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Jeff Gaines Mar 2018
OK Reader, I'm going to tell you a tale … with great trepidation. You see, this tale, well, it's kind of like telling someone that you've seen a UFO. They want to believe you, but … it's never really been proven scientifically. Not to mention the fact that most folks who believe in such things are often the tin-hat wearing types, written off as … lets be nice and call them “odd”. And, of course, the more you swear to it, the crazier you appear. It's an epic tale, spanning 30 years of my crazy life.

  But, It's a story I want to tell, because it happened to me. I can barely understand it myself, let alone explain it. So … I'm just going to launch into it and you take it any way you wish.

*  *  
Where Can You Be?

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I'll search with gazes and I'll search with cars,
I'll search the cities and I'll search the stars, well …
I'm gonna find you, oh, wherever you are,
I'm gonna find you baby …  near or far, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

I thought I'd found ya, but she wasn't you,
that girl she left alone and blue, well …
I know that's something that you'd never do,
your love has always been strong and true, but …

Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

If you must settle for some other man
and deviate from our immortal plan, well …
I hope you realize I will understand
and I'll try and do the best that I can, but …

Where will I be?
Where will I be, my love?
Hoping the next life sees …
our destiny!


Where can you be?
Where can you be, my love?
Oh, can't you see?
You're not with me!

~Wednesday, April 1st, 1987
10:30 P.M.



  I was singing in a band back in those days and, as it happened, this was the last song I'd ever write for it. Just after this, as it does, it all came crashing down and the band was finished. But in those last days, they pondered this song, with great puzzlement. You see, it was unlike anything I'd brought them before. It wasn't rock … It wasn't a ballad … it wasn't even structured like a “normal” 80's rock song.
  
  No bridge, no solo, no loud grinding guitars, etc. It even had bits where I hummed, yes hummed, the melody, like a lullaby. As they read the lyrics and I described how it went, they all looked at me like I had three heads and asked where this had come from. It was nothing like anything I'd written before. I could only tell them when and where I'd written it, but had no explanation of what inspired it. It had just came to me, so I wrote it down. They didn't know what to make of it, or even what to do with it.

  One of them said it sounded like a late 70's or early 80's adult contemporary song or even in the vein of The Eagles. Another asked if it was about reincarnation … And I honestly, until that moment, hadn't thought of it that way, I didn't think like that at 24 … but then, one of them said it was “Haunting” …

  “Haunting”?

  “Wow”, I thought, I'd never had anything I'd written described as that before. When I asked him what he meant by that, he told me that it was haunting to think that this poor guy is desperately seeking a girl, that may or may not even know that he exists … in a world with billions of people in it. To top that off, he fears that she may off and marry someone else if he doesn't find her in time.

  This, along with the suggestion of it being about reincarnation made me rethink and rewrite the song. Well, a few lines in the last verse and chorus anyways. It actually made the song flow better and seem more complete. In a way, it actually made the song make more sense … to me and them. Sadly, we never did anything with it. There wouldn't be time. Ha … Time … how ironic. Over 10 years later, came this …


For Someone I've Never Met

Please save a place for me,
deep inside your heart.
Always know that I think of you,
as we both practice our arts.

Our worlds are full of temptations,
so very hard to resist …
and the good Lord knows
we're both far from,
sixteen and never been kissed.

Wealthy men with jaws divine …
Temptresses with looks so fine …
Paths that lead our hearts away …
Paths that surely lead astray …

They'll lead us there every time.
They'll leave us there … so  unkind.
Our hearts must shine,
night and day.
Through any darkness … they'll light our way.

If you never touch my face …
If I never look into your eyes …
We'll always have the comfort of sharing
the same
big, blue sky.

If I never smell your hair …
If you never kiss my lips …
Always know the search for your smile
has launched a thousand ships.

So, I hope you save a place for me
in your heart so sweet and kind.
Please, save a place for me …
Heaven knows you've one in mine.

~Thursday, September 9th, 1999
9 A.M.



“For Someone I've Never Met ” poured out of me in the midst of another breakup from the second, and last, girl that I wanted to marry. That emotion, never found me again. I looked at it on my computer screen and smiled, seeing “Where Can You Be”, in my mind, on my tattered old note pad that I called my “Song Book”. The memory of me writing it while sitting in my Z-28, looking out over the Gulf of Mexico as a beautiful heat lighting storm sent bolts across the sky, came flooding back; as did the debate of reincarnation I'd had with my pals in the rehearsal room all those years before. Here I was, again, writing about “someone” that I sensed, for lack of a better term, was out there … somewhere.

