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Nat Lipstadt Mar 2015
oft on bus seated next,
every one of your senses
adjusting, modulating,
to her unpredictable
solar flaring

you don't ever risk
that first missing
           misstep,
your entirety is
sun bursted
        (un)/consumed
in unhappy joy of her
consuming presence

~~~~~~~~~~~~~~~~~~~

you laugh
years later
re the topic of
your first shaky
foot in the mouth
a classic misstep
first bow shot,
opening one liner

and each storied retelling  
is nature!s
snow and rain
refilling
the love of your
groundwater table
welling up

~~~~~~~~~~~~~~~~

you love her scent
the silly hats she wears,
her short skirts arouse,
that last open button
a misstep invitation,
angry it incenses,
her every solitary everything is
incense,
pervading a daily
co-riding
passenger's
oxygen? starved soul

~~~~~~~~~

her umbrella is a wet
selfie stick
accidentally opening and dousing
an un random next door
seatmate

just another unlucky misstep for
someone sitting next store,
oil on the fire of
happily ever after

two selfies are last seen as
one
un selfishly
toweling each other off and
on
with wet kisses

~~~~~~~~~~~

you eavesdrop on her
earbud music,
weep internally you do with
crazed jealously

The Temptations
are so unfairly
singing to her
"Ain't to Proud to Beg"
and neither are you

you heart is misstepping
to every beat,
your fingers
thrumming,
you idiot, not quietly enough
humming
in the next seat

