by plague
who by barbiturate,                      Who by strangling,
Who in these                                    and who by stoning
realms of love,                               Who shall have rest,

who by,                                             and who shall go wandering,
something blunt,                            Who will be tranquil,
And who by avalanche,                  and who shall be harassed,
who by powder,                            Who shall be at ease,
Who for his greed,                           and who shall be afflicted,
who for his hunger,                      Who shall become rich,
And who shall I,                             and who shall become poor,
say is calling?                                Who will be raised high,
                                                         ­     and who will be brought low
And who by brave assent,                  
who by accident,
Who in solitude,
who in this mirror,
Who by,
his lady's command,
who by his own hand,
Who in mortal chains,
who in power,
And who shall I,
say is calling?




^From the liturgy of Rosh Hasanah, the Jewish New Year and Yom Kippur, the  Day of Atonement, there is this truly stunning prayer (https://en.m.wikipedia.org/wiki/Unetanneh_Tokef) in the Jewish liturgy. The Book of Life contents the fate of every sinner. From the first day of the new year, until ten days later, on Yom Kippur, depending on whether the sinner repents or not, his fate is sealed.
Yom Kippur this year was celebrated on Oct. 12th 2016.

Leonard Cohen passed away on November 7, 2016.

^^"A Kohens ancestors were priests in the Temple of Jerusalem. A single such priest was known as a Kohen, and the hereditary caste descending from these priests is collectively known as the Kohanim.[2] As multiple languages were acquired through the Jewish diaspora, the surname acquired many variations." Today, with no temple, the limited role of the Kohanim is to bless the Jewish people on the high holy days with a  special prayer with abeloved tune,  instantly evocative (see wikipedia.org/wiki/Priestly_Blessing) The Kohanim are still revered, honored, and always called up first to the Sabbath reading of the weekly portion of the Old Testament

A thank you to Bex for proofing and encouragement.
Part I of a trilogy
For a  more detailed analysis of the roots of the song, "Who By Fire," and its origins, see:
_____________________________________________
http://www.leonardcohen-prologues.com/who_by_fire.htm

He worked on the song Hallelujah, arguably his most famous composition, for ten years.
Raven Feels Jul 2021
DEAR PENPAL PEOPLE, who wants to count to ten when you can carry on to infinity?


she stopped time and asked
a question planted silence in advance
faced my truth on a real talk
never thought it was hard to stand or walk

rock plays numb humiliation
the inhale echoes wounds then exhalation
denial and defense
tears welled up the hidden immense

the wind swings
a lost count to infinity sings
red eyes
step on two legs cries and undeniable disguise

forbidden was for me to
reveal the vulnerable due
the intimidated call
of how things are messed up in sort to fall

and now I think
of how it stinks
memories of misery
a step between me and the cemetery

embarrassment attacks
white lies painted above the blacks
stepped on me
a bug under the shoe and I let it be

guess that she knew
but the answer hung in air and flew
my confidence buried peacefully when already dead
and the winter cold shivers in my head


                                                                               -----ravenfeels
judy smith May 2015
Tired of being called names and listening to complaints from your partner because you snore at night?

But more than that, it is important to keep a check on your snoring as an excess of it can be an indicator of many diseases, one of them being sleep apnea, says Dr Kaushal Sheth, ENT surgeon, "People develop sleep apnea when their airway collapses partially or completely during sleep due to various medical conditions. This causes the oxygen levels in the blood to decrease and can be potentially life threatening when it becomes obstructive sleep apnea."

Elaborating on it further, Dr Jayashree Todkar, bariatric surgeon and obesity consultant says "Snoring is an indication of obstacles in a person's breathing. When excessive fat accumulates around the stomach, the lungs do not get ample space to expand when we inhale oxygen; this in turn leads to obstacles in the process of inhalation-exhalation."

However, there are many myths surrounding snoring which is a very common problem. To sleep better one must get rid of the myths that surround snoring and only accept the facts, says Dr Viranchi Oza, BDS as he gives us a lowdown of some stories around snoring:

Myth: Everybody snores, therefore it's normal.

Fact: Snoring is not a normal condition. Labelling it as 'normal' diminishes the seriousness of the condition. Snoring is not just about annoying your partner, it is a sign that the body is struggling to breathe properly during the night. Snoring on a frequent or regular basis has been associated with hypertension and can also be an indication of sleep apnea (pauses in breathing). Sleep apnea sufferers have been reported to have diminished gray cells in their brains, most likely due to the oxygen deprivation of untreated sleep apnea. If left untreated, sleep apnea increases the risk of cardiovascular disease over time. In addition, insufficient sleep affects growth hormone secretion that is linked to obesity. As the amount of hormone secretion decreases, the chance of weight gain increases.

Myth: Snoring only affects the health of the snorer.

Fact: Snoring doesn't just negatively affect the health of the person snoring, but also the health of the person lying next to them in bed. A typical snorer usually produces a noise that averages around 60 decibels (about the level of vacuum cleaner), but with some people this can reach 80 or even 90 decibels (about the level of an average factory). Sleeping with a partner who snores during the night has been shown to increase the blood pressure in the other person, which may be dangerous for their health in the long term. Snoring also causes the partner to have fragmented sleep and lose up to one hour of sleep

every night.

