how many layers of heart wallpaper can i use to keep me safe?
how many layers of heart wallpaper should I tear before a date?
how many layers of heart wallpaper do I buy after being rejected?
how many layers of heart wallpaper can shield me from feeling dejected?
how many layers of heart wallpaper can help my mind forget?
how many layers of heart wallpaper can muddy “I’m sorry” texts?
how many layers of heart wallpaper should I wrap around myself?

I peel it off, I put more up, a bit falls off, I’ve had enough

there’s never enough layers of heart wallpaper when you’re already damaged inside.

wallpaper women
are ripped down in single sheets,
replaced by prettier ones
with more labyrinthine markings
and colours that shine,
but even then, a picture is placed overtop,
in a fine gold frame and a fibre canvas
with artwork drawn by feeble hands

wallpaper women,
are women.
they are you and i. we are bystanders,
eager to scream out, but a single hand
covers our mouths like a veneer.
we are to blend in,
we are to not speak,
unless we are asking,
“how may i take your order?”
we are a service, a factory,
we keep the world going.

wallpaper women
are artwork,
art that is not noticed by them,
who continue to believe
they are mere pieces of decoration,
something to make the walls pretty.
if we are artwork, why are we covered
with frames and photos and decoration?

wallpaper women
are people.
we are nurturers by nature,
lovers through hatred.
and so many refuse to see
the storm above the soft clouds.

wallpaper women
are told to blend in.
but we are ripped down like pages out of a book,
crumpled up and thrown into nothing.
if you value the story so much,
why do you keep taking pages out?

wallpaper women
are not the future,
they are the past.

women are the future.
women.
women.
women,
            need to be heard.
women need to say “i am here too”
because we are not
just wallpaper,
we are beautiful ****** artwork
that deserves to be seen by
every
        ******
                    one

The room was dank and dreary
The past hung in the air
There was a scent of mildew
A smell of history was there
The paint was old and faded
With stains all dark and brown
The wallpaper too was dated
And it needed to come down
It was a home for 50 years
That stood so strong and proud
It comforted all of our fears
Far from the madding crowd
We stripped away the paper first
Each layer a strip in time
It showed the old room at her worst
It really seemed a crime
To tear it down, and think of when
Each layer was first  applied
The walls that seemed so tall again
I just stood there and cried
I thought about the birthdays
Celebrated in this room
Of getting covered all in glaze
That we cleaned  off with a broom
The roses were much redder
Than I remembered them to be
In fact it now looked better
Than it did when I was three
I remembered Mother loved this
And of how it made her smile
And she gave Father a light kiss
After toiling all the while
The next layer though was not as nice
"Twas beige and a sort of lime
It made the room feel cold like ice
It spoke of another, somber time
I looked at the wall and I noticed the lines
Marking our heights as we grew
This was on a paper all covered in vines
Mom loved this one, we knew
It seemed  surreal that Mom was not here
To see these passages pass
But we knew in our hearts that she was stil near
As we looked at paper covered with Bass
That was from when Unlcle Jim came to stay
And our folks gave up their room
To help out a brother who I still love to this day
One who can always help  brighten my gloom
They changed the wall just for him
To make it seem more like it was his
They put their life on hold for Jim
And the wallpaper choice was his
The years pass by more quickly now
The paper doesn't change too much
Jim moved out and that is how
The paper changed just a touch
Mom got sick and Dad quit work
He did the room in flowers for our mom
It was at this time we noticed the rooms quirk
One of those things that made you go hmmm
Far up in one corner behind a section of curtain
Dad had left a small square showing the years
worth of papers we were certain
It was to help mom with her tears
Now as we finished we looked to the man
Sitting alone in the old corner chair
He smiled at us as best as he can
But I don't think he knew we were there
I handed him some paper and I looked in his eyes
He stared clear on through me
And then he started to cry
This was the last of this paper he'd see
Dad and the house now have gone into dust
The years get short and  have tapered
But to go back in time I know all I must
Do, is look at my small square of paper.

swashbuckling kittens wallpaper -- cutlasses, eyepatches, royal blue bandanas --
lined the walls of the kitchen.

"you love it, don't you?" Mathilda asked. she poured me a glass of almond milk.
and I could drink almond milk with a lesbian forever. and ever. and ever.
fridge door open. it's sparse. a world weary McDonald's bag and a last chapter beer,
the only other tenants.

"it's neat," I said. don't care much for animals. don't hate them by any means,
but don't go out of my way for them. my analyst says it's Sparks, Oklahoma's fault.
see, when a boy, I had seven---no, eight kittens named Simba. the howl of the coyote
taught me about expiration dates. Had a hard time accepting total loss (e.g., eight Simbas).