  Well Reader, do you believe in reincarnation? I was never really certain, but, as you can see, I had twice written pieces to someone I wasn't completely sure existed. I had always “sensed” someone out there beginning with the period after I wrote “Where Can You Be?” and thereafter. So, there they were, each written after losing someone I was deeply in love with. Each came out of nowhere, as they usually do. By the time I was in my 40's, I began to think I was either imagining it all (a side effect of being a hopeless romantic) or that I had just somehow missed this person and our “moment”.

  And then …



Epiphany

There was a place.
There was a time …
There, I stood … still unknowing
and everything seemed fine.

But there in that place …
at that moment in time …
the moment I saw the eyes,
I'd never believed I'd find.

Well, what could I say?
What could I do?
In a world filled with billions …
and there … was a you.

I'd always known you were out there …
even written of something amiss.
I never, ever stopped looking for you …
because my heart always said you exist.

My breezy Fall became harshest Winter.
My crazy life left my health running out.
I'd resigned myself that our moment had passed …
but this moment … it removed all doubt.

Well, what could I say?
Tell me, what could I do?
There we stood, staring … alone … in a city of millions …
yes, there … there was a you.

Oh, that mistress fate, she is just so cruel.
Frustration, a curse to be mine.
   I'd searched for you my entire life …
but now … my clock … knows a limit of time.

You see, I would never venture a love with you,
while knowing I'd have to leave you … hurt and alone.
I could only admire from afar … stoic and aloof …
while turning my heart into stone.

Nothing I could ever say and nothing I could ever do …
But now, at long last … at least I finally knew.

There, you stood … green seas, gazing up … into skies of blue.
My long-awaited revelation … become sorrow-laced realization.
There really is … a you.

~August 12th, 2009
  

  Typical of my life-long Charlie Brown syndrome … After being told in 2005 that I had “the lungs of an eighty-year-old man” and that I had “Six to Ten years” to live, I made a conscious decision in that Doctor's parking lot that I could never have another girlfriend and that I must face this alone. I don't see woman as objects. They are glorious creatures that are here to be our partners and friends and to make our lives amazing. I could never, ever knowingly let a woman fall in love with me, all the while knowing I was going to die and leave her. It's not in me to do such a thing, lonely or not.

  Yes, I'm still alive, I'm stubborn like that. But, some days are better than others and my new doctors say that they don't give people “time limits” anymore … because of people like me. I can't afford the lung transplant. So, as Bono so aptly put in one of his songs: “The rich stay healthy, while the sick stay poor”. It is what it is … and like the energizer bunny, I'm still going. Good for me.

  In the moment that I met her, the morning that followed, and the amazing speed of our nexus over the next several months combined with a string of synchronicities (Coincidences? Did I mention that she too, was a poet and writer?) that not only came after I met her on the sidewalk in front of the publisher we shared, but in those pieces I had written before and in several after; I was pretty much convinced I had actually found her. I have NEVER experienced anything like this, or her, in my entire life.

  So, after all this time, here she was … and there wasn't a **** thing that I could do about it. Besides, she was much younger than I and it probably would never have worked anyways. ****, the universe is rotten sometimes, huh? Maybe, if I'm lucky, things will balance out better in the next life. I can only hope. But I'm reminded, worryingly so, of the **** The Alarm song: “Collide”:

“All of these thoughts pounding in my head …
with the words I've wrote, in the letters I've never sent.
The distance in our lives may change …
Times that you can never erase …
But will our worlds collide?
Will our worlds collide, the next time?”



  Only time will tell.



  “Colors”, and a few others, were written about/for her. But, I could never show them to her. I would never endanger my friendship with her. I just wanted to keep her in my life. That, and that alone, was the only motive I'd ever had with her. I looked forward to seeing her marry, hearing her stories of her three kid's adventures; Hubby, all greasy, working on the car in the driveway, rabbits in her garden at night, eating her precious organic veggies or even about her new curtains. Just to know that she was alive, happy and doing well. I found a solace in her voice I could never describe and I was completely content to just have her in my life and watch hers unfold. Only I could end up in this odd position.

  I feared that she might get weird-ed out because I'd never displayed any romantic inklings toward her, so, to suddenly read these might make her feel a bit, lets say: uncomfortable. Actually, I didn't write them with any romantic intentions, per se; I just did what I always do … write what comes out. Still, there's no denying that they come across romantic. Again, so, so Charlie Brown. (long sigh)
  
  It is what it is. I also have to ponder the fact that maybe all those Charlie Brown moments in my life were preparing me for this one big, painful one. That does makes sense … ******' Universe.