Myth: Snoring comes from the nose, so if I unclog my nose, my snoring will stop.

Fact: Having a stuffy nose can definitely aggravate snoring and sleep apnea, but in it's not the cause. A recent study showed that undergoing nasal surgery for breathing problems cured sleep apnea in only 10% of patients. Snoring vibrations typically come from the soft palate, which is aggravated by having a small jaw and the tongue falling back. It's a complicated relationship between the nose, the soft palate and the tongue.

Myth: I know I don't snore, or have apnea. I am fine.

Fact: Don't ignore your wife when she tells you that your snoring doesn't let her sleep. When a partner snores it is very difficult for the spouse to sleep. There are people who snore excessively and suffer from sleep apnea, but feel absolutely normal. However, snoring increases their risk of getting a heart attack and stroke. The only definitive way to prove that you don't have sleep apnea is by taking a sleep test. Screening questionnaires like the GASP or the Epworth have shown high reliability in identifying patient risk for sleep apnea.

Myth: If I lose weight, I'll cure myself of sleep apnea.

Fact: Sometimes. It's definitely worth trying, but in general, it's very difficult to lose weight if you have sleep apnea. This is because poor sleep aggravates weight gain by increasing your appetite. Once you're sleeping better, it'll be easier to lose weight. This is the one ingredient with many dietary and weight loss programs that's missing or not stressed at all. It's not enough just to tell people to sleep more.

Myth: Health problems such as obesity, diabetes, hypertension and depression have no relation to the amount and quality of a person's sleep.

Fact: More and more scientific studies are showing a correlation between poor quality sleep and insufficient sleep with a variety of diseases. Blood pressure is variable during the sleep cycle, however, interrupted sleep negatively affects the normal variability. Recent studies have shown that nearly 80% cases of hypertension, 60% cases of strokes and 50% cases of heart failures are actually cases of undiagnosed sleep apnea. Research indicates that insufficient sleep impairs the body's ability to use insulin, which can lead to the onset of diabetes. Fragmented sleep can cause a lowered metabolism and increased levels of the hormone Cortisol which results in an increased appetite and a decrease in one's ability to burn calories.

Myth: Daytime sleepiness means a person is not getting enough sleep.

Fact: Do you feel very sleepy even during the day despite the fact that you had a long night of proper sleep? Excessive daytime sleepiness can occur even after a person gets enough sleep. Such sleepiness can be a sign of an underlying medical condition or sleep disorder such as narcolepsy or sleep apnea. Please seek professional medical advice to correctly diagnose the cause of this symptom.

Myth: Getting just one hour less sleep per night than needed will not have any effect on your daytime functioning.

Fact: This lack of sleep may not make you noticeably sleepy during the day. But even if you've got slightly less sleep, it can affect your ability to think properly and respond quickly. It can compromise your cardiovascular health and energy balance as well as the ability to fight infections, particularly if the pattern continues. Lack of sleep has also been associated with road accidents (up to 60% of road accidents involve lack of sleep) and air crashes (Air India Mangalore plane crash in 2010 was due to lack of sleep). Sleeping for less than six hours a night is equivalent to legal levels of alcohol intoxication.

Myth: Sleep apnea occurs only in older, overweight men with big necks.

Fact: Although the stereotypical description does fit people in the extreme end of the spectrum, we now know that even young, thin women that don't snore can have significant obstructive sleep apnea. Sleep apnea begins with jaw structure narrowing and later involves obesity. It's estimated that 90% of women with this condition are not diagnosed. Untreated, it can cause or aggravate weight gain, depression, anxiety, diabetes, high blood pressure, heart disease, heart attack and stroke.

Myth: Snoring can't be treated.

Fact: Have you given up on your snoring thinking that it cannot be treated? There are many different options for treating snoring.

Some treatment options are rather drastic, possibly requiring surgery or prescription drugs, but prior to exploring such options it would be wise to first seek out alternative treatments. You must visit a sleep specialist to get the right diagnosis.

Myth: Extra sleep at night can cure you of problems with excessive daytime fatigue.

Fact: Not only is the quantity of sleep important but also the quality of sleep. Some people sleep eight-nine hours a night but don't feel well rested as the quality of their sleep is poor. A number of sleep disorders and other medical conditions affect the quality of sleep. Sleeping more won't alleviate the daytime sleepiness these disorders or conditions cause. However, many of these disorders or conditions can be treated effectively with changes in behaviour or with medical therapies.

Myth: Insomnia is characterised only by difficulty in falling asleep.

