Submit your work, meet writers and drop the ads. Become a member
Nat Lipstadt Mar 2014
alliteration
delving delusory,
a literati shun
thy commissions,
galore,
the line goes around the
corner

Entrusted.
write us a prayer -
as if I were thus worthy

t'is a delusion
which is worse than
Illusion
my fingers command me -
not I, them
I scribe inky,
they write what they deem
the most unfitting fulfilling

thy requests
more crosses to bear,
this Jew has walked the
Via Dolorosa
then, and again,
now

oh yes delve delve
with archaic *****
turn over earth unsubstantiated
long time un~disturbed

"bring us your truths
in whatever form
they spill from you"


Thus, they command me, Lord

"Go back to living,
like it used to be.
No more tortured soul
to slow you down"


Thus, they command me, Lord

sleep restful,
feet bathed,
Pavorotti  & Pachelbel
comforted,
let it go,
live the fleeting,
well,
drink the wine,
wafer, taste,
Jew,
but stay away from the confessional

don't
delve into your own
thesaurus
when opened,
one can vision
right through us

don't
delve in to the recesses
thankfully receding, eroding,
except for the enlightening flashbacks
that stone cold come with no
forewarning

don't
let the sin memories
of ancient words,
black gold bubble up
with the first striking of the blade

Delve
(excavate your soul deep)
Not

I did not come this poem to write
I did not come to repeat
Solomon's poem,
nothing new under the sun

don't,
daunting
wish to delve into my delusions,
my original sin
the deceit
the conceit
I am unique
I am original

but let us weave as I best could
diagrammed prayers
as the sun rises over my eastern river
for it the seventh day,
the sabbath day,
which the commandments
commend as the day to remember and

to keep it holy.
Six days you shall labor,
and do all your work,
but the seventh day is a Sabbath
to the LORD your God.
On it you shall not do any work,
you, or your son, or your daughter,
your male servant, or your female servant,
or your livestock,
or the

sojourner
who is within your gates.
For in six days the LORD
made heaven and earth, the sea,
and all that is in them,
and rested on the seventh day.
Therefore the LORD
blessed the Sabbath day
and made it holy.


no delving today
I will observe thy reader's,
all of them my teacher's,
commandments
rest easy,
spill no truths this day

but on the new born morrow
I shall fresh
delve and sin again
and write them
joyful hymns
to sing
on the profane workweek,
for my torture,
my spilled and soiled truths
shall be
re-presented
to joyous comfort

and then,
I shall sojourn among them
I did not cone to write this poem.
It came and I mere mortalized, transcribed it,
for it too,
just a sojourner.
Then after thus commanded,
the boy,
rested.
Shofi Ahmed Jan 2020
(0)
Fly perfectly straight and high, and show the fly
out of the fly-bottle on your way.
Rise to victory, far above the blue sky,
and reap the reward: the opening of paradise!

The road ahead is clear and open this way,
with things small and big growing and disappearing up this way.
You will see sunrises and sunsets waxing and waning,
with mention of the moon and stars in the dark.
Be mindful as you sway, it's got to be laser-sharp.
There is no hard shoulder on this highway,
miss it by an inch and risk losing everything forever!

There is hope, there is light up high
pick up your paintbrush, just like the sun does
goodness knows how it sneaks in, right in the black
canvas of the night, painting the first light
lo, it shows up in heaven, the candle of the daylight.

As long as there is a man and a woman,
never give up, our canary bird can fly
rosy or not, the nest in every morn nets a sunrise!

(1)
A woman indeed plucks up the courage
she never had to look up to the stars
be it for the guide or the light in the night.
Fathima herself was the full Moon every night
is thanks to her Godsent innate light.

With it, she can bask in the full spread of the pi
on top of its short decimals mounting high
constantly as if countless stars in the sky.

The time and space under the sun
and that under Fathima's light
are far apart from each other
yet they coexist side by side.

As she points out,
"A circle is masculine
while pi is feminine."

Pi forms the circle with fine prints,
decimal dots continue to spring,
sprawling trillions of new digits,
the bandwagon is still increasing.
Connecting the dots is an untouched dream.

The full moon pi picture is veiled,
unseen at large, yet in short, 3.145 it can live!

(2)
Fathima flies her lock of hair
in the lurking air of the transcended pi
the primitive feminine does that,
no wonder she is God's secret feminine opus!
An immeasurable black hole lies in between
the short and transcended pi, running like a river,
dancing anew on every riverbank
in the many curls of Fathima's jet black hair.

She lent out a hair to the planet earth
and crossed over like a silhouette
without spilling out the colour
of the transcended end of the pi.
The earth takes it in the core in her heart
as if it would keepsake it forever.

Weaving the pi in Fathima embeds two hairs ties one
perfect circle at the back and one at the front of the universe.
Inside each hair the earth is finest fluid in the core
none is as deep as high as proportionate a perfect flow.
No time is as revealing no music is as sweet in this orb
no force is as mighty nor as prevailing a true giant
causing gravity and the heat at the earth's core.
Matter and spirit mix free in the play both wax lyrical
thanks to the pure resonance of 'Qun Be' the word of God!

(3)
The way to the earth's core is exposed to none other
save the Angel of Death the lucky one.

See both sides of the one lofty sky swathed in countless stars  
but the day and night render through still remains an unseen one  
Terra is shalet zeroed in Fathima is heaven on earth!  
Up in the sky-high bank turning the starry bowl upside down
Fathima took no star nor a pearl diving deep down the Arab water,
the brightest luminary came after Muhammad (PBUH),
in veil from the Night of Measures and into the flipside in the night
she's gone without lifting the veil but left her penetrating mark.

