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Mark Ball  Sep 2014
Gnarled Roots
Mark Ball Sep 2014
These Gnarled Roots
Withered from time
Will forever control
Those shoots from reaching
The Shine.

Thick and stubborn
Taking everything of
Worth.
Pillaging the earth of
its fruit
All "in the name of the
Shoot".

We are told
The shoot can't be
A shoot
Without the
Root.
But what about
The "root" of
A problem?

So, little shoot
Chew on the bitter root.
Chew and
Survive.
It is full summer now, the heart of June;
Not yet the sunburnt reapers are astir
Upon the upland meadow where too soon
Rich autumn time, the season’s usurer,
Will lend his hoarded gold to all the trees,
And see his treasure scattered by the wild and spendthrift breeze.

Too soon indeed! yet here the daffodil,
That love-child of the Spring, has lingered on
To vex the rose with jealousy, and still
The harebell spreads her azure pavilion,
And like a strayed and wandering reveller
Abandoned of its brothers, whom long since June’s messenger

The missel-thrush has frighted from the glade,
One pale narcissus loiters fearfully
Close to a shadowy nook, where half afraid
Of their own loveliness some violets lie
That will not look the gold sun in the face
For fear of too much splendour,—ah! methinks it is a place

Which should be trodden by Persephone
When wearied of the flowerless fields of Dis!
Or danced on by the lads of Arcady!
The hidden secret of eternal bliss
Known to the Grecian here a man might find,
Ah! you and I may find it now if Love and Sleep be kind.

There are the flowers which mourning Herakles
Strewed on the tomb of Hylas, columbine,
Its white doves all a-flutter where the breeze
Kissed them too harshly, the small celandine,
That yellow-kirtled chorister of eve,
And lilac lady’s-smock,—but let them bloom alone, and leave

Yon spired hollyhock red-crocketed
To sway its silent chimes, else must the bee,
Its little bellringer, go seek instead
Some other pleasaunce; the anemone
That weeps at daybreak, like a silly girl
Before her love, and hardly lets the butterflies unfurl

Their painted wings beside it,—bid it pine
In pale virginity; the winter snow
Will suit it better than those lips of thine
Whose fires would but scorch it, rather go
And pluck that amorous flower which blooms alone,
Fed by the pander wind with dust of kisses not its own.

The trumpet-mouths of red convolvulus
So dear to maidens, creamy meadow-sweet
Whiter than Juno’s throat and odorous
As all Arabia, hyacinths the feet
Of Huntress Dian would be loth to mar
For any dappled fawn,—pluck these, and those fond flowers which
are

Fairer than what Queen Venus trod upon
Beneath the pines of Ida, eucharis,
That morning star which does not dread the sun,
And budding marjoram which but to kiss
Would sweeten Cytheraea’s lips and make
Adonis jealous,—these for thy head,—and for thy girdle take

Yon curving spray of purple clematis
Whose gorgeous dye outflames the Tyrian King,
And foxgloves with their nodding chalices,
But that one narciss which the startled Spring
Let from her kirtle fall when first she heard
In her own woods the wild tempestuous song of summer’s bird,

Ah! leave it for a subtle memory
Of those sweet tremulous days of rain and sun,
When April laughed between her tears to see
The early primrose with shy footsteps run
From the gnarled oak-tree roots till all the wold,
Spite of its brown and trampled leaves, grew bright with shimmering
gold.

Nay, pluck it too, it is not half so sweet
As thou thyself, my soul’s idolatry!
And when thou art a-wearied at thy feet
Shall oxlips weave their brightest tapestry,
For thee the woodbine shall forget its pride
And veil its tangled whorls, and thou shalt walk on daisies pied.

And I will cut a reed by yonder spring
And make the wood-gods jealous, and old Pan
Wonder what young intruder dares to sing
In these still haunts, where never foot of man
Should tread at evening, lest he chance to spy
The marble limbs of Artemis and all her company.