"do you feel okay?" Mathilda asked. and I didn't. but I said,

"yeah, yeah. sorry about waking you up last night. just didn't think I could make it home."

"I noticed you slept perpendicular to the futon. with your sneakers on. interesting choice."

Mathilda can be funny. and the almond milk was good. and like I said, I could drink it with
her forever. the ceiling fan, though, rocked off-kilter. she had stray, sad balloons in orbit
around the fan. imagined the balloon with the red-lettered "BOO-YAH" entering the wake
of the wobbling blades. imagined the blades flying off one-by-one. imagined one striking
me in the head and freeing me of a hangover. imagined being in the back of the line outside
the gates of heaven, while St. Peter kept letting the hot, single girls cut in line.

"will you?" Mathilda repeated, I think.

"will I, what?"

"take a picture of me in front of the wallpaper."

"sure."

"sorry, I've taken like 30 selfies trying to get Grace to re-notice me.
starting to feel like a chronic masturbator."

"what do you mean?"

"well, you know, selfies are pathetic indulgences in narcissism. hell, they can be
necessary, as is the case this time, I assure you---but pathetic, nonetheless."

took the phone. Mathilda stood in front of the pirate kitten wallpaper.
she leaned forward. made a kissy face.

"do you have to do that?" I asked.

"don't bust my *****," she said, "just take the photo. I know what Grace likes."

the two broke up last week. Mathilda in her oh-yeah-wanna-run-off-with-ol-banana-***** fury
threw a ******* party with balloons (they were tethered to things at the time.
the dining chairs, cabinet doors, the wrists of guests, etc., etc.). I left early that night.
I'm straight and not very relevant. so, well, you get it.

"would you like some coffee too?" she didn't look up. with locust clicks she fingered
the screen of her phone, uploading the kissy face, pirate kitten wallpaper picture to
her Tumblr. I nodded.

at the party she bedded two skeletal, Sylvia Plath feminists. self-fulfilling prophecy.
she'd written about the then-fictitious scenario months ago on her blog.
Mathilda called me crying the following morning. between the
shame/guilt/self-pity wails, she advised, "don't ever be the third wheel in a threeway."
noted. she said the three had a silent, last breakfast before they left. and I said something
to the effect of, you didn't let them go near the oven did you?

the first droplets of coffee hissed as they struck the bottom of the ***.

"if only coffee were a woman," Mathilda said. "am I right?"

"if coffee were a woman, I'm afraid I'd still pour her into a fine porcelain cup and drink her."

"you're awful."

and I am. but she doesn't mind because I've been celibate for two years, and she's been
so successful it brings her down. off-setting penalties, the basis of our friendship. or maybe
it's the way we leave things where they fall or rise. natural resting places. Simbas. balloons.

when the brew idles I grab two cups. fill hers three-quarters full. she likes almond milk in it.
and I could drink almond milk with a lesbian forever, I swear. to the fridge. the ceiling fan
seems a bit louder. one-by-one the blades. and heaven. and St. Peter, the pervert.
gave the almond milk a shake.

"why you holding on to the McDonald's bag and the practically empty beer?
I think they're starting to smell."

she didn't answer. well, not right away, anyway. and I took that to mean they belonged
to Grace. natural resting places. so, I mix the almond milk into the coffee.

"I know I should throw it out. Grace doesn't even like McDonald's. Do you know what's
in that bag?"

"I don't."

"avocados."

"what?"

"yeah. one of her friends works there. just cut up some avocados for her."

what sacrilege. made me tired, you know? fast food avocados, selfies,
Sylvia Plath feminists, etc., etc. the ceiling fan sped up, for no reason, I think.
the balloons cast shadows over the dining table. and I could drink almond milk
with a lesbian forever. trust me. just not under those conditions. beeline for
the fridge. door open. snagged the bag of blacker-than-brown avocados
and the bottle of beer.

"stop. she could be back any day," Mathilda said.

and what I should of said was no. what I should have said was Grace,
for all intents and purposes, was dead. and what she was doing
was reusing a dead name. and reusing a dead name isn't a resurrection.
but what I said was, "okay." and I sat down under the ceiling fan.
my natural resting place. almond milk forever. and ever. and ever.

Isang pinto ang nasa aking harapan.

Pintong gawa sa kahoy. Limang tao ang lapad ng pinto, at dalawan' tao ang taas nito. Dahan-dahan 'kong hinawakan ang nakausling parte.

Hinila ko. Ang bigat.