Few could find the shortcut contemplating on a blank canvas
the Moon looks down into the abyss down the sea eyes on far
for a mirror in the bottom on the as above so below matter
since Godsent Fathima touched on the all-inclusive primitive water.
The sun gets caught up in the very water dew she raised in the sky
the ancient fold of time still unfurls with the sun-kissed flowers
for the new hands yet the fingerprint on the sun remains only her!

Azrael heads to Fathima around the year 632 after death
touches down in Medina on his usual thin earth he steps.  
But this time a little mundane dust couldn't be thicker
he keeps descending deep down to the earth's centre
following from Medina but the angel locates her
inside the perfect circle a closed geometric figure.

(4)
Fathima is the female headline her secret is not all known
when she used to visit the Prophet Muhammad (PBUH)
he would stand up for her hold her hand and kiss it
and seat her on his seat, she would do the same to the prophet
when he would visit her like they did know each other
in and outside the spheres of heaven and earth!

She is the embodiment of the infinite feminine variations
the first spiritual woman created following God's word Qun.
Her is the mother tongue of the ever diversified feminine lingua
no one woman on her own can rhyme with her alone
she has no peer her rhetoric is unique like none other.
The galactic run from planet to planet up on the starry ladder
climbing high up the mountain heaven yet streams out like oval
off their rock bottom stone until that unleashes the final run
in perfect circle delving into the rhythm of the loop at the centre
made of Fathima's hair charged by 'Qun' God's uncreated word.  

Prophet David can sing on the bank of the river
and can see the fish are jumping to him out of the water.
The masculine is open form, eye on everywhere,
but not her the woman is in juxtaposition her
all-inclusive schema supplanting the details rest only on her.
She is the unseen world within the world at best imagine her!
Guess, through this inwardly open door who might disappear?
It's nature before the scientist on ultimate discovery of the matter!  

Aligning with her down the rainbow up high the land absorbs
the grooming sky looking on the running rivers within her.
Her words spread through like the smart cloud that flies far
over the lands and valleys but not even the wind none other
gets a sniff of the potion and melody it caries until that rain down
without a hurdle without a visual she moves on at the target
such a soul needs no after death lift from the angel of death.

Before Azrael Fathima loses an arc of the circle then and there
so not the earth but giant Azrael can take the pressure!
Marked by a fluid discharge since then she is cooling this fire
In Shaa Allah God willing when she ajars it, it will be elixir!  

(5)
Draw a straight line, but it won't be perfect
it keeps bending, fly straight touching the sky
the flight path won't look like a straight line
it would be like the crest of a crescent moon
like curve touched the sky, like climbing up
atop the pyramid is not going high straight on
it goes up from the widespread seked slopes.

Moves in golden ration 1.618 not the full two
and gets the designing formula flawlessly full
micro to macro all levels all the way to the true north!    

Fathima being the original feminine eyeing at her
she can tap in the knowhow of naturally feminine nature.
And discovers the immanent pattern - the world
is pre-designed and measured is never a coincidence.
The creatures' creativity, scientist's science
is to follow, discover working formulas like phi and pi.

Play along it works until an unknown hour strikes
comes with accurate knowledge dead on time
numerically correct never miss taking a life away
as if it was calculated beforehand before the birth.
A newborn is born for a limited time
already set but no one knows when it goes up  
is a deadlock clock but it isn't so shrouded
in the blueprint of the creatures' grand design
there the clock ticks safe and sounds it never dies!  

(6)
Fathima hailing from the other side of the pool
eyes on the ever live pre-design side of the creation!
Then its corporeal face was only a water drop,
the primitive one looks see-through it has dead zero
knowledge of its lively other side of the pool.
She comes closer and perfectly mirrors both sides
that shines through on her reflected face on the water.
An absolute new image that livens up the dead part
Bang - Big Bang! The corporeal world gets the spark
explodes out from the very first drop of the water!

Fathima's appearance was miraculously instrumental
God reveals nature the finite and infinite, 0 and 1,
future in the present and the death and life in play!
Nature follows suit it just saw the perfect role model
banged out but only to its corporeal set
it aspires to be with its infinite reality yet!

Fathima leaves the door open constructing a perfect circle,
hardly straight, took the mixed bag of countless variations
she zooms into the abyss irrational portion of the first matter,
the primitive water drop and aces the circle with her hair
that nothing can equate throughout the corporeal world.
Done the math discovering the zero starting point at the bottom.
The ocean of digit numbers, the DNA of all things material
banged out of it, still, the zero is numberless irrational!

(7)
All things, within oneself and in a set constantly vibrate,
strive to align with the enduring reality of itself.
The atom vibrates to reach out to its immortal portion
that doesn't die and is in the know of its lower base.
The planets are in a defined circular orbit, accurately measured
just the apex on top of their dynamic pyramid the pyramidon
is tucked away; they too have an irrational portion in the circle.

With the finest spin, they zoom in the spacious universe,
in part and like the sun outside the constellations round they go
never miss a target line yet to re-discover Fathima's perfect circle
the origin of their digital essences' breakthrough
the door to their transcended destination de jour.
Lo the matter turns the last stone pulsing across the cosmos
the mortal horizontal spread, the spirit returns home.

The earth has a line in its swansong it has a place in paradise
it's not here to stay for good neither to perish forever!

Matters form and break without losing the rope,
it's not to paint the shades of the eternal blue
but to ace an irrational portion in the circle
at the heart of the earth, as above, so below.  
The deep the high the perfect circle
up and down the centre of gravitation for all!

At even and at odd the vibration within the matter is fluid
somewhere is parched there the arch matter must make a splash.
Far away on that dark beach, the full-fledged sea of the matters
outpours its billowy potion with the Moon on the frontline
from deep within the physical world's most glowed up firefly!