Colors

Well when you're Green, I'll be your Brown.
Like the earth that loves the flowers,
I'll will be your solid ground.

And I'll be your Azure, when you are Verdigris.
We'll be thee most beautiful ocean
that eyes have ever seen.

And when you're Black, I'll be your White.
Mixing all of the colors … I'll make everything alright.

Now when you're Blue, I'll be you're Red.
If something should make you wanna cry,
I will feel your pain instead.

And I'll be your Orange, whenever you are Pink.
We'll be thee most amazing sunset,
that the sky could ever ink.

And when you're Black, I'll be your White.
I'll mix all of your colors … and make everything alright.

Should you be Violet, I will be your Beige.
Like a sleepy moonlit desert,
pasteled in dunes and sage.

And when you're Grey, I will be your Rainbow.
We'll be thee most soothing rainstorm
the world has ever known.

And when you're Black, I'll be your White.
I'll mix all of your colors … yes, I'll make everything alright.

With love on my palette, painting a glorious sunrise …
I'll color all your mornings with a smile and brighten up your skies.
If you should find yourself in sorrow from someones hate or lies …
I'll take the stars down from the heavens … and paint them in your eyes.

So whenever you are Black, I will always be your White.
I'll mix all your colors with a promise … everything will be alright.

Yes, I'll mix all of your colors with a promise … Everything's gonna be alright.

~  Winter 2012



  I wrote this after she had rang me up one afternoon lamenting about her life at the moment, troubled that her latest novel hadn't done as well as she'd hoped and now she had to be waitressing to make ends meet. I tried my best to cheer her up and assured her that she was strong enough to handle anything and that she must keep chasing her dreams. I wrote it as a poem, but I can't help but notice it looks like a song, though I've never heard music for it. Those repeated verses look just like choruses to me.

  Earlier in the day, I had been looking at a booklet of paint swatches. I guess, up there on my roof looking at the Manhattan skyline, her sadness and me looking at all those colors melted together somehow and, as happens, out came this piece. Even this, became another synchronicity as she would name her next novel “Show Me All Your Colors”. I remember seeing it in the bookstore and looking straight up … shaking my head at the sky. Was this the universe telling me to show and tell her all this?

  Well, if it was, I stuck with my gut and kept it to myself. My God, if you only knew how many of these synchronicities there were between her and I. It simply boggles my mind. I wanted to call them “coincidences”, but there were just so **** many of them … Each so unique, they just couldn't be called that. I don't want to tell them all here, because like I said, the more you swear to it, the crazier you sound. And I'm sure your questioning my sanity by now, aren't you? (Smirk)


  OK, OK … this one is definitely romantic. I wrote it one night, drunk to the bejeezus. I'd done what we called “The Crosstown Crawl” with my pal Tristan and a gaggle of assorted waitresses we knew. This involved starting at Brass Monkey on the west side highway in the Gansevoort District and ending at my favorite hookah bar, Karma, on the Lower East Side … Drinking in, and often being “asked to leave” (Read: Kicked out of) every bar that took our interest as we walked (Read: staggered) west to east, staying below 14th St.

  On my way home from the city on the J train, I thought about all the phone conversations we'd had while I was on this train crossing the Williamsburg Bridge. Being drunk, I guess, I caught a bout of sadness that I'd never get to tell her any of this or even how I felt about it all. Before I hit my elevator, this piece was swimming in my head. It's about as mushy a piece as I've ever written … if not thee most! Not the norm for me, but this is, after all, a lot to keep pent up inside you. I wouldn't wish this predicament on anyone.


For My Little Red-Haired Girl …


You …

My Love.
My Queen.
This Shining Light in my eyes.

My Laughs.
My Dreams.
My Soft, Contented Sighs.

My *****.
My Lavender.
My Dew Covered Rose.

My Smile.
My Cinnamon.
The Joy in my heart … ever inspiring my prose.

My Best Friend.
My Co-Star.
My Fearless Partner in Crime.

My Breath.
My Cohort.
My Side-kick throughout time.

My Snow-capped Mountain.
The Wind caressing my face.
My Vast Green Field.

The Ivy Covered Wall
that harbors my soul … ever refusing to yield.

In a different time ...

You … would have been my Life.

You … would have been my World.

You … would have been my Everything

and I will always love you for my own special reasons.

It is just a shame … and I'm so, so sorry … that you … must never, ever know.

Maybe next time.


~Charlie Brown




   When I came-to in the morning and read what I had wrote, I had to laugh a bit. It is borderline corny, very beautiful, very telling and very sad … all at once. I shook my head, laughing and told myself :

  “*******, Sam … yer losin' it. Get your **** together, will ya?”