Isang engrandeng *ballroom ang itinatago ng pintong aking pinasok. Ang una talagang mapapansin ay ang magarang wallpaper na yumayakap sa pader. Sa pinakaharap, may hagdanan na tila hari't reyna lang ang maaring gumamit. Sa bawat dulo ng hagdanan, may mga nakapatong na gintong mga dekorasyon- mga anghel at mga hayop na makikita lamang sa panaginip. Pero, mapapatingala ka talaga sa larawan ng Diyos at mga anghel na sumasakop sa buong kaitaasan ng ballroom.

Ang amoy naman, amoy ng mamahaling pagkain.
May mga lamesa at mga plato para sa mga nais kumain

Ang unang yapak ko sa loob ay sinalubong ng mga tingin mula sa mga tao sa loob. Lahat sila'y magkamukha...

magkakambal kaya?

Nilapitan ako ng waiter. May dala-dalang alak.
"Ser, gusto niyo po ba ng-"
"Bakit magkamukha kayong lahat dito?"
Lumabas lang ang mga salita sa aking bibig. Di na ako nakapaghintay.

"Ah... ser, kung gusto niyo po ang kasagutan sa tanong niyo, sigurado akong may makakapagpaliwanag sayo nang mas maayos."

At sabay siyang umalis.

Inikot ko ang ballroom. Kinausap ko ang mga tao. May mga sumasayaw, may mga kumakanta, at mayroon pang mini magic show. May mga nakabarong, iba nama'y naka tuxedo.

Naging masaya ang mga usapan, hanggang itinanong ko ang tanong ukol sa kanilang pagiging magkamukha. Pinapasa-pasa lang nila ang tanong sa mga ibang nasa ballroom. Ika nga, "hindi nila mapapaliwanag nang mabuti."

Ano naman ang napakakumplikadong paliwanag na ito?

Lahat ba, naitanong ko na?

Nanlaki ang aking mga mata. May nakita akong nag-iisa sa dulo ng kwarto. Mukhang matalino. Nilapitan ko.

"Sarap ng pagkain."

Binigyan niya 'ko ng tingin ng pagkagulat.

Makalipas ang ilang segundo, nagsalita na rin siya.

"Ganyan ka ba talaga nagsisimula ng isang conversation?"

"Di eh. Pero masarap naman talaga. Kinailangan ko lang ilabas ang matinding damdamin ko para sa handa."

Tawanan. Pero desperado na 'ko. Gusto ko nang malaman kung bakit.

"Bakit magkamukha kayong lahat dito?"

"Ah.... ikaw ay tulog ngayon. Nananaginip ka lang. Ang bawat tao rito'y indibidwal na parte ng iyong sarili. Ang iba't-iba **** personalidad, nag anyong-tao."

"Ha?"
Ginagago ako nito, ah.

"Subukan '**** kurutin ang 'yong sarili. Di siya masakit, di ba?"

Tiningnan ko ang braso ko. Kinurot ko, yung masakit talaga.

Wala akong naramdaman.

"Gets? Ako ang parteng nais tumulong sa iba, sa kapwa-tao."

".... Maniniwala muna ako sayo, ngayon. Pero, ibig sabihin ba'y ang lahat ng personalidad ko'y pantay-pantay?"

"Hindi. Ang mga taong nasa itaas ng hagdan, sila ang pinakamalalaking parte ng 'yong sarili. Kaya sila ang mga pinakamakapangyarihan dito sa ballroom."

"At pwede akong umakyat doon?"
Gusto kong umakyat.

"Handa ka bang tanggapin ang iyong sarili? Pa'no kung puro mamamatay-tao pala ang mga nasa itaas? O magnanakaw? O sinungaling?"

"Edi ok, tanggap ko naman na di ako perpekto."

Pero sa isipan ko, natakot ako. Nakakatakot makita ang mga masasamang parte ng sarili mo, na naging sarili niyang tao.

"Edi umakyat ka. Panaginip mo 'to. 'Di akin."

"Sige, salamat pare."

"Geh."

Inakala ko na ang huli niyang sasabihin ay may relasyon sa pag-iingat, o pagkukumbinsi na 'wag na 'kong umakyat. Pero dahil sa isang "geh" na sagot niya, nahalata 'kong wala na akong makukuhang impormasyon kung di ako aakyat.

Nasa harap na ako ng hagdanan. Kung nakatayo ka pala rito, parang nakatitig ang mga gintong dekorasyon sa 'yo.

Isa-isa kong inakyat ang mga hagdan, at sa taas, may nakita akong apat na tao.
  
Yung tatlo, nakikinig at tumatawa sa biro ng isa.

"Hi...?"
Wala naman akong ibang masabi, e.