And I will tell thee why the jacinth wears
Such dread embroidery of dolorous moan,
And why the hapless nightingale forbears
To sing her song at noon, but weeps alone
When the fleet swallow sleeps, and rich men feast,
And why the laurel trembles when she sees the lightening east.

And I will sing how sad Proserpina
Unto a grave and gloomy Lord was wed,
And lure the silver-breasted Helena
Back from the lotus meadows of the dead,
So shalt thou see that awful loveliness
For which two mighty Hosts met fearfully in war’s abyss!

And then I’ll pipe to thee that Grecian tale
How Cynthia loves the lad Endymion,
And hidden in a grey and misty veil
Hies to the cliffs of Latmos once the Sun
Leaps from his ocean bed in fruitless chase
Of those pale flying feet which fade away in his embrace.

And if my flute can breathe sweet melody,
We may behold Her face who long ago
Dwelt among men by the AEgean sea,
And whose sad house with pillaged portico
And friezeless wall and columns toppled down
Looms o’er the ruins of that fair and violet cinctured town.

Spirit of Beauty! tarry still awhile,
They are not dead, thine ancient votaries;
Some few there are to whom thy radiant smile
Is better than a thousand victories,
Though all the nobly slain of Waterloo
Rise up in wrath against them! tarry still, there are a few

Who for thy sake would give their manlihood
And consecrate their being; I at least
Have done so, made thy lips my daily food,
And in thy temples found a goodlier feast
Than this starved age can give me, spite of all
Its new-found creeds so sceptical and so dogmatical.

Here not Cephissos, not Ilissos flows,
The woods of white Colonos are not here,
On our bleak hills the olive never blows,
No simple priest conducts his lowing steer
Up the steep marble way, nor through the town
Do laughing maidens bear to thee the crocus-flowered gown.

Yet tarry! for the boy who loved thee best,
Whose very name should be a memory
To make thee linger, sleeps in silent rest
Beneath the Roman walls, and melody
Still mourns her sweetest lyre; none can play
The lute of Adonais:  with his lips Song passed away.

Nay, when Keats died the Muses still had left
One silver voice to sing his threnody,
But ah! too soon of it we were bereft
When on that riven night and stormy sea
Panthea claimed her singer as her own,
And slew the mouth that praised her; since which time we walk
alone,

Save for that fiery heart, that morning star
Of re-arisen England, whose clear eye
Saw from our tottering throne and waste of war
The grand Greek limbs of young Democracy
Rise mightily like Hesperus and bring
The great Republic! him at least thy love hath taught to sing,

And he hath been with thee at Thessaly,
And seen white Atalanta fleet of foot
In passionless and fierce virginity
Hunting the tusked boar, his honied lute
Hath pierced the cavern of the hollow hill,
And Venus laughs to know one knee will bow before her still.

And he hath kissed the lips of Proserpine,
And sung the Galilaean’s requiem,
That wounded forehead dashed with blood and wine
He hath discrowned, the Ancient Gods in him
Have found their last, most ardent worshipper,
And the new Sign grows grey and dim before its conqueror.

Spirit of Beauty! tarry with us still,
It is not quenched the torch of poesy,
The star that shook above the Eastern hill
Holds unassailed its argent armoury
From all the gathering gloom and fretful fight—
O tarry with us still! for through the long and common night,

Morris, our sweet and simple Chaucer’s child,
Dear heritor of Spenser’s tuneful reed,
With soft and sylvan pipe has oft beguiled
The weary soul of man in troublous need,
And from the far and flowerless fields of ice
Has brought fair flowers to make an earthly paradise.

