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Styles  Aug 2018
Quickie
Styles Aug 2018
We keep coming together, you killing me, it's a dead heat. *** so good, we can hardly speak. Climbing on top, she's reaching her peak. Skirt no *******, she hide, I seek. Ready or not, here she ****, and I practice what I preach. Locked myself inside her, finders keep. If the meek inherits her world, I guess that makes me weak.
SMOKE of the fields in spring is one,
Smoke of the leaves in autumn another.
Smoke of a steel-mill roof or a battleship funnel,
They all go up in a line with a smokestack,
Or they twist ... in the slow twist ... of the wind.
  
If the north wind comes they run to the south.
If the west wind comes they run to the east.
  By this sign
  all smokes
  know each other.
Smoke of the fields in spring and leaves in autumn,
Smoke of the finished steel, chilled and blue,
By the oath of work they swear: "I know you."
  
Hunted and hissed from the center
Deep down long ago when God made us over,
Deep down are the cinders we came from-
You and I and our heads of smoke.
  
Some of the smokes God dropped on the job
Cross on the sky and count our years
And sing in the secrets of our numbers;
Sing their dawns and sing their evenings,
Sing an old log-fire song:
  
You may put the damper up,
You may put the damper down,
The smoke goes up the chimney just the same.
  
Smoke of a city sunset skyline,
Smoke of a country dusk horizon-
  They cross on the sky and count our years.
  
Smoke of a brick-red dust
  Winds on a spiral
  Out of the stacks
For a hidden and glimpsing moon.
This, said the bar-iron shed to the blooming mill,
This is the slang of coal and steel.
The day-gang hands it to the night-gang,
The night-gang hands it back.
  
Stammer at the slang of this-
Let us understand half of it.
  In the rolling mills and sheet mills,
  In the harr and boom of the blast fires,
  The smoke changes its shadow
  And men change their shadow;
  A ******, a ***, a bohunk changes.
  
  A bar of steel-it is only
Smoke at the heart of it, smoke and the blood of a man.
A runner of fire ran in it, ran out, ran somewhere else,
And left-smoke and the blood of a man
And the finished steel, chilled and blue.
  
So fire runs in, runs out, runs somewhere else again,
And the bar of steel is a gun, a wheel, a nail, a shovel,
A rudder under the sea, a steering-gear in the sky;
And always dark in the heart and through it,
  Smoke and the blood of a man.
Pittsburg, Youngstown, Gary-they make their steel with men.
  
In the blood of men and the ink of chimneys
The smoke nights write their oaths:
Smoke into steel and blood into steel;
Homestead, Braddock, Birmingham, they make their steel with men.
Smoke and blood is the mix of steel.
  
  The birdmen drone
  in the blue; it is steel
  a motor sings and zooms.
  
Steel barb-wire around The Works.
Steel guns in the holsters of the guards at the gates of The Works.
Steel ore-boats bring the loads clawed from the earth by steel, lifted and lugged by arms of steel, sung on its way by the clanking clam-shells.
The runners now, the handlers now, are steel; they dig and clutch and haul; they hoist their automatic knuckles from job to job; they are steel making steel.
Fire and dust and air fight in the furnaces; the pour is timed, the billets wriggle; the clinkers are dumped:
Liners on the sea, skyscrapers on the land; diving steel in the sea, climbing steel in the sky.
  
Finders in the dark, you Steve with a dinner bucket, you Steve clumping in the dusk on the sidewalks with an evening paper for the woman and kids, you Steve with your head wondering where we all end up-
Finders in the dark, Steve: I hook my arm in cinder sleeves; we go down the street together; it is all the same to us; you Steve and the rest of us end on the same stars; we all wear a hat in hell together, in hell or heaven.
  
Smoke nights now, Steve.
Smoke, smoke, lost in the sieves of yesterday;
Dumped again to the scoops and hooks today.
Smoke like the clocks and whistles, always.
  Smoke nights now.
  To-morrow something else.
  
Luck moons come and go:
Five men swim in a *** of red steel.
Their bones are kneaded into the bread of steel:
Their bones are knocked into coils and anvils
And the ******* plungers of sea-fighting turbines.
Look for them in the woven frame of a wireless station.
So ghosts hide in steel like heavy-armed men in mirrors.
Peepers, skulkers-they shadow-dance in laughing tombs.
They are always there and they never answer.
  