Fact: There are four symptoms usually associated with insomnia:

- Difficulty falling asleep

- Waking up too early and not being able to get back to sleep

- Frequent awakenings

- Waking up feeling tired and not so fresh

Insomnia can also be a symptom of a sleep disorder or other medical, psychological or psychiatric problems. Sometimes, insomnia can really be a case of undiagnosed sleep apnea.Read more here:www.marieaustralia.com/long-formal-dresses | www.marieaustralia.com/bridesmaid-dresses
sophia Jun 2017
it wasn’t chaotic.
it was calm and serene,
like the ocean.
the soft pitter patter
of the rain on the roof,
and the cool air it brought.
it was a sip
of freshly brewed coffee,
natural with no additives,
whatsoever.
the gut feeling
of knowing where home was.
and that is how
you came into my life.


the star that shines the brightest
amongst the pitch black sky.
it’s the white cloud that outshines
all the gray and gloomy ones.
the perfect fit of the last piece
to the unfinished puzzle.
it's the warm, fuzzy feeling
of getting into bed
early on a Friday night.
and that is how it was
when I started loving you.


it’s like a deeply cut wound,
one that’s inundating
with crimson colored blood,
having a tinge of maroon.
it induces pain
with every inbreathe
and exhalation.
it manages to have
the appearance of a scar,
yet it still feels so fresh
like a bruise.
and that is how it felt
when you left.


it was filled with haze
and suffocation.
the uncontrollable fast paced beat
of your heart.
Mona Lisa's enigmatic smile,
one that is hardly understood
by majority of the world.
a bite of dark chocolate,
bitter and sweet.
and this is my survival.
stuck in the third season,
but i'll make it to the fourth
Nat Lipstadt  Jul 2013
Mashup
Nat Lipstadt Jul 2013
Mashup

Part I (and there is a Part II & III)

I mashup me, myself, and perhaps thee too.


Excerpts from my poems about poets, poetry and the process of compositions. In chronological order, earliest to latest.
---------------------------------------------------------­------------------

With words we paint,
With syllables we embrace,
Tasked and ennobled,
We are forever fully employed,
Missionaries to all,
You too, are one as well,
Your fate can't be renounced,

when the rusted unborn poem notion is almost done,
but remains unpublished,
for no beginning, no title, can be found,

Then I recall the cornucopia days,
when poems spilled forth like
there would never be a when they wouldn't,

I revisit my old friends, couplets, twins and triplets,
seeded inside every tear, happy or sad,
sweetly and freely,

my old friends, reread,
words rearranged in new combinations,
old poems, plants bearing new fruits,
re-titled all of them, one name,
a collection entitled,
My Solace.


My eyes, my eyes, see only the
Totality of this moment.
When mastery of multi-tasking
Is the single best poem this man ever
Penned with his entirety,
Of which not word survived
For its unspoken silence was its glory.

My compact with you is to
remind us all, through
music, dance, words (poetry) and love,
This is the only compact
with the power of human law.


Color me flesh ****,
Color me blue bottled,
Red ripped asunder,
The sweetness ascribed to my love poetry,
A subtraction of the bitterness of a failed life.
Colorist of my seams, my woven words,
I am white now, my canvas completed,
Waiting for another poet to write over it,
And chaining new words to what was prior writ.

Al,  what you did not ask was this:
With each passing poem,
I am lessened within, expurgated,
In a sense part of me, expunged,
Part of me, passing too,
Every poems birth diminishes me.


You ask me how I find the time,
(To write)
But time is not the issue,
For they, are all prepared, needing only recognition,
For they, are all in readiness, needing only composition.

For who's who in poetry
is all of us!
saviors and failures,
recorders and decoders,
night writers of the oohs and aahs
of dreams and nightmares.

When this poet cannot,
no longer, anymore,
tastes his poems upon your lips,
keep your poems within his heart,
then he breathes no more,
and becomes one who was, yet is,
because of you, in poetry.

Awful poetry, some good, you will write.
But write and write till your heart be calmed,
For even ancient kings felt the anguish  of the soul,
And we profit even today by King David's psalms.


This wizened fool has his hands full,
Mouths to feed, bread to earn and bake,
As midnight is almost nigh,
He rests prone and adds a verse to this old poem
He long ago scribbled down, grimace-smiles now,
Realizing there is little difference tween him and the
Sad Eyed Teenagers of the Lowland.

For poetry salves his wounds still, even now,
Unashamedly, he thinks, hallelujah!

The poem is the afterbirth,
A conflicts resolution, an outcome,
Battlefield debris, the residue of
An exacting vision, a sentiment surging,
And your army of words, inadequate to the task,
Fighting to capture that insight flashed,
Each word a soldier, disheveled,
Crying, let me live, let me be saved,
Let me make a poem,
Let it be inscribed upon my victorious flag.

The poem is the sweat left upon the brow,
Having exercised the five senses,
The salt of struggle and debate,
It's completion, each word,
Both a victory and a defeat.

To write but a single line,
That uplifts the heart,
Eases pain, gives delight to strangers,
And makes you laugh out loud
With shivery pleasure,
That usurps a whole day and night,
That is a poet's true measure.

Mastery of the poetic,
Measured not in quantity,
But in tears of satisfaction
When others love the taste
Of newly born stanzas
Upon their lips,
couplets born and transcribed
In the wee hours of the morn.


You can have my love, my soul,
But leave to me the labor of poetry.
Loving you with words is my domain,
The speciality of my terrain,
So no more hasta la pasta if you please,
And by the bye, I would love some
Tonight, say around eight,
At a restaurant where the moon is
The only light illuminating our faces.