(8)
The seven seas swell up smoothly into the moonlight-dip
oh, the waterless Moon at the core is still fasting.
Led by time the sweet swan punting along the waves
streams down the watery inner circle of the planets.
Until stuck in the Moon no water in the last waterfront
but paradise is on the other side of the pool!  

The sun dips away into the night
while the eve baths in the shades of pink and gold,
the dazzling hues soon turn to taupe.
Drawing down painting the picture in full colour
only to find the time is up on the halfway,
yet to print a colour copy of the night!
The other unseen half is passed down to the Moon
tiptoeing in slow motion in the depths of the night
barely keeping the head afloat in a fathomless ocean
of shades of black hails from where knows no one.  

The sun enkindles the moon half-lit keeping itself away
amid shadows as if comparing the shades now it knows
a Mehrem a veiled female is ahead not to look on or
compared to that the sun has no light or true are both.

Wrapped in the eternal night beneath its black mole
once the moon on the front approaching most close
directly down to the centre of the earth eyes on
over that inlaid string hairy black perfect circle
never did it turn back the same gaze is still on
orbiting around the earth in synchronous rotation.

(9)
The never-ending night is becoming a night indeed
it's coming to an end so soon in our time.
In Shaa Allah I will see it with my eyes before I die
in the Night of Measures in an odd night in Ramadan
Fathima from the transcendental end of irrational heart
will turn on top of the curve opening for the first time
a 9-degree angle in the circle at the centre of the earth.

Instantly the leading force, time will get the first sniff
of the other world, so peaceful heart-melting serene.
Rapturous time feeling an ounce of the enduring peace
for the first time cutting all the corners with ease
will be propelled into its yet uncharted golden mean.
Scurrying to the peaceful abode time will be on its wings
across the globe, people will be stunned seeing
how first the times pass from then on incredibly quick!

Fathima, the first spiritual woman on duty, will start
pulling her hair back off the circle at the centre
Juxtaposed in between the worlds of here and hereafter.
She will take back every inch of it, the heavenly bodies
will feel the pinch of her every little subtle pull
that too is a boon helping them perfect their circle.

(10)
Soon she opens it just 9-degree wide at first
the Moon will see a glimpse of the first drop of water.
Without it, it's living perched without the water of life
that's destined to rain down soon and the Moon
back into its original pond shall revive!
Mapping the pi's whole infinitesimals playground
finally, Fathima will turn the circle upside down
on the dot the stunned sun shall rise in the western sky!

By now under Fathima's hair's shaded closed circle
it must have sailed far over the blue sky in the other world.
Billowing with the breeze over the sea of uncharted water
and stacking to the brim with all that it could discover
humbly stood like a cloud in that corner of the sky.

The time is finally ticking fast to rain down with love
paradise's welcoming schema rendering in waterpaint drops
on the Moon over the sea of matters, that's most glowed up firefly
ah, finally can break the fast sipping in a drop of elixir!
It's their heavenly adopted, Miʿrāj performed, primitive water.
The Moon with the seven seas will leave off the corporeal shell
gliding gracefully with this stately water nymph as if it never dies
and will make a splash plopping into the pond of paradise!  

For the matter ultimately is water and its extent is sound
Fathima will fetch it the water of life and take it to the next life!
Oh, the matter shall do both die and revive with Israfil's sound
the cloud will fly out of the dead water on the ground,
like the earth with chorus songs of the rain revives.
When that a melodious nymph in the water makes waves
see paradise is here the Moon over the sea can't take off its eyes.

(11)
Hang on though they all set ready on their horizontal span  
to pull in such a fluid yet colourful descending like a rainbow swan.
First chaste Fathima will evaporate her hair's perfume away
that's yet lingering in the water warming it up to its premium
no crowd then can see where this heady, fragrant cloud will fly!
There are the momentum and delights where that will alight.

Israfil might then blow his trumpet swooning the world away
the secret will remain a secret exception is said in the Qur'an.
A strange sound will silence the chorus of the innate digits
collapsing the floating cosmos bubbling on their music.  
The corporeal circle will collapse as if there is no base no pi
the melody of the first word Qun means Be will still be loud
supercalifragilisticexpialidocious so how can we all expire?

Israfil too will play his reviving trumpet pure mellifluous
and In Shaa Allah numerically perfect Fathima will rise
amidst the resonant Qun as like she did in the beginning
when except prophet Muhammad (PBUH) there was nothing!
Now the earth once zeroed in beneath her hair will follow her
the stunned terra will discover Fathima took her hair away
only to shift the constellation up onto the upper world!

The old songs of the planets the chorus of the digits will revive
from the zero bases in the core the digital panache that dance
planet upon the planet as if they are always at the perfect hertz.

Indeed that is yet to come, the arts of the fine layers
opening from the irrational pi, the finest one is to flower
when Fathima will unloop her circled hair at the centre
piercing the very immanent irrational cut
that no creation can fathom only the loving creator Allah
will turn odd to even in between the here and hereafter
then the ocean stuck in deep salt shall turn to enduring potion!
The As-Sirat shall turn to be the bridge to paradise
the body shall revive with the enduring soul forever
and with ah Fathima couple shall enter paradise In Shaa Allah
with the rhapsody 'all praise is for Allah' Alhamdulillah!
phocks Apr 2014
the first time, touched
us, otherwise strangers
delving within ourselves
our overt close encounters
past intimate imitations
of love’s labour lost and gained
we collide
again and again
crossing over, crossing under
energies focused at the hip
flowing through & into one another
endlessly
we release
feathers soaked
in each other’s essence
for soakyourfeathers on tumblr
Ashley Chapman Sep 2017
Sandwiched in layers of liquid crystal display,
Encased in vats of plastic,
                          
                            we
Voyaging in data-spheres, plumes of digital play.

