Submit your work, meet writers and drop the ads. Become a member
Cyril Blythe Aug 2012
She wore black except the white heels and pearl earrings. Coughing would show weakness. She swigs her water. The subway-car slows to a stop, “STATION A-4” and Blythe glides out into the underground bustle. It’s routine now to be ignored. A laughing blonde on her pink iPhone bumps Blythe and gives a startled yelp. Blythe pierces the Barbie with a glare and starts up the stairs to the office. A clock reads 7:57.

Late.

Again.

She rounds the corner and sees the sign, “Cound Industries- over 100 years of family service.” Pushing in the wooden door and ignoring security she marches to the IV floor. Marketing. No one says hello or acknowledges her presence. She is phantom. Everyone knows its terminal and that she’s the last of the Cound family line. “Three months, max. It’s a very aggressive cancer.” The doctor told her that at Christmas and it’s now Valentine’s Day. She shut herself in her office. Blythe sighs for the first time. She took out her kerchief and coughed. Blood spots. The red blood was not the only red she planned to see this Valentine’s Day. Today, Blythe Cound decided to take her life and make it immortal.

Steeling herself with a ***** shot she tucked the ****** rag back into her coat, which she then removed to reveal a flowing white dress. “Maybe it will be Owen, he has ideas on how to fix this place. No more charity to start with.” The whispers of her “friends and coworkers” filled her mind as she observed herself in the mirror. Ninety pounds, hollow cheeks, and the wedding dress of her grandma baggy and yellowed. She coughed up blood again, this time on her hand. The urgency hit her. Re-dressing in her long coat she left the office for the last time. Ever. Twenty minutes later she entered the soup kitchen. She sat in the back observing the scene. She chose the young boy, maybe in his thirties. She approached him and grabbed his hand. “Come with me son.” Her voice was harsh now. He obeyed. They went left three blocks to the Courthouse. They entered the probate judges office, signed the papers, and “Cound Inc” officially had a new successor. She died two weeks later.

The boy she married was named Cyril. He abused his newfound power and eventually was deemed by those in black ties to be, “mentally insufficient for such a stress-inducing position.” But, Blythe’s plan worked. The news stations ate the story up. You should’ve seen the headlines. They say “Cound Inc” lasted only two more years before declaring bankruptcy. Some blame Blythe. Some blame Cyril. None blame the whispers.
There was an old person of Blythe,
Who cut up his meat with a saythe;
When they said, 'Well! I never!'--
he cried, 'Scythes for ever!'
That lively old person of Blythe.
Edward Coles  Jan 2015
Blythe
Edward Coles Jan 2015
Oh Blythe, you were always in the wrong,
you lived your life as a sad, sad song.
They say addiction starts and always ends in pain,
great Sisyphus, heaving the boulder again.

We're hooked on all our broken dreams,
suspicious of love like it's a pyramid scheme.

Oh Blythe, the world couldn't compete with your mind,
I talked to you, but it was the blind leading the blind.
When you took your life I had almost took mine,
feeling the pain, even once I've left it behind.

They found you in a sorry, sorry state,
oh, I know how it feels to always be afraid.

Oh Blythe, I know I shouldn't call you my friend,
and I can't pretend to know what drove you round the bend,

I won't preach colour into your world of grey,
and I can't say that "you just have to be brave"
but we're more than these words,
more than a pattern of breath.
You were bursting with life
despite your eventual death.

Oh, where did you go,
my ghost in the snow?
Oh, where did you go,
my dear ghost in the snow.

I've been looking for a place where I can lay in the rain,
it'll be a while, my friend, before I see you once again,
I hope I don't see your face again.
Wherever you are, I hope you don't have to pretend.

Where did you go,
where did you go,
my ghost in the snow.
This is a song I wrote: https://soundcloud.com/edwardcoles/blythe

Because it's a song, I know it doesn't necessarily read as well.
It's about a distant friend of mine who committed suicide a fortnight after I had tried to do the same thing.