  I guess in my stupor, I was imagining what it would have been like to write something for her. I don't know … There it was and I was stuck with it. I almost deleted it, but, my finger wouldn't press the key. As I told you before … I'd NEVER show this to her. She'd probably never speak to me again.

   As a sadder epilogue, that eventually happened. I still don't know why, but we haven't spoken in years. Maybe she sensed this emotion in me and ran away. Or maybe, just maybe … she thought I'd pushed her away somehow … but for whatever reason, we drifted apart. I guess I'll never know.  As you can see by reading this, that was never my intention. But, like I keep reiterating … It is what it is.

  One day, I called her number to catch up and shoot the breeze. I hadn't spoken to her in a few months as she'd been busy promoting her new novel and I didn't want to pester her. But … it was disconnected … I checked my emails … nothing. I'd never been so confused, she just closed me out. I didn't want to bother her. I was sure she had her reasons and if she wanted to reach out to me again, she would. She had my email and my phone number. But, for now … she was gone … and that was that.

  So, what do you think, Reader? Do I get the Tin hat … or a Badge of courage? Am I bat-**** crazy … or just eccentric? I'll leave it up to you to decide, because as I said, this all happened to me and there isn't a thing I can do about any of it. I just had to get it off of my chest. Thanks for letting me vent.

  Wherever she is … she will always mean the world to me. I can see her green eyes if I close my mine and look for them. Sometimes, on occasion, her face haunts my sleep. Still, I like to picture her, kids playing in a sprinkler behind her, digging in her garden, wearing gloves too big for her hands and a smudge of fresh dirt on her cheek … it makes me smile.


-Sam Webster
Brooklyn, New York
2013
OK, you can stop scratching your head. I'm sorry if you feel like I tricked you or was playing a prank … That was not my intention. This piece is experimental writing, of sorts. If you are wondering, it's titled “Somewhere … Out There”. But I didn't want to put a title at the head of the page, as that might have clued you in too early.

I also confess that “Sam” the narrator is, on no uncertain terms, based loosely on myself. But hey, what better way to string you along? Besides, as Stephen King said, you “Write what you know”. As far as I 'm aware, using poetry within a short story like this, or in this manner, has never been done before. Welcome to the future!

It really belongs in my “From Thee Edge” Collection with the rest of my Twilight-Zone-esque short stories. (You can now read some of these fiction short stories here, posted in my "NoPo@HePo" posts, along with some non-fiction essays. I hope you enjoy them.) But, because I pieced together several of my poems to not only tell the story, but as a vehicle to carry it along as part of it; I wanted to put it here on Hello Poetry just to see if I could convince you long enough to get you through the story … while having you believe it was me speaking to you and that it was all very real to me. Thus, making it feel real to you as you read it.

Was I having you along right up until it was signed by someone else? Or, at least until the narrator addressed himself as “Sam”?

If so, then I accomplished my mission. I'd love to hear your comments on it. If you've been reading any of my other posts, I'm sure you've figured out that I like to run wildly outside of the box sometimes. This was just, as I said, an experiment in a different way to tell a story … fiction or otherwise. As always, I hope that I took you on a journey and, more importantly, that you enjoyed it.

~Jeff Gaines
L.A.
(Lower Alabama)
2015
Nigel Morgan Oct 2012
There was a moment when he knew he had to make a decision.

He had left London that February evening on the ****** Velo Train to the South West. As the two hour journey got underway darkness had descended quickly; it was soon only his reflected face he could see in the window. He’d been rehearsing most of the afternoon so it was only now he could take out the manuscript book, its pages full of working notes on the piece he was to play the following afternoon. His I-Mind implant could have stored these but he chose to circumvent this thought-transcribing technology; there was still the physical trace on the cream-coloured paper with his mother’s propelling pencil that forever conjured up his journey from the teenage composer to the jazz musician he now was. This thought surrounded him with a certain warmth on this Friday evening train full of those returning to their country homes and distant families.

It was a difficulty he had sensed from the moment he perceived a distant gap in the flow of information streaming onto the mind page

At the outset the Mind Notation project had seemed harmless, playful in fact. He allowed himself to enter into the early experiments because he knew and trusted the research team. He got paid handsomely for his time, and later for his performance work.  It was a valuable complement to his ill-paid day-to-day work as a jazz pianist constantly touring the clubs, making occasional festival appearances with is quintet, hawking his recordings around small labels, and always ‘being available’. Mind Notation was something quite outside that traditional scene. In short periods it would have a relentless intensity about it, but it was hard to dismiss because he soon realised he had been hard-wired to different persona. Over a period of several years he was now dealing with four separate I-Mind folders, four distinct musical identities.