We know them all, Gudrun the strong men’s bride,
Aslaug and Olafson we know them all,
How giant Grettir fought and Sigurd died,
And what enchantment held the king in thrall
When lonely Brynhild wrestled with the powers
That war against all passion, ah! how oft through summer hours,

Long listless summer hours when the noon
Being enamoured of a damask rose
Forgets to journey westward, till the moon
The pale usurper of its tribute grows
From a thin sickle to a silver shield
And chides its loitering car—how oft, in some cool grassy field

Far from the cricket-ground and noisy eight,
At Bagley, where the rustling bluebells come
Almost before the blackbird finds a mate
And overstay the swallow, and the hum
Of many murmuring bees flits through the leaves,
Have I lain poring on the dreamy tales his fancy weaves,

And through their unreal woes and mimic pain
Wept for myself, and so was purified,
And in their simple mirth grew glad again;
For as I sailed upon that pictured tide
The strength and splendour of the storm was mine
Without the storm’s red ruin, for the singer is divine;

The little laugh of water falling down
Is not so musical, the clammy gold
Close hoarded in the tiny waxen town
Has less of sweetness in it, and the old
Half-withered reeds that waved in Arcady
Touched by his lips break forth again to fresher harmony.

Spirit of Beauty, tarry yet awhile!
Although the cheating merchants of the mart
With iron roads profane our lovely isle,
And break on whirling wheels the limbs of Art,
Ay! though the crowded factories beget
The blindworm Ignorance that slays the soul, O tarry yet!

For One at least there is,—He bears his name
From Dante and the seraph Gabriel,—
Whose double laurels burn with deathless flame
To light thine altar; He too loves thee well,
Who saw old Merlin lured in Vivien’s snare,
And the white feet of angels coming down the golden stair,

Loves thee so well, that all the World for him
A gorgeous-coloured vestiture must wear,
And Sorrow take a purple diadem,
Or else be no more Sorrow, and Despair
Gild its own thorns, and Pain, like Adon, be
Even in anguish beautiful;—such is the empery

Which Painters hold, and such the heritage
This gentle solemn Spirit doth possess,
Being a better mirror of his age
In all his pity, love, and weariness,
Than those who can but copy common things,
And leave the Soul unpainted with its mighty questionings.

But they are few, and all romance has flown,
And men can prophesy about the sun,
And lecture on his arrows—how, alone,
Through a waste void the soulless atoms run,
How from each tree its weeping nymph has fled,
And that no more ’mid English reeds a Naiad shows her head.

Methinks these new Actaeons boast too soon
That they have spied on beauty; what if we
Have analysed the rainbow, robbed the moon
Of her most ancient, chastest mystery,
Shall I, the last Endymion, lose all hope
Because rude eyes peer at my mistress through a telescope!

What profit if this scientific age
Burst through our gates with all its retinue
Of modern miracles!  Can it assuage
One lover’s breaking heart? what can it do
To make one life more beautiful, one day
More godlike in its period? but now the Age of Clay

Returns in horrid cycle, and the earth
Hath borne again a noisy progeny
Of ignorant Titans, whose ungodly birth
Hurls them against the august hierarchy
Which sat upon Olympus; to the Dust
They have appealed, and to that barren arbiter they must

Repair for judgment; let them, if they can,
From Natural Warfare and insensate Chance,
Create the new Ideal rule for man!
Methinks that was not my inheritance;
For I was nurtured otherwise, my soul
Passes from higher heights of life to a more supreme goal.

Lo! while we spake the earth did turn away
Her visage from the God, and Hecate’s boat
Rose silver-laden, till the jealous day
Blew all its torches out:  I did not note
The waning hours, to young Endymions
Time’s palsied fingers count in vain his rosary of suns!

Mark how the yellow iris wearily
Leans back its throat, as though it would be kissed
By its false chamberer, the dragon-fly,
Who, like a blue vein on a girl’s white wrist,
Sleeps on that snowy primrose of the night,
Which ‘gins to flush with crimson shame, and die beneath the light.