C
Nigel Morgan Oct 2013
In the clear light of morning, an October morning, at the beginning of this properly autumn month, he had felt sad: that he’d broken a promise to himself the afternoon before. It was her voice on the phone, and then that text. He had promised he would no longer write intimately, about their intimacy, remembering what has passed between them, which had so marked him. All it took was this flavour of her voice, a slowness in her diction, and he could not help himself: such a rush of images, of moments, sensations. He knew it was unwise to linger over any of these things because he felt sure she did not. That was no longer her way, if it ever had been her way, and he imagined that, with her accustomed kindness and generosity, she had quietly put such things aside. So on this gentle morning, he was upset that he had once again visited that box of treasures in the white room that he kept for her in his imagination house. This was not the route to happiness. He would throw away the key.

He needed consolation. Once he had turned to her letters, to catch that flavour of her, those things that surrounded her, a kind of aura that held within it her secret self. Now, there was a print above his desk that he loved (Spurn marks: seaweed #4), her origami bird, the print of a painting of an African woman and child given to him on his birthday (when he had first kissed her, tentatively on her left cheek,) and her dear photograph, dear because he knew he looked at it more times in a day than he could possibly admit to.

It needed to be a book, a passage he could read to remind him there were so many other joys in life alongside the joy he felt at the thought of her, a joy he felt he might never consummate. He took Ronald Blythe’s Word from Wormingford off the shelf and turned to the essay for the beginning of October. Ronnie had been watching the late September clouds, those armadas sailing across the skies. In a moment he was somewhere else, in a life he recognised so acutely, those East Anglian places of his early manhood. In this present time, in North Yorkshire, he would sit and watched such clouds from a bench above Filey Bay, clouds that David Hockney celebrated in his paintings of the Wolds.

Yesterday afternoon there had been a break in the weather after a week of mist and rain. It had found him gazing at a drama in the skies above the trees in his park. He had walked to the Rose Garden with its redundant conservatory and paired Pelicans atop its gateposts, where once he’d sat with his infant children as they’d slept. There were roses still, a little tattered, but colourful. Like Ronnie he had spent time cloud watching, until the geese from the nearby lake erupted into flight. Always a marvel of movement !

Blythe’s essays were always so rich in the sheer breadth and content of their meditations. There was always some new knowledge to be had, things to Google or better still ‘go to the book.’ This was when he loved what few books now remained from his library. He had Luke Howard’s essay on The Modification of Clouds. A Quaker, Howard was admired by Goethe (they corresponded) and Shelley, John Constable and John Ruskin (who used Howard’s cloud classifications in his Modern Painters). He then went to find Shelley’s The Cloud (and in so doing uncovered several books that he’d forgotten he owned). He read the last verse that once he had learnt by heart . . .

I am the daughter of Earth and Water,
And the nursling of the Sky;
I pass through the pores, of the ocean and shores;
I change, but I cannot die --
For after the rain, when with never a stain
The pavilion of Heaven is bare,
And the winds and sunbeams, with their convex gleams,
Build up the blue dome of Air
I silently laugh at my own cenotaph
And out of the caverns of rain,
Like a child from the womb, live a ghost from the tomb,
I arise, and unbuild it again.

Hmm, he thought, such rhyme and rhythm. And, via Blythe recalling the Chinese, he then pictured the official from the emperor’s counting house bringing guests home after work to gaze at the cloudscapes over the Tai Mountains from his humble balcony. Nothing was to be said, an hour of silence was the convention. In a blink he remembered the autumn poem by Lai Bai where ‘floating clouds seem to have no end.’

I climb up high and look on the four seas,
Heaven and earth spreading out so far.
Frost blankets all the stuff of autumn,
The wind blows with the great desert's cold.
The eastward-flowing water is immense,
All the ten thousand things billow.
The white sun's passing brightness fades,
Floating clouds seem to have no end.
Swallows and sparrows nest in the wutong tree,
Yuan and luan birds perch among jujube thorns.
Now it's time to head on back again,
I flick my sword and sing Taking the Hard Road.

He had to take a deep breath not to think too deeply about The Clouds and Rain, that metaphor for the arts of the bedchamber. But Ronnie’s 500 words sent him back to Wormingford and the bedbound old lady he describes who spent her days watching the clouds.

As he closed the book he felt a little better, ready to face the day, and more important ready to place his thoughts in a right place, a comfortable and secure place, quiet and respectful, however much he might seek to possess each night her Lotus pond and make those flowers of fire blossom within
c Mar 2018
The only other girl at the party
is ranting about feminism.
The audience: a sea of **** jokes and snapbacks
and styrofoam cups and me.
They gawk at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?