the first,
will not be
the last

smile exchanged

~~~~~~~~~~~~~

poem writing on the tablet,
amidst the groaning awful
no moving
city traffic

overheated bus
combustible with
winter snow dampness,
wet dog sweat smelling people clothes

all you want to do is get home
shower off
the daily dirt

the poetry writing pastime
is the place
where you put yourself
to better to pass over
your sour surroundings

her finger rattlesnakes,
misstepping over,
noisily invading,
the invisible boundary
constructed to hold up the
eye-averting
Keep Out sign
to momentary,
too neighborly
strangers

her red painted
pointer finger
smudge prints on your tablet,
accompanied with
bespoke words
"try this"

that smudge suggestion
won't come off

insisting on crediting
a shared authorship,
you ask for her
email and cell,
so you can share
her
forever

co jointed tangled
bus and bed sheet first efforts
on writing, all about
what you play~argue
what should your entitled poem
be titled

you think

endless short love story bus poems

but she prefers,
with red fingers persuading

the first misstep is the best

both see the merit
in each other
I love this poem. I do.

Lyrics to "Ain't to Proud to Beg"

I know you wanna leave me,
but I refuse to let you go
If I have to beg and plead for your sympathy,
I don't mind coz' you mean that much to me

Ain't too proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me, girl, don't you go

Now I heard a cryin' man,
is half a man with no sense of pride
But if I have to cry to keep you,
I don't mind weepin' if it'll keep you by my side

Ain't to proud to beg, sweet darlin
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

If I have to sleep on your doorstep
all night and day just to keep you from walkin' away
let your friends laugh, even this I can stand
cause I want to keep you any way I can

Ain't too proud to beg, sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go

Now I've gotta love so deep in the pit of my heart
And each day it grows more and more
I'm not ashamed to come and plead to you baby
If pleadin' keeps you from walkin' out that door

Ain't too proud to beg, you know it sweet darlin'
Please don't leave me girl, don't you go
Ain't to proud to plead, baby, baby
Please don't leave me girl, don't you go
Baby, baby, baby, baby (sweet darling)
H Phone  Jan 2018
Entropy
H Phone Jan 2018
Mistake.
A miss taken.
A misstep taken.
A misstep is all it takes.
A misstep takes it all.
Take a misstep, all breaks.
A misstep is all it takes to break.
A misstep is all it takes to break your spirit.

Do you know the feeling
of adding onto a mistake?
Switching, twisting, making it more appealing,
but no matter what you make,
what it used to be leaves an imprint on the paper.
Black on white.
Wrong on right.

Don’t you wish it wasn’t so?

But you can’t delete your save data, like in some game.
You can’t just start over, blank slate, new avatar, new name.
The system will never forget;
On that, you can place your bet.
And in case you’re wondering why...

Regret.

Like a whirlpool out of control,
like a rampant snowball,
runaway, amassing all
intrusive memories it can gather,
moments and details you would rather
forget, but the fact that you remember makes you madder!
And it is as such with all matter.

Mistakes leave a stain
on your brain.
Wipe the muck?
No such luck.
Because that’s not how the world works, you see?
The way of the universe is entropy.
Entropy is a measure of the chaos in the universe. Everything adds to it, nothing can remove it.
A horror movie scene as the heroine escapes.
Everything is still besides her convalescing breath and the distant, chasing wind.
Not a noise is heard except the fall leave's rattle and the birch wood's moaning bark in the moonlight.
Her body slouches into the protection of a lone shed, and shrouds itself in the aroma of cut grass.
A tense brow relieves and tired eyes close, thankful to receive the momentary peace.

A possible misstep turns the wary peace on end with the jagged cut of broken leaves. The once relieved brow now concedes surprise as wild eyes are cast towards an opaque barricade.
Sly pieces of garden equipment leash a weathered jacket in place as she attempts to stand.
A cackle is heard, a shriek undone.
To spite the brittle wood, the formulaic jump-scare-skeleton-hand bursts through the shed's solicitous walls, set to declare the last of a weary soul as his own.
The wind catches up and spearheads any hole it can find.
It begins whistling around the dim room like a tornado elated to havoc behind a castle's walls.
The tree bark howls, the leaves, now delight.
We learn there is no reprieve for a begging champion.
The camera backs out of the splintered hole, and pans over a silhouetted forest to face the waning moon.
The hero succumbs with muted screams to a gore far below and out of frame.

Our only closure, a black screen, with bright white letters, slowly scrolling up.


The end.
Just something I had fun writing, figured not posting it would be a waste despite it not being "poetry", just an experiment I guess. I feel like it would be good, in like, a high-school, short story competition. *****.
Bad Luck Jul 2018
Doing a dance,
to wear a mask,
To play a game that you can’t stomach . . .
Just so that the truth doesn’t have to face you,
The way you recoil from reflections of yourself.

You’d forsake your happiness, your health —
                                                  You would burn it all.

To do a dance,
To wear a mask
To play a game you’ll always lose.
             To look in a mirror . . .
             To tell an image, that it’s anything but you.

And it is in that moment, that you'll find
                           You’ll tell the unfamiliar truth
As you bleed and feed
                           Your own obliterated youth . . .

To feel, and then
                          to lose —
Just like the loss you always knew

                          You would find in disappointment.
Like an unholy anointment
                          of your least desirable possessions
That retire from the heavens
                          Back to you.


To betray, and to amuse
                                                          A­lone.
The ides of irony rejoice!
               For they’ve found their lamb... or
their ever-dying muse.
                 Forsaking life itself, you clamor
To see others just like you.

And maybe, one day, one will choose
           the path that you can’t leave,
As it reciprocates to thee —
            Two partners in misery, fated to excuse
the waste of each other...
            until they find there’s nothing left.

To feel the flame within its breath consumed.

Wearing a mask,
To live a lie,
                And die a death,
                Whose dance you six-times misstep


                              And on the seventh, betrays you.

"Bad Luck: In a Wakeful Contradiction" is now available on Amazon in paperback!

Link: https://www.amazon.com/dp/1691941182
JJ Hutton Sep 2010