One of them said: "I like my job, the company is good to me, America is a wonderful country."
One: "Jesus, my bones ache; the company is a liar; this is a free country, like hell."
One: "I got a girl, a peach; we save up and go on a farm and raise pigs and be the boss ourselves."
And the others were roughneck singers a long ways from home.
Look for them back of a steel vault door.
  
They laugh at the cost.
They lift the birdmen into the blue.
It is steel a motor sings and zooms.
  
In the subway plugs and drums,
In the slow hydraulic drills, in gumbo or gravel,
Under dynamo shafts in the webs of armature spiders,
They shadow-dance and laugh at the cost.
  
The ovens light a red dome.
Spools of fire wind and wind.
Quadrangles of crimson sputter.
The lashes of dying maroon let down.
Fire and wind wash out the ****.
Forever the **** gets washed in fire and wind.
The anthem learned by the steel is:
  Do this or go hungry.
Look for our rust on a plow.
Listen to us in a threshing-engine razz.
Look at our job in the running wagon wheat.
  
Fire and wind wash at the ****.
Box-cars, clocks, steam-shovels, churns, pistons, boilers, scissors-
Oh, the sleeping **** from the mountains, the ****-heavy pig-iron will go down many roads.
Men will stab and shoot with it, and make butter and tunnel rivers, and mow hay in swaths, and slit hogs and skin beeves, and steer airplanes across North America, Europe, Asia, round the world.
  
Hacked from a hard rock country, broken and baked in mills and smelters, the rusty dust waits
Till the clean hard weave of its atoms cripples and blunts the drills chewing a hole in it.
The steel of its plinths and flanges is reckoned, O God, in one-millionth of an inch.
  
Once when I saw the curves of fire, the rough scarf women dancing,
Dancing out of the flues and smoke-stacks-flying hair of fire, flying feet upside down;
Buckets and baskets of fire exploding and chortling, fire running wild out of the steady and fastened ovens;
Sparks cracking a harr-harr-huff from a solar-plexus of rock-ribs of the earth taking a laugh for themselves;
Ears and noses of fire, gibbering gorilla arms of fire, gold mud-pies, gold bird-wings, red jackets riding purple mules, scarlet autocrats tumbling from the humps of camels, assassinated czars straddling vermillion balloons;
I saw then the fires flash one by one: good-by: then smoke, smoke;
And in the screens the great sisters of night and cool stars, sitting women arranging their hair,
Waiting in the sky, waiting with slow easy eyes, waiting and half-murmuring:
  "Since you know all
  and I know nothing,
  tell me what I dreamed last night."
  
Pearl cobwebs in the windy rain,
in only a flicker of wind,
are caught and lost and never known again.
  
A pool of moonshine comes and waits,
but never waits long: the wind picks up
loose gold like this and is gone.
  
A bar of steel sleeps and looks slant-eyed
on the pearl cobwebs, the pools of moonshine;
sleeps slant-eyed a million years,
sleeps with a coat of rust, a vest of moths,
a shirt of gathering sod and loam.
  
The wind never bothers ... a bar of steel.
The wind picks only .. pearl cobwebs .. pools of moonshine.
Styles  Jul 2017
Finders Fee
Styles Jul 2017
Its not good enough for me
To just sit here to watch and see
You keep shakin it in front of me
Like its there to be takin by me
Got me losing my mind
And from what I can see
You got your eyes all over me
The DJ dimmed down the lights
It's about that time
One look at you
I can tell it's gonna be a long night
I gotta get you alone at home
I wont tell no body
But the way you moving
Your body wants my body
So close its sweating me
Break my heart and hope to die
That my finders fee
For playing with fire
It was meant to be
archwolf-angel  Dec 2016
Finders
archwolf-angel Dec 2016
Found a gem
In the deep blue ocean
Took it home with me
Fell in love
With its ruby red charm

Bonded it to a string
Wore it for a necklace
Had it close to my heart
Feeling it's icy cold texture
Sometimes...
It's gentle flames of warmth