These boys…
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am ashamed
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or woman studies classes.
There are days I want people to like me
more than I want to change the world.
Once I forgave a predator because
I was afraid to start drama in our friend group
two weeks later he assaulted someone else.
I’m still carrying the guilt in my purse.

There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
and lipstick shaped mace and underwear designed to prevent ****.

Once a man behind me at an escalator
shoved his hand up my skirt
from behind and no one around me
said anything,
so I didn’t say anything.
Because I didn’t wanna make a scene.

Once an adult man made a necklace
out of his hands for me and
I still wake up in hot sweats
haunted with images of the hurt
of girls he assaulted after I didn’t report,
all younger than me.

How am I to forgive myself for doing
nothing in the mouth of trauma?
Is silence not an active violence too?

Once, I told a boy I was powerful
and he told me to mind my own business.

Once, a boy accused me of practicing
misandry. “You think you can take
over the world?” And I said “No,
I just want to see it. I just need
to know it is there for someone.”

Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another component of being a girl.
We text each other when we get home
safe and it does not occur to us that
not all of our guy friends have to do the same.
You could literally saw a woman in half
and it would still be called a magic trick.
Wouldn’t it?
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies that
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
Credits to Blythe Baird.

Blythe Baird is an affluent, rising young slam/spoken word poet from Minnesota. She has a book out already, "Give Me A God I Can Relate To" and is making gains in the world of poetry. Regularly performs with Button Poetry. You can find the performance of "Pocket-Sized Feminism" on Youtube. Inspiring and firey on the mic! Check this one out.
bluestarfall Feb 2015
With tears in my eyes,
I will smile,
With the shadows perished by,
I will be  the daylight,
With those envisaged grievances,
I will emanate fluorescence,
With sadness deep inside,
I will rejoice,
With the appalling bruises on my skin,
I will still be intact,
With shattered hope,
I will remain steadfast,*
With fulminations raining aside,
I will stay afloat,
With vehement reminiscences passed,
I will protect and cherish,
With love gone awry,
I will gather the traces.
Never ever lose hope. Life is a dark shade of low spirits and high spirits.
Collab with blythe. ^_^
In Bold : blythe
Default : bluestarfall
Chuck Feb 2015
Oh,' be young or old, courageous or wise,
Whatever you do, whoever you are,
Beware of those souls whose words are the guise
Hiding a past marked with an ugly scar.

Their face may be benign hiding malus
With an altruistic front for a show;
Fragrance of a rose hides a soul callus
Envious heart wanting to take your glow.

Yet, your love and honesty guides your fate
No matter what others would say and do,
Love's the beacon to steer away from hate
Enjoy life and show the world the real you.

When deceptive people spin their charmed lies
Let not their words fool you, learn to be wise.
Blythe is my adopted daughter on HP:) we have been learning from each other, since we joined HP. It was a pleasure writing a Shakespeaean Sonnet with her. I wrote, the first line and every other line. I'm happy with the way this evolved.
Lunar Vacancy Apr 2017
The year of Skinny Pop and sugar-free Jell-o cups,
we guzzled vitamin water and *****,
toasting to high school and survival
complimenting each other’s thigh gaps.
Trying diets we found on the Internet:
menthol cigarettes, eating in front of a mirror, donating blood
replacing meals with other practical hobbies like making flower crowns or fainting.
Wondering why I haven’t had my period in months
or why breakfast tastes like giving up
or how many more productive ways I could have spent my time today
besides Googling the calories in the glue of a US envelope.
Watching America’s Next Top Model like the gospel
hunching naked over a bathroom scale shrine
crying into an empty bowl of Coco Puffs
because I only feel pretty when I’m hungry.
If you are not recovering, you are dying.
By the time I was sixteen, I had already experienced being clinically overweight, underweight, and obese.
As a child, “fat” was the first word people used to describe me
which didn’t offend me until I found out it was supposed to.
When I lost weight, my dad was so proud.
He started carrying my before-and-after photo in his wallet.
So relieved he could stop worrying about me getting diabetes.
He saw a program on the news about the epidemic with obesity.
Said he is just so glad to finally see me taking care of myself.
If you develop an eating disorder when you are already thin to begin with, you go to the hospital.
If you develop an eating disorder when you are not thin to begin with, you are a success story.
So when I evaporated, of course everyone congratulated me on getting healthy.
Girls at school who never spoke to me before stopped me in the hallway to ask how I did it.
I say, “I am sick.”
They say, “No, you’re an inspiration.”
How could I not fall in love with my illness?
With becoming the kind of silhouette people are supposed to fall in love with?
Why would I ever want to stop being hungry when anorexia was the most interesting thing about me?
So how lucky it is, now, to be boring.
The way not going to the hospital is boring.
The way looking at an apple and seeing only an apple, not sixty or half an hour of sit-ups is boring.
My story may not be as exciting as it used to, but at least there is nothing left to count.
The calculator in my head finally stopped.
I used to love the feeling of drinking water on an empty stomach
waiting for the coolness to slip all the way down and land in the well,
not obsessed with being empty but afraid of being full.
I used to be proud when I was cold in a warm room.
Now, I am proud I have stopped seeking revenge on this body.
This was the year of eating when I was hungry without punishing myself
and I know it sounds ridiculous, but that **** is hard.
When I was little, someone asked me what I wanted to be when I grew up and I said
“small.”
All I need is love
But it is the true one that want to have
Let me feel thy sweetness
Make my heart be filled with happiness.
Conversing emotion
Keeping love in motion;
Vibrant hearts
Nothing hurts;
Clouds of love as huts
Without you, I'm going nuts.
If by any chance
To the rhythm of my heart, you cannot dance,
Please be true to me
And don't ever fool me,
Don't give my heart false hope
Give me some time to mope;
A piercing pain is what I'll feel
Hoping for the time when I will heal.
This is a unified work of two
Kirui and Blythe.
Hyacinth Jul 2015
Why is it hard to ignore?
Your eyes began to sweat
With the realization of yore-
Felt like an impending death.