Come let us go, against the pallid shield
Of the wan sky the almond blossoms gleam,
The corncrake nested in the unmown field
Answers its mate, across the misty stream
On fitful wing the startled curlews fly,
And in his sedgy bed the lark, for joy that Day is nigh,

Scatters the pearled dew from off the grass,
In tremulous ecstasy to greet the sun,
Who soon in gilded panoply will pass
Forth from yon orange-curtained pavilion
Hung in the burning east:  see, the red rim
O’ertops the expectant hills! it is the God! for love of him

Already the shrill lark is out of sight,
Flooding with waves of song this silent dell,—
Ah! there is something more in that bird’s flight
Than could be tested in a crucible!—
But the air freshens, let us go, why soon
The woodmen will be here; how we have lived this night of June!
I walked on the banks of the tincan banana dock and
     sat down under the huge shade of a Southern
     Pacific locomotive to look at the sunset over the
     box house hills and cry.
Jack Kerouac sat beside me on a busted rusty iron
     pole, companion, we thought the same thoughts
     of the soul, bleak and blue and sad-eyed, sur-
     rounded by the gnarled steel roots of trees of
     machinery.
The oily water on the river mirrored the red sky, sun
     sank on top of final Frisco peaks, no fish in that
     stream, no hermit in those mounts, just our-
     selves rheumy-eyed and hungover like old bums
     on the riverbank, tired and wily.
Look at the Sunflower, he said, there was a dead gray
     shadow against the sky, big as a man, sitting
     dry on top of a pile of ancient sawdust--
--I rushed up enchanted--it was my first sunflower,
     memories of Blake--my visions--Harlem
and Hells of the Eastern rivers, bridges clanking Joes
     Greasy Sandwiches, dead baby carriages, black
     treadless tires forgotten and unretreaded, the
     poem of the riverbank, condoms & pots, steel
     knives, nothing stainless, only the dank muck
     and the razor-sharp artifacts passing into the
     past--
and the gray Sunflower poised against the sunset,
     crackly bleak and dusty with the **** and smog
     and smoke of olden locomotives in its eye--
corolla of bleary spikes pushed down and broken like
     a battered crown, seeds fallen out of its face,
     soon-to-be-toothless mouth of sunny air, sun-
     rays obliterated on its hairy head like a dried
     wire spiderweb,
leaves stuck out like arms out of the stem, gestures
     from the sawdust root, broke pieces of plaster
     fallen out of the black twigs, a dead fly in its ear,
Unholy battered old thing you were, my sunflower O
     my soul, I loved you then!
The grime was no man's grime but death and human
     locomotives,
all that dress of dust, that veil of darkened railroad
     skin, that smog of cheek, that eyelid of black
     mis'ry, that sooty hand or phallus or protuber-
     ance of artificial worse-than-dirt--industrial--
     modern--all that civilization spotting your
     crazy golden crown--
and those blear thoughts of death and dusty loveless
     eyes and ends and withered roots below, in the
     home-pile of sand and sawdust, rubber dollar
     bills, skin of machinery, the guts and innards
     of the weeping coughing car, the empty lonely
     tincans with their rusty tongues alack, what
     more could I name, the smoked ashes of some
     **** cigar, the ***** of wheelbarrows and the
     milky ******* of cars, wornout ***** out of chairs
     & sphincters of dynamos--all these
entangled in your mummied roots--and you there
     standing before me in the sunset, all your glory
     in your form!
A perfect beauty of a sunflower! a perfect excellent
     lovely sunflower existence! a sweet natural eye
     to the new hip moon, woke up alive and excited
     grasping in the sunset shadow sunrise golden
     monthly breeze!
How many flies buzzed round you innocent of your
     grime, while you cursed the heavens of the rail-
     road and your flower soul?
Poor dead flower? when did you forget you were a
     flower? when did you look at your skin and
     decide you were an impotent ***** old locomo-
     tive? the ghost of a locomotive? the specter and
     shade of a once powerful mad American locomo-
     tive?
You were never no locomotive, Sunflower, you were a
     sunflower!
And you Locomotive, you are a locomotive, forget me
     not!
So I grabbed up the skeleton thick sunflower and stuck
     it at my side like a scepter,
and deliver my sermon to my soul, and Jack's soul
     too, and anyone who'll listen,
--We're not our skin of grime, we're not our dread
     bleak dusty imageless locomotive, we're all
     beautiful golden sunflowers inside, we're bles-
     sed by our own seed & golden hairy naked ac-
     complishment-bodies growing into mad black
     formal sunflowers in the sunset, spied on by our
     eyes under the shadow of the mad locomotive
     riverbank sunset Frisco hilly tincan evening sit-
     down vision.