Until you have bent your ear to Shakespeare's sonnets,
Till you have laughed with Ogden Nash,
Wept with Frost, visited Byron's ghost,
Read the songs of King Solomon,
And once you
Despair of being their equal,
Shed your winter coat of worry,
***** your courage to the sticking point,
Begin to write then with reckless courage,
Unfettered abandon, make a fool of yourself!

Scout the competition.
Weep, for you and I will never surpass
The giants who preceeded us, and yet,
Laugh, cause they thought the same thing as well...


All I can say is
En Garde!
I will be coming back soon enough.
because you are my best poem,
and the there will always be another stanza needed...

I am no Houdini, it's quite simple,
After 5 years, I read her like a book,
A book of my poems that she has inspired,
Entitled the Mysteries of True Love.


Each letter, a morsel in your mouth,
Each phrase, a fork full of pleasure,
Each stanza, a full fledged member in a tasting menu,
Perfect only in conjunction with the preceding flavor,
and the one that follows,  and the one that follows.

Taste each poem upon thy tongue and then pass it on,
you know how....

Each word, whether chewed thoroughly,
or lightly placed upon a bud for flavor,
needs the careful consideration of your mouth.

When I hear Shakespeare
My own voice is stilled, it's poverty exposed,
I am ashamed of every word I ever wrote.
Hush me not, for t'is true,
Yet I write on for an audience of one, on but one subject,
A subject, a life, mine,
yet, still unmastered, even after decades of trying.

My poverty exposed, unmasked
for what it is worth, or not.


Lest you think this is paean to men
Another grand male boast,
Be advised this ditty be writty
By a man who, while no longer gritty,
Just put jelly on his scrambled eggs
And ketchup on his toast!

Mmmmmmm there might be a poem
Lurking in that too...

So baby,
shut it down,
turn me on,
make me warm for real,
glide your now practiced fingertips on my grizzled cheek,
whisper a phony "ugh,"
cause I know, you will read
this iPad love poem
and cherish us for evermore.


Soul of brevity, poetically,
I'll never be, this insightful critique,
("Your poems are too long")
I've received in multiplicity, from sources internationally,
perhaps, lucky me, you've read this far?

Surely still a chance that an angel will touch my lips,
my internal parts sign a final treaty, inside an armistice,
night sweats sighs a thing fully forgot,
poetry writing can now be dispatched,
maybe that will be my Act III,
if I can stay awake for it.

Walk a Single Word.
To write a poem, a single word select,
embrace it with a fullness that lovers, family and friends
and the *** who cut you off in the middle lane
do daily provide

Grasp said word, walk it onto a yellow, blue lined, legal pad,
touch said word with the whisper of a single tear, a single curse,
like a pebble in a pond,
said word will miracle expand
hugging you with concentric circles of lines of poetry,
visionary words and stanzas that almost complete themselves
and you

The rhymes you will require, the meter you will select,
no need to struggle, hug your child and as Abraham told Isaac,
God and Google will provide

The simple trickster, a wordsmiths, even your average poet laureate,
got nothing on you that you don't already possess, to offer them
Plenty stiff competition.


Therefore,
My life is mine to take,
Should I wish to choose the
Place, date, the time
To let the poetry cease,
I will announce it mostly gladly
with a blessing of
Shehecheyanu* and a
Smiling "by your leave."

Sometimes the pen, unnecessary.
The poem, fully formed, in his mouth, born.

Silent back labor, unbeknownst the existence
Of such a thing, yet knowing now
His contractions, coming fast and furious,
Eyes many centimeters dilated,
The sac's fluid breaks upon the poet's tongue,
He pronounces in a single breath his
Immaculate Completion

When his hand to mouth, goes,
Like Moses, when he touched the burning coals,
The words are signaled, freedom!
The words announce:
We are now created, conceived and
This new oxgenated atmosphere is now our
final resting place.

This child, the poem, this exhalation,
Once freed, is lost to him,
It's been renamed, retitled,
by hundreds of newly adopted parents as
Ours.


Words needed to create another love poem for my beloved,
Nose and toes, ******* and eyes all regularly poetically,
Cherished,
Now I have knuckled under
And competed a full poetic body scan
And have paid tribute to each n'every part of you,
Even your knuckles...which I am busy kissing
While writing this poem in my distracted mind.

The next time it be for the morning meal,
I will eat it in bed,
far from their kitchen hiding places,
And celebrate my heroics with original
Frosted Flakes and milk,
And extra sugar just for spite!
The bedroom fairies, living under the pillow,
Emerge to beg in iambic pentameter,
Won't get nary a bite,
Until they they return the poems they stole
From my midnight dreams.


I am exhausted. So many gems to decorate
My body, my soul. I must stop here,
So many of you have reached out, none of you overlooked.

Overwhelmed, let us sit together now
And celebrate the silence that comes after the
Gasp, the sigh, that the words have taken from
Our selves, from within.


On and on thru the night,
Riffing, rapping, rambling, and spitting,
Ditties and darts, couplets and barbs,
Single words and elegies,
Free verse and a lot of fking curse words,
It was a moment, a time
that deserved
to be preserved,
and so this poem got writ

You may think this story apocryphal
Which is another way of saying untrue,
But I got his boarding pass and it is signed,
To this crazy poetry dude, long may you rasp,
And it is signed by Mr. P. Simon, a big fan,
And it has never since that day,
Left my grasp


Some poems never end,
Nor meant too.
Alliterative phrases, invitations,
Add a verse, a word, even a sound,
An exclamation of delight,
A stanza in its own right.