Wounded deep within
Marked with scars from the past;
Suffocated by the pain inside
Feeling shattered and broken.

Reminiscing the former times
Just provides hindrance
Mistakes after mistakes
Comprehending thy ignorance.

Adding more woe
To thy anguished life;
Instead of finding a bliss
To solace thy grieving soul.

Found thyself drowning
In the depth of the abyss
Gasping for hope and light
From this wretchedness.
My first ever collab! :D with the ever dearest Blythe!
Dedicated to my one true love (^_-) <3

Hyacinth in default
Blythe in italics
Coleen Mzarriz Jan 2021
Slow, steady, and unhurried steps of her feet that almost floats in the air — while her body lies
on the couch of her old apartment. Her apparition was lost on the airy night of December.

Her feet turned cold and weary, her breath smells like fury and her heart grew solid and unsteady. It beats just the sound of the drum rolling, her pulse radiates of fear, and her lips shut and dry. She turned around and her body keeps still and sounds asleep. As if, it was a normal night and just and peaceful.

She flew right through the door and stroll around the street of Evergreen. It was silent and streetlights turned off. It was smokey and dark. The pavement seems boring and bleak—her dress swayed and the cold air seemed welcoming to her chest. She passed by several houses and happened to find a bookshop. It was vintage and awkward. Its structures did not seem appealing nor look like someone owns them. But she manages to get past through it and books welcomed her—like how ghosts welcome their favorite strangers.

She passed by some old and modern books, carefully slipping her tender fingers to its hardcovers, flipping through endless pages, and breathing the dusty nostalgic aroma of the '90s. “It never gets old,” she says. She flips and flips, flies through the stairs, and find more pages. Circles all the important words, digesting all the heartfelt quotes—this has been her dream.

Suddenly, the lights filled the room, her eyes closed and her heart is racing through her pulse. An unknown hand grabbed her and pushed her to the wall. “Who are you, young lady?” Said the man with a gritted teeth.

Slowly, the woman opened her eyes, and there in front of her revealed a young man with hazel eyes and the smell of strong coffee in his mouth. His aromatic smell of vintage soul and modern scheming look. She dared not to speak but the man in front of her just pinched her pulse hard and peered at her.

She dared to look at him, and they both just stared at one another.

“I- I just want to read books,” she pouted. And the man avoided her face.

“But this place does not exist anymore.” He cleared his throat and loosened his grip on her.

“I- I'm just traveling by,” she added.

“I know. I am too.” He said, avoiding her gaze.

“You're an apparition too?” The woman asked. And she waited for a proper response but he just gazes upon the empty shelf around her.

“To go back,” He whispered.