Under a starry night sky
A hot coffee in my hand
A cooling breeze accompanies me
Clutching it tight
Always admiring its beauty

Got a phone call one day
Removed it from my neck
Held it in my hand
Driving down lanes
To another place

Handed it over
My heart sank
What I've realised was that
It was never mine
And people told me lies

*Finders aren't always keepers
Fah Jul 2013
iI don’t wanna fix you , I wanna heal you as you heal me Inadvertanly , we do it anyway because we are happy I wanna feel you , as you feel me I wanna know you as I know me I wanna touch you , on metaphysical planes And see the star’s shine out of your *** , as you see mine Fly with me, my love , fly with me to the unkown lands where time hold no power Where the flower is preserved in the desert mist And the animals are small and the trees are big Where penguins live on land and zorros hunt I’ll keep you warm in the winter nights so we can fall asleep at sunrise Or maybe tonight we’ll get to bed before twelve and see sunrise instead And salute the sun with our yogic bodies Lets see the town built on the hillside , precious gems of house, stand blue and pink , perhaps we can walk the cobbled streets and stop for a drink; in the stand up bar sipping coffee or whisky who knows how far We can travel the lands by plane or by car Lets hold hands as we stare at the galaxies underbelly in a desert where there has never been rain We’ll welcome in the water to the dry drought that’s awashed our planet, They say We are emerging from a mini ice age , that is a drought of warmth, of love, of feeling Some call it the Kali Yunga either way they prohacised this Lace like web is splendid for all to see , all to share Lets build a world for us where we can care Lets make a business of our happiness and smile: Smile at your smile so you can smile at mine , endless smiles Until I kiss your soft lips as the rains fall and we don’t mind getting wet at all I remember you said you hadn’t met anyone who didn’t mind getting wet like that , or something along those lines and how time flies Our futures collided the day we met , infact we’ve been waiting for this we’ve been building for this , if we had met any sooner any later there wouldn’t have been a chance in hell , we needed each other then more than ever And so we answered the call and prehaphs that can be our greatest contribution our humble contribution to this revolution , the full cycle Our love child I feel like with you , my future could never be dim , traveling whilst sitting still Evoking the unkown in our hip hugs and our last hugs I wonder if anyone else has felt this before? The great wonders we’ve found at the shores of lust and the shores of greed and the shores of plentiful need Will you heal the world with me? We will heal what we can and no more For me , that is plenty
He tripped over my shoe, neither of us fell , we just started to float a little i hear we're somewhere over the pacific ocean now
SøułSurvivør Jul 2015
---


@@
@@ you @@
@@ trew out @@
@@ his heart like @@
@@ a stone clogging your @@
@@ green field of dreams @@
@@ i found it cracked open on @@
@@ my yellow brick road @@
@@ wouldn't you know @@
@@ it was an amethyst @@
@@ GEODE @@
@@
SoulSurvivor
(C) 7/21/2015
Nick Kroger May 2014
The wind diverges the horizon boughs
into view finders of royal blue.
The flicker of the blue beyond washes to
brown sticks fettered with dry leaves.
Oh what cadence ensues,
From a bent bough and a
Sifting wind?  
If that limb but a will,
And that breeze but a pulse,
Harmony would hide in the
Heartbeat of an eternal summer.
Yet eternity suffers sterile sadness,
And cadence breeds a timid tempo
Of hollow trees against a grey sky.
So speak the world in discord,
Unveil blue skies from cacophonous trees of green,
And push the wind in hurricanes.
As wind and bough dance in perfect imbalance,
I admire the flicker of their countenance.
Kim Yu  May 2015
A Man’s Heart
Kim Yu May 2015
Even lions have the strongest hearts
But they still fall weak to lionesses,
A man’s heart can tighten in all parts
It only takes a ´touch´ to bring him to pieces

When a man falls weak to his world
A part of him has leaped over a wall
The tricky phase is to retrieve his part
Searching the world with an incomplete heart,
The finder of his heart is always his near-God
But finders only leave men in a melting ***

Men are known to be tearless
They don’t cry and in pain they remain fearless,
Men are fragile and sensitive
Listen to him and see the world in his perspective,
Men will live on ‘til the last survivor
Because men are forever…
Marieta Maglas Aug 2013
(Frederick entered the room. He told them that he found a treasure into the castle’s cave.)