Unfinished work, forever additive, collaborative.
Modify mine, pass it on.

Read somewhere some poems never end,
Now I understand that better,
Cause there are no bandages, stitches that can close,
Cause there are no pills, switches that can shut off,
The ripping sound, the cutting noise, the raging inside
Heard blocks away, almost reaching a house where you live,
And dying in the same **** place that
Poems come from after midnight.


And even if I am stranger now,
I'll prove useful to have around,
Giving you poetry precisely couture designed by command,
So I fully expect to be hugging you happy
Soon enough.
You'll see.

No matter combo or organized, a good nights sleep
Elusive
So poetry is my default rest position,
My screen savior.

**So when I warn,
All my poems are copywrighted,
My meaning simple, words crystal,
They belong to us, but mostly to you
Who are reading these words
Mashup Part II  Is now posted.

It appears that I write a lot on this topic.   Anyway all theses are indeed snippets from poems  I wrote  and have posted here.  Started with the oldest poems May 18 and working my way thru 'em
zebra  May 2017
I BREATHE
zebra May 2017
i breathe
one breath at a time
each inhalation linked to the exhalation before it
yet every breath stands alone
there's something tenuous about it
this soft machine is on thin ice
devoured by time in innocent increments
like a moth nibbles away wool

my heart
little gorilla
wearing itself out
rubber glove with a hole in it
weird luck

my eyes are bright
solar blue ball lanterns

if you saw me
you would say
good bones
river of envy

yet all hinges
on a muscular rhythmic pulsating machine
like a determined jaw chewing
jumpy mouth

yet on the verge of betrayal
a glitch
karmic indecision  
in destinies wheel house
a red fist locus banging

ones immense sense of self
a vainglorious elaboration
built over a small pulsating muscle
innocuous

dumb blood flesh knot drumming
scarlet tribe
throne of my very soul
great sovereign
old man in a crib
splitting open of its own accord  
a sudden rip from life
to a dead sea eternity
the final frontier

starless night
I

What new element before us unborn in nature? Is there
        a new thing under the Sun?
At last inquisitive Whitman a modern epic, detonative,
        Scientific theme
First penned unmindful by Doctor Seaborg with poison-
        ous hand, named for Death's planet through the
        sea beyond Uranus
whose chthonic ore fathers this magma-teared Lord of
        Hades, Sire of avenging Furies, billionaire Hell-
        King worshipped once
with black sheep throats cut, priests's face averted from
        underground mysteries in single temple at Eleusis,
Spring-green Persephone nuptialed to his inevitable
        Shade, Demeter mother of asphodel weeping dew,
her daughter stored in salty caverns under white snow,
        black hail, grey winter rain or Polar ice, immemor-
        able seasons before
Fish flew in Heaven, before a Ram died by the starry
        bush, before the Bull stamped sky and earth
or Twins inscribed their memories in clay or Crab'd
        flood
washed memory from the skull, or Lion sniffed the
        lilac breeze in Eden--
Before the Great Year began turning its twelve signs,
        ere constellations wheeled for twenty-four thousand
        sunny years
slowly round their axis in Sagittarius, one hundred
        sixty-seven thousand times returning to this night