Tomorrow he would pull out the latest manifestation of a composer whose creative mind he had known for 10 years, playing the experimental edge of his music whilst still at college. There had been others since, but J was different, and so consistent. J never interfered; there were never decisive interventions, only an explicit confidence in his ability to interpret J’s music. There had been occasional discussion, but always loose; over coffee, a walk to a restaurant; never in the lab or at rehearsals.

In performance (and particularly when J was present) J’s own mind-thought was so rich, so wide-ranging it could have been drug-induced. Every musical inference was surrounded by such intensity and power he had had to learn to ride on it as he imagined a surfer would ride on a powerful wave. She was always there - embedded in everything J seemed to think about, everything J projected. He wondered how J could live with what seemed to him to be an obsession. Perhaps this was love, and so what he played was love like a wilderness river flowing endlessly across the mind-page.

J seemed careful when he was with her. J tried hard not to let his attentiveness, this gaze of love, allow others to enter the public folders of his I-Mind space (so full of images of her and the sounds of her light, entrancing voice). But he knew, he knew when he glanced at them together in darkened concert halls, her hand on J’s left arm stroking, gently stroking, that J’s most brilliant and affecting music flowed from this source.

He could feel the pattern of his breathing change, he shifted himself in his chair, the keyboard swam under his gaze, he was playing fast and light, playing arpeggios like falling water, a waterfall of notes, cascades of extended tonalities falling into the darkness beyond his left hand, but there it was, in twenty seconds he would have to*

It had begun quite accidentally with a lab experiment. J had for some years been researching the telematics of composing and performing by encapsulating the physical musical score onto a computer screen. The ‘moist media’ of telematics offered the performer different views of a composition, and not just the end result but the journey taken to obtain that result. From there to an interest in neuroscience had been a small step. J persuaded him to visit the lab to experience playing a duet with his own brain waves.

Wearing a sensor cap he had allowed his brainwaves to be transmitted through a BCMI to a synthesiser – as he played the piano. After a few hours he realised he could control the resultant sounds. In fact, he could control them very well. He had played with computer interaction before, but there was always a preparatory stage, hours of designing and programming, then the inevitable critical feedback of the recording or glitch in performance. He soon realised he had no patience for it and so relied on a programmer, a sonic artist as assistant, as collaborator when circumstances required it.

When J’s colleagues developed an ‘app’ for the I-Mind it meant he could receive J’s instant thoughts, but thoughts translated into virtual ‘active’ music notation, a notation that flowed across the screen of his inner eye. It was astonishing; more astonishing because J didn’t have to be physically there for it to happen: he could record I-Mind files of his thought compositions.

The reference pre-score at the top of the mind page was gradually enlarging to a point where pitches were just visible and this gap, a gap with no stave, a gap of silence, a gap with no action, a gap with repeat signs was probably 30 seconds away

In the early days (was it really just 10 years ago?) the music was delivered to him embedded in a network of experiences, locations, spiritual and philosophical ideas. J had found ways to extend the idea of the notated score to allow the performer to explore the very thoughts and techniques that made each piece – usually complete hidden from the performer. He would assemble groups of miniatures lasting no more than a couple of minutes each, each miniature carrying, as J had once told him, ‘one thought and one thought only’.  But this description only referred to the musical material because each piece was loaded with a web of associations. From the outset the music employed scales and tonalities so far away from the conventions of jazz that when he played and then extended the pieces it seemed like he was visiting a different universe; though surprisingly he had little trouble working these new and different patterns of pitches into his fingers. It was uncanny the ‘fit’.

Along with the music there was always rich, often startling images she conjured up for J’s compositions. At the beginning of their association J initiated these. He had been long been seeking ways to integrate the visual image with musical discourse. After toying with the idea of devising his own images for music he conceived the notion of computer animation of textile layers. J had discovered and then encouraged the work and vision of a young woman on the brink of what was to become recognised as a major talent. When he could he supported her artistically, revelling in the keenness of her observation of the natural world and her ability to complement what J conceived. He became her lover and she his muse; he remodelled his life and his work around her, her life and her work.

When performing the most complex of music it always seemed to him that the relative time of music and the clock time of reality met in strange conjunctions of stasis. Quite suddenly clock time became suspended and musical time enveloped reality. He found he could be thinking something quite differently from what he was playing.

Further projects followed, and as they did he realised a change had begun to occur in J’s creative rationale. He seemed to adopt different personae. Outwardly he was J. Inside his musical thought he began to invent other composers, musical avatars, complete minds with different musical and personal histories that he imagined making new work.