Mindless,
         In the soup of silicone,
                            
                            all
Myt­h-makers,
         Pouring over electro-spawned
         networks,
                            
                            fall
Workers,
          In the buzz of bits and bytes, of
          megabytes and terabytes,
                            
                            down
Everyone
          Far from the wood, the brine, the
          mud that caked us,
          In tighter and tighter
          digitised  projections,
                            
                            click!
‘Like me’,
‘Share me’,
‘Leave your comments.’

Messages smoothed out in polymers,
Beyond reproductions of ourselves,

                           enter:

Deeper, delving in the mire of dream-conscious,

Now a waking voice,
          Hardened, digitised, recorded in
          bubbles, in drives, in clouds:
                        
Numb numbers of numbers numb,
                          mirror.

          A platform slotted home:
The motherboard!
          To record the echo in the hollow
          of our Being.
Wrote this a while back. It was published in The Tunnel Magazine, which was great. Anyway, hope it gets a wider audience.
Brianna Heins Jun 2012
Situations find themselves unraveling uncontrollably,
picking at scabs of superiority,
delving into wide expanded pits of insecurity.
The master of masking change
would be the ever drifting reputation,
it leaves bitter, it brings hate.

May I express how much I hate?
Nothing squirms and squiggles uncontrollably
more, than watching reputations
crumble, due to fake superiority.
What do I want, change!
What does she want? Change, but she gets insecurity.

To understand the confliction, insecurity
must paint walls of peeling purple hate.
Well, something in you will change.
You may remain stubborn, uncontrollably
defending your sudden superiority,
you’re just choosing a rotten reputation.

I wish to fly you to a new nation, I mean shes breaking your reputation.
I’d like to find the spot in your mind resided by insecurity,
I know you’re not studded with superiority.
She’s finding a reason for everyone else to hate
the way you attract uncontrollably.
Nothing about you, in you, should change,

because this digs deeper than the change
her and my relationship took, than are used to be reputation
of adoring each other uncontrollably.
of ignoring that insecurity.
of the day she learned to hate,
spindling a slippery net of superiority.

Her comfort zone of a home lays in superiority,
I’d rather cry endlessly than change
by cultivating my hate
for her, for her debilitating take on your reputation.
Transperency touches insecurity
and you are broken, falling uncontrollably.

I will continue to hate her superiority, but that won’t reflect on her reputation.
You mustn’t change your disposition, but lose the grip on insecurity
Don’t you dare hate these words, they care, they love uncontrollably.
s-s-s-sestina!
Poetoftheway Apr 2019
extending thought and delving into intent
(where the poems come from)*


when I was younger, say five years ago,
the summer poems breezed by ripe for plucking,
airborne from the compost fat of
sun, water and soiled nature and its intersecting creatures

then winter poet soldiered on, past the easy season,
seeing rhymes-in-city-fireplaces snap cracking pops,
the wet dog smell of humans in overheated buses,
the seasonal wet sock torture that debated suicide alternately

and the early afternoon dark that closed doors,
a jailing of the populace; when by the glow of reruns,
we perform surgery upon ourselves and poems entitled
all sad words begin with a D get composed

now they don’t come that way

now, wait for you to ***** my eyes into seeing
what it’s that ails us all, what repeatedly fails us all,
and what makes living more than just mere presentable,
oh! your scrappy hints, chocolate covered mints and
oatmeal raisin clues

read now a word that exact interrupts


soloduo

and its timed arrival perfect, making my point too well,
the poems come from you and we transmigrate into a duo,
you are equally responsible for the fat places

in the messages and texts, in the storied themes
underlying all your writings, saying, see man, what the babies
can’t say outright or keep in the studio crevices artfully partially hidden,
the list so credibly lengthy, god sent B12 shots
of extra strong caffe inspiration

that’s why you co create the paintings we paint,
I, paint, you, hang them in the place where they can’t be missed,
in the exact spot when you walk in the door, or overhead,
in bed-overhead ceiling,
cursing that prayerful ******* you let slip

making you mark, verified your, Hancock signatory
in the lower corner

so many pins becoming dagger stories,
change is gonna come, and in every letter is the risk,
that what will be brought, what needing saying,
the penultimate penury,
when you can’t pay the bills with monthly unsocial  insecurity

for what is for the best, or worse, reliving the worst twice more,
it cannot be helped in prevented, only reverted,
what you tell me is the what, of the wherefore
and where the poems come from

so you force me to live in every season,
“breathe the air, drink the drink, taste the fruit,
and resign yourself to the influence of the earth.”
(Henry David Thoreau, Walden)


and its inhabitants that inhabit my every seeing,
which is why I am, is
where you are...


1:33 pm April 6, 2019
What is death, I ask.
What is life, you ask.
I give them both my buttocks,
my two wheels rolling off toward Nirvana.
They are neat as a wallet,
opening and closing on their coins,
the quarters, the nickels,
straight into the crapper.
Why shouldn't I pull down my pants
and moon the executioner
as well as paste raisins on my *******?
Why shouldn't I pull down my pants
and show my little ***** to Tom
and Albert? They wee-wee funny.
I wee-wee like a squaw.
I have ink but no pen, still
I dream that I can **** in God's eye.
I dream I'm a boy with a zipper.
It's so practical, la de dah.
The trouble with being a woman, Skeezix,
is being a little girl in the first place.
Not all the books of the world will change that.
I have swallowed an orange, being woman.
You have swallowed a ruler, being man.
Yet waiting to die we are the same thing.
Jehovah pleasures himself with his axe
before we are both overthrown.
Skeezix, you are me. La de dah.
You grow a beard but our drool is identical.

Forgive us, Father, for we know not.

Today is November 14th, 1972.
I live in Weston, Mass., Middlesex County,
U.S.A., and it rains steadily
in the pond like white puppy eyes.
The pond is waiting for its skin.
the pond is waiting for its leather.
The pond is waiting for December and its Novocain.