'I found the rarest treasure of all today. What can I do with that gold?
'Surah hid it.'Mary said,' hence, some mining activities are uncontrolled.'
'The finders and the landowners are entitled to these valuables,'
The cleric said,’ hence, it may help John to adjust the budget balances.'
(Mary wanted to tell Frederick the truth about Surah.)

'Surah is an alchemist, and she loves to do this with fierce intensity.
Her studies about substances, their composition, their density,
About purification by dissolution and by crystallization are rife.
She hopes to discover, someday, the formula for the elixir of life.'

'Summa Perfectionis and the emerald tables of Hermes', said
The cleric, 'this alchemy explains why her statues have lizards on head.'
'Maybe she gave Jezebel a strange substance to drink,' Frederick
Said. 'Go to her castle to search this substance, dear. I am so sick.'

(It was Mary, who told Frederick to go to Surah’s castle to find the antidote. Frederick and Matthew went to the castle. )

The turrets of the castle crumbled under the slow pressure of time,
Their glory has disappeared because of poverty and cold clime.
The falling wall stones, the ill-paved courtyards, the dusty moat,
The sagging floors, the worm-eaten wainscot had a blue note.

The faded tapestries within, all tell a gloomy tale of fallen grandeur.
The alchemy chamber in the remaining tower showed Surah was poor.
She spent the hours of her life in poring over the ancient tomes.
The occult studies made Surah first focus her attention on fomes.



Her belief in all the dark power was firm and deep-seated.
With burning small peasant children, the demon she greeted.
Many times, she was busy over a violently boiling cauldron,
Where many substances spewed out their thick concoction.

She searched a spell to release her life from its terrible burden.
She used to work only when the alchemy room began to darken.
She should never wed, she might, thus, end the curse with herself.
She kept cobwebs and bats. Strange things were on her shelf.

Frederick entered that room and saw her manuscripts and studies
In the field of alchemy. She had bottles, their colors being so muddy.
He opened those books, where it was written how to prepare
Elixirs from herbs, gems, and metals while using a devilish prayer.

The books instructed in the casting of spells, invocations, rites,
Talismans, amulets, and sigils. He found how she spent her nights.
On the altar, a doll-representing Jezebel had needles in her head.
There was a paper, where it was written, 'nor alive, nor dead.'

Near it, he found Kratom leaves and bottles-containing naloxone.
He took the bottles because he understood what Surah had done.
While feeding the horses, Matthew was waiting near the castle.
Clayton was in a stable, but working there became such a hassle.

He thought that something happened, when tools dropped on the floor.
A bottle dropped over another one, when Frederick closed the door.
An explosion was heard in the castle, which sounded like a sonic boom.
Surah was in a hurry to see what happened into the alchemy room.

Another explosion was heard being more loudly than the first one.
Surah gazed at her reflected face within the mirror instead of run.
Huge deformations of her new face formed a monstrous being.
An illusion shifted her identity. Believing is not always seeing.

She had sensations of otherness, when her new face appeared
To be a stranger looking at her, beyond the mirror, then disappeared.
A monster was watching her, and smiling with an enigmatic expression.
Clayton embraced her while crying, 'My dear, you have an obsession!'

Frederick told Matthew, ‘I took the potion, let's straddle the horses.'
'The castle is burning. To get out of this wood, we need strong forces.'
'My horse sped up. ‘What does he feel in front of fire and crack?
'He's fearful, because he feels trapped. Don't pull him back!'

'Being scared, his reaction is flight and run away from the fire wallop.
'You're scared, and instinctively you urge him to go into a gallop.'
'The horses are not thinking. It’s all out of the instinct to survive.
You can help your horse, when you know how to ride and to drive.'

(They rode their horses to the castle of Jezebel.)