Sit by my side,
talk me through,
let your sweet breath
caress my swollen eyes.

I select you.

Tell me about your past,
talk me through,
each misstep and lie,
the cadence makes it fine.

Curl up next to me,
talk me through,
make sure my heart beats,
but don't let me fall victim to dreams.

Call me your best friend,
talk me through,
if I show weakness, tangle about hair,
please don't call me handsome.

If we make it past night,
if you talked me through,
I'll make you breakfast
and you will make laughter.

Will you select me too?

Let's keep the trade even,
talk me through,
I'll distract you, you'll distract me,
from all the old lovers that proved themselves typical.
Copyright Sept. 17, 2010 by J.J. Hutton
Rob Urban Jun 2012
Lost in the dim
streets of the
Marunouchi district
I describe
this wounded city in an
  unending internal
monologue as I follow
the signs to Tokyo Station and
descend into the
underground passages
  of the metro,
seeking life and anything bright
in this half-lit, humid midnight.

I find the train finally
to Shibuya, the Piccadilly
and Times Square of Japan,
and even there the lights
are dimmer and the neon
  that does remain
  is all the more garish by
contrast.
I cross the street
near a sign that says
  "Baby Dolls" in English
over a business that turns
out to be a pet
  shop, of all things.

Like
the Japanese, I sometimes feel I live
in reduced circumstances, forced to proceed with caution:
A poorly chosen
adjective, a
mangled metaphor
could so easily trigger the
tsunami that
    sweeps away the containment
             facilities that
                   protect us
                        from ourselves
                                                            and others.
  
The next night at dinner, the sweltering room
     suddenly rocks and
        conversation stops
                  as the building sways and the
candles flicker.

'Felt like a 4, maybe a 5,'
says one of my tablemates,
a friend from years ago
in the States.

'At least a five-and-a-half,'
says another, gesturing
at the still-moving shadows
on the wall. And I think
     of other sweaty, dimly lit rooms,
      bodies in slow, restrained motion,       all
          in a moment that falls
                         between
                                     tremors.

         Then the swaying stops and we return
to our dinner. The shock, or aftershock,
isn't mentioned again,
though we do return, repeatedly, to the
big one,
         and the tidal wave that
                           swept so much away.

En route to the monsoon
I go east to come west,
   clouds gathering slowly
     in the vicinity of my chest.

Next day in Shanghai, the sun's glare reflects
  off skyscrapers,
and the streets teem
with determined shoppers
and sightseers
wielding credit cards and iPhone cameras, clad
in T-shirts with English words and phrases.
I fall
          in step
             beside a young woman on
                 the outdoor escalator whose
shirt, white on black,
reads, 'I am very, very happy.' I smile
and then notice, coming
down the other side,
another woman
wearing
        exactly the same
       message, only
                        in neon pink. So many
                                  very,
                                          very
                                                 happy people!
Yet the ATMs sometimes dispense
counterfeit 100 yuan notes and
elsewhere in the realm
      police fire on
      protestors seeking
                more than consumer goods,
while officials fret
about American credit
and the security of their investments, and
     the government executes mayors for taking
                       bribes from real estate developers.
    
    A drizzle greets me in Hong Kong,
a tablecloth of fog draped over the peaks
   that turns into a rain shower.
I find my way to work after many twists and turns
through shopping malls and building lobbies and endless
turning halls of luxury retail.
               At dinner I have a century egg and think
of Chinese mothers
urging their children,
'Eat! Eat your green, gooey treat.
On the street afterwards, a
near-naked girl grabs my arm,
pulls me toward a doorway marked by a 'Live Girls’
sign. 'No kidding,’ I think as I pull myself carefully
free, and cross the street.

On the flight to Bombay, I doze
   under a sweaty airline blanket, and
       dream that I am already there and the rains
         have come in earnest as I sit with the presumably
           semi-fictional Didier of Shantaram in the real but as-yet-unseen
            Leopold's Café, drinking Kingfishers,
              and he is telling me,  confidentially,
                     exactly where to find what I’ve lost as I wake
with the screech and grip of wheels on runway.
            

     Next day on the street outside the real Leopold's,
bullet holes preserved in the walls from the last terrorist attack,
I am trailed through the Colaba district
by a mother and children,  'Please sir, buy us milk, sir, buy us some rice,
I will show you the store.'
    A man approaches, offering a drum,
                        another a large balloon (What would I do with that?)
A shoeshine guy offers
                                           to shine my sneakers, then shares
the story of his arrival and struggle in Bombay.
     And I buy
             the milk and the rice and some
                      small cakes and in a second
                          the crowd of children swells
                               into the street
               and I sense
                     the danger of the crazy traffic to the crowd
                         that I have created, and I
think, what do I do?
           I flee, get into a taxi and head
                             to the Gateway of India, feeling
                                                                                  that I have failed a test.

                                       My last night in Mumbai, the rains come, flooding
     streets and drenching pavement dwellers and washing
the humid filth from the air. When it ends
           after two hours, the air is cool and fresh
                                  and I take a stroll at midnight
          in the street outside my hotel and enter the slum
   from which each morning I have watched
the residents emerge,  perfectly coiffed. I buy
some trinkets at a tiny stand and talk briefly
      with a boy who approaches, curious about a foreigner out for a walk.

A couple of days after that, in
the foothills of the Himalayas,  monks' robes flutter
on a clothesline like scarlet prayer flags behind the
Dalai Lama's temple.
I trek to 11,000 feet along a
narrow rocky path through thick
monsoon mist,
   stopping every 10 steps
to
   catch
        my  breath,
              testing each rock before placing my weight.
Sometimes
    the surface is slick and I nearly fall,
sometimes
    the stones
        themselves shift. I learn slowly, like some