J had manipulated him into working on a new project that had appeared to be by a composer completely unknown to him. L was Canadian, a composer who had conceived a score that adhered to the DOGME movie production manifesto, but translated into music. The composition, the visuals, the text, the technological environment and the performance had to be conceived in realtime and in one location. A live performance meant a live ‘making’, and this meant he became involved in all aspects of the production. It became a popular and celebrated festival event with each production captured in its entirety and presented in multi-dimensional strands on the web. The viewer / listener became an editor able to move between the simultaneous creative activity, weaving his or her own ‘cut’ like some art house computer game. L never appeared in person at these ‘remakings’, but via a computer link. It was only after half a dozen performances that the thought entered his mind that L was possibly not a 24-year-old woman from Toronto complete with a lively Facebook persona.

Then, with the I-Mind, he woke up to the fact that J had already prepared musical scenarios that could take immediate advantage of this technology. A BBC Promenade Concert commission for a work for piano and orchestra provided an opportunity. J somehow persuaded Tom Service the Proms supremo to programme this new work as a collaborative composition by a team created specially for the premiere. J hid inside this team and devised a fresh persona. He also hid his new I-Mind technology from public view. The orchestra was to be self-directed but featured section leaders who, as established colleagues of J’s had already experienced his work and, sworn to secrecy, agreed to the I-Mind implant.

After the premiere there were rumours about how the extraordinary synchronicities in the play of musical sections had been achieved and there was much critical debate. J immediately withdrew the score to the BBC’s consternation. A minion in the contracts department had a most uncomfortable meeting with Mr Service and the Controller of Radio 3.

With the end of this phrase he would hit the gap  . . . what was he to do? Simply lift his hands from the keyboard? Wait for some sign from the I-Mind system to intervene? His audience might applaud thinking the piece finished? Would the immersive visuals with its  18.1 Surround Sound continue on the five screens or simply disappear?

His hands left the keyboard. The screens went white except for the two repeats signs in red facing one another. Then in the blank bar letter-by-letter this short text appeared . . .


Here Silence gathers
thoughts of you

Letters shall never
spell your grace

No melody could
describe your face

No rhythm dance
the way you move

Only Silence can
express my love

ever yours ever
yours ever yours



He then realised what the date was . . . and slowly let his hands fall to his lap.
Bo Tansky  Sep 2018
Frequency
Bo Tansky Sep 2018
Instant messages from the multiverse
Rhyming verses of deliverance
A four-line limerick
Spoken with just an utterance.
  
Words I needed to hear
Words spoken so casually, when
I am so unnaturally, irrationally
Unsure of anything
Instant messages from the multiverse
I need to emphasize
Some are heavy, some are light
Some come like thieves in the night

Some come so unexpectedly
I hope they treat me gently
Whatever their intent be
My emotions are raw
Or is it just a slow thaw
I really don’t know, but
I’m wise to their game
I’m not a fool for their pain
Not addicted to the synchronicities
And don’t take it personally
Still
How do they know
Just what to say
How do they know?

Just the same
I’m wise to their game.
I’m a gypsy telling fortunes
I’m a seer telling lies, but
Nobody, no nobody
Knows what I see in your eyes

When my need for you is more than I can bear
I turn on the radio, just to hear
Instant messages from the multiverse
Only I was meant to hear

Conducting the orchestra with an uncanny flair
I tune to your frequency to always keep you near
And fast forward when they’re saying something,  
I don’t want to hear.

I’m wise to their games
This love path is not for the meek
A game of hide and seek
Isn’t there some other way
A formula, a technique

It is in this way
That I get through the day
And that medley of love songs
Well, they’re just foreplay.

Are we on the same frequency?
Creating beautiful melodies.
A symphony of many notes
Half notes, whole notes
Blue notes too.
Don’t ever lose the love notes sent from me to you
Setenance Aug 2014
synchronicities
are the starlights
to show the way
i once knew why
i came here
don't know
if i'll stay

the moon
is pouring
down
fills me up

eyes are open
looking for
answers
in the
empty

not sure
what to
extract
what to
reflect
back

i'm only seeing
pieces
of
the waves
dancing
to a time
far beyond
the
capacities
of
my design

the moonlight
is
beautiful
but it's ****
to write by

can't read
a word

there
now

it isn't
so
abstract
RyanMJenkins Dec 2013
Somewhere along the line I broke my internal compass.
Already inhaled our poisoned water, fearful of not reaching the surface.
Never knowing the right direction, leaves me left alone.
Done so much to weather this body, not as clear cut as a broken bone.
I just feel I want to go that way.
Eye see what I want - stumble, blackout, and stray.