It begins:

Interrogator:
What can you say of your last seven days?

Anne:
They were tired.

Interrogator:
One day is enough to perfect a man.

Anne:
I watered and fed the plant.

*

My undertaker waits for me.
he is probably twenty-three now,
learning his trade.
He'll stitch up the gren,
he'll fasten the bones down
lest they fly away.
I am flying today.
I am not tired today.
I am a motor.
I am cramming in the sugar.
I am running up the hallways.
I am squeezing out the milk.
I am dissecting the dictionary.
I am God, la de dah.
Peanut butter is the American food.
We all eat it, being patriotic.

Ms. Dog is out fighting the dollars,
rolling in a field of bucks.
You've got it made if you take the wafer,
take some wine,
take some bucks,
the green papery song of the office.
What a jello she could make with it,
the fives, the tens, the twenties,
all in a goo to feed the baby.
Andrew Jackson as an hors d'oeuvre,
la de dah.
I wish I were the U.S. Mint,
turning it all out,
turtle green
and monk black.
Who's that at the podium
in black and white,
blurting into the mike?
Ms. Dog.
Is she spilling her guts?
You bet.
Otherwise they cough...
The day is slipping away, why am I
out here, what do they want?
I am sorrowful in November...
(no they don't want that,
they want bee stings).
Toot, toot, tootsy don't cry.
Toot, toot, tootsy good-bye.
If you don't get a letter then
you'll know I'm in jail...
Remember that, Skeezix,
our first song?

Who's thinking those things?
Ms. Dog! She's out fighting the dollars.
Milk is the American drink.
Oh queens of sorrows,
oh water lady,
place me in your cup
and pull over the clouds
so no one can see.
She don't want no dollars.
She done want a mama.
The white of the white.

Anne says:
This is the rainy season.
I am sorrowful in November.
The kettle is whistling.
I must butter the toast.
And give it jam too.
My kitchen is a heart.
I must feed it oxygen once in a while
and mother the mother.

*

Say the woman is forty-four.
Say she is five seven-and-a-half.
Say her hair is stick color.
Say her eyes are chameleon.
Would you put her in a sack and bury her,
**** her down into the dumb dirt?
Some would.
If not, time will.
Ms. Dog, how much time you got left?
Ms. Dog, when you gonna feel that cold nose?
You better get straight with the Maker
cuz it's coming, it's a coming!
The cup of coffee is growing and growing
and they're gonna stick your little doll's head
into it and your lungs a gonna get paid
and your clothes a gonna melt.
Hear that, Ms. Dog!
You of the songs,
you of the classroom,
you of the pocketa-pocketa,
you hungry mother,
you spleen baby!
Them angels gonna be cut down like wheat.
Them songs gonna be sliced with a razor.
Them kitchens gonna get a boulder in the belly.
Them phones gonna be torn out at the root.
There's power in the Lord, baby,
and he's gonna turn off the moon.
He's gonna nail you up in a closet
and there'll be no more Atlantic,
no more dreams, no more seeds.
One noon as you walk out to the mailbox
He'll ****** you up --
a wopman beside the road like a red mitten.

There's a sack over my head.
I can't see. I'm blind.
The sea collapses.
The sun is a bone.
Hi-** the derry-o,
we all fall down.
If I were a fisherman I could comprehend.
They fish right through the door
and pull eyes from the fire.
They rock upon the daybreak
and amputate the waters.
They are beating the sea,
they are hurting it,
delving down into the inscrutable salt.

*

When mother left the room
and left me in the *******
and sent away my kitty
to be fried in the camps
and took away my blanket
to wash the me out of it
I lay in the soiled cold and prayed.
It was a little jail in which
I was never slapped with kisses.
I was the engine that couldn't.
Cold wigs blew on the trees outside
and car lights flew like roosters
on the ceiling.
Cradle, you are a grave place.

Interrogator:
What color is the devil?

Anne:
Black and blue.

Interrogator:
What goes up the chimney?

Anne:
Fat Lazarus in his red suit.

Forgive us, Father, for we know not.

Ms. Dog prefers to sunbathe ****.
Let the indifferent sky look on.
So what!
Let Mrs. Sewal pull the curtain back,
from her second story.
So what!
Let United Parcel Service see my parcel.
La de dah.
Sun, you hammer of yellow,
you hat on fire,
you honeysuckle mama,
pour your blonde on me!
Let me laugh for an entire hour
at your supreme being, your Cadillac stuff,
because I've come a long way
from Brussels sprouts.
I've come a long way to peel off my clothes
and lay me down in the grass.
Once only my palms showed.
Once I hung around in my woolly tank suit,
drying my hair in those little meatball curls.
Now I am clothed in gold air with
one dozen halos glistening on my skin.
I am a fortunate lady.
I've gotten out of my pouch
and my teeth are glad
and my heart, that witness,
beats well at the thought.

Oh body, be glad.
You are good goods.

*

Middle-class lady,
you make me smile.
You dig a hole
and come out with a sunburn.
If someone hands you a glass of water
you start constructing a sailboat.
If someone hands you a candy wrapper,
you take it to the book binder.
Pocketa-pocketa.

Once upon a time Ms. Dog was sixty-six.
She had white hair and wrinkles deep as splinters.
her portrait was nailed up like Christ
and she said of it:
That's when I was forty-two,
down in Rockport with a hat on for the sun,
and Barbara drew a line drawing.
We were, at that moment, drinking *****
and ginger beer and there was a chill in the air,
although it was July, and she gave me her sweater
to bundle up in. The next summer Skeezix tied
strings in that hat when we were fishing in Maine.
(It had gone into the lake twice.)
Of such moments is happiness made.

Forgive us, Father, for we know not.