“Are you the owner?” She asked once again, hoping she will get an answer from a stranger.

“Go home or I might do something you will not like.” He turned to her and gawked.

The woman sighed and went home with questions and strange memories she did not know she has.

It was the second night of December and she floats in the air. Passed by several houses and went to the old bookshop. She continued reading books and the man found her again. But this time, he was silent and cleaning around the area. The woman smiled and tried to talk to him.

“What is your name, young man?” She asked. The man froze and stood there, stiff. She laughed and did not expect an answer. Rather, she went upstairs and kept reading.

“John,” He held out his hand this time, formally acknowledging her presence.

“Emilia,” She smiled. Both of them spent the night reading books and talking about modern literature...And philosophy.

On the third day of December, she did not wake up through her apparition. Instead, she woke up with a soul, feet's touching the ground, and a face that is mirroring her reflection through the mirror. She exhilaratingly went out to find the bookshop, passed by several houses but did not found where the place was. She went back to her old apartment and tried to locate the bookshop.

However, it was only an empty lot she found when she tries to find it by heart and soul. The disappointment was evident on her face and her heart beats rapidly—ceased brows and lips shut tightly.

“John?” She whispered.

“John?” She calls him out again, hoping he'd hear her.

She steps into the burnt-out place. It was only an empty lot with wild grasses scattered and a tombstone lying there, in dust. It was named after Emilia Blythe. Suddenly, a familiar arm hugged her from behind. It was John, and her tears swelled around her eyes—while her heart ache and memories flooded her mind.

“I couldn't save you back then, Emilia, so I went back from the past and live in my dream to see you.” He whispered with comfort and longing.

“It's not your fault, John. I am sorry I forgot about you.” She cupped his face and peck him on the forehead.

“We can work this out and live forever in my dream.” He said with pleading in his eyes.

“But I am only a fragment of your imagination, John. You can let me go. It's not your fault,” Emilia said with conviction.

“I am just a vintage soul, a wayfarer amid the longing dawn and I am a fragment of your imagination. This place exists but it's all in the past now, you can let me go,” She added and let go of his hands.

“Wake up, dear.” She bid him her last goodbye.

John woke up with his heart racing and hopeful eyes. The people around him gathered and created strange noises in which he got confused, he opened his eyes and saw familiar faces around him.

“Thank God you're awake!” An elderly woman hugged him and kissed his face.

“It's a miracle you woke up after five years, son.” He remember his Father's voice and held his hand.

“Where's Emilia?” He asked, hoping he'd get an answer.

“She's gone... Remember?” Her mother broke the silence.

“Like 10 years ago, son.” She added.

He went back to the old bookshop, where Emilia was there. He traces all the books she touched and flipped through the pages where she left.

It was old and aromatic. It was vintage yet modern. The good thing was, his parents renovated the bookshop while he was sleeping for 5 years. He went upstairs and found the section where Emilia was always staying. He scanned all the books and touched every single page of them.

He flips through the pages and found a quote there, it was written with a bleak ink,

“We will meet again,


your old vintage soul”

He smiled and ripped the page out, then the door clicked and the bell rang. He immediately went downstairs and greets the woman in front of him.

“Can I borrow books from section 5-” The woman was cut off when John hugged her. Her face was confused and red.

“Emilia?” He whispered.

“Uh, I'm Emily,” She awkwardly answered.

John laughed and gave her an apologizing look.
“You look like someone I know,” He said.

“Sorry,” He added.

“No worries,” Emily answered with a half-smile.

And they both smiled at each other.
Enjoy reading!
INSCRIBED TO ROBERT AIKEN, ESQ.

        Let not Ambition mock their useful toil,
        Their homely joys and destiny obscure;
        Nor Grandeur hear with a disdainful smile,
        The short and simple annals of the poor.
                  (Gray, “Elegy Written in a Country Churchyard”)

  My lov’d, my honour’d, much respected friend!
      No mercenary bard his homage pays;
    With honest pride, I scorn each selfish end:
      My dearest meed a friend’s esteem and praise.
      To you I sing, in simple Scottish lays,
    The lowly train in life’s sequester’d scene;
      The native feelings strong, the guileless ways;
    What Aiken in a cottage would have been;
Ah! tho’ his worth unknown, far happier there, I ween!