Script already written, but the characters are constant variables.
Knowing everything in our heads is all malleable
Reading in between the lines searching for guarantees,
Feelings come influx.. and then slowly flee

Anchor me down to anything.

Sinking into a black tar pit abyss, wondering when I'll leave.
But maybe my soul was always meant to roam foreign zones, alone, free.
It's in moments like these where to thoughts I feel shackled to, can't release.
It becomes a hassle to feel happy, struggling to properly breathe.

Maybe no world is the same as yours
Each path has perfectly placed locked doors,
That's as individual to you as what you soak into your pores.
Getting *****, but we still want more.

It'll soon be time to graduate from our physical capabilities,
But man, how did I go so long without seeing the synchronicities?

I bleed red, I'm tired, but true.
I can't bridge past the fact that I don't know if this is for me or you.

My monster of malice,
Helps me hold high, the aluminum chalice.
Knowing these roads don't help feed my head,
Left Alice in bed for the next adequate depressant threshold
Draining my spirit and the malicious comes back-
Writing down symbols, using me as a vessel.

This dream of a life can be stressful
My walls I am enclosed in has become a mess hole.
Halls with trophies that look much like alcohol bottles.. oh wait.
Little victories! - I'm still here.
Make the liquid disappear so you can see the skewed you a little more clear.
I make the art of dying look so graceful,
Just hoping before the expiration date I left you with something tasteful.

My genes are tearing at the seams.
Glittered with fractured beams of half- hope
Slipped down the rope before I saw the light
Shining down on disappointment.
Been joyously walking to the liquor store for my alcoholic ointment.

Too much cancer, fresh internal scars, and airbrushed perspectives.
It's too bad we mostly only look at our exterior when being reflective.
*** becomes a place where we can forget.
It happened for more than hormones, yet many tend to regret.
People can run off course and divorce themselves when ******* leads to remorse
But the choice is yours.
Then we develop new feelings whether intended or not.
A home for new wounds, just waiting to clot.

We're simply riding through life chemically imbalanced,
Happiness turns to madness, sadness, numb.
Jumping from this feeling to that, this person to them.
Firing more into the overworked synapses that overreact through connection
When you clash with your mind, and embody all it's destructive four course meals
It eventually takes control over your entire life, robbed blind, an easy steal.
Peel away each sentence, and bask right now in the surreal,
Make a deal to be your divine self and let the soul show ya what's real.

In these very limited bodies, currently, time is currency. *
With your unlimited potential act purposefully-
Spend the ticks wisely to enrich your soul.
Mind plays tricks from time to time, never let it have control
Open your third eye and dare to be bold
Strengthen vibrations with intent to share the love
and you'll be riddled with appreciation without deviation,
From the heaven within us all, to the heavens above~

But I trust our spirits know our way around the blueprint.
Despite the many unseen forces, forever at play.
Look deeper into the depths like an enthusiastic student
**Reality is just a matter of what you believe; namaste~
Ashley Chapman Jul 2018
She said:

There have been a ridiculous amount of  synchronicities:
I realise now how much I am in your ocean.

I said:

My dear, then not a drop of dark tincture cast in these clear waters in which we swim,
a vast sea in which no matter at what end you lie,
I feel you in the very reverberations of the molecules around me -
the slightest tremor!

And must turn in your direction and with blind eyes penetrate the depth searching for your form,
and begin the journey to find you and at last embrace you with every ion of my Being...
Saul Makabim Jun 2012
Glitterati Gangsters gaze
with commanding stares
and broken plates glass blown and open gates
There she sits eyes
all holding
all knowing
synchronicities shatter the scene
Sparkling
each blink initiates a flood of flaming diamonds
that lash out like hot irons
Eyes like this entice and take
Each blink unlocks a new mystery
as she grinds resistance in her teeth
Igniting my lust
Sparkling
each blink creates a dawning sun
Her gaze inflames ten thousand ways
She wields sparkle
like madmen spray sarin
With sparkling abandon
kenye Apr 2013
See you in the synchronicities
...That's wishful thinking
Get to know my idiosyncrasies

There's something about the unexpected
That we always anticipate

Or how you always introduce yourself
Like I could forget your presence
It stuck with me
like the taste of your perfume
A savorous ghost
after you left the room

...Then my senses brought me back
To just a moment ago
Laced in your pheromones
When you left me trembling

Meet me on the astral plane
After we strip down to vibrations tonight
We'll build a world outside of our minds