Bigla silang tumahimik at napatingin sa 'kin.
Alam na siguro nila kung sino ako, dahil nilapitan nila ako at nakipag-kamay.

"Alam mo na ba ang lugar na ito? May nagsabi na ba sa 'yo?"

"Oo. Sabi sa 'kin ng isa na kayo raw ang mga pinakamalaking parte ng aking personalidad."

"AHHH! Mali siya! Nasa impiyerno ka na ngayon. Masama ka kasi eh."

Napatingin lang ako sa kanya.

"Joke lang, 'wag naman masyadong seryoso. Edi madali na lang pala! Sige, pakilala tayo!"
Ngumiti naman ang apat.

Nauna yung tatlo.

"Ako ang parte **** responsable. Alam mo ang mga responsibilidad mo, at maaga mo tinatapos."

Wow. Responsable pala ako.

Ang pangalawa.
"Ako naman ang parte **** madasalin. Malakas ang tiwala mo sa Diyos, kaya mahilig ka magdasal."
Grabe, banal pala ako?

Ang pangatlo.
"Ako naman ang parte **** mahilig sa sports. Mapa-boxing man o swimming, o basketball. Lagi kang handa."
Parang yung bodybuilder ko lang na klasmeyt ah. Napatawa ako.

At ang pang-apat, at ang lider:
"Ako ang parte ng sarili mo na nais makatulong sa ibang tao. Handa kang magpatawa kung kailangan, pero kaya mo naman ring magseryoso. 'Di ka nang-iiwan. Tunay kang kaibigan."

Pero yung tao kanina yung nais makatulong sa ibang tao.... baka ito yung sinungaling. Bahala na.


"Kayo ang pinakamalaki? Natutuwa naman ako."
Nagtawanan lahat.

"Pero may isa pa. Ang pinakamalaki talaga sa lahat."

"Saan?"
Saan nga ba talaga?

"Dito. Halika. Bago ka magising. Para makilala mo."

Pumunta yung pang-apat sa isang dulo ng kwarto. May pinindot siya. May maliit na butas na nagpakita sa pader. Madilim. Nahirapan akong pumasok. 'Di na sumunod ang apat.

Sa gitna ng kwarto, may isang tao. Isa. Nag-iisa, kasama ng mga libro at papel.

"Ikaw ang pinakamalaking parte?"

Tumingin lang siya sa 'kin.

"Ikaw ba talaga? Ano naman sinisimbolo mo?"

"Ako ang katahimikan. Ang katahimikan sa iyong loob. Matatag ang puso mo, at kahit marami kang kinakatakutan, hindi ito nagiging hadlang sa 'yo. Ako ang nagbibigay buhay at enerhiya sa lahat ng mga personalidad mo."

*At ako'y napatahimik. Katahimikan pala ang pinakamalaking parte.

"So...how is it?" (looking up at him)
"The wallpaper? or the *******?"
"...both."
"Well, one's kind of sloppy. The other's kind of perfect."
"My thoughts exactly."

I don’t like when Jane leaves the baby’s door open,
But we’re away now. This house is heavy with strangers' history,
It's peeking out of the shaded paths and gardens swollen
With verdure; hinting at the tantalizing possibility of mystery
And restorative power of air, after all, that’s why we’re here

John doesn't believe in fantastic daydreams
(Imagination is a delusion perpetuated by fools)
John says we are sleeping in the nursery for its sunbeams
But there are bars on the windows like metal rules
And it is papered in a grotesque sin of undulating chaos

It inhabits me, twirling dreadful arabesques behind my eyes
    Momentarily.
Many yellowed
                Almost, not quite, dead
It grows within me
  Dis-
        -tending my belly
No no no

This air will do me good.

I move as a somnambulist through the morning
Succumbing to sleep in the afternoon
       (Moonlight brings the amber insomnia of the walls
                    Bends my eyes from sleep)
But it is nothing. Merely my own laziness. A hysterical tendency.
Really.
shhh..

SULFUR
   Color
SULFUR
   Scent
In my (inhale) lungs and
(Shoulder to the wall, follow) on my clothes
Proptotic eyes leering from crooked necks
Carious fingers reaching into-

Fireworks on the forth of July and me,
with the docile vengeance of a failed mother
Writing with the frantic purpose of a bumblebee,
…If a bumblebee was splitting
in two

    two layers of the wall
         One mutating concentric fungal prison
         One captive-her?
(Her that creeps, her that inhabits [me] the wall)

I am tired.
    But I must find the origin. Pattern. Meaning.
           I know it holds someone.some memory
Hidden

My shoulder is covered in yellow pigment
My knees hurt
(faded band following the baseboard
pressure of a shoulder in orbit)

            She hides, but she is mine
She who-I who shake the wallpaper-
SHE shakes the wallpaper in moonlight
I who shake the wallpaper
I who T
E
     A
         R
with teeth and claws
my prison from the wall
I who creep beneath the paper
           (crept behind the paper)
    FREE
           OF-
John
oh,

J
O
H
N

You're in my way.