Radioactive Nemesis were you there at the beginning
        black dumb tongueless unsmelling blast of Disil-
        lusion?
I manifest your Baptismal Word after four billion years
I guess your birthday in Earthling Night, I salute your
        dreadful presence last majestic as the Gods,
Sabaot, Jehova, Astapheus, Adonaeus, Elohim, Iao,
        Ialdabaoth, Aeon from Aeon born ignorant in an
        Abyss of Light,
Sophia's reflections glittering thoughtful galaxies, whirl-
        pools of starspume silver-thin as hairs of Einstein!
Father Whitman I celebrate a matter that renders Self
        oblivion!
Grand Subject that annihilates inky hands & pages'
        prayers, old orators' inspired Immortalities,
I begin your chant, openmouthed exhaling into spacious
        sky over silent mills at Hanford, Savannah River,
        Rocky Flats, Pantex, Burlington, Albuquerque
I yell thru Washington, South Carolina, Colorado,
        Texas, Iowa, New Mexico,
Where nuclear reactors creat a new Thing under the
        Sun, where Rockwell war-plants fabricate this death
        stuff trigger in nitrogen baths,
Hanger-Silas Mason assembles the terrified weapon
        secret by ten thousands, & where Manzano Moun-
        tain boasts to store
its dreadful decay through two hundred forty millenia
        while our Galaxy spirals around its nebulous core.
I enter your secret places with my mind, I speak with
        your presence, I roar your Lion Roar with mortal
        mouth.
One microgram inspired to one lung, ten pounds of
        heavy metal dust adrift slow motion over grey
        Alps
the breadth of the planet, how long before your radiance
        speeds blight and death to sentient beings?
Enter my body or not I carol my spirit inside you,
        Unnaproachable Weight,
O heavy heavy Element awakened I vocalize your con-
        sciousness to six worlds
I chant your absolute Vanity.  Yeah monster of Anger
        birthed in fear O most
Ignorant matter ever created unnatural to Earth! Delusion
        of metal empires!
Destroyer of lying Scientists! Devourer of covetous
        Generals, Incinerator of Armies & Melter of Wars!
Judgement of judgements, Divine Wind over vengeful
        nations, Molester of Presidents, Death-Scandal of
        Capital politics! Ah civilizations stupidly indus-
        trious!
Canker-Hex on multitudes learned or illiterate! Manu-
        factured Spectre of human reason! O solidified
        imago of practicioner in Black Arts
I dare your reality, I challenge your very being! I
        publish your cause and effect!
I turn the wheel of Mind on your three hundred tons!
        Your name enters mankind's ear! I embody your
        ultimate powers!
My oratory advances on your vaunted Mystery! This
        breath dispels your braggart fears! I sing your
        form at last
behind your concrete & iron walls inside your fortress
        of rubber & translucent silicon shields in filtered
        cabinets and baths of lathe oil,
My voice resounds through robot glove boxes & ignot
        cans and echoes in electric vaults inert of atmo-
        sphere,
I enter with spirit out loud into your fuel rod drums
        underground on soundless thrones and beds of
        lead
O density! This weightless anthem trumpets transcendent
        through hidden chambers and breaks through
        iron doors into the Infernal Room!
Over your dreadful vibration this measured harmony        
        floats audible, these jubilant tones are honey and
        milk and wine-sweet water
Poured on the stone black floor, these syllables are
        barley groats I scatter on the Reactor's core,
I call your name with hollow vowels, I psalm your Fate
        close by, my breath near deathless ever at your
        side
to Spell your destiny, I set this verse prophetic on your
        mausoleum walls to seal you up Eternally with
        Diamond Truth!  O doomed Plutonium.

                        II

The Bar surveys Plutonian history from midnight
        lit with Mercury Vapor streetlamps till in dawn's
        early light
he contemplates a tranquil politic spaced out between
        Nations' thought-forms proliferating bureaucratic
& horrific arm'd, Satanic industries projected sudden
        with Five Hundred Billion Dollar Strength
around the world same time this text is set in Boulder,
        Colorado before front range of Rocky Mountains
twelve miles north of Rocky Flats Nuclear Facility in
        United States of North America, Western Hemi-
        sphere
of planet Earth six months and fourteen days around
        our Solar System in a Spiral Galaxy
the local year after Dominion of the last God nineteen
        hundred seventy eight
Completed as yellow hazed dawn clouds brighten East,
        Denver city white below
Blue sky transparent rising empty deep & spacious to a
        morning star high over the balcony
above some autos sat with wheels to curb downhill
        from Flatiron's jagged pine ridge,
sunlit mountain meadows sloped to rust-red sandstone
        cliffs above brick townhouse roofs
as sparrows waked whistling through Marine Street's
        summer green leafed trees.

                        III
                        
This ode to you O Poets and Orators to come, you
        father Whitman as I join your side, you Congress
        and American people,
you present meditators, spiritual friends & teachers,
        you O Master of the Diamond Arts,
Take this wheel of syllables in hand, these vowels and
        consonants to breath's end
take this inhalation of black poison to your heart, breath
        out this blessing from your breast on our creation
forests cities oceans deserts rocky flats and mountains
        in the Ten Directions pacify with exhalation,
enrich this Plutonian Ode to explode its empty thunder
        through earthen thought-worlds
Magnetize this howl with heartless compassion, destroy
        this mountain of Plutonium with ordinary mind
        and body speech,
thus empower this Mind-guard spirit gone out, gone
        out, gone beyond, gone beyond me, Wake space,
        so Ah!
        
                                        July 14, 1978
ken not the
vive la différence!
entre les deux,
these two bed and head chambers,
for all poets are seducers,
regardless of ***, race, creed or color

when first we employ our working, yeoman vocabulary,
we plain start,
to relate but not to regale,
the whom we are,
hoping our moments unique,
will  breach the boundaries
of our collective commonality connectivity,
and find human receptivity

thus, the seduction of self commences

though every possible combination of words has somewhere been inscribed and committed, we ****** ourselves
(the seduction of poetry)
with potions of notions that we are and always be our
first, and now soon forever,
yours as well

of course, we are, it's true,
our very own first admirer & lover,
having conquered the hillock of self,
see the universe expanding and the
****** need to conceive
and prowess to please
beyond the beyond with
the poetry of seduction

do not want your body, heart or soul,
commitment, allegiance, vows,
sacred or profane,
all such in vain

crave your everything,
not even a legal nine-tenths satisfactory

dare not call me arrogant or presumptive,
gaze upon the mirror that cannot lie,
rereading thy words assemblage,
and deny to lie to yourself

want you, you want me,
my adoration,
we want to be in
a poem together,
lovers at the molecular level
where words dissected into letters, then again,
into guttural sounds where a simple outcry is an elegy,
a love poem, a wound, a denouement, a preface, a tear,
a welling, a heaving, a sigh, an exhalation, all,
an entrance to where the need for words
is long since past