  November chill blaws loud wi’ angry sugh,
      The short’ning winter day is near a close;
    The miry beasts retreating frae the pleugh,
      The black’ning trains o’ craws to their repose;
    The toil-worn Cotter frae his labour goes,—
    This night his weekly moil is at an end,—
      Collects his spades, his mattocks and his hoes,
    Hoping the morn in ease and rest to spend,
And weary, o’er the moor, his course does hameward bend.

  At length his lonely cot appears in view,
      Beneath the shelter of an aged tree;
    Th’ expectant wee-things, toddlin, stacher through
      To meet their dad, wi’ flichterin noise an’ glee.
      His wee bit ingle, blinkin bonilie,
    His clean hearth-stane, his thrifty wifie’s smile,
      The lisping infant prattling on his knee,
    Does a’ his weary kiaugh and care beguile,
An’ makes him quite forget his labour an’ his toil.

  Belyve, the elder bairns come drapping in,
      At service out, amang the farmers roun’;
    Some ca’ the pleugh, some herd, some tentie rin
      A cannie errand to a neibor toun:
      Their eldest hope, their Jenny, woman-grown,
    In youthfu’ bloom, love sparkling in her e’e,
      Comes hame, perhaps, to shew a braw new gown,
    Or deposite her sair-won penny-fee,
To help her parents dear, if they in hardship be.

  With joy unfeign’d, brothers and sisters meet,
      An’ each for other’s weelfare kindly spiers:
    The social hours, swift-wing’d, unnotic’d fleet;
      Each tells the uncos that he sees or hears.
      The parents partial eye their hopeful years;
    Anticipation forward points the view;
      The mother, wi’ her needle an’ her sheers,
    Gars auld claes look amaist as weel’s the new;
The father mixes a’ wi’ admonition due.

  Their master’s an’ their mistress’s command
      The younkers a’ are warned to obey;
    An’ mind their labours wi’ an eydent hand,
      An’ ne’er tho’ out o’ sight, to jauk or play:
      “An’ O! be sure to fear the Lord alway,
    An’ mind your duty, duly, morn an’ night!
      Lest in temptation’s path ye gang astray,
    Implore his counsel and assisting might:
They never sought in vain that sought the Lord aright!”

  But hark! a rap comes gently to the door.
      Jenny, wha kens the meaning o’ the same,
    Tells how a neebor lad cam o’er the moor,
      To do some errands, and convoy her hame.
      The wily mother sees the conscious flame
    Sparkle in Jenny’s e’e, and flush her cheek;
      Wi’ heart-struck, anxious care, inquires his name,
      While Jenny hafflins is afraid to speak;
Weel-pleas’d the mother hears, it’s nae wild, worthless rake.

  Wi’ kindly welcome Jenny brings him ben,
      A strappin youth; he takes the mother’s eye;
    Blythe Jenny sees the visit’s no ill taen;
      The father cracks of horses, pleughs, and kye.
      The youngster’s artless heart o’erflows wi’ joy,
    But, blate and laithfu’, scarce can weel behave;
      The mother wi’ a woman’s wiles can spy
    What maks the youth sae bashfu’ an’ sae grave,
Weel pleas’d to think her bairn’s respected like the lave.

  O happy love! where love like this is found!
      O heart-felt raptures! bliss beyond compare!
    I’ve paced much this weary, mortal round,
      And sage experience bids me this declare—
    “If Heaven a draught of heavenly pleasure spare,
      One cordial in this melancholy vale,
      ’Tis when a youthful, loving, modest pair,
    In other’s arms breathe out the tender tale,
Beneath the milk-white thorn that scents the ev’ning gale.”

  Is there, in human form, that bears a heart,
      A wretch! a villain! lost to love and truth!
    That can with studied, sly, ensnaring art
      Betray sweet Jenny’s unsuspecting youth?
      Curse on his perjur’d arts! dissembling smooth!
    Are honour, virtue, conscience, all exil’d?
      Is there no pity, no relenting truth,
    Points to the parents fondling o’er their child,
Then paints the ruin’d maid, and their distraction wild?

  But now the supper crowns their simple board,
      The halesome parritch, chief of Scotia’s food;
    The soupe their only hawkie does afford,
      That yont the hallan snugly chows her cud.
      The dame brings forth, in complimental mood,
    To grace the lad, her weel-hain’d kebbuck fell,
      An’ aft he’s prest, an’ aft he ca’s it guid;
    The frugal wifie, garrulous, will tell,
How ’twas a towmond auld, sin’ lint was i’ the bell.