A happenstance rendezvous
Your subconscious or mine?
We'll wake up on the shores
of Black Sandy Beaches
Where I vicariously hunted you my dear
through songs of another
Do you hear me in your headphones?
Passed the music

A subliminal soul
Telepathically delivering you the words
I cannot say to your face

...To the one that I write about.
Mia Wallace Sep 2015
We watch the perpetual war in the sky
The vivid colors of the gods
Bleeding before the mountains
A sultry foreshadow of nightfalls' catastrophe
He waits for the Suns' demise
Under the Gemini Moon
My Twin Legs split open
Wolves echo in synchronicities of
Madness
In the morning I call for Zeus
God of Thunder
Crack the earth open
Let my lovers fall to the underworld of your brothers  
Wash the scents of greed from my hair
And the hyrogliphic bite marks from my thighs  
Or bare my soul to wind
Starvation and feast
It all tastes like love
under the Yellowstone moon.
typhany Apr 2017
i feel what i feel
with such depth and aching despair
my chest is caving in
at times; i am filled with water

i'm a finely tuned banjo
in a sea of horned instruments
and no one wants to play me
or open me up
i'm so closed up

but on days when the mania is gone,
the depression isn't so bad anymore
i have my lovers and
the pills i eat with dinner
work

i'm swallowing down my pride
paying attention and trying to decide
where i can hide my nervous sighs
when i'm in a room of people
and still feel alone

i needed a break
i don't know how to find that
exactly
without the dependence
of chemicals

i am pursuing a lighter path
will it impress you?
my muscles ache
my heart aches
my brain... it aches

finding a way to end a poem
when you're still sad
is the hardest part
of trying to cope
positively

i can't end here either
because then anxiety swoops in
like a hawk
or some other bird she named
when we were under the trees

i'm swimming in a pool
of bad nostalgia
and beautiful synchronicities
i'm so sick of
the ups and downs
Jammit Janet  Sep 2021
#125
Jammit Janet Sep 2021
Makin' moves
Creating grooves
Syncing to the synchronicities
The Universal mood.
Venusoul7 May 2014
Silver Bullet Synchronicities, Literally, Layer into my Space a Perfect Union of Oblivion
The Ying, to The Yang, Baby....

Micro to Macro, Anomalous Events Don't quite Strike Me as anything Other than Normality in and of Different Scale

A For Instance

To my Eyes, the Sequoya Tree Appears to Tower, the Highest of the High
While our beloved Earth Teachers....The Ant....Grounded above and below the Mother Clay,
Will Look at Me as a Colossal Mammalian largely Trembling the World with Weight Infinite

To the Point

Perspective is simply a specific view, an angled ray of Light, Thus Strikes the Object in it's Own Precise Uniqueness

Note of Importance

If only One ray strikes angled Light, One angle of Light just won't Suffice....Every Perspective must be Offering of It's Own Accord, thus Strikes the Creation True....

Wholeness is Truth
Truth is Coherence
Coherence is Smooth and Steady
Do I know if I'll be Ready?....Not Really

This I Do Know

All Matter is full of Wholes of Space, NOT EMPTY, but Full of Life, Feeding the Flow into Motion, Flowing the Motion of Inert Mass, Spinning the Soul to Life, Spinning into Infinite Bliss

LIFE IS BEAUTIFUL MOVEMENT

Some will make Life into Art with Dance
To Live Life at the Threshold, DANCE Your DREAMS into LIFE
Everyday and Every Night....DANCE
                                                  ­DANCE
                                                  DANCE

  ­              Bless You.....Bless Me...Bless Us All
Simple Poetry.....just my personal thoughts, lovem or heavem...
No Offense or Attack or Persuasive Intent Involved...Please Enjoy!
A life in Ruins, a hurt far wide
alone and alienated from the world
a fairy tale lost of all imagination
made the hurt open wide ...

Inside this life
I close my yes I live to tell
with dreams cluttered and whirled
people change I can't wait for them
TO TELL ...

I can't explain if your listening
lock up in silence a living hell
a loving hand that saved me
you step across my threshold
how could you I cry ...

The Angels sing to me like the wind.
throughout the trees, with echoes of
thundering walls, my mind is blank
of all synchronicities, I can't explain
only if your listening ....

A brave new world awaits for me
under its spell, waits for me to explore
if only I take can a leap of faith
and unmask my veil of shadows
masked by the moon, it's way to soon
PLEASE DON'T tell ...

You stepped across my threshold
one last time ...

Debbie Brooks 2014
Read between the lines.. I know who will understand..

— The End —