Once upon a time we were all born,
popped out like jelly rolls
forgetting our fishdom,
the pleasuring seas,
the country of comfort,
spanked into the oxygens of death,
Good morning life, we say when we wake,
hail mary coffee toast
and we Americans take juice,
a liquid sun going down.
Good morning life.
To wake up is to be born.
To brush your teeth is to be alive.
To make a bowel movement is also desireable.
La de dah,
it's all routine.
Often there are wars
yet the shops keep open
and sausages are still fried.
People rub someone.
People copulate
entering each other's blood,
tying each other's tendons in knots,
transplanting their lives into the bed.
It doesn't matter if there are wars,
the business of life continues
unless you're the one that gets it.
Mama, they say, as their intestines
leak out. Even without wars
life is dangerous.
Boats spring leaks.
Cigarettes explode.
The snow could be radioactive.
Cancer could ooze out of the radio.
Who knows?
Ms. Dog stands on the shore
and the sea keeps rocking in
and she wants to talk to God.

Interrogator:
Why talk to God?

Anne:
It's better than playing bridge.

*

Learning to talk is a complex business.
My daughter's first word was utta,
meaning button.
Before there are words
do you dream?
In utero
do you dream?
Who taught you to ****?
And how come?
You don't need to be taught to cry.
The soul presses a button.
Is the cry saying something?
Does it mean help?
Or hello?
The cry of a gull is beautiful
and the cry of a crow is ugly
but what I want to know
is whether they mean the same thing.
Somewhere a man sits with indigestion
and he doesn't care.
A woman is buying bracelets
and earrings and she doesn't care.
La de dah.

Forgive us, Father, for we know not.

There are stars and faces.
There is ketchup and guitars.
There is the hand of a small child
when you're crossing the street.
There is the old man's last words:
More light! More light!
Ms. Dog wouldn't give them her buttocks.
She wouldn't moon at them.
Just at the killers of the dream.
The bus boys of the soul.
Or at death
who wants to make her a mummy.
And you too!
Wants to stuf her in a cold shoe
and then amputate the foot.
And you too!
La de dah.
What's the point of fighting the dollars
when all you need is a warm bed?
When the dog barks you let him in.
All we need is someone to let us in.
And one other thing:
to consider the lilies in the field.
Of course earth is a stranger, we pull at its
arms and still it won't speak.
The sea is worse.
It comes in, falling to its knees
but we can't translate the language.
It is only known that they are here to worship,
to worship the terror of the rain,
the mud and all its people,
the body itself,
working like a city,
the night and its slow blood
the autumn sky, mary blue.
but more than that,
to worship the question itself,
though the buildings burn
and the big people topple over in a faint.
Bring a flashlight, Ms. Dog,
and look in every corner of the brain
and ask and ask and ask
until the kingdom,
however queer,
will come.
kirk  Nov 2018
Fat Arses
kirk Nov 2018
Fat arses are so squeezable, big bums I rather like
So amplify your cellulite, and step up to my mic
Pins may shake and quiver, if I can score a strike
A Fat **** has more stability, to park my mountain bike

You may prefer a slender girl, with a bottom that is sleek
And fatter girls are not for you, or not what you would seek
Some little arses can be cute, but I want that extra cheek
I need some chunky piece of ****, to reach my ****** peak

I don't want a boney lass, who wears a leather mini
A larger girl I'd rather have, than a woman that is skinny
Imagine a great big ****, bulging out from a tight pinny
Bear arses are acceptable, just look at that Pooh Winnie

Size twenty dress would be fine, but better times by four
With Something to grab hold of, that would thrill me even more
Bigger bums and fatter thighs, that take up the whole floor
Squelching fat I would enjoy, I don't want a thin girl cure

Thin sticks maybe preferable, those girls shaped like a rake
Stupid ****** I don't want, or **** that could be fake
Fat ladies have more bounce, and they will never brake
I don't mind some extra skin, that's sweating like Swan Lake

Larger woman are more fun, they have a wetter gape
There's more to love per square inch, WOW what a body shape
Smother me with all you've got, a complete body ****
I wouldn't be like Steve McQueen, and try The Great Escape

I'm interested in BIG thrills, but I don't want silk or lace
It's certainly a worthwhile trip, if it's shoved in the right place
Delving into the unknown, well I'm not sure that's the case
You know exactly what you'll get, with fat arses in your face

A nice thin *** is okay, but sometimes they're quite drab
Even if your figure's slim, I'd want more **** to grab
I'd rather have a bit more fat, which includes dimples and flab
If your offering your fat ****, call me a mini cab

Excursions during twilight hours, to avoid the daylight sun
I prefer to be in stealth, I'll be on the midnight run
It doesn't matter how large you are, even if you weight a ton
Fat arses I will always grab, now wouldn't that be fun

There's nothing wrong with pertness, so this I will announce
But doesn't a nice fat ****, have extra pounds per ounce
With more to grab and more to squeeze, and definitely more bounce
Big cats scratching for more meat, will always make me pounce

If you are not good looking, and you look like a pig
I'll forgo your outward looks, as long as you are big
Bare your *** in front of me, and give me the gig
You can reach your Top Gear, with a helmet like the Stig

With a *** like the Grand Canyon, I wouldn't want to pass
Mammoth mountains of pure fun, as i lay in the grass
A women laid across the world, with a big fat ****
I'd try extreme obesity, if it's open wide and sparse

So take advantage of me, and let your **** end loose
I'm a man who likes em big, without being too obtuse
Use your fat for basting, and I'll give your **** a goose
We could do well with a good game, according to old Bruce

You may like slimmer ladies, but come on now you gents
A bums a *** after all, so stop sitting in the fence
If you would try a fatter ****, you wouldn't be so tense
Don't be a ******* plonker, you know that it makes sense