They entered the castle, and climbed up the stairway to Jezebel.
'I came here in a hurry to save you, and my way to you was a hell.
Drink the potion, and wake up. I wonder how you feel in my arms.
I'm in love with you and still so deeply captivated by your charms.
(Jezebel had opened her eyes for the first time since being asleep. ‘I know that you love me!’ She told Frederick.)
(Clayton had managed to extinguish the fire. After that, he held his precious Surah in his arms while crying. Her face was burned by acid during explosion.)

'Nothing happened to your face. You're the same beautiful woman.'
'Why my face is in pain? ‘It’s because of the heat. Lie on the divan.
Let me take off your clothes, and flush your skin with cold water.'
'You're so gentle, Clayton. In your arms, I feel safe like a little daughter'.

'I lost the potion I prepared for Richard. He's my last chance.
It was destroyed by the explosion. I feel like I am in a trance.'
'I gave you morphine for treating your pain. He wouldn't help you.
Richard is like John, and you cannot change their point of view.'

(Clayton loved her, because he thought she was vulnerable and incapable to adopt the situations. Her soul was very fragile, even she masked this so well. She wanted to be more than she could be in life, and this was the reason her ways weren’t always the best chosen ways. He hoped someday his love would change her. He wanted to save her life. Surah closed her eyes, and fell asleep.)

To be continued...
A little bit of ***
In a canvas bag
And a wallet full of notes
And a piece of rag
A tooth brush and comb
And a letter pack
And a bit of paper
With a number on the back
And a crisp old sheet
From a writing pad
Is a folded memory
And a poem so sad
Yet with joy in the lines
That live on still
While the love they were for
Will no longer thrill
For the cause is lost
Like the canvas bag
Left by the seat
With no name tag
How can I find
That fleeting two?
They won't be in Oxford
They were passing through
I met them in London
By the cold roadside
They wanted a lift
So I gave them a ride
They'll pass on
Down Exeter way
The cost of that lift
Was dear to pay
For now I am left
With a canvas bag
With a leather flap
For a naming tag
All covered with names
That student wrote
So when standing so cold
At a glance he'd note
The words of his subject
Written thereon
And his mind would warm
As he pondered on
The lecture from where
The thought first came
And the hour of the day
When he wrote the name
Nameless he was
And his lady too
Till the *******
Was sifted through
Then a card
Came to light
With a name upon it
Plain to sight
And I remember
The college hall
Goldsmith's was
The name let fall
So to the English
Scholar then
I may return
The bag again
With a little bit of ***
And a sad love poem
I'll return them all
To their former home.
A hitch Hiker left his bag in my car and I had to think hard to find a way of getting it bag to him.
Hayleigh Jun 2014
As the minutes drift into hours
I stare at the flowers
That died the day you left.

And they say keepers win in the war of finders,
But I'm not so sure.
Cos, the reminders
Of what used to be.
Have soured.
And I try and devour
Memories,
Spaces, faces, places
That we shared.
And I choke on some, and others slide down.
--

And I wander if I even cross your mind, my love
And do you remember the time
You said that you'd always be mine
And that forever was too short a time
For you and I.

Those lies you spun, like a spiders web,
Took place, built homes
Inside my head
And I didn't try to relocate
Because all I could do was appreciate
That someone finally cared.

And those memories that we shared,
Those faces, spaces and places
They're all so vivid.
I can smell the scent of your sweet perfume, and feel the water
Splash
When we went down that log floom
And we both held on so tight,
We were determined not to let eachother go. With all our might.
So what happened, my love?

What changed inside that beautiful frame of yours
What's the reason you began to close  all of those doors
And lock me out.
Cos it's strange to be a stranger
And I don't like the danger
That comes with
Not knowing who I am, or you were.
And the uncertainty of who we were together.
Cos the forever we promised
Has been and gone, and call me crazy
But I expected to hold on to it
A little longer.
I thought we were stronger.

Your honey gold hair hung
Down over your face
As you told me about these places and spaces that we shared
Could be no more

My world crashed and burned
And fizzled out
And I found new ammunition
To tear myself apart
To pull to pieces
My damaged heart.
And once I was done
I hung the picture frame
You threw onto the floor
On a sign on the doors,
Saying keep out.

And my barriers went up
But my walls crumbled down
Tell me,
Are you around, my love?

Are you laughing and smiling
And have you moved on...

2013 ©

— The End —