                              Berkeley, 1955
WS Warner Nov 2013
Part One
Nascent Craving

The insular heart unsealed; pearled eyes
Breach parapets of stone— periled shield,
The sweetest ****—
A threatening wonder and irrefragable synergy,
Nervous routes of cognition  
In this nascent, amorous craving.
Locked and abased,
Dissonance lends pathos — euphoric and onerous,
Disconsolate cries curb sublimation,
The regnant bleed diffusing — fervid lust
Fondled, tactile surfaces in throbbing anticipation.

Sullen, aft a veil of laughter,
Visceral aftermath, out of
The ardent ash,
Burns a thirst;
Insuperable numbness and ache.
Efflorescent intimacy,
Table for two
Enraptured in new alliance,
Élan vital (psyche);
Urgent dialect petitions
Equivocation, jocularity blending
Provocation with indecision,
Noted lilt of descending inhibition.

Adrift, the incessant Now;
As occasion inexorably diminished;
Resonant simpatico tending,
Numinous amity;
Heard conversant, cognitive idioms—
Lassitude, time-eaten pangs of the unhinged heart,
Wounds axiomatic,
In disquieting synergy,
Nibbling, the circumference—
Misery’s permeating truth;
None immune, all trundle incongruously past,
Facing intrepid savages.

Licitly felt, reverberations of Amor
Whence the heart behaves;
Measured cadence, pulse elevating—
Treasured lover, contemplative muse;
Undulating clasp, inflated bone of absence;
Incarnation — a woman,
Beyond prosaic;
Ineffable adoration pours in certitudes of verse,
Elenita, enclothed —virtue unvarnished;
Reservoir intrinsic, poised advocate of the innocent:
The crooked lines of insolence,
Brazen culture of neglected youth.
Perceptive blue stare, sensitized tears—
Plaintively, evincing her injustice ago.

Part Two
Tendered Senses

Siren silence, eruptive blush, ampler between phrases
In dulcet tones — stirring discourse;
Foments rebellion, the strife beneath— his ****,
Out of its vast reserve,
Penetrate the narrowed ambit, vaguely announced.
Groping hands, migrating the sensual member
Stern faces grimacing— mirror in abrasion,
Under the blind surf of consent;
Burrowing ambiguity, emerging torsion,
Plunge, enlisted and content in the sea;
Subsumed in the nonverbal cue,
Persuasion’s plea,
Quelled in the post cerebral assent.

Piercing eyes parallel crystalline waters of Lake Tahoe.

An untouched portion of his awareness remains aloof,
Palpable in the subsequential quiet,
Obsequious and febrile, they sinned on sofas;
Peregrine predilections quenched and viscid—
Serenely requited, the room breathes her presence,
Limp, figures *******, mantled in adolescent torpor.

Erudition in bloom, trust undoubted,
Illuminating, satiating; tempest calm—
Under canvas
Terrain soaked and sodden,
Postliminary — rains of invalidation.
Allowance and permission
Recalibrate, salivate, shortly only—
Initiate, obliged consecration, appraising
Curvatures of the spine,
Stuns him obeisant, her femenine pulchritude,
Propinquity inciting vigor,
Emergent allure, the updriven
Tower of wood sprung from the blanket.


Suffused in ether, purring streams of remembrance
Vaginal honeyed dew, sung into
Orchids, remnants of remember;
Drenched down the cynosure of devotion;
Succulent view, diaphanous pantied bottom;
Halcyon mist, saporous wine — compliance of the will,
Freed fires wander,
Pliable rind, twin plums dripping,
Abject confession, dispatching doubt
In tendered senses,
Pivotal tree, lavender Jacaranda holds the key,
Unfurled, cindered vulnerability.