Thinner lovers may change their mind, and not think fat is vile
It's just a different point of view, depends on your own style
For that deeper piece of crack, I'd go that extra mile
I don't think a fatter ****, is bottom of the pile

Maybe you don't share my views, but there's something I can teach
A plumper *** would be great, that is within your reach
Succulent cheeks that you can grasp, your hands could have one each
Even James gave it a go, because he had a Giant peach

The perspective of a chunky ****, an amazing smile and crack
That's the exciting view you'll get, when your stood round the back
Its great to feel you way around, when everything's pitch black
You'll find it an experience, if you are right on track

A nice *** I wouldn't mind, so come on where's your *****
Bigger cheeks I can't resist, theres no need to get me drunk
I wonder if the girl next door, has some lovely feeling chunk
Enticement is my spice of life, cos I'm not a ******* monk

To like a larger lady, well It's not classed as a sin
Shallow men may only like, a girl that's really thin
Just because our clientele, are not shaped like a pin
Fatter girls have twice to give, it's like loving the same twin

Some fellows might think I'm blind, and need a pair of glasses
You can leave the lights on, cos I don't think fat is classless
Flash your **** at the back door, and you won't get any passes
Tables and sofa's can be used, to display your great fat arses
Nat Lipstadt Apr 2019
~~~

“To exist is to change, to change is to mature, to mature is to go on creating oneself endlessly.”  Henri Bergson


well in that case,
I’m either the most immature teen here,
or Rip Van Winkle

the re-creation process is six, nearly seven,
decades long (you thot days, ha, no way),
can’t recall the last name
I called myself

the delving, the researching, the forgetting,
the fifty first dates of no short term memory,
the checkdown, throwback Thursday of
did I write that?

no recollect, the pretense of
prehensile strength to touch
you and me simultaneously
might, could be true,
if you claim I authored it,
ok with me and all that

life taught me this,
the one who oft  hangs around
very young kids
learns a lot,
and soon recognizes

maturity indeed endless
but not senseless
just a poem-of-the-day process

indeed

every sense says the minute difference
between this morning and this approaching midnight,
an opportunity to grow up, stand straighter, uprighter,
write down my failures one more time,
cause that is the sterling hallmark impressed upon
thyself, ourselves,
that is genuine maturity,
the courageous wisdom to start all over again

the clock has transgressed,
moving past
the 12:00am digits,
which for cause
makes me giddy,
it’s permission to write a new one,
of course,
maturely thinking I still got one within,
a newbie, an aged day-old brand new baby,
a poem,
of course

god bless, I’m all grown n’ growled up,
with wisdom to know I don’t got nada,
but own the immature youthful courage of maturity,
to keep on trying, endlessly,
being your obedient-servant
~~~

p.s. this is kind of love poem of thanksgivings,
a love poem with no misgivings,
a thank you for the fragments of sharing -
hold so dear,
the best reason to mature,
the best reason to change,
the best reason to write
right now, here comes the mojo
my newest oldest friend,
reminding for the last and first time

that I’m all growed,
using the bigliest words I’ve known
to say baby, hey baby,
good night good morning
write us a poem,
a thank you note,
from one who blessedly forgets his name,
day in and year out


For that guy,
you, that ancient kid,
That poet-in-retrograde

so rewrite the title, a refresh,
are you immature enough to write?

1:12am

~for the crew~
Nico Julleza Mar 2018
The seraph sky on ebony night,
A white marble of placid light.
Casting to the living glass,
Haunting, the feeling's elapse.

A time of gardenia drapes,
Hanging the mourning wall.
Scent of ambrosia fogging,
The pavement covered in moss.

Portraits of Celts amidst,
Drifting upon moonlight mist.
Eyes delving, ears opt to hear,
Voices whisper of ancient fear.

An oracle muses the unguided,
As trees speaks the truth.
Humanity strives to be the art,
Yet only remembers by a few.
#MoonBright #Humanity #Haunting #WeAreOne #Nature #LoveInOne

(NCJ)POETRYProductions. ©2018
Mateuš Conrad Jul 2016
when i first found about will alexander, i immediately bought three of his books: kaleidoscopic omniscience, compression & purity, the sri lankan loxodrome - i saw the potential, rekindled surrealism - perhaps a second peacock on the stage, as in more peacock of vocabulary, rather than a peacock of historical quanta merging (E. Pound).