             newborn foal, or just another
                clumsy city boy,
                   that in certain terrains the
       smallest misstep
                            can end with a slide
                                             into the abyss.
                  At the peak there's a chai shop that sells drinks and cigarettes
                                of all things and I order a coffee and noodles for lunch.
While I eat,
      perched on a rock in a silence that is both ex- and
      in-ternal,
the clouds in front of me slowly part to reveal
a glacier that takes up three-quarters of the sky, craggy and white and
beautiful. I snap a few shots,
quickly,
before the cloud curtain closes
again,
obscuring the mountain.
                                                
                                     --Rob Urban: Tokyo, Shanghai, Mumbai, Delhi, Dharamshala
                                        7/13/11-7/30/11
L E Dow Sep 2010
One misstep,
an ill placed footfall,
the single clumsy blunder,
can ruin even the most graceful
trips.

The mortal enemy of canvas
is the day the sun doesn’t shine.
The day the sky sheds its grey onto earth.
Whether rain or snow,
it doesn’t matter much.

One misstep,
and cold hearted canvas
absorbs the error you’d like to erase.
Mistakes fade,
but will always be remembered
by your cold, wet socks,
and the cold-hearted canvas.
Copyright Dec. 29th 2009 Lauren E. Dow
Lauren Upadhyay Dec 2012
"It is a curious thing, the death of a loved one. We all know that our time in this world is limited, and that eventually all of us will end up underneath some sheet, never to wake up. And yet it is always a surprise when it happens to someone we know. It is like walking up the stairs to your bedroom in the dark, and thinking there is one more stair than there is. Your foot falls down, through the air, and there is a sickly moment of dark surprise as you try and readjust the way you thought of things." -Lemony Snicket

For all its ostensible simplicity, death is complicated for those of us who have yet to experience it. And while I appreciate Snicket's sentiment, coping with loss is not always this straightforward. It is not always possible to merely readjust oneself after the painful shock of losing someone we care about, simply because some relationships transcend illusory misstep; there are some people who are more to us than just the empty space through which we navigate and which confuses us and makes us feel silly when we realize that there was never really any reason to worry in the first place, and that we are going to be just fine.

In much the same way as realizing we've tripped over a non-existent stair, it is always uncomfortably surprising when we lose someone we know. It's a feeling akin to being suddenly and aggressively shaken awake from some mildly enjoyable, but generally monotonous dream. Like we couldn't have predicted as much, as if it were some exotic and unfortunate illness that only ever happens to people in newspapers. And whenever we are made to confront the painful yet obvious reality, it forces us take a step back and reevaluate things.

It makes us think of the deceased, and how we must readjust our view of the world to accommodate their absence. And yes, many times this adjustment amounts to nothing more than a brief moment of miscalculation and confusion. But there are some times when this is not the case, when the loss of a person causes an unmistakable and lasting difference in our lives. There is a rare and special closeness with certain people that some of us are lucky enough to experience, and which at some point causes us to unconsciously realize the verity and significance of these people's existence.

There comes a moment when a person ceases to be merely an imagined phenomenon, and forever becomes an integral piece of the staircase in the multi-storied building of one's life. The people who ineffably and eternally changed us; the people who inadvertently etched themselves into our framework and forced us to recognize their inextricable realness. These are the people for whom we do not become only momentarily disoriented when they leave. When they stop existing there is one less step, a permanent gap in the staircase. And no matter how much time passes, no matter how well adjusted we become, it will never feel quite right skipping a step, making the unnatural lunge over the empty space they've left behind.
kevin hamilton Sep 2019
you left your blueish dress
twisted by the pool’s edge
like a cold monument
to every single misstep
and my heart is overwhelmed
with visions of a dancing grave

via crucis in the morning
carry me to our palisade
while these tiny arcs of light
leave my eyes, breaking easily
and your voice keeps me awake
i believe that i need this

you were wrong
i am nothing
but one more familiar face
amid the pageantry
Eric W  Mar 2017
Obvious
Eric W Mar 2017
It's obvious, isn't it?
When two similar planets pass by
each other
and get caught in
each other's
gravity.
It's obvious what must happen here.
The words not said
scream loud enough to
bridge the hundreds of miles,
and we still don't
say them.
Not yet.
It's obvious we haven't been here before.
Into uncharted waters,
we move so
very
slowly,
careful not to create waves
before we meet in the center,
careful not to misstep,
so that we can
do things right
for once.
It's obvious.
I'm so unbelievably grateful that my words were selected to represent this amazing community for a day. This is the best community I've ever had the honor to be a part of. Seriously, each and every one of you are amazing. Many of you have made a permanent mark on me with your kind words and friendship, and I'm continually amazed at the positivity and encouragement I see on this site. Stay great, friends. And thank you so much for reading! It means the world.
Colin Kohlsmith Nov 2010
I am listening to Leonard Cohen
And thinking of you
You know it seems like ages
Since we’ve talked things through
Our thoughts were once so in sync
It’s like we simply knew
Everything the other would say
Almost too good to be true

But it’s glance in the wrong direction
And just a single misstep
And we’re left only with memories
And a hint of regret


This constant need for closeness
This moving of the spheres
The mysterious pull of gravity
Whenever you are near
For we’re hurtling through time and space
Into the black unknown
And we never know whom we’ll meet
Or where our hearts will roam

But it’s glance in the wrong direction
And just a single misstep
And we’re left only with memories
And a hint of regret


So I’ll smile for you once again
And say a little prayer
You led me to a better place
Pulled love out of thin air
Can’t say I had the roadmap
But I was happy for the trip
You taught me to value what I have now
Not the things that I missed

*But it’s glance in the wrong direction
And just a single misstep
And we’re left only with memories
And a hint of regret

— The End —