Half-denuded skin invites confessional savor
Acutely bubbled rear, fleshly furnished denim;
Sultry visit, San Ramon Valley in the fall,
Strewed limbs splendid, flowing filmy;
Imagination yields—
Bursting silk congealed
Across deft thighs, ambrosial thong draping ankles,
Grazing ascension, the curvaceous trajectory
Nose inflamed with fragrance,
Inhaling, climb of acquiescence,
The ****** weal, amid the globed fruit,
Focal intention — ploughed lance thrusting,
Absconding, the ancillary perfume of essence.

Perceiving avid validation,
Swimmingly, amid the monstrous gaze.
  
Humid skies simper dank, set swell the incense of Eros,
Surge of poetry engorged
The flame levened shaft,
Nimble ******* flounce, spill the harboring mouth;
Moist hands merging, unfettered,
Weave in supplication,
Vicinity voicing, enmeshed diversion;
Supple and spherical behind
Posterior arch, milky-skin against the lip—
Ripeness jostling their complacency;
Lapped the mooring, ridden decisively;
Recapitulating— spumed forth, bellied over hips warmth.
Abandon the dirge of self-pity
Late under ego’s trance.
  
Part Three
Present Tenses

Tempting trespass across sacred gardens,
Flowering, scandal set luminous: attachment—
Consensual, their corresponsive fear;
Protean manifestations— evocative, perpetual
Unutterable contention in a fictive resolve,
Deliberating the merits of their widely disparate tastes in coffee,
Amorously touring wine, let’s drowse through the gnarled vine.
Sundry deficiencies pale, once contrasted;
The beatific vision—
Material substance unaccompanied,
Imperceptible, tear-streamed cheeks in synch,
Ventral kiss, peak of carnal perfection,
Reminiscence— flesh violent with Love.

Fiction knew to meander the innominate rift,
A tincture of irony soften misdeeds
Immense as the sea.
Insolvent beast stippled with sapience—
Unmasked, the fabric of delusion;
Dependence smothering the disciplined heart
Resentment put up for release.

Waste of residual years
Fate’s apportion, scars bleakly observed;
Chastened by heartache, engulfing fervor
Too faint to recapture.
Vague glimpses dry—
Hypervigilant his defenses,
Veritable suspensions, embers lit linger;
Slender walls of solidity, the horizoned self,
Faith and reason in concert — stone levels of elucidation.

Fractured bones of distance, emanate a rigid salience,
Another ponderous night of absence—
Lingering, cauldron of dearth as indifference ushers,
The quotidian coil of contrition.
Tearful pallor, sequestered —ciphering time and solitude;
The unkissed mouth, his restive brow;
Suspend in the approximate span.
                      
After Lucid alliterations are spoken
Devoid of her face, his lover’s nudge—
The man nurtures his hurt.

Anxious as seldom unscarred,  
Venus’s susurrations,
In present tenses,
Kissed by her serenades of integration—
Notwithstanding metaphysic intrusion,
No chain stays unbroken,
Postponed drifts of deferment left unspoken,
Reverberations of amor.

© 2013 W. S. Warner
To Eileen
Rod E Kok  May 2014
Strong
Rod E Kok May 2014
I’m strong, I can stand
against the buffeting winds
that try push me down.

        (I’m weak, too easy I fall,
       giving in to the pressure
       that mounts from within.)

In the face of your discrimination,
I’m courageous
       (I fear your abuse)

Yes, I am strong.
Though my gnarled hands
bend with age,
my roots…

        (break, there is no
       vigor left in me)

Sighing...my mind twists
that which should grow
into a solid foundation,
turning it into

        (groans of pain,
       mental anguish.
       Weakness takes over)

A tired thought dances
through dim light,
bringing some joy
into the
  
       (bleak. All I see are
       shadows. Mocking shadows.)

Once I believed I had it,
an inner strength to deal
with anything.

        (Like a mirage, my spirit
       couldn’t grasp what it needed.)