One moment
I was in your life
- in every single
nook
and cranny,
trying to
smooth out
your broken edges
the same way
you smoothed out
mine.
But that was only
for a moment,
and the next
I was gone.

You cleared me out,
got a paint job and
fresh wallpaper,
stripping me of
mine
and leaving me
naked and
alone and
bare.

Don't you care?
Don't you care that
I had made a happy
home
in your heart
even though I'd
only just moved in
and the previous
resident had
left their mark?

I don't know what to
say other than
god ******,
I've got space for you,
the keys in the lock and
you don't even need to knock
because
I'll be waiting.

So please,
please make room for me
because I've never felt
so beautiful as when
you took the word and
translated it into
a hundred thousand
gestures and
expressions
and precious memories.

My wallpaper's
torn right through
but I can stick it back
together
if only you give me the
permission.

You don't have to
keep on living in
broken homes.

So just let me
try and fix the
one we made.

How distasteful you are,
With your sundry splotches
and jarring imperfections.
Oh, you taunt me so!
Whether your anathemas
are reflected through the mirror or my own eyes.
Oh horrible, hateful, heinous thing!
I cannot bear to stare any longer.
How sickly your color is--
A pallid yellow, like one giant bruise
That has budded and blossomed
In some unnaturally grotesque fashion.
My blood boils, my pulse races
And I raise my weapons to fight--
Two talons--claws honed to perfection.
Be gone, you wretched scab!
And so I tear, scratching furiously,
Until no more of you is left.
The blood is stuck beneath my fingertips,
Or what is left of them.
My sinews tremble, ****** and bare,
As the last of my wallpaper
Is ripped from my bones.

I
There is a 3% chance I'll find you here. But if in each pair of eyes I dip, I find 1/8 of you; I'll be there soon.

II
I didn't crawl here; I took a plane. I spent six hours tracing the Atlantic from my window and you rose from the sea, dry and unsalted, twice each nautical mile. I would say it was my imagination, or the California wine, but I wear glasses now and never lie about what I see. It was you. And you and you and you.


III
Stealing is easier here. Maybe it's the crowds or the way the men smile at me like I'm harmless, but my hands move without question. They don't fumble or miss pockets, my heartbeat doesn't even protest. In prayer beads, silkworm cocoons, oils and sea rings, I am in debt to a city who doesn't know it.


IV
I have no ethnicity. Deep in bone coils the apathy and flight of someone's non-heritage. But I am forgiven; in a world of paranoia, brown eyes are always trusted and the way my hair falls reminds them that I'm on their side. Even my name curls within itself, folded flat and dead before it's over. It's better this way; no allegiance, no responsibility.

V
From a curb in district nine, I see your star. It's hanging where you said it would be but I can't see god in it the way you promised.

VI
On the other side of the world you told me about a quad of green. You waxed flowers of every color, the sky I've only ever painted and the people, beautiful and dark, who will save me. I found it. In broken French and broken sandals I found it and the sun was setting and you had just left. So now we both know you won't be the one to save me.

VII
With one foot in the slanting gutter I walk until the city circles and I'm back where I started. In a daydream I found you. I smiled and quoted your book, the part that said 'When we heard the guidance, we believed in it' and you looked at me in a way that scared me. A way that translated your face into thousands of alphabets, ancient and invented. And I knew none of them. Suddenly I'm illiterate to you. Suddenly I'm gone.

VIII
I'm with a man who's made of smoke and each strawberry ring that escapes my lips is dedicated to someone that I’ve laughed with.

IX
With the intensity of archives on fire, I withdraw. You are still a body; a few hundred bones calcified and aging, a mind of words streaming like spider webs, blood you never shed, and  muscles that cross in blinding precision, but you are not who you used to be. You bound to me in a way that's irreversible and now we're both stitching. Awkward and broken we pull at flesh to remove each other. We have scars now, like stickers ripped from wallpaper. The outline of a palm stains my shoulder, a thumb the size of yours in the crook of my elbow. Small, white fingerprints tattoo your neck.


X
I might be free. Over cobble stones with broken sandals I don't trip until I realize that a city where I loved is now part of me. I can get as far away from her as the modern map allows but the red and gold bangles that crowd my wrists are not to be taken off. They're a part of me too. Like blood spilled on a cobble stone, you will walk over us every day of your life.