  The cheerfu’ supper done, wi’ serious face,
      They round the ingle form a circle wide;
    The sire turns o’er, with patriarchal grace,
      The big ha’-Bible, ance his father’s pride;
      His bonnet rev’rently is laid aside,
    His lyart haffets wearing thin and bare;
      Those strains that once did sweet in Zion glide,
    He wales a portion with judicious care;
And, “Let us worship God,” he says with solemn air.

  They chant their artless notes in simple guise;
      They tune their hearts, by far the noblest aim:
    Perhaps Dundee’s wild-warbling measures rise,
      Or plaintive Martyrs, worthy of the name,
      Or noble Elgin beets the heaven-ward flame,
    The sweetest far of Scotia’s holy lays.
      Compar’d with these, Italian trills are tame;
      The tickl’d ear no heart-felt raptures raise;
Nae unison hae they, with our Creator’s praise.

  The priest-like father reads the sacred page,
      How Abram was the friend of God on high;
    Or Moses bade eternal warfare wage
      With Amalek’s ungracious progeny;
      Or how the royal bard did groaning lie
    Beneath the stroke of Heaven’s avenging ire;
      Or Job’s pathetic plaint, and wailing cry;
    Or rapt Isaiah’s wild, seraphic fire;
Or other holy seers that tune the sacred lyre.

  Perhaps the Christian volume is the theme,
      How guiltless blood for guilty man was shed;
    How He, who bore in Heaven the second name
      Had not on earth whereon to lay His head:
      How His first followers and servants sped;
    The precepts sage they wrote to many a land:
      How he, who lone in Patmos banished,
    Saw in the sun a mighty angel stand,
And heard great Bab’lon’s doom pronounc’d by Heaven’s command.

  Then kneeling down to Heaven’s Eternal King,
      The saint, the father, and the husband prays:
    Hope “springs exulting on triumphant wing,”
      That thus they all shall meet in future days:
      There ever bask in uncreated rays,
    No more to sigh or shed the bitter tear,
      Together hymning their Creator’s praise,
    In such society, yet still more dear,
While circling Time moves round in an eternal sphere.

  Compar’d with this, how poor Religion’s pride
      In all the pomp of method and of art,
    When men display to congregations wide
      Devotion’s ev’ry grace except the heart!
      The Pow’r, incens’d, the pageant will desert,
    The pompous strain, the sacerdotal stole;
      But haply in some cottage far apart
    May hear, well pleas’d, the language of the soul,
And in His Book of Life the inmates poor enrol.

  Then homeward all take off their sev’ral way;
      The youngling cottagers retire to rest;
    The parent-pair their secret homage pay,
      And proffer up to Heav’n the warm request,
      That He who stills the raven’s clam’rous nest,
    And decks the lily fair in flow’ry pride,
      Would, in the way His wisdom sees the best,
    For them and for their little ones provide;
But chiefly, in their hearts with grace divine preside.

  From scenes like these old Scotia’s grandeur springs,
      That makes her lov’d at home, rever’d abroad:
    Princes and lords are but the breath of kings,
      “An honest man’s the noblest work of God”:
      And certes, in fair Virtue’s heavenly road,
    The cottage leaves the palace far behind:
      What is a lordling’s pomp? a cumbrous load,
    Disguising oft the wretch of human kind,
Studied in arts of hell, in wickedness refin’d!

  O Scotia! my dear, my native soil!
      For whom my warmest wish to Heaven is sent!
    Long may thy hardy sons of rustic toil
      Be blest with health, and peace, and sweet content!
      And, oh! may Heaven their simple lives prevent
    From luxury’s contagion, weak and vile!
      Then, howe’er crowns and coronets be rent,
    A virtuous populace may rise the while,
And stand a wall of fire around their much-lov’d isle.

  O Thou! who pour’d the patriotic tide
      That stream’d thro’ Wallace’s undaunted heart,
    Who dar’d to nobly stem tyrannic pride,
      Or nobly die, the second glorious part,—
      (The patriot’s God peculiarly thou art,
    His friend, inspirer, guardian, and reward!)
      O never, never Scotia’s realm desert,
    But still the patriot, and the patriot-bard,
In bright succession raise, her ornament and guard!

— The End —