Now I envision…
no, I see what I truly am.

My hands are wringing,
I’m cold...so cold.

I am
not
strong.
This is the 7th piece I wrote in the Anxiety collaboration. This piece was the chosen one, until I wrote another piece. If you have read all 6 poems in this series, you will see a progression from dark to not so dark. Each piece has emotion, lots of it. I have to admit that this one was the hardest to write, as the emotion hit me very hard. I was mentally spent after writing and editing this (although there was very little editing to be done). As I was in my 'writing state of mind', I cried. Yes, dear reader, some poetry does that to me. I was overwhelmed by emotion. I have not yet figured out if the tears were borne from the poem, or if the words flowed out as a reaction to where my head was at. Maybe it just doesn't matter.

This poem is the 2nd last one in this series. I hope you enjoy it. I hope you, in some little way, took a journey with me. Maybe my words have revealed something in us that we don't want people to see. Maybe you just simply can't relate to any of it. And there is always the risk that you laugh at me and my words. This is all fine. I have grown. I have learned. Smiled and cried, I've run the gamut of emotion in this series of poetry. Please enjoy.

Rod E. Kok
April 2014
Shannon Apr 2014
upon the elephant rode a boy prince,
his royal command, he was there to evince.
dark with grace and dripping with youth.
bringing his men, his crown and his couth.
town after town he strode fierce through the gates.
and any detractors were left to cruel fates.
and on one windy day, as they strode into town.
the faces where tenfold and a hush passed around
the grey of the creature with knowing black eyes
swayed left towards the crowd as if to capsize.
and the mass gasped in horror; bairns seized by their mam.
men flung at young ladies, babes pulled from the pram.
the bewildered and flustered
tired elephant sat.
in the center of all on the bald pastors hat.
the old pastor looked stunned to see such a disgrace.
until he remembered, and composed his face.
'your highness' he bowed. his manners restored.
but the poor prince was toppled his mighty seat floored.
they gasped for the prince, just really a child
dressed in fine silks on this elephant wild.
pastor said, 'here now' extending an arm
hand wrinkled and gnarled from the land that he farmed.
then the guards sprung to life as if sudden awake
guns point to the man of whose life they would take.
and just as they squinted their eye for the aim
a boy sang out sweetly, 'sire he's not to blame!'
and the prince from street where he lay in pool
held up his hand and recovered his rule.
he looked at the crowd and he said 'boy now speak'
the boy said, 'prince it is the prayers that you seek.
the prayers that you'd visit. the prayers that you'd stay.
lord must of heard them and granted this way.'
his eyes wide with truth and the love of his church
the prince laughed a beautiful belly filled lurch.
the carriage was called as the prince shared a feast.
and even some water was splashed on the beast.
such a good time as he danced and he spun
till the horses arrived in the dust of a run.
to thank the town and the lovely haired boy
the young prince gave up his own precious toy.
the beast stays quite put in the center of town...
but prayers said no more...so the prince won't fall down.

sahn
04/10/2014
*with love, for kales, jess & jt* (otherwise entitled "watch what you pray for, for you just might get it"
Ankush Samant Jul 2014
An old soul,
Curled up on the street.
Marks of burn,
Peeling skin,
Silent cry from the parched throat,
Agony on every turn,
Howl for food,
A sob in between,
Or was it the muscles' twist and turn?
Why did the burn,
Take just the skin,
Why didn't the heat,
Make some food,
Or give some heat,
On this cold street?!
And just then,
A passing gentleman,
In a black suit,
But without a boot,
Dropped me a drop of food,
And said, 'Look at that tree,
Burned in fire, jealousy and heat,
Soaked in rain, vain and pain,
Gnarled beyond the shadow's recognition,
Death has found him no definition,
So, you just rest in peace,
I will drop you daily,
Life in bits and pieces.'
Joe Cole  Sep 2014
Creativity
Joe Cole Sep 2014
I saw the old man circling the tree trunk
Weather beaten skin, bent gnarled hands
and piercing blue eyes