the sin and crown of seduction completed,
unanimously

now breathe out
and then,
breathe in
zebra  Apr 2017
SIRENS OF MARA
zebra Apr 2017
kisses on your warm sweet mouth
tender lips caressed
exploring your ******* and raised ******* ..
belly and thighs enveloped
those eager dark delicious places that i covet so
your musk erogenous
the path to your hungry soul
eater of the poison apple
your eyes widen bright with delight
a strange synesthesia you say
your smile a hypnotic alter
you prone
back arched
belly willing
as i drag a curved blade slowly across your winsome flesh
worshiping you
breathing your warm breath into my mouth and nostrils
come now
you coo
i am sheildless

then little strangles that excite
to see how you do
will you love it
adorations twisted mind
she demon
a wizened dizzy Venus

please yes
her **** drenches the bed
a warm viscosity
legs widen
feet piqued
*****
exotic delicatessen

Heralded
i enter with long sweet butter strokes
the sabbath of desire
I swear
i wont let you suffer...
never !
why you say?
because i love you
lovely scythe you call
as if lulled to sleep
whispering dreadful incantations   .
i ache to close the curtain
to lifes scalding chatter
wrap me
in a raggy shawl
impale the throat
like ive alway dreamed
a last exhalation
flood gates pour forth
as deaths dark fold
dissolves all

i rock you drugged
absinthe and wormwood
a last ***** of candles flame
white gauze cinched
lips on a lost mouth
eyes a static pyre

i linger
wishing you still plush
an animated glow
so that i could feel your arms,
now milky white relics
only to take you all over again and again and again
dreamer of the abyss
yet you stand
aberrations, smoke ghost
sacrificially swaying your hips
calling from Hades
dancer of ritual copulation
i melt like wax in the sun
wither
and die myself
marriage Italian style
dead bells in love
blotted out by the Sirens of Mara
Mara ..Greek Damon of deception and distorted thinking
Anna Akhmatova  Oct 2010
Requiem
INSTEAD OF A PREFACE

During the frightening years of the Yezhov terror, I
spent seventeen months waiting in prison queues in
Leningrad. One day, somehow, someone 'picked me out'.
On that occasion there was a woman standing behind me,
her lips blue with cold, who, of course, had never in
her life heard my name. Jolted out of the torpor
characteristic of all of us, she said into my ear
(everyone whispered there) - 'Could one ever describe
this?' And I answered - 'I can.' It was then that
something like a smile slid across what had previously
been just a face.
[The 1st of April in the year 1957. Leningrad]

DEDICATION

Mountains fall before this grief,
A mighty river stops its flow,
But prison doors stay firmly bolted
Shutting off the convict burrows
And an anguish close to death.
Fresh winds softly blow for someone,
Gentle sunsets warm them through; we don't know this,
We are everywhere the same, listening
To the scrape and turn of hateful keys
And the heavy tread of marching soldiers.
Waking early, as if for early mass,
Walking through the capital run wild, gone to seed,
We'd meet - the dead, lifeless; the sun,
Lower every day; the Neva, mistier:
But hope still sings forever in the distance.
The verdict. Immediately a flood of tears,
Followed by a total isolation,
As if a beating heart is painfully ripped out, or,
Thumped, she lies there brutally laid out,
But she still manages to walk, hesitantly, alone.
Where are you, my unwilling friends,
Captives of my two satanic years?
What miracle do you see in a Siberian blizzard?
What shimmering mirage around the circle of the moon?
I send each one of you my salutation, and farewell.
[March 1940]

INTRODUCTION
[PRELUDE]

It happened like this when only the dead
Were smiling, glad of their release,
That Leningrad hung around its prisons
Like a worthless emblem, flapping its piece.
Shrill and sharp, the steam-whistles sang
Short songs of farewell
To the ranks of convicted, demented by suffering,
As they, in regiments, walked along -
Stars of death stood over us
As innocent Russia squirmed
Under the blood-spattered boots and tyres
Of the black marias.

I

You were taken away at dawn. I followed you
As one does when a corpse is being removed.
Children were crying in the darkened house.
A candle flared, illuminating the Mother of God. . .
The cold of an icon was on your lips, a death-cold
sweat
On your brow - I will never forget this; I will gather

To wail with the wives of the murdered streltsy (1)
Inconsolably, beneath the Kremlin towers.
[1935. Autumn. Moscow]

II

Silent flows the river Don
A yellow moon looks quietly on
Swanking about, with cap askew
It sees through the window a shadow of you
Gravely ill, all alone
The moon sees a woman lying at home
Her son is in jail, her husband is dead
Say a prayer for her instead.

III

It isn't me, someone else is suffering. I couldn't.
Not like this. Everything that has happened,
Cover it with a black cloth,
Then let the torches be removed. . .
Night.