i really do distrust this division in what science speaks
and what poverty stricken humanism speaks of -
i distrust it because science sediments itself supposing
humanism the pauper - science and all its immediate solutions,
humanism and all its delayed problems -
the new priests look so innocent - but i'm bothered,
i don't understand their need for awe-on-purpose -
the old priests demanded kneeling and an agonising
penitence - not a concept of predestination, but
this sort of minority report: you've done nothing wrong,
but we'll assume you already have, better than a microchip
implant, the idea, we'll use that, pre everything
limit the pro of everything, and catch you in a fishnet of
omni, it was too much, all in one go, in defence it started
with a mediator impersonal, Cartesian later Spinoza's
substance - partly due to the omni-etc., a shortcut -
the easiest way out - sure, if i went to a progressive school
rather than a catholic school in an Irish neighbourhood of
far-beyond the East End locality, i might have written
you L.S.D. filled poems, instead i start off tipsy working my
way around vocabulary that's adequate - hushing out
all possible onomatopoeia static in crude tongue -
ridicule feeds the beast, ridicule my prime loathing -
criticism well and truly accepted... ridicule feeds the beast -
but i mean, this perpetuated awe of scientists,
modern philosophy anti-Aristotelian does not begin
with awe, but with a ridicule of it, a disgust -
when did humanism ever experience awe? a stranger's
kindness would be a start, but even then there's hardly
any awe in it - it soon fades, scientists have immersed themselves
as prophets of awe's preservation, one picks up
a stone and speaks of a mountain, one draws a circle and
howls out the moon - i don't know how they can fake their
awe with so many certainties - so many facts -
awe reminds me of my first bicycle lesson, attempting
balance, failing, bruising a knee, and awe when
the balance was mastered - very short-lived, then the
drudgery of re-, i distrust scientific awe, primarily because
we're slowly no longer stepping out into the unknown,
we're stopping into knows and denies - not many unknowns
out there - except as in the case of Iraq, and Donald Rumsfeld,
known knows and there are known unknowns -
now... that's awe... i don't know who was keeping check
on this, but that's more mesmerising that explaining
1,000 million years ago... in a nutshell... how long has
this pneumatic drill of Darwinism been pumping custard
into our brain? is this the part where you tell me we're experiencing
the Alaskan day in the summer months or Alaskan night
in the winter months? all this scientific awe-bashing
is no longer vogue, but they keep at it - oh amazing, ah,
stupefying - and all of it just becomes a regurgitation -
someone said in the 16th century that Aristotle was wrong,
the wrong in Aristotle is that he might have been wrong,
but he was still perplexed... we're no longer perplexed creatures,
not so much... well maybe a bit when it comes to social justice,
but it's not like: sigh and a tear in your eye... it's more like:
if a white boy was shot from a private school, the mothers
and fathers would come up to the police officers with guns
in their hands... you can see awe vanishing when the butterfly
feelings flutter away silently... it's now violent awe:
why is this still happening?! huh?! scientific awe is not
a cushion you can fall back on: we have ~100 years to live
(if you're lucky... or unlucky) and we're being told of life
in caves and trees - Darwinism has hijacked history, this is
where science in written form is like an atom bomb, it wipes
away the best part of humanism, that is: to make human
life itemised on the microscopic level - i don't care if you
go to church and **** out alms for the poor and put on
those ruby shoes and walk the yellow-brick road,
you can't relate to Judea 10 a.d. - not to save your life -
in that famous motto *carpe diem
- but strained it's not
so much seize the day, but... relate to the days and those
around you who share them: pertineo diebus - or something
like that, imagine, going to a Catholic school and they
don't even have the manners to teach you a bit of Latin slang,
travesty; but that's how it is, we're no longer awe-stricken
in what the scientists are selling us, fair-dos to
the medicine men, shampoo men, cologne men,
but the awe-invoking men are a bit n'ah-ah to me -
given the timescale for one -  i'm a simple man and i want
to enjoy my beer thinking about last Friday,
my life... not the collective origin of life, and whether
i was too hairy back then - you don't need theology to
argue this point, just a little bit of common sense self-respect,
last Friday, not 1,000 million years ago when there was
no Friday, no Sunday, no March, no human imprint -
no: i can touch it, i can feel it, i can see it... i want it.
just like in my dream today - it's rather strange that i dream,
i rarely do, but sometimes i remember one or two -
and all i can say is that - i had the best *** in my life
last night, asleep
- yeah, i was ******* in it -
but what bothers me is that it wasn't lucid in terms of
images, but sensations - i can thus say it wasn't completely
impotent in terms of colour, but then again it was -
i'm starting to believe that i'm a blind-man in my dreams,
i ~see sensations rather than actual images in reel -
i can remember leaning against a wall and moving my
tongue in her mouth and my middle-and-ring fingers
into the... what? cliche? anatomic? *****? you choose -
a strange parallelism - we can use the tongue for such
eloquent fragments, and yet reduce it to other atrocities
of equal eloquence - then the whole dream-world changed
and i felt sitting at the tipping point where the sea meets
the beach sands, sitting down awash the waves and her sitting
on me. it's what i felt, i didn't see anything vivid -
but the sensations presented themselves as such -
i associate that with delving into writing in my mother tongue -
email / diacritics "crossword" (un-ditto and apply a
non-misnomer, i.e. give it a proper name, cf. Aristotle)
.
to finish i guess i might as well write a short critique:
the over-burdening of man with nouns -
as in will alexander's index of the sri lankan...
a few examples: proxima centauri (nearest star to our sun),
hemiopia (loss of vision for one half of the binocular field),
dukkha (buddhist term for suffering),
nystagmus (involuntary jerky movements of the eye),
nosophobia (morbid dread of some particular disease),
telesto umbriel larissa (moons of saturn, uranus
and neptune, respectively),
karina (egyptian demonology, a familiar attached
to a child at birth),
pretas (ghosts) -                                  or as some people say
including Christian Guerrero - 'they're just words...'
oh yes, and words are not the cogs in the machine?
just words... just words?! a banker's bonus is just
an array of... just numbers... why is this nonchalance
to these fundamental units? first they teach us to read
and write an escape the sunny harvests of the fields,
the easy mental but demanding physical life -
after the demanding physical life went our supposed
"ease" mental life changed into a demanding mental
life and an easy physical life... that's the problem with
establishing a suitable vocabulary in yourself, you can
sometimes overdo it, meaning not many people will
understand it, globalisation didn't save us from
the babylon ambition rekindled (whether myth or whatever,
it doesn't matter, read a book literally and you'll end
up realising what could have possibly been mere myth)...
all the above cited words from the index, by god, impressive,
but why would i pain myself to use a word that i'd
have to write an index to? globalisation and words from
Iran - southern coastal to be exact home to afro-iranians -
but locally it's just a ******* shish kebab and nothing more -
or central scotoma (area of the retina that's blind) -
all this vocab wall building is amazing, it really is,
a fortress at Acre - admirable... but then a return to the dull
grey reality of everyday speech - the painful art of poetry
reduced to a personal involvement with certain words -
it's heart-breaking, well, not for me, for Will it must be,
but hey, bought three of his books, that must have counted
for a cheeseburger and a portion of fries at some point
in his life.

— The End —