He seemed to study every knot and crack
in that ancient timber

Then without a word turned and picked up hammer and chisel

The wood chips then began to fly and like confetti on the ground lie soon in heaps some ankle high

Occasionally he would stand back and look but never once a rest he took

Mallet strokes both hard and soft some from under some aloft fell there with unerring skill always busy never still

Long into the night he worked now by the light of an oil lamp and so the tree stump 'neath his hand then became a work of art

At long last he stood and turned to me and said three words " that'll do lad"

I approached to see just what he'd done and there I saw the perfect rose every petal and leaf in place the slender stems in the breeze did sway

With no plan or picture he had made the start
And created the perfect work of art.


So what is creativity? Well that's your next challenge.

No love poems because they've been done a million times. This time something unique
I decided to repost this after reading it, was going to change a few things but decided that its fine as it is
I hear stories of an ancient land so pure.
I see photographs of bluer than blue skies
over a lake of molten gold.

I drink kahwa flavoured with almond and saffron
and add honey, sweetened by bees from the valley,
my hips swaying in a crewel work on wool skirt.

I hear songs of freedom, I know people who fled.
The muezzin prays for peace over bloodstains and tears
while children still play under walnut trees.

Clouds gather to pray at Shankaracharya Temple
on a mountain dipping its toes into water
while empty shikaras speak of visiting ghosts.

Mothers whose eyes never tire, looking over the sunset
for long lost sons; wives who still lay out their husband’s
slippers on a carpet with frayed edges.

Postmen deliver letters to addresses long abandoned;
a generation of elders, eyes of agate, gnarled fingers, brew tea
surrounded by memories of children killed, daughters *****.

I write for all people who live in war.
I write for the age of innocence to return.
I write for soft rain to wash away sin.

I write for the return to reason.
I write for peace to flutter gently through groves
of apricot, almond, apple and walnut.

Feel the pain. Hear the refrain. Smell the emptiness.
This is now. This is now. This is not in the pages
of a fading history text. This is now. This is now.
jane taylor  Jun 2016
fly
jane taylor Jun 2016
fly
born in illusory chains
gnarled metal
encrusted in my broken skin
the copper colored dust
of rusted steel
infectiously envelopes

shaving off antiquated layers
of fundamentalist religion
encrusted for generations
unpeeled until raw
an unsophisticated method
unveiling
ancient lodged glass shards
colored with deceit

brought before their court
interrogated
unfathomably skewered
an eerie salem witch trial
in modern times

barbarically they shun me
banished
i wander aimlessly
smelling the rotten decay of deceased community
as splinters pierce my feet
from the crooked wooden plank
i walk alone now

an unfathomable inner ache
kindled a residue within
igniting a wildfire from the darkest shadows
uncontainably erupting
i dance savagely
naked in the orange moonlight
and in every shaded edge
lit my soul ablaze

i am a nomad sheep
‘tho not one of their color
no pasture to contain me
no shepherd i can follow
theological safety nets
no longer there to catch me
bohemian-like
i plunge

free falling
plummeting
stripped wide open
magically
fearlessness
reverses gravitation

floating
untethered
i soar amongst
apricot tinged clouds
my skin still wet from rebirth
and rise with the flaming coral sun

you cannot destroy me
i twisted in your decrepit pencil sharpener
and with fresh mettle
cut through the chains that bound

you can have my ego
but you cannot have my soul

dismantling domestication
transcending limitation
wildly untamed
i fly

©2016janetaylor
my husband and i left the mormon church and lost many friends, family, and community
B  Dec 2018
Gnarled Heart
B Dec 2018
Gnarled heart
growing apart
from all I hold dear.
Branches to ribs, oh spears.
I am overgrown
yet never let alone,
twigs and leaves all split my bones.
Outside, looks so trim
but I cannot let him in.
Twisted beyond what is grim.
Forest forever,
wish a man luck on his endeavor
to cleave a gnarled heart down.

— The End —