IV

Giggling, poking fun, everyone's darling,
The carefree sinner of Tsarskoye Selo (2)
If only you could have foreseen
What life would do with you -
That you would stand, parcel in hand,
Beneath the Crosses (3), three hundredth in
line,
Burning the new year's ice
With your hot tears.
Back and forth the prison poplar sways
With not a sound - how many innocent
Blameless lives are being taken away. . .
[1938]

V

For seventeen months I have been screaming,
Calling you home.
I've thrown myself at the feet of butchers
For you, my son and my horror.
Everything has become muddled forever -
I can no longer distinguish
Who is an animal, who a person, and how long
The wait can be for an execution.
There are now only dusty flowers,
The chinking of the thurible,
Tracks from somewhere into nowhere
And, staring me in the face
And threatening me with swift annihilation,
An enormous star.
[1939]

VI

Weeks fly lightly by. Even so,
I cannot understand what has arisen,
How, my son, into your prison
White nights stare so brilliantly.
Now once more they burn,
Eyes that focus like a hawk,
And, upon your cross, the talk
Is again of death.
[1939. Spring]

VII
THE VERDICT

The word landed with a stony thud
Onto my still-beating breast.
Nevermind, I was prepared,
I will manage with the rest.

I have a lot of work to do today;
I need to slaughter memory,
Turn my living soul to stone
Then teach myself to live again. . .

But how. The hot summer rustles
Like a carnival outside my window;
I have long had this premonition
Of a bright day and a deserted house.
[22 June 1939. Summer. Fontannyi Dom (4)]

VIII
TO DEATH

You will come anyway - so why not now?
I wait for you; things have become too hard.
I have turned out the lights and opened the door
For you, so simple and so wonderful.
Assume whatever shape you wish. Burst in
Like a shell of noxious gas. Creep up on me
Like a practised bandit with a heavy weapon.
Poison me, if you want, with a typhoid exhalation,
Or, with a simple tale prepared by you
(And known by all to the point of nausea), take me
Before the commander of the blue caps and let me
glimpse
The house administrator's terrified white face.
I don't care anymore. The river Yenisey
Swirls on. The Pole star blazes.
The blue sparks of those much-loved eyes
Close over and cover the final horror.
[19 August 1939. Fontannyi Dom]

IX

Madness with its wings
Has covered half my soul
It feeds me fiery wine
And lures me into the abyss.

That's when I understood
While listening to my alien delirium
That I must hand the victory
To it.

However much I nag
However much I beg
It will not let me take
One single thing away:

Not my son's frightening eyes -
A suffering set in stone,
Or prison visiting hours
Or days that end in storms

Nor the sweet coolness of a hand
The anxious shade of lime trees
Nor the light distant sound
Of final comforting words.
[14 May 1940. Fontannyi Dom]

X
CRUCIFIXION

Weep not for me, mother.
I am alive in my grave.

1.
A choir of angels glorified the greatest hour,
The heavens melted into flames.
To his father he said, 'Why hast thou forsaken me!'
But to his mother, 'Weep not for me. . .'
[1940. Fontannyi Dom]

2.
Magdalena smote herself and wept,
The favourite disciple turned to stone,
But there, where the mother stood silent,
Not one person dared to look.
[1943. Tashkent]

EPILOGUE

1.
I have learned how faces fall,
How terror can escape from lowered eyes,
How suffering can etch cruel pages
Of cuneiform-like marks upon the cheeks.
I know how dark or ash-blond strands of hair
Can suddenly turn white. I've learned to recognise
The fading smiles upon submissive lips,
The trembling fear inside a hollow laugh.
That's why I pray not for myself
But all of you who stood there with me
Through fiercest cold and scorching July heat
Under a towering, completely blind red wall.

2.
The hour has come to remember the dead.
I see you, I hear you, I feel you:
The one who resisted the long drag to the open window;
The one who could no longer feel the kick of familiar
soil beneath her feet;
The one who, with a sudden flick of her head, replied,

'I arrive here as if I've come home!'
I'd like to name you all by name, but the list
Has been removed and there is nowhere else to look.
So,
I have woven you this wide shroud out of the humble
words
I overheard you use. Everywhere, forever and always,
I will never forget one single thing. Even in new
grief.
Even if they clamp shut my tormented mouth
Through which one hundred million people scream;
That's how I wish them to remember me when I am dead
On the eve of my remembrance day.
If someone someday in this country
Decides to raise a memorial to me,
I give my consent to this festivity
But only on this condition - do not build it
By the sea where I was born,
I have severed my last ties with the sea;
Nor in the Tsar's Park by the hallowed stump
Where an inconsolable shadow looks for me;
Build it here where I stood for three hundred hours
And no-one slid open the bolt.
Listen, even in blissful death I fear
That I will forget the Black Marias,
Forget how hatefully the door slammed and an old woman
Howled like a wounded beast.
Let the thawing ice flow like tears
From my immovable bronze eyelids
And let the prison dove coo in the distance
While ships sail quietly along the river.
[March 1940. Fontannyi Dom]

FOOTNOTES

1 An elite guard which rose up in rebellion
   against Peter the Great in 1698. Most were either
   executed or exiled.
2 The imperial summer residence outside St
   Petersburg where Ahmatova spent her early years.
3 A prison complex in central Leningrad near the
   Finland Station, called The Crosses because of the
   shape of two of the buildings.
4 The Leningrad house in which Ahmatova lived.


First published Sasha Soldatow Mayakovsky in Bondi
BlackWattle Press 1993 Sydney.

— The End —